Peanuts Sayings Quotes

We've searched our database for all the quotes and captions related to Peanuts Sayings. Here they are! All 100 of them:

Love is the jelly to sunshine’s peanut butter. And if I tell you that I’m in sandwich with you, I’m not just saying it to get in your Ziploc bag.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
Can you, like, see invisible people, too?" "No," Warner says to him, eyes focused in front of him. "I can feel your presence. Hers, most of all." "Really?" Kenji says. "That's some weird shit. What do I feel like? Peanut butter?" Warner is unamused.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
We are so limited, you have to use the same word for loving Rosaleen as you do for loving Coke with peanuts. Isn't that a shame we don't have many more ways to say it?
Sue Monk Kidd (The Secret Life of Bees)
Why shouldn't I be introspective? We dont' make sense." "Neither do Chocolate and Peanut Butter, but it somehow works." He says "Somehow the mixture of two things is genius.
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
Is Tyson okay?" I asked. The question seemed to take my dad by surprise. He's fine. Doing much better than I expected. Though "peanut butter" is a strange battle cry. "You let him fight?" Stop changing the subject! You realize what you are asking me to do? My palace will be destroyed. "And Olympus might be saved." Do you have any idea how long I've worked on remodeling this palace? The game room alone took six hundred years. "Dad—" Very well! It shall be as you say. But my son, pray this works. "I am praying. I'm talking to you, right?" Oh . . . yes. Good point.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
No matter what anyone says, it's much worse to be unloved than it is to be lost in the woods." "Sometimes, I think you've been lost in the woods all your life, Charlie Brown...
Charles M. Schulz (The Complete Peanuts, Vol. 10: 1969–1970)
LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962
Sylvia Plath (Ariel)
Let me also say I wanna make you sandwhiches, And soup, And peanut butter cookies, Though, the truth is peanutbutter is actually really bad for you 'cause they grow peanuts in old cotton fields to clean the toxins out of the soil, But hey, you like peanutbutter and I like you!
Andrea Gibson
Charlie Brown says that we're put here on earth to make others happy." "Is that why we're here? I guess I'd better start doing a better job... I'd hate to be shipped back!
Charles M. Schulz (The Complete Peanuts, Vol. 6: 1961-1962)
Space," it says, "is big. Really big. You just won't believe how vastly, hugely, mindbogglingly big it is. I mean, you may think it's a long way down the road to the chemist's, but that's just peanuts to space, listen...
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
WHAT! WE CANT TALK AT THE SAME TIME! I talk, you talk, I talk, you talk, I talk, you talk, WE CAN'T DO IT! Peanut. WHAT! You said my name wrong. No it's Jeff Dun-ham. No it's dunham, No dun-ham. No dunha. No you see it says dunham jeff dun-HAM. Actually if you look at it, it say jef f dunham .com
Jeff Dunham
Why are you standing here, Charlie Brown?" "I'm waiting for that little red-haired girl to walk by... I'm going to say hello to her and ask her how she's enjoying her summer vacation, and just sort of talk to her... You know..." "You'll never do it, Charlie Brown... You'll panic..." "Besides that, she's already walked by!
Charles M. Schulz (The Complete Peanuts, Vol. 8: 1965-1966)
Aren't the clouds beautiful? They look like big balls of cotton... I could just lie here all day, and watch them drift by... If you use your imagination, you can see lots of things in the cloud formations... What do you think you see, Linus?" "Well, those clouds up there look like the map of the British Honduras on the Caribbean... That cloud up there looks a little like the profile of Thomas Eakins, the famous painter and sculptor... And that group of clouds over there gives me the impression of the stoning of Stephen... I can see the apostle Paul standing there to one side..." "Uh huh... That's very good... What do you see in the clouds, Charlie Brown?" "Well, I was going to say I saw a ducky and a horsie, but I changed my mind!
Charles M. Schulz (The Complete Peanuts, Vol. 5: 1959-1960)
So Uncle Stuart is marrying that lady? Mom says she's going to be our aunt Amy. She's okay except she would't try any peanut butter M&M chocolate chip fudge cookies. They were good- you ate five, remember? But she said she was on a special diet, and couldn't eat something called carbs. We told her we didn't put any carbs in our cookies, just M&Ms, but she said M&Ms were carbs. Uncle Mitch, what's carbs? email to Uncle Mitch from Haily and Brittany
Meg Cabot (Boy Meets Girl (Boy, #2))
I merely want to put you in a jail," said his Lyctor, now meditative, "and fill up the jail with acid once for every time you made a frivolous remark, or ate peanuts in a Cohort Admiralty meeting, or said, 'What would I know, I'm only God.' Then at the end of a thousand years, you would say, 'Mercy, I have learned not to do any of these things, because I hated the acid you put on me.' And I would say, 'That is why I did it, Lord. I did it for you, and for your empire.' I often think about this," she finished.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
Did you know there are 32 names for love in one of the Eskimo language? And we just have this one. We are so limited, you have to use the same word for loving Rosaleen as you do for loving Coke with peanuts. Isn't that a shame we don't have more ways to say it.
Sue Monk Kidd (The Secret Life of Bees)
See the valentine I made for Linus? On the inside, I wrote, To my sweet babboo." "He says he's not your sweet babboo." "What does he know?
Charles M. Schulz (The Complete Peanuts, Vol. 16: 1981-1982)
May I ask a question, Lucy?" "Go right ahead!" "Just why do you want to draw this line all the way around the world?" "Well, you know the old saying, Charlie Brown... You have to draw the line someplace!
Charles M. Schulz (The Complete Peanuts, Vol. 2: 1953-1954)
My grandfather has been very depressed lately. He just doesn't know what to do. He says it's late in the game, and he's afraid that life has him beaten." "Tell him to take out the goalie.
Charles M. Schulz (The Complete Peanuts, Vol. 15: 1979-1980)
Rats! There goes the bell... oh, how I hate lunch hours! I always have to eat alone because nobody likes me... Peanut butter again... I wish that little red haired girl would come over, and sit with me. Wouldn’t it be great if she’d walk over here, and say, “May I eat lunch with you, Charlie Brown?” I’d give anything to talk with her... she’d never like me, though... I’m so blah and so stupid... she’d never like me... I wonder what would happen if I went over and tried to talk to her! Everyone would probably laugh... she’d probably be insulted someone as blah as I am tried to talk to her. I hate lunch hour... all it does is make me lonely... during class it doesn’t matter... I can’t even eat... Nothing tastes good... Rats! Nobody is ever going to like me... Lunch hour is the loneliest hour of the day!
Charles M. Schulz
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
Kinsley, I'v never liked any girl more than I like M&Ms." "Am I getting close?" I joked. "I'd say I like you more than regular M&Ms, but you're going to have to really step it up if you want to beat out peanut M&Ms.
R.S. Grey (Scoring Wilder)
Let's just say that life has me beaten... So I give up! I admit there's no way I can win..." "What is it you want, Charlie Brown?" "How about two out of three?
Charles M. Schulz (The Complete Peanuts, Vol. 14: 1977-1978)
You keep seeing your picture on posters that you are missing but you're not. That'd be weird, right? Or say you look down at the sidewalk and earthworms are spelling your name. Or you open a peanut bag and the 'hello' is written in your writing on the inside of the shell. Would that weird ya?
Lynda Barry
I want to be liked... No, I want to be more than just liked... I want people to say, "that Charlie Brown is a great guy!" And when people are at parties, I want them to look for me, and when I finally arrive, I want them to say, "here comes good ol' Charlie Brown... Now everything will be all right!" I want to be a special person... I want to be needed... It's kind of hard to explain... Do you understand? I mean, do you know what I'm talking about?" "Sure, I understand perfectly..." "Well?" "Forget it! Five cents, please!
Charles M. Schulz (The Complete Peanuts, Vol. 9: 1967-1968)
We will never fight again, our lovely, quick, template-ready arguments. Our delicate cross-stitch of bickers. The house becomes a physical encyclopedia of no-longer hers, which shocks and shocks and is the principal difference between our house and a house where illness has worked away. Ill people, in their last day on Earth, do not leave notes stuck to bottles of red wine saying ‘OH NO YOU DON’T COCK-CHEEK’. She was not busy dying, and there is no detritus of care, she was simply busy living, and then she was gone. She won’t ever use (make-up, turmeric, hairbrush, thesaurus). She will never finish (Patricia Highsmith novel, peanut butter, lip balm). And I will never shop for green Virago Classics for her birthday. I will stop finding her hairs. I will stop hearing her breathing.
Max Porter (Grief is the Thing with Feathers)
Boner," Peanut said. "Oh no," Jade said to the parrot. "No, no, no...you can't say- "Boner" "Oh G-d" Jade panicked. "Peanut-" "Pretty bird," Dell broke in, smiling at the parrot and speaking low and soft. "Such a pretty girl, Peanut." Peanut preened under his admiring tone. "Pretty Peanut.
Jill Shalvis (Animal Attraction (Animal Magnetism, #2))
That stupid Charlie Brown! He had the nerve to say I'm not perfect!" "So I suppose you hit him, huh?" "Rats! I knew I forgot something!
Charles M. Schulz (The Complete Peanuts, Vol. 14: 1977-1978)
Hello," Life says, "Remember me? We started out together here When you were just a bundle Of innocent amazement. Remember how you saw the world With nothing but wonder? We were such rowdy playmates then. We painted on the sky with clouds And made magic out of Clothespins and peanut butter. Remember, can you, how I became stained and heavy With trouble? Not safe now. Lots of no. They dressed me in painful clothes And made you wear them, too. You don't recognize me, do you But I've never abandoned you Or lost my wild, happy desire To show you Play with you Kiss you Hide and seek down twisty paths And always discover more. Want to run away with me again? Shall we elope without ever leaving Because that's possible, you know. I've never been anywhere but here Waiting for you To remember.
Jacob Nordby
(Talking abot peanuts)Arrgh! I never have any idea what any adult says! It's always that "wha wha wha" crap!
Seth Green
I love the name Maggie, he went on, and she glanced up at him suspiciously-nobody loved the name Maggie-but his face was serious. It makes your teeth feel good to say it. Maggie, Maggie, Maggie. It feels like eating peanuts. Try it, and he paused, waiting for her to recite her name aloud. She turned away, but she did try it anyway, to herself, and she felt a surprising tingle around her upper molars.
Sylvia Cassedy (Behind the Attic Wall)
... the transition from lost to found is never an easy one. It is never easy to be a prodigal son -- or daughter. It is never easy to say, 'I will arise and go to my father ...' (Luke 15:18, 19). This is never easy, because it is not until our situation becomes completely hopeless that we can humble ourselves to the extent of admitting that such a gross mistake was our own.
Robert L. Short (The Gospel According to Peanuts)
Charlie Brown: I think lunchtime is about the worst time of day for me. Always having to sit here alone. Of course, sometimes, mornings aren't so pleasant either. Waking up and wondering if anyone would really miss me if I never got out of bed. Then there's the night, too. Lying there and thinking about all the stupid things I've done during the day. And all those hours in between when I do all those stupid things. Well, lunchtime is among the worst times of the day for me. Well, I guess I'd better see what I've got. Peanut butter. Some psychiatrists say that people who eat peanut butter sandwiches are lonely...I guess they're right. And when you're really lonely, the peanut butter sticks to the roof of your mouth. There's that cute little red-headed girl eating her lunch over there. I wonder what she would do if I went over and asked her if I could sit and have lunch with her?...She'd probably laugh right in my face...it's hard on a face when it gets laughed in. There's an empty place next to her on the bench. There's no reason why I couldn't just go over and sit there. I could do that right now. All I have to do is stand up...I'm standing up!...I'm sitting down. I'm a coward. I'm so much of a coward, she wouldn't even think of looking at me. She hardly ever does look at me. In fact, I can't remember her ever looking at me. Why shouldn't she look at me? Is there any reason in the world why she shouldn't look at me? Is she so great, and I'm so small, that she can't spare one little moment?...SHE'S LOOKING AT ME!! SHE'S LOOKING AT ME!! (he puts his lunchbag over his head.) ...Lunchtime is among the worst times of the day for me. If that little red-headed girl is looking at me with this stupid bag over my head she must think I'm the biggest fool alive. But, if she isn't looking at me, then maybe I could take it off quickly and she'd never notice it. On the other hand...I can't tell if she's looking, until I take it off! Then again, if I never take it off I'll never have to know if she was looking or not. On the other hand...it's very hard to breathe in here. (he removes his sack) Whew! She's not looking at me! I wonder why she never looks at me? Oh well, another lunch hour over with...only 2,863 to go.
Clark Gesner (You're a Good Man, Charlie Brown - Vocal Score)
If it's just a matter of looking, I've looked! I've looked for happiness at home. I've looked all over this neighbourhood for happiness... Someday, I'll look all over this country for happiness... And, someday, I'll look all around the world for happiness, but I'll probably never find it... Then, after I've looked all over the world, I'll return home." "And when you return home, you'll find the very happiness that was there all along! Is that what you're trying to say?" "No, but maybe I'll find that stupid little pink bracelet I lost yesterday!
Charles M. Schulz (The Complete Peanuts, Vol. 13: 1975-1976)
His voice deepened. “I miss you, too, Peanut.” There was a pause between us. I didn’t know what else to say to him then. My mind went blank. He mumbled something away from the phone like he was talking to someone else. “I’ve got to go. Stay with the others, okay?
C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
Space,” it says, “is big. Really big. You just won’t believe how vastly hugely mind-bogglingly big it is. I mean, you may think it’s a long way down the road to the chemist, but that’s just peanuts to space. Listen …
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
Don't sit there watching TV without your glasses! Do you want to ruin your eyes?!" "My opthalmologist says that not wearing glasses cannot hurt the eyes even if those glasses are badly needed for adequate vision." "What does your opthalmologist think of the foreign situation?
Charles M. Schulz (The Complete Peanuts, Vol. 6: 1961-1962)
You can’t just come out and say what you have to say. That’s what people do on airplanes, when a man plops down next to you in the aisle seat of your flight to New York, spills peanuts all over the place (back when the cheapskate airlines at least gave you peanuts), and tells you about what his boss did to him the day before. You know how your eyes glaze over when you hear a story like that? That’s because of the way he’s telling his story. You need a good way to tell your story.
Adair Lara (Naked, Drunk, and Writing: Writing Essays and Memoirs for Love and for Money)
I'm staying right here," grumbled the rat. "I haven't the slightest interest in fairs." "That's because you've never been to one," remarked the old sheep . "A fair is a rat's paradise. Everybody spills food at a fair. A rat can creep out late at night and have a feast. In the horse barn you will find oats that the trotters and pacers have spilled. In the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese. In the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles,partially gnawed ice cream cones,and the wooden sticks of lollypops. Everywhere is loot for a rat--in tents, in booths, in hay lofts--why, a fair has enough disgusting leftover food to satisfy a whole army of rats." Templeton's eyes were blazing. " Is this true?" he asked. "Is this appetizing yarn of yours true? I like high living, and what you say tempts me." "It is true," said the old sheep. "Go to the Fair Templeton. You will find that the conditions at a fair will surpass your wildest dreams. Buckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy bags stuffed with rotten..." "That's enough!" cried Templeton. "Don't tell me anymore I'm going!
E.B. White (Charlotte’s Web)
Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well. I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice. I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits. Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)
Diana Gabaldon (Drums of Autumn (Outlander, #4))
[Schulz] came to see that the better part of his shyness was really vanity, or self-centeredness. "Shyness is an illusion," he would say, late in life. "If you get out and do something and talk to people, you don't have to be shy. Shyness is the overtly self-conscious thinking that you are the only person in the world; that how you look and what you do is of any importance.
David Michaelis (Schulz and Peanuts: A Biography)
Is it fair to call The Princess Bride a classic? The storybook story about pirates and princesses, giants and wizards, Cliffs of Insanity and Rodents of Unusual Size? It's certainly one of the most often quoted films in cinema history, with lines like: "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." "Inconceivable?" "Anybody want a peanut?" "Have fun storming the castle." "Never get involved in a land war in Asia." "Life is pain, Highness. Anyone who says differently is selling something." "Rest well, and dream of large women." "I hate for people to die embarrassed." "Please consider me as an alternative to suicide." "This is true love. You think this happens every day?" "Get used to disappointment." "I'm not a witch. I'm your wife." "Mawidege. That bwessed awangement." "You seem a decent fellow. I hate to kill you."... You seem a decent fellow. I hate to die." "Death cannot stop true love. All it can do is delay it for a while." "Never go in against a Sicilian when death is on the line!" "There's a shortage of perfect breasts in this world. It would be a pity to damage yours." And of course... "As you wish.
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
Tyson okay?” I asked. The question seemed to take my dad by surprise. He’s fine. Doing much better than I expected. Though “peanut butter” is a strange battle cry. “You let him fight?” Stop changing the subject! You realize what you are asking me to do? My palace will be destroyed. “And Olympus might be saved.” Do you have any idea how long I’ve worked on remodeling this palace? The game room alone took six hundred years. “Dad—” Very well! It shall be as you say. But my son, pray this works. “I am praying. I’m talking to you, right?
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Is it wrong to say that I would not mind having your peanut butter on my chocolate?
José N. Harris
He says dumb shit on the regular that makes me laugh, gets grumpy when he's hungry, and eats all my peanut butter, but I still love the bastard.
Megan Erickson (The Visit (Cyberlove, #2.5))
Your mom said to say I could have just one peanut butter square but not til after they cool down.
Breehn Burns (Best of Catbug: My Name is Catbug, What's Yours? (Book 1))
NOTE-Always remove the brown hull from the peanuts even though the recipe does not say so.
George Washington Carver (How to Grow the Peanut and 105 Ways of Preparing it for Human Consumption: (Illustrated))
Don’t talk dirty. Did you say ‘thoat’?” “Yes. This is Barsoom.” “I thoat that was what you said.” “If that’s a pun, you can eat it for supper. With peanut butter.
Robert A. Heinlein (The Pursuit of the Pankera: A Parallel Novel About Parallel Universes)
It is a strange time, my dear. A novel virus haunts our streets. Days feel like weeks, weeks like months. We’re blasted with new news every second— yes and then no and then yes and no, feeding our primal panic to hoard goods and leave shelves breadless, riceless. They tell us the pandemic makes all equal—the poor and very rich— then why are the poor poorer and the rich profiting? It is a strange time, my dear. Army men are marching our streets. They force us to stay inside, threaten and arrest for a walk in the park. They wage small wars against us, but this battle began long ago. The elite technocrats are crowing in their silicone valleys as corporations grow and small businesses fold with mountains of debt— the centre cannot, will not, hold! It is a strange time, my dear. Mainstream media reports the world has never been safer as they terrorise the chambers of our minds. This stress, this anxiety is killing our immunity. But we must do it all for the elderly— or so they say! When have they ever cared for our elders? When have they ever cared for our vulnerable? We go to bed dreaming of toilet paper while they dismantle the world economy. Family businesses go bust all so we can protect the people, but only the people are suffering! At the end of this, those retired will have peanuts for pensions. They are stripping us of everything whilst our eyes are fixed on our screens. And how dare we say it’s a strange time when in seven months we’ll make America great again.
Kamand Kojouri
86. I get angry when believers unhesitatingly attribute every good thing in the world to God — and then respond to bad things by saying, “God works in mysterious ways.” If God’s ways are so mysterious, and we can’t begin to understand his thinking behind tsunamis and drought and pediatric cancer, then what makes you think you understand his intentions when it comes to pretty sunsets or cute puppies or helping you find the peanut butter?
Greta Christina (Why Are You Atheists So Angry? 99 Things That Piss Off the Godless)
He loathed Jimmy Carter, whom he called a “big-toothed cretin.” In 1980, when we were still in Kabul, the U.S. announced it would be boycotting the Olympic Games in Moscow. “Wah wah!” Baba exclaimed with disgust. “Brezhnev is massacring Afghans and all that peanut eater can say is I won’t come swim in your pool.
Khaled Hosseini (The Kite Runner)
Koontz favored sandwiches made out of chunky peanut-butter and Bermuda onions. When Henry heard this he had shuddered and thought: And they say all the crazy people are locked up.
Stephen King (It)
I want people to have more to say about me after I'm gone than, 'He was a nice guy...he chased sticks!' —Snoopy
Charles M. Schulz (The Complete Peanuts, Vol. 7: 1963-1964)
I’ve decided to dunk Detective Primeaux’s balls in peanut butter and push him in the Pontchartrain,” August’s mom says. “Let the fish castrate him for me.
Casey McQuiston (One Last Stop)
Which peanut butter?” Nell asks. “Skippy,” I say. “He made one for crunchy and one for smooth.” They nod in silent appreciation for his gifts.
Ann Patchett (Tom Lake)
Captain,” I say and toss a peanut shell. “I missed you too.
Nikki St. Crowe (Devourer of Men)
This morning I was walking through Manhattan, head down, checking directions, when I looked up to see a fruit truck selling lychee, two pounds for five bucks, and I had ten bucks in my pocket! Then while buying my bus ticket for later that evening I witnessed the Transbridge teller’s face soften after she had endured a couple unusually rude interactions in front of me as I kept eye contact and thanked her. She called me honey first (delight), baby second (delight), and almost smiled before I turned away. On my way to the Flatiron building there was an aisle of kousa dogwood—looking parched, but still, the prickly knobs of fruit nestled beneath the leaves. A cup of coffee from a well-shaped cup. A fly, its wings hauling all the light in the room, landing on the porcelain handle as if to say, “Notice the precise flare of this handle, as though designed for the romance between the thumb and index finger that holding a cup can be.” Or the peanut butter salty enough. Or the light blue bike the man pushed through the lobby. Or the topknot of the barista. Or the sweet glance of the man in his stylish short pants (well-lotioned ankles gleaming beneath) walking two little dogs. Or the woman stepping in and out of her shoe, her foot curling up and stretching out and curling up.
Ross Gay (The Book of Delights: Essays)
If I'm walking down an American street and anyone darker than a peanut shell approaches, I'll say, "Hello." This because, if I don't say it, he or she might think that I'm anxious. Which, of course, I must be, otherwise I'd walk by in silence, just as I do with my fellow Caucasians. Does this make me racist, or simply race conscious? Either way, I'm more afraid of conservatives than I am of black people.
David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
Space,’ it says, ‘is big. Really big. You just won’t believe how vastly hugely mindbogglingly big it is. I mean you may think it’s a long way down the road to the chemist, but that’s just peanuts to space.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
there's a part in the essay that kind of does this academic "Let's unpack the idea of Lynchian and what Lynchian means is something about the unbelievably grotesque existing in a kind of union with the unbelievably banal," and then it gives a series of scenarios about what -- what is and what isn't Lynchian. Jeffrey Dahmer was borderline Lynchian...what was Lynchian was having the actual food products next to the disembodied bits of the corpse. I guess the big one is, you know, a regular domestic murder is not Lynchian. But if the man -- if the police come to the scene and see the man standing over the body and the woman -- let's see, the woman's '50s bouffant is undisturbed and the man and the cops have this conversation about the fact that the man killed the woman because she persistently refused to buy, say, for instance, Jif peanut butter rather than Skippy, and how very, very important that is, and if the cops found themselves somehow agreeing that there were major differences between the brands and that a wife who didn't recognize those differences was deficient in her wifely duties, that would be Lynchian -- this weird confluence of very dark, surreal, violent stuff and absolute, almost Norman Rockwell, banal, American stuff, which is terrain he's been working for quite a while -- I mean, at least since -- at least since "Blue Velvet.
David Foster Wallace
Been lickin’ peanut-butter spoons? Maybe I should call you butterfingers. It has a better ring than Hella Shella. - Tran 'Answer my question, Tran. Right now. Or I show you just what these fingers'--I wiggled my fingers under his nose-- 'can really do.' I took a step closer, erasing the distance between us. 'And let me tell you, emo boy, you are not going to like it. Let’s just say, that peanut butter I ate, freshly made.' I licked my lips with care. 'I’m actually quite skilled when it comes to crushing nuts.' - Shella
Krista Alasti (Taming Shadows)
I’d been trying to escape the rez for years. After all, Indian reservations were created by white men to serve as rural concentration camps, and I think that’s still their primary purpose. So, of course, I ran away from home in third grade. I packed a small bag with comic books, peanut butter sandwiches, and my eyeglasses, and made it almost two miles down the road before my mother found me. After that incident, she often said, “Junior, you were born with a suitcase in your hand.” That might have been a complimentary thing to say to a nomad. But my
Sherman Alexie (You Don't Have to Say You Love Me)
Did you know there are thirty-two names for love in one of the Eskimo languages?" August said. "And we just have this one. We are so limited, you have to use the same word for loving Rosaleen as you do for loving a Coke with peanuts. Isn't that a shame we don't have more ways to say it?
Sue Monk Kidd (The Secret Life of Bees)
If you ever hear Bill's sayings, he copies them from me. If you offer him something to eat, he says, 'No thanks, I just had a peanut.' Well, he got that from me. It's supposed to be funny, but he says it constantly, so it gets on my nerves. Bill says, 'I'm sorry you ever told me that one.
Edward Heffron (Brothers In Battle, Best of Friends)
What I mean to say is that you can make a choice, be reasonably satisfied with it, and still regret that which you did not choose. Maybe it's like ordering dessert. You have it narrowed down to either a warm peanut butter torte or strawberries jubilee. You choose the torte, and it's delicious. But you still wonder about those strawberries...
Gabrielle Zevin (In the Age of Love and Chocolate (Birthright, #3))
When I’m on tour, I get to meet hundreds of enthusiastic readers. There is truly nothing better for an author than having someone come up to them and say, “I loved your book.” For that, I’ll take off my shoes at airport x-rays and sit cramped in an airline seat for hours with nothing to eat but a tiny bag of peanuts. It’s totally worth it. Writing
D.J. MacHale (Storm (Sylo Chronicles, #2))
HERE IS A LIST of foods we discovered in America: Peanut butter. Marshmallows. Barbecue sauce. (You can say, “Can I have BBQ?” to a kid’s mom at potlucks and they’ll know what you mean.) Puppy chow. (Chex cereal covered in melted chocolate and peanut butter and tossed in powdered sugar. They only give it if you win a Valentine friend.) Corn-chip pie (not a pie). (Chili on top of corn chips with cheese and sour cream (not sour).) Some mores. (They say it super fast like s’mores.) Banana puddin. (They don’t say the g. Sometimes they don’t even say the b.) Here is a list of the foods from Iran that they have never heard of here: All of it. All the food. Jared Rhodes didn’t even know what a date was.
Daniel Nayeri (Everything Sad Is Untrue (a true story))
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary … You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
They say make love, not war,” Jax shouted down from the spectators’ ring that lined the training pit. “I frankly don’t care as long as you two get to one or the other.” The peanut gallery burst into laughter. “Is that how you treat a lady, Jax? There’s more to it than just saying hello and putting a sword through her eye!” Daniel jested back. “Mate, if you’re going for the eye, your sword is in the wrong place!” A roar of laughter threatened to deafen them.
Elise Kova (Water's Wrath (Air Awakens, #4))
But there’s this way he drums his fingers on the table. Not even like really drumming. More like in-way between drumming and like this scratching, picking, the way you see somebody picking at dead skin. And without any kind of rhythm, see, constant and never-stopping but with no kind of rhythm you could grab onto and follow and stand. Totally like whacked, insane. Like the kind of sounds you can imagine a girl hears in her head right before she kills her whole family because somebody took the last bit of peanut butter or something. You know what I’m saying? The sound of a fucking mind coming apart. You know what I’m saying? So yeah, yes, OK, the short answer is when he wouldn’t quit with the drumming at supper I sort of poked him with my fork. Sort of. I could see how maybe somebody could have thought I sort of stabbed him. I offered to get the fork out, though. Let me just say I’m ready to make amends at like anytime. For my part in it. I’m owning my part in it is what I’m saying. Can I ask am I going to get Restricted for this? Cause I have this Overnight tomorrow that Gene he approved already in the Overnight Log. If you want to look. But I’m not trying to get out of owning my part of the, like, occurrence. If my Higher Power who I choose to call God works through you saying I’ve got some kind of a punishment due, I won’t try to get out of a punishment. If I’ve got one due. I just wanted to ask. Did I mention I’m grateful to be here?
David Foster Wallace (Infinite Jest)
Epic. Primordial. Gritty. Incandescent. These are just a few of the adjectives the fat girl feeds you along with her Banana-Rama bread, her peanut butter and raspberry triangles, her rocky road. She says it’s like you have Leonard Cohen’s touch with lyrics coupled with Daniel Johnston’s sincerity coupled with a Rimbaudian aura of tragedy yet with Nick Cave teeth. She doesn’t tell you not to quit your day job, like Some People. Instead, she counsels never to give up, her gaze wet, dark, and adoring as a dog’s.
Mona Awad (13 Ways of Looking at a Fat Girl)
Tatiasha, my wife, I got cookies from you and Janie, anxious medical advice from Gordon Pasha (tell him you gave me a gallon of silver nitrate), some sharp sticks from Harry (nearly cried). I’m saddling up, I’m good to go. From you I got a letter that I could tell you wrote very late at night. It was filled with the sorts of things a wife of twenty-seven years should not write to her far-away and desperate husband, though this husband was glad and grateful to read and re-read them. Tom Richter saw the care package you sent with the preacher cookies and said, “Wow, man. You must still be doing something right.” I leveled a long look at him and said, “It’s good to know nothing’s changed in the army in twenty years.” Imagine what he might have said had he been privy to the fervent sentiments in your letter. No, I have not eaten any poison berries, or poison mushrooms, or poison anything. The U.S. Army feeds its men. Have you seen a C-ration? Franks and beans, beefsteak, crackers, fruit, cheese, peanut butter, coffee, cocoa, sacks of sugar(!). It’s enough to make a Soviet blockade girl cry. We’re going out on a little scoping mission early tomorrow morning. I’ll call when I come back. I tried to call you today, but the phone lines were jammed. It’s unbelievable. No wonder Ant only called once a year. I would’ve liked to hear your voice though: you know, one word from you before battle, that sort of thing . . . Preacher cookies, by the way, BIG success among war-weary soldiers. Say hi to the kids. Stop teaching Janie back flip dives. Do you remember what you’re supposed to do now? Kiss the palm of your hand and press it against your heart.   Alexander   P.S. I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Mercymorn took her fat-tipped marker and scribbled on the plex, placing her new object squarely in the epirhoic layer. “This is the Beast,” she said. Augustine said, “That’s a muffin.” “I see a cloud, but with a face,” said Ianthe. “If you take that main squiggle for an eye.” You said, “I thought it was a flower,” and God said, “No, yes, I agree, there’s something–glorescent about it.” And Ortus said, “Thought it was a snake in a bush.” “I hate you all,” said Mercymorn passionately. “I have hated you for millennia… except you, my lord.” “Thanks,” said God. “I merely want to put you in a jail,” said his Lyctor, now meditative, “and fill up the jail with acid once for every time you made a frivolous remark, or ate peanuts in a Cohort Admiralty meeting, or said, ‘What would I know, I’m only God.’ Then at the end of a thousand years, you would say, ‘Mercy, I have learned not to do any of these things, because I hated the acid you put on me.’ And I would say, ‘That is why I did it, Lord. I did it for you, and for your empire.’ I often think about this,” she finished.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
Patriotism comes from the same Latin word as father. Blind patriotism is collective transference. In it the state becomes a parent and we citizens submit our loyalty to ensure its protection. We may have been encouraged to make that bargain from our public school education, our family home, religion, or culture in general. We associate safety with obedience to authority, for example, going along with government policies. We then make duty, as it is defined by the nation, our unquestioned course. Our motivation is usually not love of country but fear of being without a country that will defend us and our property. Connection is all-important to us; excommunication is the equivalent of death, the finality we can’t dispute. Healthy adult loyalty is a virtue that does not become blind obedience for fear of losing connection, nor total devotion so that we lose our boundaries. Our civil obedience can be so firm that it may take precedence over our concern for those we love, even our children. Here is an example: A young mother is told by the doctor that her toddler is allergic to peanuts and peanut oil. She lets the school know of her son’s allergy when he goes to kindergarten. Throughout his childhood, she is vigilant and makes sure he is safe from peanuts in any form. Eighteen years later, there is a war and he is drafted. The same mother, who was so scrupulously careful about her child’s safety, now waves goodbye to him with a tear but without protest. Mother’s own training in public school and throughout her life has made her believe that her son’s life is expendable whether or not the war in question is just. “Patriotism” is so deeply ingrained in her that she does not even imagine an alternative, even when her son’s life is at stake. It is of course also true that, biologically, parents are ready to let children go just as the state is ready to draft them. What a cunning synchronic-ity. In addition, old men who decide on war take advantage of the timing too. The warrior archetype is lively in eighteen-year-olds, who are willing to fight. Those in their mid-thirties, whose archetype is being a householder and making a mark in their chosen field, will not show an interest in battlefields of blood. The chiefs count on the fact that young braves will take the warrior myth literally rather than as a metaphor for interior battles. They will be willing to put their lives on the line to live out the collective myth of societies that have not found the path of nonviolence. Our collective nature thus seems geared to making war a workable enterprise. In some people, peacemaking is the archetype most in evidence. Nature seems to have made that population smaller, unfortunately. Our culture has trained us to endure and tolerate, not to protest and rebel. Every cell of our bodies learned that lesson. It may not be virtue; it may be fear. We may believe that showing anger is dangerous, because it opposes the authority we are obliged to appease and placate if we are to survive. This explains why we so admire someone who dares to say no and to stand up or even to die for what he believes. That person did not fall prey to the collective seduction. Watching Jeopardy on television, I notice that the audience applauds with special force when a contestant risks everything on a double-jeopardy question. The healthy part of us ardently admires daring. In our positive shadow, our admiration reflects our own disavowed or hidden potential. We, too, have it in us to dare. We can stand up for our truth, putting every comfort on the line, if only we can calm our long-scared ego and open to the part of us that wants to live free. Joseph Campbell says encouragingly, “The part of us that wants to become is fearless.” Religion and Transference Transference is not simply horizontal, from person to person, but vertical from person to a higher power, usually personified as God. When
David Richo (When the Past Is Present: Healing the Emotional Wounds that Sabotage our Relationships)
The discovery of mirror neurons was made by Giacomo Rizzolatti, Vittorio Gallase, and Marco Iaccoboni while recording from the brains of monkeys that performed certain goal-directed voluntary actions. For instance, when the monkey reached for a peanut, a certain neuron in its premotor cortex (in the frontal lobes) would fire. Another neuron would fire when the monkey pushed a button, a third neuron when he pulled a lever. The existence of such command neurons that control voluntary movements has been known for decades. Amazingly, a subset of these neurons had an additional peculiar property. The neuron fired not only (say) when the monkey reached for a peanut, but also when it watched another monkey reach for a peanut! These were dubbed “mirror neurons” or “monkey-see-monkey-do” neurons.
John Brockman (The Mind: Leading Scientists Explore the Brain, Memory, Personality, and Happiness (Best of Edge Series))
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Language can often seem abstract and transcendent of the body, the world, and even time itself. But language is more closely tied to your body mandala than you may realize, especially where its acquisition during childhood is concerned. If you read the verb “lick,” your tongue area will light up. If you hear someone say “kick,” it activates your leg areas. Christian Keysers, a mirror neuron researcher at the University Medical Center Groningen in the Netherlands, says that mirror neurons may very well be a key precursor to abstract thought and language. For example, he explains, you use the word “break” as a verb as in “I see you break the peanut, I hear you break the peanut, and I break the peanut.” The constant is the mental simulation of breaking even though the context varies in each case. So your body is the foundational source of meaning—not just of words and actions but even the meanings of things you learn about through your eyes, ears, and bodily experience.
Sandra Blakeslee (The Body Has a Mind of Its Own: How Body Maps in Your Brain Help You Do (Almost) Everything Better)
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.
Hallgrímur Helgason
Do you know what I remember?” I ask suddenly. “What?” “The time Trevor’s shorts split open when you guys were playing basketball. And everybody was laughing so hard that Trevor started getting mad. But not you. You got on your bike and you rode all the way home and brought Trevor a pair of shorts. I was really impressed by that.” He has a faint half smile on his face. “Thanks.” Then we’re both quiet and still dancing. He’s an easy person to be quiet with. “John?” “Hmm?” I look up at him. “I have to tell you something.” “What?” “I’ve got you. I mean, I have your name. In the game.” “Seriously?” John looks genuinely disappointed, which makes me feel guilty. “Seriously. Sorry.” I press my hands against his shoulders. “Tag.” “Well, now you have Kavinsky. I was really looking forward to taking him out, too. I had a whole plan and everything.” All eagerness I ask, “What was your plan?” “Why should I tell the girl who just tagged me out?” he challenges, but it’s a weak challenge, just for show, and we both know he’s going to tell me. I play along. “Come on, Johnny, I’m not just the girl who tagged you out. I’m your pen pal.” John laughs a little. “All right, all right. I’ll help you.” The song ends and we step apart. “Thanks for the dance,” I say. After all this time, I finally know what it’s like to dance with John Ambrose McClaren. “So what would you have asked for if you won?” He doesn’t hesitate even one beat. “Your peanut butter chocolate cake with my name written in Reese’s Pieces.” I stare at him in surprise. That’s what he would have wished for? He could have anything and he wants my cake? I give him a curtsy. “I’m so honored.” “Well, it was a really good cake,” he says.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.
Peter MacDonald (Best Joke Book for Kids: Best Funny Jokes and Knock Knock Jokes (200+ Jokes) : Over 200 Good Clean Jokes For Kids)
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary ... You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
If I had questioned Harris further—“What do you mean when you say sex doesn't have to mean anything? Do people engage in it for no reason at all? Does it just happen, like a gurgle in the stomach, a can rattling down the street, or a screen door blowing shut in the breeze?”—perhaps he would have conceded that sex does have trivial meanings: a little pleasure, a little fun, a little relief from boredom and desire. This wouldn't be much of a concession. Sex would mean something, but only in the way that eating a peanut means something, chewing on an ice cube means something, scratching an itch means something. There would be no more call to rhapsodize about the touch of a man and a woman than to compose sonnets about the communion of a picnicker with his mayonnaise.
J. Budziszewski (On the Meaning of Sex)
Our favorite example of meaning comes from a “Peanuts” cartoon strip. Lucy asks Schroeder—Schroeder playing the piano, of course, and ignoring Lucy—if he knows what love is. Schroeder stands at attention and intones, “Love: a noun, referring to a deep, intense, ineffable feeling toward another person or persons.” He then sits down and returns to his piano. The last caption shows Lucy looking off in the distance, balefully saying, “On paper, he’s great.” Most mission statements suffer that same fate: On paper, they’re great.
Warren Bennis (Leaders: The Strategies for Taking Charge (Collins Business Essentials))
Men dream of starting over. Not even necessarily with another woman. They dream of a clean slate, of disappearing, of walking off a plane on a layover and making a new life for themselves in a strange city--Grand Rapids say, or Nashville. They dream of an apartment all of their own, of silence, of joining Delta Force and fighting in Iraq, of introducing themselves by the nickname they'd always wished they had. Of a time and place where they can use everything they know now that they hadn't known then--that is, before they were married. And then they might be happy.
Adam Ross (Mr. Peanut)
If any man among you seem to be religious, and bridleth not his tongue, but deceiveth his own heart, this man’s religion is vain. —James 1:26 (KJV) When I was in my twenties, I started going to the opera. An enthusiastic novice, I’d walk joyfully to the lobby for intermission, only to hear the dismissive remarks of the jaded veterans. A fine performance by Pavarotti? “He has no squillo. You really should have heard Corelli in that part.” An incredible high note from Joan Sutherland? “Too bad you couldn’t have heard her twenty years ago.” I’d go back to my seat for the second act, regretting that I wasn’t twenty years older rather than enjoying the singing that night. I’ve tried, with diminishing success as I’ve grown older, to be less of a curmudgeon. But the place I’ve failed utterly has been church. Walking home on Sunday mornings, I’ve recited a litany of complaints. “The music here is terrible. Do you remember the choir at St. So-and-So’s?” “There was no meat in that sermon. Father X was so much more thoughtful.” “Did you see the sneakers the altar server was wearing? We’d never have let that pass at St. Thingummy’s.” Finally, my wife, Julia, had enough. “What are you doing for Lent?” she asked. “Giving up peanut butter, like always,” I answered. “How about giving up all that negativity?” So I tried. Sometimes I’d just keep quiet. Sometimes I’d catch myself mid-complaint. Sometimes I’d even say something positive! And you know what? I found myself praying rather than looking for things I didn’t like. After all, I was there for God’s sake, not my own. You know what else? This Lent I’m going to find something good to say every Sunday. Lord, keep my attention where it really belongs—on You. —Andrew Attaway Digging Deeper: Jl 2:12–13; 1 Pt 5:6
Guideposts (Daily Guideposts 2014)
God of Wonder Praise the Lord! How good it is to sing praises to our God! How delightful and how right! The Lord is rebuilding Jerusalem and bringing the exiles back to Israel. He heals the brokenhearted, binding up their wounds. He counts the stars and calls them all by name. How great is our Lord! His power is absolute! His understanding is beyond comprehension! Psalm 147:1-5 I loved seeing my little grandson Noah as he watched snowflakes twirling from the sky, patted our dog’s black, furry coat, and later folded his hands and bowed his red head to say thank you to God for his peanut butter sandwich. He is aware and alive, and his wonder was contagious. Kids are full of wonder, amazement, and awe. Many of us adults, however, have lost our sense of wonder and awe. So God gives us psalms such as this one. They draw us from our ho-hum existence that takes such things as rainbows, snowflakes, and sunrises for granted back to a childlike wonder of our great God who fills the sky with clouds, sends the snow like white wool, and hurls hail like stones. He created everything and possesses all power yet cares for the weak and brokenhearted. He calls the stars by name yet supports the humble. He reigns over all creation yet delights in the simple, heartfelt devotion of those who trust him. His understanding is beyond human comprehension. Surely a God like this can inspire our wonder and awe! Meditate today on the amazing greatness of God, and find your own words to sing his praise.   GOD OF WONDER, I am in awe of your creation, your power, and your compassion. I sing out my praise to you. Your understanding is beyond comprehension! Your power is absolute! How good it is to sing praises to my God! How delightful and how right! Praise the Lord!   RECEIVE EVERY DAY AS A RESURRECTION FROM DEATH, AS A NEW ENJOYMENT OF LIFE. . . . LET YOUR JOYFUL HEART PRAISE AND MAGNIFY SO GOOD AND GLORIOUS A CREATOR. William Law (1686-1761)
Cheri Fuller (The One Year Praying through the Bible: Experience the Power of the Bible Through Prayer (One Year Bible))
Another component it has, see, is the chocolate. The chocolate is this unbelievable deliciousness that everyone wants and is lucky to come into contact with. It's sweet, it's light, it's of the highest quality and best flavor. Just so much sugary goodness there." Benny turns over the piece of the Reese's Cup he's holding between his thumb and forefinger. I've given up trying not to cry. "But here it's complemented by peanut butter. Peanut butter, it's got protein, right? So it has a lot of strength. A little saltiness, a little punch---this peanut butter won't take your shit sitting down, y'know? Because peanut butter has been through a lot to get here in its current form. A long process, a whole lot of grinding and pressure and struggle, to come out as smooth and complex and amazing as it is." I see that Raj, Nia, and Lily have wandered into PK 2 and are standing with Seb and the others, watching with expressions ranging from confusion to astonishment to pure enjoyment as Benny gets more and more spirited. About cake. About clearly much more than cake. "Now, even with all it took, even with all that these ingredients had to go through, all the heat it's taken to make the cake what it is, people might not be fans of this cake. While it's objectively incredible, perhaps the greatest cake that has ever existed, it's still gonna have haters. There are those who might watch this video and feel the need to comment on this cake, and tell it that it's not as special as it is, or point out what they think are flaws. People will disagree with chocolate and peanut butter being delicious, a stance that is plainly wrong. Others might suggest that Friends of Flavor would somehow be better off without this cake, or that my limited experience making decent Italian food somehow make my presence here more valuable than this cake's. "Well, I'd like to make it clear that those people don't know a single fucking thing." Gasps echo through the room, including my own. Did he just say that? Live? "They don't know about this cake, they don't know how wonderful it is. They've never seen something so purely good, so unobjectionably awesome. They feel intimidated and inferior, because they are inferior and always will be. They don't have anything on this cake and they know it, so they sit behind their computer screens or stand behind their oversize egos and tear it down to try to prop themselves up. But they'll be lucky if they ever cross paths with a cake like this and it dares to spit in their direction.
Kaitlyn Hill (Love from Scratch)
The director said wonderful things about you, that you're very talented," I say, and then smell the cardamom Garrance had given me, and I'm instantly put into a trance from green, earthy, and perfumed aromas. It's like all my troubles are gone. I'm in India, envisioning dances and beautiful saris and delicious naan bread baked on hot coals. Charles taps me on the shoulder. "Kate, where did you go?" I wobble. "I think I was in Mumbai for a second. Maybe Chennai? I don't know. I've never been to India. I've just seen pictures in magazines." He places his hands on my shoulders. "Spices transport you?" "Yes," I say, still a little bit out of it. "Hers do." He grips my shoulders, pulls me in closer. I smell his vanilla scent, and my knees turn to butter. "And I now know why my mother likes you. It makes perfect sense. She was right." "About what?" I ask, breathing him. "Working together and letting go of the bad energy. I know we can do this." His eyes spark with a passionate fire, and he smiles, his dimple puckering. I might melt like fondue. "Let's create a meal for her---the best one she's ever had." He leans against the stove, his sexy, smoldering hazel eyes meeting mine. My neck goes hot. I race over to the prep station and pick up the bag of cardamom, breathe it in---earthy, sweet, smoky, and nutty. Big mistake. Because I'm now licking his muscled chest in one of my deranged fantasies, which is so wrong. I throw the bag down, and the grains scatter on the countertop. Charles saunters over and places a hand on my shoulder. "Kate, everything okay?" "Cool, cool, cool," I say. I shrug off his touch, dip around his shoulder, noticing how V-shaped he is. "I was thinking we add this into the peanut sauce for the satay." "Good idea," he says. "Grind it. Nice and fine." Stop. Stop talking with your lilting English accent. Stop smiling. I'm staring at his hands, his lips, his eyelashes. My mind, my thoughts, and my body are about to explode. "Kate, can you pass me the chilis? My mother likes things spicy." "So do I," I say, reaching for it. Our hands touch as I hand him the spice. I shiver. "Me too," he says with a teasing growl. "And I know you added more pepper into my dish the other day. Good thing I can handle the heat." I can't. It's getting way too hot in here.
Samantha Verant (The Spice Master at Bistro Exotique)
Let's do snacks." And snacks, we did. We consumed japchae, stir-fried sweet potato noodles with shredded veggies and beef, that were sweet and savory and wonderfully chewy. Ddukbokki, chewy cylinders of rice cake, soft and springy cakes of sweet ground fish, more veggies, and sweet and spicy gochujang sauce. Soondae, a sausage stuffed with noodles, barley, and pig blood, which I had to say gave me slight pause (and made my Jewish grandmother shriek with terror), but which had the most interesting mix of textures. We cleansed our palates with hobakjuk, a porridge made from glutinous rice and the sweetest steamed pumpkin I'd ever tasted, and finished up with hotteok, sweet, crunchy fried pancakes filled with cinnamon, honey, brown sugar, and peanuts.
Amanda Elliot (Sadie on a Plate)
His children are safely in the US at college, he says. The profits from the cellphone network deals he’s cobbling together are parked securely out of Africa too. He palms some peanuts and chugs some Cape sauvignon blanc and turns to look out of the window. ‘Africans can’t do governments,’ he suddenly announces. ‘We are useless at it, disorganized.
Peter Godwin (When A Crocodile Eats the Sun)
Because DSS pay is basically the fuck-you peanut butter sandwich type of paycheck. That’s what the big world thinks it’s worth, to save the white-trash orphans. And if these kids grow up to throw punches at washing machines or each other or even let’s say smash a drugstore drive-through window. Crawl in and take what’s there. Tell me how you’re going to be surprised. There’s your peanut butter sandwich back. Every dog gets his day.
Barbara Kingsolver (Demon Copperhead)
The Dutch hate every word they say, every second the day.
Petra Hermans
Who left this open on the counter?” he asked in a very quiet voice. For a second, nobody answered. “I said, who left the peanut butter open on the counter?” Now his voice was much louder. The boys didn’t answer. I saw them draw closer together. I was so surprised that I couldn’t say a word. “I’m going to ask one more time,” said Mr. Nicholls. And then he began to shout. “WHO LEFT THE —” “I did,” I said quickly. “It was me. I’m sorry. I was making us a snack when the doorbell rang, and —” “No problem,” said Mr. Nicholls calmly. “Please forgive me for hollering. I thought it was one of my dumb, slobby sons who did it.” I was shocked. I’d never heard a parent talk that way.
Ann M. Martin (Claudia and the Terrible Truth (The Baby-Sitters Club, #117))
Much like GM and GE, Kodak had a fair employment policy in place by the 1960s and had laid out is own Plan for Progress, which included a commitment to “hold discussions with the employment interviewers in the various division to remind them: that “such things as race, creed, color, or national origin” are neither to “help nor hinder in getting a job at Kodak.” Yet for blacks trying to work and move up at the company, these assurances didn’t mesh with their own experiences. Some of this was a consequence of blacks being poorly educated, especially those who had relocated to Rochester from the rural South. In the company’s eyes, the simply weren’t qualified. “We don’t grow many peanuts in Eastman Kodak,” Monroe Dill, Kodak’s industrial relations director said in 1963, adding that the company would start to recruit more from all-black colleges so as to not keep “discriminating by omission.” But there was also plenty of discrimination by commission, as individual Kodak managers used their discretion to hire whomever they liked and cast off whomever they didn’t. “They would say it blatant, like, 'We don't have any colored jobs,"" recalled Clarence Ingram, who served as general manager of the Rochester Business Opportunities Corporation, an entity formed after the '64 riots to support minority businesses. "They would tell you that." Apparently, they told a lot of blacks that. In 1964, only about 600 African Americans worked for Kodak in Rochester. less than 2 percent of the 33,000 employees based there. Determined to remedy this was FIGHT, which was led by Franklin Delano Roosevelt Florence, the thirty-one-year-old pastor of the Reynolds Street Church of Christ, a stocky, hard-charging, charismatic man, who called Malcolm X a friend. On September 2, 1966, a delegation of sixteen from FIGHT walked into Kodak's executive suite. Florence, sporting a Black Power button in his lapel, said he wanted to see "the top man." Before he knew it, the minister and his retinue were sitting in front of three top men: Kodak chairman Albert Chapman, president William Vaughn, and executive vice president Louis Eilers. Florence told them about the harshness of life in Rochester's black ghetto and said he wanted Kodak to start a training program for people who normally wouldn't be recruited into the company. Florence braced himself, expecting Kodak to resist. But Vaughn listened carefully and then asked Florence to submit a more specific proposal. Two weeks later, he did. Calling FIGHT " the only mass based organization of poor people and near poor people in the Rochester area," Florence requested that Kodak train 500 to 600 men and women over eighteen months. FIGHT also wanted direct involvement in the process; the group would "recruit and counsel trainees and offer advice, consultation, and assistance.
Rick Wartzman (The End of Loyalty: The Rise and Fall of Good Jobs in America)
LaForche for his standing, understood Christina’s seditious intents, and for that, he monitored and hated the rude Vixen of Woe. Innumerable times they had quarresquabbled, sometimes very loudly, both during and after class. Christina’s wit, as fast as her blade, for the most part won the scathingly bitter, single-edged dialogues, much to the chagrin and embarrassment of LaForche. It was no big secret that trying to deal with his Anti-Mr. Spock logic was like trying to cross a baking salt-flat desert mid-summer with nothing to drink or eat except stale crackers and a big jar of out-dated defunct Peter Pan peanut butter, its original “crunch” now being only pasty sand mouth goo. She often asked herself how could you argue against no mind. It was an unassuming study in stupility to say the least. —Christina Brickley, The Lady and the Samurai
Douglas M. Laurent
But to say that charity is a virtue doesn't get us far enough; it doesn't help us to see it clearly as distinct from other virtues. Of its particular qualities, the theologian J. I. Packer offers a magnificent summary. [...] * First, it has as its purpose doing good to others, and so in some sense making the others great. Agapē Godward [that is, directed toward God], triggered by gratitude for grace, makes God great by exalting him in praise, thanksgiving, and obedience. Agapē [humanward], neighbor love as Scripture calls it, makes fellow humans great by serving not their professed wants, but their observed real needs. Thus, marital agapē seeks fulfillment for the spouse and parental agapē seeks maturity for the children. * Second, agapē is measured not by sweetness of talk or strength of feeling, but by what it does, and more specifically by what of its own it gives, for the fulfilling of its purpose. * Third, agapē does not wait to be courted, nor does it limit itself to those who at once appreciate it, but it takes the initiative in giving help where help is required, and finds its joy in bringing others benefit. The question of who deserves to be helped is not raised; agapē means doing good to the needy, not to the meritorious, and to the needy however undeserving they might be. * Fourth, agapē is precise about its object. The famous Peanuts quote, 'I love the human race - it's people I can't stand,' is precisely not agapē. Agapē focuses on particular people with particular needs, and prays and works to deliver them from evil. Packer concludes the passage with one last overarching observation, which we believe warrants its own bullet point: * In all of this {agapē] is directly modeled on the love of God revealed in the gospel.
Richard Hughes Gibson (Charitable Writing: Cultivating Virtue Through Our Words)
He turned to his side, with the kind of creepily glazed look our eyeballs make when we’re alone in a room, brushing our teeth, chewing, or wiping our ass. His blanket was still wet with warm semen. He thought about his father. Then he remembered he needed to wash the clothes in the laundromat. His semen dripped and he thought about bird feeding. There was one bird who loved his safflower seeds. He ground his teeth and imagined what it was like to be born in Africa. He reflected on his most recent online English tutor lesson learning from a native speaker. He was fluent, but it paid to feel like you had a friend somewhere. Then he thought of peanut butter. The thoughts of the human mind transition so quickly that it only ever seems strange when we say it aloud to someone else. Otherwise, we’re all secretly freaks with our mouths shut. He laid there ugly.
Kristian Ventura (The Goodbye Song)
That dress is couture," the stylist calls nervously before I can answer. The poor woman's eyes display sheer horror, like she's watching peanut salt fall onto the dress in slow motion. "Oh no," Dee says sarcastically. "Well, good thing I didn't eat it.
Emery Lord (Open Road Summer)
Parenthood is serving the peanuts amid turbulence. Then when real trouble hits—when life brings our family death, divorce, bankruptcy, illness—parenthood is looking at little faces and knowing that we are as afraid as they are. Parenthood is thinking: This is too much. I cannot lead them. But I will do the thing I cannot do. So we sit down next to our babies. We turn their faces toward ours until they are looking away from the chaos and directly into our eyes. We take their hands in ours. We say to them, “Look at me. It’s you and me. I am here. This is more real than anything out there. You and me. We will hold hands and breathe and love each other. Even if we are falling from the sky.” Family is: Whether we’re falling or flying, we’re going to take care of each other through the whole damn ride.
Glennon Doyle (Untamed)