Payphone Quotes

We've searched our database for all the quotes and captions related to Payphone. Here they are! All 21 of them:

Some guy on the radio called us the “lost generation” the other day. I wanted to find a payphone and a few quarters and tell that fool that we aren’t lost at all. We’re exactly where they put us.
Alexandra Bracken (The Rising Dark: A Darkest Minds Collection (Darkest Minds Short Stories))
You turned your back on tomorrow, 'Cause you forgot yesterday. I gave you my love to borrow, but you just gave it away
Maroon 5
Pay phones, relics of an almost-vanished landscape, always a touch of seediness and sadness, and a sense of transience, sweaty phones used by men outside maternity wards, feeding them fistfuls of change.
Brian D'Ambrosio (Fresh Oil and Loose Gravel: Road Poetry by Brian D'Ambrosio 1998-2008)
If happy ever after did exist I would still be holding u like this
Adam Lavine
Hello?” “Daisy Bell.” I haven’t heard his voice in 11 years. “May I ask who’s calling?” “I think you know.” “Lucas Thatcher. I don’t recognize the number. Am I your one call from jail?” “I called from a payphone. I don’t want you tracing this.
R.S. Grey (Anything You Can Do)
For his lunch break, Alex decided to sit outside for a smoke. There was no break room to speak of, just a backdoor that led to a neglected parking lot and an old payphone. There was an upturned crate by the door used to hold the door open or to sit on if one so desired. But Alex couldn't sit down, even though he had been standing for the past four hours, his anxious mind kept his feet moving. He paced back and forth, smoking his cigarette with the speed of an anxious drug addict. The cool but faint breeze pushed the smoke away from him and dissipated it into nothing. He still felt angry about the run-in with Gonzalez. It had consistently poked at him like a curious sadist with a pointed stick ever since he walked away from the door slammed in his face.
J.C. Joranco
Open All Night" (originally by Bruce Springsteen) I had the carburetor cleaned and checked With her line blown out, she's hummin' like a turbojet Propped her up in the backyard on concrete blocks For a new clutch plate and a new set of shocks Took her down to the carwash, check the plugs and points I'm goin' out tonight, I'm gonna rock that joint Early north Jersey industrial skyline I'm a all-set cobra jet creepin' through the nighttime Gotta find a gas station, gotta find a payphone This turnpike sure is spooky at night when you're all alone Gotta hit the gas, baby, I'm runnin' late This New Jersey in the mornin' like a lunar landscape The boss don't dig me, so he put me on the nightshift It takes me two hours to get back to where my baby lives In the wee wee hours, your mind gets hazy Radio relay towers, won't you lead me to my baby? Underneath the overpass, trooper hits his party light switch Goodnight, good luck, one two powershift I met Wanda when she was employed Behind the counter at the Route 60 Bob's Big Boy Fried chicken on the front seat, she's sittin' in my lap We're wipin' our fingers on a Texaco roadmap I remember Wanda up on scrap metal hill With them big brown eyes that make your heart stand still 5 A.M., oil pressure's sinkin' fast I make a pit stop, wipe the windshield, check the gas Gotta call my baby on the telephone Let her know that her daddy's comin' on home Sit tight, little mama, I'm comin' round I got three more hours, but I'm coverin' ground Your eyes get itchy in the wee wee hours Sun's just a red ball risin' over them refinery towers Radio's jammed up with gospel stations Lost souls callin' long distance salvation Hey Mr. DJ, won't you hear my last prayer? Hey ho rock 'n' roll, deliver me from nowhere Ryan Adams, Nebraska (2022)
Ryan Adams
He'd done this hundreds of times: done a job, been drugged with a narcotic that erased his short term memory, and dumped in a seedy hole in the wall locale, where when he climbed out, he would have to figure out where he was, find a payphone, and call in for his next job.
Jennifer Arnett (Agent Chandler, Retired: A Short Thriller)
So it is, while Southerners form societies to preserve the perfection of black-eyed peas and argue vehemently the merits of ham bone versus pickled pork in red beans and rice, the mention of succotash stirs less excitement in the Yankee heart than finding a dime in a pay-phone coin return. The best New England can offer by way of chauvinistic boasting about the stuff comes from the diary of a Vermont farmer, whose single culinary reference for an entire year was a laconic “This day I din’d upon Succotash” (quoted by Evan Jones in American Food).
John Thorne (Simple Cooking)
I miss pay phones... They were there when you needed them, whether out in the middle of nowhere, or downtown. Waiting patiently for us, to make a quick call, hearing someone's voice while chatting up on what's going on in our lives-- we surrenderd with pleasure to time. Until, without warning, a gentle voice reminded us that we only had a minute left to say all we wanted to say, or to search quickly into our pockets for quarters to lengthen our conversation. I miss seeing them everywhere. And I'm going to miss them when they're gone for good.
Efrat Cybulkiewicz
The London train arrives and seems to be waiting for him, ticking politely, but Dexter stands shielded by the plastic carapace of the payphone booth, feels his face crumple inwards and his breath become broken and jagged, and as he starts to cry he tells himself that it's just chemical, chemical, chemical.
David Nicholls (One Day)
Dear 2600: I am sick of seeing tangled cords at payphones. This is probably the result of people switching sides during their conversation, thus making the receiver do a 360-degree revolution. If people would put back the receiver the same way they found it, things would be a whole lot easier. Reply: All it takes is one to ruin it for the rest of us.
Emmanuel Goldstein (Dear Hacker: Letters to the Editor of 2600)
I got up and went to the payphone, inserted forty kroner and dialled Linda’s mobile number. ‘How was it this morning?’ I asked. ‘Terrible,’ she said. ‘Absolute chaos. Uttterly out of control. Heidi clawed John again. Vanja and Heidi had a fight. And Vanja had a temper tantrum on the street as we were about to go.’ ‘Oh no. Oh no,’ I said. ‘I’m sorry to hear that.’ ‘And then when we got to the nursery Vanja said. “You and dad are always so angry. You’re always so angry.” I was so upset! So unbelievably upset.’ ‘I can understand that. It’s terrible. We’ll have to sort this out, Linda. We have to. We have to find a solution. It’s no good what we’re doing. I’ll have to pull myself together. A lot of this is my fault.’ ‘Yes, we must,’ Linda said. ‘We’ll have to talk about it when you come home. What drives me to despair is that I only want us to be happy. That’s all I want. And I can’t do it! I’m such a terrible mother. I can’t even be alone with my own children.’ ‘No, that’s not true. You’re a fantastic mother. That’s not what this is about. But we’ll get there. We will.
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))
It seemed to me that most of the technology over the past fifty years or so had been designed to save time; but time for what? TVs so we didn’t need to go out to the movies, portable music players so that we didn’t need to go home, cell phones so we didn’t need to look for payphones, remote controls so that we never had to get off our butts. Now we had tablets to ensure that we didn’t have to waste time going to a book shop or library, travel agent or bank. And how were people enjoying all this extra time? By messaging friends and telling them what they’d eaten for dinner. I
John Hemmings (Forget Me Not (Mark Kane #1))
I came to a payphone and used the number Tatsu had given me. He picked up on the first ring. “Okay to talk?” I asked him. “Yes.” “Our man trains for his fights. Not at a regular dojo.” “I expect that is correct.” “Do you have information about where?” “Nothing beyond what is in the envelope.” “Okay. Here’s what we’re looking for. A small place. A hundred square meters, something like that. Not in an upscale neighborhood, but not too far downscale, either. Discreet. No advertising. Tough clientele. Organized crime, biker types, enforcers. People with police records. Histories of violence. You ever hear of a place like that?” “I haven’t. But I know where to check.” “How long?” “A day. Maybe less.” “Put whatever you find on the secure site. Page me when it’s done.” “I will.” I hung up.
Barry Eisler (A Lonely Resurrection (John Rain #2))
When I had found a payphone in a suitably innocuous location, I inserted a phone card and punched in Tatsu’s number. I could have just ignored him, but it was hard to predict what he might do in response to that. Better to know what he wanted, while maintaining the appearance of cooperation.
Barry Eisler (A Lonely Resurrection (John Rain, #2))
I am going to kill you.” These six words may have triggered more high-stakes predictions than any other sentence ever spoken. They have certainly caused a great deal of fear and anxiety. But why? Perhaps we believe only a deranged and dangerous person would even think of harming us, but that just isn’t so. Plenty of people have thought of harming you: the driver of the car behind you who felt you were going too slowly, the person waiting to use the pay-phone you were chatting on, the person you fired, the person you walked out on—they have all hosted a fleeting violent idea. Though thoughts of harming you may be terrible, they are also inevitable. The thought is not the problem; the expression of the thought is what causes us anxiety, and most of the time that’s the whole idea. Understanding this will help reduce unwarranted fear. That someone would intrude on our peace of mind, that they would speak words so difficult to take back, that they would exploit our fear, that they would care so little about us, that they would raise the stakes so high, that they would stoop so low—all of this alarms us, and by design. Threatening words are dispatched like soldiers under strict orders: Cause anxiety that cannot be ignored. Surprisingly, their deployment isn’t entirely bad news. It’s bad, of course, that someone threatens violence, but the threat means that at least for now, he has considered violence and decided against doing it. The threat means that at least for now (and usually forever), he favors words that alarm over actions that harm. For an instrument of communication used so frequently, the threat is little understood, until you think about it. The parent who threatens punishment, the lawyer who threatens unspecified “further action,” the head of state who threatens war, the ex-husband who threatens murder, the child who threatens to make a scene—all are using words with the exact same intent: to cause uncertainty. Our social world relies on our investing some threats with credibility while discounting others. Our belief that they really will tow the car if we leave it here encourages us to look for a parking space unencumbered by that particular threat. The disbelief that our joking spouse will really kill us if we are late to dinner allows us to stay in the marriage. Threats, you see, are not the issue—context is the issue.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
If not, I could use a payphone at the airport to call Mallory and Felicity.
Adam J. Wright (Dead Ground (Harbinger P.I., #4))
But since finding a single, dependable, decent man is as likely as finding a payphone these days, I will forever remain a very single entrepreneur who gets to buy expensive footwear (on sale) without hearing complaints from someone who will later leave up the toilet seat.
M.J. Summers (The Royal Treatment (Crown Jewels Romance, #1))
She stopped at a gas station and used the payphone to call the number his mother had left on her voicemail. Mackenzie was the last person in California without a cellphone and normally she was proud of that.
Megan Bryce (Some Like It Temporary - The Collection Box Set (A Temporary Engagement))
I'm not going to Wichita,' Vladimir said, the word 'Wichita' rendered by his accent as the most foreign word imaginable in the English language. 'I’m going to live with Fran and it’s going to be all right. You’re going to make it all right.' But even as he was laying down the law, his hands were shaking to the point where it was hard to keep the shabby pay-phone receiver properly positioned between his mouth and ear. Teardrops were blurring the corners of his eyes and he felt the need to have Baobab hear him burst out in a series of long, convulsive sobs, Roberta-style. All he had wanted was twenty thousand lousy dollars. It wasn’t a million. It was how much Dr. Girshkin made on average from two of his nervous gold-toothed patients. 'Okay,' Baobab said. 'Here’s how we’re going to do it. These are the new rules. Memorize them or write them down. Do you have a pen? Hello? Okay, Rule One: you can’t visit anyone—friends, relatives, work, nothing. You can only call me from a pay phone and we can’t talk for more than three minutes.' He paused. Vladimir imagined him reading this from a little scrap of paper. Suddenly Baobab said, under his breath: 'Tree, nine-thirty, tomorrow.' 'The two of us can never meet in person,' he was saying loudly now. 'We will keep in touch only by phone. If you check into a hotel, make sure you pay cash. Never pay by credit card. Once more: Tree, nine-thirty, tomorrow.' Tree. Their Tree? The Tree? And nine-thirty? Did he mean in the morning? It was hard to imagine Baobab up at that unholy hour. 'Rule Five: I want you to keep moving at all times, or at least try to keep moving. Which brings us to…' But just as Rule Six was about to come over the transom, there was a tussle for the phone and Roberta came on the line in her favorite Bowery harlot voice, the kind that smelled like gin nine hundred miles away. 'Vladimir, dear, hi!' Well, at least someone was enjoying Vladimir’s downfall. 'Say, I was thinking, do you have any ties with the Russian underworld, honey?' Vladimir thought of hanging up, but the way things were going even Roberta’s voice was a distinctly human one. He thought of Mr. Rybakov’s son, the Groundhog. 'Prava,' he muttered, unable to articulate any further. An uptown train rumbled beneath him to underscore the underlying shakiness of his life. Two blocks downtown, a screaming professional was being tossed back and forth between two joyful muggers. 'Prava, how very now!' Roberta said. 'Laszlo’s thinking of opening up an Academy of Acting and the Plastic Arts there. Did you know that there are thirty thousand Americans in Prava? At least a half dozen certified Hemingways among them, wouldn’t you agree?' 'Thank you for your concern, Roberta. It’s touching. But right now I have other… There are problems. Besides, getting to Prava… What can I do?… There’s an old Russian sailor… An old lunatic… He needs to be naturalized.' There was a long pause at this point and Vladimir realized that in his haste he wasn’t making much sense. 'It’s a long story…' he began, 'but essentially… I need to… Oh God, what’s wrong with me?' 'Talk to me, you big bear!' Roberta encouraged him. 'Essentially, if I get this old lunatic his citizenship, he’ll set me up with his son in Prava.' 'Okay, then,' Roberta said. 'I definitely can’t get him his citizenship.' 'No,' Vladimir concurred. 'No, you can’t.' What was he doing talking to a sixteen-year-old? 'But,' Roberta said, 'I can get him the next best thing…
Gary Shteyngart (The Russian Debutante's Handbook)