Pathology Funny Quotes

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I've always been uncomfortable with compliments, though I have a pathological need for them.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
But Shunt, he thirsted for understanding with obsessive perseverance. It was a pathology in this way, and pathologies aren't hobbies to be entertained through the inclination of the willing. With some assertion, you certainly can't direct a pathology: it directs, contorts, warps, wears you. Shunt walked through school, down his bedroom corridor, high-ceiling'd and close-panelled, over asphalt as hot as holiday sex, in his head, always relegated to a realm of internal mystery, a sphere of indecipherable symbols that were filtered in, held fast to, but never understood. He saw things or deduced things, and they were there for eternity. Once Shunt had them inside, it was impossible to divorce or expunge them, and so there they remained, infecting his peace and placidity of mind, thoughts like foreign bodies entering a gaping, unquenched wound, and after that Shunt's life devolved into the gangrene set in by these unpurged foreign bodies. Shunt suffered from epilepsy and a panic disorder. He didn't know who he was. He was not a funny person, a wise person, a valorous person, a soft person. Shunt was epilepsy and a panic disorder, and that's as encompassing as his personality had ever been. When you suffer a pathology it directs, contorts, warps, wears you.
Kirk Marshall (A Solution to Economic Depression in Little Tokyo, 1953)
In a foreign language, a lot of social and psychological conditioning gets thrown out the window. First, you begin to interact with people who do not know you outside of the target language. The blank canvas effect here is true of any new people you meet, in general. Second, every language is a world unto itself. It is common to hear people comment on the particularity of an individual’s foreign language skills. “She speaks French well. His Spanish is formal or funny. I want to hear them speak Arabic.” In other words, people expect there to be some differences between the native-language version of yourself and the target-language version. If you want to exaggerate these differences, then more power to you. As the saying in the intro goes, the multiple personalities effect with people who speak more than one language is real but bears none of the oft associated pathology.
Benjamin Batarseh (The Art of Learning a Foreign Language: 25 Things I Wish They Told Me)
Every Joke has a bottom, a familiar pain, anger, trauma. "Get it? Do ya get it?" Whatever the joke is, it's usually only funny once, sometimes not at all. David Bohm would report being distressed and disturbed by Krishnamurti's "jokes", and even Carl Jung thought Kierkegaard, with his emphasis on comedy was borderline pathological. Kierkegaard's comedy emphasized the "winning side". No one could make people laugh like Jung could, however, he wasn't necessarily trying to be funny. Some make people laugh due to the warmth of their rapport with the other, not necessarily because of the sophistication or memorization of a worn out joke. Compulsive joking about some familiar or unfamiliar pain will only take you so far. People get turned off by the repetitive need to find entertainment in something distressing and all too familiar.
Cory Duchesne
His name is Colin Boddie. And yes, I know, that’s not funny. Only it is; of course it is. He’s heard the gags so many times he’s developed his own brand of pathological humour to go with it. It can sound crass, if you don’t know him, but it’s just a form of carapace. A way to keep the horror at bay. And what they’ve got here – despite the daylight and all the busy professional apparatus – is still the stuff of nightmares.
Cara Hunter (In the Dark (DI Adam Fawley, #2))