Patriot Games Book Quotes

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The incompetent always present thmeselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small minded as patriots, the arrogant as humble, the vulgar as elegant, and teh feeble-minded as intellectual.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
He (Intellectuals) claims that label to compensate for his own inadequacies. It's as old as that saying: tell me what you boast of and I'll tell you what you lack. Our daily bread. The incompetent always present themselves as experts, the cruel as pious, sinners as excessively devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant and the feeble-minded as intellectual.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
Comic books, movies, radio programmes centered their entertainment around the fact of torture. With the clearest of consciences, with a patriotic intensity, children dreamed, talked, acted orgies of physical abuse. Imaginations were released to wander on a reconnaissance mission from Cavalry to Dachau. European children starved and watched their parents scheme and die. Here we grew up with toy whips. Early warning against our future leaders, the war babies.
Leonard Cohen (The Favorite Game)
An intellectual is usually someone who isn't exactly distinguished by his intellect. He claims that label to compensate for his inadequacies. It's as old as that saying: Tell me what you boast of and I'll tell you what you lack. Our daily bread. The incompetent always present themselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant, and the feeble-minded as intellectual.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
An intellectual is usually someone who isn't exactly distinguished by his intellect," Corelli asserted. "he claims that label to compensate for his inadequacies. It's as old as that saying : "Tell me what you boast of and I'll tell you what you lack. Our daily bread. The incompetent always present themselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant, and the feeble-minded as intellectual. Once again, it's all the work of nature. Far from being the sylph to whom poets sing, nature is a cruel, voracious mother who needs to feed on the creatures she gives birth to in order to stay alive.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
Why do we like being Irish? Partly because It gives us a hold on the sentimental English As members of a world that never was, Baptised with fairy water; And partly because Ireland is small enough To be still thought of with a family feeling, And because the waves are rough That split her from a more commercial culture; And because one feels that here at least one can Do local work which is not at the world's mercy And that on this tiny stage with luck a man Might see the end of one particular action. It is self-deception of course; There is no immunity in this island either; A cart that is drawn by somebody else's horse And carrying goods to somebody else's market. The bombs in the turnip sack, the sniper from the roof, Griffith, Connolly, Collins, where have they brought us? Ourselves alone! Let the round tower stand aloof In a world of bursting mortar! Let the school-children fumble their sums In a half-dead language; Let the censor be busy on the books; pull down the Georgian slums; Let the games be played in Gaelic. Let them grow beet-sugar; let them build A factory in every hamlet; Let them pigeon-hole the souls of the killed Into sheep and goats, patriots and traitors. And the North, where I was a boy, Is still the North, veneered with the grime of Glasgow, Thousands of men whom nobody will employ Standing at the corners, coughing.
Louis MacNeice
The world need more honest, authentic, rational, confident, well-rounded, balanced, humble, intelligent polite, kind people, people that do not play with others feelings and dreams. People that lift others up. Happy people full of patriotism, love and dreams. People able to see into others eyes, suffering, despair and do something about it. We need real people. CIA is not a game, an action movie, a thriller book, a video game. CIA is a place of people with integrity, fighters of freedom and peace. CIA should be a role model agency, stopping all this evil that we find around us. Stopping those making fun of others lives and dreams. A place where all the good things in the world converge. We have to do something to make all the social media more safe. We have to remove all the toxic and manipulators out there from here. I am waiting for your next post, I always find inspiration by reading you. I am so far from my dreams and so close to them at the same time. See you soon. Keep up the good work.
Lluvia
mass or a collection of homilies. “An intellectual is usually someone who isn’t exactly distinguished by his intellect,” Corelli asserted. “He claims that label to compensate for his inadequacies. It’s as old as that saying: Tell me what you boast of and I’ll tell you what you lack. Our daily bread. The incompetent always present themselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant, and the feeble-minded as intellectual. Once again, it’s all the work of nature. Far from being the sylph to whom poets sing, nature is a cruel, voracious mother who needs to feed on the creatures she gives birth to in order to stay alive.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
The incompetent always present themselves as experts, the cruel as pious, sinners as excessively devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant and the feeble-minded as intellectual.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
The incompetent always present themselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant, and the feeble-minded as intellectual.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
A conscience is the price of morality, and morality is the price of civilization
Tom Clancy (Patriot Games: An outstanding Jack Ryan thriller, now available in eBook for the very first time)
The incompetent always present themselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant, and the feeble-minded as intellectual
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
It’s as old as that saying: tell me what you boast of and I’ll tell you what you lack. Our daily bread. The incompetent always present themselves as experts, the cruel as pious, sinners as excessively devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant and the feeble-minded as intellectual.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
In his book about boys, Dobson found occasion to denounce Hillary Clinton, “bra burners,” political correctness, and the “small but noisy band of feminists” who attacked “the very essence of masculinity.” He praised Phyllis Schlafly and recommended homeschooling as “a means of coping with a hostile culture.” He advised girls not to call boys on the telephone (to do so would usurp the role of initiator) and encouraged fathers to engage in rough-and-tumble games with their sons. He lamented that films presenting moral strength and heroism had given way to “man-hating diatribes” like Thelma & Louise and 9 to 5, and that “lovely, feminine ladies” on the small screen had been replaced by “aggressive and masculine women” like those in Charlie’s Angels. Mel Gibson’s The Patriot, a tale in which Gibson starred as a Revolutionary militia leader who ruthlessly avenged his son’s death, proved the exception to the rule. 10
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)
The First World War legitimized violence to a degree that not even Bismarck’s wars of unification in 1864-70 had been able to do. Before the war, Germans even of widely differing and bitterly opposed political beliefs had been able to discuss their differences without resorting to violence.152 After 1918, however, things were entirely different. The changed climate could already be observed in parliamentary proceedings. These had remained relatively decorous under the Empire, but after 1918 they degenerated all too often into unseemly shouting matches, with each side showing open contempt for the other, and the chair unable to keep order. Far worse, however, was the situation on the streets, where all sides organized armed squads of thugs, fights and brawls became commonplace, and beatings-up and assassinations were widely used. Those who carried out these acts of violence were not only former soldiers, but also included men in their late teens and twenties who had been too young to fight in the war themselves and for whom civil violence became a way of legitimizing themselves in the face of the powerful myth of the older generation of front-soldiers.153 Not untypical was the experience of the young Raimund Pretzel, child of a well-to-do senior civil servant, who remembered later that he and his schoolfriends played war games all the time from 1914 to 1918, followed battle reports with avid interest, and with his entire generation ‘experienced war as a great, thrilling, enthralling game between nations, which provided far more excitement and emotional satisfaction than anything peace could offer; and that’, he added in the 1930s,‘has now become the underlying vision of Nazism.’154 War, armed conflict, violence and death were often for them abstract concepts, killing something they had read about and had processed in their adolescent minds under the influence of a propaganda that presented it as a heroic, necessary, patriotic act.155
Richard J. Evans (The Coming of the Third Reich (The Third Reich Trilogy Book 1))
In 1906 Gulick and others founded the Playground Association of America (PAA) to spread the New York gospel to the country. (Crucial funding would come from the Russell Sage Foundation.) Honorary President Theodore Roosevelt wrote in the organization’s magazine, the Playground (1907), that cities must find “some other place than the streets” for children to play “if we would have our citizens content and law-abiding.” Members were ecstatic about playgrounds’ ability to produce “more loyal as well as more efficient citizens.” One PAA director noted in 1907 that Tompkins Square Park, where once “the rally to the red flag” had been commonplace, was now “the scene of games . . . and other forms of patriotic play.” Another suggested that six weeks of playground interaction between Jews and Italians so reduced animosities that “they did not know whether they were Jews or Italians.
Mike Wallace (Greater Gotham: A History of New York City from 1898 to 1919 (The History of NYC Series Book 2))
Enter, therefore, a new and ingenious variant of Ultimatum, this one called Dictator. Once again, a small pool of money is divided between two people. But in this case, only one person gets to make a decision. (Thus the name: the “dictator” is the only player who matters.) The original Dictator experiment went like this. Annika was given $20 and told she could split the money with some anonymous Zelda in one of two ways: (1) right down the middle, with each person getting $10; or (2) with Annika keeping $18 and giving Zelda just $2. Dictator was brilliant in its simplicity. As a one-shot game between two anonymous parties, it seemed to strip out all the complicating factors of real-world altruism. Generosity could not be rewarded, nor could selfishness be punished, because the second player (the one who wasn’t the dictator) had no recourse to punish the dictator if the dictator acted selfishly. The anonymity, meanwhile, eliminated whatever personal feeling the donor might have for the recipient. The typical American, for instance, is bound to feel different toward the victims of Hurricane Katrina than the victims of a Chinese earthquake or an African drought. She is also likely to feel different about a hurricane victim and an AIDS victim. So the Dictator game seemed to go straight to the core of our altruistic impulse. How would you play it? Imagine that you’re the dictator, faced with the choice of giving away half of your $20 or giving just $2. The odds are you would . . . divide the money evenly. That’s what three of every four participants did in the first Dictator experiments. Amazing! Dictator and Ultimatum yielded such compelling results that the games soon caught fire in the academic community. They were conducted hundreds of times in myriad versions and settings, by economists as well as psychologists, sociologists, and anthropologists. In a landmark study published in book form as Foundations of Human Sociality, a group of preeminent scholars traveled the world to test altruism in fifteen small-scale societies, including Tanzanian hunter-gatherers, the Ache Indians of Paraguay, and Mongols and Kazakhs in western Mongolia. As it turns out, it didn’t matter if the experiment was run in western Mongolia or the South Side of Chicago: people gave. By now the game was usually configured so that the dictator could give any amount (from $0 to $20), rather than being limited to the original two options ($2 or $10). Under this construct, people gave on average about $4, or 20 percent of their money. The message couldn’t have been much clearer: human beings indeed seemed to be hardwired for altruism. Not only was this conclusion uplifting—at the very least, it seemed to indicate that Kitty Genovese’s neighbors were nothing but a nasty anomaly—but it rocked the very foundation of traditional economics. “Over the past decade,” Foundations of Human Sociality claimed, “research in experimental economics has emphatically falsified the textbook representation of Homo economicus.
Steven D. Levitt (SuperFreakonomics, Illustrated edition: Global Cooling, Patriotic Prostitutes, and Why Suicide Bombers Should Buy Life Insurance)