Patrol Car Quotes

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Almost everyone first realized they were becoming a grown woman when some dude did something nasty to them. ...It was mostly men yelling shit from cars. Are they a patrol sent out to let girls know they've crossed into puberty? If so, it's working.
Tina Fey (Bossypants)
Upon arriving at the murder scene, they saw Deputy Sheriff Peewee Stubblefield pacing back and forth on the front walk. He stopped and smirked as Sheriff Roosevelt Baker braked the patrol car. He emitted a noise sounding more like a groan than a sigh.
Lea Charles (Easy Peasy: An Appalachian Town Diner Cozy Mystery (Ginny Dove Cozy Mystery, Series Book 2))
When did you first feel like a grown woman and not a girl?” We wrote down our answers and shared them, first in pairs, then in larger groups. The group of women was racially and economically diverse, but the answers had a very similar theme. Almost everyone first realized they were becoming a grown woman when some dude did something nasty to them. “I was walking home from ballet and a guy in a car yelled, ‘Lick me!’” “I was babysitting my younger cousins when a guy drove by and yelled, ‘Nice ass.’” There were pretty much zero examples like “I first knew I was a woman when my mother and father took me out to dinner to celebrate my success on the debate team.” It was mostly men yelling shit from cars. Are they a patrol sent out to let girls know they’ve crossed into puberty? If so, it’s working.
Tina Fey
Blah, blah, blah, regret to inform you that DI Gray has tendered his resignation; blah, blah, blah; opportunity to reward performance; blah, blah, blah; suggestions by next Wednesday. McPherson had scribbled, "BEATTIE?" in the margin in red biro. Idiot. Logan stuck the memo back in the drawer. Detective Sergeant Beattie couldn't arrest his own backside with three patrol cars and a search warrant.
Stuart MacBride (Blind Eye (Logan McRae, #5))
When I got tired, Logan would sing me to sleep, sometimes a painfully appropriate song like Flogging Molly’s “If I Ever Leave This World Alive” or Snow Patrol’s “Chasing Cars.” Sometimes he’d pick a lilting Irish lullaby, or even a song he’d written himself.
Jeri Smith-Ready (Shade (Shade, #1))
Fucking cracker,” Alvarado hissed as he was shoved into the patrol car. “Aw, that’s discrimination, right there.” I feigned hurt. “See, I see you as scumbag first, Alvarado. Or dick-cheese. Scumsucking pedophile. Asshole. The fact that you’re Hispanic doesn’t even factor into it.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
[J.Lo] found us a police car. Sort of. 'It's not a police car,' I said. 'It is,' said J.Lo. 'Looknow. Lights for flashing.' 'That's true.' 'Writing on the sides.' 'Yeah, but the writing? It says ''BullShake Party Patrol.'' Yes. Whatnow?
Adam Rex (The True Meaning of Smekday)
Modern states with democratic forms of government dispense with hereditary leviathans, but they have not found a way to dispense with inequalities of wealth and power backed up by an enormously complex system of criminal justice. Yet for 30,000 years after takeoff, life went on without kings, queens, prime ministers, presidents, parliaments, congresses, cabinets, governors, mayors, police officers, sheriffs, marshals, generals, lawyers, bailiffs, judges, district attorneys, court clerks, patrol cars, paddy wagons, jails, and penitentiaries. How did our ancestors manage to leave home without them?
John Zerzan (Against Civilization: Readings and Reflections)
But as cops began to develop FBI-like attitudes, and to build FBI-like fortresses, as they sealed themselves away in patrol cars, as they fended off contact with the public, they began to resemble a paramilitary force, rather than peace officers.
John Sandford (Hidden Prey (Lucas Davenport, #15))
Blake turned to Livia. “We were never formally introduced. When your father sees me at the train station from his patrol car, he often stops by later in the day with a bagged meal that he refuses to let me turn down. You, Livia, inherit your generous nature from him.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
That's like a fairy-tale princess in a patrol car, huh? But hey, even, Disney princesses are toughening up these days. We're all capable of many things, right?
Heather Graham (Heart of Evil (Krewe of Hunters, #2))
A fear of cosmic indifference seemed comical, or downright naive....Beyond them he saw the police forces at the barricade as they muscled the crowd of Negroes back; he saw the decaying facade of his tenement with new eyes; he saw the patrol cars parked in the middle of the road like three great black hounds waiting to pounce on all these gathered sheep. What was indifference compared to malice?
Victor LaValle (The Ballad of Black Tom)
The guys and I were waiting around our patrol cars when a fireman walked toward us. He removed his helmet. “What’s up, hose dragger?” Jones asked. “Your momma’s risk factor for STDs,” the fire captain replied as he stopped in front of Essex.
Elicia Hyder (Detached (Saphera Nyx, #1))
THE WOMAN seemed to spend forever staring into the patrol car’s side mirror. When she finally straightened back up to look at him, her posture drooped. The Colt dangled from her arm like a burdensome weight. Tinkerbell had run out of pixie dust.
Tim Tigner (Flash)
We’re loyal servants of the U.S. government. But Afghanistan involves fighting behind enemy lines. Never mind we were invited into a democratic country by its own government. Never mind there’s no shooting across the border in Pakistan, the illegality of the Taliban army, the Geneva Convention, yada, yada, yada. When we’re patrolling those mountains, trying everything we know to stop the Taliban regrouping, striving to find and arrest the top commanders and explosive experts, we are always surrounded by a well-armed, hostile enemy whose avowed intention is to kill us all. That’s behind enemy lines. Trust me. And we’ll go there. All day. Every day. We’ll do what we’re supposed to do, to the letter, or die in the attempt. On behalf of the U.S.A. But don’t tell us who we can attack. That ought to be up to us, the military. And if the liberal media and political community cannot accept that sometimes the wrong people get killed in war, then I can only suggest they first grow up and then serve a short stint up in the Hindu Kush. They probably would not survive. The truth is, any government that thinks war is somehow fair and subject to rules like a baseball game probably should not get into one. Because nothing’s fair in war, and occasionally the wrong people do get killed. It’s been happening for about a million years. Faced with the murderous cutthroats of the Taliban, we are not fighting under the rules of Geneva IV Article 4. We are fighting under the rules of Article 223.556mm — that’s the caliber and bullet gauge of our M4 rifle. And if those numbers don’t look good, try Article .762mm, that’s what the stolen Russian Kalashnikovs fire at us, usually in deadly, heavy volleys. In the global war on terror, we have rules, and our opponents use them against us. We try to be reasonable; they will stop at nothing. They will stoop to any form of base warfare: torture, beheading, mutilation. Attacks on innocent civilians, women and children, car bombs, suicide bombers, anything the hell they can think of. They’re right up there with the monsters of history.
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
Wren was discovered in the flashing lights of a patrol car two years later, walking along the side of a highway. The soles of her shoes were as worn as if she'd danced through them, her clothing was stiff with sea salt, and scars marred the skin of her wrists and cheeks.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
It takes me a while to drag him out, he's got himself stuck to the axle, and by the time I am done and stand over the body something strange has started to happen. The alley's filled with a half-dozen cats, runty little things with their ribs showing and their tails worn high like they're pointing to the moon. I stand there, breathing froth into the snowflakes and watch them gather round me, soft kitty paws, and now and then a patrol car rolls past in the distance. The cats are circling us, tails cocked at the moon, their muzzles bloodied by the tail lights' glow. They are vicious bastards, let me tell you: frost on their whiskers, eyes like cut glass, a half-dozen pairs, on me and the dead man. And then they start licking. Licking at the snow I mean, the blood in the snow, they lap it up like mother's milk. And all the while from their throats, from their whole bodies, there issues this sound, you hear it with your skin, it's like an engine running under your palm. That's when I realize they are purring, man, purring as they feed on the midget's death.
Dan Vyleta (Pavel & I)
So, based on that, we’d say you’re seven weeks one day along.” I mentally pull up my calendar app in my head. “I’ve kept accurate records. I should be just shy of seven weeks.” “Our measurements might be off, but it’s also likely that you ovulated earlier than you thought you did.” I look at Chase. “The patrol car.” “Seriously?” He lowers his voice though the room is small enough the tech can probably hear him anyway. “Neighborhood Hot Cop knocked you up?” I giggle again at the name of the game we’d played that night. “Yep. Neighborhood Hot Cop knocked me up.
Laurelin Paige (Hot Cop)
We decided to attend to our community instead of asking our community to attend the church.” His staff started showing up at local community events such as sports contests and town hall meetings. They entered a float in the local Christmas parade. They rented a football field and inaugurated a Free Movie Night on summer Fridays, complete with popcorn machines and a giant screen. They opened a burger joint, which soon became a hangout for local youth; it gives free meals to those who can’t afford to pay. When they found out how difficult it was for immigrants to get a driver’s license, they formed a drivers school and set their fees at half the going rate. My own church in Colorado started a ministry called Hands of the Carpenter, recruiting volunteers to do painting, carpentry, and house repairs for widows and single mothers. Soon they learned of another need and opened Hands Automotive to offer free oil changes, inspections, and car washes to the same constituency. They fund the work by charging normal rates to those who can afford it. I heard from a church in Minneapolis that monitors parking meters. Volunteers patrol the streets, add money to the meters with expired time, and put cards on the windshields that read, “Your meter looked hungry so we fed it. If we can help you in any other way, please give us a call.” In Cincinnati, college students sign up every Christmas to wrap presents at a local mall — ​no charge. “People just could not understand why I would want to wrap their presents,” one wrote me. “I tell them, ‘We just want to show God’s love in a practical way.’ ” In one of the boldest ventures in creative grace, a pastor started a community called Miracle Village in which half the residents are registered sex offenders. Florida’s state laws require sex offenders to live more than a thousand feet from a school, day care center, park, or playground, and some municipalities have lengthened the distance to half a mile and added swimming pools, bus stops, and libraries to the list. As a result, sex offenders, one of the most despised categories of criminals, are pushed out of cities and have few places to live. A pastor named Dick Witherow opened Miracle Village as part of his Matthew 25 Ministries. Staff members closely supervise the residents, many of them on parole, and conduct services in the church at the heart of Miracle Village. The ministry also provides anger-management and Bible study classes.
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
As I made my way out of the apartment and got in my patrol car I realized that it wasn't too late to stop myself from getting hardened and losing my sense of compassion. It dawned on me that it had been almost two years--almost to the very day--that I had been sworn in as a police officer. And over the last two years, I had seen lots of situations, many of them with tragic outcomes. I had been made completely aware of the degrees to which people would go to get revenge, to get high, to get laid, to get off easy and to get away with something--even to the point of telling outrageous lies about my own conduct.
Randy Sutton (True Blue: Police Stories by Those Who Have Lived Them)
two Florida Highway Patrol cars and a third, black car pulled up in front of the house, and several white men emerged, among them the deputies Campbell and Yates. “Where is the guy that was with you last night?” Yates asked Shepherd, and what began with that question led to the beatings he and Irvin endured on the deserted clay road outside of Groveland. “They must have beat us about a half hour,” Shepherd told the lawyers, who were at once riveted and appalled by his testimony. After the beating, he and Irvin were shoved back into the patrol car. Irvin’s shirt was drenched in blood, and when he reached his hand up to his head he felt “a big chunk knocked out of it.” A patrolman told them to scoot up to the edge of the seat so their blood wouldn’t drip onto the upholstery.
Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
However, as legal scholar David Cole has observed, “in practice, the drug-courier profile is a scattershot hodgepodge of traits and characteristics so expansive that it potentially justifies stopping anybody and everybody.”29 The profile can include traveling with luggage, traveling without luggage, driving an expensive car, driving a car that needs repairs, driving with out-of-state license plates, driving a rental car, driving with “mismatched occupants,” acting too calm, acting too nervous, dressing casually, wearing expensive clothing or jewelry, being one of the first to deplane, being one of the last to deplane, deplaning in the middle, paying for a ticket in cash, using large-denomination currency, using small-denomination currency, traveling alone, traveling with a companion, and so on. Even striving to obey the law fits the profile! The Florida Highway Patrol Drug Courier Profile cautioned troopers to be suspicious of “scrupulous obedience to traffic laws.”30 As Cole points out, “such profiles do not so much focus an investigation as provide law enforcement officials a ready-made excuse for stopping whomever they please.”31
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Another former chess player shared his own fond memory of Thiel from this era. Around the spring of 1988, the team was driving to Monterey for a tournament, with Thiel behind the wheel of the Rabbit. They took California’s Route 17, a four-lane highway that crosses the Santa Cruz Mountains and is regarded as one of the state’s most dangerous. The team was in no particular hurry, but Thiel drove as if he were a man possessed. He navigated the turns like Michael Andretti, weaving in and out of lanes, nearly rear-ending cars as he slipped past them, and seemed to be flooring the accelerator for large portions of the trip. Somewhat predictably, the lights of a California Highway Patrol cruiser eventually appeared in his rearview. Thiel was pulled over, and the trooper asked if he knew how fast he was going. The young men in the rest of the car, simultaneously relieved to have been stopped and scared of the trooper, looked at each other nervously. “Well,” Thiel responded, in his calmest, most measured baritone. “I’m not sure if the concept of a speed limit makes sense.” The officer said nothing. Thiel continued: “It may be unconstitutional. And it’s definitely an infringement on liberty.” The officer looked at Thiel and the geeks in the beater car and decided the whole thing wasn’t worth his time. He told Thiel to slow down and have a nice day. “I don’t remember any of the games we played,” said the man, now in his fifties, who’d been in the passenger seat. “But I will never forget that drive.
Max Chafkin (The Contrarian: Peter Thiel and Silicon Valley's Pursuit of Power)
He was sitting at his desk. He had to get some relief from seeing what he did not want to see. The factory was empty. There was only the night watchman who’d come on duty with his dogs. He was down in the parking lot, patrolling the perimeter of the double-thick chain-link fence, a fence topped off, after the riots, with supplemental scrolls of razor ribbon that were to admonish the boss each and every morning he pulled in and parked his car, “Leave! Leave! Leave!” He was sitting alone in the last factory left in the worst city in the world. And it was worse even than sitting there during the riots, Springfield Avenue in flames, South Orange Avenue in flames, Bergen Street under attack, sirens going off, weapons firing, snipers from rooftops blasting the street lights, looting crowds crazed in the street, kids carrying off radios and lamps and television sets, men toting armfuls of clothing, women pushing baby carriages heavily loaded with cartons of liquor and cases of beer, people pushing pieces of new furniture right down the center of the street, stealing sofas, cribs, kitchen tables, stealing washers and dryers and ovens—stealing not in the shadows but out in the open. Their strength is tremendous, their teamwork is flawless. The shattering of glass windows is thrilling. The not paying for things is intoxicating. The American appetite for ownership is dazzling to behold. This is shoplifting. Everything free that everyone craves, a wonton free-for-all free of charge, everyone uncontrollable with thinking, Here it is! Let it come! In Newark’s burning Mardi Gras streets, a force is released that feels redemptive, something purifying is happening, something spiritual and revolutionary perceptible to all. The surreal vision of household appliances out under the stars and agleam in the glow of the flames incinerating the Central Ward promises the liberation of all mankind. Yes, here it is, let it come, yes, the magnificent opportunity, one of human history’s rare transmogrifying moments: the old ways of suffering are burning blessedly away in the flames, never again to be resurrected, instead to be superseded, within only hours, by suffering that will be so gruesome, so monstrous, so unrelenting and abundant, that its abatement will take the next five hundred years. The fire this time—and next? After the fire? Nothing. Nothing in Newark ever again.
Philip Roth (American Pastoral)
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps. Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air. He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.” “Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.” “There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.” “Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!” The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.” “You keep saying ‘he.’ Who was it that got to work on you?” “Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!” The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves. That night, the news of a far more terrible incident flew around the camp. Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board. His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite. The astonishing thing was that he did not kill himself immediately afterward.
Boris Pasternak (Doctor Zhivago)
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.
Jeff Rice (The Night Stalker)
The night in Lonsdale Square was cold, dark, and clear. There were two policemen in the square. When he got out of his car, they pretended not to notice him. They were on short patrol, watching the street near the flat for a hundred yards in each direction, and he could hear their footsteps even when he was indoors. He realized, in that footstep-haunted space, that he no longer understood his life, or what it might become, and he thought, for the second time that day, that there might not be very much more of life to understand.
Salman Rushdie (Joseph Anton: A Memoir)
The attack came at midnight. The patrol car was long gone, but in its place, were two FBI agents, seated in the kitchen, in the dark.
Donald Wells (Taken! (Taken! #1; Taken! serial parts #1-6))
Ricky skidded his car into a fishtail and lined up behind Edward’s patrol car. He wasn’t sure what they were doing either, but he figured it had something to do with General Custer’s last stand at Little Big Horn.
Jason Medina (The Manhattanville Incident: An Undead Novel)
We were a motley crowd. His Majesty’s Life Guards and Royal Horse Guards jostled along in their army trucks beside the Bedouin of the Arab Legion - Glubb’s Desert Patrol, swathed in garish robes, who raced about in light trucks armed with Lewis guns. We even embraced eight Royal Air Force armoured cars. Tough stuff, these boys. They had left Sidi Barrani in the Western Desert on Thursday and were reported in action against the Iraqi guerrillas at Rutbah on Saturday, a thousand miles away. They were all rogues, God bless them, for whom the War had come as an eleventh hour reprieve. They were the sort of men to whom legend clung like the cloak of Mephistopheles.
Somerset Declair (The Golden Carpet)
but there was only one agent to bail my eejit self from jail at three in the morning when I’d decided to play a one-sided game of chicken with a police patrol car on the Pacific Highway and finish the night doodling on a booker’s tit.
L.J. Shen (Midnight Blue)
That night it was difficult to sleep because an armored car was patrolling on our roof and checking the documents of the cats which always prowl there. I was told that only one cat had his papers on him but he too was arrested. After all, an ordinary car carrying authentic personal documents is enough to arouse justified suspicion.
Mrożek Sławomir
She went through a standard set of questions, the ones that are always the same. They’re designed for two important purposes: first, so that when the detectives eventually get involved they can be certain that the correct questions, and the same ones, have been asked. The second vital purpose is to make sure that the first-responder cops, usually in a patrol car, don’t come across as vacuous idiots. This is important, because most detectives seem to think that the beat cops actually are vacuous idiots. And quite honestly, sometimes they are—but then, the same can be said of the detectives, as my recent experience had so thoroughly proved.
Jeff Lindsay (Dexter Is Dead (Dexter, #8))
The first patrol car arrived in seven minutes; the paramedics three minutes later. Larkin thought it would end that night when the police finished their questions, but her nightmare had only begun. In forty-eight hours, she would meet with agents from the Department of Justice and the U.S. Attorney’s. In six days, the first attempt would be made on her life. In eleven days, she would meet a man named Joe Pike. Everything in her world was about to change. And it began that night.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
High Visibility Patrol. Other item of note: Units observed a female having a panic attack in the middle of Bladensburg Road NE due to a spider on the inside of her windshield. Officers removed a spider from woman’s car in traffic and she was very relieved. —MPD Reserve Corps Newsletter
Rosa Brooks (Tangled Up in Blue: Policing the Nation's Capital)
Cadillac it was, then. A chassis was ordered and all the protective paraphernalia. Coachcraft, the auto bodybuilder over on Melrose Avenue in West Hollywood, were engaged to make it bulletproof. One of the Coachcraft partners, Burt Chalmers, set up a private area to keep the engineering work under wraps. ‘It was the goddamnedest thing you’d ever seen,’ reported Cohen. ‘The bottom of the car was flat – bombproof. It felt like a tank. The glass was made so you could shoot out, but killers could be standing by the windscreen blasting you and nothing would come in.’ Coachcraft ran endless tests on the car’s protective shield, including having it fired on by California Highway Patrol high-powered rifles. They didn’t penetrate. The Cadillac went on to be ‘test driven’ by everything but a bazooka and survived intact. Cohen spent the equivalent of $250,000 on his personal tank.
Mike Rothmiller (Frank Sinatra and the Mafia Murders)
I kneeled about eight feet from the scene and photographed, shocked by what I was witnessing. What happened to “liberating the Iraqis”? I was waiting for one of the soldiers to step in and stop the madness when I noticed an old woman in an abaya in the right corner of my frame. She was about sixty years old. She raised a propane tank over her head and smashed it on a crouching soldier’s neck. I kept shooting. No one even noticed me. The Americans didn’t understand the value of honor and respect in an Arab culture. Young American soldiers, many of whom had never traveled abroad before, much less to a Muslim country, didn’t realize that a basic familiarity with Arab culture might help their cause. During night patrols, fresh-faced Americans in their late teens and early twenties would stop cars jam-packed with Iraqi family members—men, women, and children—shine their flashlights into the cars, and scream, “Get the fuck out of the car!” Armed to the teeth, they busted into private homes late in the night, pushing the men to the floor, screaming in their faces in English, and zip-tying their wrists while questioning them—often without interpreters and while the children stood, terrified, in the doorway. They would shine their flashlights on women in nightgowns, unveiled, track their dirty boots through people’s homes, soil their carpets and their dignity. For an Arab man, foreigners seeing his wife uncovered brought shame and dishonor to the family, and it merited revenge.
Lynsey Addario (It's What I Do: A Photographer's Life of Love and War)
Everything's changing now. It's all patrol cars and fewer feet on the beat. I hope they know what they're doing.
Rennie Airth
My time as a doorman was quite volatile and bloody, no door registration schemes or training courses could have prepared you for what it was like back then. You didn’t have vanloads of police patrolling up and down the town then, you were lucky if you even seen a couple of bobbies in a car, never mind on foot.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
the value of honor and respect in an Arab culture. Young American soldiers, many of whom had never traveled abroad before, much less to a Muslim country, didn’t realize that a basic familiarity with Arab culture might help their cause. During night patrols, fresh-faced Americans in their late teens and early twenties would stop cars jam-packed with Iraqi family members—men, women, and children—shine their flashlights into the cars, and scream, “Get the fuck out of the car!” Armed to the teeth, they busted into private homes late in the night, pushing the men to the floor, screaming in their faces in English, and zip-tying their wrists while questioning them—often without interpreters and while the children stood, terrified, in the doorway. They would shine their flashlights on women in nightgowns, unveiled, track their dirty boots through people’s homes, soil their carpets and their dignity. For an Arab man, foreigners seeing his wife uncovered brought shame and dishonor to the family, and it merited revenge.
Lynsey Addario (It's What I Do: A Photographer's Life of Love and War)
The Americans didn’t understand the value of honor and respect in an Arab culture. Young American soldiers, many of whom had never traveled abroad before, much less to a Muslim country, didn’t realize that a basic familiarity with Arab culture might help their cause. During night patrols, fresh-faced Americans in their late teens and early twenties would stop cars jam-packed with Iraqi family members—men, women, and children—shine their flashlights into the cars, and scream, “Get the fuck out of the car!” Armed to the teeth, they busted into private homes late in the night, pushing the men to the floor, screaming in their faces in English, and zip-tying their wrists while questioning them—often without interpreters and while the children stood, terrified, in the doorway. They would shine their flashlights on women in nightgowns, unveiled, track their dirty boots through people’s homes, soil their carpets and their dignity. For an Arab man, foreigners seeing his wife uncovered brought shame and dishonor to the family, and it merited revenge.
Lynsey Addario (It's What I Do: A Photographer's Life of Love and War)
Mark stepped behind her and placed the handcuffs on her wrists. “Emily Windsor, you are under arrest for the murder of Dr. Paul Dresden, the murder of Dr. Henry Wallington and the attempted murder of Dr. Felicia Swift.” He proceeded to Mirandize her, then led her out to the awaiting patrol car.
Donna Hill (Murder in the Aisles (A Felicia Swift Mystery, #1))
No one beats Steven Seagal, though. He’s not here with any group. I saw him late one night dressed in a cop uniform, out on patrol with some deputies from the Jefferson Parish Sheriff’s Department. He’s been going out with their SWAT team. We talk a bit, and when he leaves he puts his palms together in front of his face and bows briefly. Then he hops in a cop car and speeds off.
Anderson Cooper (Dispatches from the Edge: A Memoir of War, Disasters, and Survival)
We stalked carefully through the park in best paramilitary fashion, the lost patrol on its mission into the land of the B movie. To Deborah’s credit, she was very careful. She moved stealthily from one piece of cover to the next, frequently looking right to Chutsky and then left at me. It was getting harder to see her, since the sun had now definitely set, but at least that meant it was harder for them to see us, too—whoever them might turn out to be. We leapfrogged through the first part of the park like this, past the ancient souvenir stand, and then I came up to the first of the rides, an old merry-go-round. It had fallen off its spindle and lay there leaning to one side. It was battered and faded and somebody had chopped the heads off the horses and spray-painted the whole thing in Day-Glo green and orange, and it was one of the saddest things I had ever seen. I circled around it carefully, holding my gun ready, and peering behind everything large enough to hide a cannibal. At the far side of the merry-go-round I looked to my right. In the growing darkness I could barely make out Debs. She had moved up into the shadow of one of the large posts that held up the cable car line that ran from one side of the park to the other. I couldn’t see Chutsky at all; where he should have been there was a row of crumbling playhouses that fringed a go-kart track. I hoped he was there, being watchful and dangerous. If anything did jump out and yell boo at us, I wanted him ready with his assault rifle. But there was no sign of him, and even as I watched, Deborah began to move forward again, deeper into the dark park. A warm, light wind blew over me and I smelled the Miami night: a distant tang of salt on the edge of rotting vegetation and automobile exhaust. But even as I inhaled the familiar smell, I felt the hairs go up on the back of my neck and a soft whisper came up at me from the lowest dungeon of Castle Dexter, and a rustle of leather wings rattled softly on the ramparts. It was a very clear notice that something was not right here and this would be a great time to be somewhere else; I froze there by the headless horses, looking for whatever had set off the Passenger’s alarm. I saw and heard nothing. Deborah had vanished into the darkness and nothing moved anywhere, except a plastic shopping bag blowing by in the gentle wind. My stomach turned over, and for once it was not from hunger. My
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
They knew about L.A. cops, and they knew about ass-kicking, L.A. cop–style—which, as Alfred Lomas would later tell it, “basically consisted of three or four cops handcuffing a person, and just literally beating him, often until unconscious . . . punching, beating, kicking.” Several actions, if taken by anyone like Alfred Lomas, would essentially guarantee an ass-beating. One was talking back. Another, as Lomas put it, would be “if they had to get out of their patrol car, or if you crossed over into a white neighborhood—that was always a surefire ass-beating.
Joe Domanick (Blue: The LAPD and the Battle to Redeem American Policing)
Jackson shrugged off Gentry’s hand. “You want to worry about drugs in your parish, Agent Broussard, why don’t you check my sister’s bag? Or is it okay for your agents to be racing around with guns while they’re buzzing on painkillers? Is it okay for her to work four months after she tried to slit her wrists with a f**king utility knife?” A chill washed across Jena’s shoulders. Who was this person? The brother she’d known her whole life would never try to throw her under the squad car. “We aren’t talking about your sister, who, by the way, is a skilled law-enforcement agent who took two bullets in the line of duty a few months ago, son.” Gentry’s voice was low, but serious. “We’re talking about you, an unemployed twenty four year old who had almost an ounce of an illegal synthetic drug stashed in his bedroom, not to mention what’s probably still in your system. All we’d need is one simple blood test.” Gentry paused. “We’re talking about jail time, Jackson. Do you understand what kind of trouble you could be in?” Time seemed to stretch into slow motion. Jackson turned like an enraged devil, tightened his fingers around Gentry’s throat, and squeezed. He moved so fast that Gentry wasn’t able to get his hands up to protect himself and was left trying to breathe and pry Jacks’s hands off at the same time. Jackson wasn’t nearly as strong as Gentry, so it had to be the drugs. Jena had heard stories of users having almost superhuman strength. She ran toward them, but Adam got there first. He kicked Jacks’s legs out from beneath him and, by the time her brother hit the floor, Meizel was kneeling on his back, one hand pressing his head against the tile. The handcuffs clicked shut with a loud scrape of metal, and Meizel jerked Jacks to his feet. It was over in a matter of seconds. All four of them stood still for a moment. Until Jacks, his chin bleeding from hitting the floor, began spewing more accusations at Jena, laced with a liberal dose of f-bombs. Then life sped up again. Meizel held one of Jacks’s arms while Gentry held the other. The deputy had started his Miranda by the time they’d gotten Jacks out the front door, shoving him toward the patrol car none too gently.
Susannah Sandlin (Black Diamond (Wilds of the Bayou, #2))
BEHIND THE WALL The Berlin Wall fell on November 9, 1989, twenty-five years ago this month, but the first attempts to breach it came immediately after it went up, just past midnight on August 13, 1961. The East German regime had been secretly stockpiling barbed wire and wooden sawhorses, which the police, who learned of their mission only that night, hastily assembled into a barrier. For many Berliners, the first sign that a historic turn had been taken was when the U-Bahn, the city’s subway, stopped running on certain routes, leaving late-night passengers to walk home through streets that were suddenly filled with soldiers. As realization set in, so did a sense of panic. By noon the next day, as Ann Tusa recounts in “The Last Division,” people were trying to pull down the barbed wire with their hands. Some succeeded, in scattered places, and a car drove through a section of the Wall to the other side. In the following weeks, the authorities began reinforcing it. Within a year, the Wall was nearly eight feet high, with patrols and the beginnings of a no man’s land. But it still wasn’t too tall for a person to scale, and on August 17, 1962, Peter Fechter, who was eighteen years old, and his friend Helmut Kulbeik decided to try. They picked a spot on Zimmerstrasse, near the American Checkpoint Charlie, and just after two o’clock in the afternoon they made a run for it. Kulbeik got over, but Fechter was shot by a guard, and fell to the ground. He was easily visible from the West; there are photographs of him, taken as he lay calling for help. Hundreds of people gathered on the Western side, shouting for someone to save him. The East German police didn’t want to, and the Americans had been told that if they crossed the border they might start a war. Someone tossed a first-aid kit over the Wall, but Fechter was too weak to pick it up. After an hour, he bled to death. Riots broke out in West Berlin, and many asked angrily why the Americans had let Fechter die. He was hardly more than a child, and he wanted to be a free man. It’s a fair question, though one can imagine actions taken that day which could have led to a broader confrontation. It was not a moment to risk grand gestures; Fechter died two months before the Cuban missile crisis. (When the Wall went up, John F. Kennedy told his aides that it was “not a very nice solution, but a wall is a hell of a lot better than a war.”) And there was something off key about Germans, so soon after the end of the Second World War, railing about others being craven bystanders. Some observers came to see the Wall as the necessary scaffolding on which to secure a postwar peace. That’s easy to say, though, when one is on the side with the department stores, and without the secret police. Technically, West Berlin was the city being walled in, a quasi-metropolis detached from the rest of West Germany. The Allied victors—America, Britain, France, and the Soviet Union—had divided Germany into four parts, and, since Berlin was in the Soviet sector, they divided the city into four parts, too. In 1948, the Soviets cut off most road and rail access to the city’s three western sectors, in an effort to assert their authority. The Americans responded with the Berlin Airlift, sending in planes carrying food and coal, and so much salt that their engines began to corrode. By the time the Wall went up, it wasn’t the West Berliners who were hungry. West Germany’s Wirtschaftswunder , or economic miracle, was under way, while life in the East involved interminable shortages. West Berliners were surrounded by Soviet military encampments, but they were free and they could leave—and so could anyone who could get to their part of the city. The East Berliners were the prisoners. In the weeks before the Wall went up, more than a thousand managed to cross the border each day; the Wall was built to keep them from leaving. But people never stopped trying to tear it down.
Amy Davidson
lights flashed as the patrol cars descended on their
Cristyn West (Plain Jane: Brunettes Beware (Harbinger Mystery, #1))
the truck. Yael was waiting at the front bumper, and as he came up to her, a sheriff’s patrol car turned off the road and onto the track and accelerated toward them. Virgil said to Yael, “He’s been shot, but he’ll live. For the time being, anyway. He says he doesn’t know anything
John Sandford (Storm Front (Virgil Flowers, #7))
Whatever was under his jacket broke and liquid went everywhere. He was cussing and carrying on, but I didn’t take the time to think about all that just then. As the fight ran out of him, I cuffed him and looked around. The cops, seated in their patrol car nearby, were just about doubled over laughing. I went over to see what was up. “That’s so and so, they told me. One of the biggest drug dealers in the city. We wish we could have beat him like you just did.” Apparently, Mr. Popo ignored all the signs and wandered into the training exercise figuring he’d carry on business as usual. There are idiots everywhere—but I guess that explains how he got into that line of work in the first place.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
repeatedly patrolling the shoreline of jagged rocks and debris, Rocco walked back to the construction site then to his car parked
Thomas Benigno (The Good Lawyer (Good Lawyer, #1))
Three days later, on April 18, MIT patrol officer Sean Collier was shot dead in his patrol car by bombing suspects Dzhokhar and Tamerlan Tsarnaev, who were apparently seeking to acquire weapons and perhaps provoke a major confrontation with police. In an extraordinary display of public appreciation for police officers and the dangers they face on a daily basis, more than 10,000 people attended Officer Collier’s funeral.
Malcolm K. Sparrow (Handcuffed: What Holds Policing Back, and the Keys to Reform)
In Detroit, a young man with the last name Gaitlan, approached two patrol officers that were inside of their squad car. The officers were surrounded by a group of children, whom they were showing how to use felon location computer equipment.   Gaitlan then began to ask the officers about how the equipment worked. The officers then decided to show the children a demonstration, and asked Gaitlan for his identification, which he eagerly handed to them.   Minutes later, the young children were able to witness a real arrest thanks to the computer equipment. The police officers quickly arrested Gaitlan, after the computer showed that he was still wanted for an armed robbery in the State of Missouri.
Jeffrey Fisher (Stupid Criminals: Funny and True Crime Stories)
It wasn’t the first time Carl had been inside the building that housed the public library on Brønshøj Square. He recalled the time his patrol car was sent out there to detain a drunk who had been playing Frisbee with the library’s LP collection.
Jussi Adler-Olsen (Marco Effekten (Afdeling Q, #5))
I know, I know.” I waved my hands in front of me trying to stop anything that was about to come out of Oscar Park’s mouth, but I knew it was useless. He slammed the door of his patrol car, took his hat off, and then waved it towards my shed. . .my burning shed. “You know what?” Truth be told, I didn’t know much, but I did know how to handle Oscar Park. Especially when it came to personal matters. “I know I went a bit too far this time, but I really need to figure out this new cure.
Tonya Kappes (A Charming Crime (Magical Cure Mystery, #1))
Every time I pass through customs between Mexico and the U.S. I feel certain sensations of anxiety. I "know" I have no illicit drugs in my car, but I begin to wonder, confronted by the hostile and suspicious eyes of the Texas Border Patrol, if some damned drug or other somehow got into the car without my knowledge . . . Did somebody who dislikes my books "plant" some to frame me? Did some young idiot admirer of my works slip some into a video cassette case, a book or other gift as a surprise, not knowing I intended to cross a border the next day? Do these Border people sometimes "plant" drugs themselves, to improve their arrest record? Like Joseph K. in The Trial I begin to feel sure they will find me guilty of something, even though I do not know of any crime I have committed.
Robert Anton Wilson (Quantum Psychology: How Brain Software Programs You and Your World)
Adding this desk to my car’s steering wheel has been baby-Jesus awesome. I love e-mailing the highway patrol while I drive to let them know the tag numbers of cell-phone-using drivers. Lordy!
Amazon Reviewers (Did You Read That Review?: A Compilation of Amazon's Funniest Reviews)
Nearly every organized group on Oahu staked out something to do. Boy Scouts fought fires, served coffee, ran messages. The American Legion turned out for patrol and sentry duty. One Legionnaire struggled into his 1917 uniform, had a dreadful time remembering how to wind his puttees and put on his insignia. He took it out on his wife, and she told him to leave her alone —go out and fight his old enemy, the Germans. The San Jose College football team, in town from California for a benefit game the following weekend, signed up with the Police Department for guard duty. Seven of them joined the force, and Quarterback Paul Tognetti stayed on for good, ultimately going into the dairy business. A local committee, called the Major Disaster Council, had spent months preparing for this kind of day; now their foresight was paying off. Forty-five trucks belonging to American Sanitary Laundry, New Fair Dairy, and other local companies sped off to Hickam as converted ambulances. Dr. Forrest Pinkerton dashed to the Hawaii Electric Company’s refrigerator, collected the plasma stored there by the Chamber of Commerce’s Blood Bank. He piled it in the back of his car, distributed it to various hospitals, then rushed on the air, appealing for more donors. Over 500 appeared within an hour, swamping Dr. John Devereux and his three assistants. They took the blood as fast as they could, ran out of containers, used sterilized Coca-Cola bottles.
Walter Lord (Day of Infamy)
Torrance Police Department sergeant Mel Hone and officer Jim Weyant greet their counterparts, Alameda Police Department officer Bob Carlson and sergeant Joe Totorica. Both departments exchanged two officers and a marked patrol car. After arriving at their host city, each officer was given a regular patrol assignment as a partner of a uniformed officer of the host city
John Prins (Torrance Police Department (Images of America: California))
A fear of cosmic indifference seemed comical, or downright naive. Tester looked back to Malone and Mr. Howard. Beyond them he saw the police forces at the barricades as they muscled the crowd of Negroes back; he saw the decaying facade of his tenement with new eyes; he saw the patrol cars parked in the middle of the road like three great black hounds waiting to pounce on all these gathered sheep. What was indifference compared to malice? “Indifference would be such a relief,” Tommy said.
Victor LaValle (The Ballad of Black Tom)
He has never traveled out of Cambridge; all night he’d fretted about the dangers that might lie ahead. Taking the wrong train or turning down the wrong street or boarding the wrong bus, ending up who knows where. A ticket agent demanding: where are your parents? Policemen stopping him, loading him into the back of a patrol car, carting him back to his father—or worse, somewhere else. Strangers, so many of them, scrutinizing him. Measuring him with their eyes, gauging whether he is a threat or to be threatened
Celeste Ng (Our Missing Hearts)
The bad news: just outside the city limits, I got pulled over by the police. Oh, the miserable luck! The officer stopped us for no good reason that I could see. At first I feared he might be a blemmyae, but he was not nearly polite enough. He frowned at my license. “This is a junior driver’s license from New York, kid. What are you doing driving a car like this? Where are your parents, and where’re you taking this little girl?” I was tempted to explain that I was a four-thousand-year-old deity with plenty of experience driving the sun, my parents were in the celestial realm, and the little girl was my demigod master. “She is my—” “Little sister,” Meg chimed in. “He’s taking me to piano lessons.” “Uh, yes,” I agreed. “And we’re late!” Meg waggled her fingers in a way that did not at all resemble playing the piano. “Because my brother is stooo-pid.” The officer frowned. “Wait here.” He walked to his patrol car, perhaps to run my license through his computer or to call for SWAT backup. “Your brother?” I asked Meg. “Piano lessons?” “The stupid part was true.
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
Once, I watched a police officer pull his patrol car up to Ger-Ger, Arleen’s eldest son, and say, “Man, you’re fucked up!” (Ger-Ger had a learning disability that caused him to move and talk slowly.) When I came out of the apartment for a closer look, the officer looked at me and drove away. He might have acted differently had I not been a white man with a notepad.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
The first Kansas City experiment said that preventive patrol was useless, that having more police cars driving around made no difference. The second Kansas City experiment amended that position. Actually, extra patrol cars did make a difference—so long as officers took the initiative and stopped anyone they thought suspicious, got out of their cars as much as possible, and went out of their way to look for weapons. Patrol worked if the officers were busy. The statistics from the final report on the experiment were eye-opening.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
the leather strap the broom the switch habits before freedom freedom: the lie which is true before: kept fed but close to death the penitentiary the gun the rope is at hand now that you free free: kept down with your eyes down now: night riders patrol in cars those born again die free a lie for grateful slaves grateful: who are better off lie: who is better off dig down into the unmarked earth lay there and be free
Chanelle Benz (The Gone Dead)
and then slipped them on. He adjusted his position and tried to roll the body a little bit to check for wounds and the missing glove. He didn’t see anything but he didn’t want to roll the body completely over until after photos were taken and the medical examiner’s investigators surveyed the scene. “So how did this guy die?” The question was rhetorical but he looked up at Servan just as he said it. It seemed to take the shop owner by surprise, as if he had been accused of something. Servan spread his hands and shook his head. “I don’t know this,” he said. “I come to shop, unlock, he is dead right there.” Bosch nodded and looked around the counter area. He noticed Edgar was no longer there. He looked at Braxton. “Brax, why don’t you take Mr. Servan to one of the patrol cars so we can work in here.” While Braxton took Servan outside, Bosch went back to the body and
Michael Connelly (Angle of Investigation (Harry Bosch, #14.7; Harry Bosch Universe, #23.5))
Now though, two silent blue-flashing patrol cars disfigured the subdued wealth of the street.
Dal Maclean (Bitter Legacy (Bitter Legacy #1))
An Echo in the Bone (novel)—Set in America, London, Canada, and Scotland, this is the seventh novel of the main series. The book’s cover image reflects the internal shape of the novel: a caltrop. That’s an ancient military weapon that looks like a child’s jack with sharp points; the Romans used them to deter elephants, and the highway patrol still uses them to stop fleeing perps in cars. This book has four major story lines: Jamie and Claire; Roger and Brianna (and family); Lord John and William; and Young Ian, all intersecting in the nexus of the American Revolution—and all the stories have sharp points. (1776–1778/1980
Diana Gabaldon (Seven Stones to Stand or Fall: A Collection of Outlander Fiction)
It was only a few moments more before they sighted the chopper hanging steadily in the air above a local patrol car, whose two occupants had apparently gotten out and tackled the convict to the ground. He lay in the sand, newly disturbed and shifting around him, and swore.
Stella Gold (Face of Death (Zoe Prime #1))
He was walking over toward the West Side, aimlessly at first, and then at times with the longing to do something to save those mistaken men from themselves forming itself into a purpose. Was not that what she meant when she bewailed her woman's helplessness? She must have wished him to try if he, being a man, could not do something; or if she did not, still he would try, and if she heard of it she would recall what she had said and would be glad he had understood her so. Thinking of her pleasure in what he was going to do, he forgot almost what it was; but when he came to a street-car track he remembered it, and looked up and down to see if there were any turbulent gathering of men whom he might mingle with and help to keep from violence. He saw none anywhere; and then suddenly, as if at the same moment, for in his exalted mood all events had a dream-like simultaneity, he stood at the corner of an avenue, and in the middle of it, a little way off, was a street-car, and around the car a tumult of shouting, cursing, struggling men. The driver was lashing his horses forward, and a policeman was at their heads, with the conductor, pulling them; stones, clubs, brickbats hailed upon the car, the horses, the men trying to move them. The mob closed upon them in a body, and then a patrol-wagon whirled up from the other side, and a squad of policemen leaped out and began to club the rioters. Conrad could see how they struck them under the rims of their hats; the blows on their skulls sounded as if they had fallen on stone; the rioters ran in all directions. One of the officers rushed up toward the corner where Conrad stood, and then he saw at his side a tall, old man, with a long, white beard, who was calling out at the policemen: "Ah, yes! Glup the strikerss—gif it to them! Why don't you co and glup the bresidents that insoalt your lawss, and gick your Boart of Arpidration out-of-toors? Glup the strikerss—they cot no friendts! They cot no money to pribe you, to dreat you!" The officer lifted his club, and the old man threw his left arm up to shield his head. Conrad recognized Lindau, and now he saw the empty sleeve dangle in the air over the stump of his wrist. He heard a shot in that turmoil beside the car, and something seemed to strike him in the breast. He was going to say to the policeman: "Don't strike him! He's an old soldier! You see he has no hand!" but he could not speak, he could not move his tongue. The policeman stood there; he saw his face: it was not bad, not cruel; it was like the face of a statue, fixed, perdurable—a mere image of irresponsible and involuntary authority. Then Conrad fell forward, pierced through the heart by that shot fired from the car. March heard the shot as he scrambled out of his car, and at the same moment he saw Lindau drop under the club of the policeman, who left him where he fell and joined the rest of the squad in pursuing the rioters. The fighting round the car in the avenue ceased; the driver whipped his horses into a gallop, and the place was left empty. March would have liked to run; he thought how his wife had implored him to keep away from the rioting; but he could not have left Lindau lying there if he would. Something stronger than his will drew him to the spot, and there he saw Conrad, dead beside the old man.
William Dean Howells (A Hazard of New Fortunes (Modern Library Classics))
Charlestown’s most characteristic pastime had long been the reckless sport of “looping.” The young “looper” played by a rigid set of rules. First, he stole a car in downtown Boston. Then he roared into Charlestown, accelerating as he reached City Square, where the District 15 police station stood in a welter of bars, nightclubs, and pool halls. Often he had to take a turn around the square before the first policeman dashed for his patrol car or motorcycle. Then the chase was on: down Chelsea Street to Hayes Square, up the long slope of Bunker Hill Street to St. Francis de Sales’ Church at the crest, then down again, picking up speed, often to 70 or 80 miles per hour, until a screeching left into Sullivan Square took him onto Main Street, where, dodging the stanchions of the El, he roared into City Square again, completing the “loop.” All that remained was to ditch the car before the police caught up. Looping was an initiation rite, proof that a Townie had come of age. But it was something else as well: a challenge flung at authority, a middle finger raised to the powers that be. Before long, looping became a kind of civic spectacle, pitting the Town’s young heroes against the forces of law and order. Plans for a loop circulated well in advance. At the appointed hour, hundreds of men, women, and children gathered along Bunker Hill Street, awaiting the gladiators. When the stolen car came in sight, racing up the long hill, a cheer would rise from the spectators, followed by jeers for the pursuing policemen. The first recorded “loop” was performed in 1925 by a sixteen-year-old daredevil named Jimmy “Speed King” Murphy, but most renowned of all was “Shiner” Sheehan, the teenage son of a federal alcohol agent, whose exploits so electrified the Town that he drew round him a group of young acolytes. Membership in their “Speeders Club” was limited to those who could produce newspaper clippings showing they had bested the police.
J. Anthony Lukas (Common Ground: A Turbulent Decade in the Lives of Three American Families (Pulitzer Prize Winner))
A patrol car was facing them as they turned into Madras Place, the reflective elements of its Met Police livery appearing to twinkle in greeting as the C-Max’s headlights played across the bodywork. Brook pulled over to the kerb and rolled to a halt in front of it. To his right, a low wall marked the edge of the church grounds beyond.
Ed Church (Non-Suspicious (Detective Brook Deelman Mystery #1))
He watched the ghostly army on the march. Headlights swept the immigrants. The concrete gleamed wet and black beneath their boots and gym shoes. His countrymen covered their heads with hoods, baseball caps, newspapers, plastic bags. Or they simply hunched their shoulders, impervious to the rain, the fatigue, the roar and hiss of metal monsters rushing by a few feet away. The immigrants knew the freeway median was a reasonably safe limbo in some ways: no bandits, no Border Patrol, no rough terrain. Just put one foot in front of the other. Pray the cars stay in their lanes. Try not to think about the moment when you'll have to sprint across this cement deathscape hauling your wife, your kids, your worldly possessions. Maybe the moment can be postponed indefinitely. Maybe you can just keep walking north and the freeway median will take you where you want to go.
Sebastian Rotella (Triple Crossing (Valentine Pescatore #1))
This little group of men, a very very sad militia, who would drink beer and then patrol the streets and tear down the posters and make a dinky little fire and sit around it and feel like they were protecting the town. And they were loud as hell, and they got winded walking too much, so then they’d jump into their trucks, and the police started assigning a patrol car just to make sure that they didn’t shoot anyone, and so it was fairly easy to navigate all of this. And we mostly did it in the daytime, when no one cared, when no one saw us.
Kevin Wilson (Now Is Not the Time to Panic)
India’s Best Highway Infrastructure: A Journey Beyond Expectations As a frequent traveler, I have experienced many roads, but some stand out for their perfection. On my recent road trip, I had the chance to drive on one of India’s best highway infrastructures, and the journey was nothing short of exceptional. From its world-class construction to the scenic beauty that surrounds it, this highway redefines what road travel should feel like. #modernroad A Drive Like Never Before The moment I entered this highway, I knew it was going to be a hassle-free experience. The road was perfectly laid out, with no bumps, potholes, or sudden diversions that usually make highway driving stressful.
aartiblogger
He’s not the same as what he was at first.” And yet the “real” Dylan has been popping up in odd places of late. In 2009, police in Long Branch, New Jersey, were alerted to the presence of an “eccentric-looking old man” wandering around a residential neighborhood in the rain and peering into the windows of a house marked with a “for sale” sign. When the police arrived, the man introduced himself as Bob Dylan. He had no identification; the officer, Kristie Buble, then twenty-four, suspected he was an escaped mental patient. It “never crossed my mind,” she said, “that this could really be him.” Dylan politely explained that he was on tour with Willie Nelson, playing a nearby resort. He was taken in the patrol car back to the hotel, where his manager identified him. Dylan was exceedingly “nice” throughout the ordeal, the officer reported, noting his odd request that, once identified, she drive him back to the neighborhood where he’d been picked up. She had interrupted him doing god knows what; she was his Person from Porlock. He has a habit of showing up at the childhood homes of fellow musical legends. The Long Branch neighborhood wasn’t far from a house where Bruce Springsteen had lived while writing Born to Run. In 2008, Dylan and his manager were discovered standing on the front lawn of the home in Winnipeg, Manitoba, where Neil Young had lived as a teenager. The owners gave the men an informal tour, during which Dylan asked a number of “thoughtful questions.” In England a year or so later, Dylan slipped unnoticed into a public tour of John Lennon’s childhood home in Liverpool, where he “lingered” over photos and other artifacts, telling the house’s curator that Lennon’s “simple upbringing was similar to his own.” Standing next to Dylan in Lennon’s childhood bedroom was, the curator reported, “surreal.
Anonymous