Paving Slab Quotes

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Often, beyond the next turning, footfalls of a herd galloping across stone were heard, or further in the distance, with reassuring grunts, a wild boar could be seen, trotting with steady stride along the edge of the road with her sow and a whole procession of young in tow. And then one's heart beat faster upon advancing a little into the subtle light: one might have said that the path had suddenly become wild, thick with grass, its dark paving-slabs engulfed by nettles, blackthorn and sloe, so that it mingled up time past rather than crossing country-side, and perhaps it was going to issue forth, in the chiaroscuro of thicket smelling of moistened down and fresh grass, into one of those glades where animals spoke to men.
Julien Gracq
There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin.
E.M. Forster (The Works of E. M. Forster)
There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin.
E.M. Forster (A Room with a View)
Why can't unemployed people clean toilets, remove graffiti from vandalised war memorials, clear wasteland or derelict areas, or even decorate public buildings such as community centres. They could work in charity shops or down the local tip, sorting people’s rubbish out. They could even look after cemeteries, cutting the grass, hedges and shrubs, keeping gravestones clean, or maybe even laying paving slabs for a new path. Or how about putting in raised flower beds in the park?
Karl Wiggins (100 Common Sense Policies to make BRITAIN GREAT again)
There was no one even to tell her which, of all the sepulchral slabs that paved the nave and transepts, was the one that was really beautiful, the one that had been most praised by Mr. Ruskin. Then the pernicious charm of Italy worked on her, and, instead of acquiring information, she began to be happy.
E.M. Forster (A Room with a View)
Moons have passed since last we met, battles fought and enemies fallen. At the bridge of Anrag I took fifteen heads. I overthrew the tyrant Dagrud War-Scythe and took his cattle as tribute to my skill. It was a glorious day.’ ‘Sounds pretty wild. I’m having a new patio put down. You and me both, eh?’ ‘Square slabs or crazy paving?’ ‘Square slabs.
Toby Frost (Space Captain Smith (Chronicles of Isambard Smith, #1))
Nine hundred species of native plants. I have a feeling you’re someone who will appreciate that we grow the real beauties here,” Eudora said. “Not the gaudy sun perennials that want to flash everything they’ve got like cheap hookers. You have to look hard to find the pockets of beauty in my garden.” “Your garden?” But Eudora was no longer listening. She strode ahead, slowing down when they entered an intimate fairy-tale forest. The path narrowed and switched to pale stone. Crazy paving, Tom would have called it—stone slabs haphazardly slotted together in a way that defied time, feet, and the extremes of weather. The formal, structured sweep of the Historic Gardens was replaced by a hint of controlled but wild beauty. Above the towering hemlocks, the clouds broke apart to reveal slashes of blue sky. Eudora was right—so many pockets of beauty if you looked hard enough: trailing catkins and clusters of reddish pitcher plants that looked like rhubarb stalks with curling ends. (Such fascination he’d had for carnivorous plants after Tom had shown him a picture of a Venus flytrap in Encyclopædia Britannica.) A dead stick jutted up through the leaves; the sign next to it read “Northern Catalpa.” He would research that on the Web when he got to the office. See if he could find a picture of it in full leaf. “Here, smell this.” Eudora had stopped by a small, unimpressive tree, but as Felix moved close, he spotted tiny pom-poms of reddish blooms. He had never seen anything quite so weird or wonderful. Ella should definitely plant one of those. “Hmm.” “Witch hazel.
Barbara Claypole White (The Perfect Son)
The truth was that without being in the least conscious of the importance for humanity of the psychic law he had blundered upon or of its rarity in the world, Sam had found out that when a person is liberated from possessiveness, from ambition, from the exigencies of desire, from domestic claims, from every sort of authority over others, he can enjoy sideways and incidentally, as he follows any sort of labour or quest the most exquisite trances of absorption into the mysterious essence of any patch of earth-mould, or any fragment of gravel, or any slab of paving-stone, or any tangle of weeds, or any lump of turf that he may come upon as he goes along.
John Cowper Powys (A Glastonbury Romance)
Like a football being held underwater, as soon as you let go, it rises to the surface. And like the grass pressing up through the cracks in a city pavement, your resilience and clarity is always doing its best to find its way through the paving slabs of your superstitious thinking.
Jamie Smart (Clarity: Clear Mind, Better Performance, Bigger Results)
The curtain billows gently in the breeze behind him as he steps out to meet me, his hair jet-black by contrast with the translucent white fabric. I jump, gasp, and nearly swallow the grip that I’m still holding between my lips; quickly, I pull it out before it goes down my throat and chokes me. It’s wet with drool. Lovely, Violet. Really attractive. I shove it into my hair, anywhere, praying it will stay and not fall on the floor, still dripping with spit. Luca’s smiling down at me. His face is half in light, half in shade, from the spots playing across the dance floor, his blue eyes gleaming. “You like to dance,” he observes conversationally. “Yes…” Safe question, safe answer. Well, at least I didn’t babble. But he doesn’t say anything else; he’s just looking me up and down, and I feel incredibly awkward under his scrutiny. I’m sweaty, catching my breath; my eyeliner’s probably running. I desperately need to escape into the dark night beyond the dance floor, where the breeze will cool me down and the shadows will hide my shiny face. “I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face. He’s following me. I can hear his leather-soled shoes on the stone. And I have no idea where I’m going. I feel ridiculous. Luckily, ahead of me I see a terrace with tables, and I walk toward it as if I’d planned to head there all along. “You want a drink?” he asks. He gestures over to the right, and I see the white gleam of the long bar, the translucent milky-white pillars shining as if we’re underwater. I don’t need to drink any more alcohol tonight. Especially in the company of Luca. “Maybe some water. I’m really thirsty.” He nods, turns, and walks toward the bar. I watch him go. Tall, lean, with a nice firm bum in his black jeans. Exactly what I like in a boy. And then I feel my face flaming, because this isn’t just some boy at an airport, or viewed from a car. This is real. He’s real. He’ll be back in just a few minutes, and I won’t have the faintest idea what to say to him…
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
Although the once-thriving city is now in ruins, the marble bones tell marvelous stories. We see elegant carvings and dramatic columns and streets and courtyards paved in mosaic tiles. We see the remnants of baths and public toilets. And everywhere among the ruins are sweet, plump cats … stretching out in the sun on slabs of ancient marble, or grooming themselves atop marble posts or broken marble columns or posing like professional models.
Al Lockwood (Cruising the Mediterranean)
At first glance, the main display case at Dicecca today looks like a selection you'll find in any cheese shop in Puglia: tubs of milky water covering hunks of mozzarella in its many guises; strings of swollen scamorze dangling from the ceiling, bronzed by their stopover in the cold smoker; small plastic containers of creamy ricotta ready to be stuffed or eaten straight with a spoon. But look closer and you'll see some unfamiliar faces staring back at you through the glass: a large bucket brimming with ricotta spiked with ribbons of blue cheese and toasted almonds, served by the scoop; a wooden serving board paved with melting slabs of goat cheese weaponized with a cloak of bright red chili flakes; a hulking wheel of pecorino, stained shamrock green by a puree of basil and spinach. These are the signs of a caseificio in the grips of an evolution, one that started more than a decade ago when the brothers took the reins from their parents and began to expand the definition of a small, family-run cheese shop.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
The sunlight bounced off the concrete paving slabs and hurt his eyes. He flipped the glades down. Colors stayed vivid: the garish yellow-brown of the withered grass, the blinding gray of the concrete, the booming silver overcast through which the sun burned like its tiny burning-glass image through paper. Placing one foot in front of the other became difficult, complicated, tricky, an awkward business, more than he’d bargained for, a whole new belt of slugs. Worse, associational chains kept echoing away in his head, amplifying and distorting, repeating and refining—no, that wasn’t quite it …
Ken MacLeod (The Star Fraction: The Fall Revolution Sequence)
But his solitude was not long-lasting. The tap of footsteps on the paving slabs of the terrace and animated voices were heard, and Korovyev and Behemoth appeared before Woland. But now the fat one had no Primus and was laden with other objects. Thus, under his arm there was a small landscape in a gold frame, thrown over his arm was a half-scorched chef’s smock, and in the other hand he held an entire salmon in its skin and with its tail. Korovyev and Behemoth reeked of burning, Behemoth’s face was covered in soot and his cap was half scorched.
Mikhail Bulgakov (The Master & Margarita)