Pathetic Husband Quotes

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And I ask myself what it is about me that makes this wonderful, beautiful woman return. Is it because I'm pathetic, helpless in my current state, completely dependent on her? Or is it my sense of humour, my willingness to tease her, to joke my way into painful, secret places? Do I help her understand herself? Do I make her happy? Do I do something for her that her husband and son can't do? Has she fallen in love with me? As the days pass and I continue to heal, my body knitting itself back together, I begin to allow myself to think that she has.
Mohsin Hamid (Moth Smoke)
Together we agree that there are few tableaus more pathetic than a woman poring over a plethora of self-help books, while in a small café across town her husband is sharing a bottle of Pouilly-Fuissé and fettucini Alfredo with a beautiful woman, fondling her fishnet knee and making careful plans to escape his life.
Suzanne Finnamore (Split: A Memoir of Divorce)
Fubuki, wouldn’t it be a thousand times better to stay unmarried than tie yourself down with some creep? What would you do with a husband like that? And how can you feel ashamed of not marrying one of these men, when you’re so sublime, so Olympian? They’re almost all shorter than you. Don’t you think that’s a sign? You’re too long a bow for any of these pathetic little shooters.
Amélie Nothomb (Stupeur et tremblements)
I have lived through a fucking world war,” I said, my voice low and venomous. “I have lost a child. I have lost two husbands. I have starved with an army, been beaten and wounded, been patronized, betrayed, imprisoned, and attacked. And I have fucking survived!” My voice was rising, but I was helpless to stop it. “And now should I be shattered because some wretched, pathetic excuses for men stuck their nasty little appendages between my legs and wiggled them?!
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
[...] we women are the most pathetic. First of all, we have to buy a husband. Spend vast amounts of money, just to get a master for our body – to add insult to injury.
Euripides
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
Robert G. Ingersoll (Some Mistakes of Moses)
Crutches may be a pain in the (pinched nerve back) ass to use, but damn, they are handy when your dog pushes open the bathroom door while you are contemplating life. They're also handy to turn on lights just out of your reach, and to threat your husband with if he doesn't fetch you a Fresca because you are a poor, pathetic little thing huddled under a Snuggy, unable to walk without bellowing profanities at the top of your lungs, thereby scaring your dogs, the fat squirrel stuffing his face on the deck, and the manic depressive goats that live three houses down.
Katie MacAlister
Nick and I, we sometimes laugh, laugh out loud, at the horrible things women make their husbands do to prove their love. The pointless tasks, the myriad sacrifices, the endless small surrenders. We call these men the dancing monkeys. Nick will come home, sweaty and salty and beer-loose from a day at the ballpark,and I’ll curl up in his lap, ask him about the game, ask him if his friend Jack had a good time, and he’ll say, ‘Oh, he came down with a case of the dancing monkeys – poor Jennifer was having a “real stressful week” and really needed him at home.’ Or his buddy at work, who can’t go out for drinks because his girlfriend really needs him to stop by some bistro where she is having dinner with a friend from out of town. So they can finally meet. And so she can show how obedient her monkey is: He comes when I call, and look how well groomed! Wear this, don’t wear that. Do this chore now and do this chore when you get a chance and by that I mean now. And definitely, definitely, give up the things you love for me, so I will have proof that you love me best. It’s the female pissing contest – as we swan around our book clubs and our cocktail hours, there are few things women love more than being able to detail the sacrifices our men make for us. A call-and-response, the response being: ‘Ohhh, that’s so sweet.’ I am happy not to be in that club. I don’t partake, I don’t get off on emotional coercion, on forcing Nick to play some happy-hubby role – the shrugging, cheerful, dutiful taking out the trash, honey! role. Every wife’s dream man, the counterpoint to every man’s fantasy of the sweet, hot, laid-back woman who loves sex and a stiff drink. I like to think I am confident and secure and mature enough to know Nick loves me without him constantly proving it. I don’t need pathetic dancing-monkey scenarios to repeat to my friends, I am content with letting him be himself. I don’t know why women find that so hard.
Gillian Flynn (Gone Girl)
Don't worry that you're being pathetic when you try not to get caught stealing a kiss from your spouse, or when you pray for a time when the kids are out of the house so you can make out on the couch, or when you consider a trip with your husband to the lawn-care section of Home Depot a hot date. No. You're not pathetic. You're in a blended family....
Kathi Lipp (But I'm NOT a Wicked Stepmother!: Secrets of Successful Blended Families)
That’s the inner me,” he admitted. “Inside I sometimes feel pathetic, awkward, and unloved.” “Even after all the confidence you acquired as a pickup artist, a husband, and a father?” “Well,” he said, opening the door to his car, “all you can do is put on an appearance of confidence sometimes. And after a while, others will start to believe it.” He grabbed the door handle to pull it closed. “And then you die.” Slam.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Leading and improving! teaching and tutoring! bearing and forbearing! Pah! my husband is not to be my baby. I am not to set him his daily lesson and see that he learns it, and give him a sugar-plum if he is good, and a patient, pensive, pathetic lecture if he is bad. But it is like a tutor to talk of the "satisfaction of teaching." I suppose you think it the finest employment in the world. I don't. I reject it. Improving a husband! No. I shall insist upon my husband improving me, or else we part.
Charlotte Brontë
Actually, her unexpected widowhood made Nettie safely pathetic and safely other. It was as though she had been trying, long before her husband died, to let my mother know that she was disenfranchised in a way Mama could never be, perched only temporarily on a landscape Mama was entrenched in, and when Rick obligingly got himself killed this deeper truth became apparent. My mother could now sustain Nettie’s beauty without becoming unbalanced, and Nettie could help herself to Mama’s respectability without being humbled.
Vivian Gornick (Fierce Attachments)
Sorry I am at Mrs. —— falling short of your warm-hearted ideas about her! Can you understand a woman’s hating a girl because it is not a boy — her first child too? I understand it so little that scarcely I can believe it. Some women have, however, undeniably an indifference to children, just as many men have, though it must be unnatural and morbid in both sexes. Men often affect it — very foolishly, if they count upon the scenic effects; affectation never succeeds well, and this sort of affectation is peculiarly unbecoming, except in old bachelors, for there is a pathetic side to the question so viewed. For my part and my husband’s, we may be frank and say that we have caught up our parental pleasures
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
Then he happened to glance at the viscount, and his blood stilled. The viscount’s eyes followed Celia’s every move, and his finger kept stroking his goblet as if he wanted to stroke some part of her. Jackson gritted his teeth. No way in hell was he letting that bloody foreigner-or Devonmont, or even the duke-stroke anything of hers. “Are we going to stand around all day discussing which guns are more effective at killing,” he snapped, “or are we actually going to kill something?” Gabe exchanged a glance with his sister. “You’re right. ‘Prickly’ is the word.” “Mr. Pinter is probably just eager to earn his kiss,” Stoneville put in. “And given how the numbers stand right now, he may very well do so.” They all pivoted to look at his lordship. Stoneville chuckled. “Devonmont has killed a pathetic eight brace of birds, Gabe a respectable fifteen, Basto an impressive seventeen and a half, Lyons an even more impressive nineteen, and Pinter an astonishing twenty brace. My sister is tied with him at twenty brace.” “Good show, Pinter!” Gabe said amiably. “You must beat her so none of us have to pay for a blasted rifle.” “Here now, Gabe,” the duke cut in irritably, “I have as much chance of beating her as Pinter does. I’m only behind by one brace.” “I don’t’ care who beats her,” Gabe said. “Just make sure one of you does, in case I can’t catch up. She’ll pick the most expensive gun in Manton’s shop.” “You’re such a pinchpenny, Gabe,” Celia teased as they tramped back over the field, headed toward the east end of the estate. “That’s because need every guinea I have, in case you don’t marry.” The lord might have meant the comment as a joke, but clearly Celia didn’t take it that way. When the blood drained from her face, Jackson felt a stab of sympathy. He could understand why she wanted to show her family that she could find a decent husband. But decent was the operative word. “Oh, I daresay Lady Celia will be married sooner than you think,” the duke remarked. When he slid a knowing glance at Celia and she smiled faintly, Jackson felt his heart drop. The duke seriously had his eye on her. And apparently she knew it. Confound it all. As they stopped, Jackson began loading his gun with quick, efficient movements. That blasted duke could look all he wanted, but he was not marrying Celia. Nor even getting another chance to kiss her. Not if Jackson had anything to say about it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Most onlookers dispersed before they reached the dreaded Umschlagplatz, and Irena stood a prudent distance away. If the day’s quota was not met, anyone nearby was liable to be seized and forced onto the train. There was no food or water, and not enough breeze to stir hair. The deportees’ meager belongings were bundled up in sheets or sacks, or stuffed into battered valises, many tied with twine. They relieved themselves where they stood on the dusty field for fear of becoming separated from children, a husband, a wife. SS and Ukrainian soldiers strutted through the pathetic crowd, cursing and whipping; the sadists laughed.
Jack Mayer (Life in a Jar: The Irena Sendler Project)
Drew isn’t a pushover by any means, but it was wearing, constantly trying to parry Roger’s pathetic attempts at undermining him.
Emma Davies (My Husband's Lie)
You ungrateful little bitch!’ Isobel exploded. ‘I treated you like a sister. I took you under my wing, wasted my time and money trying to raise you out of your miserable little life with your fat wimp of a husband and your ugly brat of a child. I should have known better. You’re nothing. Just another coconut bastard. I wish you unluck for the rest of your pathetic life.
Nikki May (Wahala)
I stare at the woman in question and wonder what happened to the concept of sisterhood. If women stopped doing this kind of thing to other women, there would be a lot less pain in this world. Men, I'll admit, are probably a lost cause, but we could stop cheating on other women with their husbands, boyfriends, fiancés. Jo props herself up on her elbows and gives me a defiant look which, frankly, I'd like to wipe off her face---preferably with a cricket bat. "Who'd have thought that I'd be seeing so much of you," I say. "And so soon." Marcus's breakfast dish looks rather rattled. "I can explain," Marcus says as he tries to dismount from the table with some dignity. Difficult to pull off. "I'm all ears." "This was the last time," he says earnestly. There are raspberries crushed on his knees. "The last time ever. I was having one last fling before settling down. As soon as you moved in, I was going to be completely and utterly faithful." Jo doesn't look as if she knows about this particular part of the arrangement and she glares darkly at my fiancé. Perhaps she'll be sneaking into his flat and filling his clothes and his shoes with leftovers and leaving stinking prawns in his soft furnishings. Because, for sure, I won't be troubling myself to do it again. "You called to tell me you love me while she was here?" Jo clearly doesn't know about that bit either. Marcus chews his lip. I stare at Marcus as if I'm seeing him for the first time. He looks ridiculous---yogurt on his knob, smears of berry juice all over his chest and legs, breakfast cereal in his hair. I burst out laughing. Marcus laughs too---nervously. "Oh, Marcus," I say, clutching at my sides. "I can't believe you've done this again." I double over and belly laugh right the way up from my boots. "I love you," he says bleakly, and then he continues to laugh along with me, although it sounds forced. When I finally wrest control of my voice once more, I say softly, "I'm not laughing with you, Marcus. I'm laughing at you." Slipping my engagement ring from my finger, I put it delicately into the bowl of yogurt that's lying by Jo's feet. Then, picking it up, I tip the bowl upside down on Marcus's head. Yogurt drips slowly down his face. He licks it from his lips. Perhaps he can get Jo to do it for him when I'm gone. "This really is the very last time you do this to me, Marcus.
Carole Matthews (The Chocolate Lovers' Club)
Daredevil: "You want to use what's on that drive just to avenge your husband? It's not worth it. You're special I get it. . .I mean it. The bad guys took somebody you love, and it hurt worse than anything you could ever have imagined. Me, too. They took my dad. Your buddy, Frank? They took his wife AND kids. Want to know who else has that story? Go to the Avengers mansion and throw a stick. Everyone I know has lost someone in that way. And it never stops aching. And I'm sorry, but that does not elevate you. What does make you special is that you have game. Obviously, and focus. I've seen you in action. You've got the stuff. Put it to good use." Rachel Cole-Alves: "You know what gives me strength? My loss. We're alike. Admit it: Nobody who's a stranger to that particular pain could EVER be as driven as us." Daredevil: "NEVER! Don't ever say that to me ever again. That is a repellent statement. It's a vomitous insult to every cop-- every Fireman-- Every soldier alive who steps up to fight for those who can't! I am Sorry for your Loss! But if you genuinely believe that only the Death of a loved one can motivate a human being to take up a cause...then get your pathetic, cynical ass out of my way so I can do my job!
Mark Waid (Daredevil, Volume 2)
Daredevil: "You want to use what's on that drive just to avenge your husband? It's not worth it. You're special I get it. . .I mean it. The bad guys took somebody you love, and it hurt worse than anything you could ever have imagined. Me, too. They took my dad. Your buddy, Frank? They took his wife AND kids. Want to know who else has that story? Go to the Avengers mansion and throw a stick. Everyone I know has lost someone in that way. And it never stops aching. And I'm sorry, but that does not elevate you. What does make you special is that you have game. Obviously, and focus. I've seen you in action. You've got the stuff. Put it to good use." Rachel Cole-Alves: "You know what give me strength? My loss. We're alike. Admit it: Nobody who's a stranger to that particular pain could EVER be as driven as us." Daredevil: "NEVER! Don't ever say that to me ever again. That is a repellent statement. IT's a vomitous insult to every cop-- every Fireman-- Every soldier alive who steps up to fight for those who can't! I am Sorry for your Loss! But if you genuinely believe that only the Death of a loved one can motivate a human being to take up a cause...then get your pathetic, cynical ass out of my way so I can do my job!
Mark Waid (Daredevil, Volume 2)
Lucinda gazed at her husband then shouted, ‘If you hadn’t filled his head with stories of war and glory...if it weren’t for you, my son would still be alive and sitting here... maybe he’d have gone to university, like I wanted him to, instead of languishing and rotting in this backwater! I could have been somebody, a schoolteacher maybe, written a novel. But no, I had to marry an awful, disgusting loser. You’re pathetic! You know that... a pathetic loser! You miserable old shit ... you killed my son, the only thing I ever had in this world!
Sacha O'Grady (The Endless Night)
He was sad for her that she’d never found a husband or had kids. It was sort of pathetic, but not unexpected. She was always just … there … waiting for someone—Sam, whoever—to take advantage of her.
Emma Rosenblum (Bad Summer People)
Here are a few of the defenses that many people carry inside, sometimes for the rest of their lives: AVOIDANCE. Avoidance is usually about fear. Emotions and relationships have hurt me, so I will minimize emotions and relationships. People who are avoidant feel most comfortable when the conversation stays superficial. They often overintellectualize life. They retreat to work. They try to be self-sufficient and pretend they don’t have needs. Often, they have not had close relationships as kids and have lowered their expectations about future relationships. A person who fears intimacy in this way may be always on the move, preferring not to be rooted or pinned down; they are sometimes relentlessly positive so as not to display vulnerability; they engineer things so they are the strong one others turn to but never the one who turns to others. DEPRIVATION. Some children are raised around people so self-centered that the needs of the child are ignored. The child naturally learns the lesson “My needs won’t be met.” It is a short step from that to “I’m not worthy.” A person haunted by a deprivation schema can experience feelings of worthlessness throughout life no matter how many amazing successes they achieve. They often carry the idea that there is some flaw deep within themselves, that if other people knew it, it would cause them to run away. When they are treated badly, they are likely to blame themselves. (Of course he had an affair; I’m a pathetic wife.) They sometimes grapple with a fierce inner critic. OVERREACTIVITY. Children who are abused and threatened grow up in a dangerous world. The person afflicted in this way often has, deep in their nervous system, a hyperactive threat-detection system. Such people interpret ambivalent situations as menacing situations, neutral faces as angry faces. They are trapped in a hyperactive mind theater in which the world is dangerous. They overreact to things and fail to understand why they did so. PASSIVE AGGRESSION. Passive aggression is the indirect expression of anger. It is a way to sidestep direct communication by a person who fears conflict, who has trouble dealing with negative emotions. It’s possible such a person grew up in a home where anger was terrifying, where emotions were not addressed, or where love was conditional and the lesson was that direct communication would lead to the withdrawal of affection. Passive aggression is thus a form of emotional manipulation, a subtle power play to extract guilt and affection. A husband with passive-aggressive tendencies may encourage his wife to go on a weekend outing with her friends, feeling himself to be a selfless martyr, but then get angry with her in the days before the outing and through the weekend. He’ll let her know by various acts of withdrawal and self-pity that she’s a selfish person and he’s an innocent victim. —
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Overnight, as soon as the clock chimed my twenty-seventh birthday in fact, I went from being a well-educated, empowered woman to one of those pathetic women who wanted a baby with such ferocity it drove my husband away. An ovulation-kit-wielding, sperm-testing, temperature-taking lunatic. In my previous life, I’d scorned this type of woman from up in my (what I presumed to be) fertile ivory tower. Then I’d become one.
Sally Hepworth (The Good Sister)
At one point when I was in the middle of the first season, I asked myself why I would want to watch a conservative Democrat destroy teachers’ unions and have joyless sex with a woman who looks like a very young teenager. I still had not answered the question when Claire pushed things to the next level in a scene so intensely creepy that it might count as the most revolting thing I have ever witnessed on television. A longtime member of the couple’s Secret Service security detail is dying of cancer, and Claire goes to visit him alone. On his deathbed, he reveals that he was always secretly in love with her and thought that Frank wasn’t good enough for her. Her response is almost incomprehensible in its cruelty—she mocks and taunts him for thinking he could ever attain a woman like her, and then puts her hand down his pants and begins to give him a handjob, all the while saying, in true perverse style, “This is what you wanted, right?” Surely Claire doesn’t have to emotionally destroy a man who is dying of cancer—and yet perhaps in a way she does, because she uses it as a way of convincing herself that Frank really is the right man for her. Not only could an average, hardworking, sentimental man never satisfy her, but she would destroy him. By contrast, Frank not only can take her abuse, but actively thrives on it, as she does on his. Few images of marriage as a true partnership of equals are as convincing as this constant power struggle between two perverse creeps. Claire is not the first wife in the “high-quality TV drama” genre to administer a humiliating handjob. In fact, she is not even the first wife to administer a humiliating handjob to a man who is dying of cancer. That distinction belongs to Skyler White of Breaking Bad, who does the honors in the show’s pilot. It is intended as a birthday treat for her husband Walt, who is presumably sexually deprived due to his wife’s advanced pregnancy, and so in contrast to Claire’s, it would count as a generous gesture if not for the fact that Skyler continues to work on her laptop the entire time, barely even acknowledging Walt’s presence in the room. In her own way, Skyler is performing her dominance just as much as Claire was with her cancer patient, but Skyler’s detachment from the act makes it somehow even creepier than Claire’s.
Adam Kotsko (Creepiness)
Even more interesting perhaps is the gallery of Roman ladies, whose portraits are limned with so fine and discriminating a touch. Juvenal again is responsible for much misconception as to the part the women of Rome played in Roman society. The appalling Sixth Satire, in which he unhesitatingly declares that most women — if not all — are bad, and that virtue and chastity are so rare as to be almost unknown, in which he roundly accuses them of all the vices known to human depravity, reads like a monstrous and disgraceful libel on the sex when one turns to Pliny and makes the acquaintance of Arria, Fannia, Corellia, and Calpurnia. The characters of Arria and Fannia are well known; they are among the heroines of history. But in Pliny there are numerous references to women whose names are not even known to us, but the terms in which they are referred to prove what sweet, womanly lives they led. For example, he writes to Geminus: “Our friend Macrinus has suffered a grievous wound. He has lost his wife, who would have been regarded as a model of all the virtues even if she had lived in the good old days. He lived with her for thirty-nine years, without so much as a single quarrel or disagreement.” “Vixit cum hac triginta novem annis sine jurgio, sine offensa. One is reminded of the fine line of Propertius, in which Cornelia boasts of the blameless union of herself and her husband, Paullus — “Viximus insignes inter utramque facem.” This is no isolated example. One of the most pathetic letters is that in which Pliny writes of the death of the younger daughter of his friend Fundanus, a girl in her fifteenth year, who had already “the prudence of age, the gravity of a matron, and all the maidenly modesty and sweetness of a girl.” Pliny tells us how it cut him to the quick to hear her father give directions that the money he had meant to lay out on dresses and pearls and jewels for her betrothal should be spent on incense, unguents, and spices for her bier. What a different picture from anything we find in Juvenal, who would fain have us believe that Messalina was the type of the average Roman matron of his day! Such
Gaius Plinius Caecilius Secundus Pliny the Younger (Complete Works of Pliny the Younger)
I cannot believe you would take such an unpardonable risk!"  cried Charles, leaping to his feet.  "When I bade Juliet to come here should anything happen to me, I thought you, not Gareth would be responsible for her!  Gareth can't even be responsible for buckling his own shoes for God's sake, let alone a wife and baby!" Lucien had been previously content to suffer Charles's anger, but now his expression hardened.  "You are judging your brother most unfairly, Charles, and I will not tolerate your abusing him in this manner.  He would be much wounded if he were to hear you speak of him so.  I know that Gareth was once irresponsible and dissolute, but he has made much of himself, Charles.  He is a loving husband and a playful, adoring father, and his days of debauchery are far behind him.  Go ahead and be angry, as you have every right to be, but do not be angry with him.  If you must assign blame to anyone, assign it where it is due.  That is, assign it to me." "Yes, you and your infernal meddling!  I hope you're damned proud of yourself!" "I was — until I got your letter saying you were not dead, after all.  But really, Charles.  Even you must admit that Gareth, with his light heart and carefree spirit, is much better suited to Juliet, who is as serious-minded as you are.  My only regret is that something has reduced you to this pathetic wreckage I see standing before me, and I was not there to help you.  But as sorry as I feel for you, Charles, I will tell you this.  If you do anything to sabotage your brother's and Juliet's newfound happiness, I assure you I will be most irate indeed.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
And I stood there, the fake mother between the genuine articles, Wendy and Mrs O’Flaherty. They seem to find it so easy; kids, husband, housework. To them, it comes as naturally as breathing. I just feel like I’m suffocating. Tilly hated the doll I got her. I don’t understand why she asked for it – she never plays with dolls. But still she went along with it, pretending to be pleased. But then Karen had to mention him: Stevie, the spectre at the feast. It wasn’t her fault, but that was the end of the ‘happy birthday’ game. The others went home and left us alone again. Tilly sat and looked at her presents. I could see that she was desperately holding herself together, like a sandcastle being lapped by the waves. And we both knew that the tide was coming in. I think she was doing it for me; protecting me from her hurt. She acts like she’s the mother and I’m the child. So what did I do? I drowned my sorrows. Again. Pathetic, despicable, worthless bitch that I am, I drank myself to sleep. Again.
Ruth Hogan (Queenie Malone's Paradise Hotel)
I blurt out my story, how I had hired Nicola to be the maîtress d'hôtel at our restaurant, Grappa, when I was seven months pregnant. How I suspected Jake and Nicola had begun having an affair when Chloe was just hours old; and how one night, when Chloe woke up and Jake still wasn't home at two-thirty in the morning, I bundled her up and strapped her into the portable infant carrier, walked the three blocks to the restaurant, and snuck in the side door. The door was locked, but the alarm wasn't on, the first odd thing, because Jake always locks up and sets the alarm before leaving the restaurant. Chloe had fallen back to sleep in her infant seat on the way over, so I carefully nestled the carrier into one of the leather banquettes. I crept through the dining room and into the darkened kitchen, where I could see the office at the far end was aglow with candlelight. As I moved closer I could hear music. "Nessun dorma," from Turandot, Jake's favorite. How fitting. On the marble pastry station I found an open bottle of wine and two empty glasses. It was, to add insult to what was about to be serious injury, a 1999 Tenuta dell'Ornellaia Masseto Toscano- the most expensive wine in our cellar. Three hundred and eighty dollar foreplay. I picked up the bottle and followed the trail of clothes to the office. Jake's checkered chef's pants and tunic, Nicola's slinky black dress, which I hated her for being able to wear, and a Victoria's Secret lacy, black bra. They were on the leather couch, Nicola on top, her wild, black hair spilling over Jake's chest, humping away like wild dogs. Carried away by their passion, they were oblivious to my approach. I drained the last of the wine from the bottle and hurled it over their backsides where it smashed against the wall, announcing my arrival. Before Jake could completely extricate himself, I jumped on Nicola's back and grabbed hold of her hair and pulled with all the strength of my hot-blooded Mediterranean ancestors. Nicola screamed, and clawed the air, her flailing hands accidentally swiping Jake squarely on the chin. He squirmed out from under her and tried to tackle me, but I'm not a small woman. Armed with my humiliation and anger, I was a force in motion. In desperation, Jake butted his head into the middle of my back, wrapped his hands around my waist, and pulled with all his might. He succeeded, pulling so hard that Nicola's hair, which I had resolutely refused to yield, came away in great clumps in my hands. Nicola's screams turned to pathetic whimpers as she reached to cover her burning scalp. She then curled herself into a fetal position, naked and bleeding, and began to keen.
Meredith Mileti (Aftertaste: A Novel in Five Courses)