Pastel Love Quotes

How do I love thee? wondered Orion. "Let me see. I love thee passionately and eternally...obviously eternally-that goes without saying." Holly blinked sweat from her eyes. "Is he serious?" she called over her shoulder to Foaly. "Oh, absolutely," said the centaur "If he asks you to look for birthmarks, say no immediately." "Oh, I would never." Orion assured her. "Ladies don't look for birthmarks; that is work for jolly fellows like the Goodly Beast and myself. Ladies, like Miss Short, do enough by simply existing. They exude beauty, and that is enough." "I am not exuding anything." said Holly, through gritted teeth. Orion tapped her shoulder. "I beg to differ. You're exuding right now, a wonderful aura. It's pastel blue with little dolphins." Holly gripped the wheel tightly. "I'm going to be sick. Did he just say pastel blue?" "And dolphins, little ones," said Foaly.

I had never thought I had much in common with anybody. I had no mother, no father, no roots, no biological similarities called sisters and brothers. And for a future I didn't want a split-level home with a station wagon, pastel refrigerator, and a houseful of blonde children evenly spaced through the years. I didn't want to walk into the pages of McCall's magazine and become the model housewife. I didn't even want a husband or any man for that matter. I wanted to go my own way. That's all I think I ever wanted, to go my own way and maybe find some love here and there. Love, but not the now and forever kind with chains around your vagina and a short circuit in your brain. I'd rather be alone.

El amor y el aprecio perfectamente se pueden demostrar con un pastel de queso, con terneras, zapatos, té, buenos días o qué tengo en el ojo; si el cariño sólo se pudiera demostrar con poemas, flores y anillos, bien poco sería el amor.

As long as there is a sun and a moon, there is another day to love and fight.

Sometimes love is pastel. Sometimes love is black. And sometimes love is fiery red and you feel as if you are going to burn in the flames.

I love the smell of pastels...that breaths life into my soul.

Am I inconsequential to it all, a random, forgettable moment in your delicate, pastel existence?

A broken soul always finds its missing half.

Charles loved her voice. It was so soft and blurred, like pastels. It made his neck tingle just to listen to her. It gave him the same delicious feeling he had as he hovered on the brink of sleep and this feeling - until now - had been the single most pleasant feeling in his life. It was the voice that coloured everything he now thought about her. It was shy and tentative and musical. Sometimes he did not manage to hear the words she said, but he did not let on about his deafness.

I love messy homes, homes where a woman and kids have left their mark on every inch: sticky finger marks down the walls, trinkets and nests of pastel hair-gadgets on the mantelpiece, that smell of flowery things and ironing.

Tell me something about yourself.” “I’d rather save the small talk.” “There’s no need to be rude, child, and believe me, I’m asking for a reason. Tell me something about yourself. Anything.” “I’m twenty-eight . . .” He rejected that one out of hand. “Something personal. Something . . . interior. Tell me something you love.” I thought about it for a long few seconds, then said, “Ralph Lauren’s summer line this year. Not the spring collection, which was way too pastel, and the winter was really crappy, all bland browns and grays. But he’s got some good fabrics this summer, kind of a hot tangerine matched with dull red. Only he skirts, though. Hiscapri pants are for shit. Pockets? Who wants pockets on capri pants? What woman in her right mind puts extra fabric on her hips?” There was a long and ringing silence. Patrick’s eyes were wide and rather frightened. He finally cleared his throat and said, “Anything else apart from fashion?” “What do you want me to say? Puppies? Fluffy kittens? Babies?” “Let’s try something simple. Your favorite food.” I rolled my eyes. “Chocolate.” Duh .

I really just couldn’t think of anything. Absolutely nothing that I wanted to do. There were plenty of things that I don’t want to do. Like torment animals. Or be jealous of other people’s happiness. Or cut my hair short. Or obey unreasonable orders. Or wear pastel-coloured dresses.

Si quieres pregúntame por qué te necesito -susurró. Ni siquiera tuvo que decirlo. Por teléfono, en la oscuridad, le bastaba con mover los labios y respirar-. Pero no lo sé. Sólo sé que es así... Te echo de menos Eleanor. Quiero estar contigo todo el tiempo. Eres la chica más inteligente que he conocido jamás, la más divertida, y todo lo que haces me sorprende. Y me gustaría poder decir que ésas son las razones de que me gustes, porque eso me haría sentir como un ser humano mínimamente evolucionado... Pero creo que lo que siento por ti se debe también al color rojo de tu pelo y a la suavidad de tus manos... y a tu aroma, como a pastel de cumpleaños casero.

Only a short time ago hed envied these brightly plumed birds[ladies in pastel dresses]. They possessed everything money could buy and most had the leisure to enjoy it. Yet their needs were greater than his own. They required a flock of admirers, dozens of servants, expensive clothes, and showy carriages to incite envy among their friends and foes.

A dreaming mind is a soul that stays alive.

hopelessly I am addicted to the wings of morning light the silver restart everything that is pastel green and blue and oh God the hope

Dude, you got me cartoon underwear?!” I knew she would like them, they matched her socks. She pulled the pastel fabric from the bag, their kitty faces smiling back at me along with her bemused smirk.

My Floating Sea" "Pastel colors reflect in my opening eyes and draw my gaze to a horizon where the waters both begin and end. This early in the day I can easily stare without blinking. The pale sea appears calm, but it is stormy just as often. I awe at the grandeur, how it expands beyond my sight to immeasurable depths. In every direction that I twist my neck, a beauteous blue is there to console me. Flowing, floating ribbons of mist form on these pale waters. In harmony they pirouette, creating a stretch of attractive, soft swirls. Swoosh! The wind, its strength in eddies and twisters, smears the art of dancing clouds, and the white disperses like startled fairies fleeing into the forest. Suddenly all is brilliant blue. The waters calm and clear. It warms me. Pleases me. Forces my eyes to close at such vast radiance. My day is spent surrounded by this ethereal sea, but soon enough the light in its belly subsides. Rich colors draw my gaze to the opposite horizon where the waters both begin and end. I watch the colors bleed and deepen. They fade into black. Yawning, I cast my eyes at tiny gleams of life that drift within the darkened waters. I extend my reach as if I could will my arm to stretch the expanse between me and eons. How I would love to brush a finger over a ray of living light, but I know I cannot. Distance deceives me. These little breathing lights floating in blackness would truly reduce me to the tiniest size, like a mountain stands majestic over a single wild flower. I am overwhelmed by it all and stare up, in love with the floating sea above my head.

So you like Bake Off, huh?” “It’s just so soothing,” Henry says. “Everything’s all pastel-colored and the music is so relaxing and everyone’s so lovely to one another. And you learn so much about different types of biscuits, Alex.

The bells on the streetcars ring, buses clatter by honking their horns, stuffed full with people and more people; taxis and fancy private automobiles hum over the glassy asphalt,” he wrote. “The fragrance of heavy perfume floats by. Harlots smile from the artful pastels of fashionable women’s faces; so-called men stroll to and fro, monocles glinting; fake and precious stones sparkle.” Berlin was, he wrote, a “stone desert” filled with sin and corruption and inhabited by a populace “borne to the grave with a smile.

I love your pastel colors and your pedicures. I love that you’re more high maintenance than I am and that I can bogart your moisturizer in the morning. I love that you exasperate me at work and you exhaust me in the bedroom. Of course we’re going to be together. It’s fucking obvious.

From a Berkeley Notebook' ~Denis Johnson One changes so much from moment to moment that when one hugs oneself against the chill air at the inception of spring, at night, knees drawn to chin, he finds himself in the arms of a total stranger, the arms of one he might move away from on the dark playground. Also, it breaks the heart that the sign revolving like a flame above the gas station remembers the price of gas, but forgets entirely this face it has been looking at all day. And so the heart is exhausted that even the face of the dismal facts we wait for the loves of the past to come walking from the fire, the tree, the stone, tangible and unchanged and repentant but what can you do. Half the time I think about my wife and child, the other half I think how to become a citizen with an apartment, and sex too is quite on my mind, though it seems the women have no time for you here, for which in my larger, more mature moments I can’t blame them. These are the absolute Pastures I am led to: I am in Berkeley, California, trapped inside my body, I am the secret my body is going to keep forever, as if its secret were merely silence. It lies between two mistakes of the earth, the San Andreas and Hayward faults, and at night from the hill above the stadium where I sleep, I can see the yellow aurora of Telegraph Avenue uplifted by the holocaust. My sleeping bag has little cowboys lassoing bulls embroidered all over its pastel inner lining, the pines are tall and straight, converging in a sort of roof above me, it’s nice, oh loves, oh loves, why aren’t you here? Morgan, my pyjamas are so lonesome without the orangutans—I write and write, and transcend nothing, escape nothing, nothing is truly born from me, yet magically it’s better than nothing—I know you must be quite changed by now, but you are just the same, too, like those stars that keep shining for a long time after they go out—but it’s just a light they touch us with this evening amid the fine rain like mist, among the pines.

Her store was small but cozy. Pastel vases presented fresh pink peonies on the windowsills while Teresa Tang sang through the speakers. My lifelong love affair with tea had begun here at a very young age. I'd had my formal introduction to rooibos, matcha, chai, maté, and pu'erh, all seducing me with their floral, fruity, earthy scents.

They rolled all over the pastel crayons scattered on the sheets so her back was variegated with patches and blotches all the colours of the rainbow and Lee was also marked everywhere with brilliant dusts, both here and there also darkly spotted with blood, each a canvas involuntarily patterned by those workings of random chance so much prized by the surrealists.

once upon a time, i met a flower. she was so innocent, yet so wise. she was glitter and wildness. softness and sweet fragrance. she was a flock of fireflies that danced through the forest and swam naked in moonlight. she was the first soul i bared myself to, only one i was completely honest with about the things that shamed me...we wandered through the world in a bubble of our own making, floating free, full of pastels so colorful, full of fairy dust, sunbeams, and feathers. we drew people towards us like sirens in the water, wanting what we had. but we fluttered away like butterflies hopping from lily pad to lily pad, giggling all the while. we told each other the real hard truth, and listened, and laughed and cried out our hearts. when i was going through a tough time, she once told me to pick a place, anywhere in the world, and she’d be there with me, even if she couldn't be...she was my flower. she taught me about generosity, about giving with deep trust that it would return somehow somewhere. and it always does. she taught me to love people for who they are, and to just let them be, in their own flower field. i met a flower. she taught me to live in love. to bloom, and listen. now i am alive, in love

Is that...the Looney Tunes theme?" Mer and St. Clair cock their ears. "Why,yes.I believe it is," St. Clair says. "I heard 'Love Shack' a few minutes ago," Mer says. "It's official," I say. "America has finally ruined France." "So can we go now?" St. Clair holds up a small bag. "I'm done." "Ooo,what'd you get?" Mer asks. She takes his bag and pulls out a delicate, shimmery scarf. "Is it for Ellie?" "Shite." Mer pauses. "You didn't get anything for Ellie?" "No,it's for Mum.Arrrgh." He rakes a hand through his hair. "Would you mind if we pop over to Sennelier before we go home?" Sennelier is a gorgeous little art supply sore,the kind that makes me wish I had an excuse to buy oil paints and pastels. Mer and I went with Rashmi last weekend. She bought Josh a new sketchbook for Hanukkah. "Wow.Congratulations,St. Clair," I say. "Winner of today's Sucky Boyfriend award.And I thought Steve was bad-did you see what happened in calc?" "You mean when Amanda caught him dirty-texting Nicole?" Mer asks. "I thought she was gonna stab him in the neck with her pencil." "I've been busy," St. Clair says. I glance at him. "I was just teasing." "Well,you don't have to be such a bloody git about it." "I wasn't being a git. I wasnt even being a twat, or a wanker, or any of your other bleeding Briticisms-" "Piss off." He snatches his bag back from Mer and scowls at me. "HEY!" Mer says. "It's Christmas. Ho-ho-ho. Deck the halls. Stop fighting." "We weren't fighting," he and I say together. She shakes her head. "Come on,St. Clair's right. Let's get out of here. This place gives me the creeps." "I think it's pretty," I say. "Besides, I'd rather look at ribbons than dead rabbits." "Not the hares again," St. Clair says. "You're as bad as Rashmi." We wrestle through the Christmas crowds. "I can see why she was upset! The way they're hung up,like they'd died of nosebleeds. It's horrible. Poor Isis." All of the shops in Paris have outdone themselves with elaborate window displays,and the butcher is no exception. I pass the dead bunnies every time I go to the movies. "In case you hadn't noticed," he says. "Isis is perfectly alive and well on the sixth floor.

I keep staring at the bag in Mrs. Parks's hand: yellows, greens, blues, whites, pastel colors so soft they look as if they have faded in the sea. The washed colors of the sea and sleep. Pajama colors. The colors of baby clothes. In my nose is the smell of my brothers' heads after they are born. Maybe this is why people making journeys buy saltwater taffy. It gives you the lovely dreamy sense that you can start all over again from the beginning.

Their love is gentle and discreet. If it was a plant it would be a fern, light green and feathery and delicate; if a musical instrument, a flute. If a painting it would be a water lily by Monet, one of the more pastel renditions, with its liquid depths, its reflections, its different falls of light. "You're my best friend," West tells Tony, stroking her hair back from her forehead. "I owe you a lot." Tony is touched by his gratitude, and too young to be suspicious of it.

I'd been told before by editors to pare back on violence. This always feels like a gendered suggestion to me - the parameters of what's allowed and what isn't from a female-identifying writer. I can't imagine anyone telling, say, Roberto Bolaño or Cormac McCarthy to ease off on the blood and gore. Women should write in pastel shades about love, domesticity. Leave the hardcore realism to the fellas. Well, fuck that. The fury is there; I had better write it than perform it.

Most men go from one female to the next. The unworthy ones strut about, pulling you in with falsehoods. Which is probably why Ma fell for a man like Pa. Tate wasn't the only guy who left me. Chase Andrews even talked to me about marriage, but he married someone else. Didn't even tell me; I read it in the paper." "I'm so sorry. I am, but, Kya, it's not just guys who are unfaithful. I've been duped, dropped, run over a few times myself. Let's face it, a lot of times love doesn't work out. Yet even when it fails, it connects you to others and, in the end, that is all you have, the connections. Look at us; you and I have each other now, and just think, if I have kids and you have kids, well, that's a whole new string of connections. And on it goes. Kya, if you love Tate, take a chance." Kya thought of Ma's painting of Tate and herself as children, their heads close together, surrounded by pastel flowers and butterflies. Maybe a message from Ma after all.

As a new Latina I pledge allegiance to both parts of my soul, the “American” and the Latin American within. But no matter how warmly I embrace my inner white or African American chick, there are some things that I can do only in my native tongue: I curse, dream, and make love in español. And it’s physical, too—I can go only so many days before my body craves pasteles, arroz con habichuelas, mole chicken, and anything with chiles; or my soul yearns for a Marc Anthony salsa or Juan Gabriel ballad.

What’s your point?” he asked. The point was that he crushed all of her oil pastels into her bedroom carpet. The point was that he’d kicked a hole in her parents’ bedroom wall and they hadn’t made him pay to get it fixed. The point was that her mom had a whole tough-love thing for Louise and let Mark do whatever he wanted and never face any consequences. The point was that she was supposed to look after him and give him everything and never complain, but no one was looking after her. That was the point.

I blame that little village in Spain, the one with the whitewashed houses in a crescent along the sea, a fleet of pastel fishing boats, and that celebrated coffee with brandy. A sour wedge of apple lurked at the bottom like a tea-leaf fortune. Because we couldn't afford the fish we ate pizza with peaches and oregano on the beach, the sun and breeze conspiring. Seeing us there beneath the cliffs and the postcards of the cliffs, who wouldn't have predicted luck and beauty? Can I be blamed for loving it all and thinking it was you I loved?

Rona soon picked out her own plot of land - one hundred eighty acres that stretched along the bottom of a rocky hill and only a stone's through from the shoreline. Quickly, much more quickly than natural for a man much less a woman - even one of Rona Blackburn's stature - a house appeared. She filled her new home with reminders of her previous one on the Aegean island she had loved so much: pastel seashells and a front door painted a deep cobalt blue - a color the yiayias always claimed had the power to repel evil. Then she set up her bed, made a pit for her fire, and erected two wooden tables. One table she kept bare. The other she covered in tinctures and glass jars of cut herbs and other fermented bits of flora and fauna. On this table, she kept a marble mortar and pestle, the leather sheath in which she wrapped her knives, and copper bowls - some for mixing dry ingredients, some for liquid, and a few small enough to bring to the mouth for sipping. And when the fire was stoked and the table was set, she placed a wooden sign - soon covered in a blanket of late December snow - outside that blue front door. It read one world: Witch.

It’s just so soothing,” Henry says. “Everything’s all pastel-colored and the music is so relaxing and everyone’s so lovely to one another. And you learn so much about different types of biscuits, Alex. So much. When the world seems awful, such as when you’re trapped in a Great Turkey Calamity, you can put it on and vanish into biscuit land.” “American cooking competition shows are nothing like that. They’re all sweaty and, like, dramatic death music and intense camera cuts,” Alex says. “Bake Off makes Chopped look like the fucking Manson tapes.” “I feel like this explains loads about our differences,” Henry says, and Alex gives a small laugh.

But aside from those curling green tendrils, the gown was the bright pink of…of…of… All comparisons failed Oliver. It wasn’t the bright pink of anything. It was a furious shade of pink, one that nature had never intended. It was a pink that did violence to the notion of demure pastels. It didn’t just shout for attention; it walked up and clubbed one over the head. It hurt his head, that pink, and yet he couldn’t look away. The room was small enough that he could hear the first words of greeting. “Miss Fairfield,” a woman said. “Your gown is…very pink. And pink is…such a lovely color, isn’t it?” That last was said with a wistful quality in the speaker’s voice, as if she were mourning the memory of true pink.

What about you, Mr. Shaw?" she asked. "Are your affections engaged by someone back home?" He shook his head at once. "I'm afraid that I share McKenna's rather skeptical view of the benefits of marriage." "I think you will fall in love someday." "Doubtful. I'm afraid that particular emotion is unknown to me..." Suddenly his voice faded into silence. He set his cup down as he stared off into the distance with sudden alertness. "Mr. Shaw?" As Aline followed his gaze, she realized what he had seen- Livia, wearing a pastel flower-printed walking dress as she headed to one of the forest trails leading away from the manor. A straw bonnet adorned with a sprig of fresh daisies swung from her fingers as she held it by the ribbons. Gideon Shaw stood so quickly that his chair threatened to topple backward. "Pardon," he said to Aline, tossing his napkin to the table. "The figment of my imagination has reappeared- and I'm going to catch her." "Of course," Aline said, struggling not to laugh. "Good luck, Mr. Shaw." "Thanks." He was gone in a flash, descending one side of the U-shaped stone staircase with the ease of a cat. Once he reached the terraced gardens, he cut across the lawn with long, ground-eating strides, just short of breaking into a run. Standing to better her view of his progress, Aline couldn't suppress a mocking grin. "Why, Mr. Shaw... I thought there was nothing in life you wanted badly enough to chase after it.

Marie Antoinette would have loved this place!" Piper Donovan stood agape, her green eyes opened wide, as she took in the magical space. Crystal chandeliers, dripping with glittering prisms, hung from the mirrored ceiling. Gilded moldings crowned the pale pink walls. Gleaming glass cases displayed vibrant fruit tarts, puffy éclairs, and powdered beignets. Exquisitely decorated cakes of all flavors and sizes rested on pedestals alongside trays of pastel meringues and luscious napoleons. Cupcakes, cookies, croissants, and cream-filled pastries dusted with sugar or drizzled with chocolate beckoned from the shelves. "It's unbelievable," she whispered. "I feel like I've walked into a jewel box---one made of confectioners' sugar but a jewel box nonetheless.

A hopeless laugh slipped out of him. "So insouciant." "I beg your pardon! Doesn't that mean I'm childish?" "You're a toff, Felicity," Jin said. "Didn't you learn your words?" She ducked her head. "I prefer the art of them. The way they're written." "The... art of handwriting," Jin said. Flick nodded. "The way we can deduce a thousand things about the person who wrote a word just by studying the way they wrote it. The way they dot their *i's* or cross their *t's,* the way their script might loop or slant. Were they angry? In love? Harried or at leisure? Frivolous or perhaps conceited, and so their rhetoric was better ignored than heeded? Words themselves can't always unfold a person the way their writing can." It was the most romantic way of looking at the world, which meant it fit Flick and her pastel hues and fierce curls just right.

into the main part of the store. Off to get Kendal, I mouthed to Celine, and she nodded. I stepped out into the September afternoon. Behind me, Eighty-ninth Street stretched several blocks to Riverside Park, a favorite place of mine and Kendal’s. Just ahead the intersection at Broadway sparkled with a steady stream of cars and our neighboring retailers’ windows. A man walking his dog nodded a wordless hello, and a mom with a baby in a stroller bent to pop a pacifier back into her unhappy child’s mouth. A delivery truck double-parked and the car behind it honked its disproval. The air held only a hint that summer was waning. September used to be my favorite month. I liked the way it sweetly bade the summer pastels away and showered the Yard’s shelves with auburn, mocha, and every shade of red. September brought in the serious quilters, those who loved spending

A Lake Charles-based artist, Sally was a progressive Democrat who in 2016 primary favored Bernie Sanders. Sally's very dear friend and worl-traveling flight attendant from Opelousas, Louisiana, Shirley was an enthusiast for the Tea Party and Donald Trump. Both woman had joined sororities at LSU. Each had married, had three children, lived in homes walking distance apart in Lake Charles, and had keys to each other's houses. Each loved the other's children. Shirley knew Sally's parents and even consulted Sally's mother when the two go to "fussing to much." They exchanged birthday and Christmas gifts and jointly scoured the newspaper for notices of upcoming cultural events they had, when they were neighbors in Lake Charles, attended together. One day when I was staying as Shirley's overnight guest in Opelousas, I noticed a watercolor picture hanging on the guestroom wall, which Sally had painted as a gift for Shirley's eleven-year-old daughter, who aspired to become a ballerina. With one pointed toe on a pudgy, pastel cloud, the other lifted high, the ballerina's head was encircled by yellow star-like butterflies. It was a loving picture of a child's dream--one that came true. Both women followed the news on TV--Sally through MSNBC's Rachel Maddow, and Shirley via Fox News's Charles Krauthammer, and each talked these different reports over with a like-minded husband. The two women talk by phone two or three times a week, and their grown children keep in touch, partly across the same politcal divide. While this book is not about the personal lives of these two women, it couldn't have been written without them both, and I believe that their friendship models what our country itself needs to forge: the capacity to connect across difference.

They began with a winter soup, lovingly cooked in a copper pot with a shinbone left over from Sunday lunch- But the witch brought in a light bouillon, simmered with the sweetest of baby shallots and scented with ginger and lemongrass and served with croutons so crisp and small that they seemed to vanish in her mouth- The mother brought in the second course. Sausages and potato mash; a comforting dish the child always loved, with sticky onion marmalade- But the witch brought in a brace of quail that had been gorged on ripe figs all their lives, now roasted and stuffed with chestnuts and foie gras and served with a coulis of pomegranate- Now the mother was close to despair. She brought dessert: a stout apple pie, made to her mother's recipe. But the witch had made a pièce montée: a pastel-colored sugared dream of almonds, summer fruit, and pastries like a puff of air, all scented with rose and marshmallow cream, and served with a glass of Château d'Yquem-

I can't bear to look at the screen itself, the women in pastels, like so many Jordan almonds. The men in suits, wearing equally angelic expressions. Members just like men, ostensibly. Who have vowed to be obedient to God's laws, and to repent of their sins. They've promised to be honest, true, chaste, benevolent, and virtuous; they've promised to be hopeful, and to endure all things, to seek after what is lovely, of good report, or praiseworthy. Only then will God provide a lasting solution to their loneliness and frustration. I imagine they comfort themselves, like I do, with the game of "wouldn't it be worse." Wouldn't it be worse to have a sick child, ailing parents, or a flesh-eating virus? Wouldn't it be lonelier to be trapped in a dying marriage, scarier to have crippling financial problems or to spend one's retirement fund on failed in vitro treatments? Wouldn't it be worse to live a life absent of faith, absent of purpose, absent of the love of God? I imagine they tell themselves, like I do, that a soul-crushing loneliness is a small price to pay, given the big picture. Everyone suffers. Loneliness is the human condition. And after the tests of our faith, we will triumph.

It was 2 a.m. in Harlem and it was hot. Even if you couldn’t feel it, you could tell it by the movement of the people. Everybody was limbered up, glands lubricated, brains ticking over like a Singer sewing-machine. Everybody was ahead of the play. There wasn’t but one square in sight. He was a white man. He stood well back in the recessed doorway of the United Tobacco store at the northwest corner of 125th Street and Seventh Avenue, watching the sissies frolic about the lunch counter in the Theresa building on the opposite corner. The glass doors had been folded back and the counter was open to the sidewalk. The white man was excited by the sissies. They were colored and mostly young. They all had straightened hair, conked like silk, waving like the sea; long false eyelashes fringing eyes ringed in mascara; and big cushiony lips painted tan. Their eyes looked naked, brazen, debased, unashamed; they had the greedy look of a sick gourmet. They wore tight-bottomed pastel pants and short-sleeved sport shirts revealing naked brown arms. Some sat to the counter on the high stools, others leaned on their shoulders. Their voices trilled, their bodies moved, their eyes rolled, they twisted their hips suggestively. Their white teeth flashed in brown sweaty faces, their naked eyes steamed in black cups of mascara. They touched one another lightly with their fingertips, compulsively, exclaiming in breathless falsetto, “Girl.…” Their motions were wanton, indecent, suggestive of an orgy taking place in their minds. The hot Harlem night had brought down their love.

Your beer-flavored kisses came deeply, even at the bar, and you only kissed me deeper once we’d emptied our lust for one another throughout your pastel apartment.

Of all of his hobbies, it was painting that Hank loved the most. He had started with pastels, graduated to oils, and then plunged into demanding watercolors.

...I feel pity that she will never fully understand what it is to be loved and forgiven, then loved even more.

...I feel pity that she will never fully understand what it is to be loved and forgiven, then loved even more.” Pastel Orphans

For emotions: different hues of yellow, gold, orange, or rose are great for inducing cheerfulness, confidence, and optimism. Hues of rose from intense to pastel can create an inner feeling of Love. One needs to experiment for oneself to find just the right color to help generate the desired mood. For thoughts: color is also invaluable to calm your mind. You can surround yourself with luminous green. For clear thinking and mental stimulation, you might try a shower of bright yellow over and around your head. A tint of yellow-orange may very well get you out of a mental fog. If your will to live is not very strong, try rose. Two or three shades of rose will build your will to live. Color is already used to create healing and restful environments. Colors are energy and use by the angels and man. It is well to take note of and make use of color for health evolution and purification.

All comparisons failed Oliver. It wasn’t the bright pink of anything. It was a furious shade of pink, one that nature had never intended. It was a pink that did violence to the notion of demure pastels. It didn’t just shout for attention; it walked up and clubbed one over the head. It hurt his head, that pink, and yet he couldn’t look away. The room was small enough that he could hear the first words of greeting. “Miss Fairfield,” a woman said. “Your gown is…very pink. And pink is…such a lovely color, isn’t it?” That last was said with a wistful quality in the speaker’s voice, as if she were mourning the memory of true pink.

El beso. Era pastel de chocolate y pasión efervescente, y piel de gallina. Nadie alguna vez me había besado así antes.

They say that sex is crude: the body fluids…! Crude…? The morning dew on your eyelashes met by my tongue, the tenderest force; my supple curves, the hills you climb, your fingers desperately lost. You want to learn my many gazes – unyielding shields… then pastel sweet… We’ll die one day, but your embraces, each one of them, I want to keep.

She took me through the parlors and the kitchen, and I marveled at the beautiful ceiling molding, the wooden banisters up to the second floor, the crystalline chandelier in the dining room. The furniture was tasteful and sparse, plastic over the fainting couches and coffee tables and wingback chairs, so that as they stood in stasis they wouldn't collect dust. The second floor was just as gorgeous, the rooms all themed in different flowers. The yellow daffodil room was my favorite. The wall with the headboard had an entire mural of huge daffodils blooming across it. Junie's handiwork, I was sure. Just like the mural on the side of Frank's Auto Shop, and the logo for the Grumpy Possum, and even Gail's bar scene. She showed me all the different rooms, each with a different flower theme and a different focal color--- lavender and coral and sage. The pink ones--- roses--- matched Junie's pastel hair.

(When Pam got to pick her own clothing, she was a pastels-and-twinset kind of woman.) Pam had the palest, straightest blond hair you ever saw; in fact, she was ethereally lovely, with a kind of deadly edge. The deadly edge was what a person shouldn’t forget.

In her place was the girl who had stepped between him and death's scythe again and again and again. She was alive. Of course she was alive. She was Arthie Casimir. She never needed saving. "At last," he murmured. He still had so much more to do- find his parents, rebuild Spindrift, love a girl who had sunshine curls and pastel berets- but he knew Arthie would track them down and do the tearoom justice. And Flick would find someone else to love. "No." Arthie said fiercely, thickly, but not even she could stop this. "No, Jin. Look sharp." Jin felt his eyes flutter shut. He heard voices shouting, arguing, fading away. *He* was fading away. ... And then a whisper. "Live," said death in his ear. "For me." Jin's eyes flew open to a halo of mauve, a pair of demon eyes. Arthie. There was something wrong with her. There were fangs in her mouth. There was blood in his.

Sea-foam tumbles onto the shore, claiming me gently in the way I've always craved. The ocean gathers me, carrying me over the surface like Cleopatra--- and I, every ounce as lovely as her and Aphrodite combined. Bit by bit the water swallows me, gently nipping at my skin until I dissolve into an aquatic spirit. Only then do I understand the language of angelfish and squid, and I move just as languidly. The sirens gape at me with their jewel-bright eyes and try to steal me as their own. But before I can be taken by those curious witches, I rise to the surface again. Everything glimmers here. I embrace the dusk with a hopeful smile. The sky blends into a watercolor of pastels and ambrosial stars. It's an aurora borealis of magenta and lavender, tempting me into the forest and away from the safety of the shore. Something's in the wind. I can feel it--- like the twinkling stars will finally lead me to the love I desire. I want it more than anything. The thought of it turns me feral, like a vampiress thirsty for a drop of blood. I dart through the forest, trailing a path of golden light. Past the evergreens and pines, underneath the moon, I become wild and free. Sweet summer fruit grows from trees, ripe and sparkling. With every cautious step I take, the flowers blossom. But they don't just grow. They glow. Ultraviolet irises, sugar-dusted peonies, and iridescent rosebuds unravel beneath my feet. Foxgloves bloom like trumpets, playing a regal procession beside twinkling bluebells. As I journey deeper into the forest, fireflies circle me, illuminating my path. And then I see him. I blink. He's awfully familiar, but I can't place my finger on who he is. He's beautiful. A boy with white-blond hair and viridescent eyes. Where have I seen him before? "Hello, Lila," he says. I stumble back. "How do you know my name?" He's peculiar. So unbelievably enchanting. I'm enthralled by the sound of his voice alone. "Don't be scared. You're safe here. I wanted to bring you somewhere special. Somewhere where you can make the forest beautiful with your dance." My dance. Of course, my dance. Witchlight flickers in his eyes. This world is meant for me. A gift wrapped up in velvet petals and sweet perfumes.

It’s quite easy to become men without women. You love a woman deeply, and then she goes off somewhere. Before you even know it. And once you’ve become men without women, loneliness seeps deep down inside your body, like a red wine stain on a pastel carpet. No matter how many home ec books you study, getting ride of that stain isn’t easy. The stain might fade a bit over time, but it will still remain, as a stain, until the day you draw your final breath.

I stitched the name of my love as Paris, the anatomy of bone-sepal into untainted skin. A window in the room opened into a pastel-blue sculpture of a woman who looked like she was still in love after she had been in love, after the sun burned anew, an orb of xanthous filament.

Let’s face it, a lot of times love doesn’t work out. Yet even when it fails, it connects you to others and, in the end, that is all you have, the connections. Look at us; you and I have each other now, and just think, if I have kids and you have kids, well, that’s a whole new string of connections. And on it goes. Kya, if you love Tate, take a chance.” Kya thought of Ma’s painting of Tate and herself as children, their heads close together, surrounded by pastel flowers and butterflies. Maybe a message from Ma after all. •

Based on the Waste." By Aron Micko H.B Pure hot chocolate milk love to drink; I've got a pen and my time is to start to think. I forgot to take a vitamin C with zinc; However, the moment is starting to sync. I lost along the way, not doublethink; Imagination runs fast, stare and wink. The right brain forgot the word critic; In some laziness of the left brain link. I saw my pastel lose the color pink. I drop accidentally all colors shrink; The smoke coming in the door stink; My nose starts to smell some sink. My hand start to flow no more think; Drop someone's chocolate milk drink. I drew strange lady, a blink; Trying to waste my mom's ballpen ink.

They wheeled in golden carts covered in snacks and treats as pretty as treasure in a chest. There were cookies shaped like castles, tarts topped in glistening pastel fruit, poached pears in a swirling golden sauce, candied dates wearing miniature crowns, and oysters on ice with pink pearls that glistened under the light.

Do I really care about this relationship? Chen Nan asked herself. After a long, convoluted debate with herself, she came to the conclusion: a definitive yes. “Love” was a strong word, but no doubt she liked Garcia. They had cultivated the relationship entirely online, and she had enjoyed the time they spent together: going on missions together in the game, screaming their heads off like a pair of lunatics at virtual music festivals, or simply just communicating, via video chat, texting, or emoji wars. They came from very different cultural backgrounds, but they’d clicked almost immediately. She and Garcia were like a dumpling and a Brazilian pastel—they may look different on the outside, but their fillings were made from the same ingredients. Our souls, his and mine, are the same, thought Chen Nan.

—Mírame —dijo él. Cath levantó la mirada. Al rostro color pastel de Levi. Tan maravilloso, tan bueno. —Me gustas así —le dijo, estrechándola con fuerza—. Conmigo. Ella sonrió, y su mirada empezó a descender. —Cather... Lo miró a los ojos. —Sabes que me estoy enamorando de ti, ¿verdad?

Her golden throated scent like pastry soaked in milk hovered, her wet reptile mouth gave kisses seen only in the mind, raised and heightened to altars of breezy hate. With a glowing white back-light, pastel images in soft focus moved, danced, in a contorted frenzy, part of a bitter hued blue smoking reverie.

In Defense of Our Overgrown Garden" Last night the apple trees shook and gave each lettuce a heart Six hard red apples broke through the greenhouse glass and Landed in the middle of those ever-so-slightly green leaves That seem no mix of seeds and soil but of pastels and light and Chalk x’s mark our oaks that are supposed to be cut down I’ve seen the neighbors frown when they look over the fence And see our espalier pear trees bowing out of shape I did like that They looked like candelabras against the wall but what’s the sense In swooning over pruning I said as much to Mrs. Jones and I swear She threw her cane at me and walked off down the street without It has always puzzled me that people coo over bonsai trees when You can squint your eyes and shrink anything without much of A struggle ensued with some starlings and the strawberry nets So after untangling the two I took the nets off and watched birds With red beaks fly by all morning at the window I reread your letter About how the castles you flew over made crenellated shadows on The water in the rainbarrel has overflowed and made a small swamp I think the potatoes might turn out slightly damp don’t worry If there is no fog on the day you come home I will build a bonfire So the smoke will make the cedars look the way you like them To close I’m sorry there won’t be any salad and I love you

For two weeks every August, the normally private Charlotte Square opens its gates to admit the literary masses. Huge white tents block views of the iron railings that normally keep everyone out, and picnic tables and pastel deck chairs circle the equestrian statue of Prince Albert in the middle of the lawn, inviting readers to relax with their newest signed novel. The tents fill with crowds to see every sort of author: high-flying politicos touting bestselling memoirs; writers of fantasy, chick-lit, sci-fi, young adult (and every possible combination of those). Authors and illustrators enthrall throngs of preschoolers and parents; up-and-comers present their work for appreciative and encouraging audiences. Books are signed by the hundreds and set out for sale in the inviting bookshop tents. People bask in the sunshine, when there is any, or gather in the café tent and grumble good-naturedly about the rain. They shake hands; gush "I love your work"; add to their "to be read" lists, and leave carrying new hardbacks in handy Book Festival-branded tote bags.

They had no children. They spent money on the house, and for five years it went through an elaborate series of new looks each one more ambitiously designed than the next, until to scratch the wall in the bathroom was to reveal a rainbow of pastel shades in which could be read my mother's hopeless biannual efforts to sustain her domestic dream.

Lina thinks that everything one does on social media is for one other person. Maybe it’s for several other people. But usually there is at least one person you have in mind. If you are a married woman and your friend has the richer life—if, say, she has moved to Westchester before you thought to leave the city and she has a horse at a stable and her husband buys flowers every Friday just because it is the weekend and she is the love of his wealthy life—then everything you do for the stretch of your obsession revolves around evaluating her success and looking for chinks in her armor while posting your own olive oil cakes on farmhouse tables and pastel bicycles in tropical places.

Exploring Love in the Digital Age: A Review of Masseporno In today’s digital age, the concept of love is no longer confined to books and movies. Instead, it has found a prominent place in the online world, with various websites dedicated to exploring its multifaceted nature. One such site that stands out is masseporno.com, a platform dedicated to delving into the many dimensions of love—romantic, platonic, self-love, and everything in between. User Experience and Design The first thing that strikes you when you visit masseporno.com is its clean, modern design. The website uses soothing pastel colors, elegant fonts, and a minimalist layout that immediately sets a calming tone. Navigation is straightforward, with clearly defined sections on love advice, relationship tips, personal stories, and even psychological insights into the science of love. The homepage greets users with a welcoming message and a featured article, making it easy for visitors to dive right into topics that interest them. The website is fully responsive, meaning it works seamlessly across devices, whether you're browsing on a smartphone, tablet, or desktop. The pages load quickly, and the design remains consistent and user-friendly, making for a smooth browsing experience. Content Quality and Relevance Masseporno.com stands out for its rich and diverse content. Articles are well-researched, thoughtful, and often backed by expert opinions from relationship therapists, psychologists, and even sociologists. Whether you're looking for advice on how to maintain a long-distance relationship, seeking ways to boost your self-esteem, or exploring deeper philosophical questions about the nature of love, the site covers a broad spectrum of topics. One of the standout features of the site is its blog section, which features personal stories of love, heartbreak, growth, and healing. These stories are relatable and often serve as a source of comfort for individuals who may be experiencing similar emotions. Interactive Features and Community Engagement What really sets masseporno.com apart from other websites in the genre is its interactive features. Users can engage with the content through comments, polls, and forums where they can share their experiences and seek advice. This sense of community is invaluable for those seeking validation or connection, especially when navigating the complexities of love. Conclusion Overall, masseporno.com is a thoughtful and comprehensive resource for anyone looking to explore the many aspects of love. It's easy navigation, high-quality content, and interactive features make it a standout in its category. Whether you’re in a relationship, exploring self-love, or simply curious about love in all its forms, this website offers something valuable for everyone.

The hallway of the house in Salogó was no mess of my mom’s paints but a tangle of sequins, gowns with butterfly sleeves, also called terno or mestiza, everything always had multiple names, and pumps with bullet heels. With the intensity of an artist, my mom became Tio Nemorino’s election manager, as if her transference of skill, from painting to politics, possessed value in equal measure. My favorite image of this time is a glossy picture of my mother about to lead the dance in a gown of black tulle, I liked the femme-fatale profile, her look of a vampira in the ballroom—I liked her shocking look amid the pastel dancers. In the picture, she’s in some barrio hall, in her well-sprayed bouffant, her terno in that uncommon black, and high heels, her foot in the air about to take her first step, the entrada, and she is looking at no one in particular, at an absent demonio, who knows if in her mind it was at him, the bastard, my father, though the picture tells me she had no worry but the dance, she glanced in a side-view pose like an actress, Ingrid Bergman, Ingrid Bergman, and then we’d ride home in the mud through Salogó’s farmlands until the next election event. How many times have I been at a party with my mother, overwhelmed by our family’s public face—this need for voters to love you. I used to wake up at night after those election dances and crawl over to her bed, put my ear to her chest, and hear her tired breathing, to reassure myself she was still who she was, and not the vampira of TEIPCO.