Peace In The Woods Quotes

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A man of my acquaintance once wrote a poem called "The Road Less Traveled", describing a journey he took through the woods along a path most travelers never used. The poet found that the road less traveled was peaceful but quite lonely, and he was probably a bit nervous as he went along, because if anything happened on the road less traveled, the other travelers would be on the road more frequently traveled and so couldn't hear him as he cried for help. Sure enough, that poet is dead.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
The Peace of Wild Things When despair for the world grows in me and I wake in the night at the least sound in fear of what my life and my children’s lives may be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
Wendell Berry (The Selected Poems of Wendell Berry)
Joy, sorrow, tears, lamentation, laughter -- to all these music gives voice, but in such a way that we are transported from the world of unrest to a world of peace, and see reality in a new way, as if we were sitting by a mountain lake and contemplating hills and woods and clouds in the tranquil and fathomless water.
Albert Schweitzer
How many Sundays – how many hundreds of Sundays like this – lay ahead of me? “Quiet, peaceful and lonely,” I said aloud to myself. On Sundays i didn't wind my spring.
Haruki Murakami (Norwegian Wood)
... home was not just a cabin in a deep woods that overlooked a placid cove. Home was a state of mind, the peace that came from being who you were and living an honest life.
Kristin Hannah (The Great Alone)
The light of the Christmas star to you. The warmth of home and hearth to you. The cheer and goodwill of friends to you. The hope of a child-like heart to you. The joy of a thousand angels to you. The love of the Son and God's peace to you.
Sherryl Woods (An O'Brien Family Christmas (Chesapeake Shores, #8))
There was something better in life than this rub­bish, if only he could get to it—love—nobility—big spaces where passion clasped peace, spaces no science could reach, but they existed for ever, full of woods some of them, and arched with majestic sky and a friend. . .
E.M. Forster (Maurice)
There is nothing like being left alone again, to walk peacefully with oneself in the woods. To boil one's coffee and fill one's pipe, and to think idly and slowly as one does it.
Knut Hamsun
I love the stillness of the wood; I love the music of the rill: I love the couch in pensive mood Upon some silent hill. Scarce heard, beneath yon arching trees, The silver-crested ripples pass; and, like a mimic brook, the breeze Whispers among the grass. Here from the world I win release, Nor scorn of men, nor footstep rude, Break into mar the holy peace Of this great solitude. Here may the silent tears I weep Lull the vested spirit into rest, As infants sob themselves to sleep Upon a mothers breast. But when the bitter hour is gone, And the keen throbbing pangs are still, Oh, sweetest then to couch alone Upon some silent hill! To live in joys that once have been, To put the cold world out of sight, And deck life's drear and barren scene With hues of rainbow-light. For what to man the gift of breath, If sorrow be his lot below; If all the day that ends in death Be dark with clouds of woe? Shall the poor transport of an hour Repay long years of sore distress— The fragrance of a lonely flower Make glad the wilderness? Ye golden house of life's young spring, Of innocence, of love and truth! Bright, beyond all imagining, Thou fairy-dream of youth! I'd give all wealth that years have piled, The slow result of Life's decay, To be once more a little child For one bright summer's day.
Lewis Carroll
To quench my longing I bent me low By the streams of the spirits of Peace that flow In that magical wood in the land of sleep.
Sarojini Naidu
We like to put sacred texts in flowing waters, so I rolled it up, tied it to a piece of wood, placed a dandelion on top, and floated it in the stream which flows into the Swat River. Surely God would find it there.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
The places of quiet are going away, the churches, the woods, the libraries. And it is only in silence we can hear the voice inside of us which gives us true peace.
James Rozoff
So easy in the woods to daydream and pray to the local spirits and say “Allow me to stay here, I only want peace” and those foggy peaks answer back mutely Yes
Jack Kerouac (Big Sur)
Going up that river was like travelling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances. On silvery sandbanks hippos and alligators sunned themselves side by side. The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off forever from everything you had known once -somewhere- far away in another existence perhaps. There were moments when one's past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect.
Joseph Conrad (Heart of Darkness)
Come to the woods, for here is rest.
John Muir
There’s only two places anyone can find peace—the woods and the grave.
Kristopher Triana (Gone to See the River Man)
God spreads the heavens above us like great wings And gives a little round of deeds and days, And then come the wrecked angels and set snares, And bait them with light hopes and heavy dreams, Until the heart is puffed with pride and goes Half shuddering and half joyous from God's peace; And it was some wrecked angel, blind with tears, Who flattered Edane's heart with merry words. Come, faeries, take me out of this dull house! Let me have all the freedom I have lost; Work when I will and idle when I will! Faeries, come take me out of this dull world, For I would ride with you upon the wind, Run on the top of the dishevelled tide, And dance upon the mountains like a flame. I would take the world And break it into pieces in my hands To see you smile watching it crumble away. Once a fly dancing in a beam of the sun, Or the light wind blowing out of the dawn, Could fill your heart with dreams none other knew, But now the indissoluble sacrament Has mixed your heart that was most proud and cold With my warm heart for ever; the sun and moon Must fade and heaven be rolled up like a scroll But your white spirit still walk by my spirit. When winter sleep is abroad my hair grows thin, My feet unsteady. When the leaves awaken My mother carries me in her golden arms; I'll soon put on my womanhood and marry The spirits of wood and water, but who can tell When I was born for the first time? The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away; While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh and murmur and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say-- When the wind has laughed and murmured and sung, The lonely of heart is withered away.
W.B. Yeats (The Land of Heart's Desire)
The most joyful thing I know is the peace, the silence that one enjoys in the woods or on the tilled lands.
Jean-François Millet
Come to the woods, for here is rest, ...climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees.
John Muir
If everyone could just live near the ocean, I think we'd all be happier. It's hard to be down about anything knee deep in the sand.
Crystal Woods (Write like no one is reading 2)
Who else goes to the woods to find peace only to discover themself in the process? I find forests unclutter the mind with each breath the trees afford me.
Michael Poeltl
A Gift for You I send you... A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond. You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.
SARK (Make Your Creative Dreams Real: A Plan for Procrastinators, Perfectionists, Busy People, and People Who Would Really Rather Sleep All Day)
Then as to churches, they are good, I suppose, else wouldn't good men uphold' em. But they are not altogether necessary. They call 'em the temples of the Lord; but, Judith, the whole 'arth is a temple of the Lord to such as have the right mind. Neither forts nor churches make people happier of themselves. Moreover, all is contradiction in the settlements, while all is concord in the woods. Forts and churches almost always go together, and yet they're downright contradictions; churches being for peace, and forts for war. No, no--give me the strong places of the wilderness, which is the trees, and the churches, too, which are arbors raised by the hand of nature.
James Fenimore Cooper
It is a great, a pleasant thing to have a friend with whom to walk, untroubled, through the woods, by the stream, saying nothing, at peace--the heart all clean and quiet and empty, ready for the spirit that may choose to be its guest.
Catherine Drinker Bowen (Friends and Fiddlers: Memoirs)
For it is one thing to see the Land of Peace from a wooded ridge, and yet another to walk the road that leads to it.
Augustine of Hippo
Virtue became less the harsh and martial self-sacrifice of antiquity and more the modern willingness to get along with others for the sake of peace and prosperity.
Gordon S. Wood (Empire of Liberty: A History of the Early Republic, 1789-1815)
It might seem to you that living in the woods on a riverbank would remove you from the modern world. But not if the river is navigable, as ours is. On pretty weekends in the summer, this riverbank is the very verge of the modern world. It is a seat in the front row, you might say. On those weekends, the river is disquieted from morning to night by people resting from their work. This resting involves traveling at great speed, first on the road and then on the river. The people are in an emergency to relax. They long for the peace and quiet of the great outdoors. Their eyes are hungry for the scenes of nature. They go very fast in their boats. They stir the river like a spoon in a cup of coffee. They play their radios loud enough to hear above the noise of their motors. They look neither left nor right. They don't slow down for - or maybe even see - an old man in a rowboat raising his lines... I watch and I wonder and I think. I think of the old slavery, and of the way The Economy has now improved upon it. The new slavery has improved upon the old by giving the new slaves the illusion that they are free. The Economy does not take people's freedom by force, which would be against its principles, for it is very humane. It buys their freedom, pays for it, and then persuades its money back again with shoddy goods and the promise of freedom.
Wendell Berry (Jayber Crow)
I love him, his shoulders, his angular, stooping figure – and at the same time I see behind him woods and stars, and a clear voice utters words that bring me peace, to me, a soldier in big boots, belt, and a knapsack, taking the road that lies before him under the high heaven, quickly forgetting and seldom sorrowful, for ever pressing on under the wide night sky.
Erich Maria Remarque (All Quiet on the Western Front)
I am the saint at prayer on the terrace like the peaceful beasts that graze down to the sea of Palestine. I am the scholar of the dark armchair. Branches and rain hurl themselves at the windows of my library. I am the pedestrian of the highroad by way of the dwarf woods; the roar of the sluices drowns my steps. I can see for a long time the melancholy wash of the setting sun. I might well be the child abandoned on the jetty on its way to the high seas, the little farm boy following the lane, its forehead touching the sky. The paths are rough. The hillocks are covered with broom. The air is motionless. How far away are the birds and the springs! It can only be the end of the world ahead.
Arthur Rimbaud
How little we have, I thought, between us and the waiting cold, the mystery, death--a strip of beach, a hill, a few walls of wood or stone, a little fire--and tomorrow's sun, rising and warming us, tomorrow's hope of peace and better weather . . . What if tomorrow vanished in the storm? What if time stood still? And yesterday--if once we lost our way, blundered in the storm--would we find yesterday again ahead of us, where we had thought tomorrow's sun would rise?
Robert Nathan (Portrait of Jennie)
Singing rose up from the convent, filling the woods with a peaceful echo that tried to penetrate her heart and smooth her features; but nothing could ease the pain of saying goodbye.
Kate Willis (The Twin Arrows (Arrows and Archers, #1))
I find it all infinitely sad, but at the same time so entrancing, that I often feel as if it would be the part of wisdom to fly at once to the woods or mountains where one can always find peace. - Dora Root in a letter to Daniel Burnham
Erik Larson (The Devil in the White City)
The peace of Manderley. The quietude and the grace. Whoever lived within its walls, whatever trouble there was and strife, however much uneasiness and pain, no matter what tears were shed, what sorrows borne, the peace of Manderley could not be broken or the loveliness destroyed. The flowers that died would bloom again another year, the same birds build their nests, the same trees blossom. That old quiet moss smell would linger in the air, and the bees would come, and crickets, the herons build their nests in the deep dark woods. The butterflies would dance their merry jug across the lawns, and spiders spin foggy webs, and small startled rabbits who had no business to come trespassing poke their faces through the crowded shrubs. There would be lilac, and honeysuckle still, and the white magnolia buds unfolding slow and tight beneath the dining-room window. No one would ever hurt Manderley. It would lie always in its hollow like an enchanted thing, guarded by the woods, safe, secure, while the sea broke and ran and came again in the little shingle bays below.
Daphne du Maurier (Rebecca)
In nature, a child finds freedom, fantasy, and privacy: a place distant from the adult world, a separate peace.
Richard Louv (Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder)
Still, Luce held firm to the belief that quiet and solitude were good for you, offering peace, or at least hope for peace.
Charles Frazier (Nightwoods)
Oh Earth, Wait for Me Return me, oh sun, to my wild destiny, rain of the ancient wood, bring me back the aroma and the swords that fall from the sky, the solitary peace of pasture and rock, the damp at the river-margins, the smell of the larch tree, the wind alive like a heart beating in the crowded restlessness of the towering araucaria. Earth, give me back your pure gifts, the towers of silence which rose from the solemnity of their roots. I want to go back to being what I have not been, and learn to go back from such deeps that among all natural things I could live or not live; it does not matter to be one stone more, the dark stone, the pure stone which the river bears away.
Pablo Neruda
Swallowing pride rarely gives you indigestion.
Suzanne Woods Fisher (Amish Peace: Simple Wisdom for a Complicated World)
Sometimes I think, were I just a little rougher made, I would go altogether to the woods—to my work entirely, and solitude, a few friends, books, my dogs, all things peaceful, ready for meditation and industry—if for no other reason than to escape the heart-jamming damages and discouragements of the worlds mean spirits. But, no use. Even the most solitudinous of us is communal by habit, and indeed by commitment to the bravest of our dreams, which is to make a moral world. The whirlwind of human behavior is not to be set aside.
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
I came into the unknown and stayed there unknowing rising beyond all science. I did not know the door but when I found the way, unknowing where I was, I learned enormous things, but what I felt I cannot say, for I remained unknowing, rising beyond all science. It was the perfect realm of holiness and peace. In deepest solitude I found the narrow way: a secret giving such release that I was stunned and stammering, rising beyond all science. I was so far inside, so dazed and far away my senses were released from feelings of my own. My mind had found a surer way: a knowledge of unknowing, rising beyond all science. And he who does arrive collapses as in sleep, for all he knew before now seems a lowly thing, and so his knowledge grows so deep that he remains unknowing, rising beyond all science. The higher he ascends the darker is the wood; it is the shadowy cloud that clarified the night, and so the one who understood remains always unknowing, rising beyond all science. This knowledge by unknowing is such a soaring force that scholars argue long but never leave the ground. Their knowledge always fails the source: to understand unknowing, rising beyond all science. This knowledge is supreme crossing a blazing height; though formal reason tries it crumbles in the dark, but one who would control the night by knowledge of unknowing will rise beyond all science. And if you wish to hear: the highest science leads to an ecstatic feeling of the most holy Being; and from his mercy comes his deed: to let us stay unknowing, rising beyond all science.
Juan de la Cruz
Kindness, when given away, keeps coming back.
Suzanne Woods Fisher (Amish Peace: Simple Wisdom for a Complicated World)
On an impulse he went into the room and stood before the window, pushing aside the sheer curtain to watch the snow, now nearly eight inches high on the lampposts and the fences and the roofs. It was the sort of storm that rarely happened in Lexington, and the steady white flakes, the silence, filled him with a sense of excitement and peace. It was a moment when all the disparate shards of his life seemed to knit themselves together, every past sadness and disappointment, every anxious secret and uncertainty hidden now beneath the soft white layers. Tomorrow would be quiet, the world subdued and fragile, until the neighborhood children came out to break the stillness with their tracks and shouts and joy. He remembered such days from his own childhood in the mountains, rare moments of escape when he went into the woods, his breathing amplified and his voice somehow muffled by the heavy snow that bent branches low, drifted over paths. The world, for a few short hours, transformed.
Kim Edwards (The Memory Keeper's Daughter)
Men had reached into the scrub and along its boundaries, had snatched what they could get and had gone away, uneasy in that vast indifferent peace; for a man was nothing, crawling ant-like among the myrtle bushes under the pines. Now they were gone, it was as though they had never been. The silence of the scrub was primordial. The wood-thrush crying across it might have been the first bird in the world—or the last.
Marjorie Kinnan Rawlings (South Moon Under)
It comes and goes. People think if you're sick you become fearless and brave, but you don't. Most of the time it's like being stalked by a psycho, like I might get shot any second. But sometimes I forget for hours.' 'What makes you forget?' 'People. Doing stuff. When I was with you in the wood, I forgot for a whole afternoon.
Jenny Downham (Before I Die)
She was one of those exceptional children who do still spend time outside, in solitude. In her case nature represented beauty - and refuge. "It's so peaceful out there and the air smells so good. I mean, it's polluted, but not as much as the city air. For me, it's completely different there," she said. "It's like you're free when you go out there. It's your own time. Sometimes I go there when I'm mad - and then, just with the peacefulness, I'm better. I can come back home happy, and my mom doesn't even know why."      The she described her special part of the woods.      "I had a place. There was a big waterfall and a creek on one side of it. I'd dug a big hole there, and sometimes I'd take a tent back there, or a blanket, and just lie down in the hole, and look up at the trees and sky. Sometimes I'd fall asleep back there. I just felt free; it was like my place, and I could do what I wanted, with nobody to stop me. I used to go down there almost every day."      The young poet's face flushed. Her voice thickened.      "And then they just cut the woods down. It was like they cut down part of me.
Richard Louv (Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder)
It was the cool gray dawn, and there was a delicious sense of repose and peace in the deep pervading calm and silence of the woods. Not a leaf stirred; not a sound obtruded upon great Nature's meditation [...] Gradually the cool dim gray of the morning whitened, and as gradually sounds multiplied and life manifested itself. The marvel of Nature shaking off sleep and going to work unfolded itself to the musing boy [...] All Nature was wide awake and stirring, now; long lances of sunlight pierced down through the dense foliage far and near, and a few butterflies came fluttering upon the scene.
Mark Twain (The Adventures of Tom Sawyer)
Good deeds have echoes.
Suzanne Woods Fisher (Amish Peace: Simple Wisdom for a Complicated World)
Blessed are those who have nothing to say, and who cannot be persuaded to say it.
Suzanne Woods Fisher (Amish Peace: Simple Wisdom for a Complicated World)
Then he stalked off into the woods, leaving Talaith alone. Good. Now I can panic in peace.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
I was not made for war. I was made for peace and a cuddly blanket in a comfortable chair in a library with a book in my hand.
Harper L. Woods (What Hunts Inside the Shadows (Of Flesh & Bone, #2))
THE STOLEN CHILD Where dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water rats; There we've hid our faery vats, Full of berrys And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wave of moonlight glosses The dim gray sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Away with us he's going, The solemn-eyed: He'll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal chest. For he comes, the human child, To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than he can understand.
W.B. Yeats (Crossways)
At these times she was subject to a peculiar kind of day-dreaming, so vivid as to be almost a hallucination: that she was in the country, at dusk, and alone, and strangely at peace. She did not recall the places which she had visited in holiday-time, these reproached her like opportunities neglected. But while her body sat before the first fires and was cosy with Henry and Caroline, her mind walked by lonely seaboards, in marshes and fens, or came at nightfall to the edge of a wood.
Sylvia Townsend Warner (Lolly Willowes)
I can call back the solemn twilight and mystery of the deep woods, the earthy smells, the faint odors of the wild flowers, the sheen of rain-washed foliage, the rattling clatter of drops when the wind shook the trees, the far-off hammering of wood-peckers and the muffled drumming of wood-pheasants in the remotenesses of the forest, the snap-shot glimpses of disturbed wild creatures skurrying through the grass, — I can call it all back and make it as real as it ever was, and as blessed. I can call back the prairie, and its loneliness and peace, and a vast hawk hanging motionless in the sky, with his wings spread wide and the blue of the vault showing through the fringe of their end-feathers.
Mark Twain (Autobiography of Mark Twain, Volume 1: The Complete and Authoritative Edition)
Jezal swallowed and hunched his shoulders, watching the chunks of long dead wood file slowly past like rows of tombstones. “I don’t like this,” he muttered under his breath. “You think I do?” Bayaz frowned grimly over at him. “You think any of us do? Men must sometimes do what they do not like if they are to be remembered. It is through struggle, not ease, that fame and honor are won. It is through conflict, not peace, that wealth and power are gained.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
If you're anything like me, You bite your nails, And laugh when you're nervous. You promise people the world, because that's what they want from you. You like giving them what they want... But darling, you need to stop, If you're anything like me, You knock on wood every time you make plans. You cross your fingers, hold your breath, Wish on lucky numbers and eyelashes Your superstitions were the lone survivors of the shipwreck. Rest In Peace, to your naive bravado... If life gets too good now, Darling, it scares you. If you're anything like me, You never wanted to lock your door, Your secret garden gate or your diary drawer Didn't want to face the you you don't know anymore For fear she was much better before... But Darling, now you have to. If you're anything like me, There's a justice system in your head For names you'll never speak again, And you make your ruthless rulings. Each new enemy turns to steel They become the bars that confine you, In your own little golden prison cell... But Darling, there is where you meet yourself. If you're anything like me You've grown to hate your pride To love your thighs And no amount of friends at 25 Will fill the empty seats At the lunch tables of your past The teams that picked you last... But Darling, you keep trying. If you're anything like me, You couldn't recognize the face of your love Until they stripped you of your shiny paint Threw your victory flag away And you saw the ones who wanted you anyway... Darling, later on you will thank your stars for that frightful day. If you're anything like me, I'm sorry. But Darling, it's going to be okay.
Taylor Swift
Family pathology rolls from generation to generation like a fire in the woods taking down everything in its path until one person, in one generation, has the courage to turn and face the flames. That person brings peace to his ancestors and spares the children that follow. —TERRY REAL
Minka Kelly (Tell Me Everything: A Memoir)
I want to marry you, Malda - because I love you - because you are young and strong and beautiful - because you are wild and sweet and - fragrant, and - elusive, like the wild flowers you love. Because you are so truly an artist in your special way, seeing beauty and giving it to others. I love you because of all of this, because you are rational and highminded and capable of friendship - and in spite of your cooking!” “But - how do you want to live?” “As we did here - at first,” he said. “There was peace, exquisite silence. There was beauty - nothing but beauty. There were the clean wood odors and flowers and fragrances and sweet wild wind. And there was you - your fair self, always delicately dressed, with white firm fingers sure of touch in delicate true work. I loved you then.
Charlotte Perkins Gilman (The Yellow Wallpaper and Other Stories)
Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound. Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all. Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least. First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it. "Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death. In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star. Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.
Frederick Buechner (Godric)
People are to be taken in very small doses,” wrote Emerson. “Nothing can bring you peace but yourself.” Knight read the Tao Te Ching and felt a deep-rooted connection to the verses. “Good walking,” says the Tao, “leaves no tracks.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
What amazed me as much as anything were the fat calm tabby cats of London some of whom slept peacefully right in the doorway of butcher shops as people stepped over them carefully, right there in the sawdust sun but a nose away from the roaring traffic of trams and buses and cars. England must be the land of cats, they abide peacefully all over the back fences of St John's Wood. Edlerly ladies feed them lovingly just like Ma feeds my cats. In Tangiers or Mexico City you hardly ever see a cat, if so late at night, because the poor often catch them and eat them. I felt London was blessed by its kind regard for cats. If Paris is a woman who was penetrated by the Nazi invasion, London is man who was never penetrated but only smoked his pipe, dranks his stout or half n half, and blessed his cat on his purring head.
Jack Kerouac (Desolation Angels)
Not that Colin intended to take any action against the peace and dignity of pigship. In the extremely unlikely event that he even came across a hog, he figured, he'd allow it to study devilment in peace. Which was how he justified not mentioning the hog hunt to his parents during their nightly phone conversation. He wasn't really going on a hunt anyway. He was going for a stroll through the woods. With a gun.
John Green (An Abundance of Katherines)
One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."... I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle." ... "The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived." ... "The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
We are here in a wood of little beeches: And the leaves are like black lace Against a sky of nacre. One bough of clear promise Across the moon. It is in this wise that God speaketh unto me. He layeth hands of healing upon my flesh, Stilling it in an eternal peace, Until my soul reaches out myriad and infinite hands Toward him, And is eased of its hunger. And I know that this passes: This implacable fury and torment of men, As a thing insensate and vain: And the stillness hath said unto me, Over the tumult of sounds and shaken flame, Out of the terrible beauty of wrath, I alone am eternal. One bough of clear promise Across the moon
Frederic Manning
Everyday in heat, rain or cold, I ran - alone in the woods - in the hills near our home. There I felt the gentle touch of God. I head Him whisper, 'You're stronger now. It's time to tell the truth of what happened. Tell your story to give hope to others.
Nikki Rosen (In The Eye Of Deception: A True Story)
He said the pleasantest manner of spending a hot July day was lying from morning till evening on a bank of heath in the middle of the moors, with the bees humming dreamily about among the bloom, and the larks singing high up overhead, and the blue sky and bright sun shining steadily and cloudlessly. That was his most perfect idea of heaven's happiness: mine was rocking in a rustling green tree, with a west wind blowing, and bright white clouds flitting rapidly above; and not only larks, but throstles, and blackbirds, and linnets, and cuckoos pouring out music on every side, and the moors seen at a distance, broken into cool dusky dells; but close by great swells of long grass undulating in waves to the breeze; and woods and sounding water, and the whole world awake and wild with joy. He wanted all to lie in an ecstasy of peace; I wanted all to sparkle and dance in a glorious jubilee. I said his heaven would be only half alive; and he said mine would be drunk: I said I should fall asleep in his; and he said he could not breathe in mine
Emily Brontë (Wuthering Heights)
If we think we have twenty-four hours to achieve a certain purpose, today will become a means to attain an end. The moment of chopping wood and carrying water is the moment of happiness. We do not need to wait for these chores to be done to be happy. To have happiness in this moment is the spirit of aimlessness. Otherwise, we will run in circles for the rest of our life. We have everything we need to make the present moment the happiest in our life, even if we have a cold or a headache. We don't have to wait until we get over our cold to be happy. Having a cold is a part of life.
Thich Nhat Hanh (The Heart of the Buddha's Teaching: Transforming Suffering into Peace, Joy, and Liberation)
And you are all my sunrises and sunsets, rain on green leaves, fireworks reflected in a smooth lake, and a wood fire on the coldest winter day. You are sex and sin and a guardian angel. You are every beat of my heart and every moment of peace and every hour of pandemonium. You are the sweetest torture I’ve ever known. And you . . . will never feel one tenth for me what I feel for you. And that, also, is perfect.
Penny Reid (Ten Trends to Seduce Your Bestfriend)
NOW this is the Law of the Jungle — as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back — For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack. Wash daily from nose-tip to tail-tip; drink deeply, but never too deep; And remember the night is for hunting, and forget not the day is for sleep. The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown, Remember the Wolf is a Hunter — go forth and get food of thine own. Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear. And trouble not Hathi the Silent, and mock not the Boar in his lair. When Pack meets with Pack in the Jungle, and neither will go from the trail, Lie down till the leaders have spoken — it may be fair words shall prevail. When ye fight with a Wolf of the Pack, ye must fight him alone and afar, Lest others take part in the quarrel, and the Pack be diminished by war. The Lair of the Wolf is his refuge, and where he has made him his home, Not even the Head Wolf may enter, not even the Council may come. The Lair of the Wolf is his refuge, but where he has digged it too plain, The Council shall send him a message, and so he shall change it again. If ye kill before midnight, be silent, and wake not the woods with your bay, Lest ye frighten the deer from the crop, and your brothers go empty away. Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can; But kill not for pleasure of killing, and seven times never kill Man! If ye plunder his Kill from a weaker, devour not all in thy pride; Pack-Right is the right of the meanest; so leave him the head and the hide. The Kill of the Pack is the meat of the Pack. Ye must eat where it lies; And no one may carry away of that meat to his lair, or he dies. The Kill of the Wolf is the meat of the Wolf. He may do what he will; But, till he has given permission, the Pack may not eat of that Kill. Cub-Right is the right of the Yearling. From all of his Pack he may claim Full-gorge when the killer has eaten; and none may refuse him the same. Lair-Right is the right of the Mother. From all of her year she may claim One haunch of each kill for her litter, and none may deny her the same. Cave-Right is the right of the Father — to hunt by himself for his own: He is freed of all calls to the Pack; he is judged by the Council alone. Because of his age and his cunning, because of his gripe and his paw, In all that the Law leaveth open, the word of your Head Wolf is Law. Now these are the Laws of the Jungle, and many and mighty are they; But the head and the hoof of the Law and the haunch and the hump is — Obey!
Rudyard Kipling (The Jungle Book (Jungle Book, #1))
Our northern summers, though, are versions Of southern winters, this is clear; And though we’re loath to cast aspersions, They seem to go before they’re here! The sky breathed autumn, turned and darkled; The friendly sun less often sparkled; The days grew short and as they sped, The wood with mournful murmur shed Its wondrous veil to stand uncovered; The fields all lay in misty peace; The caravan of cackling geese Turned south; and all around there hovered The sombre season near at hand; November marched across the land.
Alexander Pushkin (Eugene Onegin)
You can’t build a house without nails and wood. If you don’t want a house built, hide the nails and wood. If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.
Ray Bradbury (Fahrenheit 451)
For the author as for God, standing outwith his creation, all times are one; all times are now. In mine own country, we accept as due and right – as very meet, right, and our bounden duty – the downs and their orchids and butterflies, the woods and coppices, ash, beech, oak, and field maple, rowan, wild cherry, holly, and hazel, bluebells in their season and willow, alder, and poplar in the wetter ground. We accept as proper and unremarkable the badger and the squirrel, the roe deer and the rabbit, the fox and the pheasant, as the companions of our walks and days. We remark with pleasure, yet take as granted, the hedgerow and the garden, the riot of snowdrops, primroses, and cowslips, the bright flash of kingfishers, the dart of swallows and the peaceful homeliness of house martins, the soft nocturnal glimmer of glow worm and the silent nocturnal swoop of owl.
G.M.W. Wemyss
THE OLD MAN IN THE CORNER The man in the corner Is dying with words He's crying to be heard His days are marked And his only ears are birds He knows the secret to peace And his experience bleeds and hurts Somebody stop and listen Before he departs the earth! Somebody write his thoughts Before he hits the turf! His eyes are closing their shutters And he just dropped his Beads and stick. His breath is leaving us. Please! Somebody hear him out quick! A little girl rushes to him and Picks up his cane of wood. The old man then turns to her And faintly whispers, "The key to peace is To always stay fair And be good.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
And at first it’s so amazing to be able to enjoy dreamy afternoon meadows of heather up the other end of the canyon and just by walking less than a halfmile you can suddenly also enjoy wild gloomy sea coast, or if you’re sick of either of these just sit by the creek in a gladey spot and dream over snags—So easy in the woods to daydream and pray to the local spirits and say “Allow me to stay here, I only want peace” and those foggy peaks answer back mutely Yes
Jack Kerouac (Big Sur)
You can’t build a house without nails and wood. If you don’t want a house built, hide the nails and wood. If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it.
Ray Bradbury (Fahrenheit 451)
I’m the Saint praying on a balcony - like peaceful beasts grazing along the Sea of Palestine. I’m the scholar in a plain reading chair. Branches and rain beat the library windows. I’m the pedestrian on the high road through the stunted woods; the sound of floodgates drowns out my footsteps. I stare at the melancholy wash of another golden sunset... The path is harsh. The hillocks are weed. The air is still. How far we are from birds and streams. The end of the world must be just ahead.
Arthur Rimbaud (Illuminations)
After a few months she left off speculating about the villagers. She admitted that there was something about them which she could not fathom, but she was content to remain outside the secret, whatever it was. She had not come to Great Mop to concern herself with the hearts of men. Let her stray up the valleys, and rest in the leafless woods that looked so warm with their core of fallen red leaves, and find out her own secret, if she had one; with autumn it might come back to question her. She wondered. She thought not. She felt that nothing could ever again disturb her peace. Wherever she strayed the hills folded themselves round her like the fingers of a hand.
Sylvia Townsend Warner (Lolly Willowes)
There is a pleasure in the pathless woods, . . ." ~Lord Byron So walk with me a little while in the pathless woods and reflect upon the unknown.... ...I find myself enchanted by Byron's "pathless woods," and it isn't hard to visualize them: tall, crowding trees, between which you make your way; the scent of earth and foliage and of evergreens. And, looking up, a patch of bright blue sky.... And, unless a leaf fell or a bird sang, there would be silence in the woods except for one's own footsteps which would, I dare say, be hushed also. In the woods there must be a sense that time has ceased and that for a moment we pause on the edge of some extraordinary discovery, that for the space of a heartbeat we are close to knowledge, on the verge of the solution to all problems, on the threshold of an answer. Pathless woods, steeped in peace and towering between heaven and earth would, I think, have that answer waiting for us if we were receptive enough to hear it. ...Here in the woods, perhaps we can listen with the heart and with the spirit, and hear the trees speak of growth, and the earth of seeds and silence, and looking up to the sky, hear sunlight singing.
Faith Baldwin (Evening Star (Thorndike Large Print General Series))
Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!
Rudyard Kipling
The quickest door to open in the woods for a child is the one that leads to the smallest room, by knowing the name each thing is called. The door that leads to the cathedral is marked by a hesitancy to speak to speak at all, rather to encourage by example a sharpness of the senses. If one speaks it should only be to say, as well as one can, how wonderfully all this fits together, to indicate what a long, fierce peace can derive from this knowledge. (Chaos, Wonder and the Spiritual Adventure of Parenting anthology)
Barry Lopez
I started running for reasons I had only just begun to understand. As a child, I ran in the woods and around my house for fun. As a teen, I ran to get my body in better shape. Later, I ran to find peace. I ran, and kept running, because I had learned that once you started something you didn’t quit, because in life, much like in an ultramarathon, you have to keep pressing forward. Eventually I ran because I turned into a runner, and my sport brought me physical pleasure and spirited me away from debt and disease, from the niggling worries of everyday existence. I ran because I grew to love other runners. I ran because I loved challenges and because there is no better feeling than arriving at the finish line or completing a difficult training run. And because, as an accomplished runner, I could tell others how rewarding it was to live healthily, to move my body every day, to get through difficulties, to eat with consciousness, that what mattered wasn’t how much money you made or where you lived, it was how you lived. I ran because overcoming the difficulties of an ultramarathon reminded me that I could overcome the difficulties of life, that overcoming difficulties was life.
Scott Jurek
Chris loved to look at every type of plant, animal, and bug he hadn’t seen before on the trail and point out those he did recognize. He enjoyed walking along small streams, listening to the water as it traveled, and searching for eddies where we could watch the minnows scurry amongst the rocks. On one Shenandoah trip, while we were resting at a waterfall, eating our chocolate-covered granola bars and watching the water pummel the rocks below, he said, “See, Carine ? That’s the purity of nature. It may be harsh in its honesty, but it never lies to you”. Chris seemed to be most comfortable outdoors, and the farther away from the typical surroundings and pace of our everyday lives the better. While it was unusual for a solid week to pass without my parents having an argument that sent them into a negative tailspin of destruction and despair, they never got into a fight of any consequence when we were on an extended family hike or camping trip. It seemed like everything became centered and peaceful when there was no choice but to make nature the focus. Our parents’ attention went to watching for blaze marks on trees ; staying on the correct trail ; doling out bug spray, granola bars, sandwiches, and candy bars at proper intervals ; and finding the best place to pitch the tent before nightfall. They taught us how to properly lace up our hiking boots and wear the righ socks to keep our feet healthy and reliable. They showed us which leaves were safe to use as toilet paper and which would surely make us miserable downtrail. We learned how to purify water for our canteens if we hadn’t found a safe spring and to be smart about conserving what clean water we had left. At night we would collect rocks to make a fire ring, dry wood to burn, and long twigs for roasting marshmallows for the s’more fixings Mom always carried in her pack. Dad would sing silly, non-sensical songs that made us laugh and tell us about the stars.
Carine McCandless (The Wild Truth: A Memoir)
You can’t build a house without nails and wood. If you don’t want a house built, hide the nails and wood. If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information.
Ray Bradbury (Fahrenheit 451)
When I get my kingdom back . . . ,” Nightshade began. “Stop there,” said Tiffany. “Why do you want your kingdom back? What good has it done you? Think about it, for I am the human who has looked after you, the only person you might call a friend.” She looked seriously at the elf. “I have told you that I—we—would be happy if you were to be Queen of the Elves again, but only if you can truly learn from your time here. Be prepared to live in peace, teach your elves that the world has changed and that there is no space for them here.” There was hope in her voice now, a hope that human and elf might be able to change the stories of humans and elves. A princess doesn’t have to be blond and blue-eyed and have a shoe size smaller than her age, she thought. People can trust witches, and not fear the old woman in the woods, the poor old woman whose only crime was to have no teeth and to talk to herself. And perhaps an elf could learn to know mercy, to discover humanity. . . . “If you learn things,” she finished softly, “you might find yourself building a different kind of kingdom.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
When the last days were upon me, and the ugly trifles of existence began to drive me to madness like the small drops of water that torturers let fall ceaselessly upon one spot of their victim’s body, I loved the irradiate refuge of sleep. In my dreams I found a little of the beauty I had vainly sought in life, and wandered through old gardens and enchanted woods. After a while, as the days of waking became less and less bearable from their greyness and sameness, I would often drift in opiate peace through the valley and the shadowy groves, and wonder how I might seize them for my eternal dwelling-place, so that I need no more crawl back to a dull world stript of interest and new colours... for doubt and secrecy are the lure of lures, and no new horror can be more terrible than the daily torture of the commonplace.
H.P. Lovecraft (The HP Lovecraft Collection)
We shall not lie on our backs at the Red Castle and watch the vultures wheeling over the valley where they killed the grandson of Genghiz. We will not read Babur's memoirs in his garden at Istalif and see the blind man smelling his way around the rose bushes. Or sit in the Peace of Islam with the beggars of Gazar Gagh. We will not stand on the Buddha's head at Bamiyan, upright in his niche like a whale in a dry-dock. We will not sleep in the nomad tent, or scale the Minaret of Jam. And we shall lose the tastes - the hot, coarse, bitter bread; the green tea flavoured with cardamoms; the grapes we cooled in the snow-melt; and the nuts and dried mulberries we munched for altitude sickness. Nor shall we get back the smell of the beanfields, the sweet, resinous smell of deodar wood burning, or the whiff of a snow leopard at 14,000 feet.
Bruce Chatwin (What Am I Doing Here?)
Dim, gradual thinning of the shapeless gloom Shudders to drizzling daybreak that reveals Disconsolate men who stamp their sodden boots And turn dulled, sunken faces to the sky Haggard and hopeless. They, who have beaten down The stale despair of night, must now renew Their desolation in the truce of dawn, Murdering the livid hours that grope for peace. Yet these, who cling to life with stubborn hands, Can grin through storms of death and find a gap In the clawed, cruel tangles of his defence. They march from safety, and the bird-sung joy Of grass-green thickets, to the land where all Is ruin, and nothing blossoms but the sky That hastens over them where they endure Sad, smoking, flat horizons, reeking woods, And foundered trench-lines volleying doom for doom. O my brave brown companions, when your souls Flock silently away, and the eyeless dead, Shame the wild beast of battle on the ridge, Death will stand grieving in that field of war Since your unvanquished hardihood is spent. And through some mooned Valhalla there will pass Battalions and battalions, scarred from hell; The unreturning army that was youth; The legions who have suffered and are dust.
Siegfried Sassoon (The War Poems)
She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
The teaching practice is a success, largely because Mr. Sturridge seems to like me, so much so as to offer me a permanent job there in the autumn term. He tells me that the kids like me too. I’m very flattered and I thank him for the compliment, but ask for some time to consider the offer. That evening I climb up to the top of Clough Head. On the crest of the high ridge I turn back and I can see my life spread out like the valley below me: growing old like Mr. Sturridge, a village teacher, gray-headed and stooped, with worn leather patches on the elbows of my jacket, going home each night to a stone cottage on the hillside with an older Megan standing in the garden, roses in a trellis around the front door, a wood fire in the hearth, my books and my music, idealized, peaceful, devoid of complexity or worry or the vanity of ambition. Whatever is comforting about this image of a possible future, however different it is from the harsh industrial landscape of my childhood, it holds me for no more than a moment and then it is gone. I know the answer I shall give the headmaster, and as the evening draws in I make my way at a brisker pace down the mountain to my digs in the village.
Sting (Broken Music: A Memoir)
And so we weep for the fallen. We weep for those yet to fall, and in war the screams are loud and harsh and in peace the wail is so drawn-out we tell ourselves we hear nothing. And so this music is a lament, and I am doomed to hear its bittersweet notes for a lifetime. Show me a god that does not demand mortal suffering. Show me a god that celebrates diversity, a celebration that embraces even non-believers and is not threatened by them. Show me a god who understands the meaning of peace. In life, not in death. Show— 'Stop,' Gesler said in a grating voice. Blinking, Fiddler lowered the instrument. 'What?' 'You cannot end with such anger, Fid. Please.' Anger? I am sorry. He would have spoken that aloud, but suddenly he could not. His gaze lowered, and he found himself studying the littered floor at his feet. Someone, in passing – perhaps Fiddler himself – had inadvertently stepped on a cockroach. Half-crushed, smeared into the warped wood, its legs kicked feebly. He stared at it in fascination. Dear creature, do you now curse an indifferent god? 'You're right,' he said. 'I can't end it there.' He raised the fiddle again. 'Here's a different song for you, one of the few I've actually learned. From Kartool. It's called "The Paralt's Dance".' He rested the bow on the strings, then began. Wild, frantic, amusing. Its final notes recounted the triumphant female eating her lover. And even without words, the details of that closing flourish could not be mistaken. The four men laughed. Then fell silent once more.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
We went through the Happy Valley to the little cove. The azaleas were finished now, the petals lay brown and crinkled on the moss. The bluebells had not faded yet, they made a solid carpet in the woods above the valley, and the young bracken was shooting up, curling and green. The moss smelt rich and deep, and the bluebells were earthy, bitter. I lay down in the long grass beside the bluebells with my hands behind my head, and Jasper at my side. He looked down at me panting, his face foolish, saliva dripping from his tongue and his heavy jowl. There were pigeons somewhere in the trees above. It was very peaceful and quiet. I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say “By the way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. She’s married, with two children.” And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again. No, I did not mean that. It was disloyal, wicked. It was not what I meant. Maxim was my life and my world. I got up from the bluebells and called sharply to Jasper. We set off together down the valley to the beach. The tide was out, the sea very calm and remote. It looked like a great placid lake out there in the bay. I could not imagine it rough now, any more than I could imagine winter in summer. There was no wind, and the sun shone on the lapping water where it ran into the little pools in the rocks.
Daphne du Maurier (Rebecca)
Once upon a time, in a faraway forest, there lived a tree that was different from all the other trees in the woods. While the other trees grew perfectly straight toward the sky, this particular tree grew in loops, twists, and turns. It was known as the Curvy Tree by all who saw it, and many humans and animals came from far and wide to see its splendor. When the humans and animals were away, in a language that only could be heard by the plants of the forest, the other trees would taunt the poor Curvy Tree. ‘We hate your bark and your branches and your leaves that twist and turn! One day they will chop you into firewood and you will forever burn!’ It made the Curvy Tree very sad, and if you spoke Plant you would hear it cry itself to sleep every night. Years later, on the last day of winter before spring began, loggers traveled to the forest looking for wood, not to burn, but to build with. They cut down every tree in the woods to build houses, tables, chairs, and beds. When they finally left the forest, only one tree remained, and I bet it will come as no surprise when I tell you it was the Curvy Tree. The loggers had seen how its trunk and branches twisted and turned and they knew they could never use its wood to build with. And so the Curvy Tree was left alone to grow in peace now that all the other trees were gone. The end.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
Let them talk more munitions and airplanes and battleships and tanks and gases why of course we’ve got to have them we can’t get along without them how in the world could we protect the peace if we didn’t have them? Let them form blocs and alliances and mutual assistance pacts and guarantees of neutrality. Let them draft notes and ultimatums and protests and accusations. But before they vote on them before they give the order for all the little guys to start killing each other let the main guy rap his gavel on my case and point down at me and say here gentlemen is the only issue before this house and that is are you for this thing here or are you against it. And if they are against it why goddam them let them stand up like men and vote. And if they are for it let them be hanged and drawn and quartered and paraded through the streets in small chopped up little bits and thrown out into the fields where no clean animal will touch them and let their chunks rot there and may no green thing ever grow where they rot. Take me into your churches your great towering cathedrals that have to be rebuilt every fifty years because they are destroyed by war. Carry me in my glass box down the aisles where kings and priests and brides and children at their confirmation have gone so many times before to kiss a splinter of wood from a true cross on which was nailed the body of a man who was lucky enough to die. Set me high on your altars and call on god to look down upon his murderous little children his dearly beloved little children. Wave over me the incense I can’t smell. Swill down the sacramental wine I can’t taste. Drone out the prayers I can’t hear. Go through the old holy gestures for which I have no legs and no arms. Chorus out the hallelujas I can’t sing. Bring them out loud and strong for me your hallelujas all of them for me because I know the truth and you don’t you fools. You fools you fools you fools…
Dalton Trumbo (Johnny Got His Gun)
I’m going to tell you something, there’s country poor, and there’s city poor. As much of my life as I’d spent in front of a TV thinking Oh, man, city’s where the money trees grow, I was seeing more to the picture now. I mean yes, that is where they all grow, but plenty of people are sitting in that shade with nothing falling on them. Chartrain was always discussing “hustle,” and it took me awhile to understand he grew up hungry for money like it was food. Because for him, they’re one and the same. Not to run the man down, but he wouldn’t know a cow from a steer, or which of them gave milk. No desperate men Chartrain ever knew went out and shot venison if they were hungry. They shot liquor store cashiers. Living in the big woods made of steel and cement, without cash, is a hungrier life than I knew how to think about. I made my peace with the place, but never went a day without feeling around for things that weren’t there, the way your tongue pushes into the holes where you’ve lost teeth. I don’t just mean cows, or apple trees, it runs deeper. Weather, for instance. Air, the way it smells from having live things breathing into it, grass and trees and I don’t know what, creatures of the soil. Sounds, I missed most of all. There was noise, but nothing behind it. I couldn’t get used to the blankness where there should have been bird gossip morning and evening, crickets at night, the buzz saw of cicadas in August. A rooster always sounding off somewhere, even dead in the middle of Jonesville. It’s like the movie background music. Notice it or don’t, but if the volume goes out, the movie has no heart. I’d oftentimes have to stop and ask myself what season it was. I never realized what was holding me to my place on the planet of earth: that soundtrack. That, and leaf colors and what’s blooming in the roadside ditches this week, wild sweet peas or purple ironweed or goldenrod. And stars. A sky as dark as sleep, not this hazy pinkish business, I’m saying blind man’s black. For a lot of us, that’s medicine. Required for the daily reboot.
Barbara Kingsolver (Demon Copperhead)
I really doubt my parents are going to let me stay the night in a remote cabin with a bunch of boys.” “Oh, please, Snow White, Mike’s dad’ll be there. He’s actually kinda funny…you know, in a weird dad kind of way. Don’t worry, your purity will remain intact. Scout’s honor.” She made some sort of gesture with her fingers that Violet assumed was supposed to be an oath, but since Chelsea had never actually been a Girl Scout, it ended up looking more like a peace sign. Or something. Violet maintained her dubious expression. But Chelsea wasn’t about to be discouraged, and she tried to be the voice of reason. “Come on, I think Jay’s checking to see if he can get the time off work. The least you can do is ask your parents. If they say no, then no harm, no foul, right? If they say yes, then we’ll have a kick-ass time. We’ll go hiking in the snow and hang out in front of the fireplace in the evening. We’ll sleep in sleeping bags and maybe even roast some marshmallows. It’ll be like we’re camping.” She beamed a superfake smile at Violet and clasped her hands together like she was begging. “Do it for me. Ple-eease.” Jules came back with their milk shake. It was strawberry, and Chelsea flashed Violet an I-told-you-so grin. Violet finished her tea, mulling over the idea of spending the weekend in a snowy cabin with Jay and Chelsea. Away from town. Away from whoever was leaving her dead animals and creepy notes. It did sound fun, and Violet did love the snow. And the woods. And Jay. She could at least ask. Like Chelsea said, No harm, no foul.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Despite shared language, ethnicity, and culture, alliances nurtured deep, long-standing hostilities toward one another, the original source of which was often unknown. They had always been enemies, and so they remained enemies. Indeed, hostility between alliances defined the natives’ lives. If covered by a glass roof, the valley would’ve been a terrarium of human conflict, an ecosystem fueled by sunshine, river water, pigs, sweet potatoes, and war among neighbors. Their ancestors told them that waging war was a moral obligation and a necessity of life. Men said, “If there is no war, we will die.” War’s permanence was even part of the language. If a man said “our war,” he structured the phrase the same way he’d describe an irrevocable fact. If he spoke of a possession such as “our wood,” he used different parts of speech. The meaning was clear: ownership of wood might change, but wars were forever. When compared with the causes of World War II, the motives underlying native wars were difficult for outsiders to grasp. They didn’t fight for land, wealth, or power. Neither side sought to repel or conquer a foreign people, to protect a way of life, or to change their enemies’ beliefs, which both sides already shared. Neither side considered war a necessary evil, a failure of diplomacy, or an interruption of a desired peace. Peace wasn’t waiting on the far side of war. There was no far side. War moved through different phases in the valley. It ebbed and flowed. But it never ended. A lifetime of war was an inheritance every child could count on.
Mitchell Zuckoff (Lost in Shangri-la)
Jill had, as you might say, quite fall in love with the Unicorn. She thought- and she wasn't far wrong- that he was the shiningest, delicatest, most graceful animal she had ever met; and he was so gentle and soft of speech that, if you hadn't known, you would hardly have believed how fierce and terrible he could be in battle. "Oh, this is nice!" said Jill. "Just walking along like this. I wish there could be more of this sort of adventure. It's a pity there's always so much happening in Narnia." But the Unicorn explained to her that she was quite mistaken. He said that the Sons and Daughters of Adam and Eve were brought out of their own strange world into Narnia only at times when Narnia was stirred and upset, but she mustn't think it was always like that. In between their visits there were hundreds and thousands of years when peaceful King followed peaceful King till you could hardly remember their names or count their numbers, and there was really hardly anything to put into the History Books. And he went on to talk of old Queens and heroes whom she had never heard of. He spoke of Swanwhite the Queen who had lived before the days of the White Witch and the Great Winter, who was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards. He spoke of Moonwood the Hare who had such ears that he could sit by Caldron Pool under the thunder of the great waterfall and hear what men spoke in whispers at Cair Paravel. He told how King Gale, who was ninth in descent from Frank the first of all Kings, had sailed far away into the Eastern seas and delivered the Lone Islanders from a dragon and how, in return, they had given him the Lone Islands to be part of the royal lands of Narnia for ever. He talked of whole centuries in which all Narnia was so happy that notable dances and feasts, or at most tournaments, were the only things that could be remembered, and every day and week had been better than the last. And as he went on, the picture of all those happy years, all the thousands of them, piled up in Jill's mind till it was rather like looking down from a high hill on to a rich, lovely plain full of woods and waters and cornfields, which spread away and away till it got thin and misty from distance.
C.S. Lewis
Going up that river was like traveling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances. On silvery sandbanks hippos and alligators sunned themselves side by side. The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off for ever from everything you had known once—somewhere—far away—in another existence perhaps. There were moments when one's past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect. I got used to it afterwards; I did not see it any more; I had no time. I had to keep guessing at the channel; I had to discern, mostly by inspiration, the signs of hidden banks; I watched for sunken stones; I was learning to clap my teeth smartly before my heart flew out, when I shaved by a fluke some infernal sly old snag that would have ripped the life out of the tin-pot steamboat and drowned all the pilgrims; I had to keep a look-out for the signs of dead wood we could cut up in the night for next day's steaming. When you have to attend to things of that sort, to the mere incidents of the surface, the reality—the reality, I tell you—fades. The inner truth is hidden—luckily, luckily.
Joseph Conrad (Heart of Darkness)
The Law of the Jungle NOW this is the Law of the Jungle — as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back — For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack. Wash daily from nose-tip to tail-tip; drink deeply, but never too deep; And remember the night is for hunting, and forget not the day is for sleep. The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown, Remember the Wolf is a Hunter — go forth and get food of thine own. Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear. And trouble not Hathi the Silent, and mock not the Boar in his lair. When Pack meets with Pack in the Jungle, and neither will go from the trail, Lie down till the leaders have spoken — it may be fair words shall prevail. When ye fight with a Wolf of the Pack, ye must fight him alone and afar, Lest others take part in the quarrel, and the Pack be diminished by war. The Lair of the Wolf is his refuge, and where he has made him his home, Not even the Head Wolf may enter, not even the Council may come. The Lair of the Wolf is his refuge, but where he has digged it too plain, The Council shall send him a message, and so he shall change it again. If ye kill before midnight, be silent, and wake not the woods with your bay, Lest ye frighten the deer from the crop, and your brothers go empty away. Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can; But kill not for pleasure of killing, and seven times never kill Man! If ye plunder his Kill from a weaker, devour not all in thy pride; Pack-Right is the right of the meanest; so leave him the head and the hide. The Kill of the Pack is the meat of the Pack. Ye must eat where it lies; And no one may carry away of that meat to his lair, or he dies. The Kill of the Wolf is the meat of the Wolf. He may do what he will; But, till he has given permission, the Pack may not eat of that Kill. Cub-Right is the right of the Yearling. From all of his Pack he may claim Full-gorge when the killer has eaten; and none may refuse him the same. Lair-Right is the right of the Mother. From all of her year she may claim One haunch of each kill for her litter, and none may deny her the same. Cave-Right is the right of the Father — to hunt by himself for his own: He is freed of all calls to the Pack; he is judged by the Council alone. Because of his age and his cunning, because of his gripe and his paw, In all that the Law leaveth open, the word of your Head Wolf is Law. Now these are the Laws of the Jungle, and many and mighty are they; But the head and the hoof of the Law and the haunch and the hump is — Obey!
Rudyard Kipling
She stood on the willow bank. It was bright as mid-afternoon in the openness of the water, quiet and peaceful. She took off her clothes and let herself into the river. She saw her waist disappear into reflection less water; it was like walking into sky, some impurity of skies. All seemed one weight, one matter -- until she put down her head and closed her eyes and the light slipped under her lids, she felt this matter a translucent one, the river, herself, the sky all vessels which the sun filled. She began to swim in the river, forcing it gently, as she would wish for gentleness to her body. Her breasts around which she felt the water curving were as sensitive at that moment as the tips of wings must feel to birds, or antennae to insects. She felt the sand, grains intricate as little cogged wheels, minute shells of old seas, and the many dark ribbons of grass and mud touch her and leave her, like suggestions and withdrawals of some bondage that might have been dear, now dismembering and losing itself. She moved but like a cloud in skies, aware but only of the nebulous edges of her feeling and the vanishing opacity of her will, the carelessness for the water of the river through which her body had already passed as well as for what was ahead. The bank was all one, where out of the faded September world the little ripening plums started. Memory dappled her like no more than a paler light, which in slight agitations came through leaves, not darkening her for more than an instant. the iron taste of the old river was sweet to her, though. If she opened her eyes she looked at blue bottles, the skating waterbugs. If she trembled, it was at the smoothness of a fish or a snake that crossed her knees. In the middle of the river, whose downstream or upstream could not be told by a current, she lay on her stretched arm, not breathing, floating. Virgie had reached the point where in the next moment she might turn into something without feeling it shock her. She hung suspended in the Big Black River as she would know how to hang suspended in felicity. Far to the west, a cloud running fingerlike over the sun made her splash the water. She stood, walked along the soft mud of the bottom, and pulled herself out of the water by a willow branch, which like a warm rain brushed her back with its leaves. The moon, while she looked into the high sky, took its own light between one moment and the next. A wood thrush, which had begun to sing, hushed its long moment and began again. Virgie put her clothes back on. She would have given much for a cigarette, always wishing for a little more of what had just been. (from the short story The Wanderers)
Eudora Welty
Such is the lot of the knight that even though my patrimony were ample and adequate for my support, nevertheless here are the disturbances which give me no quiet. We live in fields, forests, and fortresses. Those by whose labors we exist are poverty-stricken peasants, to whom we lease our fields, vineyards, pastures, and woods. The return is exceedingly sparse in proportion to the labor expended. Nevertheless the utmost effort is put forth that it may be bountiful and plentiful, for we must be diligent stewards. I must attach myself to some prince in the hope of protection. Otherwise every one will look upon me as fair plunder. But even if I do make such an attachment hope is beclouded by danger and daily anxiety. If I go away from home I am in peril lest I fall in with those who are at war or feud with my overlord, no matter who he is, and for that reason fall upon me and carry me away. If fortune is adverse, the half of my estates will be forfeit as ransom. Where I looked for protection I was ensnared. We cannot go unarmed beyond to yokes of land. On that account, we must have a large equipage of horses, arms, and followers, and all at great expense. We cannot visit a neighboring village or go hunting or fishing save in iron. Then there are frequently quarrels between our retainers and others, and scarcely a day passes but some squabble is referred to us which we must compose as discreetly as possible, for if I push my claim to uncompromisingly war arises, but if I am too yielding I am immediately the subject of extortion. One concession unlooses a clamor of demands. And among whom does all this take place? Not among strangers, my friend, but among neighbors, relatives, and those of the same household, even brothers. These are our rural delights, our peace and tranquility. The castle, whether on plain or mountain, must be not fair but firm, surrounded by moat and wall, narrow within, crowded with stalls for the cattle, and arsenals for guns, pitch, and powder. Then there are dogs and their dung, a sweet savor I assure you. The horsemen come and go, among them robbers, thieves, and bandits. Our doors are open to practically all comers, either because we do not know who they are or do not make too diligent inquiry. One hears the bleating of sheep, the lowing of cattle, the barking of dogs, the shouts of men working in the fields, the squeaks or barrows and wagons, yes, and even the howling of wolves from nearby woods. The day is full of thought for the morrow, constant disturbance, continual storms. The fields must be ploughed and spaded, the vines tended, trees planted, meadows irrigated. There is harrowing, sowing, fertilizing, reaping, threshing: harvest and vintage. If the harvest fails in any year, then follow dire poverty, unrest, and turbulence.
Ulrich von Hutten (Ulrich von Hutten and the German Reformation)
I know he’s had his problems in the past… “He can’t keep his hands off a liquor bottle at the best of times, and he still hasn’t accepted the loss of his wife!” “I sent him to a therapist over in Baltimore,” she continued. “He’s narrowed his habit down to a six-pack of beer on Saturdays.” “What does he get for a reward?” he asked insolently. She sighed irritably. “Nobody suits you! You don’t even like poor old lonely Senator Holden.” “Like him? Holden?” he asked, aghast. “Good God, he’s the one man in Congress I’d like to burn at the stake! I’d furnish the wood and the matches!” “You and Leta,” she said, shaking her head. “Now, listen carefully. The Lakota didn’t burn people at the stake,” she said firmly. She went on to explain who did, and how, and why. He searched her enthusiastic eyes. “You really do love Native American history, don’t you?” She nodded. “The way your ancestors lived for thousands of years was so logical. They honored the man in the tribe who was the poorest, because he gave away more than the others did. They shared everything. They gave gifts, even to the point of bankrupting themselves. They never hit a little child to discipline it. They accepted even the most blatant differences in people without condemning them.” She glanced at Tate and found him watching her. She smiled self-consciously. “I like your way better.” “Most whites never come close to understanding us, no matter how hard they try.” “I had you and Leta to teach me,” she said simply. “They were wonderful lessons that I learned, here on the reservation. I feel…at peace here. At home. I belong, even though I shouldn’t.” He nodded. “You belong,” he said, and there was a note in his deep voice that she hadn’t heard before. Unexpectedly he caught her small chin and turned her face up to his. He searched her eyes until she felt as if her heart might explode from the excitement of the way he was looking at her. His thumb whispered up to the soft bow of her mouth with its light covering of pale pink lipstick. He caressed the lower lip away from her teeth and scowled as if the feel of it made some sort of confusion in him. He looked straight into her eyes. The moment was almost intimate, and she couldn’t break it. Her lips parted and his thumb pressed against them, hard. “Now, isn’t that interesting?” he said to himself in a low, deep whisper. “Wh…what?” she stammered. His eyes were on her bare throat, where her pulse was hammering wildly. His hand moved down, and he pressed his thumb to the visible throb of the artery there. He could feel himself going taut at the unexpected reaction. It was Oklahoma all over again, when he’d promised himself he wouldn’t ever touch her again. Impulses, he told himself firmly, were stupid and sometimes dangerous. And Cecily was off limits. Period. He pulled his hand back and stood up, grateful that the loose fit of his buckskins hid his physical reaction to her. “Mother’s won a prize,” he said. His voice sounded oddly strained. He forced a nonchalant smile and turned to Cecily. She was visibly shaken. He shouldn’t have looked at her. Her reactions kindled new fires in him.
Diana Palmer (Paper Rose (Hutton & Co. #2))