β
Have courage for the great sorrows of life and patience for the small ones; and when you have laboriously accomplished your daily task, go to sleep in peace. God is awake.
β
β
Victor Hugo
β
I do my best thinking at night when everyone else is sleeping. No interruptions. No noise. I like the feeling of being awake when no one else is.
β
β
Jennifer Niven (All the Bright Places)
β
Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead.
β
β
Joss Whedon
β
Passion makes a person stop eating, sleeping, working, feeling at peace. A lot of people are frightened because, when it appears, it demolishes all the old things it finds in its path.
No one wants their life thrown into chaos. That is why a lot of people keep that threat under control, and are somehow capable of sustaining a house or a structure that is already rotten. They are the engineers of the superseded.
Other people think exactly the opposite: they surrender themselves without a second thought, hoping to find in passion the solutions to all their problems. They make the other person responsible for their happiness and blame them for their possible unhappiness. They are either euphoric because something marvelous has happened or depressed because something unexpected has just ruined everything.
Keeping passion at bay or surrendering blindly to it - which of these two attitudes is the least destructive?
I don't know.
β
β
Paulo Coelho (Eleven Minutes)
β
How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams.
β
β
Bram Stoker (Dracula)
β
Do you know what it is like,
to lie in bed awake;
with thoughts to haunt
you every night,
of all your past mistakes.
Knowing sleep will set it right -
if you were not to wake.
β
β
Lang Leav (Love & Misadventure)
β
My Dearest Allie. I couldn't sleep last night because I know that it's over between us. I'm not bitter anymore, because I know that what we had was real. And if in some distant place in the future we see each other in our new lives, I'll smile at you with joy and remember how we spent the summer beneath the trees, learning from each other and growing in love. The best love is the kind that awakens the soul and makes us reach for more, that plants a fire in our hearts and brings peace to our minds, and that's what you've given me. That's what I hope to give to you forever. I love you. I'll be seeing you. Noah
β
β
Nicholas Sparks (The Notebook (The Notebook, #1))
β
A man on a thousand mile walk has to forget his goal and say to himself every morning, 'Today I'm going to cover twenty-five miles and then rest up and sleep.
β
β
Leo Tolstoy (War and Peace)
β
It's all God's will: you can die in your sleep, and God can spare you in battle.
β
β
Leo Tolstoy (War and Peace)
β
When you get tired of worrying and mourning your horse and trying not to be afraid, tell me and I'll do it for you a while so you can shut your eyes and sleep peaceful.
β
β
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
β
She decided she'd rather die in some less memorable way- maybe falling down the stairs, or going peacefully in her sleep at the age eighty, after a nice quiet life with Percy.Yes, that sounded good.
β
β
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
β
When I die, I want to die like my grandfather who died peacefully in his sleep. Not screaming like all the passengers in his car.
β
β
Will Rogers
β
And in despair I bowed my head;
"There is no peace on earth," I said;
"For hate is strong,
And mocks the song
Of peace on earth, good-will to men!"
Then pealed the bells more loud and deep:
"God is not dead, nor doth he sleep!
The Wrong shall fail,
the Right prevail,
With peace on earth, good-will to men!
β
β
Henry Wadsworth Longfellow
β
But when ye come, and all the flowers are dying,
If I am dead, as dead I well may be,
You'll come and find the place where I am lying,
And kneel and say Ave there for me,
And I shall hear, though soft you tread above me,
And all my grave will warmer, sweeter be,
For you will bend and tell me that you love me,
And I shall sleep in peace until you come to me
β
β
Frederic Edward Weatherly
β
You could hold me and I could hold you. And it would be so peaceful. Completely peaceful. Like the feeling of sleep, but awake in it together.
β
β
John Green (Will Grayson, Will Grayson)
β
I began to know that each morning reasserted the problems of night before, that sleep suspended all but changed nothing, that you couldnβt make yourself over between dawn and dusk.
β
β
John Knowles (A Separate Peace)
β
Eat healthily, sleep well, breathe deeply, move harmoniously.
β
β
Jean-Pierre Barral
β
My sleep wasn't peaceful, though. I have the sense of emerging from a world of dark, haunted places where I traveled alone.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
O heavenly Father,
protect and bless all things
that have breath: guard them
from all evil and let them sleep in peace.
β
β
Albert Schweitzer
β
If you love someone, you're not supposed to want them to come back. Better a peaceful sleep in the earth than the life of a zombie--not really dead but not really alive, either.
β
β
Cassandra Clare (Zombies Vs. Unicorns)
β
Because you may think a bed is a peaceful thing, Sir, and to you it may mean rest and comfort and a good night's sleep. But it isn't so for everyone; and there are many dangerous things that may take place in a bed.
β
β
Margaret Atwood (Alias Grace)
β
Sleep is still most perfect, in spite of hygienists, when it is shared with a beloved. The warmth, the security and peace of soul, the utter comfort from the touch of the other, knits the sleep, so that it takes the body and soul completely in its healing.
β
β
D.H. Lawrence (Sons and Lovers)
β
It is two A.M., and you are tired. You miss the love of your life. You want to go home. You would rather be with her, in bed, hearing the light buzz of her snoring, watching her sleep, than be here.
[...]
You imagine a world where the two of you can go out to dinner together on a Saturday night and no one thinks twice about it. It makes you want to cry, the simplicity of it, the smallness of it. You have worked so hard for a life so grand. And now all you want are the smallest freedoms. The daily peace of loving plainly.
β
β
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β
Nuri Bilge Ceylan is an ocean who is becoming deeper with incredible speed and amazingly clearer by passing the time. He makes ices familiar with sea by showing βWinter Sleepβ. Thanks for his existence.
βAll who love are relatives.
β
β
Professor Pezhman Mosleh
β
leave me in peace, let me sleep one night at least without my pillow being wet with tears, my eyes burning and my head throbbing
β
β
Anne Frank (The Diary of a Young Girl)
β
The only two important things in life are real love and being at peace with yourself.
β
β
Jonathan Carroll (Sleeping in Flame (Answered Prayers, #2))
β
My spirit will sleep in peace; or if it thinks, it will not surely think thus. Farewell.
β
β
Mary Wollstonecraft Shelley (Frankenstein; Or, the Modern Prometheus)
β
Sweet son," I said "you are right, this world is a wild and terrible place, and worth shouting at. But you are safe now, and all of us need to sleep. Will you let us have a little peace?
β
β
Madeline Miller (Circe)
β
Each of us has his own way of emerging from the underworld, mine is by writing. That's why the only way I can keep going, if at all, is by writing, not through rest and sleep. I am far more likely to achieve peace of mind through writing than the capacity to write through peace.
β
β
Franz Kafka (Letters to Felice)
β
Let me tell you what you feel like when you know you are ready to die.
You sleep a lot, and when you wake up the very first thought in your head is that you wish you could go back to bed.
You go entire days without eating, because food is a commodity that keeps you here.
You read the same page a hundred times.
You rewind your life like a videocassette and see the things that make you weep, things that make you pause, but nothing that makes you want to play it forward.
You forget to comb your hair, to shower, to dress.
And then one day, when you make the decision that you have enough energy left in you to do this one, last, monumental thing, there comes a peace. Suddenly you are counting moments as you havenβt for months. Suddenly you have a secret that makes you smile, that makes people say you look wonderful, although you feel like a shell-brittle and capable of cracking into a thousand pieces.
β
β
Jodi Picoult (Keeping Faith)
β
So what are you gonna say at my funeral, now that you've killed me? Here lies the body of the love of my life, whose heart I broke without a gun to my head. Here lies the mother of my children, both living and dead. Rest in peace, my true love, who I took for granted. Most bomb p*ssy who, because of me, sleep evaded. Her god listening. Her heaven will be a love without betrayal. Ashes to ashes, dust to side chicks.
β
β
BeyoncΓ© Knowles
β
O weep for Adonis - He is dead."
"Peace. He is not dead he doth not sleep - he hath wakened from the dream of life
β
β
Percy Bysshe Shelley
β
She walked in beauty, She sleeps in peace.
β
β
Courtney Cole (If You Stay (Beautifully Broken, #1))
β
There is no sound more peaceful than rain on the roof, if you're safe asleep in someone else's house.
β
β
Anne Tyler (The Accidental Tourist)
β
How intense can be the longing to escape from the emptiness and dullness of human verbosity, to take refuge in nature, apparently so inarticulate, or in the wordlessness of long, grinding labour, of sound sleep, of true music, or of a human understanding rendered speechless by emotion!
β
β
Boris Pasternak (Doctor Zhivago)
β
she, with her affection and her gaiety, had been largely responsible for him having rediscovered the meaning of life, her love had driven him to the far corners of the Earth, because he needed to be rich enough to buy some land and live in peace with her for the rest of their days. It was his utter confidence in this fragile creature, that had made him fight with honor, because he knew that after a battle he could forget all the horrors of war in her arms, and that, despite all the women he had known, only there in her arms could he close his eyes and sleep like a child.
β
β
Paulo Coelho (Brida)
β
The poet dreams of the mountain
Sometimes I grow weary of the days, with all their fits and starts.
I want to climb some old gray mountains, slowly, taking
The rest of my lifetime to do it, resting often, sleeping
Under the pines or, above them, on the unclothed rocks.
I want to see how many stars are still in the sky
That we have smothered for years now, a century at least.
I want to look back at everything, forgiving it all,
And peaceful, knowing the last thing there is to know.
All that urgency! Not what the earth is about!
How silent the trees, their poetry being of themselves only.
I want to take slow steps, and think appropriate thoughts.
In ten thousand years, maybe, a piece of the mountain will fall.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
They wanted a Grisha queen. Mal wanted a commoner queen. And what did I want? Peace for Ravka. A chance to sleep easy in my bed without fear. An end to the guilt and dread that I woke to every morning. There were old wants too, to be loved for who I was, not what I could do, to lie in a meadow with a boyβs arms around me and watch the wind move the clouds.
β
β
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
β
Nor shall this peace sleep with her; but as when
The bird of wonder dies, the maiden phoenix,
Her ashes new-create another heir
As great in admiration as herself.
β
β
William Shakespeare (Henry VIII)
β
Thereβs a special peace in sleeping next to someone you love.
β
β
Abby Jimenez (Yours Truly (Part of Your World, #2))
β
To look upon its grass grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace.
β
β
Washington Irving (The Legend of Sleepy Hollow)
β
When you're lying in bed at night and regrets from the day come to steal your sleep...
"I should have"
"If only I'd"
"I wish I'd"
...grab one of them and turn it into an "I will" and sleep peacefully knowing tomorrow will be a better day.
β
β
L.R. Knost
β
You have killed him and taken your vengeance. It is enough.β
βIt will never be enough,β he says.
FOR THE FIRST TIME since my death, he falls into a fitful, trembling sleep.
Achilles. I cannot bear to see you grieving.
His limbs twitch and shudder.
Give us both peace. Burn me and bury me. I will wait for you among the shades.
β
β
Madeline Miller (The Song of Achilles)
β
For money you can have everything it is said. No, that is not true. You can buy food, but not appetite; medicine, but not health; soft beds, but not sleep; knowledge but not intelligence; glitter, but not comfort; fun, but not pleasure; acquaintances, but not friendship; servants, but not faithfulness; grey hair, but not honor; quiet days, but not peace. The shell of all things you can get for money. But not the kernel. That cannot be had for money.
β
β
Arne Garborg
β
I watched you while you were sleeping and you looked completely at peace. I wish I could feel that. I wish I could close my eyes and feel at peace. But I canβt. I canβt feel anything if Iβm not
with you, and even then all I can do is want something that I donβt think I can ever have, at least not now. So I left this, and my peace, with you. Stark.
β
β
P.C. Cast (Hunted (House of Night, #5))
β
i am a little church(no great cathedral)
far from the splendor and squalor of hurrying cities
--i do not worry if briefer days grow briefest,
i am not sorry when sun and rain make april
my life is the life of the reaper and the sower;
my prayers are prayers of earth's own clumsily striving
(finding and losing and laughing and crying)children
whose any sadness or joy is my grief or my gladness
around me surges a miracle of unceasing
birth and glory and death and resurrection:
over my sleeping self float flaming symbols
of hope,and i wake to a perfect patience of mountains
i am a little church(far from the frantic
world with its rapture and anguish)at peace with nature
--i do not worry if longer nights grow longest;
i am not sorry when silence becomes singing
winter by spring,i lift my diminutive spire to
merciful Him Whose only now is forever:
standing erect in the deathless truth of His presence
(welcoming humbly His light and proudly His darkness)
β
β
E.E. Cummings
β
Goodnight baby, sleep in peace. After you kill that bitch!"
"Goodnight mom!
β
β
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
β
If I could just write it down in a piece of paper, then maybe she could get a decent night's sleep, eat a little of her dinner. Maybe she could have a minute's worth of peace.
β
β
Wally Lamb (I Know This Much Is True)
β
Nothing in the world is better suited to laziness than orthodoxy. If you gag your mouth, stop up your ears and put a blinder over your eyes, you can sleep peacefully.
β
β
Jacob Burckhardt
β
Now she collapsed in a heap next to her boys. Although she was desperate for sleep, worries about getting more food kept her awake.
β
β
Beverly Magid (Sown in Tears: A Historical Novel of Love and Struggle (Leah's Journey))
β
Rest does not come from sleeping but from waking.
β
β
Foundation for Inner Peace (A Course in Miracles)
β
It is absolutely necessary, for the peace and safety of mankind, that some of earth's dark, dead corners and unplumbed depths be left alone; lest sleeping abnormalities wake to resurgent life, and blasphemously surviving nightmares squirm and splash out of their black lairs to newer and wider conquests.
β
β
H.P. Lovecraft (At the Mountains of Madness and Other Tales of Terror)
β
What does it feel like to be alive?
Living, you stand under a waterfall. You leave the sleeping shore deliberately; you shed your dusty clothes, pick your barefoot way over the high, slippery rocks, hold your breath, choose your footing, and step into the waterfall. The hard water pelts your skull, bangs in bits on your shoulders and arms. The strong water dashes down beside you and you feel it along your calves and thighs rising roughly backup, up to the roiling surface, full of bubbles that slide up your skin or break on you at full speed. Can you breathe here? Here where the force is the greatest and only the strength of your neck holds the river out of your face. Yes, you can breathe even here. You could learn to live like this. And you can, if you concentrate, even look out at the peaceful far bank where you try to raise your arms. What a racket in your ears, what a scattershot pummeling!
It is time pounding at you, time. Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.
β
β
Annie Dillard (An American Childhood)
β
when I finally begin to drift
into sleep
your memory is the...first
and the moonlight
the last, to kiss my face.
β
β
Sanober Khan (Turquoise Silence)
β
How insufficient the memory, to fail before death.
how will hear these notes when the train slides
into the yard, the lights turned out, and the song
lingers with breaths rising from empty seats?
I know I am too human to praise what is fading.
But for now, I just want to listen as the train fills
completely with warm water, and we are all
swimming slowly toward the man with Mozart
flowing from his hands. I want nothing
but to put my fingers inside his mouth,
let that prayer hum through my veins.
I want crawl into the hole in his violin.
I want to sleep there
until my flesh
becomes music.
β
β
Ocean Vuong
β
We have negative mental habits that come up over and over again. One of the most significant negative habits we should be aware of is that of constantly allowing our mind to run off into the future. Perhaps we got this from our parents. Carried away by our worries, we're unable to live fully and happily in the present. Deep down, we believe we can't really be happy just yetβthat we still have a few more boxes to be checked off before we can really enjoy life. We speculate, dream, strategize, and plan for these "conditions of happiness" we want to have in the future; and we continually chase after that future, even while we sleep. We may have fears about the future because we don't know how it's going to turn out, and these worries and anxieties keep us from enjoying being here now.
β
β
Thich Nhat Hanh (Peace Is Every Breath: A Practice for Our Busy Lives)
β
His eyebrows pulled in, and then he cradled me to him with both arms, still staring out the window. βI watch you sleeping a lot. You always look so peaceful. I donβt have that kind of quiet. I have all this anger and rage boiling inside of meβexcept when I watch you sleep.
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
The millions of human beings who were shot, tortured, starved, treated like animals and made the object of a conspiracy of ridicule, can sleep in peace in their communal graves, for at least the struggle in which they died has enabled their descendants, isolated in their air-conditioned apartments, to believe, on the strength of their daily dose of television, that they are happy and free. The Communards went down, fighting to the last, so that you too could qualify for a Caribbean cruise.
β
β
Raoul Vaneigem (The Revolution of Everyday Life)
β
GETTING KILLED BY TARTARUS didnβt seem like much of an honor.
As Annabeth stared up at his dark whirlpool face, she decided sheβd rather die in some less memorable wayβmaybe falling down the stairs, or going peacefully in her sleep at age eighty, after a nice quiet life with Percy. Yes, that sounded good.
β
β
Rick Riordan
β
Helen,
You ask if I regret our engagement.
No. I regret every minute that you're out of my sight. I regret every step that doesn't bring me closer to you.
My last thought each night is that you should be in my arms. There is no peace or pleasure in my empty bed, where I sleep with you only in dreams and wake to curse the dawn.
If I had the right, I would forbid you to go anywhere without me. Not out of selfishness, but because being apart from you is like trying to live without breathing.
Think on that. You've stolen my very breath, cariad. And now I'm left to count the days until I take it back from you, kiss by kiss.
Winterborne
β
β
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
β
I love the stillness of the wood;
I love the music of the rill:
I love the couch in pensive mood
Upon some silent hill.
Scarce heard, beneath yon arching trees,
The silver-crested ripples pass;
and, like a mimic brook, the breeze
Whispers among the grass.
Here from the world I win release,
Nor scorn of men, nor footstep rude,
Break into mar the holy peace
Of this great solitude.
Here may the silent tears I weep
Lull the vested spirit into rest,
As infants sob themselves to sleep
Upon a mothers breast.
But when the bitter hour is gone,
And the keen throbbing pangs are still,
Oh, sweetest then to couch alone
Upon some silent hill!
To live in joys that once have been,
To put the cold world out of sight,
And deck life's drear and barren scene
With hues of rainbow-light.
For what to man the gift of breath,
If sorrow be his lot below;
If all the day that ends in death
Be dark with clouds of woe?
Shall the poor transport of an hour
Repay long years of sore distressβ
The fragrance of a lonely flower
Make glad the wilderness?
Ye golden house of life's young spring,
Of innocence, of love and truth!
Bright, beyond all imagining,
Thou fairy-dream of youth!
I'd give all wealth that years have piled,
The slow result of Life's decay,
To be once more a little child
For one bright summer's day.
β
β
Lewis Carroll
β
The life that I have
Is all that I have
And the life that I have
Is yours.
The love that I have
Of the life that I have
Is yours and yours and yours.
A sleep I shall have
A rest I shall have
Yet death will be but a pause.
For the peace of my years
In the long green grass
Will be yours and yours and yours.
β
β
Leo Marks
β
But was that freedom worth it? Are we really supposed to be free? Why do people who are all entangled so happy? Why do people constantly crib about their jobs, yet sleep peacefully in the night? Is it exhaustion that they seek? As it prevents them from thinking nonsense? Why do we all want to fasten ourselves to something? Why these entrapments donβt feel suffocating?
β
β
Abhaidev (The World's Most Frustrated Man)
β
There's no grand plan and no one's in charge. It's all just fumbling about in the dark, and half the time you're not even sure why you're fumbling. You're so desperate for something to pin your peace of mind to that you'll do all sorts of stupid things in its name. You don't mean to break up a marriage, but if breaking it up might let you sleep like a normal person again, suddenly you start considering it. You don't mean to become a drunk, but if drink is the only way you can keep a handle on some tiny compartment of your life then it's straight for the bottle.
β
β
Exurb1a (The Prince of Milk)
β
But soon," he cried, with sad and solemn enthusiasm, "I shall die, and what I now feel be no longer felt. Soon these burning miseries will be extinct. I shall ascend my funeral pyre triumphantly, and exult in the agony of the torturing flames. The light of that conflagration will fade away; my ashes will be swept into the sea by the winds. My spirit will sleep in peace, or if it thinks, it will not surely think thus. Farewell.
β
β
Mary Wollstonecraft Shelley (Frankenstein or the Modern Prometheus: The 1818 Text)
β
Octoberβ
You were sleeping so peacefully that I was loath to wake you. Duke Torquill, after demanding to know what I was doing in your apartment, has requested that I inform you of his intent to visit after βtending to some business at the Queenβs Court.β I recommend wearing something clinging, as that may distract him from whatever he wishes to lecture you about this time. Hopefully, itβs your manners.
You are truly endearing when you sleep. I attribute this to the exotic nature of seeing you in a state of silence.
βTybalt
β
β
Seanan McGuire (A Local Habitation (October Daye, #2))
β
I wonder if you know yet that youβll leave me. That you
are a child playing with matches and I have a paper body.
You will meet a girl with a softer voice and stronger arms and she
will not have violent secrets or an affection for red wine or eyes
that never stay dry. You will fall into her bed and Iβll go back
to spending Friday nights with boys who never learn my last name.
I have chased off every fool who has tried to sleep beside me
You think itβs romantic to fuck the girl who writes poems about you.
You think Iβll understand your sadness because I live inside my own.
But I will show up at your door at 2 am, wild-eyed and sleepless.
and try and find some semblance of peace in your breastbone
and you will not let me in. You will tell me to go home.
β
β
Clementine von Radics
β
Iβd do it all over again, you know. I wouldnβt trade one second if it meant we were right here, in this moment.β
She took in a deep breath, and I gently kissed her forehead.
βThis is it,β I whispered.
βWhat?β
βThe moment. When I watch you sleeping . . . that peace on your face? This is it. I havenβt had it since before my mom died, but I can feel it again.β I took another deep breath and pulled her closer. βI knew the second I met you that there was something about you I needed. Turns out it wasnβt something about you at all. It was just you.β
Abby offered a tired smile as she buried her face into my chest. βItβs us, Trav. Nothing makes sense unless weβre together. Have you noticed that?β
βNoticed? Iβve been telling you that all year!β I teased.
β
β
Jamie McGuire (Walking Disaster (Beautiful, #2))
β
July 1936
There are betrayals in war that are childlike compared with our human betrayals during peace. The new lover enters the habits of the other. Things are smashed, revealed in new light. This is done with nervous or tender sentences, although the heart is an organ of fire.
A love story is not about those who lose their heart but about those who find that sullen inhabitant who, when it is stumbled upon, means the body can fool no one, can fool nothing - not the wisdom of sleep or the habit of social graces. It is a consuming of oneself and the past.
β
β
Michael Ondaatje (The English Patient)
β
The living and the dead,
The awake and the sleeping,
The young and the old are all one and the same.
When the ones change, they become the others.
When those shift again, they become these again.
God is day and night.
God is winter and summer.
God is war and peace.
God is fertility and famine.
He transforms into many things.
Day and night are one.
Goodness and badness are one.
The beginning and the end of a circle are one.
β
β
Yukio Mishima (The Temple of Dawn (The Sea of Fertility, #3))
β
It's the smell of him in the bathroom, all I need to get ready for the day. Watching him get dressed, and the sound in the kitchen; a slow hum of a song and his movements, picking things to eat. The way I could observe him, for hours, just go on with his day β or as he sleeps β simply breathing in and out, in and out, and it's like the hymn that sings me to peace.
I know the world is still out there and I know I'm not yet friendly to its pace, but as long as I know him with me, here, there, somewhere β us β I know I have a chance.
β
β
Charlotte Eriksson
β
The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
β
β
H. Rider Haggard (She (She, #1))
β
Success"
If you want a thing bad enough
To go out and fight for it,
Work day and night for it,
Give up your time and your peace and your sleep for it
If only desire of it
Makes you quite mad enough
Never to tire of it,
Makes you hold all other things tawdry and cheap for it
If life seems all empty and useless without it
And all that you scheme and you dream is about it,
If gladly you'll sweat for it,
Fret for it,
Plan for it,
Lose all your terror of God or man for it,
If you'll simply go after that thing that you want.
With all your capacity,
Strength and sagacity,
Faith, hope and confidence, stern pertinacity,
If neither cold poverty, famished and gaunt,
Nor sickness nor pain
Of body or brain
Can turn you away from the thing that you want,
If dogged and grim you besiege and beset it,
You'll get it!
β
β
Berton Braley
β
I looked about me. Luminous points glowed in the darkness. Cigarettes punctuated the humble meditations of worn old clerks. I heard them talking to one another in murmurs and whispers. They talked about illness, money, shabby domestic cares. And suddenly I had a vision of the face of destiny. Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as a man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
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Antoine de Saint-ExupΓ©ry (Wind, Sand and Stars)
β
She said, I'm going to miss you when you when I wake up.
Don't wake up, he answered.
But he did.
Kestrel, beside him on the grass, said. "Did I wake you? I didn't mean to."
It took him a velvety moment to understand that this was real. The air was quiet. An insect beat it's clear wings. She brushed hair from his brow. Now he was very awake.
"You were sleeping so sweetly," she said.
"Dreaming" He touched her tender mouth.
"About what?"
"Come closer, and I will tell you."
But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way.
She curled her fingers into the green earth
β
β
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
β
I reflected how many satisfied, happy people there really are! What a suffocating force it is! You look at life: the insolence and idleness of the strong, the ignorance and brutishness of the weak, incredible poverty all about us, overcrowding, degeneration, drunkenness, hypocrisy, lying... Yet all is calm and stillness in the houses and in the streets; of the fifty thousand living in a town, there s not one who would cry out, who would give vent to his indignation aloud. We see the people going to market for provisions, eating by day, sleeping by night, talking their silly nonsense, getting married, growing old, serenely escorting their dead to the cemetery; but we do not see and we do not hear those who suffer, and what is terrible in life goes on somewhere behind the scenes...Everything is so quiet and peaceful, and nothing protests but mute statistics: so many people gone out of their minds, so many gallons of vodka drunk, so many children dead from malnutrition... And this order of things s evidently necessary; evidently the happy man only feels at ease because the unhappy bear their burdens in silence, and without that silence happiness would be impossible.
β
β
Anton Chekhov (Ward No. 6 and Other Stories)
β
This is it,β he said with a sigh.
βWhat?β
βThe moment. When I watch you sleepingβ¦that peace on your face? This is it. I havenβt had it since before my mom died, but I can feel it again.β He took another deep breath and pulled me closer. βI knew the second I met you that there was something about you I needed. Turns out it wasnβt something about you at all. It was just you.
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
I KNEW IT WAS OVER
when tonight you couldn't make the phone ring
when you used to make the sun rise
when trees used to throw themselves
in front of you
to be paper for love letters
that was how i knew i had to do it
swaddle the kids we never had
against january's cold slice
bundle them in winter
clothes they never needed
so i could drop them off at my mom's
even though she lives on the other side of the country
and at this late west coast hour is
assuredly east coast sleeping
peacefully
her house was lit like a candle
the way homes should be
warm and golden
and home
and the kids ran in
and jumped at the bichon frise
named lucky
that she never had
they hugged the dog
it wriggled
and the kids were happy
yours and mine
the ones we never had
and my mom was
grand maternal, which is to say, with style
that only comes when you've seen
enough to know grace
like when to pretend it's christmas or
a birthday so
she lit her voice with tiny
lights and pretended
she didn't see me crying
as i drove away
to the hotel connected to the bar
where i ordered the cheapest whisky they had
just because it shares your first name
because they don't make a whisky
called baby
and i only thought what i got
was what
i ordered
i toasted the hangover
inevitable as sun
that used to rise
in your name
i toasted the carnivals
we never went to
and the things you never won
for me
the ferris wheels we never
kissed on and all the dreams
between us
that sat there
like balloons on a carney's board
waiting to explode with passion
but slowly deflated
hung slave
under the pin-
prick of a tack
hung
heads down
like lovers
when it doesn't
work, like me
at last call
after too many cheap
too many sweet
too much
whisky makes me
sick, like the smell of cheap,
like the smell of
the dead
like the cheap, dead flowers
you never sent
that i never threw
out of the window
of a car
i never
really
owned
β
β
Daphne Gottlieb (Final Girl)
β
God spreads the heavens above us like great wings
And gives a little round of deeds and days,
And then come the wrecked angels and set snares,
And bait them with light hopes and heavy dreams,
Until the heart is puffed with pride and goes
Half shuddering and half joyous from God's peace;
And it was some wrecked angel, blind with tears,
Who flattered Edane's heart with merry words.
Come, faeries, take me out of this dull house!
Let me have all the freedom I have lost;
Work when I will and idle when I will!
Faeries, come take me out of this dull world,
For I would ride with you upon the wind,
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.
I would take the world
And break it into pieces in my hands
To see you smile watching it crumble away.
Once a fly dancing in a beam of the sun,
Or the light wind blowing out of the dawn,
Could fill your heart with dreams none other knew,
But now the indissoluble sacrament
Has mixed your heart that was most proud and cold
With my warm heart for ever; the sun and moon
Must fade and heaven be rolled up like a scroll
But your white spirit still walk by my spirit.
When winter sleep is abroad my hair grows thin,
My feet unsteady. When the leaves awaken
My mother carries me in her golden arms;
I'll soon put on my womanhood and marry
The spirits of wood and water, but who can tell
When I was born for the first time?
The wind blows out of the gates of the day,
The wind blows over the lonely of heart,
And the lonely of heart is withered away;
While the faeries dance in a place apart,
Shaking their milk-white feet in a ring,
Tossing their milk-white arms in the air;
For they hear the wind laugh and murmur and sing
Of a land where even the old are fair,
And even the wise are merry of tongue;
But I heard a reed of Coolaney say--
When the wind has laughed and murmured and sung,
The lonely of heart is withered away.
β
β
W.B. Yeats (The Land of Heart's Desire)
β
I have seen a land shining with goodness, where each man protects his brother's dignity as readily as his own, where war and want have ceased and all races live under the same law of love and honour.
I have seen a land bright with truth, where a man's word is his pledge and falsehood is banished, where children sleep safe in their mother's arms and never know fear or pain.
I have seen a land where kings extend their hands in justice rather than reach for the sword; where mercy, kindness, and compassion flow like deep water over the land, and men revere virtue, revere truth, revere beauty, above comfort, pleasure or selfish gain. A land where peace reigns in the hill, and love like a fire from every hearth; where the True God is worshipped and his ways acclaimed by all.
β
β
Stephen R. Lawhead (Arthur (The Pendragon Cycle, #3))
β
A Gift for You
I send you...
A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond.
You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.
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β
SARK (Make Your Creative Dreams Real: A Plan for Procrastinators, Perfectionists, Busy People, and People Who Would Really Rather Sleep All Day)
β
It was watching Madeline Alby eat cheese with every ounce of her being, like it was the first and best time, that made him realize that he had never really tasted cheese, or crackers, or life. And he didn't want his daughter to live that way. He'd moved her into her own room the night before...He hadn't slept well, and had gotten up five times during the night to check on her, only to find her sleeping peacefully, but he could lose a little sleep if Sophie could go through life without his fears and limitations. He wanted her to experience all the glorious cheese of life.
β
β
Christopher Moore (A Dirty Job (Grim Reaper, #1))
β
Now you just dig them in front. They have worries, theyβre counting the miles, they are thinking about where to sleep tonight, how much money for gas, the weather, how theyβll get there- and all the time theyβll get there any way, you see. But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really wonβt be at peace unless they can latch on to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it all flies by them and they know it and that too worries them no end
β
β
Jack Kerouac
β
Everyone talks about snows forty foot deep, and how the ice wind comes howling out of the north, but the real enemy is the cold. It steals up on you quieter than Will, and at first you shiver and your teeth chatter and you stamp your feet and dream of mulled wine and nice hot fires. It burns, it does. Nothing burns like the cold. But only for a while. Then it gets inside you and starts to fill you up, and after a while you don't have the strength to fight it. It's easier just to sit down ot go to sleep. They say you don't feel any pain toward the end. First you go weak and drowsy, and everything starts to fade, and then it's like sinking into a sea of warm milk. Peaceful, like.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
The industrial towns were far away, a smudge of smoke and misery hidden by the curve of the earth's surface. Down here it was still the England I had known in my childhood: the railway-cuttings smothered in wild flowers, the deep meadows where the great shining horses browse and meditate, the slow-moving streams bordered by willows, the green bosoms of the elms, the larkspurs in the cottage gardens; and then the huge peaceful wilderness of outer London, the barges on the miry river, the familiar streets, the posters telling of cricket matches and Royal weddings, the men in bowler hats, the pigeons in Trafalgar Square, the red buses, the blue policemenβall sleeping the deep, deep sleep of England, from which I sometimes fear that we shall never wake till we are jerked out of it by the roar of bombs.
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George Orwell (Homage to Catalonia)
β
I write to make peace with the things I cannot control. I write to create red in a world that often appears black and white. I write to discover. I write to uncover. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change. I write to honor beauty. I write to correspond with my friends. I write as a daily act of improvisation. I write because it creates my composure. I write against power and for democracy. I write myself out of my nightmares and into my dreams. I write in a solitude born out of community. I write to the questions that shatter my sleep. I write to the answers that keep me complacent. I write to remember. I write to forgetβ¦.
I write because I believe in words. I write because I do not believe in words. I write because it is a dance with paradox. I write because you can play on the page like a child left alone in sand. I write because it belongs to the force of the moon: high tide, low tide. I write because it is the way I take long walks. I write as a bow to wilderness. I write because I believe it can create a path in darknessβ¦.
write as ritual. I write because I am not employable. I write out of my inconsistencies. I write because then I do not have to speak. I write with the colors of memory. I write as a witness to what I have seen. I write as a witness to what I imagineβ¦.
I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient we are. I write as though I am whispering in the ear of the one I love.
β
β
Terry Tempest Williams (Red: Passion and Patience in the Desert)
β
Amazing Peace: A Christmas Poem
Thunder rumbles in the mountain passes
And lightning rattles the eaves of our houses.
Flood waters await us in our avenues.
Snow falls upon snow, falls upon snow to avalanche
Over unprotected villages.
The sky slips low and grey and threatening.
We question ourselves.
What have we done to so affront nature?
We worry God.
Are you there? Are you there really?
Does the covenant you made with us still hold?
Into this climate of fear and apprehension, Christmas enters,
Streaming lights of joy, ringing bells of hope
And singing carols of forgiveness high up in the bright air.
The world is encouraged to come away from rancor,
Come the way of friendship.
It is the Glad Season.
Thunder ebbs to silence and lightning sleeps quietly in the corner.
Flood waters recede into memory.
Snow becomes a yielding cushion to aid us
As we make our way to higher ground.
Hope is born again in the faces of children
It rides on the shoulders of our aged as they walk into their sunsets.
Hope spreads around the earth. Brightening all things,
Even hate which crouches breeding in dark corridors.
In our joy, we think we hear a whisper.
At first it is too soft. Then only half heard.
We listen carefully as it gathers strength.
We hear a sweetness.
The word is Peace.
It is loud now. It is louder.
Louder than the explosion of bombs.
We tremble at the sound. We are thrilled by its presence.
It is what we have hungered for.
Not just the absence of war. But, true Peace.
A harmony of spirit, a comfort of courtesies.
Security for our beloveds and their beloveds.
We clap hands and welcome the Peace of Christmas.
We beckon this good season to wait a while with us.
We, Baptist and Buddhist, Methodist and Muslim, say come.
Peace.
Come and fill us and our world with your majesty.
We, the Jew and the Jainist, the Catholic and the Confucian,
Implore you, to stay a while with us.
So we may learn by your shimmering light
How to look beyond complexion and see community.
It is Christmas time, a halting of hate time.
On this platform of peace, we can create a language
To translate ourselves to ourselves and to each other.
At this Holy Instant, we celebrate the Birth of Jesus Christ
Into the great religions of the world.
We jubilate the precious advent of trust.
We shout with glorious tongues at the coming of hope.
All the earth's tribes loosen their voices
To celebrate the promise of Peace.
We, Angels and Mortal's, Believers and Non-Believers,
Look heavenward and speak the word aloud.
Peace. We look at our world and speak the word aloud.
Peace. We look at each other, then into ourselves
And we say without shyness or apology or hesitation.
Peace, My Brother.
Peace, My Sister.
Peace, My Soul.
β
β
Maya Angelou (Amazing Peace: A Christmas Poem)
β
Iβve seen a greater share of wonders, vast
And small, than most have done. My peace is made;
My breathing slows. I could not ask for more.
To reach beyond the stuff of day-to-day
Is worth this life of mine. Our kind is meant
To search and seek among the outer bounds,
And when we land upon a distant shore,
To seek another yet farther still. Enough.
The silence grows. My strength has fled, and Sol
Become a faded gleam, and now I wait,
A Viking laid to rest atop his ship.
Though fire wonβt send me off, but cold and ice,
And forever shall I drift alone.
No king of old had such a stately bier,
Adorned with metals dark and grey, nor such
A hoard of gems to grace his somber tomb.
I check my straps; I cross my arms, prepare
Myself to once again venture into the
Unknown, content to face my end and pass
Beyond this mortal realm, content to hold
And wait and here to sleepβ
To sleep in a sea of stars.
βTHE FARTHEST SHORE 48β70
HARROW GLANTZER
β
β
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
β
When we were alive, they told us that when we died we'd go to heaven. And they said that heaven was a place of joy and glory and we would spend eternity in the company of saints and angels praising the Almighty, in a state of bliss. That's what they said. And that's what led some of us to give our lives, and others to spend years in solitary prayer, while all the joy of life was going to waste around us and we never knew. Because the land of the dead isn't a place of reward or a place of punishment, it is a place of nothing. The good come here as well as the wicked, and all of us languish in this gloom forever, with no hope of freedom, or joy, or sleep, or rest, or peace. But now this child has come offering us a way out and I'm going to follow her. Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glistening in the dew under the stars and the moon out there in the physical world, which is our true home and always was.
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β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
How many happy, satisfied people there are, after all, I said to myself. What an overwhelming force! Just consider this life--the insolence and idleness of the strong, the ignorance and bestiality of the weak, all around intolerable poverty, cramped dwellings, degeneracy, drunkenness, hypocrisy, lying...and yet peace and order apparently prevail in all those homes and in the streets. Of the fifty thousand inhabitants of a town, not one will be found to cry out, to proclaim his indignation aloud. We see those who go to the market to buy food, who eat in the daytime and sleep at night, who prattle away, marry, grow old, carry their dead to the cemeteries. But we neither hear nor see those who suffer, and the terrible things in life are played out behind the scenes. All is calm and quiet, and statistics, which are dumb, protest: so many have gone mad, so many barrels of drink have been consumed, so many children died of malnutrition...and apparently this is as it should be. Apparently those who are happy can only enjoy themselves because the unhappy bear their burdens in silence, and but for this silence happiness would be impossible. It is a kind of universal hypnosis. There ought to be a man with a hammer behind the door of every happy man, to remind him by his constant knocks that there are unhappy people, and that happy as he himself may be, life will sooner or later show him its claws, catastrophe will overtake him--sickness, poverty, loss--and nobody will see it, just as he now neither sees nor hears the misfortunes of others. But there is no man with a hammer, the happy man goes on living and the petty vicissitudes of life touch him lightly, like the wind in an aspen-tree, and all is well.
β
β
Anton Chekhov
β
I came into the unknown
and stayed there unknowing
rising beyond all science.
I did not know the door
but when I found the way,
unknowing where I was,
I learned enormous things,
but what I felt I cannot say,
for I remained unknowing,
rising beyond all science.
It was the perfect realm
of holiness and peace.
In deepest solitude
I found the narrow way:
a secret giving such release
that I was stunned and stammering,
rising beyond all science.
I was so far inside,
so dazed and far away
my senses were released
from feelings of my own.
My mind had found a surer way:
a knowledge of unknowing,
rising beyond all science.
And he who does arrive
collapses as in sleep,
for all he knew before
now seems a lowly thing,
and so his knowledge grows so deep
that he remains unknowing,
rising beyond all science.
The higher he ascends
the darker is the wood;
it is the shadowy cloud
that clarified the night,
and so the one who understood
remains always unknowing,
rising beyond all science.
This knowledge by unknowing
is such a soaring force
that scholars argue long
but never leave the ground.
Their knowledge always fails the source:
to understand unknowing,
rising beyond all science.
This knowledge is supreme
crossing a blazing height;
though formal reason tries
it crumbles in the dark,
but one who would control the night
by knowledge of unknowing
will rise beyond all science.
And if you wish to hear:
the highest science leads
to an ecstatic feeling
of the most holy Being;
and from his mercy comes his deed:
to let us stay unknowing,
rising beyond all science.
β
β
Juan de la Cruz
β
A dog creates, transcribes, a new landscape for you. A dog like Colter sharpens your joy of all the seasons, and for a while, sometimes a long while, such a dog seems capable, by himself alone, of holding time in place--of pinning it, and holding it taught. And then when he is gone, it is as if the world is taken away.
Dogs like that are young for what seems like a very long time....
One you have lost a dog--especially the first you trained from a pup, the one you first set sail into the world with--you can never fully give of yourself to another dog. You can never again look at a dog you love without hedging a tiny bit, if only subconsciously, against the day when that dog, too, must leave. You can never again hunt or enter the future so recklessly, so joyously, with that weight of forethought....
As I sleep restlessly, night after night, or more often, as I lie there awake, I can see him running and I feel guilty that I am not there to honor the birds he is finding... One way or the other, he is still out there running. He will never rest.... I will always want him to know a moment's rest, and peace, and he will always know in his hot heart that the only peace to be gotten is by never resting, by always pushing on.
He is my Colter.... I am still his, and he is still mine.
β
β
Rick Bass (Colter: The True Story of the Best Dog I Ever Had)
β
I'm sorry." Her voice cracked. "McKenna-"
"Not sorry enough." He pressed his wet face to hers, his mouth rubbing over her cheeks and chin in feverish, rough half kisses, as if he wanted to devour her. "Not nearly enough. You say you've had to live without your heart...how would you like to lose your soul as well? I've cursed every day I've had to live without you, and every night that I spent with another woman, wishing that it was you in my arms-"
"NO-" she moaned.
"Wishing," he continued fiercely, "for some way to stop the memories of you from eating away at me until there was nothing left inside. I've found no peace anywhere, not even in sleep. Not even in dreams..." He broke off and assaulted her with hungry, shuddering kisses. The taste of his tears, his mouth, made Aline disoriented and hot, her head reeling from shocks of pleasure. McKenna seemed possessed by a passion that bordered on violence, his lungs wracked with hard breaths, his hands tightening with a force that threatened to leave bruises on her tender flesh. "By God," he said with the vehemence of a man to whom entirely too much had happened, "In the past few days I've suffered the torments of the damned, and I've had enough!
β
β
Lisa Kleypas (Again the Magic (Wallflowers, #0))
β
When love beckons to you, follow him,
Though his ways are hard and steep.
And when his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And when he speaks to you believe in him,
Though his voice may shatter your dreams
as the north wind lays waste the garden.
For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning.
Even as he ascends to your height and caresses your tenderest branches that quiver in the sun,
So shall he descend to your roots and shake them in their clinging to the earth.
Like sheaves of corn he gathers you unto himself.
He threshes you to make you naked.
He sifts you to free you from your husks.
He grinds you to whiteness.
He kneads you until you are pliant;
And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast.
All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart.
But if in your fear you would seek only love's peace and love's pleasure,
Then it is better for you that you cover your nakedness and pass out of love's threshing-floor,
Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.
Love gives naught but itself and takes naught but from itself.
Love possesses not nor would it be possessed;
For love is sufficient unto love.
When you love you should not say, "God is in my heart," but rather, "I am in the heart of God."
And think not you can direct the course of love, for love, if it finds you worthy, directs your course.
Love has no other desire but to fulfill itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
β
β
Kahlil Gibran (The Prophet)
β
And so these refined parents rejected their five-year-old girl to all kinds of torture. They beat her, kicked her, flogged her, for no reason that they themselves knew of. The childβs whole body was covered in bruises. Eventually they devised a new refinement. Under the pretext that the child dirtied her bed (as though a five-year-old deep in her angelic sleep could be punished for that), they forced her to eat excrement, smearing it all over her face. And it was the mother that did it! And that woman would lock her daughter up in the outhouse until morning and she did so even on the coldest nights, when it was freezing. Just imagine the woman being able to sleep with the childβs cries coming from that outhouse! Imagine that little creature, unable to even understand what is happening to her, beating her sore little chest with her tiny fist, weeping hot, unresentful, meek tears, and begging βgentle Jesusβ to help herβ¦
...letβs assume that you were called upon to build the edifice of human destiny so that men would finally be happy and would find peace and tranquility. If you knew that, only to attain this, you would have to torture just one single creature, letβs say the little girl who beat her chest so desperately in the outhouse, and that on her unavenged tears you could build that edifice, would you agree to do it?
β
β
Fyodor Dostoevsky (The Brothers Karamazov)
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We are not great connoisseurs of the two twilights. We miss the dawning, exclusably enough, by sleeping through it, and are as much strangers to the shadowless welling-up of day as to the hesitant return of consciousness in our slowly waking selves. But our obliviousness to evening twilight is less understandable. Why do we almost daily ignore a spectacle (and I do not mean sunset but rather the hour, more or less, afterward) that has a thousand tonalities, that alters and extends reality, that offers, more beautifully than anything man-made, a visual metaphor or peace? To say that it catches us at busy or tired moments won't do; for in temperate latitudes it varies by hours from solstice to solstice. Instead I suspect that we shun twilight because if offers two things which, as insecurely rational beings, we would rather not appreciate: the vision of irrevocable cosmic change (indeed, change into darkness), and a sense of deep ambiguityβof objects seeming to be more, less, other than we think them to be. We are noontime and midnight people, and such devoted camp-followers of certainly that we cannot endure seeing it mocked and undermined by nature.
There is a brief period of twilight of which I am especially fond, little more than a moment, when I see what seems to be color without light, followed by another brief period of light without color. The earlier period, like a dawn of night, calls up such sights as at all other times are hidden, wistful half-formless presences neither of day nor night, that draw up with them similar presences in the mind.
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Robert Grudin (Time and the Art of Living)
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Just look at this life: the insolence and idleness of the strong, the ignorance and brutishness of the weak, impossible poverty all around us, overcrowding, degeneracy, drunkenness, hypocrisy, lies...Yet in all the houses and streets it's quiet, peaceful; of the fifty thousand people who live in town there is not one who would cry out or become loudly indignant. We see those who go to the market to buy food, eat during the day, sleep during the night, who talk their nonsense, get married, grow old, complacently drag their dead to the cemetery; but we don't see or hear those who suffer, and the horrors of life go on somewhere behind the scenes. Everything is quiet, peaceful, and only mute statistics protest: so many gone mad, so many buckets drunk, so many children dead of malnutrition... And this order is obviously necessary; obviously the happy man feels good only because the unhappy bear their burden silently, and without that silence happiness would be impossible. It's a general hypnosis. At the door of every happy, contented man somebody should stand with a little hammer, constantly tapping, to remind him that unhappy people exist, that however happy he may be, sooner or later life will show him its claws, some calamity will befall him--illness, poverty, loss--and nobody will hear or see, just as he doesn't hear or see others now. But there is nobody with a little hammer, the happy man lives on, and the petty cares of life stir him only slightly, as wind stirs an aspen--and everything is fine.
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Anton Chekhov (Five Great Short Stories (Dover Thrift Editions: Short Stories))
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THE STOLEN CHILD
Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.
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W.B. Yeats (Crossways)
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Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.
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Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
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Say to my friends, when they look upon me, dead,
Weeping for me and mourning me in sorrow,
βDo not believe that this corpse you see is myself,
In the name of God, I tell you, it is not I,
I am a spirit, and this is naught but flesh,
It was my abode and my garment for a time.
I am a treasure, by a talisman kept hid,
Fashioned of dust, which served me as a shrine,
I am a pearl, which has left itβs shell deserted,
I am a bird, and this body was my cage,
Whence I have now flown forth and it is left as a token,
Praise to God, who hath now set me free,
And prepared for me my place in the highest of the Heavens,
Until today I was dead, though alive in your midst.
Now I live in truth, with the grave β clothes discarded.
Today I hold converse with the Saints above,
With no veil between, I see God face to face.
I look upon βLoh-i-Mahfuzβ and there in I read,
Whatever was and is, and all that is to be.
Let my house fall in ruins, lay my cage in the ground,
Cast away the talisman, it is a token no more,
Lay aside my cloak, it was but my outer garment.
Place them all in the grave, let them be forgotten,
I have passed on my way and you are left behind,
Your place of abode was no dwelling place for me.
Think not that death is death, nay, it is life,
A life that surpasses all we could dream of here,
While in this world, here we are granted sleep,
Death is but sleep, sleep that shall be prolonged
Be not frightened when death draweth nigh,
It is but the departure for this blessed home,
Think of the mercy and love of your Lord,
Give thanks for His Grace and come without fear.
What I am now, even so shall you be,
For I know that you are even as I am,
The souls of all men come forth from God,
The bodies of all are compounded alike,
Good and evil, alike it was ours.
I give you now a message of good cheer
May Godβs peace and joy forever more be yours.
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Abu Hamid al-Ghazali