Pastel Pink Quotes

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Her bedroom had seemed so pink and young and delicate, appropriate to her pastel-shaded lingerie tossed here and there on chair and bed.
F. Scott Fitzgerald (The Beautiful and Damned)
Alice came upon treasure after treasure: everlasting daisies in pastel pinks and yellows, trails of grey and white feathers, boughs heavy with blossom buds on the gum trees. She breathed in the warm earth and appreciated the sky, a blend of soldier-crab blue and every shade of purple in a pipi shell. The desert's an old dream of the sea.
Holly Ringland (The Lost Flowers of Alice Hart)
All his life Robert Grainier would remember vividly the burned valley at sundown, the most dreamlike business he’d ever witnessed waking—the brilliant pastels of the last light overhead, some clouds high and white, catching daylight from beyond the valley, others ribbed and gray and pink, the lowest of them rubbing the peaks of Bussard and Queen mountains; and beneath this wondrous sky the black valley, utterly still, the train moving through it making a great noise but unable to wake this dead world.
Denis Johnson (Train Dreams)
This book is dedicated to all the little girls who want to wear neon green to dance class when all the others are wearing pastel pink.
Vi Keeland (Stuck-Up Suit)
Whenever I think of the man I was in those days, cutting across the nat-cropped grass of the campus, burdened down by the weight of the books in which I sought the consolation of other men's grief, and aburdened futher by the large weight of my own bitterness, the whole vision seems a nightmare. There were girls all about me, so near and yet so out of reach, a pastel nightmare of honey-blond, pink-lipped, golden-legged, lemon-sweatered girls
Frederick Exley (A Fan's Notes (A Fan's Notes, #1))
Children weren’t color-coded at all until the early twentieth century: in the era before Maytag, all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colors were introduced, pink was actually considered the more masculine hue, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy, and faithfulness, symbolized femininity.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
Betty ran to the door in time to see a handsome young man dashing through the rain toward the house beside her daughter, both of them in pants embroidered with sea creatures - blue whales on his yellow pants, pink lobsters on her ill-fitting brick red pants - and matching pastel green cotton sweaters. When did Miranda buy such odd clothes? She imagined the two of them spotting eachother somewhere, kindred spirits, and starting up a conversation about their shared hobby of Extreme Wasp Attire.
Cathleen Schine (The Three Weissmanns of Westport)
Everything I am inside is pink and blue. Pastels without, soft clouds above, blue sky everywhere with an occasional rain but from renewal, not anger. My mind has no boundaries. Its floor is poetry, the wallpaper music. The windows are always open to allow the humor to drift in and out. The furniture is made of air, I am forever floating.
Kimberly Jo Smith
Along with the greening of May came the rain. Then the clouds disappeared and a soft pale lightness fell over the city, as if Kyoto had broken free of its tethers and lifted up toward the sun. The mornings were as dewy and verdant as a glass of iced green tea. The nights folded into pencil-gray darkness fragrant with white flowers. And everyone's mood seemed buoyant, happy, and carefree. When I wasn't teaching or studying tea kaiseki, I would ride my secondhand pistachio-green bicycle to favorite places to capture the fleeting lushness of Kyoto in a sketchbook. With a small box of Niji oil pastels, I would draw things that Zen pots had long ago described in words and I did not want to forget: a pond of yellow iris near a small Buddhist temple; a granite urn in a forest of bamboo; and a blue creek reflecting the beauty of heaven, carrying away a summer snowfall of pink blossoms. Sometimes, I would sit under the shade of a willow tree at the bottom of my street, doing nothing but listening to the call of cuckoos, while reading and munching on carrots and boiled egg halves smeared with mayonnaise and wrapped in crisp sheets of nori. Never before had such simple indulgences brought such immense pleasure.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
Aleana wasn’t sure she was dreaming but she had some inkling that it might not be fully real. She tried to break through the mental fog she felt, but the vision of Ursula drew her back into the dream. She was truly beautiful and a welcome sight. Aleana gently grasped Ursula’s waist and pulled her down harder, while her lips claimed kiss after sensual kiss from the beauty’s pastel pink lips.
Cailee Francis (Mischief Dreaming (The Nymphalicious Chronicles, #2))
I am a writer who does not enjoy writing. I can find innumerable ways to avoid it. But, to rip off Dorothy Parker, nothing else—nothing—gives me the same thrill as having written. I’m the same way with knitting. The process is fine, mind you, and keeps my hands busy. But nothing else—nothing—gives me the rush that I get from finishing something. "The parallels between writing and knitting go even further. Like writing, knitting has a finite number of raw ingredients. There are twenty-six letters in the alphabet. Those letters can combine to give you David Foster Wallace or freshman composition papers. There are only two basic stitches: the knit and the purl. Those stitches can add up to a gorgeously complicated sweater or a pastel pink toilet paper cozy. The difference is in the mind that shapes them.
Adrienne Martini (Sweater Quest: My Year of Knitting Dangerously)
I gazed at the Wyoming skyline. It was vibrant and alive, its pastel shades of pink and blue swirling together like billowy layers of cotton candy. Of all the places I’d been in my life, Wyoming sunsets were spectacular, the grandest I’d ever seen.
Cheryl Bradshaw (Hush Now Baby (Sloane Monroe, #6))
Her store was small but cozy. Pastel vases presented fresh pink peonies on the windowsills while Teresa Tang sang through the speakers. My lifelong love affair with tea had begun here at a very young age. I'd had my formal introduction to rooibos, matcha, chai, maté, and pu'erh, all seducing me with their floral, fruity, earthy scents.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)
The neighborhood had gotten really into pastel the last few years. It started when Alfred's wife painted their whole house a soft pink during menopause. Looks Like Linen it was called. People raved. A magazine came, made the family hold up a rotisserie chicken, and then photographed it. A few months later, Mrs. Trenton's house was Mint Leaf. Ours became Celery Powder. The Resnicks' house turned Yellow Feather.
Alison Espach (The Adults)
On the way to Wall Street this morning, due to gridlock I had to get out of the company car and was walking down Fifth Avenue to find a subway station when I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a "Gay Pride Parade," which made my stomach turn. Homosexuals proudly marched down Fifth Avenue, pink triangles emblazoned on pastel-colored windbreakers, some even holding hands, most singing "Somewhere" out of key and in unison.
Bret Easton Ellis (American Psycho)
On the way to Wall Street this morning, due to gridlock I had to get out of the company car and was walking down Fifth Avenue to find a subway station when I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a "Gay Pride Parade," which made my stomach turn. Homosexuals proudly marched down Fifth Avenue, pink triangles emblazoned on pastel-colored windbreakers, some even holding hands, most singing "Somewhere" out of key and in unison.
Bret Easton Ellis (American Psycho)
On the way to Wall Street this morning, due to gridlock I had to get out of the company car and was walking down Fifth Avenue to find a subway station when I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a "Gay Pride Parade," which made my stomach turn. Homosexuals proudly marched down Fifth Avenue, pink triangles emblazoned on pastel-colored windbreakers, some even holding hands, most singing "Somewhere" out of key and in unison.
Bret Easton Ellis (American Psycho)
- Surly clouds blacken to make fire rims at that forge where night’s being hammered, crazed mountains march to the sunset like drunken cavaliers in Messina when Ursula was fair, I would swear that Hozomeen would move if we could induce him but he spends the night with me and soon when stars rain down the snowfields he’ll be in the pink of pride all black and yaw-y to the north where (just above him every night) North Star flashes pastel orange, pastel green, iron orange, iron blue, azurite indicative constellative auguries of her makeup there that you could weigh on the scales of the golden world - The wind, the wind -
Jack Kerouac (Desolation Angels)
But aside from those curling green tendrils, the gown was the bright pink of…of…of… All comparisons failed Oliver. It wasn’t the bright pink of anything. It was a furious shade of pink, one that nature had never intended. It was a pink that did violence to the notion of demure pastels. It didn’t just shout for attention; it walked up and clubbed one over the head. It hurt his head, that pink, and yet he couldn’t look away. The room was small enough that he could hear the first words of greeting. “Miss Fairfield,” a woman said. “Your gown is…very pink. And pink is…such a lovely color, isn’t it?” That last was said with a wistful quality in the speaker’s voice, as if she were mourning the memory of true pink.
Courtney Milan (The Heiress Effect (Brothers Sinister, #2))
Marie Antoinette would have loved this place!" Piper Donovan stood agape, her green eyes opened wide, as she took in the magical space. Crystal chandeliers, dripping with glittering prisms, hung from the mirrored ceiling. Gilded moldings crowned the pale pink walls. Gleaming glass cases displayed vibrant fruit tarts, puffy éclairs, and powdered beignets. Exquisitely decorated cakes of all flavors and sizes rested on pedestals alongside trays of pastel meringues and luscious napoleons. Cupcakes, cookies, croissants, and cream-filled pastries dusted with sugar or drizzled with chocolate beckoned from the shelves. "It's unbelievable," she whispered. "I feel like I've walked into a jewel box---one made of confectioners' sugar but a jewel box nonetheless.
Mary Jane Clark (That Old Black Magic (Wedding Cake Mystery, #4))
going on. Models had always been different each year, but consistently solid and square, usually black or dark green. Suddenly a completely new generation was on gleaming display – wider and softer than ever. I’ve looked at the advertisements for that year. The earthy colours of previous decades were replaced by pastels, pinks and pale blues. The Chevrolet Bel Air and the Pontiac Star Chief, with their Strato-Streak V8 engines, were available in ‘Avalon Yellow’ as well as ‘Raven Black’. The new models had rounded, panoramic windscreens and, in the case of the new Cadillac, a strange rear end with tail fins like a fighter plane. Sales soared, rising by thirty-seven per cent between 1954 and 1955 alone. People were no longer so concerned about technology and durability; it was more
Geert Mak (In America: Travels with John Steinbeck)
But when I closed my eyes and pictured the house in that moment, it wasn't empty. The pastel depths of my mother's swollen closet lured me back. I went inside and peeked out between her hanging silk blouses at the rough beige carpeting of her bedroom, the cream ceramic lamp on her nightstand. My mother. And then I traveled up the hall, through the French doors, into my father's study: a dried plum pit on a tea saucer, a stack of papers he'd marked in red, mechanical pencils, yellow legal pads that flared open like daffodils. Journals and magazine and newspapers and manila folders, gummy pink erasers that struck me suddenly as somehow genital. Squat glass bottles of Canada Dry a quarter full. A chipped crystal dish of oxidizing paper clips, loose change, a crumped lozenge wrapper, a button he had meant to sew back onto a shirt but never did. My father.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Thai prostitution was a haven for the men and a nuisance for the women. The streets of Phuket were outlined with bars ready to nourish thirsty sailors with euphoric intoxication to smother their pinched nerves from their personal lives deteriorating in their six-month absence. Thailand truly lived up to its port reputation. Hundreds of bikini-clad prostitutes littered the strip. Slim and petite, their narrow hips and flat chests appeared to be the appropriate age for the pink plaid schoolgirl skirts, dress shirts, ties, and pigtails intended to entice pedophilic eroticism. They wore heavy coats of pastel liquid shadow that clashed against their yellow tinted tans. They awkwardly wiggled to a nauseating blend of techno and Reggaeton as cotton-haired granddaddies lustfully gawked at them. Any Caucasian male cannot trek a block without the treatment of a pop culture heartthrob with a trail of Thai teens at his heels. “Wan hunnet baaht!” they taunt in a nasal screech. “Wan hunnet baht and I suck yo cock!” The oriental beauties cup their fists and hold them to their mouths as they wiggle their tongues against their cheeks to provide a clear visual for their performance skills. It’s easy to dismiss the humanity in Thai prostitutes. Their splotchy, heavily accented English allows the language barrier to muffle signs of intellect. They’re overtly sexual in their crotch bearing ensembles, loud and vulgar invitations, and provocative dancing that makes even corner butcher shops feel like Vegas strip clubs. Swarms of them linger in front of bars holding cardboard signs scribbled with magic marker that offer a blow job with the first beer purchased. Their eyes burn into passing tourists, with acute radar for creamy, sun-flushed complexions and potbellies - signals of the deep pockets of white male privilege.
Maggie Georgiana Young (Just Another Number)
All comparisons failed Oliver. It wasn’t the bright pink of anything. It was a furious shade of pink, one that nature had never intended. It was a pink that did violence to the notion of demure pastels. It didn’t just shout for attention; it walked up and clubbed one over the head. It hurt his head, that pink, and yet he couldn’t look away. The room was small enough that he could hear the first words of greeting. “Miss Fairfield,” a woman said. “Your gown is…very pink. And pink is…such a lovely color, isn’t it?” That last was said with a wistful quality in the speaker’s voice, as if she were mourning the memory of true pink.
Courtney Milan (The Heiress Effect (Brothers Sinister, #2))
Children weren’t color-coded at all until the early twentieth century: in the era before Maytag, all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colors were introduced, pink was actually considered the more masculine hue, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy, and faithfulness, symbolized femininity. (That
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
She’s way too young for me.” Skylar crossed her arms. In her puffy pink coat, she looked like a pastel Michelin man. “How old is she?” “Twenty-seven.” “That’s no problem. She passes the half plus seven rule.” Confused, Nick zeroed in on his niece. “The what?” “You know, half your age, then add seven. That’s how young you can date. Everyone knows that.
Ellen Mint (Mistletoe Latte)
Hell wasn’t what Rincewind had been led to expect, although there were signs of what it might once have been – a few clinkers in a corner, a bad scorch mark on the ceiling. It was hot, though, with the kind of heat that you get by boiling air inside an oven for years – Hell, it has been suggested, is other people. This has always come as a bit of a surprise to many working demons, who had always thought hell was sticking sharp things into people and pushing them into lakes of blood and so on. This is because demons, like most people, have failed to distinguish between the body and the soul. The fact was that, as droves of demon kings had noticed, there was a limit to what you could do to a soul with, e.g., red-hot tweezers, because even fairly evil and corrupt souls were bright enough to realise that since they didn’t have the concomitant body and nerve endings attached to them there was no real reason, other than force of habit, why they should suffer excruciating agony. So they didn’t. Demons went on doing it anyway, because numb and mindless stupidity is part of what being a demon is all about, but since no-one was suffering they didn’t enjoy it much either and the whole thing was pointless. Centuries and centuries of pointlessness. Astfgl, [the current Demon King,] had adopted, without realising what he was doing, a radically new approach. Demons can move interdimensionally, and so he’d found the basic ingredients for a very worthwhile lake of blood equivalent, as it were, for the soul. Learn from humans, he’d told the demon lords. Learn from humans. It’s amazing what you can learn from humans. You take, for example, a certain type of hotel. It is probably an English version of an American hotel, but operated with that peculiarly English genius for taking something American and subtracting from it its one worthwhile aspect, so that you end up with slow fast food, West Country and Western music and, well, this hotel. It’s early closing day. The bar is really just a pastel-pink paneled table with a silly bucket on it, set in one corner, and it won’t be open for hours yet. And then you add rain, and let the one channel available on the TV be, perhaps, Welsh Channel Four, showing its usual mobius Eisteddfod from Pant-y-gyrdl. And there is only one book in this hotel, left behind by a previous victim. It is one of those where the name of the author is on the front in raised gold letters much bigger than the tittle, and it probably has a rose and a bullet on there too. Half the pages are missing. And the only cinema in the town is showing something with subtitles and French umbrellas in it. And then you stop time, but not experience, so that it seems as though the very fluff in the carpet is gradually rising up to fill the brain and your mouth starts to taste like an old denture. And you make it last for ever and ever. That’s even longer than from now to opening time. And then you distil it.
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
Pastel pink petals from the apple blossoms in the nearby orchard floated past on the breeze, a glimpse of beauty in the ruins of a place riddled with curses.
Jaime Jo Wright (The Vanishing at Castle Moreau)
She took me through the parlors and the kitchen, and I marveled at the beautiful ceiling molding, the wooden banisters up to the second floor, the crystalline chandelier in the dining room. The furniture was tasteful and sparse, plastic over the fainting couches and coffee tables and wingback chairs, so that as they stood in stasis they wouldn't collect dust. The second floor was just as gorgeous, the rooms all themed in different flowers. The yellow daffodil room was my favorite. The wall with the headboard had an entire mural of huge daffodils blooming across it. Junie's handiwork, I was sure. Just like the mural on the side of Frank's Auto Shop, and the logo for the Grumpy Possum, and even Gail's bar scene. She showed me all the different rooms, each with a different flower theme and a different focal color--- lavender and coral and sage. The pink ones--- roses--- matched Junie's pastel hair.
Ashley Poston (A Novel Love Story)
They wheeled in golden carts covered in snacks and treats as pretty as treasure in a chest. There were cookies shaped like castles, tarts topped in glistening pastel fruit, poached pears in a swirling golden sauce, candied dates wearing miniature crowns, and oysters on ice with pink pearls that glistened under the light.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
We break off into the streets, repairing the cobblestones with our brisk allegro. The townsfolk step aside in awe as my allongés stitch the pastel wood back into cottages and storefronts. Flowers grow from my quick bourrée steps, breathing life back into Luna Island in shades of pink and purple. Rainbows rise from the sea with my grand jeté, summoning the dolphins to leap alongside our dance. Damien catches me in his arms before lifting me into the air as I paint the sky bright blue. We laugh as the beauty of Luna Island blooms once again, running into the forest and turning the ash into lush green trees. Color bursts in the darkness as we chassé through the angels' village and past the glade where our story first began. With my pirouettes, I add extra pink petals to the garden where Damien and I once lay. I break into a series of chaîné turns as we make our way back down to the beach, unleashing the magic Luna bestowed upon me. The townsfolk watch in awe in the midst of the commotion, and I dust them in a veil of starlight that follows my path, healing bruises and stitching wounds until no one bleeds. They gather around me as I finish my dance, thrumming with applause and tossing the freshly spun flowers at my feet.
Kiana Krystle (Dance of the Starlit Sea)
Noa sleeps with the curtains open, allowing as much moonlight as possible to flood her bedroom, allowing her to see each and every picture on the walls, if only as a pale glimmer. It took Noa weeks to perfect the art display. Reproductions of Monet's gardens at Giverny blanket one wall: thousands of violets- smudges of purples and mauves- and azaleas, poppies, and peonies, tulips and roses, water lilies in pastel pinks floating on serene lakes reflecting weeping willows and shimmers of sunshine. Turner's sunsets adorn another: bright eyes of gold at the center of skies and seas of searing magenta or soft blue. The third wall is splashed with Jackson Pollocks: a hundred different colors streaked and splattered above Noa's bed. The fourth wall is decorated by Rothko: blocks of blue and red and yellow blending and bleeding together. The ceiling is papered with the abstract shapes of Kandinsky: triangles, circles, and lines tumbling over one another in energetic acrobatics.
Menna Van Praag (The Witches of Cambridge)
Pink,” I say, going with the first color on my list. “Cool.” She smiles. “Pink, it is. Are we talking bright pink or light pink? Pastel, like candy-floss pink? That’s all the rage at the moment. That, and gray.” “Candy floss?” “Cotton candy,” Liam explains. “Ah.” I nod. Dude talks my language. “Well, I’m definitely not going gray. Candy-floss pink,” I tell her.
Samantha Towle (The Ending I Want)
Oliver Marley supposed there were more dignified ways to end his life. A lifelong victim to the twin sins of an infertile imagination and pragmatism, the thought of travel simply never crossed his mind.   Had it occurred to him, Oliver could have jumped off the Golden Gate Bridge, into the abyss of the Grand Canyon or said au revoir off the Eiffel Tower. But truth be told, Oliver never was much of a traveler. Even locally there were certainly higher quality casinos to choose from, taller parking garages from which to leap. Instead he found himself perched atop the nearest appropriately-sized structure to his home, that being the parking garage of the Circus Time Hotel & Casino. His view not of Alcatraz Island and the rough waters of the San Francisco Bay, nor the breathtaking vistas of the Arizona desert, or the romanticism of the Paris skyline for that matter. Rather he found himself bathed in a noxious blend of pink and green neon, staring into a pair of giant blinking pastel eyes belonging to the eighty-foot clown staring down at him like a frilly guardian angel. Then again, when your primary objective is to pancake yourself on a public sidewalk, perhaps you’re not in the best position to nitpick over the intricacies of what does and does not constitute bad taste. Oliver would just have to live with the clown, at least for another minute or two.
Kingfisher Pink (Marley)
Based on the Waste." By Aron Micko H.B Pure hot chocolate milk love to drink; I've got a pen and my time is to start to think. I forgot to take a vitamin C with zinc; However, the moment is starting to sync. I lost along the way, not doublethink; Imagination runs fast, stare and wink. The right brain forgot the word critic; In some laziness of the left brain link. I saw my pastel lose the color pink. I drop accidentally all colors shrink; The smoke coming in the door stink; My nose starts to smell some sink. My hand start to flow no more think; Drop someone's chocolate milk drink. I drew strange lady, a blink; Trying to waste my mom's ballpen ink.
Aron Micko H.B
What if I picked a pastel pink for the master bedroom?" "Well, we can fuck with the lights off," he decided, giving me a smile before pulling me up for a quick kiss.
Jessica Gadziala (The Woman in the Trunk (Costa Family, #1))
the yellow of fresh egg yolks, and the warm purple of a healing bruise, fire reds and candy pastels of blue and pink and white rising up only to descend into a chaotic central mass, like a hornet hive, before trailing off in dark marks at the far left of the canvas. Black lines, like primitive boats with crosshatched oars, open into a shimmering sea of white.
Joshua Rivkin (Chalk: The Art and Erasure of Cy Twombly)
I go to a children’s store in my neighborhood, pink, chirpy, cheerful, and buy the baby a book, The Giving Tree, a dire story about a selfish child sucking the life out of an enabling tree. (That tree has no agency, is what I’ve always thought.) But that is the book you buy a baby. I’m certain Indigo has five copies of it already. I’m too late to be the first at anything. I also buy a stuffed rabbit, its floppy ears draping softly in a sea of pastel tissue paper inside the gift bag. This, too, I know she has multiple versions of, more or less. There is nothing original I can offer this child. I am obligated to make an offering, however, a virgin to the gods, a stuffed animal to a new baby. If I lay this gift on the altar, will you promise me I’ll never get pregnant? I make sure to get gift receipts for both.
Jami Attenberg (All Grown Up)