Paved Streets Quotes

I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company.

You can't find the right roads when the streets are paved.

I walk alone, absorbed in my fantastic play, — Fencing with rhymes, which, parrying nimbly, back away; Tripping on words, as on rough paving in the street, Or bumping into verses I long had dreamed to meet.

I am a free man―and I need my freedom. I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company. What do you want of me? When I have something to say, I put it in print. When I have something to give, I give it. Your prying curiosity turns my stomach! Your compliments humiliate me! Your tea poisons me! I owe nothing to any one. I would be responsible to God alone―if He existed!

i am a free man— and i need my freedom. i need to be alone. i need to ponder my shame and my despair in seclusion; i need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company.

the road to Heaven is paved with bullshit and busy work.

Streets paved with opal sadness, Lead me counterclockwise, to pockets of joy, And jazz.

A road need not be paved in gold to find treasures at its end.

Out in Hollywood, where the streets are paved with Goldwyn....

Romanians have a saying, 'Not every dog has a bagel on its tail.' It means that not all streets are paved with gold. When I began my career, I just wanted to do cartwheels.

If the road to hell is paved with good intentions, compromises on principles are the street lights

The wand waved; the Adam's Apple leapt, and they were off. What followed cannot be indicated typographically. But if a cat were a sawmill, and a dog were a gigantic cart full of tin cans bouncing through a stone paved street, and that dog and that cat hated each other and were telling each other so, it would sound much like it.

I am a free man—and I need my freedom. I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company. What do you want of me? When I have something to say, I put it in print. When I have something to give, I give it. Your prying curiosity turns my stomach! Your compliments humiliate me! Your tea poisons me! I owe nothing to any one. I would be responsible to God alone—if He existed!

But the Duke of Clermont was smiling and cheerful, and he’d thrown it out there as if it were merely one more fact to be recounted. The weather is lovely. The streets are paved with cobblestone. Your tits are magnificent.

A city reborn is a city traumatized. It remembers its past, every second that it took to get to this point. It sees the former version of itself and knows that it has changed, its boots no longer fitting, its hats no longer comfortable. The streets trace how they used to sprawl. No matter how it is paved over and reorganized, memories and echoes do not fade away that easily.

The evening light was like honey in the trees When you left me and walked to the end of the street Where the sunset abruptly ended. The wedding-cake drawbridge lowered itself To the fragile forget-me-not flower. You climbed aboard. Burnt horizons suddenly paved with golden stones, Dreams I had, including suicide, Puff out the hot-air balloon now. It is bursting, it is about to burst

If I had my wilderness, nature could be my lover. What can I do in the paved streets for my thirsty roots? I waste time. I encourage fools. I slip the vital hours into penny slot machines -- to pass time, to start my stuck wheels only love can oil.

When the immigrants came to America, they thought the streets would be paved with gold. But when they got here, they realized three things: 1.  The streets were not paved with gold. 2.  The streets were not paved at all. 3.  They were the ones expected to do the paving.

A Skalan trader tried to tell me the streets of his cities were paved with gold," Alec went on. "I didn't believe him, though. He was the one who tried to buy me from father. I was only eight or nine. I could never figure out what he wanted me for." "Really?" Seregil lifted a noncommittal eyebrow.

If the road to Hell is paved in good intentions, a friend of mine used to say, the road to Heaven is paved with bullshit and busy work.

The sidewalks were haunted by dust ghosts all night as the furnace wind summoned them up, swung them about, and gentled them down in a warm spice on the lawns. Trees, shaken by the footsteps of late-night strol- lers, sifted avalanches of dust. From midnight on, it seemed a volcano beyond the town was showering red-hot ashes every- where, crusting slumberless night watchmen and irritable dogs. Each house was a yellow attic smoldering with spon- taneous combustion at three in the morning. Dawn, then, was a time where things changed element for element. Air ran like hot spring waters nowhere, with no sound. The lake was a quantity of steam very still and deep over valleys of fish and sand held baking under its serene vapors. Tar was poured licorice in the streets, red bricks were brass and gold, roof tops were paved with bronze. The high- tension wires were lightning held forever, blazing, a threat above the unslept houses. The cicadas sang louder and yet louder. The sun did not rise, it overflowed.

The street was full of animals, milling around uncertainly. When animals are in a state of uncertainty they get nervous, and the street was already, as it were, paved with anxiety.

He remembered running through the streets of Alicante with Tavvy in his arms, stumbling on the cracked paving. trying to keep his little brother's face mashed against his shoulder so that he wouldn't see the blood and death all around him.

And the poser has a girlfriend. Ten years younger. The Blond Weed, Ove calls her. Tottering around the streets like an inebriated panda on heels as long as box wrenches, with clown paint all over her face and sunglasses so big that one can’t tell whether they’re a pair of glasses or some kind of helmet. She also has one of those handbag animals, running about off the leash and pissing on the paving stones outside Ove’s house. She thinks Ove doesn’t notice, but Ove always notices.

The one ring road around the airfield is paved, but heavily rutted and potholed. Every few days a street-sweeper makes its way around, polishing the rutted surface with brushes and water.

He is on his way to her. In a moment he will leave the wooden sidewalks and vacant lots for the paved streets. The small suburban houses flash by like the pages of a book, not as when you turn them over one by one with your forefinger but as when you hold your thumb on the edge of the book and let them all swish past at once. The speed is breathtaking. And over there is her house at the far end of the street, under the white gap in the rain clouds where the sky is clearing, toward the evening. How he loves the little houses in the street that lead to her! He could pick them up and kiss them! Those one-eyed attics with their roofs pulled down like caps. And the lamps and icon lights reflected in the puddles and shining like berries! And her house under the white rift of the sky! There he will again receive the dazzling, God-made gift of beauty from the hands of its Creator. A dark muffled figure will open the door, and the promise of her nearness, unowned by anyone in the world and guarded and cold as a white northern night, will reach him like the first wave of the sea as you run down over the sandy beach in the dark.

Nicholas Adams drove on through the town along the empty, brick-paved street ... on under the heavy trees of the small town that are a part of your heart if it is your town and you have walked under them, but that are only too heavy, that shut out the sun and that dampen the houses for a stranger.

She was about to laugh at the selfishness of her reaction, but she was distracted by the cool evening air when she stepped outside, the dusky blue of the sky, and the freshly paved street in front of her, its blackness bisected by a bright yellow line, a world so inexplicably beautiful that she forgot what she was thinking about and just stood still for a moment, breathing it all in.

II Hollywood Flapper Oh, come my love and join with me The oldest infant industry. Come seek the bourne of palm and pearl, The lovely land of boy-meets-girl. Come grace this lotus-laden shore, The isle of Do-What’s-Done-Before. Come curb the new and watch the old win, Out where the streets are paved with Goldwyn. – Dorothy Parker

The weather appeared to have somewhat cleared up; the rain no longer fell, a fresh wind swept the streets, and the moon, now and then surrounded by dark clouds, now and then shining in full brilliancy, shed its rays, smooth and cold as blades of steel, upon the thousand pools of water lying in the hollows of the paving-stones. ("The Child Stealer")

If we could only live on good food like that, he said to her somewhat loudly, we wouldn't have the country full of rotten teeth and rotten guts. Living in a bogswamp, eating cheap food and the streets paved with dust, horsedung and consumptives' spits.

As I came up from the galley, the sun was going down into the ocean in a blaze that paved the western sea with gold like the streets of Heaven. I stopped for a moment, just a moment, transfixed by the sight. It had happened many times before, but it always took me by surprise. Always in the midst of great stress, wading waist-deep in trouble and sorrow, as doctors do, I would glance out a window, open a door, look into a face, and there it would be, unexpected and unmistakable. A moment of peace. The

For brick and mortar breed filth and crime, With a pulse of evil that throbs and beats; And men are whithered before their prime By the curse paved in with the lanes and streets. And lungs are poisoned and shoulders bowed, In the smothering reek of mill and mine; And death stalks in on the struggling crowd— But he shuns the shadow of the oak and pine

it isn’t healthy to walk around no longer familiar streets, looking for memories that have been paved over,

Oh, London is a fine town, A very famous city, Where all the streets are paved with gold, And all the maidens pretty, --G. Colman (the Younger)

The remains of the wall built by WIC to defend its colony against Native Americans and British are today paved over by the world’s most famous street – Wall Street.

And the plane began it's takeoff. How exciting it was to lift off from the ground with a jerk and see the houses that became parallelepipettes and the streets that changed into strips and the countryside that was reduced to a green patch and the sea that inclined like a compact paving stone and the clouds that fell below in a landslide of soft rocks and the anguish, the pain, the very happiness that became a part of a unique luminous motion. It seemed to me that flying subjected everything to a process of simplification and I sighed, I tried to lose myself. Every so often I asked Nino "are you happy?" and he nodded yes, kissed me. At times I had the impression that the floor under my feet, the only surface I could count on, was trembling.

Rome has been called the "Sacred City": - might not our Oxford be called so too? There is an air about it, resonant of joy and hope: it speaks with a thousand tongues to the heart: it waves its mighty shadow over the imagination: it stands in lowly sublimity, on the "hill of ages"; and points with prophetic fingers to the sky: it greets the eager gaze from afar, "with glistering spires and pinnacles adorned," that shine with an internal light as with the lustre of setting suns; and a dream and a glory hover round its head, as the spirits of former times, a throng of intellectual shapes, are seen retreating or advancing to the eye of memory: its streets are paved with the names of learning that can never wear out: its green quadrangles breathe the silence of thought.

He walked down the street and crossed the railroad tracks. The redness of the evening in the glass of the buildings. Very high a small and trembling flight of geese. Fording the last of the day in the thin air. Following the shape of the river below. He stood above the bank of riprap. Rock and broken paving. The slow coil of the passing water. In the coming night he thought that men would band together in the hills. Feeding their small fires with the deeds and the covenants and the poetry of their fathers. Documents they’d no gift to read in a cold to loot men of their souls.

If anyone had asked him that morning concerning his idea of Heaven, he never would have dreamed of describing a place of gold-paved streets, crystal pillars, jewelled gates, and thrones of ivory. These things were beyond the man's comprehension and he would not have admired or felt at home in such magnificence if it had been materialized for him. He would have told you that a floor of last year's brown leaves, studded with myriad flower faces, big, bark-encased pillars of a thousand years, jewels on every bush, shrub, and tree, and tilting thrones on which gaudy birds almost burst themselves to voice the joy of life, while their bright-eyed little mates peered questioningly at him over nest rims——he would have told you that Medicine Woods on a damp, sunny May morning was Heaven.

The streets west of Main were older and less symmetrical than those east. They turned around and in upon themselves, as if they’d been laid out by a drunk and then paved by a man who understood him perfectly.

Ever since this day I have dreamt sometimes... I, a street rat in my soul, dream even now... that if it were possible to life this littered, paved Manhattan from the earth... and all its torn and dripping pipes and conduits and tunnels and tracks and cables--all of it, like a scab from new skin underneath--how seedlings would sprout and freshets bubble up, and brush and grasses would grow over the rolling hills...

There weren't really any new immigrants in Miller's Valley at all. You could tell by their last names that people who lived in the area were originally from Germany or Poland or some of the Slavic countries, but they'd been Americans long enough to have flat vowels and made-up minds. When I got older I realized that the majority of people in Miller's Valley were the most discontented kind of Americans, working people whose situations hadn't risen or fallen over generations, but who still carried a little bit of those streets-paved-with-gold illusions and so were always annoyed that the streets were paved with tar. If they were paved at all.

Lilichka! (Instead of a letter)" Tobacco smoke eats the air away. The room,-- a chapter from Kruchenykh's Inferno. Recall,-- by the window, that day, I caressed you ecstatically, with fervor. Here you sit now, with your heart in iron armor. In a day, you'll scold me perhaps and tell me to leave. Frenzied, the trembling arm in the gloomy parlor will hardly be able to fit the sleeve. I'll rush out and hurl my body into the street,-- distraught, lashed by despair and sadness. There's no need for this, my darling, my sweet. Let's part tonight and end this madness. Either way, my love is an arduous weight, hanging on you wherever you flee. Let me bellow out in the final complaint all of my heartbroken misery. A laboring bull, if he had enough, will leave and find cool water to lie in. But for me, there's no sea except for your love,-- from which even tears won't earn me some quiet. If an elephant wants to relax, he'll lie, pompous, outside in the sun-baked dune, Except for your love, there's no sun in the sky and I don't even know where you are and with whom. If you thus tormented another poet, he would trade in his love for money and fame. But nothing sounds as precious to me as the ringing sound of your darling name. I won't drink poison, or jump to demise, or pull the trigger to take my own life. Except for your eyes, no blade can control me, no sharpened knife. Tomorrow you'll forget that it was I who crowned you, who burned out the blossoming soul with love and the days will form a whirling carnival that will ruffle my manuscripts and lift them above... Will the dry autumn leaves of my sentences cause you to pause, breathing hard? Let me pave a path with the final tenderness for your footsteps as you depart. (1916)

They walked to her flat through the rain and they might have been anywhere—Berlin, London, any town where paving stones turn to lakes of light in the evening rain, and the traffic shuffles despondently through wet streets.

As he stumbled along a high bright object caught his eyes; he looked up. Atop a building across the street, above the heads of the people, loomed a flaming cross. At once he knew that it had something to do with him. But why should they burn a cross? As he gazed at it he remembered the sweating face of the black preacher in his cell that morning talking intensely and solemnly of Jesus, of there being a cross for him, a cross for everyone, and of how the lowly Jesus had carried the cross, paving the way, showing how to die, how to love and live eternal. But he had never seen a cross burning like that one upon the roof. Were white people wanting him to love Jesus, too?

They're kicking us out saying it's time to close We're leaning on each other try'na beat the cold Carry your shoes and I give you my coat Walking these streets like they're paved gold Anymore excuses is not to go Neither one of us want to take that taxi home Singing our hearts, standing on chairs Spending the time like we were millionaires Laughing our heads off, the two of us stared Spending the time like we were millionaires Lost my heart and I hope to die Seeing that sunlight hit your eyes Been up all night but you still look amazing to me Half the time of the night you only dream About if God came down he could take me now Cause in my mind, yeah we will always be

The brown autumn came. Out of doors, it brought to the fields the prodigality of the golden harvest, —to the forest, revelations of light,⁠—and to the sky, the sharp air, the morning mist, the red clouds at evening. Within doors, the sense of seclusion, the stillness of closed and curtained windows, musings by the fireside, books, friends, conversation, and the long, meditative evenings. To the farmer, it brought surcease of toil,⁠—to the scholar, that sweet delirium of the brain which changes toil to pleasure. It brought the wild duck back to the reedy marshes of the south; it brought the wild song back to the fervid brain of the poet. Without, the village street was paved with gold; the river ran red with the reflection of the leaves. Within, the faces of friends brightened the gloomy walls; the returning footsteps of the long-absent gladdened the threshold; and all the sweet amenities of social life again resumed their interrupted reign.

Who do you think made this world an' the things 'at's in it? Maybe it's your notion 'at somebody about your size whittled it from a block o' wood, scattered a little sand for earth, stuck a few seeds for trees, an' started the oceans with a waterin' pot! I don't know what paved streets an' stall feedin' do for a man, but any one 'at's lived sixty year on the ground knows 'at this whole old earth is jest teemin' with work 'at's too big for anything but a God, an' a mighty BIG God at that!

Many things combine to show that Midaq Alley is one of the gems of times gone by and that it once shone forth like a flashing star in the history of Cairo. Which Cairo do I mean? That of the Fatimads, the Mamlukes, or the Sultans? Only God and the archaeologists know the answer to that, but in any case, the alley is certainly an ancient relic and a precious one. How could it be otherwise with its stone-paved surface leading directly to the historic Sanadiqiya Street. And then there is its cafe known as "Kirsha's". Its walls decorated with multicolored arabesques, now crumbling, give off strong odors from the medicines of olden times, smells which have now become the spices and folk-cures of today and tomorrow ... Although Midaq Alley lives in almost complete isolation from all surrounding activity, it clamors with a distinctive and personal life of its own. Fundamentally and basically, its roots connect with life as a whole and yet, at the same time, it retains a number of the secrets of a world now past.

The white man has taught us to shout and sing and pray until we die, to wait until death, for some dreamy heaven-in-the-hereafter when we're dead, while this white man has his milk and honey in the streets paved with golden dollars right here on this Earth.

The road to profitability is paved with credibility. Credibility is something you earn by how you market, where you market, how you treat people, how you act, and your overall level of professionalism. Away from the business arena, the term is street cred, and it's the road to respect.

Beyond the speculative and often fraudulent froth that characterizes much of neoliberal financial manipulation, there lies a deeper process that entails the springing of ‘the debt trap’ as a primary means of accumulation by dispossession. Crisis creation, management, and manipulation on the world stage has evolved into the fine art of deliberative redistribution of wealth from poor countries to the rich. I documented the impact of Volcker’s interest rate increase on Mexico earlier. While proclaiming its role as a noble leader organizing ‘bail-outs’ to keep global capital accumulation on track, the US paved the way to pillage the Mexican economy. This was what the US Treasury–Wall Street–IMF complex became expert at doing everywhere. Greenspan at the Federal Reserve deployed the same Volcker tactic several times in the 1990s. Debt crises in individual countries, uncommon during the 1960s, became very frequent during the 1980s and 1990s. Hardly any developing country remained untouched, and in some cases, as in Latin America, such crises became endemic. These debt crises were orchestrated, managed, and controlled both to rationalize the system and to redistribute assets. Since 1980, it has been calculated, ‘over fifty Marshall Plans (over $4.6 trillion) have been sent by the peoples at the Periphery to their creditors in the Center’. ‘What a peculiar world’, sighs Stiglitz, ‘in which the poor countries are in effect subsidizing the richest.

Maycomb did not have a paved street until 1935, courtesy of F. D. Roosevelt, and even then it was not exactly a street that was paved. For some reason the President decided that a clearing from the front door of the Maycomb Grammar School to the connecting two ruts adjoining the school property was in need of improvement, it was improved accordingly, resulting in skinned knees and cracked crania for the children and a proclamation from the principal that nobody was to play Pop-the-Whip on the pavement. Thus the seeds of states’ rights were sown in the hearts of Jean Louise’s generation.

I soon saw, however, that Creed's obsession with death was typical of most of the children. This came out in their play. "Let's play funeral" was a favorite game at recess. To me, it seemed bizarre and mawkish play. All that saved it was the spontaneous creativity of the children and the fact that, unerringly, they caught the incongruities and absurdities of their elders. One child would be elected to be "dead" and would lay himself out on the ground, eyes closed, hands dutifully crossed across his chest. Another would be chosen to be the "preacher," all the rest, "mourners." I remember one day when Sam Houston Holcomb was the "corpse" and Creed Allen, always the class clown of the group, was elected "preacher." Creed, already at ten an accomplished mimic, was turning in an outstanding performance. I stood watching, half-hidden in the shado of the doorway. Creed (bellowing in stentorian tones): "You-all had better stop your meanness and I'll tell you for why. Praise the Lord! If you'uns don't stop being so defend ornery, you ain't never goin' gift to see Brother Holcomb on them streets paved with rubies and such-like, to give him the time of day, 'cause you'uns are goin' to be laid out on the coolin' board and then roasted in hellfire." The "congregation" shivered with delight, as if they were hearing a deliciously scary ghost story. The corpse opened one eye to see how his mourners were taking this blast; he sighed contentedly at their palpitations; wriggled right leg where a fly was tickling; adjusted grubby hands more comfortably across chest. Creed then grasped his right ear with his right hand and spat. Only there wasn't enough to make the stream impressive. So preacher paused, working his mouth vigorously, trying to collect more spit. Another pucker and heave. Ah! Better! Sermon now resumed: "Friends and neighbors, we air lookin' on Brother Holcombe's face for the last time." (Impressive pause.). "Praise the Lord! We ain't never goin' see him again in this life." (Impressive pause.). "Praise the Lord!" Small preacher was now really getting warmed up. He remembered something he must have heard at the last real funeral. Hearty spit first, more pulling of ear: "You air enjoyin' life now, folks. Me, I used to git pleasured and enjoy life too. But now that I've got religion, I don't enjoy life no more." At this point I retreated behind the door lest I betray my presence by laughing aloud.

Later, when we no longer there, we find those streets are very dear to us, we miss the roofs, Windows, and doors, that the walls are essential to us, that trees are beloved, that every day we did enter those houses we never entered, and we have left something of our affections, our life and heart on those paving stones.

Most of the streets in Buchanwick were paved, but none followed the straight lines most soft-foot towns insisted on toeing. White Hawk didn’t like straight lines. He said rivers didn’t run straight, so why should streets? He said a meandering street made you wonder what waited around the next bend. And so, the streets of Buchanwick meandered.

When I got older I realized that the majority of people in Miller’s Valley were the most discontented kind of Americans, working people whose situations hadn’t risen or fallen over generations, but who still carried a little bit of those streets-paved-with-gold illusions and so were always annoyed that the streets were paved with tar. If they were paved at all. Maybe

Catalan metalworkers quickly fashioned armored cars that looked like giant boxes on wheels by welding steel plates to the frames of trucks and automobiles. Others fashioned homemade bombs and hand grenades, and thousands pitched in to build street barricades of everything from dead horses to massive rolls of newsprint to paving stones passed hand-to-hand along a chain of people. Office

Over the course of one’s life, Julia, there are actions that pave the way for everything else that comes after, good or bad. Simple moments: Turning right instead of left on the street and running headlong into the man you’ll marry. Choosing a ham sandwich instead of soup at the deli and choking on it. Diving into a pool of water and cracking your head on the bottom, paralyzing yourself for life.

I am not the best gauger of destitution, my judgment having been warped by years of reporting in Detroit. By comparison, in cities like St. Louis and Chicago and Los Angeles, the “ghettos” appear relatively nice. Livable. No falling-in porches. In West Side Chicago, the streets were paved and swept. The apartment buildings occupied. The grass cut and the stores full. What was more, there was foot traffic.

I thought they were going to kill me there and then, which would have been a relief. To my horror, they spoke words that I will never forget: ‘We are going to keep you in the cellar and let our black friends use you and when they have finished with you, we will kill you and bury you under the paving stones of Gloucester. There are hundreds of girls there, the police haven’t found them and they wont find you!

The whole world was dancing and so were we. We exchanged another smile and I marvelled how, in all the stories of the gold-paved Mei Guo and the dangerous Mei Guo, no one in China knew about the lights of America, about how they were so delightful that they could stop us in the middle of the street, in the middle of our lives and our worries, in the middle of strangers living stranger lives, all just to fill us with music and hope.

It was like walking into another world. While the mansion was bright, warm, comfy and filled with sound and color, the outside was dark, cold, colorless and devoid of people. I found myself standing beside Thomas in the street. The paved road felt so cold it was hurting my feet. I kept moving them up and down, afraid my skin would freeze to the pavement. My heart was racing already and I felt a bit out of breath. If we stood there much longer i was going to hyperventilate.

But they will build no more barricades, they will break no more soldiers' heads with paving-stones. Louis Napoleon has taken care of all that. He is annihilating the crooked streets and building in their stead noble boulevards as straight as an arrow—avenues which a cannon ball could traverse from end to end without meeting an obstruction more irresistible than the flesh and bones of men—boulevards whose stately edifices will never afford refuges and plotting places for starving, discontented revolution breeders. Five of these great thoroughfares radiate from one ample centre—a centre which is exceedingly well adapted to the accommodation of heavy artillery. The mobs used to riot there, but they must seek another rallying-place in future. And this ingenious Napoleon paves the streets of his great cities with a smooth, compact composition of asphaltum and sand. No more barricades of flagstones—no more assaulting his Majesty's troops with cobbles.

the Dutch West Indies Company, or WIC, plied the Atlantic. In order to control trade on the important Hudson River, WIC built a settlement called New Amsterdam on an island at the river’s mouth. The colony was threatened by Indians and repeatedly attacked by the British, who eventually captured it in 1664. The British changed its name to New York. The remains of the wall built by WIC to defend its colony against Indians and British are today paved over by the world’s most famous street – Wall Street.

While VOC operated in the Indian Ocean, the Dutch West Indies Company, or WIC, plied the Atlantic. In order to control trade on the important Hudson River, WIC built a settlement called New Amsterdam on an island at the river’s mouth. The colony was threatened by Native Americans and repeatedly attacked by the British, who eventually captured it in 1664. The British changed its name to New York. The remains of the wall built by WIC to defend its colony against Native Americans and British are today paved over by the world’s most famous street – Wall Street.

He walked down the street and crossed the railroad tracks. The redness of the evening in the glass of the buildings. Very high a small and trembling flight of geese. Fording the last of the day in the thin air. Following the shape of the river below. He stood above the bank of riprap. Rock and broken paving. The slow coil of the passing water. In the coming night he thought that men would band together in the hills. Feeding their small fires with the deeds and the covenants and the poetry of their fathers. Documents they’d no gift to read in a cold to loot men of their souls.

He said that death marks places like a dog marking its territory. Some people can sense it right away, while others simply start to feel uncomfortable after a time. Every stay in any place betrays the quiet ubiquitousness of the dead. As he said: ‘At first you always see what’s alive and vibrant. You’re delighted by nature, by the local church painted in different colours, by the smells and all that. But the longer you’re in a place, the more the charm of those things fades. You wonder who lived here before you came to this home and this room, whose things these are, who scratched the wall above the bed and what tree the sills were cut from. Whose hands built the elaborately decorated fireplace, paved the courtyard? And where are they now? In what form? Whose idea led to these paths around the pond and who had the idea of planting a willow out the window? All the houses, avenues, parks, gardens and streets are permeated with the deaths of others. Once you start feeling this, something starts to pull you elsewhere, you start to think it’s time to move on.’ He added that when we are in motion, there’s no time for such idle meditations. Which is why to people on trips everything seems new and clean, virginal, and, in some sense, immortal.

Again Flush went with her. For the first time he heard his nails click upon the hard paving-stones of London. For the first time the whole battery of a London street on a hot summer’s day assaulted his nostrils. He smelt the swooning smells that lie in the gutters; the bitter smells that corrode iron railings; the fuming, heady smells that rise from basements—smells more complex, corrupt, violently contrasted and compounded than any he had smelt in the fields near Reading; smells that lay far beyond the range of the human nose; so that while the chair went on, he stopped, amazed; smelling, savouring, until a jerk at his collar dragged him on.

Astarte has come again, more powerful than before. She possesses me. She lies in wait for me. December 97 My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself. Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect. Afterwards, I was ashamed. I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish. Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love. Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird! Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and... It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!

But when Aragorn arose all that beheld him gazed in silence, for it seemed to them that he was revealed to them now for the first time. Tall as the sea-kings of old, he stood above all that were near; ancient of days he seemed and yet in the flower of manhood; and wisdom sat upon his brow, and strength and healing were in his hands, and a light was about him. And then Faramir cried: 'Behold the King!' And in that moment all the trumpets were blown, and the King Elessar went forth and came to the barrier, and Húrin of the Keys thrust it back; and amid the music of harp and of viol and of flute and the singing of clear voices the King passed through the flower-laden streets, and came to the Citadel, and entered in; and the banner of the Tree and the Stars was unfurled upon the topmost tower, and the reign of King Elessar began, of which many songs have told. In his time the City was made more fair than it had ever been, even in the days of its first glory; and it was filled with trees and with fountains, and its gates were wrought of mithril and steel, and its streets were paved with white marble; and the Folk of the Mountain laboured in it, and the Folk of the Wood rejoiced to come there; and all was healed and made good, and the houses were filled with men and women and the laughter of children, and no window was blind nor any courtyard empty; and after the ending of the Third Age of the world into the new age it preserved the memory and the glory of the years that were gone.

I am an urchin, standing in the cold, elbowed aside by the glossy rich visitors in their fur coats and ostentatious jewellery, being fussed into the hotel by pompous-looking doormen. 'No problem. I'd better get home, actually Mr – Gustav. A drink is very tempting, but maybe not such a good idea after all.' I pat my pockets. 'And I'm skint.' 'Pavements not paved with gold yet, eh?' He moves on along the facade of the grand hotel to the corner, and waits. He's staring not back at me but down St James Street. I wage a little war with myself. He's a stranger, remember. The newspaper headlines, exaggerated by the time they reach the office of Jake's local rag: Country girl from the sticks raped and murdered in London by suave conman. Even Poppy would be wagging her metaphorical finger at me by now. Blaming herself for not being there, looking out for me. But we're out in public here. Lots of people around us. He's charming. He's incredibly attractive. He's got a lovely deep, well spoken voice. And he's an entrepreneur who must be bloody rich if he owns more than one house. What the hell else am I going to do with myself when everyone else is out having fun? One thing I won't tell him is that my pockets might be empty, but my bank account is full. 'One drink. Then I must get back.' He doesn't answer or protest, but with a courtly bow he crooks his elbow and escorts me down St James. We turn right and into the far more subtle splendour of Dukes Hotel. 'Dress code?' I ask nervously, wiping my feet obediently on the huge but welcoming doormat and drifting ahead of him into the smart interior where domed and glassed corridors lead here and there. The foyer smells of mulled wine and candles and entices you to succumb to its perfumed embrace.

My name is Claudine, I live in Montigny; I was born there in 1884; I shall probably not die there. My Manual of Departmental Geography expresses itself thus: "Montigny-en-Fresnois, a pretty little town of l, 950 inhabitants, built in tiers above the Thaize; its well-preserved Saracen tower is worthy of note .... "Tome, those descriptions are totally meaningless! To begin with, the Thaize doesn't exist. Of course I know it's supposed to run through the meadows under the level-crossing but you won't find enough water there in any season to give a sparrow a foot-bath. Montigny "built in tiers"? No, that's not how I see it; to my mind, the houses just tumble haphazard from the top of the hill to the bottom of the valley. They rise one above the other, like a staircase, leading up to a big chateau that was rebuilt under Louis XV and is already more dilapidated than the squat, ivy-sheathed Saracen tower that crumbles away from the top a trifle more every day. Montigny is a village, not a town: its streets, thank heaven, are not paved; the showers roll down them in little torrents that dry up in a couple of hours; it is a village, not even a very pretty village, but, all the same, I adore it. The charm, the delight of this countryside composed of hills and of valleys so narrow that some are ravines, lies in the woods-the deep, encroaching woods that ripple and wave away into the distance as far as you can see .... Green meadows make rifts in them here and there, so do little patches of cultivation. But these do not amount to much, for the magnificent woods devour everything. As a result, this lovely region is atrociously poor and its few scattered farms provide just the requisite number of red roofs to set off the velvety green of the woods. Dear woods! I know them all; I've scoured them so often. (...)

But Lucy liked to hear about the next territory, and the next one, even farther East. Those flat plains where water is abundant and green stretches in every direction. Where towns have shade trees and paved roads, houses of wood and glass. Where instead of wet and dry there are seasons with names like song: autumn, winter, summer, spring. Where stores carry cloth in every color, candy in every shape. Civilization holds the word civil in its heart and so Lucy imagines kids who dress nice and speak nicer, storekeepers who smile, doors held open instead of slammed, and everything—handkerchiefs, floors, words—clean. A new place, where two girls might be wholly unremarkable. In Lucy’s fondest dream, the one she doesn’t want to wake from, she braves no dragons and tigers. Finds no gold. She sees wonders from a distance, her face unnoticed in the crowd. When she walks down the long street that leads her home, no one pays her any mind at

A 1987 front-page article in The Wall Street Journal quotes a black spokesman who claims, “If you wiped out racism, 90 percent of black people’s problems would disappear.”24 The white author of a recent well-received book on race relations agrees. His concluding view is that whites are responsible for the woes of blacks, even for the fact that so many young black men are killing each other that it “amounts to a self-inflicted genocide.”25 Americans are so accustomed to hearing—and repeating—this view that they scarcely bother to think about what it means. It means essentially, that white people, not blacks, are responsible for black behavior. It implies that blacks are helpless and cannot make progress unless whites transform themselves. This inverted version of the doctrine, with its unpleasant odor of paternalism, is almost never heard, but it finds expression in a host of race-based explanations that have sprung up to explain the failures of underclass blacks:

The Sentinel of Rain I am a creature who cooks on roofs, sleeps on roofs, livess on roofs. The unenlightened call me homeless; my inner circle know me as 'The Sentinel of Rain'. I know all there is to know about roofs: copper roofing, itchy; aluminium sheeting, noisy; precast concrete; dusty; ceramic tiles; slippery. I haven't had the pleasure of crashing on banana leave or straw roofs but I imagine them to be quite comfy, though pitched a bit steep to saunter about, and as for cooking dinner on, fuhgeddaboudit! Those roofs are as flammable as a cellulose nitrate print of The Blue Angel. Thank God I wasn't born in Southeast Asia or in the backward English countryside with their thatch roof cottages. It's good to be homeless in America. There are so many roof choices, the streets are virtually paved with dumpsters, stocked to the gills like the shelves of Walmart, and when it rains ~ and I'm the first to know, there's never an overpass too far to shelter me from nature's whims.

Despite the fact that Uncle Rulon and his followers regard the governments of Arizona, Utah, and the United States as Satanic forces out to destroy the UEP, their polygamous community receives more than $6 million a year in public funds. More than $4 million of government largesse flows each year into the Colorado City public school district—which, according to the Phoenix New Times, “is operated primarily for the financial benefit of the FLDS Church and for the personal enrichment of FLDS school district leaders.” Reporter John Dougherty determined that school administrators have “plundered the district’s treasury by running up thousands of dollars in personal expenses on district credit cards, purchasing expensive vehicles for their personal use and engaging in extensive travel. The spending spree culminated in December [2000], when the district purchased a $220,000 Cessna 210 airplane to facilitate trips by district personnel to cities across Arizona.” Colorado City has received $1.9 million from the U.S. Department of Housing and Urban Development to pave its streets, improve the fire department, and upgrade the water system. Immediately south of the city limits, the federal government built a $2.8 million airport that serves almost no one beyond the fundamentalist community. Thirty-three percent of the town’s residents receive food stamps—compared to the state average of 4.7 percent. Currently the residents of Colorado City receive eight dollars in government services for every dollar they pay in taxes; by comparison, residents in the rest of Mohave County, Arizona, receive just over a dollar in services per tax dollar paid. “Uncle Rulon justifies all that assistance from the wicked government by explaining that really the money is coming from the Lord,” says DeLoy Bateman. “We’re taught that it’s the Lord’s way of manipulating the system to take care of his chosen people.” Fundamentalists call defrauding the government “bleeding the beast” and regard it as a virtuous act.

Sharon participates in these searches himself. He orders the soldiers to perform a full body search on all males and sometimes imposes curfews on refugee camps in order to conduct a search. The clear goal of the mission is finding terrorists and killing them. The soldiers have orders not to try and capture the terrorists alive. Sharon instructs them to be rough with the local population, to perform searches in the streets and even to strip suspects naked if necessary; to shoot to kill any Arab who holds a gun; to shoot to kill any Arab who does not obey a Stop! call; and to diminish the risk to their lives by employing a big volume of fire, by uprooting trees from orchards which makes it difficult to capture terrorists, by demolishing houses and driving out their owners to other houses in order to pave secure roads. Haider Abd al-Shafi, Senior Palestinian leader, says: ‘Sharon took a decision to open roads in Al Shateya camp and in Rafah for security. That led to removing houses, the houses of refugees, which is an action not to be taken lightly, but there was no objection neither from Dayan nor from the Israeli government. They let Sharon realize his aim and he really destroyed a lot of refugees’ houses.

Hundreds, each with a similar tale to tell, came to Trafalgar Square to lay their head against the paving stones. It did not take long for political agitators to recognize that this congregation of the downtrodden was a ready-made army of the angry with nothing to lose. Londoners had long realized that Trafalgar Square sat on an axis between the east and west of the city, the dividing line between rich and poor; an artificial boundary, which, like the invisible restraints that kept the disenfranchised voiceless, could be easily breached. In 1887, the possibility of social revolution felt terrifyingly near for some, and yet for others it did not seem close enough. At Trafalgar Square, the daily speeches given by socialists and reformers such as William Morris, Annie Besant, Eleanor Marx, and George Bernard Shaw led to mobilization, as chanting, banner-waving processions of thousands spilled onto the streets. Inevitably, some resorted to violence. The Metropolitan Police and the magistrate’s court at Bow Street, in Covent Garden, worked overtime to contain the protesters and clear the square of those whom they deemed indigents and rabble-rousers. But like an irrepressible tide, soon after they were pushed out, they returned once more.

If the State says to him, “I take your money to pay the gendarme, who saves you the trouble of providing for your own personal safety; for paving the street that you are passing through every day; for paying the magistrate who causes your property and your liberty to be respected; to maintain the soldier who maintains our frontiers,” John Q. Citizen, unless I am much mistaken, will pay for all this without hesitation. But if the State were to say to him, “I take this money that I may give you a little prize in case you cultivate your field well; or that I may teach your son something that you have no wish that he should learn; or that the Minister may add another to his score of dishes at dinner; I take it to build a cottage in Algeria, in which case I must take more money every year to keep an emigrant in it, and another to maintain a soldier to guard this emigrant, and yet more to maintain a general to guard this soldier,” etc., etc., I think I hear poor James exclaim, “This system of law is very much like a system of cheat!” The State foresees the objection, and what does it do? It jumbles all things together, and brings forward just that provoking reason which ought to have nothing whatever to do with the question. It talks of the effect of this money upon labor; it points to the cook and purveyor of the Minister; it shows an emigrant, a soldier, and a general, living upon the money; it shows, in fact, what is seen, and if John Q. Citizen has not learned to take into the account what is not seen, John Q. Citizen will be duped.

Jackaby did not speak as we left the building. We were three or four blocks away from the station house when Lydia Lee caught up to us, the coach rattling and clinking and the dappled gray horse stamping its hooves impatiently on the cobblestones. Miss Lee managed to convince the Duke to clop to a halt just ahead of us, and my employer climbed into the carriage wordlessly. Miss Lee gave me an inquisitive look, but Jackaby finally broke his silence before I could explain. “Don’t bother with niceties. Take me home, Miss Lee.” He thought for a moment. “I’m going to need you to go to jail for me afterward.” “That is the second time a man’s said those words to me,” she replied gamely. “Although the last time I got flowers and a dance first, if memory serves.” “Bail,” amended Jackaby as Miss Lee hopped back into the driver’s box. “They usually do, in the end,” she said, sighing. “What? Listen, I have a jar of banknotes in my office earmarked for bail. I’ll bring it out to you as soon as we arrive. I need you to bring it to the processing officer at the Mason Street Station. He’ll sort out the paperwork. Just sign where he tells you to. Ask for Alton.” “Allan,” I corrected. “I’m fairly sure it’s Alton,” said Jackaby. “You want me to post bail for somebody?” Miss Lee called down as the carriage began to rattle on down the street. “I guess I can do that.” “Thank you,” Jackaby called back to her. “Who am I bailing out?” “Everyone.” The carriage bumped along the paving stones for a silent stretch. “By everyone, you mean . . . ?” “It is a rather large jar of banknotes,” said Jackaby. “Right,” came Miss Lee’s voice at length. “You’re the boss.

I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.

Our plastic susceptibility to forces of technocapitalism as well as different explosions in the streets and in our neighbourhoods (if not in our houses) is an opportunity for the revolutionary subject of trauma. If capitalism and terrorism are transplanted within us with such ease that we can no longer see them as threat to the plasticity of our brains, so do the other traumas from which capitalism, state and religion run away. As opposed to capitalism, the state and other grounding systems which preserve their verity by isolating fields of trauma in order to protect themselves against syntheses of the universal absolute, the brain has the ability to reconnect all isolated traumas within its plastic field and expand along the mediating functions of trauma. The obligation of the revolutionary subject with regard to exporting the revolution is not to shun traumas of capitalism and fundamentalism, since this refusal or disavowal contributes to the strategy of capitalism and fundamentalism in isolating traumas, forces and resources in order to govern and monopolize them within this or that world. On the contrary, the obligation of the revolutionary subject is to absorb and interiorize traumas so as to expose ‘isolated traumas’ (this or that regional world), interconnect them to its regional horizon and widen them across the geocosmic continuum and deep into the cosmic exteriority. Modern man is a surgeon who does not amputate himself from the worlds of capitalism and religion. Instead, he transplants himself and these worlds inside each other in order to reconnect his actual regional horizon (cohabited with capitalism and fundamentalism) once again to the freedom of absolute depths. To this end, the revolution on the geocosmic continuum that is the revolution rekindled out of the Copernican commune should not be paved on the politico- philosophical corpus of those who impose on us wanton discrepancies and excesses of the earthly life but those who delude us with the axiomatic verity of ourselves and reform the ground of the terrestrial thought in one way or another.

A city is different things to us at different times - of the day, of the year, of our life. Many years have passed since I was in the backseat of the car, taken with the razzle-dazzle. Today, I'm more drawn to the neighborhood coffee shops, or modest old parks like Abingdon Square in Greenwich Village, where farmers come to sell cheese and eggs under the London Plane trees. I have a soft spot for the little urban island like McCarthy Square, with its birdhouses - some with simple peak roofs; others with multiple stories and decks, made of miniature wood logs, like ski chalets - that poke out from shrubs and evergreens. I like the quiet of the West Village in the morning, where sidewalk chalkboards outside restaurants and coffee shops promise caffeine and better days, and streets paved with setts - Jane, West 12th, Bethune, Bank - feed into Washington Street like streams emptying into a river.

Venetian visiting in the 1470s described it as ‘plain and poor’.13 Catherine the Great, passing through on her way to Crimea in 1787, could hardly believe that this was Kiev the City of Glory, Kiev the New Jerusalem. ‘From the time I arrived,’ she complained, ‘I have looked around for a city, but so far I have found only two fortresses and some outlying settlements.’14 On into the 1800s, visitors bemoaned its wood-paved streets, crowds of crippled beggars, frequent floods and fires, lack of good stone buildings and dreadful drinking water – so bad, apparently, that even horses wouldn’t touch it. The city only began to revive mid-century, with the arrival of the railways and the sugar boom.

They struck at settlements far south of the Red River, far down in the Hill Country. They rode four hundred miles straight south to the ancient Spanish town of San Antonio, a town now grown up with theaters, paved streets, bakeries and candy stores and suburbs. Fifteen miles from San Antonio they captured two boys who within a year forgot every rule of behavior they knew and became skilled Comanche warriors. Jiles, Paulette. The Color of Lightning: A Novel (p. 289). HarperCollins e-books. Kindle Edition.

The state arbitrarily set the mortgage interest rate at 8.5 percent—below the prime rate of 9 or so percent—so banks could make more money out of state. The bottom line for financial institutions is profit.

Excavations in the ruins of the immense royal city of Recópolis (near Zorita de los Canes in the province of Guadalajara), built by the Visigoth king Leovigild, have shown a topographic imitation of Constantinople, the existence of an aqueduct, a palatial basilica (likely an imitation of the Greek Christian basilica of Hagia Sophia in Constantinople), commercial and residential centers, paved streets, coin manufacturing, sturdy buildings constructed with stones extracted with Roman technology from local stone quarries, and other features usually associated with thriving Greek-Roman cities.

The roof the muscular youth traveled came to an end, and he peered down into the blackness hiding the paving stones of the street, four stories below. His eyes were frozen sapphires, and his face, a square-cut lion’s mane of black held back from it by a leather cord, showed several ordinary lifetimes’ experience despite its youth.

Although the once-thriving city is now in ruins, the marble bones tell marvelous stories. We see elegant carvings and dramatic columns and streets and courtyards paved in mosaic tiles. We see the remnants of baths and public toilets. And everywhere among the ruins are sweet, plump cats … stretching out in the sun on slabs of ancient marble, or grooming themselves atop marble posts or broken marble columns or posing like professional models.

Aleksander’s feet cut through the fog that had engulfed around them as he kept the two women in his sight. The two ladies moved swiftly along the sidewalk that paved the way through the foggy crowed streets of San Francisco.

New York horses were driven until they expired, and as many as a hundred horses collapsed daily in the streets. It was often a matter of days before the carcasses could be hauled away, and the odor of decaying horseflesh added its own pungency to the city air. In the 1880’s, meanwhile, New Yorkers were only beginning to get used to the luxury of paved streets in certain areas. Forty-second

In 1925, a master plan was instituted to blend the French neo-classical design with the tropical background. The Art Deco movement, both in Havana and in Miami Beach, took hold during the late 1920’s, and is found primarily in the residential section of Miramar. Miramar is where most of the embassies are located, including the massive Russian embassy. The predominant street is Fifth Avenue known as La Quinta Avenida, along which is found the church of Jesus de Miramar, the Teatro Miramar and the Karl Marx Theater. There is also the Old Miramar Yacht Club and the El Ajibe Restaurant, recently visited and televised by Anthony Bourdain on his show, “No Reservations.” Anthony Bourdain originally on the Travel Channel is now being shown on CNN. The modern five-star Meliá Habana hotel, known for its cigar bar, is located opposite the Miramar Trade Centre. Started in 1772, el Paseo del Prado, also known as el Paseo de Marti, became the picturesque main street of Havana. It was the first street in the city to be paved and runs north and south, dividing Centro Habana from Old Havana. Having been designed by Jean-Claude Nicolas Forestier, a French landscape architect, it connects the Malecón, the city’s coastal esplanade, with a centrally located park, Parque Central. Although the streets on either side are still in disrepair, the grand pedestrian walkway goes for ten nicely maintained blocks. The promenade has a decorated, inlaid, marble terrazzo pavement with a balustrade of small posts. It is shaded by a tree-lined corridor and has white marble benches for the weary tourist. Arguably, the Malecón is the most photographed street in Havana. It lies as a bulwark just across the horizon from the United States, which is only 90, sometimes treacherous miles away. It is approximately 5 miles long, following the northern coast of the city from east to west. This broad boulevard is ideal for the revelers partaking in parades and is the street used for Fiesta Mardi Gras, known in Cuba as Los Carnavales. It has at times also been used for “spontaneous demonstrations” against the United States. It runs from the entrance to Havana harbor, alongside the Centro Habana neighborhood to the Vedado neighborhood, past the United States Embassy on the Calle Calzada.

The road was suburbia central, and I was surprised the street itself wasn’t paved with banknotes.

So attached to [their lost city of Pajarocu] were and are they that they have refused to duplicate it here on any lesser scale, although duplicating it on its original scale is still far beyond their reach. What they have done instead is to duplicate its plan to perfection—without duplicating, or attempting to duplicate, its substance at all. There are “streets” paved with grass and fern between “buildings” and “manteions” that are no more than clearings in the forest marked in ways that are, to our eyes, almost undetectable. When the adult citizens we sought to question were willing to talk to us, they talked of gateways, walls and statues that did not in fact exist— or at least, that did not exist here on Blue—and described them in as much detail as if they loomed before us, together with colossal images of Hierax, Tartaros, and the rest, called by outlandish sobriquets and the objects of strange, cruel veneration. But when the streets are too badly fouled or the river rises, this phantom Pajarocu goes elsewhere, which I think an excellent idea. Our own Viron was built on the southern shore of Lake Limna; when the lake retreated, our people clung to the shiprock buildings that Pas had provided when they ought to have clung to the idea that he had provided instead, the idea of a city by the lake. Many (although certainly not all) of Viron’s troubles may ultimately have been due to this single mistaken choice. Listen to me, Horn and Hide. Listen all you phantom readers. Buildings are temporary, ideas permanent.

And then I understood: only then, sipping nettle soup, tasting the green shoots, the force of life itself that had pushed the young nettles up through paving stones, cobbles, packed mud. Ugolino had flavored his dishes with this. With everything: our food. The steam that drifted, invisible, through the streets. The recipes, written in books or whispered on deathbeds. The pots people stirred every day of their lives: tripe, ribollita, peposo, spezzatino, bollito. Making circles with a spoon, painting suns and moons and stars in broth, in battuta. Writing, even those who don't know their letters, a lifelong song of love. Tessina dipped her spoon, sipped, dipped again. I would never taste what she was tasting: the alchemy of the soil, the ants which had wandered across the leaves as they pushed up towards the sun; salt and pepper, nettles; or just soup: good, ordinary soup. And I don't know what she was tasting now, as the great dome of the cathedral turns a deeper red, as she takes the peach from my hand and steals a bite. Does she taste the same sweetness I do? The vinegar pinpricks of wasps' feet, the amber, oozing in golden beads, fading into warm brown, as brown as Maestro Brunelleshi's tiles? I don't know now; I didn't then. But there was one thing we both tasted in that good, plain soup, though I would never have found it on my tongue, not as long as I lived. It had no flavor, but it was there: given by the slow dance of the spoon and the hand which held it. And it was love.

In his streets, I pave the white Zebra in my small shoes.

Paved alleyway, close on all sides, the old quarter. The men at Bia hoi She just watched her go, sullen, red-eyed. The heat beating down, worse than unusual, night but still unbearable, air thick. Tempers onedge, the aftermath of a Chinese crackdown the week before. A prism grenade thrown into a high-end restaurant popular with the Chinese military; two dead officers, two dead waiters, a dozen were injured. Not the most notable of attacks, except one of the dead officers was a general. So there were raids and arrests and bodies turning up, young men and young women, tortured and aired out and worse. Everyone was an informant, everyone Viet Minh, no one able to talk or trust. She lurch-stepped down the alley. The thirty-six streets they called it.

I’ve sawed through the bone and the resistance is gone, making way for a smooth finish, like hitting a freshly paved road after driving on the shit streets of LA.