“
Ono had already met Paul McCartney. During an early gambit to secure rock-star patronage, she knocked on his Cavendish Avenue front door and asked him if he’d contribute an original manuscript to celebrate Cage’s birthday. Ono’s strategy combined two purposes: to flatter McCartney with her artistic credentials and introduce herself to a wealthy rocker who might invest in her work. McCartney declined but did refer Ono to his partner, Lennon, as “the artist in the group.”26
”
”