Pause And Resume Quotes

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It's a rough journey, and a sad heart to travel it; and we must pass by Gimmerton Kirk, to go that journey! We've braved its ghosts often together, and dared each other to stand among the graves and ask them to come. But Heathcliff, if I dare you now, will you venture? If you do, I'll keep you. I'll not lie there by myself; they may bury me twelve feet deep, and throw the church down over me, but I won't rest till you are with me. I never will!" She paused, and resumed with a strange smile, "He's considering-he'd rather I'd come to him! Find a way, then! not through that Kirkyard. You are slow! Be content, you always followed me!
Emily Brontë (Wuthering Heights)
What Machine is it that bears us along so relentlessly? We go rattling thro' another Day,- another Year,- as thro' an empty Town without a Name, in the Midnight...we have but Memories of some Pause at the Pleasure-Spas of our younger Day, the Maidens, the Cards, the Claret,- we seek to extend our stay, but now a silent Functionary in dark Livery indicates it is time to re-board the Coach, and resume the Journey. Long before the Destination, moreover, shall this Machine come abruptly to a Stop...gather'd dense with Fear, shall we open the Door to confer with the Driver, to discover that there is no Driver...no Horses,...only the Machine, fading as we stand, and a Prairie of desperate Immensity...
Thomas Pynchon (Mason & Dixon)
Life is the only game which has no pause, no resume and no restart. You have to be careful enough to never fail.
M.F. Moonzajer
The world," he resumed after a short pause, "has no faith in any man's conversion; it never forgets what he was, it never believes him anything better, it is an inexorable and stupid judge.
J. Sheridan Le Fanu (Uncle Silas)
I gotta ask you...why do you always circle before you lie down?" I said. "As opposed to what?" Johnny Depp asked, astonished by the question. "You mean not circle? How would I tamp down the leaves and twigs and get comfortable?" "What leaves and twigs?" I said. "This bed is twig-free." "Hmm. I see your point," said Johnny Depp, pausing for a second before he resumed circling. "But did it occur to you maybe that's because I circle first?
Merrill Markoe (Walking in Circles Before Lying Down)
The steps behind us resumed- a cautious brush against the leaves, a shifting branch- and after a while, utter silence. Even the wind seemed to pause its gentle tease through the leaves. And then a growl tore through the darkness.
Tyffany Hackett (Imber (Thanatos Trilogy #1))
My name,' said the mattress, 'is Zem. We could discuss the weather a little.' Marvin paused again in his weary circular pplod. 'The dew,' he observed, 'has clearly fallen with a particularly sickening thud this morning.' He resumed his walk, as if inspired by this conversational outburst to fresh heights of gloom and despondency. He plodded tenaciously. If he had had teeth he would have gritted them at this point. He hadn't. He didn't. The mere plod said it all. The mattress flolloped around.
Douglas Adams
There are 1,440 minutes in each day. Each minute is dear. Once it is spent, there is no way to receive a refund. We cannot purchase more. We cannot press pause on life to resume it at a more convenient time. Time is not a resource to be wasted, killed, or allowed to fly away from us without our being aware of where it went.
Regina Cates (Lead With Your Heart: Creating a Life of Love, Compassion, and Purpose)
The first letter was a “w,” the second an “e.” Then there was a gap. An “a” followed, then a “p,” an “o,” and an “l.” Marvin paused for a rest. After a few moments they resumed and let him see the “o,” the “g,” the “i,” the “z,” and the “e.” The next two words were “for” and “the.” The last one was a long one, and Marvin needed another rest before he could tackle it. It started with “i,” then “n,” then “c.” Next came an “o” and an “n,” followed by a “v,” an “e,” another “n,” and an “i.” After a final pause, Marvin gathered his strength for the last stretch. He read the “e,” the “n,” the “c,” and at last the final “e,” and staggered back into their arms.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
no moment was his sense of the complete suspension and pause in ordinary human concerns so full and affecting, as at that moment when the suspension ceases, and the goings-on of human life are suddenly resumed.
Thomas de Quincey (Suspiria de Profundis and Other Writings)
I am going to make you what you may perhaps consider rather a singular proposition. It is this, that if you don’t like me, say so at once, and we will part now, before we have time to know anything more of each other, and I will endeavour not to cross your path again unless you seek me out. But if on the contrary, you do like me,—if you find something in my humour or turn of mind congenial to your own disposition, give me your promise that you will be my friend and comrade for a while, say for a few months at any rate. I can take you into the best society, and introduce you to the prettiest women in Europe as well as the most brilliant men. I know them all, and I believe I can be useful to you. But if there is the smallest aversion to me lurking in the depths of your nature”—here he paused,—then resumed with extraordinary solemnity—“in God’s name give it full way and let me go,—because I swear to you in all sober earnest that I am not what I seem!
Marie Corelli (The Sorrows of Satan; or, The Strange Experience of One Geoffrey Tempest, Millionaire)
They found a coin and helped him to the telescope. He complained and insulted them, but they helped him look at each individual letter in turn. The first letter was a 'w,' the second an 'e.' Then there was a gap. An 'a' followed, then a 'p,' an 'o,' and an 'l.' Marvin paused for a rest. After a few moments they resumed and let him see the 'o,' the 'g,' the 'i,' the 'z,' and the 'e.' The next two words were 'for' and 'the.' The last one was a long one, and Marvin needed another rest before the could tackle it. It started with 'i,' then 'n,' then 'c.' Next came an 'o' and an 'n,' followed by a 'v,' an 'e,' another 'n,' and an 'i.' After a final pause, Marvin gathered his strength for the last stretch. He read the 'e,' the 'n,' the 'c,' and at last the final 'e,' and staggered back into their arms. 'I think,' he murmured at last from deep within his corroding, rattling thorax, 'I feel good about it.' The lights went out in his eyes for absolutely the very last time ever.
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
I’ll never forget one of the first families I visited. The father was a railroad man who had lost his job. I was told by my supervisor that I really had to see the poverty. If the family needed clothing, I was to investigate how much clothing they had at hand. So I looked into this man’s closet—(pauses, it becomes difficult)—he was a tall, gray-haired man, though not terribly old. He let me look in the closet—he was so insulted. (She weeps angrily.) He said, “Why are you doing this?” I remember his feeling of humiliation . . . this terrible humiliation. (She can’t continue. After a pause, she resumes.) He said, “I really haven’t anything to hide, but if you really must look into it. . ..” I could see he was very proud. He was so deeply humiliated. And I was, too. . ..
Studs Terkel (Hard Times: An Oral History of the Great Depression)
She didn't get any further because he didn't just stand there letting her aim missiles at him. He easily dodged the first one, and the second went over his head as he dived at her, pushing her back down onto the couch with himself landing on top of her. After she got her breath back from the impact, she shrieked, "Get off of me, you clumsy clod!" "My dear girl, there was nothing clumsy involved in the position you now find yourself. It was quite intentional, I do assure you." "Get off of me anyway!" "So you can resume your spat of violence? No, no. Violence is not going to be part of our relationship. I could've sworn I already mentioned that." "And what do you call squashing me like this?" "Prudence, actually." And then he paused, his eyes getting greener by the second as he stared down at her. "On the other hand, I'd also call it quite nice." Her eyes narrowed. "If you're thinking about kissing me, I wouldn't advise it," she warned. "No?" "No." He sighed. "Ah, well." But then a half grin formed as he added, "I don't always take good advice." -Kelsey & Derek
Johanna Lindsey
I'll stay if you want," he offered. "No, of course not," Amy said quickly, her hand flying to her temples as they resumed their throbbing. "You've been great, Ty. Go home." "Everything's done. The horses are all watered and the stalls are clean." He stepped toward her, his eyes anxious. "Now, you're sure you'll be OK?" "Sure." Looking up into his worried face, she smiled, words leaping impulsively out of her. "Thanks for everything, Ty," she said. "You've been a real friend." There was a pause. Ty's eyes searched hers and then suddenly, without warning, he reached out and brushed his hand against her cheek. At the tender touch of his warm hand, Amy felt a shock run through her. It was over in a couple of seconds, and Ty stepped back. "See you tomorrow," he muttered as he strode quickly away. Amy stared after him for a few seconds, not knowing how to react.
Lauren Brooke (Coming Home (Heartland, #1))
Morozko halted and faced the horse, narrow-eyed. I am not blind, continued the mare. Even to things that go on two feet. You made that jewel so that you would not fade. But now it is doing too much. It is making you alive. It is making you want what you cannot have, and feel what you ought not to understand, and you are beguiled and afraid. Better to leave her to her fate, but you cannot. Morozko pressed his lips together. The trees sighed overhead. All at once his anger seemed to leave him. “I do not want to fade,” he said unwillingly. “But I do not want to be alive. How can a death-god be alive?” He paused, and something changed in his voice. “I could have let her die, and taken the sapphire from her and tried again, found another to remember. There are others of that bloodline.” The mare’s ears went forward and back. “I did not,” he said abruptly. “I cannot. Yet every time I go near her, the bond tightens. What immortal ever knew what it was like to number his days? Yet I can feel the hours passing when she is near.” The mare nosed again at the deep snow. Morozko resumed his pacing. Let her go, then, said the mare, quietly, from behind him. Let her find her own fate. You cannot love and be immortal. Do not let it come to that. You are not a man.
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
Pocock paused and stepped back from the frame of the shell and put his hands on his hips, carefully studying the work he had so far done. He said for him the craft of building a boat was like religion. It wasn’t enough to master the technical details of it. You had to give yourself up to it spiritually; you had to surrender yourself absolutely to it. When you were done and walked away from the boat, you had to feel that you had left a piece of yourself behind in it forever, a bit of your heart. He turned to Joe. “Rowing,” he said, “is like that. And a lot of life is like that too, the parts that really matter anyway. Do you know what I mean, Joe?” Joe, a bit nervous, not at all certain that he did, nodded tentatively, went back downstairs, and resumed his sit-ups, trying to work it out.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Still—” Tigerishka temporized—"are things I will tell.” Then, at court-stenographer speed, and a little singsong, as if it were very boring to her: “I come superior galactic culture. Read minds, throw thoughts, sail hyperspace, live forever if want, blow up suns—all that sort stuff. Look like animal—resume ancestral shapes. Make brains small but really huge—(psychophysiosubmicrominiaturization! We stay superior.) You not believe? So listen. Plants eat inorganic: they superior! Animals eat plants: they superior. Cats eat fresh meat: we most superior! Monkeys try eat everything: a mess!”  Then without pause: “Wanderer sail hyperspace. Yes, star photos, I know. Need fuel—much matter for converters. Your moon good woodpile. Smash, pulverize, dredge. We fuel up, then go. No need you monkeys get hot and bothered.
Fritz Leiber (The Wanderer)
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?" Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips. He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?" "N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you." His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse." Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?" "No." Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain." "Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied." She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?" He kissed her then. Really kissed her. He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly. And she was lost. Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
They were men. They crept upon their hands and knees. They used their hands only, dragging their legs. They used their knees only, their arms hanging idle at their sides. They strove to rise to their feet, but fell prone in the attempt. They did nothing naturally, and nothing alike, save only to advance foot by foot in the same direction. Singly, in pairs and in little groups, they came on through the gloom, some halting now and again while others crept slowly past them, then resuming their movement. They came by dozens and by hundreds; as far on either hand as one could see in the deepening gloom they extended and the black wood behind them appeared to be inexhaustible. The very ground seemed in motion toward the creek. Occasionally one who had paused did not again go on, but lay motionless. He was dead. Some, pausing, made strange gestures with their hands, erected their arms and lowered them again, clasped their heads; spread their palms upward, as men are sometimes seen to do in public prayer.
Ambrose Bierce (Civil War Stories)
The cat paused. :What always happens when religion goes to the bad?: the cat replied, and resumed his grooming. :Power. The love of power overcomes the love of the gods. Priests stop listening for the voice in their hearts and souls—which is very, very hard to hear even at the best of times—and start to listen only to what they wish to hear or to the voice of their own selfish desires. Priests begin to believe that they, and not the gods, are the real authorities. Priests confine broad truths into narrow doctrines, because more rules mean that they have more power. Priests mistake their own prejudice for conscience and mistake what they personally fear for what should universally be feared. Priests look inward to their own small souls and try to impress that smallness on the world, when they should be looking at the greatness of the universe and trying to impress that upon their souls. Priests forget they owe everything to their gods and begin to think the world owes everything to them . . . : the cat stopped, and shook his head. :Power is a poison. Priests should know better than to indulge in it.
Mercedes Lackey (Redoubt (Valdemar: Collegium Chronicles, #4))
Their future seemed bright with joy, while his own loomed dark and impenetrable. What if he should now dash into Gitl’s apartments and, declaring his authority as husband, father, and lord of the house, fiercely eject the strangers, take Yoselé in his arms, and sternly command Gitl to mind her household duties? But the distance between him and the mayor’s office was dwindling fast. Each time the car came to a halt he wished the pause could be prolonged indefinitely; and when it resumed its progress, the violent lurch it gave was accompanied by a corresponding sensation in his heart.
Abraham Cahan (Yekl and the Imported Bridegroom and Other Stories of the New York Ghetto)
I soon saw, however, that Creed's obsession with death was typical of most of the children. This came out in their play. "Let's play funeral" was a favorite game at recess. To me, it seemed bizarre and mawkish play. All that saved it was the spontaneous creativity of the children and the fact that, unerringly, they caught the incongruities and absurdities of their elders. One child would be elected to be "dead" and would lay himself out on the ground, eyes closed, hands dutifully crossed across his chest. Another would be chosen to be the "preacher," all the rest, "mourners." I remember one day when Sam Houston Holcomb was the "corpse" and Creed Allen, always the class clown of the group, was elected "preacher." Creed, already at ten an accomplished mimic, was turning in an outstanding performance. I stood watching, half-hidden in the shado of the doorway. Creed (bellowing in stentorian tones): "You-all had better stop your meanness and I'll tell you for why. Praise the Lord! If you'uns don't stop being so defend ornery, you ain't never goin' gift to see Brother Holcomb on them streets paved with rubies and such-like, to give him the time of day, 'cause you'uns are goin' to be laid out on the coolin' board and then roasted in hellfire." The "congregation" shivered with delight, as if they were hearing a deliciously scary ghost story. The corpse opened one eye to see how his mourners were taking this blast; he sighed contentedly at their palpitations; wriggled right leg where a fly was tickling; adjusted grubby hands more comfortably across chest. Creed then grasped his right ear with his right hand and spat. Only there wasn't enough to make the stream impressive. So preacher paused, working his mouth vigorously, trying to collect more spit. Another pucker and heave. Ah! Better! Sermon now resumed: "Friends and neighbors, we air lookin' on Brother Holcombe's face for the last time." (Impressive pause.). "Praise the Lord! We ain't never goin' see him again in this life." (Impressive pause.). "Praise the Lord!" Small preacher was now really getting warmed up. He remembered something he must have heard at the last real funeral. Hearty spit first, more pulling of ear: "You air enjoyin' life now, folks. Me, I used to git pleasured and enjoy life too. But now that I've got religion, I don't enjoy life no more." At this point I retreated behind the door lest I betray my presence by laughing aloud.
Catherine Marshall (Christy)
The major problem is quite simply one of grammar, and the main work to consult in this matter is Dr. Dan Streetmentioner’s Time Traveler’s Handbook of 1001 Tense Formations. ... Most readers get as far as the Future Semiconditionally Modified Subinverted Plagal Past Subjunctive Intentional before giving up; and in fact in later editions of the book all the pages beyond this point have been left blank to save on printing costs. ... The Hitchhiker’s Guide to the Galaxy skips lightly over this tangle of academic abstraction, pausing only to note that the term “Future Perfect” has been abandoned since it was discovered not to be. To resume: The Restaurant at the End of the Universe is one of the most extraordinary ventures in the entire history of catering. It is built on the fragmented remains of an eventually ruined planet which is (wioll haven be) enclosed in a vast time bubble and projected forward in time to the precise moment of the End of the Universe. This is, many would say, impossible. In it, guests take (willan on-take) their places at table and eat (willan on-eat) sumptuous meals while watching (willing watchen) the whole of creation explode around them. This, many would say, is equally impossible.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
Let me tell you what is going to happen,” I say, pacing slowly in front of her. “I will not be beaten today or ever again. I will not be confined to the fifth and your control over me vanishes from this moment forth. I will remain the Tatuma. It is not within your power to take this away from me, anyway. I will not be locked away in the tower.” I pause and see her posture has stiffened, but she has resumed her clutching of the balcony edge. Still terrified. Furious, but terrified. “If you do not comply with these. . .let us call them, requests, I will reveal my face in front of the court, or the villagers, or to whomever I am with at the time.
Kelly St. Clare (Fantasy of Frost (The Tainted Accords, #1))
He made a motion that dismissed me. And I rose, but as I did so I took from his tray a little silver knife, all engraved, that he had been using to cut fruit with. I looked him in the eyes as I did so, and quite openly slipped it up my sleeve. King Shrewd's eyes widened, but he said not a word. Two nights later, when Chade summoned me, our lessons resumed as if there had never been a pause. He talked, I listened, I played his stone game and never made an error. He gave me an assignment, and we made small jokes together. He showed me how Slink the weasel would dance for a sausage. All was well between us again. But before I left his chambers that night, I walked to his hearth. Without a word, I placed the knife on the center of his mantel shelf. Actually, I drove it, blade first, into the wood of the shelf. Then I left without speaking of it or meeting his eyes. In fact, we never spoke of it. I believe that the knife is still there. ... I sat still until I began to wonder if I would do it. Then I lifted my eyes to a silver fruit knife driven deep into Chade's mantelpiece, and I thought I knew the answer.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
The robot could no longer lift his head, had not read the message. They lifted his head, but he complained that his vision circuits had almost gone. They found a coin and helped him to the telescope. He complained and in-sulted them, but they helped him look at each individual letter in turn, The first letter was a “w”, the second an “e”. Then there was a gap. An “a” followed, then a “p”, an “o” and an “l”. Marvin paused for a rest. After a few moments they resumed and let him see the “o”, the “g”, the “i”, the “s” and the “e”. The next two words were “for” and “the”. The last one was a long one, and Marvin needed another rest before he could tackle it. It started with an “i”, then “n” then a “c”. Next came an “o” and an “n”, followed by a “v”, an “e”, another “n” and an “i”. After a final pause, Marvin gathered his strength for the last stretch. He read the “e”, the “n”, the “c” and at last the final “e”, and staggered back into their arms. “I think,” he murmured at last, from deep within his corroding rattling thorax, “I feel good about it.” The lights went out in his eyes for absolutely the very last time ever. Luckily, there was a stall nearby where you could rent scooters from guys with green wings.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
The robot could no longer lift his head, had not read the message. They lifted his head, but he complained that his vision circuits had almost gone. They found a coin and helped him to the telescope. He complained and in- 159 sulted them, but they helped him look at each individual letter in turn, The first letter was a “w”, the second an “e”. Then there was a gap. An “a” followed, then a “p”, an “o” and an “l”. Marvin paused for a rest. After a few moments they resumed and let him see the “o”, the “g”, the “i”, the “s” and the “e”. The next two words were “for” and “the”. The last one was a long one, and Marvin needed another rest before he could tackle it. It started with an “i”, then “n” then a “c”. Next came an “o” and an “n”, followed by a “v”, an “e”, another “n” and an “i”. After a final pause, Marvin gathered his strength for the last stretch. He read the “e”, the “n”, the “c” and at last the final “e”, and staggered back into their arms. “I think,” he murmured at last, from deep within his corroding rattling thorax, “I feel good about it.” The lights went out in his eyes for absolutely the very last time ever. Luckily, there was a stall nearby where you could rent scooters from guys with green wings.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
Can a man reach anything ideal before he has God dwelling in him—filling every cranny of his soul?" asked the curate with shining eyes. "Nothing, I do most solemnly believe," answered Polwarth. "It weighs on me heavily sometimes," he resumed, after a pause, "to think how far all but a few are from being able even to entertain the idea of the indwelling in them of the original power of their life. True, God is in every man, else how could he live the life he does live? but that life God keeps alive for the hour when he shall inform the will, the aspiration, the imagination of the man. When the man throws wide his door to the Father of his spirit, when his individual being is thus supplemented—to use a poor miserable word—with the individuality that originated it, then is the man a whole, healthy, complete existence. Then indeed, and then only, will he do no wrong, think no wrong, love perfectly, and be right merry. Then will he scarce think of praying, because God is in every thought and enters anew with every sensation. Then will he forgive, and endure, and pour out his soul for the beloved who yet grope their way in doubt and passion. Then every man will be dear and precious to him, even the worst, for in him also lies an unknown yearning after the same peace wherein he rests and loves.
George MacDonald (Thomas Wingfold, Curate)
The Purveyor of Delusion confers upon his wife a certain expression or twist of Phiz I daresay as old as Holy Scripture,— a lengthy range of Sentiment, all comprest into a single melancholick swing of the eyes. From some personal stowage he produces another Flask, containing, not the Spruce Beer ubiquitous in these parts, but that favor’d stupefacient of the jump’d-up tradesman, French claret,— and without offering it to anyone else, including his Wife, begins to drink. “It goes back,” he might have begun, “to the second Day of Creation, when ‘G-d made the Firmament, and divided the Waters which were under the Firmament, from the Waters which were above the Firmament,’— thus the first Boundary Line. All else after that, in all History, is but Sub-Division.” “What Machine is it,” young Cherrycoke later bade himself goodnight, “that bears us along so relentlessly? We go rattling thro’ another Day,— another Year,— as thro’ an empty Town without a Name, in the Midnight . . . we have but Memories of some Pause at the Pleasure-Spas of our younger Day, the Maidens, the Cards, the Claret,— we seek to extend our stay, but now a silent Functionary in dark Livery indicates it is time to re-board the Coach, and resume the Journey. Long before the Destination, moreover, shall this Machine come abruptly to a Stop . . . gather’d dense with Fear, shall we open the Door to confer with the Driver, to discover that there is no Driver, . . . no Horses, . . . only the Machine, fading as we stand, and a Prairie of desperate Immensity. . . .
Thomas Pynchon (Mason & Dixon)
I want to test him, said Saphira. She slapped her tail against the ground, causing Fírnen to pause. Test him? How? For what? To find out if he has the iron in his bones and the fire in his belly to match me. Are you sure? he asked, understanding her intent. She again slapped her tail against the ground, and he felt her certainty and the strength of her desire. I know everything about him--everything but this. Besides--she displayed a flash of amusement--it’s not as if dragons mate for life. Very well…But be careful. He had barely finished speaking when Saphira lunged forward and bit Fírnen on his left flank, drawing blood and causing Fírnen to snarl and spring backward. The green dragon growled, appearing uncertain of himself, and retreated before Saphira as she prowled toward him. Saphira! Chagrined, Eragon turned to Arya, intending to apologize. Arya did not seem upset. To Fírnen, and to Eragon as well, she said, If you want her to respect you, then you have to bite her in return. She raised an eyebrow at Eragon, and he responded with a wry smile, understanding. Fírnen glanced at Arya and hesitated. He jumped back as Saphira snapped at him again. Then he roared and lifted his wings, as if to make himself appear larger, and he charged Saphira--and nipped her on a hind leg, sinking his teeth into her hide. The pain Saphira felt was not pain. Saphira and Fírnen resumed circling, growling and yowling with increasing volume. Then Fírnen jumped at her again. He landed on Saphira’s neck and bore her head to the ground, where he held her pinned and gave her a pair of playful bites at the base of her skull. Saphira did not struggle as fiercely as Eragon would have expected, and he guessed that she had allowed Fírnen to catch her, as it was not something even Thorn had managed to do. “The courting of dragons is no gentle affair,” he said to Arya. “Did you expect soft words and tender caresses?” “I suppose not.” With a heave of her neck, Saphira threw Fírnen off and scrambled backward. She roared and clawed at the ground with her forefeet, and then Fírnen lifted his head toward the sky and loosed a rippling pennant of green fire twice the length of his own body. “Oh!” exclaimed Arya, sounding delighted. “What?” “That’s the first time he has breathed fire!
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
When you teach someone your true name, you place everything you are in their hands.” “I know, but I may never have the chance again. This is the only thing I have to give, and I would give it to you.” “Eragon, what you are proposing…It is the most precious thing one person can give another.” “I know.” A shiver ran through Arya, and then she seemed to withdraw within herself. After a time, she said, “No one has ever offered me such a gift before…I’m honored by your trust, Eragon, and I understand how much this means to you, but no, I must decline. It would be wrong for you to do this and wrong for me to accept just because tomorrow we may be killed or enslaved. Danger is no reason to act foolishly, no matter how great our peril.” Eragon inclined his head. Her reasons were good reasons, and he would respect her choice. “Very well, as you wish,” he said. “Thank you, Eragon.” A moment passed. Then he said, “Have you ever told anyone your true name?” “No.” “Not even your mother?” Her mouth twisted. “No.” “Do you know what it is?” “Of course. Why would you think otherwise?” He half shrugged. “I didn’t. I just wasn’t sure.” Silence came between them. Then, “When…how did you learn your true name?” Arya was quiet for so long, he began to think that she would refuse to answer. Then she took a breath and said, “It was a number of years after I left Du Weldenvarden, when I finally had become accustomed to my role among the Varden and the dwarves. Faolin and my other companions were away, and I had a great deal of time to myself. I spent most of it exploring Tronjheim, wandering in the empty reaches of the city-mountain, where others rarely tread. Tronjheim is bigger than most realize, and there are many strange things within it: rooms, people, creatures, forgotten artifacts…As I wandered, I thought, and I came to know myself better than ever I had before. One day I discovered a room somewhere high in Tronjheim--I doubt I could locate it again, even if I tried. A beam of sunlight seemed to pour into the room, though the ceiling was solid, and in the center of the room was a pedestal, and upon the pedestal was growing a single flower. I do not know what kind of flower it was; I have never seen its like before or since. The petals were purple, but the center of the blossom was like a drop of blood. There were thorns upon the stem, and the flower exuded the most wonderful scent and seemed to hum with a music all its own. It was such an amazing and unlikely thing to find, I stayed in the room, staring at the flower for longer than I can remember, and it was then and there that I was finally able to put words to who I was and who I am.” “I would like to see that flower someday.” “Perhaps you will.” Arya glanced toward the Varden’s camp. “I should go. There is much yet to be done.” He nodded. “We’ll see you tomorrow, then.” “Tomorrow.” Arya began to walk away. After a few steps, she paused and looked back. “I’m glad that Saphira chose you as her Rider, Eragon. And I’m proud to have fought alongside you. You have become more than any of us dared hope. Whatever happens tomorrow, know that.” Then she resumed her stride, and soon she disappeared around the curve of the hill, leaving him alone with Saphira and the Eldunarí.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
I'm not the best at this,' I said. 'I'm the best at... fighting... and like, robots... and killing people.' I paused. Wow, my resume sucked.
Steven Campbell (Music Business and the Experience Economy: The Australasian Case)
There have been periodic attempts to stop the supersizing of the state. In 1944 Friedrich Hayek warned that the state was in danger of crushing the society that gave it life in The Road to Serfdom. This provided an important theme for conservative politicians from then onward. In 1975 California’s current governor, Jerry Brown, in an earlier incarnation, declared an “era of limits.” This worry about “limits” profoundly reshaped thinking about the state for the next decade and a half. In the 1990s people on both the Left and the Right assumed that globalization would trim the state: Bill Clinton professed the age of big government to be over. In fact, Leviathan had merely paused for breath. Government quickly resumed its growth. George W. Bush increased the size of the U.S. government by more than any president since Lyndon Johnson, while globalization only increased people’s desire for a safety net. Even allowing for its recent setbacks, the modern Western state is mightier than any state in history and mightier, by far, than any private company. Walmart may have the world’s most efficient supply chain, but it does not have the power to imprison or tax people—or to listen to their phone calls. The modern state can kill people on the other side of the world at the touch of a button—and watch it in real time.
John Micklethwait (The Fourth Revolution: The Global Race to Reinvent the State)
In Afghanistan, only the dead really surrender. The living might indulge in it for a while, and many did in that momentous November of 2001. For Afghans, giving up is a time-out, not a game-over. Surrender is merely a tactic to be employed when confronted with overwhelming odds. When the opportunity arises, combat resumes. Pauses or not, scores must be settled.
Anonymous
Jekyll," cried Utterson, with a loud voice, "I demand to see you." He paused a moment, but there came no reply. "I give you fair warning, our suspicions are aroused, and I must and shall see you," he resumed; "if not by fair means, then by foul--if not of your consent, then by brute force!
Anonymous
She remembers that when she first moved here, a woman who had been in Hong Kong for six years had confided plaintively: "I feel like my real life is on pause. It's nice here, and I like all the help and the vacations, but I'm ready now. I'm ready to resume my real life, and now all I feel like I'm doing is waiting.
Janice Y.K. Lee (The Expatriates)
I scrubbed at the mirror harder and wondered how Tyler cleaned the one in his bathroom.  Or if he had someone else do it for him. Someone like Oksana. “Oksana, Oksana, Oksana,” I muttered as I continued cleaning the mirror. It was weird to be so deeply jealous of someone I knew nothing about. I had just finished up when I heard a noise. I figured it was Pigeon, but then she came in to sit on the floor next to my feet. She was whimpering. Which meant . . . I went down the hallway and found Oksana in the kitchen. I tried not to gasp. I’d chanted her name and had accidentally summoned her. She had spread groceries all over the counter. A large pot sat on the stove, and I heard bubbles popping, as if something was boiling. For all that was holy, I hoped it wasn’t a bunny. Whatever it was, it smelled a little like dirt and sulfur. Wasn’t that how brimstone was supposed to smell? Maybe she was cooking up something for her good buddy, Satan. “Hello.” I smiled and waved at her. She had a cigarette hanging from her lower lip. She paused from cutting up a head of cabbage to glare at me and then resumed her cutting. When it was obvious she wasn’t going to respond, I opted to be more direct. “What are you doing here?” Did somebody accidentally leave the gates of hell unlocked? I hoped I didn’t come across as too accusatory. I was genuinely bewildered to find her in my apartment again. Her eyebrows went up, as if my question were stupid. “Cooking.” “Oh. So, what are you, uh, making there?” “Borscht.” That was a kind of soup if I remembered correctly. “What do you use to make borscht?” She glared at me again, obviously not in the mood to talk, and it kind of surprised me when she answered. She held the large knife she was using against her shoulder, making me feel the tiniest bit of fear. “Beets. Cabbage. Knucklebones. And other things.” Knucklebones? Like . . . from people? What other animals had knuckles? This concerned me. “Well, that sounds . . . great. Have fun. I’m going to go clean.” She so didn’t care what I was going to do. I wanted to ask her not to smoke because I was a big fan of my own lungs and breathing in general, but I didn’t know if I had the authority to say so. I scampered away, trying not to think about how unfair it was that she not only looked that way but could cook, too. She’d probably never stick a cast-iron pan in the dishwasher.
Sariah Wilson (Roommaid)
As Ross entered the kitchen, he saw Ernest sitting at the scrubbed wooden table. The boy wolfed down a plate of breakfast as if it were the first decent meal he'd had in months. Sophia stood at the range with the scrawny cook-maid, apparently showing her how to prepare the morning's fare. "Turn them like this," Sophia was saying, expertly flipping a row of little cakes on a griddle pan. The kitchen atmosphere was especially fragrant today, spiced with frying bacon, coffee, and sizzling batter. Sophia looked fresh and wholesome, the trim curves of her figure outlined by a white apron that covered her charcoal-gray dress. Her gleaming hair was pinned in a coil at the top of her head and tied with a blue ribbon. As she saw him standing in the doorway, a smile lit her sapphire eyes, and she was so dazzlingly pretty that Ross felt a painful jab low in his stomach. "Good morning, Sir Ross," she said. "Will you have some breakfast?" "No, thank you," he replied automatically. "Only a jug of coffee. I never..." He paused as the cook set a platter on the table. It was piled with steaming batter cakes sitting in a pool of blackberry sauce. He had a special fondness for blackberries. "Just one or two?" Sophia coaxed. Abruptly it became less important that he adhere to his usual habits. Perhaps he could make time for a little breakfast, Ross reasoned. A five-minute delay would make no difference in his schedule. He found himself seated at the table facing a plate heaped with cakes, crisp bacon, and coddled eggs. Sophia filled a mug with steaming black coffee, and smiled at him once more before resuming her place at the range with Eliza. Ross picked up his fork and stared at it as if he didn't quite know what to do with it. "They're good, sir," Ernest ventured, stuffing his mouth so greedily that it seemed likely he would choke. Ross took a bite of the fruit-soaked cake and washed it down with a swallow of hot coffee. As he continued to eat, he felt an unfamiliar sense of well-being. Good God, it had been a long time since he'd had anything other than Eliza's wretched concoctions. For the next few minutes Ross ate until the platter of cakes was demolished. Sophia came now and then to refill his cup or offer more bacon. The cozy warmth of the kitchen and the sight of Sophia as she moved about the room caused a tide of unwilling pleasure inside him.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
Now this word soul, which pops up frequently in Van Norden’s soliloquies, used to have a droll effect upon me at first. Whenever I heard the word soul from his lips I would get hysterical; somehow it seemed like a false coin, more particularly because it was usually accompanied by a gob of brown juice which left a trickle down the corner of his mouth. And as I never hesitated to laugh in his face it happened invariably that when this little word bobbed up Van Norden would pause just long enough for me to burst into a cackle and then, as if nothing had happened, he would resume his monologue, repeating the word more and more frequently and each time with more caressing emphasis. It was the soul of him that women were trying to possess—that he made clear to me. He has explained it over and over again, but he comes back to it afresh each time like a paranoiac to his obsession. In a sense, Van Norden is mad, of that I’m convinced. His one fear is to be left alone, and this fear is so deep and so persistent that even when he is on top of a woman, even when he has welded himself to her, he cannot escape the prison which he has created for himself.
Henry Miller (Tropic of Cancer (Tropic, #1))
The following day, Netanyahu and I sat down for a meeting at the White House. Downplaying the growing tension, I accepted the fiction that the permit announcement had been just a misunderstanding, and our discussions ran well over the allotted time. Because I had another commitment and Netanyahu still had a few items he wanted to cover, I suggested we pause and resume the conversation in an hour, arranging in the meantime for his delegation to regroup in the Roosevelt Room. He said he was happy to wait, and after that second session, we ended the evening on cordial terms, having met for more than two hours total. The next day, however, Rahm stormed into the office, saying there were media reports that I’d deliberately snubbed Netanyahu by keeping him waiting, leading to accusations that I had allowed a case of personal pique to damage the vital U.S.-Israel relationship. That was a rare instance when I outcursed Rahm. Looking back, I sometimes ponder the age-old question of how much difference the particular characteristics of individual leaders make in the sweep of history—whether those of us who rise to power are mere conduits for the deep, relentless currents of the times or whether we’re at least partly the authors of what’s to come. I wonder whether our insecurities and our hopes, our childhood traumas or memories of unexpected kindness carry as much force as any technological shift or socioeconomic trend. I wonder whether a President Hillary Clinton or President John McCain might have elicited more trust from the two sides; whether things might have played out differently if someone other than Netanyahu had occupied the prime minister’s seat or if Abbas had been a younger man, more intent on making his mark than protecting himself from criticism.
Barack Obama (A Promised Land)
Ryder Marsden could not possibly have said what I think he just said. Nope. Not in a million years. But then he rises up on one elbow, gazing down at me, and… My breath leaves my lungs in a whoosh as his head angles down toward mine, his breath warm on my cheek. I swear my heart stops beating for a second--seizing up in my chest before resuming its noisy rhythm. He’s going to kiss me, I realize. Ryder is actually going to kiss me, and-- “You’ve got something…” He pauses, brushing his fingers across my cheek. “There. I got it.” Disappointment washes over me. He wasn’t going to kiss me. He was just noticing a smudge of dirt on my face or something. I feel like a total idiot. My cheeks flare with heat as I scramble to a heated position and reach for a bottle of water. “Thanks,” I mumble, unscrewing the cap. I drink for a long time, mostly to avoid meeting Ryder’s eyes. Problem is, I already have to pee. This is not going to help the situation.
Kristi Cook (Magnolia (Magnolia Branch, #1))
The Interview The largest determining factor in whether you get a job is usually the interview itself. You’ve made impressions all along—with your telephone call and your cover letter and resume. Now it is imperative that you create a favorable impression when at last you get a chance to talk in person. This can be the ultimate test for a socially anxious person: After all, you are being evaluated on your performance in the interview situation. Activate your PMA, then build up your energy level. If you have followed this program, you now possess the self-help techniques you need to help you through the situation. You can prepare yourself for success. As with any interaction, good chemistry is important. The prospective employer will think hard about whether you will fit in—both from a production perspective and an interactive one. The employer may think: Will this employee help to increase the bottom line? Will he interact well as part of the team within the social system that already exists here? In fact, your chemistry with the interviewer may be more important than your background and experience. One twenty-three-year-old woman who held a fairly junior position in an advertising firm nonetheless found a good media position with one of the networks, not only because of her skills and potential, but because of her ability to gauge a situation and react quickly on her feet. What happened? The interviewer began listing the qualifications necessary for the position that was available: “Self-starter, motivated, creative . . .” “Oh,” she said, after the executive paused, “you’re just read my resume!” That kind of confidence and an ability to take risks not only amused the interviewer; it displayed some of the very skills the position required! The fact that interactive chemistry plays such a large role in getting a job has both positive and negative aspects. The positive side is that a lack of experience doesn’t necessarily mean you can’t get a particular job. Often, with the right basic education and life skills, you can make a strong enough impression based on who you are and how capable you seem that the employer may feel you are trainable for the job at hand. In my office, for example, we interviewed a number of experienced applicants for a secretarial position, only to choose a woman whose office skills were not as good as several others’, but who had the right chemistry, and who we felt would fit best into the existing system in the office. It’s often easier to teach or perfect the required skills than it is to try to force an interactive chemistry that just isn’t there. The downside of interactive chemistry is that even if you do have the required skills, you may be turned down if you don’t “click” with the interviewer.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
Come,” he said with a smile that faltered into a grimace of pleasure as Baltsaros’s cock thrust deep again. “You can’t hurt me, lovey.” Jon nodded weakly. Dizzy and excited, and a touch nervous, he found a place for his legs, straddling the captain, and leaned forwards over Tom. The first mate’s legs hooked over Jon’s hips as he stroked the head of his cock over the captain’s thrusting length and then eased in slowly when the man paused. He pushed hard, and Tom’s eyes closed once more. It was tight, almost too much. When Tom let out a pained breath, Jon stopped, but the first mate just chuckled a shaky laugh. “Don’t ye dare stop, Jon. Don’t ye stop…” Tom groaned and let his head fall back over Baltsaros’s shoulder. Jon’s fervour took over. He plunged his cock into Tom’s heat, sliding tight against the captain’s length. It was glorious, and he found himself teetering on the edge of climax quickly. He paused, eyes closed and so sensitive that he was almost in pain. For a moment Jon just held back, waited, and relished the feeling of the captain’s cock sliding against his before resuming. However, it wasn’t long before he couldn’t stop himself from spilling over, the swell of pleasure breaking out into molten waves of intensity that tore the voice from his throat and left him breathless and weak. When the liquid pulses that rocked him slowed, then stopped, he leaned his head against Tom’s furry chest and eased out slowly, wincing as he did so.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
I twittered, “Did anything develop from the liaisons?”               “No. We never exchanged words about it. It was purely to get our rocks off. But…” he went silent.               “But? Carry on,” I encouraged.               “It was difficult. I cried and missed him terribly after he returned to the States.”               “Did he write to you?”               He said remorsefully, “He wrote me a generic letter but mentioned nothing about our encounters.”               “Do you still miss him?” I asked.               The boy sobbed quietly before replying. “I haven’t told anyone about this until now.”               Putting my arm around him, I enquired, “Would you like to have a fling with Jules?”               “I can’t. It’s not allowed.” My tent-mate turned away uneasily.               “Not allowed by whom?” I questioned.               “By the authorities.”               “The only authority that’s stopping you is you. Are all Singaporeans afraid of authority?”               He hadn’t expected me to ask such an unorthodox question. “You don’t know who is listening or watching your every move,” he shushed.               “Where I come from, we speak our minds.”               “You are one of the lucky ones to go to school in England. I wish I could go to an American school.” He paused before resuming, “My parents are very strict. That’s why I’m here at OBSS.”               I injected, “You don’t want to be here?”               He shook his head timidly. “Neither do I. Let’s do something roguish and get expelled together,” I joked. The lad exclaimed, thinking my deliberation serious. “Good god, No! My parents will be furious. They’ll lose face and be devastated if I misbehave.” “Are you going to be forever under your parents’ control?” I voiced. “You are here to learn to take responsibility for yourself. Now is the perfect time to come into your own,” I championed. “Do something you truly desire, not what others want you to do.” The lad did not know how to respond to my suggestion. Neither did he contradict me. When Jules entreated me privately for an after-dinner stroll that evening, little did I imagine what would happen.
Young (Turpitude (A Harem Boy's Saga Book 4))
You’re really going?” Except it wasn’t a question. “You’ve asked it of me,” Val reminded her gently, “and you are convinced Freddy will pester me literally to death if I don’t leave you to continue on with him as you did before, and you have forbidden me to call him out.” She nodded and leaned into him, fell into him, because her knees threatened to buckle with the magnitude of the loss she was to endure. Val embraced her, resting his cheek against her hair. “You’re a strong woman, Ellen Markham, and I have every faith in your ability to soldier on. I need to know as I trot out of your life that you will be fine and you will manage here without me. So”—he put a finger under her chin and forced her to meet his gaze—“tell me some pretty lies, won’t you? You’ll be fine?” Ellen blinked and obediently recited the requested untruth. “I’ll be fine.” “I’ll be fine, as well.” Val smiled at her sadly. “And I’ll manage quite nicely on my own, as I always have. You?” “Splendidly,” Ellen whimpered, closing her eyes as tears coursed hot and fast down her cheeks. “Oh, Val…” She clutched him to her desperately, there being no words to express the pure, undiluted misery of the grief she’d willingly brought on herself. “My dearest love.” Val kissed her wet cheeks. “You really must not take on so, for it tortures me to see it. This is what you want, or do I mistake you at this late hour?” “You do not.” The sigh Ellen heaved as she stepped back should have moved the entire planet. She wanted Val safe from Freddy’s infernal and deadly machinations, and this was the only way to achieve that goal. She had the conviction Valentine Windham, a supremely determined and competent man—son of a duke in every regard—would not take Freddy’s scheming seriously until it was too late. It was up to her to protect the man she loved, and that thought alone allowed her to remain true to the only prudent course. “You have not mistaken me, not now—not ever.” “I did not think you’d change your mind.” Val led her back toward the house by the hand. “I have left my direction in the library, and in the bottom drawer of the desk you will find some household money. I know you’d prefer to cut all ties, Ellen, but if you need anything—anything at all—you must call upon me. Promise?” “I promise,” she recited, unable to do otherwise. “And Ellen?” Val paused before they got to the stable yard. “Two things. First, thank you. You gave me more this summer than I could have ever imagined or deserved, and I will keep the memories of the joy we shared with me always. Second, if there should be a child, you will marry me.” “There will not be a child,” she murmured, looking back toward the wood. He was thanking her? She’d cost him a fortune and put his well-being in jeopardy, and he was thanking her? “I do not, and never will, deserve you.” “Promise me you’ll tell me if there’s a child?” Val’s green eyes were not gentle or patient. They were positively ducal in their force of will. “If there is a child I will tell you.” “Well, then.” Val resumed their progress. “I think that’s all there is to say, except, once again, I love you.” “I love you, too,” Ellen replied, wishing she’d given him the words so much more often and under so many different circumstances. “Good-bye, my dearest love.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Bear fat for the burn. You will lie on your face.” Their gazes locked, laughter still shimmering in his. Seconds dragged by, measured by the wild thumping of her heart. He wanted to rub her down? Oh, God, what was she going to do? She clutched the fur more tightly. Hunter shrugged as if her defiance bothered him not at all and tossed down the pouch. “You are sure enough not smart, Blue Eyes. You will lie on your face,” he said softly. “Don’t fight the big fight. If my strong arm fails me, I will call my friends. And in the end, you will lie on your face.” Loretta imagined sixty warriors swooping down on her. As if he needed more of an advantage. Hatred and helpless rage made her tremble. Hunter watched her, his expression unreadable as he waited. She wanted to fly at him, scratching and biting. Instead she loosened her hold on the buffalo robe and rolled onto her stomach. As she pressed her face into the stench-ridden buffalo fur, tears streamed down her cheeks, pooling and tickling in the crevices at each side of her nose. She clamped her arms to her sides and lay rigid, expecting him to jerk back the robe. Shame swept over her in hot, rolling waves as she imagined all those horrible men looking at her. She felt the fur shift and braced herself. His greased palm touched her back and slid downward with such agonizing slowness that her skin shriveled and her buttocks quivered. So focused was she on his touch, on the shame of it, that several seconds passed before she realized he had slipped his arm beneath the fur, that no one, not even he, could see her. Relief, if she felt any at all, was short-lived, for he laved every inch of her back with grease and then tried to nudge her arms aside to get at the burned skin along her ribs. She resisted him, but in the end his strength won out. When his fingertips grazed the swell of her left breast, her lungs ceased working and her body snapped taut. He hesitated, then resumed the rubbing, diving his fingertips between her and the fur to graze her nipple. She wasn’t burned there, and she knew he pressed the issue only to drive home his point. She belonged to him, and he would touch her whenever and wherever he pleased. A sob caught in her throat. Once again she felt his hand pause. His gaze burned into the back of her head, tangible in its intensity. At last he withdrew his arm from under the fur and sat back. Loretta twisted her neck to look up at his dark face, not bothering to wipe away her tears, too defeated to care if he saw them. He set the leather pouch on the pallet beside her. For an instant she thought she glimpsed pity in his eyes. “You rub the rest, eh? And put yourself into the clothes.” With that, he rose, presented his broad back to her, and walked away to crouch by the only remaining fire. Loretta clutched the fur to her breasts and sat up, not quite able to believe he had left her alone to dress.
Catherine Anderson (Comanche Moon (Comanche, #1))
If he is so busy, then please tell him to feel free to spare me. He can go back to his office and resume whatever workaholic activities he had shockingly paused to stick his nose in something that does not concern him.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Because I had another commitment and Netanyahu still had a few items he wanted to cover, I suggested we pause and resume the conversation in an hour, arranging in the meantime for his delegation to regroup in the Roosevelt Room. He said he was happy to wait, and after that second session, we ended the evening on cordial terms, having met for more than two hours total. The next day, however, Rahm stormed into the office, saying there were media reports that I’d deliberately snubbed Netanyahu by keeping him waiting, leading to accusations that I had allowed a case of personal pique to damage the vital U.S.-Israel relationship. That was a rare instance when I outcursed Rahm.
Barack Obama (A Promised Land)
A pause. Then Ludmilla’s voice resumes slowly as if she were trying to express something not easily defined. “Yes, it is. I like it very much… Still, I wish the things I read weren’t all present, so solid you can touch them; I would like to feel a presence around them, something else, you don’t quite know what, the sign of some unknown thing…
Italo Calvino (If on a Winter’s Night a Traveler)
What Machine is it that bears us along so relentlessly? We go rattling thro’ another Day,— another Year,— as thro’ an empty Town without a Name, in the Midnight…we have but Memories of some Pause at the Pleasure-Spas of our younger Day, the Maidens, the Cards, the Claret,— we seek to extend our stay, but now a silent Functionary in dark Livery indicates it is time to re-board the Coach, and resume the Journey. Long before the Destination, moreover, shall this Machine come abruptly to a Stop . . . gather’d dense with Fear, shall we open the Door to confer with the Driver, to discover that there is no Driver,…no Horses,…only the Machine, fading as we stand, and a Prairie of desperate Immensity….
Thomas Pynchon (Mason & Dixon)
The mean-spirited, unpredictable cancer beast had changed all of our lives. There were unspoken details of our life before cancer. Now, only the stark reality of life after cancer remained. I was acutely aware that, regardless of the treatment’s outcome, we were bound in a race against time. A relentless clock, damnably ticking away, measured the fleeting seconds of Xuan’s life. Its insistent rhythm served as a re- minder of our finite journey. Though it may have momentarily paused, the clock would invariably resume its steady wind down toward zero.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
In the realm of financial markets, volatility is an inherent characteristic. Prices of stocks, commodities, and other securities can experience significant fluctuations within short periods. To manage such volatility and protect the interests of investors, circuit breakers are implemented. These circuit breakers impose upper and lower limits on price movements, which temporarily halt trading. In this blog post, we will explore the concept of upper and lower circuit limits, their purpose, and how they impact the functioning of financial markets. Defining Upper and Lower Circuit Limits Upper and lower circuit limits are predetermined price thresholds that trigger temporary trading halts. These limits are set by exchanges or regulatory bodies to prevent extreme price movements and provide stability to the market. When the price of a security reaches or breaches the upper or lower circuit limit, trading is paused for a specified period. This allows market participants to reevaluate their positions and absorb the information driving the price volatility. The Purpose of Circuit Breakers: The primary objective of circuit breakers is to safeguard the financial markets from excessive price volatility and potential panic selling or buying. These mechanisms help prevent extreme price movements that could be detrimental to market stability and investor confidence. By temporarily halting trading, circuit breakers provide a cooling-off period, allowing participants to assess new information and avoid making impulsive decisions. Moreover, circuit breakers ensure orderly trading and prevent the market from being dominated by high-frequency trading strategies that thrive on short-term price fluctuations. They offer investors an opportunity to reassess their strategies and risk exposure, reducing the likelihood of knee-jerk reactions based on short-term market movements. Understanding the Upper Circuit Limit : The upper circuit limit represents the maximum price movement permitted for security within a trading session. When the price of a security reaches or surpasses the upper circuit limit, trading in that security is halted. The upper circuit limit aims to prevent excessive speculative buying and provides a pause for market participants to analyze the new information or demand driving the price surge. During the trading halt, market participants can evaluate the situation, adjust their strategies, and determine whether to buy, sell, or hold the security when trading resumes. The duration of the halt varies depending on the exchange or regulatory body and is typically predetermined. Understanding the Lower Circuit Limit: Conversely, the lower circuit limit represents the minimum price movement allowed for security. When the price of a security falls to or breaches the lower circuit limit, trading is halted. The lower circuit limit is designed to prevent panic selling and provides market participants with an opportunity to reassess their positions. Similar to the upper circuit limit, the duration of the trading halt triggered by a lower circuit limit breach is typically predetermined. During this time, investors can evaluate the reasons behind the price decline, analyze market conditions, and make informed decisions. Impact of Circuit Breakers on Financial Markets: Circuit breakers play a crucial role in maintaining market stability, particularly during periods of heightened volatility and uncertainty. By temporarily halting trading, they allow time for market participants to process new information, reassess their positions, and avoid making impulsive decisions based on short-term price movements. Circuit breakers also facilitate the restoration of liquidity in the market. When trading is halted, market makers and other participants have an opportunity to recalibrate their pricing and liquidity provision strategies, which can help smooth out price discrepancies and enhance market efficiency.
Sago
The horses, reluctant and excited from the first, become furious and wild. At the next shoal-personal nastiness being past consideration-we dismount, at knee-deep, to give them a moment's rest, shifting the mule's saddle to the trembling long-legged mare, and turning Mr. Brown loose, to follow as he could. After a breathing-spell we resume our splashed seats and the line of wade. Experience has taught us something, and we are more shrewd in choice of footing, the slopes around large trees being attractively high ground, until, by a stumble on a covered root, a knee is nearly crushed against a cypress trunk. Gullies now commence, cut by the rapid course of waters flowing off before north winds, in which it is good luck to escape instant drowning. Then quag again; the pony bogs; the mare, quivering and unmanageable, jumps sidelong among loose corduroy; and here are two riders standing waist-deep in mud and water between two frantic, plunging-horses, fortunately not beneath them. Nack soon extricates himself, and joins the mule, looking on terrified from behind. Fanny, delirious, believes all her legs broken and strewn about her, and falls, with a whining snort, upon her side. With incessant struggles she makes herself a mud bath, in which, with blood-shot eyes, she furiously rotates, striking, now and then, some stump, against which she rises only to fall upon the other side, or upon her back, until her powers are exhausted, and her head sinks beneath the surface. Mingled with our uppermost sympathy are thoughts of the soaked note-books, and other contents of the saddle-bags, and of the.hundred dollars that drown with her. What of dense soil there was beneath her is now stirred to porridge, and it is a dangerous exploit to approach. But, with joint hands, we length succeed in grappling her bridle, and then in hauling her nostrils above water. She revives only for a new tumult of dizzy pawing, before which we hastily retreat. At a second pause her lariat is secured, and the saddle cut adrift. For a half-hour the alternate resuscitation continues, until we are able to drag the head of the poor beast, half strangled by the rope, as well as the mud and water, toward firmer ground, where she recovers slowly her senses and her footing. Any further attempts at crossing the somewhat "wet" Neches bottoms are, of course, abandoned, and even the return to the ferry is a serious sort of joke. However, we congratulate ourselves that we are leaving, not entering the State.
Frederick Law Olmsted (A Journey through Texas: Or a Saddle-Trip on the Southwestern Frontier)
Mud of the gods, woman, what are you doing?’ Abrastal looked up. ‘What does it look as if I’m doing, Spax?’ Her fiery tresses lay heaped on the tent floor. She was wrapped in her blanket and as far as he could tell, naked underneath. He watched as she resumed slashing long lengths away with her knife. ‘I witness,’ he said, ‘the death of my lust.’ ‘Good. It’s about time. I was never going to bed you, Barghast.’ ‘Not the point. It was the desire I took so much pleasure in.’ ‘That’s pathetic.’ Spax shrugged. ‘I am an ugly man. This is how ugly men get through each damned day.’ ‘You’ve been bedding my daughter.’ ‘She only does it to infuriate you, Highness.’ Abrastal paused with her knife, looked up at him. ‘And has it succeeded?’ Grinning, Spax said, ‘So I tell her every night. All about your rants, your foaming mouth, your outrage and fury.’ ‘Ugly and clever, a deadly combination in any man.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
What Machine is it," young Cherrycoke later bade himself goodnight, "that bears us along so relentlessly? We go rattling thro' another Day,— another Year,— as thro' an empty Town without a Name, in the Midnight. . .we have but Memories of some Pause at the Pleasure-Spas of our younger Day, the Maidens, the Cards, the Claret,— we seek to extend our stay, but now a silent Functionary in dark Livery indicates it is time to re-board the Coach, and resume the Journey. Long before the Destination, moreover, shall this Machine come abruptly to a Stop...gather'd dense with Fear, shall we open the Door to confer with the Driver, to discover that there is no Driver,... no Horses,... only the Machine, fading as we stand, and a Prairie of desperate Immensity
Thomas Pynchon (Mason & Dixon)
What Machine is it," young Cherrycoke later bade himself goodnight, "that bears us along so relentlessly? We go rattling thro' another Day,— another Year,— as thro' an empty Town without a Name, in the Midnight. . .we have but Memories of some Pause at the Pleasure-Spas of our younger Day, the Maidens, the Cards, the Claret,— we seek to extend our stay, but now a silent Functionary in dark Livery indicates it is time to re-board the Coach, and resume the Journey. Long before the Destination, moreover, shall this Machine come abruptly to a Stop...gather'd dense with Fear, shall we open the Door to confer with the Driver, to discover that there is no Driver,... no Horses,... only the Machine, fading as we stand, and a Prairie of desperate Immensity.
Thomas Pynchon (Mason & Dixon)
She was already going to that place, the heart-stopping moment when the world pauses, the resumes as a crystal dream.
Nicola Griffith (Always (Aud Torvingen #3))
If the meaning of the mountain range overlooking the home’s peace is called the Quteniqua Mountains, which is rally made up of the Langeberg Range (northeast of Worcester) and the Tsitsikamma Mountains (east-west along The Garden Route), and if the collective name of the mountain range references the idea of honey, the honey that can be found at Amanda and Lena’s home starts with kindness, a type of kindness the touches the world’s core understanding of compassion. “I want to give you a used copy of my favorite book that I think helps to explain what exactly I love about this area. Out of all of her books, this is probably one of the least favorite books based off readers’ choice, yet it is my favorite book because I think it truly understands the spirit of this area.” Amanda handed me the book. “Da-lene Mat-thee,” I said. “Is that correct…” Before I could finish, she had already answered my question. “Yes, the author that I had spoken about earlier today. Although she is an Afrikaans author, this book is in English. The Mulberry Forest. My favorite character is Silas Miggel, the headstrong Afrikaans man who didn’t want to have the Italian immigrants encroaching onto his part of the forest.” She paused for a second before resuming, “Yet, he’s the one who came to their rescue when the government turned a blind eye on the hardships of the Italian immigrants. He’s the one who showed kindness toward them even when he didn’t feel that way in his heart. That’s what kindness is all about, making time for our follow neighbors because it’s the right thing to do, full stop. Silas is the embodiment of what I love about the people of this area. It is also what I love about my childhood home growing up in the shantytown. The same thread of tenacity can be found in both places. So, when you read about Silas, think of me because he represents the heart of both Knysna and the Storms River Valley. This area contains a lot of clones just like him, the heartbeat of why this area still stands today.” That’s the kind of hope that lights up the sky. The Portuguese called the same mountain range Serra de Estrellla or Mountain of the Star… If we want to change the world, we should follow in the Quteniqua Mountain’s success, and be a reminder that human benevolence is a star that lights up the sky of any galaxy, the birthplace of caring. As we drove away, for a second, I thought I heard the quiet whispers from Dalene Matthee’s words when she wrote in Fiela’s Child: “If he had to wish, what would he wish for, he asked himself. What was there to wish for…a wish asked for the unattainable. The impossible.” And that’s what makes this area so special, a space grounded in the impossibility held together through single acts of human kindness, the heart of the Garden Route’s greatest accomplishment. A story for all times…simply called, Hospitality, the Garden Route way…
hlbalcomb
Thus begins my only sustained conversation in the Grand Canyon, as the man and I walk the second half of South Kaibab Trail together. I learn he’s on his way to a water treatment plant at the Colorado River. “I treat sewage water and recycle it to use at Phantom Ranch,” he explains. A self-described “Steward of the Grand Canyon,” he’s been doing this work all his life – a job he took over from his uncle and grandfather before him. “No matter the weather I hike to the plant every other week,” he says. “I stay for about a week at a time.” This week he’s on a special mission to train some new “young bucks” in the art of water treatment. “They never last,” he shakes his head. “They think they know what they’re getting into, and then reality hits when it gets cold.” He pauses, staring down the emerald Colorado River snaking below us. Then he swings around, looking me straight in the eyes, “I have given up everything I love for this canyon.” He resumes his speed walk as I trail clumsily behind him, trying to keep up. My bike bounces on my back.
Sarah Jansen (Pedaling Home: One Woman's Race Across the Arizona Trail)
There was a silence, and then Tuppence burst out: ‘Money, money, money! I think about money morning, noon and night! I dare say it’s mercenary of me, but there it is!’ ‘Same here,’ agreed Tommy with feeling. ‘I’ve thought over every imaginable way of getting it too,’ continued Tuppence. ‘There are only three! To be left it, to marry it, or to make it. First is ruled out. I haven’t got any rich elderly relatives. Any relatives I have are in homes for decayed gentlewomen! I always help old ladies over crossings, and pick up parcels for old gentlemen, in case they should turn out to be eccentric millionaires. But not one of them has ever asked me my name—and quite a lot never said “Thank you.”’ There was a pause. ‘Of course,’ resumed Tuppence, ‘marriage is my best chance. I made up my mind to marry money when I was quite young. Any thinking girl would! I’m not sentimental, you know.’ She paused. ‘Come now, you can’t say I’m sentimental,’ she added sharply. ‘Certainly not,’ agreed Tommy hastily. ‘No one would ever think of sentiment in connection with you.’ ‘That’s not very polite,’ replied Tuppence. ‘But I dare say you mean it all right. Well, there it is! I’m ready and willing—but I never meet any rich men! All the boys I know are about as hard up as I am.’ ‘What about the general?’ inquired Tommy. ‘I fancy he keeps a bicycle shop in time of peace,’ explained Tuppence. ‘No, there it is! Now you could marry a rich girl.’ ‘I’m like you. I don’t know any.’ ‘That doesn’t matter. You can always get to know one. Now, if I see a man in a fur coat come out of the Ritz I can’t rush up to him and say: “Look here, you’re rich. I’d like to know you.”’ ‘Do you suggest that I should do that to a similarly garbed female?’ ‘Don’t be silly. You tread on her foot, or pick up her handkerchief, or something like that. If she thinks you want to know her she’s flattered, and will manage it for you somehow.’ ‘You overrate my manly charms,’ murmured Tommy. ‘On the other hand,’ proceeded Tuppence, ‘my millionaire would probably run for his life! No—marriage is fraught with difficulties. Remains—to make money!’ ‘We’ve tried that, and failed,’ Tommy reminded her. ‘We’ve tried all the orthodox ways, yes. But suppose we try the unorthodox. Tommy, let’s be adventurers!’ ‘Certainly,’ replied Tommy cheerfully. ‘How do we begin?’ ‘That’s the difficulty. If we could make ourselves known, people might hire us to commit crimes for them.’ ‘Delightful,’ commented Tommy. ‘Especially coming from a clergyman’s daughter!’ ‘The moral guilt,’ Tuppence pointed out, ‘would be theirs—not mine. You must admit that there’s a difference between stealing a diamond necklace for yourself and being hired to steal it.’ ‘There wouldn’t be the least difference if you were caught!’ ‘Perhaps not. But I shouldn’t be caught. I’m so clever.’ ‘Modesty always was your besetting sin,’ remarked Tommy. ‘Don’t rag. Look here, Tommy, shall we really? Shall we form a business partnership?’ ‘Form a company for the stealing of diamond necklaces?’ ‘That was only an illustration. Let’s have a—what do you call it in book-keeping?’ ‘Don’t know. Never did any.’ ‘I have—but I always got mixed up, and used to put credit entries on the debit side, and vice versa—so they fired me out. Oh, I know—a joint venture! It struck me as such a romantic phrase to come across in the middle of musty old figures. It’s got an Elizabethan flavour about it—makes one think of galleons and doubloons. A joint venture!’ ‘Trading under the name of the Young Adventurers, Ltd.? Is that your idea, Tuppence?’ ‘It’s all very well to laugh, but I feel there might be something in it.
Agatha Christie (The Secret Adversary (Tommy and Tuppence Mysteries, #1))
Pause to ponder the metaphysics: an elk running for its life is converted to wolf flesh and wolf bone and wolf nerve whose dedication becomes chasing elk who run for their lives to avoid the fate that is pursing them, a fate built entirely from creatures just like themselves. Predator presages Borg. Overhead the sky livens with playful croaks also made of elk. Later, predator falls, freeing all former elk made wolf, made raven, made bear, to resume a brief stint as grass. Grass's predator, elk, grazes. Grass again becomes elk, and one of Forever's many pinwheels clicks one full turn.
Carl Safina (Beyond Words: What Animals Think and Feel)
Sun's down," muttered one of the guardsmen by the windows. "Then it's time." Grady made to push away from the table, and the rest began to follow. "No," said Kit. Grady paused with his palm pressed flat against the tabletop; all the other men froze. "What?" "No," Kit said once more, very polite. "Be seated. All of you." "Why are we wasting-" "Be seated." Even his old nemesis knew to obey that tone. It sliced across the room slick as steel, resounding into silence. The guard at the window let fall the drapery, a soft stir of cloth that barely touched the air. He could almost feel his father's ghost, watching, waiting. Christoff remained silent until they were done, until the last of them had sunk into nervous attention, staring at him through the gloom. "I claim her," he said. "I will hunt her alone." Grady twitched. "But-" "I claim her," he repeated, silkier and more deadly than before. "She is mine. And if you have issue with that-any of you-I invite you to tell me now. We'll settle it here. I will not abide insubordination." Reckless, red-faced, Grady shot back to his feet. Kit was on his own in half a heartbeat, his arm slashing out, a streak of metal flashing across the table. The stiletto struck deep into the wall mere inches behind the other man's head, the hilt of carnelian and worked gold an ominous blur against the silk. Silently, weightlessly, the outermost curl of Parrish Grady's wig drifted down to the dining table, settling feather-light against the dark wood. No one else moved; no one spoke. "I beg your pardon," said Kit cordially into the hush. "Was there something you wished to say?" Grady looked down at the severed lock, then back up at Kit. His throat worked, though no sound came out. Slowly, in awkward motion, he resumed his seat. "Excellent." Christoff sent a cold smile around the room. "Anyone else?" -a guardsmen, Grady, & Kit
Shana Abe (The Smoke Thief (Drakon, #1))
But, say what you like, our Queen reigns over the greatest nation that ever existed.” “Which nation?” asked the younger stranger, “for she reigns over two.” The stranger paused; Egremont was silent, but looked inquiringly. “Yes,” resumed the stranger after a moment’s interval. “Two nations; between whom there is no intercourse and no sympathy; who are as ignorant of each other’s habits, thoughts, and feelings, as if they were dwellers in different zones, or inhabitants of different planets; who are formed by a different breeding, are fed by a different food, are ordered by different manners, and are not governed by the same laws.” “You speak of——,” said Egremont, hesitatingly. “The Rich and the Poor.” Benjamin Disraeli: “Sybil, or The Two Nations.
Edward Abbott Parry (The Law and the Poor)
I, too, was taken aback by this turn of events. I was speechless. My mind raced to find a possible answer. Finally, I muttered apathetically, “If I’m to be a kept boy, I’ll expect to be housed in a luxury penthouse, not in a run-of-the mill flat. “Secondly, I’ll want a top-of-the-line sports car –a Ferrari or a Lamborghini, not a city car. “Last but not least, I’ll insist on a healthy remuneration to keep me in a princely style.”               Andy stared at me as if I was a whoreson, while Uncle James broke out in comedic exuberance. Shocked by my uncle’s boisterous outburst, my lover gaped, not knowing what to make of my guardian. “You can take the boy out of China, but you can’t take China out of the boy,” the Englishman vociferated hilariously.               My chaperone scrutinized my uncle, wondering if the man had lost his mind. He waited for James’ laughter to subside. “What are you talking about?” he expressed.               I twittered, “In the event that you’ve lost your mind, sir, I’m not from China. I’m from Malaya.”               James iterated enthusiastically, “Nevertheless, you, young man, are Chinese. Having dealt with Chinese businessmen for most of my life, you are a true-to-form Chinese.” He resumed, “Like the Hong Kong Chinese I’ve dealt with over the years you are an excellent negotiator. You’ve inherited your parents’ genetic ability to strike an optimum bargain to your advantage.” He paused. “In all seriousness, I think your counter-suggestions may be just the ammunition you’ll need to fend off Mossey. That is, if you desire to forgo his offer,” he opined.               Quick-witted Andy responded cheerfully, “What an awesome idea. I’ll be more than happy to draft the counter-proposal for you, my lovely one.” For the most part, I’d been a silent observer of this imprudent frivolity. I answered calmly, after giving the matter some thought, “I’ll sleep on this and have answers for you before our return to Daltonbury Hall.
Young (Turpitude (A Harem Boy's Saga Book 4))
Then why are you called ‘Lady Holland’?” “Well…” Holly paused and laughed ruefully. “Now we're treading on more complicated territory. I am the daughter of an earl. Therefore, I have had the courtesy title ‘lady’ since birth.” “And you didn't lose it when you married George?” “No, when a peer's daughter marries a man who is not a peer, she is allowed to keep her own courtesy title. After I married, I still derived my rank from my father rather than from George.” Bronson turned his head and stared at her intently. Looking into his fathomless eyes at close range gave Holly a small, warm shock. She could see the glints of brown in the midnight depths. “So your rank was always higher than your husband's,” he said. “In a way, you married down.” “Technically,” she admitted. Bronson seemed to savor the information. Holly had the impression that for some reason the idea pleased him. “What would happen to your rank if you married a commoner?” he asked idly. “Like me, for example.” Flustered by the question, Holly drew away from him and resumed her seat. “Well, I… I would remain ‘Lady Holland,’ but I would take your surname.” “Lady Holland Bronson.” She started a little at the strange sound of her own name being joined with anything other than Taylor. “Yes,” she said softly. “In theory, that is correct.
Lisa Kleypas (Where Dreams Begin)
Before turning down the lamp, Lara paused to take one last glance at her husband. He was like some magnificent slumbering beast, all his alertness and vitality temporarily banked, his claws sheathed. But on the morrow he would be back in his usual form, mocking, argumentative, charming... and he would resume his efforts to seduce her. What unnerved her was the realization that in some small way she was actually looking forward to it.
Lisa Kleypas (Stranger in My Arms)
Cosette took both the old man’s hands in hers. ‘My God!’ said she, ‘your hands are still colder than before. Are you ill? Do you suffer?’ ‘I? No,’ replied Jean Valjean. ‘I am very well. Only …’ He paused. ‘Only what?’ ‘I am going to die presently.’ Cosette and Marius shuddered. ‘To die!’ exclaimed Marius. ‘Yes, but that is nothing,’ said Jean Valjean. He took breath, smiled and resumed: ‘Cosette, thou wert talking to me, go on, so thy little robin red-breast is dead? Speak, so that I may hear thy voice.’ Marius gazed at the old man in amazement. Cosette uttered a heartrending cry. ‘Father! my father! you will live. You are going to live. I insist upon your living, do you hear?’ Jean Valjean raised his head towards her with adoration. ‘Oh! yes, forbid me to die. Who knows? Perhaps I shall obey. I was on the verge of dying when you came. That stopped me, it seemed to me that I was born again.’ ‘You are full of strength and life,’ cried Marius. ‘Do you imagine that a person can die like this? You have had sorrow, you shall have no more. It is I who ask your forgiveness, and on my knees! You are going to live, and to live with us, and to live a long time. We take possession of you once more. There are two of us here who will henceforth have no Free eBooks at Planet eBook.com 2439 other thought than your happiness.’ ‘You see,’ resumed Cosette, all bathed in tears, ‘that Marius says that you shall not die.’ Jean Valjean continued to smile. ‘Even if you were to take possession of me, Monsieur Pontmercy, would that make me other than I am? No, God has thought like you and myself, and he does not change his mind; it is useful for me to go. Death is a good arrangement. God knows better than we what we need. May you be happy, may Monsieur Pontmercy have Cosette, may youth wed the morning, may there be around you, my children, lilacs and nightingales; may your life be a beautiful, sunny lawn, may all the enchantments of heaven fill your souls, and now let me, who am good for nothing, die; it is certain that all this is right. Come, be reasonable, nothing is possible now, I am fully conscious that all is over. And then, last night, I drank that whole jug of water. How good thy husband is, Cosette! Thou art much better off with him than with me.
Victor Hugo
So Nesta held her sister tightly, with Time halted around them, and she whispered, “If you show me how to save her, you can have it back.” The world paused. Worlds beyond their own paused. Nesta buried her face in the cold sweat of Feyre’s neck. She opened that place within herself, and said to the Mother, to the Cauldron, “I’ll give back what I took from you. Just show me how to save them—her and Rhysand and the baby.” Rhysand—her brother. That’s what he was, wasn’t he? Her brother, who had offered her kindness even when she knew he wanted to throttle her. And she him. And the baby … her nephew. Blood of her blood. She would save him, save them, even if it took everything. “Show me,” she pleaded. No one answered. The Harp stopped its echoing. As Time resumed, noise and movement roaring into the room, Nesta whispered to the Cauldron, her promise rising above the din, “I’ll give it all back.” And a soft, invisible hand brushed her cheek in answer.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Master Yoda, I gave Qui-Gon my word. I will train Anakin.” “Ohh!” Yoda grunted, then turned and resumed pacing. “Without the approval of the Council, if I must.” Facing away from Obi-Wan, Yoda said, “Qui-Gon’s defiance I sense in you. Need that you do not.” He paused, then added, “Agree with you, the Council does.” Turning to face Obi-Wan again, he said, “Your apprentice, Skywalker will be.
Ryder Windham (Star Wars: The Lives & Adventures: Collecting The Life and Legend of Obi Wan Kenobi, The Rise and Fall of Darth Vader, A New Hope: The Life of Luke Skywalker, ... of Darth Maul (Disney Junior Novel (ebook)))
Here Aunt Jane paused, and began to cut three-cornered pieces out of a time-stained square of flowered chintz. The quilt was to be of the wild-goose pattern. There was a drowsy hum from the bee hive near the window, and the shadows were lengthening as sunset approached. "One queer thing about it," she resumed, "was that while Sally Ann was talkin', not one of us felt like laughin'. We set there as solemn as if parson was preachin' to us on 'lection and predestination. But whenever I think about it now, I laugh fit to kill. And I've thought many a time that Sally Ann's plain talk to them men done more good than all the sermons us women had had preached to us about bein' 'shame faced' and 'submittin" ourselves to our husbands, for every one o' them women come out in new clothes that spring, and such a change as it made in some of 'em!. . . . "Things is different from what they used to be," she went on, as she folded her pieces into a compact bundle and tied it with a piece of gray yarn. "My son-in-law was tellin' me last summer how a passel o' women kept goin' up to Frankfort and so pesterin' the Legislatur', that they had to change the laws to git rid of 'em. So married women now has all the prop erty rights they want, and more'n some of 'cm has sense to use, I reckon.
Eliza Calvert Hall (Aunt Jane of Kentucky)