Patio Door Quotes

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Can I see you outside for a second?" Kat glared at Hale, then walked to the patio doors and out onto the veranda. As Hale closed the door behind him, Kat heard Angus say, "Ooh, Mom and Dad are going to fight now.
Ally Carter (Heist Society (Heist Society, #1))
The Deliverator belongs to an elite order, a hallow subcategory. He's got esprit up to here. Right now, he is preparing to carry out his third mission of the night. His uniform is black as activated charcoal, filtering the very light out of the air. A bullet will bounce off its arachnofiber weave like a wren hitting a patio door, but excess perspiration wafts through it like a breeze through a freshly napalmed forest. Where his body has bony extremities, the suit has sintered armorgel: feels like gritty jello, protects like a stack of telephone books.
Neal Stephenson (Snow Crash)
You are embarrassed." She leaned over to kiss him, and while he was distracted, snatched the disc. "That's cute. Really cute." "Shut up. Give me that." "I don't think so." Delighted, she danced back a step and held the disc out of reach. "I bet this is very hot. Aren't you curious?" "No." He made a grab, but she was very quick. "Eve, give me the damn thing." "This is fascinating." She edged back toward the open patio doors. "The sophisticated,seen-it-all Roarke is blushing.
J.D. Robb (Glory in Death (In Death, #2))
I picture him always like he’s looking at us through glass—windshields, sliding patio doors.
Megan Abbott (Dare Me)
I heard a noise on the back patio and opened the door. The rabbit was there in a black metal cage. It was big, not some fluffy little ball of fur, but a big, ugly rabbit. It stood on its hind legs and sniffed the air. “Yes, you smell that,” I told the rabbit. “That’s the smell of your enemy. Get a good whiff. We are not friends.” It could probably smell the apple I still held, not me. I bit off a piece and threw it into the cage, sending it a very mixed message considering the speech I’d given. “Just keeping you on your toes.” “Who are you talking to
Kasie West (P.S. I Like You)
A bullet will bounce off its arachnofiber weave like a wren hitting a patio door, but excess perspiration wafts through it like a breeze through a freshly napalmed forest.
Neal Stephenson (Snow Crash)
You’re crazy,” I whispered, attempting to tug my hand from Sebastian’s grip. “Crazy for you,” he countered, leading me into his kitchen through the back patio door. “You’re ridiculous.” I rolled my eyes. “Ridiculously infatuated with you,” he revised, tugging me along behind him.
Julie Johnson (Say the Word)
Yeah, I had to get in. The door was locked, so I grabbed a patio chair and viola! A glass of water." "Wow, you're my hero." "Shut up.
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
A small wax and sawdust log burned on the grate. A carton of five more sat ready on the hearth. He got up from the sofa and put them all in the fireplace. He watched until they flamed. Then he finished his soda and made for the patio door. On the way, he saw the pies lined up on the sideboard. He stacked them in his arms, all six, one for every ten times she had ever betrayed him.
Raymond Carver (What We Talk About When We Talk About Love)
He left through the patio door. He was not certain, but he thought he had proved something. He hoped he had made something clear. The thing was, they had to have a serious talk soon. There were things that needed talking about, important things that had to be discussed. They’d talk again. Maybe after the holidays were over and things got back to normal. He’d tell her the goddamn ashtray was a goddamn dish, for example.
Raymond Carver (What We Talk About When We Talk About Love)
If Mrs. Child's ghost was planting, my father's was building. Half finished, nearly finished, and just started projects which waited throughout the house. In Evie's room, the closet he built swung open with a bang, impatient for a latch. The closet without a door in Rene's room just stared - day and night - like someone gone mad. The garage let in birds that left a mess where planks had been pried off for a second car to rest. Worst of all, the hole that he dug for my mother's patio filled with rainwater and grew grass as tall as in the marsh. Instead of a place to entertain in summer, it became a nature reserve which she could not close down. A holiday park for mosquitos. A rest home for caterpillars and other things that she loathed that squirmed.
Georgia Scott (American Girl: Memories That Made Me)
wagon tucked under Noah’s arm. We passed the French doors that led to the patio, and a sudden chill crept up my spine as I took in the hulking blackbird that now sat on the exact spot on the lawn where I had seen Douglas Strong standing in the pouring rain. Was it a crow? A raven? I was no bird expert. It was spooky, and that’s all that mattered.
Nicole St. Claire (Spirits, Pies, and Alibis (The Witches of Pinecroft Cove #1))
The train stops at the signal as usual. I can see Jess standing on the patio in front of the French doors. She’s wearing a bright print dress, her feet are bare.
Paula Hawkins (The Girl on the Train)
Jackson stood quietly as Alani came into the house. Unlike the other women, she didn’t wear a swimsuit. Shame. He’d love to see her in one. Everyone had duly celebrated Trace’s engagement, and Alani seemed taken with Priss—but then, who wouldn’t be? Priss was funny, smart, cute and—luckily for Trace—stacked. Unaware of Jackson, Alani stopped to look out the patio doors. She looked . . . wistful. Like maybe she wanted to take part, but couldn’t. In so many ways, despite being kidnapped by flesh peddlers, or maybe because of that, she was still an innocent. At just-barely twenty-three, she acted much older. Like a virgin spinster. Every night, in his dreams, they burned up the sheets. Here, in reality, she avoided him. She avoided involvement. But he’d get her over that. Somehow. Suddenly Priss came in, wet hair sleek down her back, rivulets of water trailing between her breasts. She spotted Jackson right off and, after smiling at Alani, asked them both, “Why aren’t you guys coming down to swim?” Alani jerked around to stare at Jackson with big eyes. His crooked smile told her that he had her in his sights. “I was just about to ask Alani that.” Priss laughed. “You’re still dressed.” “I can undress fast enough.” He looked at Alani. “What about you?” Her lips parted. “No, I . . . didn’t bring a suit.” “Pity. Maybe we could move up to the cove and skinny-dip in private?” Pointing a finger at him, Priss said, “Behave, you reprobate!” And then to Alani, “Beware of that one.” Still watching him, Alani nodded.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
I took the photos with me and heard Lucija making the call. As I closed the door behind me, I caught the scent of death from the patio, carried on the breeze moving the branches of the olive trees.
Bobby Underwood (Eight Blonde Dolls (Seth Halliday #3))
Schindler shook his head, and she thought it was too glib an encouragement to her to hope. Suddenly, the good cloth and the pampered flesh of Herr Schindler were a provocation. "For God's sake, Herr Direktor, I see things. We were up on the roof on Monday, chipping off the ice, me and young Lisiek. And we saw the Herr Commandant come out of the front door and down the steps by the patio, right below us. And, there on the steps, he drew his gun and shot a woman who was passing. A woman carrying a bundle. Through the throat. Just a woman on her way somewhere. You know. She didn't seem fatter or thinner or slower or faster than anyone else. I couldn't guess what she'd done. The more you see of the Herr Commandant, the more you see that there's no set of rules you can keep to. You can't say to yourself, If I allow these rules, I'll be safe. . . .
Thomas Keneally (Schindler’s List)
The Deliverator belongs to an elite order, a hallowed subcategory. He's got esprit up to here. Right now, he is preparing to carry out his third mission of the night. His uniform is black as activated charcoal, filtering the very light out of the air. A bullet will bounce off its arachnofiber weave like a wren hitting a patio door, but excess perspiration wafts through it like a breeze through a freshly napalmed forest. Where his body has bony extremities, the suit has sintered armorgel: feels like gritty jello, protects like a stack of telephone books.
Neal Stephenson (Snow Crash)
The Deliverator belongs to an elite order, a hallowed subcategory. He's got esprit up to here. Right now, he is preparing to carry out his third mission of the night. His uniform is black as activated charcoal, filtering the very light out of the air. A bullet will bounce off its arachnofiber weave like a wren hitting a patio door, but excess perspiration wafts through it like a breeze through a freshly napalmed forest. Where his body has bony extremities, the suit has sintered armorgel: feels like gritty jello, protects like a stack of telephone books. When
Neal Stephenson (Snow Crash)
I knew that I was losing him, and yet we all had the courage to draw closer, to weave tighter, even all the way into the end. Fred worked in the study, under the glow of yellow light, like an angel-we could see him in there, through the glass doors-while the rest of us sat or lay on the patio under the sky and the stars. Sometimes Grandfather would reach down, searching for my hand, find it, and squeeze it. The last bloodline of my mother, I would think, holding his hand-my last, strongest blood-connection to her-and perhaps he was thinking the same, at those times. Father and Omar intent upon the game. Grandfather and I intent upon eternity.
Rick Bass (The Sky, The Stars, The Wilderness)
Begin with the end in mind” is based on the principle that all things are created twice. There’s a mental or first creation, and a physical or second creation, to all things. Take the construction of a home, for example. You create it in every detail before you ever hammer the first nail into place. You try to get a very clear sense of what kind of house you want. If you want a family-centered home, you plan to put a family room where it would be a natural gathering place. You plan sliding doors and a patio for children to play outside. You work with ideas. You work with your mind until you get a clear image of what you want to build. Then you reduce it to blueprint and develop construction plans. All of this is done before the earth is touched. If not, then in the second creation, the physical creation, you will have to make expensive changes that may double the cost of your home.
Stephen R. Covey (The 7 Habits of Highly Effective People)
He chuckled and glanced up the stairs, to the patio and the ballroom doors beyond. He should be back inside already. But here he was, toeing that line he couldn’t stay away from. He’d managed to stay on this side of it last night, even though seeing her cry during Rena Goldsmith’s song had stirred him so bone deep it was like he’d found a part of him he hadn’t even realized was missing. He’d made them run an extra mile this morning, not to punish her for it, but because he couldn’t stop thinking about the way she’d looked at him.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Then a thought hit me like a ton of slag. Arlene wouldn’t bother taking time in this hellhole to scribble her mark unless she had a damned good reason. Not just to point out the sphere—if she knew it was there, she’d have used it herself like a good soldier. The only logical conclusion was that the arrow pointed the way out of the nuclear plant—the way Arlene Sanders had already gone. Like Arne Saknussen, she marked her own trail for all who followed. So why hadn’t I found it? Same way Arlene missed the patio door: there had to be another hidden door nearby that I had missed. Third time’s the charm. The damned door couldn’t have been more than five feet from the one I had found. One good push and it was open, leading to a beautiful piece of straight, well-lit corridor that reached its end with a clean, massive metal door that had printed on it the welcome letters EXIT—obviously a holdover from the plant’s mundane days as a hangout for humans. Feeling bold and unstoppable, I walked right up to that door and discovered that it required a computer key card before it would bless the lonely traveler with an open sesame. Great. Now I could be miserable again.
Dafydd ab Hugh (Knee-Deep in the Dead: A Novel (Doom Book 1))
by have a home in the first place? Good question! When I have a tea party for my grandchildren, I'm passing on to them the things my mama passed on to me-the value of manners and the joy of spending quiet time together. When Bob reads a Bible story to those little ones, he's passing along his deep faith. When we watch videos together, play games, work on projects-we're building a chain of memories for the future. These aren't lessons that can be taught in lecture form. They're taught through the way we live. What we teach our children-or any child who shares our lives-they will teach to their children. What we share with our children, they will share with generations to come. friend of mine loves the water, the out doors, and the California sunshine. She says they're a constant reminder of God's incredible creativity. Do you may have a patio or a deck or a small balcony? Bob and I have never regretted the time and expense of creating outdoor areas to spend time in. And when we sit outside, we enhance our experience with a cool salad of homegrown tomatoes and lettuce, a tall glass of lemonade, and beautiful flowers in a basket. Use this wonderful time to contemplate all God is doing in your life. ecome an answer to prayer! • Call and encourage someone today.
Emilie Barnes (365 Things Every Woman Should Know)
Toen Barrabas een volwassen hond was, reed hij niet meer op tegen de poten van de piano zoals hij had gedaan toen hij klein was en werd zijn voortplantingsdrift alleen nog gewekt als hij een loopse teef in de buurt rook. Dan konden ketting noch deur hem tegenhouden. Hij stortte zich op straat zonder iets of iemand te ontzien en bleef twee of drie dagen onder water. Hij kwam altijd terug, het arme hondje dat doorboord was door zijn reusachtige geslacht achter zich aantrekkend omdat het vast zat en half in de lucht hing. Om hen het afschuwelijke schouwspel te besparen mochten de kinderen niet zien hoe de tuinman emmers water gooide, schopte en andere schanddaden toepaste, hoe Barrabas zich van zijn geliefde losmaakte en haar halfdood op de patio liet liggen waar Severo haar moest afmaken met een genadeschot.
Isabel Allende
Her mother looked at the window over the sink. The moon shone huge and ivory yellow through the kitchen window. "You've always loved the moonlight. It seems to relax you." Vanessa looked outside at the moon. "Do you think there is a goddess of the moon?" "Oh, several," her mother answered. "No, I mean for real." "I was answering for real." Her mother pushed back her chair, then walked over to the sliding glass door, opened it, and stepped out on the patio. The night jasmine filled the cool air with its sweet fragrance. "God must have many spirits to help. We call them angels because that's what we learned to call them when we were little. But there must be many divine beings who act as God's messengers. I think there's room for a goddess or more. When you look at the beauty of the moon it's easy to believe.
Lynne Ewing (Goddess of the Night)
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.” He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.” Jack reached the top of the stairs. And stopped dead. There was a dragon standing in the darkened hallway. At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly. And yet the icy fear slipping down his spine said differently. The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light. The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks. “Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.” The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?” He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.” Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience. “9-1-1, what’s your emergency?” “Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.” “We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“ Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again. The dragon’s head turned towards the direction of upstairs. Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
Summer Storm We stood on the rented patio While the party went on inside. You knew the groom from college. I was a friend of the bride. We hugged the brownstone wall behind us To keep our dress clothes dry And watched the sudden summer storm Floodlit against the sky. The rain was like a waterfall Of brilliant beaded light, Cool and silent as the stars The storm hid from the night. to my surprise, you took my arm - A gesture you didn't explain - And we spoke in whispers, as if we two Might imitate the rain. Then suddenly the storm receded As swiftly as it came. The doors behind us opened up. The hostess called your name. I watched you merge into the group, Aloof and yet polite. We didn't speak another word Except to say goodnight. Why does that evening's memory Return with this night's storm - A party twenty years ago, Its disappointments warm? There are so many might have beens, What ifs that won't stay buried, Other cities, other jobs, Strangers we might have married. And memory insists on pining For places it never went, As if life would be happier Just be being different.
Dana Gioia
Dad's in D.C. all week," he said as we climbed out, "so I get to use the garage. Parking's a bitch around here." I didn't know whether to roll my eyes or sympathize. "Is your mom home?" I really didn't know how I felt about seeing Karina Romanova in her own home. Well,no. Truth: I was worried how she would feel about seeing me in it. "Will she mind my being here?" "Why would she?" Alex gave me an odd look as he pushed open a small door onto a wide brick patio. "But no, she's at the studio until midnight. It's just you,me,and the lacrosse team." I could see myself with amazing clarity in the huge glass wall that was the entire back of the house. I was small, dark, and frozen. "You're kidding, right?" Next to mine, Alex's reflection looked twice as big and ust as still. "You're kidding. Right?" I nodded. Clearly not emphatically enough. "Christ,Ella. Who do you think I am?" I sighed. Honestly, I didn't know. "I think you're probably a terrific guy, Alex. But let's be truthful here.We don't really know each other." "Oh,come one.We've gone to school together for two and a half years. I've been to Marino's..." He stopped. Sighed. "Okay.Fine.So let's change it. Now." And he unlocked the door to his house.
Melissa Jensen (The Fine Art of Truth or Dare)
Bob Dylan The only time Jobs can ever recall being tongue-tied was in the presence of Bob Dylan. He was playing near Palo Alto in October 2004, and Jobs was recovering from his first cancer surgery. Dylan was not a gregarious man, not a Bono or a Bowie. He was never Jobs’s friend, nor did he care to be. He did, however, invite Jobs to visit him at his hotel before the concert. Jobs recalled: We sat on the patio outside his room and talked for two hours. I was really nervous, because he was one of my heroes. And I was also afraid that he wouldn’t be really smart anymore, that he’d be a caricature of himself, like happens to a lot of people. But I was delighted. He was as sharp as a tack. He was everything I’d hoped. He was really open and honest. He was just telling me about his life and about writing his songs. He said, “They just came through me, it wasn’t like I was having to compose them. That doesn’t happen anymore, I just can’t write them that way anymore.” Then he paused and said to me with his raspy voice and little smile, “But I still can sing them.” The next time Dylan played nearby, he invited Jobs to drop by his tricked-up tour bus just before the concert. When Dylan asked what his favorite song was, Jobs said “One Too Many Mornings.” So Dylan sang it that night. After the concert, as Jobs was walking out the back, the tour bus came by and screeched to a stop. The door flipped open. “So, did you hear my song
Walter Isaacson (Steve Jobs)
During this time my father was in a labor camp, for the crime of wanting to leave the country, and my mother struggled to care for us, alone and with few provisions. One day she went out to the back patio to do the wash and saw a cute little frog sitting by the door to the kitchen. My mother has always liked frogs, and this frog by the kitchen door gave her an idea. She began to spin wonderful stories about a crazy, adventurous frog named Antonica who would overcome great odds with her daring and creativity. Antonica helped us dream of freedom and possibilities. These exciting tales were reserved for mealtime. We ate until our bowls were empty, distracted from the bland food by the flavor of Antonica’s world. Mamina knew her children were well nourished, comforted, and prepared for the challenges and adventures to come. In 2007, I was preparing to host a TV show on a local station and was struggling with self-doubt. With encouragement and coaching from a friend, I finally realized that I had been preparing for this opportunity most of my life. All I needed was confidence in myself, the kind of confidence Antonica had taught me about, way back in Cuba. Through this process of self-discovery, the idea came to me to start cooking with my mother. We all loved my Mamina’s cooking, but I had never been interested in learning to cook like her. I began to write down her recipes and take pictures of her delicious food. I also started to write down the stories I had heard from my parents, of our lives in Cuba and coming to the United States. At some point I realized I had ninety recipes. This is a significant number to Cuban exiles, as there are ninety miles between Cuba and Key West, Florida. A relatively short distance, but oh, so far! My effort to grow closer to my mother through cooking became another dream waiting to be fulfilled, through a book called 90 Miles 90 Recipes: My Journey to Understanding. My mother now seemed as significant as our journey to the United States. While learning how she orchestrated these flavors, I began to understand my mother as a woman with many gifts. Through cooking together, my appreciation for her has grown. I’ve come to realize why feeding everyone was so important to her. Nourishing the body is part of nurturing the soul. My mother is doing very poorly now. Most of my time in the last few months has been dedicated to caring for her. Though our book has not yet been published, it has already proven valuable. It has taught me about dreams from a different perspective—helping me recognize that the lives my sisters and I enjoy are the realization of my parents’ dream of freedom and opportunity for them, and especially for us.
Whitney Johnson (Dare, Dream, Do: Remarkable Things Happen When You Dare to Dream)
I’d known him just ten days, and it had just left his mouth in an unexpected whisper. It had been purely instinctive, it seemed--something entirely unplanned. He clearly hadn’t planned to say those words to me that night; that wasn’t the way he operated. He was a man who had a thought and acted on it immediately, as evidenced by his sweet, whispery phone calls right after our dates. He spent no time at all calculating moves; he had better things to do with his time. When we held each other on that chilly spring night and his feelings had come rushing to the surface, he’d felt no need to slap a filter over his mouth. It had come out in a breath: I love you. It was as if he had to say it, in the same way air has to escape a person’s longs. It was involuntary. Necessary. Natural. But as beautiful and warm a moment as it was, I froze on the spot. Once I realized it had been real--that he’d actually said the words--it seemed too late to respond; the window had closed, the shutters had clapped shut. I responded in the only way my cowardice would allow: by holding him tighter, burying my face deeper into his neck, feeling equal parts stupid and awkward. What is your problem? I asked myself. I was in the midst of what was possibly the most romantic, emotionally charged moment of my life, in the embrace of a man who embodied not only everything I’d ever understood about the textbook definition of lust, but everything I’d ever dreamed about in a man. He was a specimen--tall, strong, masculine, quiet. But it was much more than that. He was honest. Real. And affectionate and accessible, quite unlike J and most of the men I’d casually dated since I’d returned home from Los Angeles months earlier. I was in a foreign land. I didn’t know what to do. I love you. He’d said it. And I knew his words had been sincere. I knew, because I felt it, too, even though I couldn’t say it. Marlboro Man continued to hold me tightly on that patio chair, undeterred by my silence, likely resting easily in the knowledge that at least he’d been able to say what he felt. “I’d better go home,” I whispered, suddenly feeling pulled away by some imaginary force. Marlboro Man nodded, helping me to my feet. Holding hands, we walked around his house to my car, where we stopped for a final hug and a kiss or two. Or eight. “Thanks for having me over,” I managed. Man, I was smooth. “Any time,” he replied, locking his arms around my waist during the final kiss. This was the stuff that dreams were made of. I was glad my eyes were closed, because they were rolled all the way into the back of my head. It wouldn’t have been an attractive sight. He opened the door to my car, and I climbed inside. As I backed out of his driveway, he walked toward his front door and turned around, giving me his characteristic wave in his characteristic Wranglers. Driving away, I felt strange, flushed, tingly. Burdened. Confused. Tortured. Thirty minutes into my drive home, he called. I’d almost grown to need it. “Hey,” he said. His voice. Help me. “Oh, hi,” I replied, pretending to be surprised. Even though I wasn’t. “Hey, I…,” Marlboro Man began. “I really don’t want you to go.” I giggled. How cute. “Well…I’m already halfway home!” I replied, a playful lilt to my voice. A long pause followed. Then, his voice serious, he continued, “That’s not what I’m talking about.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Always,’ said Evie and Max together. Points for harmony. In truth, in the six years she’d known him, Max had barely mentioned his mother other than to say she’d never been the maternal type and that she set exceptionally high standards for everything; be it a manicure or the behaviour of her husbands or her sons. ‘No engagement ring?’ queried Caroline with the lift of an elegant eyebrow. ‘Ah, no,’ said Evie. ‘Not yet. There was so much choice I, ah...couldn’t decide.’ ‘Indeed,’ said Caroline, before turning to Max. ‘I can, of course, make an appointment for you with my jeweller this afternoon. I’m sure he’ll have something more than suitable. That way Evie will have a ring on her finger when she attends the cocktail party I’m hosting for the pair of you tonight.’ ‘You didn’t have to fuss,’ said Max as he set their overnight cases just inside the door beside a wide staircase. ‘Introducing my soon-to-be daughter-in-law to family and friends is not fuss,’ said Max’s mother reprovingly. ‘It’s expected, and so is a ring. Your brother’s here, by the way.’ ‘You summoned him home as well?’ ‘He came of his own accord,’ she said dryly. ‘No one makes your brother do anything.’ ‘He’s my role model,’ whispered Max as they followed the doyenne of the house down the hall. ‘I need a cocktail dress,’ Evie whispered back. ‘Get it when I go ring hunting. What kind of stone do you want?’ ‘Diamond.’ ‘Colour?’ ‘White.’ ‘An excellent choice,’ said Caroline from up ahead and Max grinned ruefully. ‘Ears like a bat,’ he said in his normal deep baritone. ‘Whisper like a foghorn,’ his mother cut back, and surprised Evie by following up with a deliciously warm chuckle. The house was a beauty. Twenty-foot ceilings and a modern renovation that complemented the building’s Victorian bones. The wood glowed with beeswax shine and the air carried the scent of old-English roses. ‘Did you do the renovation?’ asked Evie and her dutiful fiancé nodded. ‘My first project after graduating.’ ‘Nice work,’ she said as Caroline ushered them into a large sitting room that fed seamlessly through to a wide, paved garden patio.
Mira Lyn Kelly (Waking Up Married (Waking Up, #1))
Because of his obsession, he saw Simone creep back into her own home through the patio door the night that Dahlia died. He also saw Simone at Tammy’s mother’s house the night that Tammy was killed. Though
Jessica N. Watkins (Secrets of a Side Bitch 4)
Where’s Mom?” she asked. Claire gestured to the French doors. “She walked out to your patio to take a phone call. I was assuming it was Harry, since they were all lovey-dovey.” “Eww.
RaeAnne Thayne (Currant Creek Valley)
Fetching up a chair, he hurled it at the patio doors, shattering the glass on impact.
David Blake (Three Rivers (DI Tanner #4))
Whale music had a weight to it, a ponderous, profound theme. The deeper notes resonated in his tissue and filled him with sweet nostalgia. A stuttering creak swept through—the slow rocking of a porch swing, a patio door caught in a summer draft. Then, the soft groan of settling into freshly laundered sheets for a long, long sleep.
Erinn L. Kemper (The Song)
The kitchen looked like something from a living museum of the Victorian era. There was a genuine black Arga, brass pots and pans that hung from hooks screwed into the ceiling, and a large square butcher’s block right in the middle. Through the windows, Lacey could make out a large lawn. On the other side of the elegant French doors was a patio, where a rickety table and chair set had been put out. Lacey could just picture herself sitting there, eating freshly baked croissants from the patisserie while drinking organic Peruvian coffee from the independent coffee shop.
Fiona Grace (Murder in the Manor (A Lacey Doyle Cozy Mystery, #1))
I’d catch her crossing through the patio room, or see her sitting on the couch to watch TV with her parents. Other times I would find her in her bedroom, her shadow flitting back and forth behind the curtains of the French doors. Sometimes the curtains would be open and I could watch her sitting inside, talking on the phone, moving in and out of her powder room. She always closed the curtains before going to bed at night, however—evidence, I thought, of a certain polite modesty that must’ve been taught to well-bred girls like her. Or maybe, I thought, she suspected me; maybe she knew I was watching.
George Bishop (The Night of the Comet: A Novel)
I pulled my hair up in a messy ponytail upon leaving the bedroom and didn’t change from my blue and white shorts and red tank top I wore to bed the night before (Go, USA!). The shirt is tight and the shorts are short, but I'm completely comfortable. Graham is presently glaring at me like he doesn’t like me too much, so I'm thinking he is not comfortable with my outfit—or he still isn't over last night. I don't think he's ever been so angry with me before—well, except for maybe that time I accidentally put salt in his girlfriend's coffee instead of sugar. I pour myself a cup of coffee, showing him my back. And I wait. He doesn't make me wait long. His voice is brittle as he snaps, “Do you have to dress like that?” “I always dress like this. You never seemed to care before.” I give my behind an extra wiggle just to irritate him. I know I've succeeded when something thumps loudly against the tabletop. “I think you should dress like that more often,” Blake immediately replies. “Did anyone ask you?” is Graham's hotheaded comeback. “In fact, I think you’re wearing too many clothes. You should remove some.” A low growl leaves Graham. When I finally face the Malone boys, it is to find them staring one another down from across the small table. Graham’s wearing a white t-shirt and black shorts; his brother is in jeans and a brown shirt. Their coloring is so different, as are their features, but they are both striking in appearance, and their expressions currently mimic one another’s. “Graham, you're being an ass,” I calmly inform him. He grabs a piece of toast off his plate and whips it at me. I duck and it lands in the sink. To say I’m surprised would be an understatement. Toast throwing now? This is what our friendship has resorted to? “I will not live with someone who throws toast at me in anger,” I announce, setting my untouched cup of coffee on the counter. Blake snorts, covering his mouth with the back of his hand as he turns his attention to the world beyond the sliding glass patio doors. Graham blinks at me, like he doesn’t understand what I just said or maybe he doesn’t understand what he just did. Either way, I grab my mug and stride out of the room and down the hall to my bedroom. I’ll drink my coffee in peace, away from the toast throwing. Only peace is not to be mine. The door immediately opens after I close it, and there is Graham, staring at me, his head cocked, his expression unnamable. “This coffee is hot,” I warn, holding the white mug out. “You wanna be a toast thrower then I can be a coffee thrower. Just saying.” “Put the coffee down.” “No.” He takes a step toward me. “Come on. Please.” “You threw toast at me,” I point out, in case he forgot. “I don’t know why I did that,” he mumbles, looking down. When he lifts his eyes to me, they are pleading. “Please?” With a sigh, I comply. I am putty in his hands—or I could be. I keep the mug within reach on the dresser, should I need it as backup. As soon as I let the cup go, I’m pulled against his hard chest, his strong arms wrapping around me, his chin on the crown of my head. His scent cocoons me; a mixture of soap and Graham, and I inwardly sigh. He should throw toast more often if this is the end result. “I’m sorry—for last night, for the toast.
Lindy Zart (Roomies)
Preoccupied by whipping egg whites with a whisk and ruminating about what she must deal with today, she's startled by an ominous thud against an upstairs window. "Please, no," she exclaims in dismay, setting down the whisk and run ning to the door. She disarms the alarm and hurries out to the garden patio where a yel low finch flutters helplessly on old brick. She gently picks it up, and its head lolls from side to side, eyes half shut. She talks soothingly to it, strokes its silky feathers as it tries to right itself and fly, and its head lolls from side to side. It's just stunned, will suddenly recover, and it falls over and flutters and its head lolls from side to side. Maybe it won't die. Foolish wishful thinking for someone who knows better, and she carries the bird inside. In the locked bottom drawer of the kitchen desk is a locked metal box, and inside that, the bottle of chloroform.
Patricia Cornwell (Book of the Dead (Kay Scarpetta, #15))
Even if he could have managed to talk his way inside, there was no way he could overpower anyone. All he had was the element of surprise. He had found the axe embedded in some logs in a small shed outside. He could see the occupants through the patio doors. The doors hadn’t even been locked. Old folk. Too trusting. Oblivious to the horrors that could be lurking outside, even here, in the middle of nowhere.
C.J. Tudor (The Burning Girls)
It was as if I had stepped outside something of which I had always, unconsciously, been a part of and was seeing it for the first time – this stream of life, this cycle of ordinary living that goes on within and around us all the time. I knew that in a moment, when I went through my parents’ door, I would become a part of it again and lose this acute sense of being a witness, alone and completely with myself and my own thoughts. I knew I would be swept up in the hugs and exclamations of surprise and greetings, the sharing of news and the sounds and smells of bacon and eggs and coffee – the irresistible tide of living in the world. But for this moment, I was with the world, watching it but somehow not in it. I was alone with myself. I paused on the patio outside the back door, prolonging the moment. I was alone, lost to everyone and yet not lost but there, on the doorstep. I knew that home was as much in the slow walk alone through the quiet streets as it was in the arrival at the store. Home was in the taste of being with myself, walking next to what was familiar, toward what was cherished. Then I open the door, cross the threshold with conscious deliberation, and called out, “Isn’t anyone in here up yet?” As my mother came into the kitchen, I glanced back outside, and in my mind’s eye I saw that other young woman standing there - backpack on, watching us and grinning at me. I knew I would get back to her. I had met myself walking home in the dawn, and I liked the company I kept in those empty moments. Tell me, have you met yourself? Have you been able to step outside the business of life for just one moment and look in from the outside, feeling yourself whole and separate and yet with the world?
Oriah Mountain Dreamer (The Invitation)
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The estate sprawled across a rolling green land. I'd never seen anything like it; even out former manor couldn't compare. It was veiled in roses and ivy, with patios and balconies and staircases sprouting from it's alabaster sides. The grounds were encased by woods, but stretched so far that I could barely see the distant line of the forest. So much colour, so much sunlight and movement and texture... I could hardly drink it in fast enough. To paint it would be useless, would never do it justice. My awe might have subdued my fear had the place not been so wholly empty and silent. Even the garden through which we walked, following a gravel path to the main doors of the house, seemed hushed and sleepingg. Above the array of amethyst irises and pale snowdrops and butter-yellow daffodils swaying in the balmy breeze, the faint stench of metal tickled my nose. Of course it would be magic, because it was spring here. What wretched power did they possess to make their lands so different from ours, to control the seasons and weather as if they owned them?
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Spanish is the lovin’ tongue, Soft as music, light as spray. ’Twas a girl I learnt it from, Livin’ down Sonora way. I don’t look much like a lover, Yet I say her love words over, Often when I’m all alone— “Mi amor, mi corazon.” Nights when she knew where I’d ride, She would listen for my spurs, Throw the big door open wide, Raise them laughin’ eyes of hers. And my heart would nigh stop beatin' When I heard her tender greeting, Whispered soft for me alone— “Mi amor! mi corazon!” Moonlight in the patio, Old señora noddin’ near, Me and Juana talkin’ low So the Madre couldn’t hear— How those hours would go a-flyin’! And too soon I’d hear her sighin’ In her little sorry tone— “Adios, mi corazon!” But one time I had to fly For a foolish gamblin’ fight, And we said a swift goodbye In that black, unlucky night. When I’d loosed her arms from clingin’ With her words the hoofs kep’ ringin’ As I galloped north alone— “Adios, mi corazon!” Never seen her since that night. I kaint cross the Line, you know. She was Mex and I was white; Like as not, it’s better so. Yet I’ve always sort of missed her Since that last, wild night I kissed her, Left her heart and lost my own— “Adios, mi corazon!
Charles Badger Clark (Sun and Saddle Leather)
I’ve always wanted a house in the country. Here and now, I have one. The door’s hinges squeak and the floorboards creak. There is a soft scent of sandalwood and bergamot. On the crisp awakening of the morrow’s morning, I will brew freshly ground coffee and allow it’s bitterness to warm my insides. My mind is buzzing with stories, the ones I conjure, the ones I have already conjured, and the ones I have yet to conjure, in the fragrant Spring air, on the patio, in my wooden rocking chair.
Oliver Lewis (Celestial Angels: a collection (The Trials of Celestial & Inferno Book 1))
The old wooden floor creaks and groans under the pressure of my bare feet, and another flicker of yellow catches my eye as I grab the warm beer on the kitchen counter. I turn to get a closer look and my heart almost leaps out of my chest. Just past the sliding glass patio doors is the person in the raincoat. They stand on the pool deck, only a few feet away. Panic settles over me like a smattering of fresh rain droplets.
Rektok Ross (Summer Rental)
Cam turns to me, mischief written all over her. “Come on, girl, let’s get changed. There’s a gang of beach boys out there calling our names.” I wiggle my eyebrows up and down. “Maybe those Brazilians will pay off after all.” “Oh, fuck me, I’m out,” Mason grumbles, rushing toward the patio door. He stops as he steps through, turning back to pin Chase with an expectant glare. “You comin’?” At first, Chase doesn’t move, but then he shakes his head, and Cameron covers her laugh with a cough, knowing we’ve painted a mental picture in his head. “Yeah.” He clears his throat and snags the football from the bucket by the door. “Right behind you.” As soon as the door is closed, Cam and I bend over, laughing. “That was gold.” She high-fives me, and we quickly rush up the stairs, dragging our suitcases away from the wall where the boys placed them before disappearing into our rooms.
Meagan Brandy (Say You Swear)
there, she pushes herself to her feet. Hoisting her school bag onto her shoulder, she walks across the stones to the boardwalk, waiting for a mother with a pushchair to pass by before crossing over it and heading for the gate in their wall. As she lets herself onto the patio, closing the gate behind her, she looks up. Through the fronds of the palm, she sees her mum as she has many times before. Standing in her studio, her brush to the painting in front of her. Kitty in a bouncy chair beside her. Megan studies her, wondering what it is that causes her mother to press the front of her forearm to her forehead. What she’s painted on that flat white surface. More sea, she presumes. More boring sky. It’s hard to see clearly, as the sunlight’s shining on the glass, but, as Megan watches, her mum stands back from the canvas, covering her face with the palms of both hands. As though unable to stand the sight of what’s in front of her. Megan turns away, not wanting to see. Apart from that time after Kitty was born, she’d always thought of her mum as strong. Now the vulnerability she’s shown recently scares her… leaves her wondering where that leaves her. What’s clear is she can never tell her mum what she’s done. Not unless she wants to make things worse. Alex will have to remain her secret. Her mum drops her hands, and Megan steps back into the shadows of the oleander, not wanting to be seen. As she waits for her mum to move away from the sliding doors, she sees that the fat buds in the leaves that hide her from view have produced their first flower. It’s something her mum would celebrate, seeing as how, every year in November, she and Sean have to drag it, in its giant pot, into the sunroom so the winter frosts don’t get it. She wonders whether she’s seen it, but, from the look of her mum now, it’s clearly the last thing on her mind.
Wendy Clarke (The Night Out)
It wasn’t even about the wonky kitchen cabinet doors or the number of times over the years she’d asked him to paint the kitchen or fix the broken step on the stairs. It wasn’t about mowing the lawn every Saturday morning or the fact that they’d never gotten round to laying the patio, even though the bricks had been lined up at the side of the house for over a decade.
Faith Hogan (The Guest House by the Sea)
Notice to Appear It goes doorbell (two beats) then knocking (three or more beats) or knocking (five beats) then doorbell (three times, two beats each). The very first beat disappears the front door. We abrupt. We. Any way possible, silence. Beat beat then beat beat beat beat. We crawl to Mother and Father’s closet staying close to the grout. Together we have four pairs of legs. I am short and young enough already not to be seen and Brother is taller and growing. Beat beat beat beat beat beat beat beat beat beat beat. Our hearts (four) are summoned into this beating, so the sound of heavy listening (Mother heavy listens best). Our hearts (four) are so impressionable, our ears (eight) are so airless and impressionable. Beat beat. In the closet we crouch on top of each other (Father’s disappearance that close) and look like more legs. Beat beat beat beat beat. The house black and whites. Brother and I heavy listen to Mother looking at Father as though he is her husband only. Our impressionable hearts (two), our airless ears (four). Beat beat beat beat beat beat beat beat beat beat beat. On the property’s perimeter, legs (two) with large feet in boots on the patio. That sound. That close.
Leslie Sainz (Have You Been Long Enough At Table)
Suddenly, Charlene leaned toward me and put her thin hand under my chin. She turned my face to the French doors that looked out on our elegant patio, our green garden, our lofty, sunstruck trees: our family’s gorgeous little universe built on compromise, of course; ill-gotten gains, I suppose; bargains with the Devil, no doubt. But also luck, grace. Whatever it took to get us, to keep us, safely home.
Alice McDermott (Absolution)
For many in the audience, the attention-starved maniacs on the small Metro stage were a welcome reprieve from the bar’s regular crowd of sweaty boys eye-fucking each other from across the patio. Blindly stumbling ahead, Merrie had busted open the doors of Brooklyn nightlife and invited the amateurs in.
Nicole Pasulka (How You Get Famous: Ten Years of Drag Madness in Brooklyn)
After a long nap, the Americans spent the rest of the afternoon watching preparations for the fiesta. They helped set up large wooden tables on the patio. Bananas, oranges, limes, and avocados were heaped on some of the tables. Food that was cooking gave off tantalizing odors. “This will be a gastronomic adventure!” Chet exclaimed as he viewed the preparations hungrily.
Franklin W. Dixon (The Mark on the Door (Hardy Boys, #13))
could have been a second or thousands of years. . . . I was happy. I blurred the “door” with my hand and it “disappeared.” I ran with my secret and my joy as far as the furthermost corner of the patio of my house, and always in the same place under a cedar tree, I cried out and laughed, surprised at being alone with my great happiness and with the so vivid memory of the little girl. Thirty-four years have passed since I experienced this magic friendship and every time that I remember it, it revives and becomes larger and larger inside of my world.
Hayden Herrera (Frida: A Biography of Frida Kahlo)
plate away and stood. Gabi took her coffee, grabbed a throw from the back of the couch as she made her way outside. She opened the French doors that spilled onto a deep, covered patio. A double chaise sat on one end and looked out over the backyard. The gray skies and moist drizzle matched her mood and offered the perfect quiet to reflect on her life. At
Catherine Bybee (Treasured by Thursday (The Weekday Brides, #7))
You should probably go now.” He lifted his head and saw Brie standing in the open patio doors, wearing the same clothes she had worn home from the hospital. “Brie,” he said, rising. “I’ve talked to the detectives several times. Jerome Powell, the rapist, was tracked as far as New Mexico, then the trail was lost,” she said, very businesslike. “I can tell you from experience, the odds are at least ninety-five percent he’s gone—pulled a territorial. I’m going to start counseling and group therapy right away—and I’ve decided not to go back to work for a while. Jack and Mel insist on staying the rest of the week, but you should go. Visit your family.” “Would you like to come and sit with me?” he asked. She shook her head. “I’ll talk to the D.A. every day, see if he turns up anything new. Of course I’m staying here. If I need any assistance in the police department, I have an ex-husband who’s feeling very guilty. And very helpful.” She took a breath. “I wanted to say goodbye. And to thank you for trying to help.” “Brie,” he said, taking a step toward her, his arms open. She held up a hand, and the look that came into her eyes stopped him where he was. She shook her head, kept her hand raised against him. “You understand,” she said, warning him not to get too close, not to touch her. “Of course,” he said. “Drive carefully,” she said, disappearing into the house.
Robyn Carr (Whispering Rock (Virgin River, #3))
The Deliverator belongs to an elite order, a hallowed subcategory. He’s got esprit up to here. Right now, he is preparing to carry out his third mission of the night. His uniform is black as activated charcoal, filtering the very light out of the air. A bullet will bounce off its arachnofiber weave like a wren hitting a patio door, but excess perspiration wafts through it like a breeze through a freshly napalmed forest. Where his body has bony extremities, the suit has sintered armorgel: feels like gritty jello, protects like a stack of telephone books.
Neal Stephenson (Snow Crash)
Masters are under no cosmic compulsion to limit their residence.” My companion glanced at me quizzically. “The Himalayas in India and Tibet have no monopoly on saints. What one does not trouble to find within will not be discovered by transporting the body hither and yon. As soon as the devotee is willing to go even to the ends of the earth for spiritual enlightenment, his guru appears nearby.” I silently agreed, recalling my prayer in the Benares hermitage, followed by the meeting with Sri Yukteswar in a crowded lane. “Are you able to have a little room where you can close the door and be alone?” “Yes.” I reflected that this saint descended from the general to the particular with disconcerting speed. “That is your cave.” The yogi bestowed on me a gaze of illumination which I have never forgotten. “That is your sacred mountain. That is where you will find the kingdom of God.” His simple words instantaneously banished my life-long obsession for the Himalayas. In a burning paddy field I awoke from the monticolous dreams of eternal snows. “Young sir, your divine thirst is laudable. I feel great love for you.” Ram Gopal took my hand and led me to a quaint hamlet. The adobe houses were covered with coconut leaves and adorned with rustic entrances. The saint seated me on the umbrageous bamboo platform of his small cottage. After giving me sweetened lime juice and a piece of rock candy, he entered his patio and assumed the lotus posture. In about four hours, I opened my meditative eyes and saw that the moonlit figure of the yogi was still motionless. As I was sternly reminding my stomach that man does not live by bread alone, Ram Gopal approached me. “I see you are famished; food will be ready soon.” A fire was kindled under a clay oven on the patio; rice and dal were quickly served on large banana leaves. My host courteously refused my aid in all cooking chores. ‘The guest is God,’ a Hindu proverb, has commanded devout observance from time immemorial. In my later world travels, I was charmed to see that a similar respect for visitors is manifested in rural sections of many countries. The city dweller finds the keen edge of hospitality blunted by superabundance of strange faces.
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
tip. I always try to catch a moment when I just stand back and quietly watch my family and friends enjoying themselves and each other. Let that moment wash over you so you can store it up for the times when life gets stressful. Those moments are like precious treasures we can pause to look at again and again. You might even keep a hospitality journal—a book to record the memories of your time together. Or, like we have, a guest book by the front door for our friends to sign so we remember our time together. Entries can be short and sweet, just enough to jog your memory: ice cream sandwiches on the patio with family and friends, game night with the grandparents, pizza party with the neighbors. You might write down what was on the menu, who attended, any details that you cherished—twinkly lights on the porch, the smell of homemade brownies baking, or jokes you laughed at, stories you shared. There
Candace Cameron Bure (Kind is the New Classy: The Power of Living Graciously)
activated charcoal, filtering the very light out of the air. A bullet will bounce off its arachnofiber weave like a wren hitting a patio door, but excess perspiration wafts through it like a breeze through a freshly napalmed forest. Where his body has bony extremities, the suit has sintered armorgel: feels like gritty jello, protects like a stack of telephone books. When they gave him the job, they gave him a gun. The Deliverator never deals in cash, but someone might come after him anyway—might want his car, or his cargo. The gun is tiny, aero-styled, lightweight,
Neal Stephenson (Snow Crash)
Deliverator belongs to an elite order, a hallowed subcategory. He’s got esprit up to here. Right now, he is preparing to carry out his third mission of the night. His uniform is black as activated charcoal, filtering the very light out of the air. A bullet will bounce off its arachnofiber weave like a wren hitting a patio door, but excess perspiration wafts through it like a breeze through a freshly napalmed forest. Where his body has bony extremities, the suit has sintered armorgel: feels like gritty jello, protects like a stack of telephone books. When they gave him
Neal Stephenson (Snow Crash)
I heard the patio door slide open, then footsteps as my father walked out onto the deck. A breeze blew in — hot and sticky-wet — before the door slid shut again. When I looked outside, through the glass, he was standing with his back to me, looking up at the few stars visible through the fast-moving clouds.
Sarah Dessen (Dreamland)
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You need a bib, buddy.” I opened the patio door, shooed him out, and after wiping up the mess with a paper towel, cracked open a beer while I made sure he did his business. After his success, I nodded a good boy and left Gus outside to enjoy the outdoors while I headed upstairs to change clothes and shower.
C.M. Sutter (Run For Your Life (Mitch Cannon Savannah Heat #1))