Patrick Bateman Quotes

...there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.

…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….

Why not? Give me one good reason why we shouldn't get married." Because trying to fuck you is like trying to french-kiss a very.... small and... lively gerbil? With braces?

I felt lethal, on the verge of frenzy. My nightly bloodlust overflowed into my days and I had to leave the city. My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.

This is true: the world is better off with some people gone. Our lives are not all interconnected. That theory is crock. Some people truly do not need to be here.

Patrick Bateman: I'm on a diet. Jean: What, you're kidding, right? You look great... so fit... and thin. Patrick Bateman: Well, you can always be thinner... look better. Jean: Then maybe we shouldn't go out to dinner. I wouldn't want you to lose your willpower. Patrick Bateman: That's okay. I'm not very good at controlling it anyway. Share this quote

You don't know what torture is. You don't know what you're talking about. You really don't know what you're talking about.

The seals stupidly dive off rocks into swirling black water, barking mindlessly. The zookeepers feed them dead fish. A crowd gathers around the tank, mostly adults, a few accompanied by children. On the seals' tank a plaque warns: COINS CAN KILL——IF SWALLOWED, COINS CAN LODGE IN AN ANIMAL'S STOMACH AND CAUSE ULCERS, INFECTIONS AND DEATH. DO NOT THROW COINS IN THE POOL. So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It's not the seals I hate——it's the audience's enjoyment of them that bothers me.

There is a moment of sheer panic when I realize that Paul's apartment overlooks the park... and is obviously more expensive than mine.

I could stay living in this city if they just installed Blaupunkts in the cabs.

What do you think I do?” And frisky too. “A model?” She shrugs. “An actor?” “No,” I say. “Flattering, but no.” “Well?” “I’m into, oh, murders and executions mostly. It depends.” I shrug. “Do you like it?” she asks, unfazed. “Um… It depends. Why?” I take a bit of sorbet. “Well, most guys I know who work in mergers and acquisitions don’t really like it,” she says. “That’s not what I said,” I say, adding a forced smiled, finishing my J&B. “Oh, forget it.

I have to return some video tapes." – Patrick Bateman's all-purpose exit excuse in "American Psycho

… there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.

…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape.

there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.

There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I am simply not there.

…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.

there were two Patrick Batemans: there was the handsome and socially awkward boy next door whose name no one could remember because he seemed like everybody else—having conformed like everybody else—and there was the nocturnal Bateman who roamed the streets looking for prey, asserting his monstrousness, his individuality. At the end of the ’80s I saw this as an appropriate response to a society obsessed with the surface of things and inclined to ignore anything that even hinted at the darkness lurking below. The novel seemed an accurate summation of the Reagan era, with the Iran-Contra affair being obliquely referenced in the last chapter, and the violence unleashed inside was connected to my frustration, and at least hinted at something real and tangible in this superficial age of surfaces. Because blood and viscera were real, death was real, rape and murder were real—though in the world of American Psycho maybe they weren’t any more real than the fakery of the society being depicted. That was the book’s bleak thesis.

On the way to Wall Street this morning, due to gridlock I had to get out of the company car and was walking down Fifth Avenue to find a subway station when I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a "Gay Pride Parade," which made my stomach turn. Homosexuals proudly marched down Fifth Avenue, pink triangles emblazoned on pastel-colored windbreakers, some even holding hands, most singing "Somewhere" out of key and in unison.

On the way to Wall Street this morning, due to gridlock I had to get out of the company car and was walking down Fifth Avenue to find a subway station when I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a "Gay Pride Parade," which made my stomach turn. Homosexuals proudly marched down Fifth Avenue, pink triangles emblazoned on pastel-colored windbreakers, some even holding hands, most singing "Somewhere" out of key and in unison.

On the way to Wall Street this morning, due to gridlock I had to get out of the company car and was walking down Fifth Avenue to find a subway station when I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a "Gay Pride Parade," which made my stomach turn. Homosexuals proudly marched down Fifth Avenue, pink triangles emblazoned on pastel-colored windbreakers, some even holding hands, most singing "Somewhere" out of key and in unison.

Homie caught a body Got a naughty shawty Throw her in the trunk of my purple buggati Opps on my tail damn making this a party Firing shots man I think they might’ve got me Bleeding and speeding on the 401 This is hood economics 101 Got that gangsta archetype like Carl Yung Damn making me ask who am I running from? When I know I got balls and a fuckin loaded gun Roll out on the freeway while takin some heat One cop two cop three’s on his feet Yeah bullseye put one his knee Cryin oh please don’t hurt me you know I got family Put him to sleep with nice slick kick As I head to his home to go meet his kids His wife’s crying in the corner as I fire from the hip Yeah there’s heart in this clip I put my all in this shit Leaving their home while unfulfilled Got a taste for killing need more blood to spill God looking down asking me to chill Fire shots in the air tellin him no deal Already dug my grave and wrote my will Therapist tells me just stay home and masturbate man Tell him fuck off you know I’m Patrick Bateman Killers don’t discriminate you know I still kill women Brutally beat them into mush on the pavement Screaming for help with no-one here to save them My life has purpose and I know who I am A cold blooded killer with two glocks in his hands Better run mothafucka you know you stand no chance Cause it takes two to tango and damn I wanna dance

Even Patrick Bateman, Christian Bale’s self-loving, unhinged character in the film adaptation of American Psycho, is not representative of a true psychopath, as he is too violent to be realistic. These are caricatures—even the most violent criminals are rarely so obviously insane.

Don’t imagine psychopaths to be monsters with horns. They’re not. They’re people like Patrick Bateman in American Psycho. They’re well camouflaged most of the time. That’s why they fool you so easily.

The world is better off with some people gone.  Our lives are not all interconnected.  That theory is crock.  Some people truly do not need to be here.” ---Patrick Bateman

First you take a drink, then the drink takes a drink, then the drink takes you.” ---F. Scott Fitzgerald “When we start deceiving ourselves into thinking not that we want something...but that it is a moral imperative that we have it, that is when we join the fashionable madmen.” ---Joan Didion “The world is better off with some people gone.  Our lives are not all interconnected.  That theory is crock.  Some people truly do not need to be here.” ---Patrick Bateman

Es gibt eine Vorstellung von eines Patrick Batemans, die abstrakt ist, aber es gibt kein wahres Ich, eine Entität, etwas Illusorisches. Und obgleich ich meinen kalten Blick verbergen kann, wenn sie meine Hand schütteln und Fleisch fühlen können, was ihres ergreift und sie vielleicht sogar spüren können, dass unsere Lebensstile vergleichbar sind: ich bin ganz einfach nicht da. Mein Schmerz ist gleichbleibend und heftig und ich hoffe für niemanden auf eine bessere Welt. Ich möchte sogar dass meinem Schmerz auch anderen zugefügt wird. Ich will das niemand davonkommt. Aber selbst nachdem ich es selbst zugebe, gibt es keine Katharsis. Meine Bestrafung entzieht sich mich weiterhin und ich bekomme keine tiefen Einsichten über mich selbst. Aus meinem Erzählen kann kein neues Wissen herausgeholt werden. Dieses Geständnis war völlig bedeutungslos.