Patrick Sang Quotes

Chronicler picked up his pen, but before he could dip it, Kvothe held up a hand. "Let me say one thing before I start. I've told stories in the past, painted pictures with words, told hard lies and harder truths. Once, I sang colors to a blind man. Seven hours I played, but at the end he said he saw them, green and red and gold. That, I think, was easier than this. Trying to make you understand her with nothing more than words. You have never seen her, never heard her voice. You cannot know.

Once, I sang colors to a blind man. Seven hours I played, but at the end he said he saw them, green and red and gold. That, I think, was easier than this. Trying to make you understand her with nothing more than words. You have never seen her, never heard her voice. You cannot know.

I shook again, tasted plum, and suddenly the words were pouring out of me."She said I sang before I spoke. She said when I was just a baby she had the habit of humming when she held me. Nothing like a song. Just a descending third. Just a soothing sound. Then one day she was walking me around the camp, and she heard me echo it back to her. Two octaves higher. A tiny piping third. She said it was my first song. We sang it back and forth to each other. For years."I choked and clenched my teeth. "You can say it,"Auri said softly."It's okay if you say it." "I'm never going to see her again,"I choked out. Then I began to cry in earnest. "It's okay,"Auri said softly."I'm here. You're safe.

None were good enough for her, so I held them in contempt and hated them. They in turn hated and feared me. But we were pleasant to each other. Always pleasant. It was a game of sorts. He would invite me to sit, and I would buy him a drink. The three of us would talk, and his eyes would slowly grow dark as he watched her smile toward me. His mouth would narrow as he listened to the laughter that leapt from her as I joked, spun stories, sang. . . . They would always react the same way, trying to prove ownership of her in small ways. Holding her hand, a kiss, a too-casual touch along her shoulder. They clung to her with desperate determination. Some of them merely resented my presence, saw me as a rival. But others had a frightened knowledge buried deep behind their eyes from the beginning. They knew she was leaving, and they didn't know why. So they clutched at her like shipwrecked sailors, clinging to the rocks despite the fact that they are being battered to death against them. I almost felt sorry for them. Almost. So they hated me, and it shone in their eyes when Denna wasn't looking. I would offer to buy another round of drinks, but he would insist, and I would graciously accept, and thank him, and smile. I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.

Once, I sang colors to a blind man. Seven hours I played, but at the end he said he saw them, green and red and gold.

And we sang! Her voice like burning silver, my voice an echoing answer. Savien sang solid, powerful lines, like branches of a rock-old oak, all the while Aloine was like a nightingale, moving in darting circles around the proud limbs of it.

I hope they sang together, as they so often did. I hope they retired to our wagon and spent time in each other's arms. I hope they lay near each other afterward and spoke softly of small things. I hope they were together, busy with loving each other, until the end came.

Days flattened fact, was the merciful truth of the matter. A bell was struck and it sang by the blow performed against it but the noise of the violence moved away and away and the bell soon was cold and mute, intact.

When the thousands of people sang the national anthem, with their right hands over their chest, I cried. It was as if we were singing about an America that we wanted but didn't have, especially the part about the land of the free.

I hope they spent those last few hours well. I hope they didn’t waste them on mindless tasks: kindling the evening fire and cutting vegetables for dinner. I hope they sang together, as they so often did. I hope they retired to our wagon and spent time in each other’s arms. I hope they lay near each other afterward and spoke softly of small things. I hope they were together, busy with loving each other, until the end came. It is a small hope, and pointless really. They are just as dead either way. Still, I hope.

We sang not for fame and fortune, but because the song needed to be set free from our souls. Once liberated, most folks understood why it had been locked up in the first place. Once

Everything's dark, nothing is bright," the child sang, "No one can stop us on Halloween night." Evelyn smiled. "This is our night, this is our street, give us some money, or candy to eat." The

Mireille se retourne enfin. Effectivement, elle mastique quelque chose, mais sa bouche suinte d'une substance rouge qui ne peut être que du sang. La vendeuse croit pendant une seconde qu'elle s'est blessée, mais comprend son erreur en voyant sa cliente porter le livre de verre à ses lèvres et mordre à pleines dents dans la première page à moitié cassée. La vitre craque et se brise, et Mireille se remet à mâcher lentement les morceaux coupants, les yeux égarés, en laissant choir des miettes de vitre et de chair.

Story is, my ma was friends with Ben before they left for New World, that they were both members of the Church when the offer of leaving and starting up a settlement was made. Ma convinced Pa and Ben convinced Cillian and when the ships landed and the settlement started, it was my ma and pa who raised sheep on the next farm over from Ben and Cillian growing wheat and it was all friendly and nice and the sun never set and men and women sang songs together and lived and loved and never got sick and never never died. That

Shall we tune up?” asked Heimdal. He was answered by a chorus of “Sure,” , “Why not?”, and “Why? Do I look like a car?”   “Okay. Ready. Mee, Mee, Mee, Mee,” Heimdal sang.   The assembled crowd sang back “You, you, you, you.”   “Very good. Now lets try ‘you, you, you, you.’” Heimdal said.   A chorus of “Me, me, me, me,” filled the air.   “Excellent,” Heimdal

Kvothe?” Auri said softly. I clenched my teeth against the sobbing and lay still as I could, hoping she would think I was asleep and leave. “Kvothe?” she called again. “I brought you—” There was a moment of silence, then she said, “Oh.” I heard a soft sound behind me. The moonlight showed her tiny shadow on the wall as she climbed through the window. I felt the bed move as she settled onto it. A small, cool hand brushed the side of my face. “It’s okay,” she said quietly. “Come here.” I began to cry quietly, and she gently uncurled the tight knot of me until my head lay in her lap. She murmured, brushing my hair away from my forehead, her hands cool against my hot face. “I know,” she said sadly. “It’s bad sometimes, isn’t it?” She stroked my hair gently, and it only made me cry harder. I could not remember the last time someone had touched me in a loving way. “I know,” she said. “You have a stone in your heart, and some days it’s so heavy there is nothing to be done. But you don’t have to be alone for it. You should have come to me. I understand.” My body clenched and suddenly the taste of plum filled my mouth again. “I miss her,” I said before I realized I was speaking. Then I bit it off before I could say anything else. I clenched my teeth and shook my head furiously, like a horse fighting its reins. “You can say it,” Auri said gently. I shook again, tasted plum, and suddenly the words were pouring out of me. “She said I sang before I spoke. She said when I was just a baby she had the habit of humming when she held me. Nothing like a song. Just a descending third. Just a soothing sound. Then one day she was walking me around the camp, and she heard me echo it back to her. Two octaves higher. A tiny piping third. She said it was my first song. We sang it back and forth to each other. For years.” I choked and clenched my teeth. “You can say it,” Auri said softly. “It’s okay if you say it.” “I’m never going to see her again,” I choked out. Then I began to cry in earnest. “It’s okay,” Auri said softly. “I’m here. You’re safe.

I didn’t really have any idea how I would find her. Some foolish, romantic part of me thought I would know her when I saw her. If she were half as radiant as her voice, she would shine like a candle in a dark room. But as I thought these things, the wiser part of me was whispering in my other ear. Do not hope, it said. Do not dare hold hope that any woman could burn as brightly as the voice that sang the part of Aloine.

I hope they spent those last few hours well. I hope they didn’t waste them on mindless tasks: kindling the evening fire and cutting vegetables for dinner. I hope they sang together, as they so often did. I hope they retired to our wagon and spent time in each other’s arms. I hope they lay near each other afterward and spoke softly of small things. I hope they were together, busy with loving each other, until the end came.

Bridget carried cups of tea over to the two men, and as she turned to fetch her own cup, David held the burning tip of his cigar close to the ants and ran it along in both directions as far as he could conveniently reach. The ants twisted, excruciated by the heat, and dropped down onto the terrace. Some, before they fell, reared up, their stitching legs trying helplessly to repair their ruined bodies. ‘What a civilized life you have here,’ Bridget sang out as

And once a lady by my side Gave me a harp, and bid me sing, And touch the laughing silver string; But when I sang of human joy A sorrow wrapped each merry face, And, patrick! by your beard, they wept, Until one came, a tearful boy; 'A sadder creature never stept Than this strange human bard,' he cried; And caught the silver harp away, And, weeping over the white strings, hurled It down in a leaf-hid, hollow place That kept dim waters from the sky; And each one said, with a long, long sigh, 'O saddest harp in all the world, Sleep there till the moon and the stars die!

remember the evening as a wonderful blur of warm emotion, tinged in bitter. Fiddles, lutes, and drums, everyone played and danced and sang as they wished. I dare say we rivaled any faerie revel you can bring to mind. I got presents. Trip gave me a belt knife with a leather grip, claiming that all boys should have something they can hurt themselves with. Shandi gave me a lovely cloak she had made, scattered with little pockets for a boy’s treasures. My parents gave me a lute, a beautiful thing of smooth dark wood. I had to play a song of course, and Ben sang with me. I slipped a little on the strings of the unfamiliar instrument, and Ben wandered off looking for notes once or twice, but it was nice. Ben opened up a small keg of mead he had been saving for “just such an occasion.” I remember it tasting the way I felt, sweet and bitter and sullen. Several people had collaborated to write “The Ballad of Ben, Brewer Supreme.” My father recited it as gravely as if it were the Modegan royal lineage while accompanying himself on a half harp. Everyone laughed until they hurt, and Ben twice as much as everyone else. At some point in the night, my mother swept me up and danced around in a great spinning circle. Her laughter sang out like music trailing in the wind. Her hair and skirt spun around me as she twirled. She smelled comforting, the way only mothers do. That smell, and the quick laughing kiss she gave me did more to ease the dull ache of Ben’s leaving than all the entertainments combined.

I hope they spent those last few hours well. I hope they didn’t waste them on mindless tasks: kindling the evening fire and cutting vegetables for dinner. I hope they sang together, as they so often did. I hope they retired to our wagon and spent time in each other’s arms. I hope they lay near each other afterward and spoke softly of small things. I hope they were together, busy with loving each other, until the end came. It

The Why plucks your body out of bed before light cracks the darkness of the day. The Why is the reason you endure achy muscles, exhaustion, cycles of highs and lows. The Why is wanting to be somebody. The Why is for the glory. The Why is also for a life-changing opportunity.

Peter was rapt. He tilted his head to better study the stranger before him, and presently issued a hesitant, hoarse croak in the minor key. There followed a dense silence where neither Lucy nor Mr. Olderglough drew a breath, and then, finally, Peter sang his long-lost tune. It came out in purling currents, as though his keeping it in had been an agony. Peter sang to his reflection, sang a love song to himself, for he was no longer alone, and the world was filled with unmapped possibilities.

As I fingered my way through the songs, I felt my worries slough away. My music has always been the best remedy for my dark moods. As I sang, even my bruises seemed to pain me less.

Let me say one thing before I start. I’ve told stories in the past, painted pictures with words, told hard lies and harder truths. Once, I sang colors to a blind man. Seven hours I played, but at the end he said he saw them, green and red and gold. That, I think, was easier than this. Trying to make you understand her with nothing more than words. You have never seen her, never heard her voice. You cannot know.

You good?” “Yeah. Okay. Good.” “Now, I’m going to be right here to tell you what to do, and I’ll help you steer if you start running us off the road.” I revved the gas pedal and then placed her foot on it and let her do the same. I could tell she was trying not to bail off of my lap—her body was practically vibrating with nerves—but she didn’t. She stayed, listening intently. I gave her basic instructions, and then I helped her ease onto the road, going about five miles per hour. She didn’t move her hands from two and ten o’clock, and I had to tug at the wheel slightly to straighten us out. And then we picked up speed, just a bit. “How does that feel?” “Like falling,” she whispered, her body rigid, her arms locked on the wheel. “Relax. Falling is easier if you don’t fight it.” “And driving?” “That too. Everything is easier if you don’t fight it.” “What if someone sees us?” “Then I’ll tell you when to wave." She giggled and relaxed slightly against me. I kissed her temple where it rested against my cheek, and she was immediately stiff as a board once more. Shit. I hadn’t thought. I’d just reacted. “I would have patted you on the back, but your forehead was closer,” I drawled. “You’re doin’ it. You’re drivin’.” “How fast are we going?” she said breathlessly. I hoped it was fear and not that kiss. “Oh you’re flyin’, baby. Eight miles an hour. At this rate, we will reach Salt Lake in two days, my legs will be numb, and Henry will want a turn. Give it a little gas. Let’s see if we can push it up to ten.” She pressed her foot down suddenly and we shot forward with a lurch. “Whoa!” I cried, my arms shooting up to brace hers on the wheel. I saw Henry stir from the corner of my eye. “Danika Patrick is the first female NASCAR driver to ever win a NASCAR Sprint Cup Series pole,” he said woodenly, before slumping back down in his seat. I spared him a quick glance, only to see his eyes were closed once more. Millie obviously heard him and she hooted and pressed the gas pedal down a little harder. “Henry just compared you to Danika Patrick. And he obviously isn’t alarmed that you’re driving because he’s already asleep again.” “That’s because Henry knows I’m badass.” “Oh yeah. Badass, Silly Millie. ‘Goin’ ninety miles an hour down a dead-end street,’” I sang a little Bob Dylan, enjoying myself thoroughly.

Nous sommes inhumains. Plus près de la mort que de la vie. Nous errons entre ces murs, ternis par le mauvais sang, marqués au fer rouge. Nous portons nos crimes comme des plaies ouvertes, des boulets à nos pieds, les mains liées. Aveugles. Et nous attendons la fin. Nous sommes des animaux malades qu'on n'ose pas abattre. Notre chair est avariée, notre sang et froid. Nous sommes ces bêtes oubliées, rongées par la vermine. Quand l'attente devient insupportable, quand l'agonie est trop vive, parfois, l'un de nous fait le saut et va s'écraser parmi les barbelés qui ornent notre cage. Et nous le regardons, envieux et lâches. Plus près de la mort que de la vie. Nous sommes condamnés.

Chronicler picked up his pen, but before he could dip it, Kvothe held up a hand. “Let me say one thing before I start. I’ve told stories in the past, painted pictures with words, told hard lies and harder truths. Once, I sang colors to a blind man. Seven hours I played, but at the end he said he saw them, green and red and gold. That, I think, was easier than this. Trying to make you understand her with nothing more than words. You have never seen her, never heard her voice. You cannot know.

with no one to hear whether she was off-key, she sang at a full voice.

first four verses of Revelation fifteen: ‘I saw in heaven another great and marvelous sign: seven angels with the seven last plagues—last, because with them God’s wrath is completed. And I saw what looked like a sea of glass glowing with fire and, standing beside the sea, those who had been victorious over the beast and its image and over the number of its name.  “They held harps given them by God and sang the song of God’s servant Moses and of the Lamb: ‘Great and marvelous are your deeds, Lord God Almighty. Just and true are your ways, King of the nations, Who will not fear you, Lord, and bring glory to your name? For you alone are holy. All nations will come and worship before you, for your righteous acts have been revealed.

Je l’ai prié de me suivre dans une pièce fermée. Il a refusé de s’asseoir. Je me suis alors assis devant lui et durant une heure et quart, je lui ai parlé de sa mort imminente. Je lui ai décrit la progression des symptômes. De sa souffrance. Du délire fébrile. De la puanteur croissante de sa pourriture… J’étais tour à tour détaché et proche, froid et compatissant, précis et grossier. Étrange corps à corps. Bras de fer vaguement pervers. En un sens, j’avais gagné d’avance, moi qui étais bien vivant et bien portant. Mais, aussi bien, j’avais perdu d’avance car lui, le presque mort, n’avait plus rien à perdre. Il marchait dans la pièce, tantôt nerveux, tantôt ailleurs. Parfois ému. Souvent ricanant. Maniaque. Jouissant de la folle immortalité du mégalomane. Il tenait sa vie et sa mort dans sa main. Il était tout-puissant. Devant ce Dieu, je n’étais rien. Il jouait tout, décidait de tout. Moi, je blablatais à ses pieds, fonctionnaire, préposé au guichet de la santé pépère. Ridicule valet de la normalité, mon urgence n’était pas la sienne. Son temps n’était pas le mien. Il était d’une autre essence, d’une autre hauteur. C’est comme ça quand ils sont jeunes. La jeunesse est immortelle. Elle ignore le temps. Aussi la mort n’a pas de poids. Elle n’est que bande dessinée. Rigolade. C’est une mort de carton. Une affaire héroïque de violence, de révolte et de sang. Une explosion. Un orgasme. Une giclure. La mort fait bander. Elle est affaire de couilles. Histoire d’homme. Crever jeune, c’est dire merde au monde. Et le foutre bien profond. La jeunesse, à la face du temps, pisse de l’infini.

While Daft Punk framed technology in a paranoid light, dehumanizing at best and a tool of outright fascism at worst, Perfume sang about technology with a shrug, accepting this new world and ultimately embracing it. Nakata and the three members touched on familiar subjects while drowning them in modern sounds. They were ahead of the curve with Game, as a few years later, the overwhelming, emotional branches of electronic dance music (EDM) would be among the most popular styles in the world.

told hard lies and harder truths. Once, I sang colors to a blind man. Seven hours I played,

I will not repeat it here, as she sang it to me, not to you.