“
I must make two honest confessions to you, my Christian and Jewish brothers. First, I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season." Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.
”
”
Martin Luther King Jr. (Letter from the Birmingham Jail)
“
She knows that history digs a shallow grave, and that the past is always waiting to rise again.
”
”
Alix E. Harrow (The Once and Future Witches)
“
And so taking the long way home through the market I slow my pace down. It doesn't come naturally. My legs are programmed to trot briskly and my arms to pump up and down like pistons, but I force myself to stroll past the stalls and pavement cafes. To enjoy just being somewhere, rather than rushing from somewhere, to somewhere. Inhaling deep lungfuls of air, instead of my usual shallow breaths. I take a moment to just stop and look around me. And smile to myself.
For the first time in a long time, I can, quite literally, smell the coffee.
”
”
Alexandra Potter (The Two Lives of Miss Charlotte Merryweather)
“
I didn't think past the first step of anything, that was the key. I drank a Coke and didn't worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn't worry about the offensive sexism or the lack of minorities in meaningful roles. I didn't even worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
”
”
Gillian Flynn (Gone Girl)
“
What is done is done. What is past is past."
"You call yesterday the past?"
"What has the actual lapse of time got to do with it? It is only shallow people who require years to get rid of an emotion. A man who is master of himself can end a sorrow as easily as he can invent a pleasure. I don't want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Primitives of our own species, even today are historically shallow in their knowledge of the past. Only the poet who writes speaks his message across the millennia to other hearts.
”
”
Loren Eiseley (The Star Thrower)
“
The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell.
I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her.
Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.
”
”
Nina LaCour (Hold Still)
“
How are you coming with your home library? Do you need some good ammunition on why it's so important to read? The last time I checked the statistics...I think they indicated that only four percent of the adults in this country have bought a book within the past year. That's dangerous. It's extremely important that we keep ourselves in the top five or six percent.
In one of the Monthly Letters from the Royal Bank of Canada it was pointed out that reading good books is not something to be indulged in as a luxury. It is a necessity for anyone who intends to give his life and work a touch of quality. The most real wealth is not what we put into our piggy banks but what we develop in our heads. Books instruct us without anger, threats and harsh discipline. They do not sneer at our ignorance or grumble at our mistakes. They ask only that we spend some time in the company of greatness so that we may absorb some of its attributes.
You do not read a book for the book's sake, but for your own.
You may read because in your high-pressure life, studded with problems and emergencies, you need periods of relief and yet recognize that peace of mind does not mean numbness of mind.
You may read because you never had an opportunity to go to college, and books give you a chance to get something you missed. You may read because your job is routine, and books give you a feeling of depth in life.
You may read because you did go to college.
You may read because you see social, economic and philosophical problems which need solution, and you believe that the best thinking of all past ages may be useful in your age, too.
You may read because you are tired of the shallowness of contemporary life, bored by the current conversational commonplaces, and wearied of shop talk and gossip about people.
Whatever your dominant personal reason, you will find that reading gives knowledge, creative power, satisfaction and relaxation. It cultivates your mind by calling its faculties into exercise.
Books are a source of pleasure - the purest and the most lasting. They enhance your sensation of the interestingness of life. Reading them is not a violent pleasure like the gross enjoyment of an uncultivated mind, but a subtle delight.
Reading dispels prejudices which hem our minds within narrow spaces. One of the things that will surprise you as you read good books from all over the world and from all times of man is that human nature is much the same today as it has been ever since writing began to tell us about it.
Some people act as if it were demeaning to their manhood to wish to be well-read but you can no more be a healthy person mentally without reading substantial books than you can be a vigorous person physically without eating solid food. Books should be chosen, not for their freedom from evil, but for their possession of good. Dr. Johnson said: "Whilst you stand deliberating which book your son shall read first, another boy has read both.
”
”
Earl Nightingale
“
The peculiar predicament of the present-day self surely came to pass as a consequence of the disappointment of the high expectations of the self as it entered the age of science and technology. Dazzled by the overwhelming credentials of science, the beauty and elegance of the scientific method, the triumph of modern medicine over physical ailments, and the technological transformation of the very world itself, the self finds itself in the end disappointed by the failure of science and technique in those very sectors of life which had been its main source of ordinary satisfaction in past ages.
As John Cheever said, the main emotion of the adult Northeastern American who has had all the advantages of wealth, education, and culture is disappointment.
Work is disappointing. In spite of all the talk about making work more creative and self-fulfilling, most people hate their jobs, and with good reason. Most work in modern technological societies is intolerably dull and repetitive.
Marriage and family life are disappointing. Even among defenders of traditional family values, e.g., Christians and Jews, a certain dreariness must be inferred, if only from the average time of TV viewing. Dreary as TV is, it is evidently not as dreary as Mom talking to Dad or the kids talking to either.
School is disappointing. If science is exciting and art is exhilarating, the schools and universities have achieved the not inconsiderable feat of rendering both dull. As every scientist and poet knows, one discovers both vocations in spite of, not because of, school. It takes years to recover from the stupor of being taught Shakespeare in English Lit and Wheatstone's bridge in Physics.
Politics is disappointing. Most young people turn their backs on politics, not because of the lack of excitement of politics as it is practiced, but because of the shallowness, venality, and image-making as these are perceived through the media--one of the technology's greatest achievements.
The churches are disappointing, even for most believers. If Christ brings us new life, it is all the more remarkable that the church, the bearer of this good news, should be among the most dispirited institutions of the age. The alternatives to the institutional churches are even more grossly disappointing, from TV evangelists with their blown-dry hairdos to California cults led by prosperous gurus ignored in India but embraced in La Jolla.
Social life is disappointing. The very franticness of attempts to reestablish community and festival, by partying, by groups, by club, by touristy Mardi Gras, is the best evidence of the loss of true community and festival and of the loneliness of self, stranded as it is as an unspeakable consciousness in a world from which it perceives itself as somehow estranged, stranded even within its own body, with which it sees no clear connection.
But there remains the one unquestioned benefit of science: the longer and healthier life made possible by modern medicine, the shorter work-hours made possible by technology, hence what is perceived as the one certain reward of dreary life of home and the marketplace: recreation.
Recreation and good physical health appear to be the only ambivalent benefits of the technological revolution.
”
”
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
“
The war, therefore if we judge it by the standards of previous wars, is merely an imposture. It is like the battles between certain ruminant animals whose horns are incapable of hurting one another. But though it is unreal it is not meaningless. It eats up the surplus of consumable goods, and it helps to preserve the special mental atmosphere that the hierarchical society needs. War, it will be seen, is now a purely internal affair. In the past, the ruling groups of all countries, although they might recognize their common interest and therefore limit the destructiveness of war, did fight against one another, and the victor always plundered the vanquished. In our own day they are not fighting against one another at all. The war is waged by each ruling group against its own subjects, and the object of the war is not to make or prevent conquests of territory, but to keep the structure of society intact. The very word "war," therefore, has become misleading. It would probably be accurate to say that by becoming continuous war has ceased to exist. The peculiar pressure that is exerted on human beings between the Neolithic Age and the early twentieth century has disappeared and has been replaced by something quite different. The effect would be much the same if the three superstates, instead of fighting one another, should agree to live in perpetual peace, each inviolate within its own boundaries. For in that case each would still be a self-contained universe, freed forever from the sobering influence of external danger. A peace that was truly permanent would be the same as a permanent war. This--although the vast majority of Party members understand it only in a shallower sense--is the inner meaning of the Party slogan: WAR IS PEACE.
”
”
George Orwell (1984)
“
If you're going to bury the past, bury it deep, girl. Shallow Graves always give up their dead.
”
”
Jennifer Donnelly (These Shallow Graves)
“
As Michael pondered how shallow he had been, he was struck by another thought. It wasn't simply that he hadn't gone deep enough. It was rather that he had grown accustomed to wading in pools that had no depth to begin with. A turn toward holiness would be a turn toward a different life altogether - to a life where different things mattered than had mattered in the past. Did he desire such a life? He knew that of all the questions, this was the most important.
”
”
James L. Ferrell (The Holy Secret)
“
She knows what’s coming better than her sisters. She knows that history digs a shallow grave, and that the past is always waiting to rise again.
”
”
Alix E. Harrow (The Once and Future Witches)
“
A series of psychological studies over the past twenty years has revealed that after spending time in a quiet rural setting, close to nature, people exhibit greater attentiveness, stronger memory, and generally improved cognition. Their brains become both calmer and sharper.
”
”
Nicholas Carr (The Shallows: What the Internet Is Doing to Our Brains)
“
But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool Girl – I couldn’t have been Cool Girl with anyone else. I wouldn’t have wanted to. I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
”
”
Gillian Flynn (Gone Girl)
“
And I pray that you no longer seek happiness from the past, but rather you set your sails forward, to a land that is pure and wonderful. I pray that you no longer stare into the shallows of empty promises, but that you dive into the depth of an ocean of guarantees. May you feel the winds of hope, and smell the scent of joy, may your heart be alive again as it was meant to be. For you are with a better captain, you are with a true sailor, a true leader; You are sailing with Christ, and He is always sure to lead us home.
”
”
T.B. LaBerge
“
I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season." Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.
”
”
Martin Luther King Jr. (Letter from the Birmingham Jail)
“
An intelligent observation of the facts of human existence will reveal to shallow-minded folk who sneer at the use of coincidence in the arts of fiction and drama that life itself is little more than a series of coincidences. Open the history of the past at whatsoever page you will, and there you shall find coincidence at work bringing about events that the merest chance might have averted. Indeed, coincidence may be defined as the very tool used by Fate to shape the destiny of men and nations. Observe it now at work in the affairs of Captain Blood and of some others.
”
”
Rafael Sabatini (Captain Blood)
“
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead
with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always
be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation.
It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine
right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile.
. . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial
as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances.
The true mystery of the world is the visible, not the invisible.
. . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only
a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you,
or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful.
Time is jealous of you, and wars against your lilies and your roses.
You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth
while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you!
Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism--
that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met
you I saw that you were quite unconscious of what you really are,
of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is
such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars.
But we never get back our youth. The pulse of joy that beats in us
at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but
youth!
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Dewey Hall was the only building on campus not made of brick, and the tornado came for it in absolute maturity, no umbilical growth now but a strong slender lady hip-walking through campus--past the science hall, past English, jumping Old Main and the library with deliberate grace and lighting on the shallow rookf of Dewey, where Dad toiled alone.
”
”
Leif Enger (Peace Like a River)
“
To feel safe is to stop living in my head and sink down into my heart and feel liked and accepted … not having to hide anymore and distract myself with books, television, movies, ice cream, shallow conversation … staying in the present moment and not escaping into the past or projecting into the future, alert and attentive to the now …feeling relaxed and not nervous or jittery … no need to impress or dazzle others or draw attention to myself. … Unself-conscious, a new way of being with myself, a new way of being in the world … calm, unafraid, no anxiety about what’s going to happen next …loved and valued… just being together as an end in itself.
”
”
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging)
“
He grinned. "Well, girlfriend seems to be too shallow a word for what I feel for you. These past two weeks it's been as if you control my breathing. When I watched you with Marcus, my chest would tighten, and it became hard to breathe. But then I would see you smile or laugh, and I could take a deep breath again.
”
”
Abbi Glines (Breathe (Sea Breeze, #1))
“
WE DASH THE BLACK RIVER, ITS flats smooth as stone. Not a ship, not a dinghy, not one cry of white. The water lies broken, cracked from the wind. This great estuary is wide, endless. The river is brackish, blue with the cold. It passes beneath us blurring. The sea birds hang above it, they wheel, disappear. We flash the wide river, a dream of the past. The deeps fall behind, the bottom is paling the surface, we rush by the shallows, boats beached for winter, desolate piers. And on wings like the gulls, soar up, turn, look back.
”
”
James Salter (Light Years (Vintage International))
“
I feel that for white America to understand the significance of the problem of the Negro will take a bigger and tougher America than any we have yet known. I feel that America's past is too shallow, her national character too superficially optimistic, her very morality too suffused with color hate for her to accomplish so vast and complex a task. Culturally the Negro represents a paradox: Though he is an organic part of the nation, he is excluded by the ride and direction of American culture. Frankly, it is felt to be right to exclude him, and it if felt to be wrong to admit him freely. Therefore if, within the confines of its present culture, the nation ever seeks to purge itself of its color hate, it will find itself at war with itself, convulsed by a spasm of emotional and moral confusion. If the nation ever finds itself examining its real relation to the Negro, it will find itself doing infinitely more than that; for the anti-Negro attitude of whites represents but a tiny part - though a symbolically significant one - of the moral attitude of the nation. Our too-young and too-new America, lusty because it is lonely, aggressive because it is afraid, insists upon seeing the world in terms of good and bad, the holy and the evil, the high and the low, the white and the black; our America is frightened of fact, of history, of processes, of necessity. It hugs the easy way of damning those whom it cannot understand, of excluding those who look different, and it salves its conscience with a self-draped cloak of righteousness. Am I damning my native land? No; for I, too, share these faults of character! And I really do not think that America, adolescent and cocksure, a stranger to suffering and travail, an enemy of passion and sacrifice, is ready to probe into its most fundamental beliefs.
”
”
Richard Wright (Black Boy)
“
We do not dislike everything that shines, but we do prefer a pensive lustre to a shallow brilliance, a murky light that, whether in a stone or an artifact, bespeaks a sheen of antiquity. . . . we do love things that bear the marks of grime, soot, and weather, and we love the colours and the sheen that call to mind the past that made them".
”
”
Jun'ichirō Tanizaki (In Praise of Shadows)
“
If the rowan's roots are shallow, it bears no crown.
”
”
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
He firmly pulled her body against his and he brushed her lips with his. Staring into her eyes, he lightly slid his tongue across her bottom lip. She drew a deep, staggered breath in response to the wave of heat she felt flushing through her. Derrick smiled at her. Then, he softly kissed her. He lightly swept his tongue between her lips, pressing his warm, soft lips to hers. He slid his hands up her body and cradled her face with his hands. Then, he passionately kissed her, tickling her tongue with his. He sucked her lips, gently, as though he was sampling nectar on a delicate petal. Then, with an intense urgency, he dipped his tongue past her lips, caressing her tongue with his. She felt fluttering inside. Anne’s body craved him. A shallow hum escaped from within her in response to how he was making her feel. She could feel his body responding to her. He was breathing heavier which was waking Anne’s primal needs. The tidal wave of lust that had just churned within her was slowly calming as his kiss became more subtle and tender. He gently pressed his lips against hers. He pulled back a little and looked away, exhaling.
”
”
Laney Smith (Lock Creek: One Year's Time)
“
The mystery of existence will always remain a mystery. All we know for sure is what the ancients knew: each succeeding generation forms a link in the braided cord of humanity. Each of our lives is shallower if we do not know and pay homage to where we came from. The past forms the world that we currently inhabit, and our actions today, comparable to our ancestors’ actions of yesterday, will reverberate in the history of tomorrow. While the tools of our trades evolve from generation to generation, the way that people behave and the motives behind their behavior remains constant. Each generation must chart the same dangerous territories of the heart. Each succeeding generation must diagnosis the illnesses that imperil their mental, physical, social, and economic wellbeing. Life is brutally painful and extraordinary joyful.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Across the centuries the moral systems from medival chivalry to Bruce Springsteen love anthems have worked the same basic way. They take immediate selfish interests and enmesh them within transcendent, spiritual meanings. Love becomes a holy cause, an act of self-sacrifice and selfless commitment.
But texting and the utilitarian mind-set are naturally corrosive toward poetry and imagination. A coat of ironic detachment is required for anyone who hopes to withstand the brutal feedback of the marketplace. In today's world, the choice of a Prius can be a more sanctified act than the choice of an erotic partner.
This does not mean that young people today are worse or shallower than young people in the past. It does mean they get less help. People once lived within a pattern of being, which educated the emotions, guided the temporary toward the permanent and linked everyday urges to higher things. The accumulated wisdom of the community steered couples as they tried to earn each other's commitment.
Today there are fewer norms that guide that way. Today's technology seems to threaten the sort of recurring and stable reciprocity that is the building block of trust.
”
”
David Brooks
“
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him.
We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility.
...
'Please don't let Daddy die, Susie,' he whispered. 'I need him.'
When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced.
I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately?
'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me.
'Remember?' he said.
I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry.
'Do you remember?' he asked.
'Barber!'
'Adagio for Strings,' he said.
But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why.
'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard.
We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco.
When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back.
'I'm going,' he said.
'Where?' I asked.
'Don't worry, sweetheart. You're so close.'
He turned and walked away, disappearing rapidly into spots and dust. Infinity.
”
”
Alice Sebold
“
Stop, Basil! I won't hear it!" cried Dorian, leaping to his feet. "You must not tell me about things. What is done is done. What is past is past." "You call yesterday the past?" "What has the actual lapse of time got to do with it? It is only shallow people who require years to get rid of an emotion. A man who is master of himself can end a sorrow as easily as he can invent a pleasure. I don't want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Here I am, a bundle of past recollections and future dreams, knotted up in a reasonably attractive bundle of flesh. I remember what this flesh has gone through; I dream of what it may go through. I record here the actions of optical nerves, of taste buds, of sensory perception. And, I think: I am but one more drop in the great sea of matter, defined, with the ability to realize my existence. Of the millions, I, too, was potentially everything at birth. I, too, was stunted, narrowed, warped, by my environment, my outcroppings of heredity. I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living - a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
In the past, Flaubert implied, idiots had had no clue as to what the carbon structure of diamonds was. Their shallowness had been entirely and reliably evident. But now the press had made it very possible for a person to be at once unimaginative, uncreative, mean-minded and extremely well informed. The modern idiot could routinely know what only geniuses had known in the past, and yet he still was an idiot- a depressing combination of traits that previous ages had never had to worry about. The news had, for Flaubert, armed stupidity and given authority to fools.
”
”
Alain de Botton (The News: A User's Manual)
“
As Siri walked along that oh-so-noisy riverbank on his way to work, he saw a pelican gliding above the surface of the water. It was a marvelous bird, proud and resourceful, and he imagined how it would taste with a little chili paste and fresh yams. Hungry people made poor environmentalists.
”
”
Colin Cotterill (Love Songs From A Shallow Grave (Dr. Siri Paiboun, #7))
“
I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow.
As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass.
I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.
”
”
John Meade Haines (The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness)
“
In no particular order, I read what I could, sometimes with Fadiman as my docent, sometimes not: Flaubert, Twain, Kerouac, Brontë, Kafka, Camus, Ibsen, James, Thurber, Shakespeare. But in the course of reading great books, something happened. My reading molded me, the tool hammering its hand into shape. By some miracle—and by miracle, I mean great teachers—I pushed past the shallowness and stupidity of my own motivations. I fell in love with the actual literature and the actual ideas of great literature. As an immigrant, as a Vietnamese kid, as a poor kid, I had collected so many scarlet letters of alienation that I connected profoundly to the great works. As I read, I began to understand that all the great works wrangled with big questions, important questions: our place in the world, the value of our experience, the fairness and meaning of our suffering, our quest for love and belonging. Universal themes bound these great works together, and they bound me to their oaky, yellowed pages like Odysseus lashed to the mast of his ship. I felt a connective and humanizing resonance in books: I wasn’t alone in my aloneness. I wasn’t alone in my longing for love. I wasn’t alone in my fear of being rejected, my fear of never finding my place, my fear of failing. The snarl of my journey was untangled and laid out clearly by books.
”
”
Phuc Tran (Sigh, Gone: A Misfit's Memoir of Great Books, Punk Rock, and the Fight to Fit In)
“
Those decisions seem easy for some and, sure, you could say those people are just the shallow puddles we trudge through, but I would argue that those people are lucky because right now as I watch this girl—the past me—looking serenely self-possessed, I know that she is standing on a great precipice. I can tell by looking at her that she is the still water you only ever skip rocks over. The world as she knows it is about to be turned upside down, and if she doesn’t learn to swim, her own depth will drown her. I feel a strong desire to whisper “surrender,” but I don’t. Like everyone in this airport, she is headed somewhere, possibly the first stop on that brutal journey of self-discovery. Like the rest of us, she will have to learn the hard way that we are not always in control. Sometimes it takes the love of others to show us who we really are.
”
”
Renee Carlino (Sweet Thing (Sweet Thing, #1))
“
We are in misery because we are creatures of self - the self that is unyielding and narrow, that reflects no light, that is blind to the infinite. Our self is loud with its own discordant clamour - it is not the tuned harp whose chords vibrate with the music of the eternal. Sighs of discontent and weariness of failure, idle regrets for the past and anxieties for the future are troubling our shallow hearts because we have not found our souls, and the self-revealing spirit has not been manifest within us. Hence our cry.
”
”
Rabindranath Tagore (Sadhana)
“
The lightwires slung past in shallow convections pole to pole and the loneliness rode in his stomach like an egg.
”
”
Cormac McCarthy (Suttree)
“
He looked past Chin toward streams of numbers running in opposite directions. He understood how much it meant to him, the roll and flip of data on a screen. He studied the figural diagrams that brought organic patterns into play, birdwing and chambered shell. It was shallow thinking to maintain that numbers and charts were the cold compression of unruly human energies, every sort of yearning and midnight sweat reduced to lucid units in the financial markets.
"In fact data itself was soulful and glowing, a dynamic aspect of the life process. This was the eloquence of alphabets and numeric systems, now fully realized in electronic form, in the zero-oneness of the world, the digital imperative that defined every breath of the planet's living billions. Here was the heave of the biosphere. Our bodies and oceans were here, knowable and whole.
”
”
Don DeLillo (Cosmopolis)
“
I felt lost without the Delete key, the scrollbar, the cut and paste functions, the Undo command. I had to do all my editing on-screen. In using the word processor, I had become something of a word processor myself.
”
”
Nicholas Carr (The Shallows: What the Internet Is Doing to Our Brains)
“
The past is buried deep within the ground in Rabat, although the ancient walls in the old city are still standing, painted in electrifying variations of royal blue that make the winding roads look like streamlets or shallow ocean water.
”
”
Raquel Cepeda (Bird of Paradise: How I Became Latina)
“
I froze in place, bracing myself for the coming panic attack. Ben had said he was falling for me. That sounded serious, and whenever past relationships had approached “serious,” I had promptly freaked out. I sat in trepidation, waiting for the heart palpitations, the shallow breathing, the sweaty palms, and worst of all, the feeling of dread.
But by some miracle, none of those things came. Instead, in that moment with Ben, I fell into a great calm. I felt comforted and warmed, like I was sitting by a campfire on a cold night. Ben’s words called to my heart, and instead of responding with terror, it opened up like a fist uncurling, as though it had been waiting twenty-six years just to hear his voice.
”
”
Anise Eden (All the Broken Places (The Healing Edge, #1))
“
The mind is a current, very deep at the centre and very shallow at the periphery—like the river that has a strong current in the middle and quiet waters at its banks. But the deep current has the volume of memory behind it, and this memory is the continuity that passes the town, that gets sullied, that becomes clear again. The volume of memory gives the strength, the drive, the aggression and the refinement. It is this deep memory that knows itself to be ashes of the past, and it is this memory that has to come to an end.
”
”
J. Krishnamurti (Meeting Life: Writings and Talks on Finding Your Path Without Retreating from Society)
“
The United States is a conceited nation with shallow roots, and what happened before living memory doesn't seem to interest most people I know at home. We like living in our houses with our new furniture, on our new streets in new neighborhoods. Everything is disposable and everything is replaceable. Personal family history can feel simply irrelevant in our new world, beyond the simplest national identifications, and even those who can get sort of vague for people. I remember a boy in high school who told the history teacher he was 'half Italian, half Polish, half English, half German, and one-quarter Swedish.' I think one of the reasons so many of us are disconnected from our histories is because none of it happened where we live in the present; the past, for so many, is a faraway place across an ocean.
”
”
Katharine Weber (The Music Lesson)
“
Lovely markings are carved into time
As soft to the touch as the mud in shallow sea.
She covers her body with time,
And pulls me along to fly to the edge of existence.
This is a spiritual flight:
In our eyes, the stars appear as ghosts;
In the eyes of the stars, we appear as ghosts
”
”
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
“
(As I, in memory, think back now upon those girls and their lives I feel that for white America to understand the significance of the problem of the Negro will take a bigger and tougher America than any we have yet known. I feel that America’s past is too shallow, her national character too superficially optimistic, her very morality too suffused with color hate for her to accomplish so vast and complex a task. Culturally the Negro represents a paradox: Though he is an organic part of the nation, he is excluded by the entire tide and direction of American culture.
”
”
Richard Wright (Black Boy)
“
Awareness of the past is an antidote to both egotism and shallow optimism. It restrains optimism because it teaches us to be cautious about man’s perfectibility and to put a sober estimate on schemes to renovate the species. What coursebook in vanity and ambition is to be compared with Plutarch’s Lives? What more soundly rebukes the theory of automatic progress than the measured tread of Gibbon’s Decline and Fall? The reader of history is chastened, and, as he closes his book, he may say, with Dante, in the Inferno: “I had not thought death had undone so many.” Among
”
”
Ted j. Smith III (Ideas Have Consequences)
“
Having never had dealings with Bow Street, Lady Fieldhurst was not quite certain what to expect: perhaps a stout fellow past his prime, befuddled with sleep or spirits, with a bulbous red nose—the same sort as might be found in any number of watchmen’s boxes across the metropolis. The individual who entered the room in [the footman's] wake, however, was very nearly her own age. To be sure, his nose was somewhat crooked, as if it had been broken at some point, but it was far from bulbous, and it was certainly not red. He was quite tall, almost gangly, with curling brown hair tied at the nape of his neck in an outmoded queue. He wore an unfashionably shallow-crowned hat and a black swallow-tailed coat of good cloth but indifferent cut; indeed, his only claim to fashion lay in the quizzing glass which hung round his neck from a black ribbon, and which he now raised, the resulting magnification revealing his eyes to be a warm brown. Julia might have been much reassured as to his competence, had it not been for the fact that his mouth hung open as from a rusty hinge.
”
”
Sheri Cobb South (In Milady's Chamber (John Pickett Mysteries, #1))
“
When I was little, I loved running in the rain. There was something almost freeing about it. The exhilaration of your blood pumping, the quick shallow breaths, and the way the wind brushes past your body. Want to know my most favorite part? That unstoppable feeling from pushing myself to the breaking point gets me every time. Now though? Well…it’s complicated.
”
”
Amy Lunderman (They Walk (They Walk, #1))
“
Save his own soul’s light overhead,
None leads him, and none ever led,
Across birth’s hidden harbour-bar,
Past youth where shoreward shallows are,
Through age that drives on toward the red
Vast void of sunset hailed from far,
To the equal waters of the dead;
Save his own soul he hath no star,
And sinks, except his own soul guide,
Helmless in middle turn of tide.
”
”
Algernon Charles Swinburne (Songs Before Sunrise)
“
Hot nights filled with summer thunder. Heat lightning far and thin and the midnight sky becrazed and mended back again. Suttree moved down to the gravelbar on the river and spread his blanket there under the gauzy starwash and lay naked with his back pressed to the wheeling earth. The river chattered and sucked past at his elbow. He'd lie awake long after the last dull shapes in the coals of the cookfire died and he'd go naked into the cool and velvet waters and submerge like an otter and come up and blow, the stones smooth as marbles under his cupped toes and the dark water reeling past his eyes. He'd lie on his back in the shallows and on these nights he'd see stars come adrift and rifle hot and dying across the face of the firmament. The enormity of the universe filled him with a strange sweet woe.
She always found him. She'd come pale and naked from the trees into the water like some dream old prisoners harbor or sailors at sea. Or touch his cheek where he lay sleeping and say his name. Holding her arms aloft like a child for him to raise up over them the nightshirt that she wore and her to lie cool and naked against his side.
”
”
Cormac McCarthy (Suttree)
“
A little learning is a dangerous thing;
Drink deep, or taste not the Pierian spring:
There shallow draughts intoxicate the brain,
And drinking largely sobers us again.
Fired at first sight with what the Muse imparts,
In fearless youth we tempt the heights of Arts;
While from the bounded level of our mind
Short views we take, nor see the lengths behind,
But, more advanced, behold with strange surprise
New distant scenes of endless science rise!
So pleased at first the towering Alps we try,
Mount o’er the vales, and seem to tread the sky;
The eternal snows appear already past,
And the first clouds and mountains seem the last;
But those attained, we tremble to survey
The growing labours of the lengthened way;
The increasing prospect tires our wandering eyes,
Hills peep o’er hills, and Alps on Alps arise!
”
”
Alexander Pope
“
Ruthie was the first to tell me that God hadn’t abandoned me but was drawing me deeper, calling me out of the shallows, past the abyss, and into the current of his love and mercy. Yeah, right, I thought. God hadn’t asked me if I wanted to go deeper, and thank you very much, I liked the shallows. It’s easier to play when there’s no current. In the middle you lose your footing; you lose control. You lose.
”
”
Chris Fabry (Dogwood)
“
The UCLA coup represents the characteristic academic traits of our time: narcissism, an obsession with victimhood, and a relentless determination to reduce the stunning complexity of the past to the shallow categories of identity and class politics. Sitting atop an entire civilization of aesthetic wonders, the contemporary academic wants only to study oppression, preferably his own, defined reductively according to gonads and melanin.
”
”
Heather Mac Donald
“
An intelligent observation of the facts of human existence will reveal to shallow-minded folk who sneer at the use of coincidence in the arts of fiction and drama that life itself is little more than a series of coincidences. Open the history of the past at whatsoever page you will, and there you shall find coincidence at work bringing about events that the merest chance might have averted. Indeed, coincidence may be defined as the very tool used by Fate to shape the destinies of men and nations
”
”
Rafael Sabatini
“
You know what I see when I think about the past? A deep, vast ocean. Memories are the fish, I suppose. when I'm wading in the shallows I can reach in and pull one out if I want to. I can hold the memory in my hands, look at it, then drop I back into the water and let it swim away. But the deeper you go, the darker the water becomes. soon you can't see your feet anymore. you can't see the fish either, but you can feel them moving around you, brushing past your legs. Those fish belong out there, in the deep part.
”
”
Christian White (The Nowhere Child)
“
The three thousand miles in distance he put between himself and Emma tonight is nothing compared with the enormous chasm separating them when they sit next to each other in calculus.
Emma's ability to overlook his existence is a gift-but not one that Poseidon handed down. Rachel insists this gift is uniquely a female trait, regardless of the species. Since their breakup, Emma seems to be the only female utilizing this particular gift. Even Rayna could learn a few lessons from Emma in the art of torturing a smitten male. Smitten? More like fanatical.
He shakes his head in disgust. Why couldn't I just sift when I turned of age? Why couldn't I find a suitable mild-tempered female to mate with? Live a peaceful life, produce offspring, grow old, and watch my own fingerlings have fingerlings someday? He searches through his mind for someone he might have missed in the past. For a face he overlooked before but could now look forward to every day. For a docile female who would be honored to mate with a Triton prince-instead of a temperamental siren who mocks his title at every opportunity. He scours his memory for a sweet-natured Syrena who would take care of him, who would do whatever he asked, who would never argue with him.
Not some human-raised snippet who stomps her foot when she doesn't get her way, listens to him only when it suits some secret purpose she has, or shoves a handful of chocolate mints down his throat if he lets his guard down. Not some white-haired angelfish whose eyes melt him into a puddle, whose blush is more beautiful than sunrise, and whose lips send heat ripping through him like a mine explosion.
He sighs as Emma's face eclipses hundreds of mate-worthy Syrena. That's just one more quality I'll have to add to the list: someone who won't mind being second best. His just locks as he catches a glimpse of his shadow beneath him, cast by slithers of sterling moonlight. Since it's close to three a.m. here, he's comfortable walking around without the inconvenience of clothes, but sitting on the rocky shore in the raw is less than appealing. And it doesn't matter which Jersey shore he sits on, he can't escape the moon that connects them both-and reminds him of Emma's hair.
Hovering in the shallows, he stares up at it in resentment, knowing the moon reminds him of something else he can' escape-his conscience. If only he could shirk his responsibilities, his loyalty to his family, his loyalty to his people. If only he could change everything about himself, he could steal Emma away and never look back-that is, if she'll ever talk to him again.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
”
”
Gillian Flynn (Gone Girl)
“
I could see right past her fake laugh and smile, Seeing that she was still in love. She was stuck in the past, Thinking about all the memories that she held of him, Only to know that he wasn't there anymore. He broke her ever so dearly, But she was still longing for his touch, Not mine. I wasn't the one that was for her, I was a person she wouldn't see herself with. She already made up her mind. Her laugh was shallow and her eyes cried of sorrow. She would not try to keep this going, I could see it. For she was talking to me, but thinking of him.
”
”
F.S. Yousaf (Euphoria)
“
The way to peer into life’s past is to examine fossils and to determine when a branch was first created by assessing the age of rocks when a certain fossil was formed. The oldest known fossils are of bacteria that apparently lived in ponds or a shallow sea located in what is now western Australia. They are fossil mats of bacteria, called stromatolites, whose metabolism led them to excrete calcium carbonate, chalk, the stuff of seashells and limestone. The ancient ponds dried up for some climatological reason, and these bacterial mats turned to stone. They’re 3.5 billion years old. As
”
”
Bill Nye (Undeniable: Evolution and the Science of Creation)
“
To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered by what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun.
If that package sounds like one big moral step backward, the Be Here Now mentality that has converted from sixties catchphrase to entrenched gestalt has its upsides. There has to be some value in living for today, since at any given time today is all you’ve got. We justly cherish characters capable of living “in the moment.”…We admire go-getters determined to pack their lives with as much various experience as time and money provide, who never stop learning, engaging, and savoring what every day offers—in contrast to the dour killjoys who are bitter and begrudging in the ceaseless fulfillment of obligation. For the role of humble server, helpmate, and facilitator no longer to constitute the sole model of womanhood surely represents progress for which I am personally grateful. Furthermore, prosperity may naturally lead any well-off citizenry to the final frontier: the self, whose borders are as narrow or infinite as we make them.
Yet the biggest social casualty of Be Here Now is children, who have converted from requirement to option, like heated seats for your car. In deciding what in times past never used to be a choice, we don’t consider the importance of raising another generation of our own people, however we might choose to define them. The question is whether kids will make us happy.
”
”
Lionel Shriver
“
What mature believer does not delight in seeing new converts talk with Christ? As we get older, we sometimes hurry past the ardor we knew as younger Christians. Hurried Christians beget hurried disciples. Hurried disciples become a hurried church—a hassled fellowship of disciples who serve the clock and call it God. But this subnormal Christianity has become so normal we don’t see anything abnormal about it. In fact, we’ve come to believe that the most sincere Christians are supposed to be shallow neurotics. Yet the church holds only one possibility of relevance: Time itself must be surrendered to the pursuit of the depths of God.
”
”
Calvin Miller (The Disciplined Life)
“
The Drunken Fisherman"
Wallowing in this bloody sty,
I cast for fish that pleased my eye
(Truly Jehovah's bow suspends
No pots of gold to weight its ends);
Only the blood-mouthed rainbow trout
Rose to my bait. They flopped about
My canvas creel until the moth
Corrupted its unstable cloth.
A calendar to tell the day;
A handkerchief to wave away
The gnats; a couch unstuffed with storm
Pouching a bottle in one arm;
A whiskey bottle full of worms;
And bedroom slacks: are these fit terms
To mete the worm whose molten rage
Boils in the belly of old age?
Once fishing was a rabbit's foot--
O wind blow cold, O wind blow hot,
Let suns stay in or suns step out:
Life danced a jig on the sperm-whale's spout--
The fisher's fluent and obscene
Catches kept his conscience clean.
Children, the raging memory drools
Over the glory of past pools.
Now the hot river, ebbing, hauls
Its bloody waters into holes;
A grain of sand inside my shoe
Mimics the moon that might undo
Man and Creation too; remorse,
Stinking, has puddled up its source;
Here tantrums thrash to a whale's rage.
This is the pot-hole of old age.
Is there no way to cast my hook
Out of this dynamited brook?
The Fisher's sons must cast about
When shallow waters peter out.
I will catch Christ with a greased worm,
And when the Prince of Darkness stalks
My bloodstream to its Stygian term . . .
On water the Man-Fisher walks.
”
”
Robert Lowell
“
I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
”
”
Gillian Flynn (Gone Girl)
“
[author quoting from his journal entry] "To feel safe is to stop living in my head and sink down into my heart and feel liked and accepted...not having to hide anymore and distract myself with books, television, movies, ice cream, shallow conversation...staying in the present moment and not escaping into the past or projecting into the future, alert and attentive to the now...feeling relaxed and not nervous or jittery...no need to impress or dazzle others or draw attention to myself...Unselfconscious, a new way of being with myself, a new way of being in the world...calm, unafraid, no anxiety about what's going to happen next...loved and valued...just being together as an end in itself." (p. 31)
”
”
Brennan Manning (Posers, Fakers, and Wannabes: Unmasking the Real You (TH1NK))
“
Soul and body, body and soul—how mysterious they were! There was animalism in the soul, and the body had its moments of spirituality. The senses could refine, and the intellect could degrade. Who could say where the fleshly impulse ceased, or the psychical impulse began? How shallow were the arbitrary definitions of ordinary psychologists! And yet how difficult to decide between the claims of the various schools! Was the soul a shadow seated in the house of sin? Or was the body really in the soul, as Giordano Bruno thought? The separation of spirit from matter was a mystery, and the union of spirit with matter was a mystery also.
He began to wonder whether we could ever make psychology so absolute a science that each little spring of life would be revealed to us. As it was, we always misunderstood ourselves and rarely understood others. Experience was of no ethical value. It was merely the name men gave to their mistakes. Moralists had, as a rule, regarded it as a mode of warning, had claimed for it a certain ethical efficacy in the formation of character, had praised it as something that taught us what to follow and showed us what to avoid. But there was no motive power in experience. It was as little of an active cause as conscience itself. All that it really demonstrated was that our future would be the same as our past, and that the sin we had done once, and with loathing, we would do many times, and with joy.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
King of Qin, rides a tiger, touring eight poles
Sword's light shining in empty sky from jade
Xihe strikes the sun, as glass is sounded
Robbed ashes fly to ends, past, present level
Dragon head, flows out wine, inviting wine star
Golden groove, pipa in the night: “cheng cheng”
Dongting rain, upon the feet, comes blowing sheng
Wine hearty, drinking moon, causes change of shape
Silver clouds, dense and denser, jade temple bright
Palace gates, holding affairs, announces one watch
Flower house, jade phoenix, sounds seductive, fierce
Sea silk fabric, red text, fragrance shallow, clear
Yellow beauty, stumbles dance, thousand year vessel
Celestial being, candle’s plant wax smoking lightly
Goddess of Qing, drunk, tears of deepest waters
”
”
Li He
“
The interior was dim like a cave. The ceiling, pressed tin, was stalactited with hooks from the days when the shopkeeper would hang it with buckets, watering cans, coils of rope and paired boots. Refrigerator cases lined a side wall, shallow crates of withered fruit and vegetables the back, and in the vast middle ground were aisles of rickety shelving, stacked with anything from tinned peaches to tampons. The sole cash register was adjacent to the entrance, next to ranks of daily newspapers and weekly and monthly magazines and a little bookcase thumbtacked with a sign, Library. If you were a farmer in need of an axe or some some sheep dip you headed for the far back corner. If you wanted to buy a stamp, you headed a couple of paces past the library.
”
”
Garry Disher
“
It was sinister, overpowering; it was like a troubled dream conjured by the evil thoughts of a past day. There was no suggestion of ultimate hope, and no possibility of escape. It was a terrible place. I sat up on the deck with my chin in my hands, looking in front of me thinking of nothing, my heart heavy, longing for some nameless thing that I could not explain even to myself. I did not want to feel depressed like this. I wanted to laugh, and not to care about a thought, and to be with people who did not matter, and to have some fun taking that girl ashore. I did not want to be in a lost mood, wretched and distressed. I wished Gudvangen was different, and the mountains wider apart, and the sun shining in a clear sky, and the blue water warm and shallow.
”
”
Daphne du Maurier (I'll Never Be Young Again)
“
Hot nights filled with summer thunder. Heat lightning far and thin and the midnight sky becrazed and mended back again. Suttree moved down to the gravelbar on the river and spread his blanket there under the gauzy starwash and lay naked with his back pressed to the wheeling earth. The river chattered and sucked past at his elbow. He'd lie awake long after the last dull shapes in the coals of the cookfire died and he'd go naked into the cool and velvet waters and submerge like an otter and come up and blow, the stones smooth as marbles under his cupped toes and the dark water reeling past his eyes. He'd lie on his back in the shallows and on these nights he'd see stars come adrift and rifle hot and dying across the face of the firmament. The enormity of the universe filled him with a strange sweet woe.
”
”
Cormac McCarthy (Suttree)
“
Her long blue sleeve was hiked past her elbow and I followed her gaze to the exposed skin. She attempted to yank her hand away, but I tightened my grip and swallowed my disgust. In all the horror-show homes I’d lived in, I never once saw mutilation like that. White and pale red, raised scars zigzagged up her arm. “What the f*ck is that?”
I tore my eyes away from the scars and searched her face for answers. She sucked in several shallow gasps before yanking a second time and successfully jerking out of my grasp. “Nothing.”
“That ain’t nothing.” And that something had to hurt like hell when it happened.
Echo stretched her sleeve past her wrist to her fingertips. She resembled a corpse. The blood rushed out of her cheeks and her body quaked with silent tremors. “Leave me alone.”
She turned away and stumbled back to the library.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
At the foot of the mountain the old man found himself in a broad glade grown thick with rushes, a small stream looping placidly over shallow sands stippled with dace shadows, the six-pointed stars of skating waterspiders drifting like bright frail medusas. He squatted and dipped a palmful of water to his lips, watched the dace drift and shimmer. Scout waded past him, elbow-deep into the stream, lapped at it noisily. Strings of red dirt receded from his balding hocks, marbling in the water like blood. The dace skittered into the channel and a watersnake uncurled from a rock at the far bank and glided down the slight current, no more demonstrative of effort or motion than a flute note.
The old man drank and then leaned back against the sledge. The glade hummed softly. A woodhen called from the timber on the mountain and to that sound of all summer days of seclusion and peace the old man slept.
”
”
Cormac McCarthy (The Orchard Keeper)
“
To development belongs fulfilment — every evolution has a beginning, and every fulfilment is an end. To youth belongs age; to arising, passing; to life, death. For the animal, tied in the nature of its thinking to the present, death is known or scented as something in the future, something that does not threaten it. It only knows the fear of death in the moment of being killed. But man, whose thought is emancipated from the fetters of here and now, yesterday and tomorrow, boldly investigates the “once” of past and future, and it depends on the depth or shallowness of his nature whether he triumphs over this fear of the end or not. An old Greek legend — without which the Iliad could not have been — tells how his mother put before Achilles the choice between a long life or a short life full of deeds and fame, and how he chose the second.
Man was, and is, too shallow and cowardly to endure the fact of the mortality of everything living. He wraps it up in rose-coloured progress-optimism, he heaps upon it the flowers of literature, he crawls behind the shelter of ideals so as not to see anything. But impermanence, the birth and the passing, is the form of all that is actual — from the stars, whose destiny is for us incalculable, right down to the ephemeral concourses on our planet. The life of the individual — whether this be animal or plant or man — is as perishable as that of peoples of Cultures. Every creation is fore-doomed to decay, every thought, every discovery, every deed to oblivion. Here, there, and everywhere we are sensible of grandly fated courses of history that have vanished. Ruins of the “have-been” works of dead Cultures lie all about us. The hubris of Prometheus, who thrust his hand into the heavens in order to make the divine powers subject to man, carries with it his fall. What, then, becomes of the chatter about “undying achievements”?
”
”
Oswald Spengler (Man and Technics: A Contribution to a Philosophy of Life)
“
I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro’s great stumbling block in his stride toward freedom is not the White Citizen’s Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to “order” than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: “I agree with you in the goal you seek, but I cannot agree with your methods of direct action”; who paternalistically believes he can set the timetable for another man’s freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a “more convenient season.” Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.
”
”
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
“
When it is once admitted that a body of facts lies at the basis of the Christian religion, the efforts which past generations have made toward the classification of the facts will have to be treated with respect. In no branch of science would there be any real advance if every generation started fresh with no dependence upon what past generations have achieved. Yet in theology, vituperation of the past seems to be thought essential to progress. And upon what base slanders the vituperation is based! After listening to modern tirades against the great creeds of the Church, one receives rather a shock when one turns to the Westminster Confession, for example, or to that tenderest and most theological of books, the "Pilgrim's Progress" of John Bunyan, and discovers that in doing so one has turned from shallow modern phrases to a "dead orthodoxy" that is pulsating with life in every word. In such orthodoxy there is life enough to set the whole world aglow with Christian love.
”
”
J. Gresham Machen (Christianity and Liberalism)
“
First, I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizens' Councilor or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season." Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.
I had hoped that the white moderate would understand that law and order exist for the purpose of establishing justice and that when they fail in this purpose they become the dangerously structured dams that block the flow of social progress. I had hoped that the white moderate would understand that the present tension in the South is a necessary phase of the transition from an obnoxious negative peace, in which the Negro passively accepted his unjust plight, to a substantive and positive peace, in which all men will respect the dignity and worth of human personality. Actually, we who engage in nonviolent direct action are not the creators of tension. We merely bring to the surface the hidden tension that is already alive. We bring it out in the open, where it can be seen and dealt with. Like a boil that can never be cured so long as it is covered up but must be opened with all its ugliness to the natural medicines of air and light, injustice must be exposed, with all the tension its exposure creates, to the light of human conscience and the air of national opinion before it can be cured.
”
”
Martin Luther King Jr. (Why We Can't Wait)
“
The English departments were clogged with worthy but outworn and backwardlooking scholars whose tastes in the moderns were most often superficial, random, and vulgar. Students who. wanted to write got little practical help from their professors. They studied the classics as monsters that were slowly losing their fur and feathers and leaking a little sawdust. What one did oneself was all chance and shallowness, and no profession seemed wispier and less needed than that of the poet.
My own group, that of Tate and Ransom, was all for the high discipline, for putting on the full armor of the past, for making poetry something that would take a man's full weight and that would bear his complete intelligence, passion, and subtlety. Almost anything, the Greek and Roman classics, Elizabethan dramatic poetry, seventeenth-century metaphysical verse, old and modern critics, aestheticians and philosophers, could be suppled up and again made necessary. The struggle perhaps centered on making the old metrical forms usable again to express the depths of one's experience.
”
”
Robert Lowell
“
To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture, or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered with what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God, and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun.
”
”
Meghan Daum (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
“
Calumny... gives [Harry] a spiritual purity in the sense that it scours away any outward show, any wish to live by the impression he makes on others. It gives him a lonely independence, so that he is able to act from his own depth. As he goes on to fulfill "his true destiny", which as far as he knows is his death, he is able to walk, hidden from view, past the woman he loves, without speaking, without looking back. This ability to act alone contrasts him with Voldemort, who needs others. That need is apparent in Voldemort's possession of Quirrell.
Voldemort's shallowness is apparent in the way Pettigrew has to do his work for him and then has to carry him to his rebirthing. Above all, it is in his need to be encircled by Death Eaters. Yet Voldemort is not truly in relationship with any of these people. He is connected to them only by magic, manipulation and threats. To be truly in relation with others, he would need, like Harry, to be capable of acting from his own depth. He would need to be able to act WITHOUT them. Voldemort, who wants to be independent, cannot truly act alone. ... Voldemort lives outwardly, in his domination of others; Harry lives inwardly, in the purity of his own being.
”
”
Luke Bell (Baptizing Harry Potter: A Christian Reading of J.K. Rowling)
“
Shakespeare’s way out of the dilemma of writing plays as pleasing at court as they were at the public theater was counterintuitive. Rather than searching for the lowest common denominator, he decided instead to write increasingly complicated plays that dispensed with easy pleasures and made both sets of playgoers work harder than they had ever worked before. It’s not something that he could have imagined doing five years earlier (when he lacked the authority, and London audiences the sophistication, to manage this). And this challenge to the status quo is probably not something that would have gone down well at the Curtain in 1599. But Shakespeare had a clear sense of what veteran playgoers were capable of and saw past their cries for old favorites and the stereotypes that branded them as shallow “groundlings.” He committed himself not only to writing great plays for the Globe but also to nurturing an audience comfortable with their increased complexity. Even before the Theatre was dismantled he must have been excitedly thinking ahead, realizing how crucial his first few plays at the Globe would be. It was a gamble, and there was the possibility that he might overreach and lose both popular and courtly audiences.
”
”
James Shapiro (A Year in the Life of William Shakespeare)
“
Let us go and sit in the shade," said Lord Henry. "Parker has brought out the drinks, and if you stay any longer in this glare, you will be quite spoiled, and Basil will never paint you again. You really must not allow yourself to become sunburnt. It would be unbecoming." "What can it matter?" cried Dorian Gray, laughing, as he sat down on the seat at the end of the garden. "It should matter everything to you, Mr. Gray." "Why?" "Because you have the most marvellous youth, and youth is the one thing worth having." "I don't feel that, Lord Henry." "No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
There is an instinct for rank which, more than anything, is already an indication of a high rank. There is a delight in the nuances of respect which permits us to surmise a noble origin and habits. The refinement, good, and loftiness of a soul are put to a dangerous test when something goes past in front of it which is of the first rank, but which is not yet protected by the shudders of authority from prying clutches and crudities: something that goes its way unmarked, undiscovered, tempting, perhaps arbitrarily disguised and hidden, like a living touchstone. The man whose task and practice is to investigate souls will use precisely this art in a number of different forms in order to establish the ultimate value of a soul, the unalterable innate order of rank to which it belongs: he will put it to the test for its instinct of reverence. Différence engendre haine [difference engenders hatred]: the nastiness of some natures suddenly spurts out like dirty water when some sacred container, some precious object from a locked shrine, some book with marks of a great destiny is carried by. On the other hand, there is an involuntary falling silent, a hesitation in the eye, an end to all gestures, things which express that a soul feels close to something most worthy of reverence. The way in which reverence for the Bible in Europe has, on the whole, been maintained so far is perhaps the best piece of discipline and refinement of tradition for which Europe owes a debt of thanks to Christianity: such books of profundity and ultimate significance need for their protection an externally imposed tyranny of authority in order to last for those thousands of years which are necessary to exhaust them and sort out what they mean. Much has been achieved when in the great mass of people (the shallow ones and all sorts of people with diarrhoea) that feeling has finally been cultivated that they are not permitted to touch everything, that there are sacred experiences before which they have to pull off their shoes and which they must keep their dirty hands off - this is almost the highest intensification of their humanity. By contrast, perhaps nothing makes the so-called educated people, those who have faith in "modern ideas," so nauseating as their lack of shame, the comfortable impudence in their eyes and hands, with which they touch, lick, and grope everything, and it is possible that these days among a people, one still finds in the common folk, particularly among the peasants, more relative nobility of taste and tactful reverence than among the newspaper-reading demi-monde of the spirit, among the educated.
Friedrich Nietzsche - Beyond Good and Evil
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
Here as a boy, prone on the grass, I observed the peaceful beauty of nature as its constituents gradually appeared. Silver fish lit up the shallow water, great swallowtail butterflies flitted decoratively from ragged robin to wild flower; small cotton tufts revealed the newly hatched cocoon; each wee spider was a thrill as it set out on its great adventure. I heard the moorhen call and hurry her fluffy offspring past my observation post as a bittern boomed in the distance. At every turn of the eye the simplest form of nature is found to be full of excitement and fresh beauty to the quiet, respectful observer. As we look more closely, the treasure-house opens fresh doors of wonder until we become absorbed in the perfection of simplicity and the magnificence of the ordinary. I have continued to do this so often during my life that the intrusion in these marshes during the past several years of foreign bodies in smelly motorboats is equivalent to disease attacking the peacefulness of natural beauty. The thought of these disturbers brings resentment; they are not interesting. They upset the natural order, and are unheedful of the beauty around them. In all observation of a natural state, the more concentrated and penetrating it becomes, so much the more is found to observe, to understand, and over which to marvel. Many people think the Norfolk marshes dull. They abhor the silence, so they bring radios and tape recorders and regale the voices of nature with ragtime. These are the same people who love to be on the Jungfraujoch with me and count the roars of avalanches and say, “Stupendous!” while I say, “Dead ends falling off dead beginnings.
”
”
Grantly Dick-Read (Childbirth Without Fear: The Principles and Practice of Natural Childbirth)
“
Wyn and Harriet’s version of a comedy of remarriage looks a bit different. Their history is less gags and hijinks, and more quiet failures, small untruths, imagined slights, accumulations of little hurts. And sure, miscommunication. Which we all hate. We hate it so much we’ve come to consider it a trope in itself. Just talk about it, we scream at our books and TVs. But in real life, for many of us, confrontation is terrifying. The thought of telling someone they hurt us, or asking if we’ve hurt them—starting a conversation whose ending we can’t predict—is terrifying. Even if we can’t name the thing we’re so afraid of on the other end. Being rejected? Knowing for certain that the person we care about doesn’t care for us in the same way? Deepening a shallow cut past the point of being able to heal? I think, sometimes, we are simply afraid to need. We’re afraid that if we ask too much, if we bare our tenderest wounds and show our ugliest sides, we’ll find out that we aren’t lovable. That we can only keep the ones we love around us as long as we cost them nothing, create no burden. That, at least I think, is the plight of the people pleaser. And though I set out to write one kind of story (and hopefully, on some level, succeeded!), that’s what Happy Place has really come to be about: the ways in which we fail ourselves, cut ourselves off from true, deep, fulfilling joy by trying to bend ourselves into acceptable shapes. This book, like every novel I’ve written so far, has been a kind of exorcism. It’s helped me look more closely at my own relationships, most especially my relationship to myself, and the ways in which I’ve tended to fail myself.
”
”
Emily Henry (Happy Place)
“
There is an instinct for rank which, more than anything, is already an indication of a high rank. There is a delight in the nuances of respect which permits us to surmise a noble origin and habits. The refinement, goodness, and loftiness of a soul are put to a dangerous test when something goes past in front of it which is of the first rank, but which is not yet protected by the fear of authority from prying clutches and crudities: something that goes its way unmarked, undiscovered, tentative, perhaps arbitrarily disguised and hidden, like a living touchstone. The man whose task and practice is to investigate souls will use precisely this art in a number of different forms in order to establish the ultimate value of a soul, the unalterable innate order of rank to which it belongs: he will put it to the test for its instinct of reverence. Différence engendre haine [Difference engenders hatred]: the nastiness of some natures suddenly spurts out like dirty water when some sacred container, some precious object from a locked shrine, or some book with marks of a great destiny is carried by. On the other hand, there is an involuntary falling silent, a hesitation in the eye, an end to all gestures, things which express that a soul feels close to something most worthy of reverence. The way in which reverence for the Bible in Europe has, on the whole, been maintained so far is perhaps the best piece of discipline and refinement of habits for which Europe owes a debt of thanks to Christianity: such books of profundity and ultimate significance need for their protection an externally imposed tyranny of authority in order to last for those thousands of years necessary to exhaust them and sort out what they mean. Much has been achieved when in the great mass of people (the shallow ones and all sorts of people with diarrhoea) the feeling has finally been cultivated that they are not permitted to touch everything, that there are sacred experiences before which they have to pull off their shoes and which they must keep their dirty hands off—this is almost the highest intensification of their humanity. By contrast, perhaps nothing makes the so-called educated people, those who have faith in “modern ideas,” so nauseating as their lack of shame, the comfortable impudence in their eyes and hands, with which they touch, lick, and grope everything, and it is possible that these days among a people, one still finds in the common folk, particularly among the peasants, more relative nobility of taste and tactful reverence than among the newspaper-reading demi-monde of the spirit, among the educated.
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
The stench of the pigpens made him take shallow breaths. Michael desperately wanted another drink to drown his sorrows…or, more aptly, his angers. He promised himself that once he found the source of the problem, he’d head to Rigsby’s and let alcohol smooth the edge off his ire. Maybe with a few drinks in him, he could better handle Prudence. Nothing else I’ve tried has worked.
“Michael!”
At the sound of his wife’s voice, he stiffened. Speak of the devil. Is there a word for female devil? He couldn’t think of one. He nodded good-bye to Hong and was stepping away when---
“Michael, I want to talk to you!” Her voice rose until the timbre was almost a shriek. She ploughed pell-mell for him, her face red with anger.
Hong ducked into his tent. Out of sight, maybe, but not out of earshot.
The Guans’ should stuff cotton in their ears to block out the worst of Prudence’s screeches.
“I need a drink,” he said, beginning to turn away.
“Oh, dear Lord. Don’t tell me you’re a drunkard like that Obadiah Kettering. Is that another thing you omitted to tell me about your character?”
He swung back.
She was inches away, arms flung wide.
“You omitted telling me I’d be marrying a shrew,” he said. “You should have written the word at the top of your fancy stationary in big block letters.” He sketched the word in the air and stated each letter. “S-H-R-E-W.”
“Why…why I never!” Her mouth opened and closed as if she sought just the right words to hurl at him.
“As for being a drunkard. Up until today, I only occasionally sought refuge in the bottle. But I think being married to you, my dear wife, will make me a frequent patron of Rigsbys Saloon. In fact, I might as well take up residence in the place.”
Stepping forward, she brought up her hand to slap him.
He leaped out of the way.
Prudence missed, and her hand sailed past, making her off balance.
Sure she was going to try again, Michael moved away, putting more space between them.
Prudence slipped on a slimy rock and lost her balance, rotating and stepping sideways only to catch her heel in the hem of her skirt. She teetered backward toward the pigpen. Her legs hit the low fence, catching her at knee-height.
Oh, no! Michael leaped to catch her.
With a horrified expression, Prudence windmilled her arms in an effort to right herself.
Michael missed, grabbing only a fold of her skirt. He yanked back, hoping to pull her upright, but instead, with a ripping sound, the fabric tore.
The momentum toppled Prudence backwards into the pigpen, where she landed on her rump in the mire. “Grrrrrr!” She scooped up two handfuls of mud and flung them at him.
Shocked, Michael didn’t dodge until the last minute, and the stinking mud went splat against his chest and face.
”
”
Debra Holland (Prudence (Mail-Order Brides of the West, #4))
“
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
”
”
Oscar Wilde (The Picture of Dorian Gray)
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I buried the past in a shallow, unmarked grave but it does not rest in peace. It demands to be named and honored.
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D.C. Hubbard (The Peace Bridge)
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He reaches out to stroke my wet hair, smoothing it back from my face. “Just once,” he says softly. “Just now, just for a few moments…”
We lean into each other at the same time, wet skin pressed against wet skin, cold water over cold skin, warming each other, heating up so fast it feels as if the river droplets are burning off us already as our lips meet. I’ve never kissed anyone in the water before, never been so---comparatively--naked as I press against someone, and it’s dizzying. My hands slip over his shoulders, run over his back, feel the lean muscles there, the strength as his arms tighten around my waist, pulling me up toward him, onto the tips of my toes again. He’s kissing me hard, his tongue cool in my mouth, and I can’t help kissing him back just as hard.
His hands slide under the loose shirt I’m wearing, up my bare back, and I moan against his lips; I press against him and feel his nipples, hard little points, through the cotton fabric of the shirt, the lace of my bra. It’s an odd, entrancing sensation, and it makes me want to rub against him even more. I’m clinging to him, my hands rising up to stroke his scalp, burrow into his wet hair, and he almost purrs against my mouth with pleasure, a sound that starts deep in his chest. I feel the vibration. It makes me think of a cat, a big, predatory cat, and I shiver from head to toe and pull my mouth from his and bury my face in the bony hollow of his shoulder, against his bare skin, and just hold on to him.
I’m shaking. It’s too much, it’s not enough. Luca’s hand closes over the back of my head and smoothes my hair down, his other hand still firm around my waist, holding me to him. I feel his lips press to my scalp, kissing it.
“Violetta,” he says, with utter desolation in his voice. “Violetta, cosa mi fai?”
“What are you doing to me?” he’s saying. And I want to repeat his words back to him, but I know he doesn’t expect an answer.
I keep my face pressed into his shoulder, because it will be the last time. I try to smell his skin, but the fresh flowing water carries scents away, and when I eventually pull back, there’s an extra little rush of heartbreak because I know it means that I will never have Luca’s scent in my nostrils again, will never again be close enough to him to have that luxury.
There’s nothing to say. His hands fall from me and he steps back, enough to let me slip past him, turning my face away, because I’m shallow, and the sight of him with his hair slicked back and his mouth red from kissing will make me do what I know I can’t: throw myself at him all over again.
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Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
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Feelie Box—Cut a hole in a shoebox lid. Place spools, buttons, blocks, coins, marbles, animals, and cars in the box. The child inserts a hand through the hole and tells you what toy she is touching. Or, ask her to reach in and feel for a button or car. Or, show her a toy and ask her to find one in the box that matches. These activities improve the child’s ability to discriminate objects without the use of vision. “Can You Describe It?”—Provide objects with different textures, temperatures, and weights. Ask her to tell you about an object she is touching. (If you can persuade her not to look at it, the game is more challenging.) Is the object round? Cool? Smooth? Soft? Heavy? Oral-Motor Activities—Licking stickers and pasting them down, blowing whistles and kazoos, blowing bubbles, drinking through straws or sports bottles, and chewing gum or rubber tubing may provide oral satisfaction. Hands-on Cooking—Have the child mix cookie dough, bread dough, or meat loaf in a shallow roasting pan (not a high-sided bowl). Science Activities—Touching worms and egg yolks, catching fireflies, collecting acorns and chestnuts, planting seeds, and digging in the garden provide interesting tactile experiences. Handling Pets—What could be more satisfying than stroking a cat, dog or rabbit? People Sandwich—Have the “salami” or “cheese” (your child) lie facedown on the “bread” (gym mat or couch cushion) with her head extended beyond the edge. With a “spreader” (sponge, pot scrubber, basting or vegetable brush, paintbrush, or washcloth) smear her arms, legs, and torso with pretend mustard, mayonnaise, relish, ketchup, etc. Use firm, downward strokes. Cover the child, from neck to toe, with another piece of “bread” (folded mat or second cushion). Now press firmly on the mat to squish out the excess mustard, so the child feels the deep, soothing pressure. You can even roll or crawl across your child; the mat will distribute your weight. Your child will be in heaven.
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Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
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The gondola jolted backward as Falco pulled the rope tight. Cass looked up, surprised to find herself back at the villa already. Falco hopped out of the boat and turned to her with an expectant look.
“What are you doing?” she asked. “I thought you had someplace to be.” She couldn’t keep the hurt from leaching into her voice.
“I’m going to walk you to your door, of course.”
“I can walk myself, thank you.” Cass clambered over the side of the gondola, her chopines clutched in her left hand. Her cloak snagged on the boat. One of the tall wooden overshoes slipped out of her fingers and landed in the shallow water. “Mannaggia,” she muttered, reaching down to retrieve the soggy shoe. She pushed past Falco as she headed across the lawn.
Falco caught up with her easily. “Cassandra, be reasonable. There’s a murderer running around.”
She didn’t answer. She headed around to the back of the villa, doing her best to ignore him as he loped beside her in the manicured grass. He couldn’t just freeze her out for the whole boat ride and then pretend everything was fine. Cass tucked her hands into the pockets of her cloak. Her fingers closed around a scrap of fabric--her handkerchief. She remembered Mada’s words. If he keeps it for a little while, then he’s yours.
Did she want Falco to like her? Cass wasn’t sure.
“A presto,” Falco said, with a short bow. “Until very soon.”
“All right.” Cass bit back the tears that were suddenly pushing at the back of her throat and eyes. If she turned around, even for a second, she knew that she would cry.
But why? What had happened? She didn’t know. She let the handkerchief slip from her pocket as she pushed quickly into the house, shutting the door behind her without looking back.
Leaning against the wall of the kitchen, Cass forced herself to breathe. A single tear worked its way down her cheek, and she brushed it roughly from her face. She turned and peered through the thick glass window. Falco was still there. He had picked up her handkerchief. It looked small in his hands. He paused for a moment, glanced in the direction of the back door, and then tucked the cloth square into his pocket. Overwhelmed by the evening’s events and her swirling emotions, Cass let her body slide slowly to the floor. This time she couldn’t stop the tears from falling.
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Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
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In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture, or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered with what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God, and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun.
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Meghan Daum (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
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She grabbed the knob. In the past, anger had often been her fuel. She’d been energized by it, and she realized, had depended on it to propel her over hurdles of exhaustion when Ben was an infant. Through red tape when dealing with insurance companies and physicians. Into new routines like learning sign language and coordinating treatments and surgeries with various specialists. She all but stumbled to her room. Closed the door and sank to sit on the bed, her breathing shallow. Yes, there’d been long periods of time she’d lived on anger. Now she saw she couldn’t afford it, or the way it made her behave toward her family.
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Shellie Arnold (Sticks and Stones (The Barn Church #2))
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It’s a simple fact of geometry that having a bunch of little continents gives you more coastline than having one big supercontinent. And more coastline gives you more shelf space to bury carbon in shallow sea life. But in the Permian and Triassic, this space was in short supply around the bloated supercontinent, and simple geometry jammed the biological carbon pump. As a result, more CO2 gathered in the atmosphere and the planet couldn’t manage to cool off. Add to this the enormous CO2 sinks of trees and forests that nearly disappeared for 10 million years after the Permian and there was nowhere to shuttle all that extra carbon dioxide. Eventually, though, the planet would cool off, however slowly, and life would fitfully recover. But the early Triassic earth remained a largely broken world, and the wastelands of tropical Pangaea barren and lifeless.
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Peter Brannen (The Ends of the World: Volcanic Apocalypses, Lethal Oceans, and Our Quest to Understand Earth's Past Mass Extinctions)
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Here the question must be asked: What kind of brilliant scheme could entail the industrialization of China, and the arming of an implacable enemy? Setting aside Sutton’s misinterpretations of the data (where he completely fails to grasp the psychological realities of the capitalist milieu), the entire situation may be clarified by reference to a single fact: namely, the suicidal trajectory of the Western financial elite over the past half-century. As James Burnham indicated long ago, liberalism is a philosophy leading to Western suicide. By industrializing and arming China, by rebuilding Russia’s position, by opening Europe to Islamic immigration, by adopting social policies which have collapsed Europe’s birth rate, we see the rush to suicide. What geniuses indeed! What leadership! Through intellectual superficiality, political shallowness, and arrogance, they cannot possibly hope to survive their own policies. If there is a plot to establish a universal socialist dictatorship the only people who stand a chance of establishing it are in Moscow and Beijing. I fail to see how Washington and London remain standing, let alone influential.
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J.R. Nyquist
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Pascal and I talked the whole night, and at the end of it, he walked me back to my apartment. We were tired, yet not as drunk as I would have thought. I wanted to touch him and felt like he wanted to touch me, too. The air in the late, late night was thin and hallucinatory, like we were at a high altitude.
Outside my apartment, Pascal sighed and took me by the waist. He was much taller than I and swung me from side to side. He tipped his lips down as I tipped my lips up. And then, without a care in the world, we kissed.
His lips were surprisingly soft. I had only kissed Elliott for the past four years, and every kiss before that had been embarrassingly bad. Pascal's lips were so different, full yet muscular. He held me by the back of my head, then slid his hands down to my neck, kneading as he went, so by the time his hands were at the small of my back, my insides had melted.
Elliott had a shallow way of kissing, lips that moved like an ant on a leaf. Pascal was all push and pull, suck and lick. Every bit of pressure corresponded with another withdrawal, leaving me panting and yearning.
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Jessica Tom (Food Whore)
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need say was I need some time off. But she couldn’t do it. “The St. James house at half-past seven,” she repeated. “Got it, sir.” He rang off. Barbara hung up. She tried to plumb the depths of her feelings, to put a name to what was slowly washing through her veins. She wanted to call it shame. She knew it was liberation. She went to tell her father that they would need to reschedule his doctor’s appointment for another day. Kevin Whateley had not gone to the Royal Plantagenet, which was the pub next door to his cottage. Rather, he had walked along the embankment, past the triangular green where he and Matthew had once learned to operate their pair of remote-control planes, and had instead entered an older pub that stood on a spit of land reaching like a curled finger into the Thames. He’d chosen the Blue Dove deliberately. In the Royal Plantagenet—despite its proximity to his house—he might have forgotten for five minutes or so. But the Blue Dove would not allow him to do so. He sat at a table that overlooked the water. In spite of the night’s falling temperature, someone was out, night fishing from a boat, and lights bobbed periodically with the river’s movement. Kevin watched this, allowing his memory to fill with the image of Matthew running along that same dock, falling, damaging a knee, righting himself but not crying at all, even when the blood began to seep from the cut, even when the stitches were later put in. He was a brave little bloke, always had been. Kevin forced his eyes from the dock and fastened them on the mahogany table. Beer mats covered it, advertising Watney’s, Guinness, and Smith’s. Carefully, Kevin stacked them, restacked them, spread them out like cards, restacked them again. He felt how shallow his breathing was and knew that he needed to take in more air. But to breathe deeply was to lose his grip for an instant. He wouldn’t do that. For if he lost control, he didn’t know how he would get it back. So he did without air. He waited. He didn’t know if the man he sought would come into the pub this late on a Sunday night, mere minutes before closing. In fact, he didn’t even know if the man came here at all any longer. But years ago he’d been a regular customer, when Patsy worked long hours behind the bar, before she’d got her job in a South Kensington hotel. For Matthew’s sake, she had said when she’d taken on the
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Elizabeth George (Well-Schooled in Murder (Inspector Lynley, #3))
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She just sighs and says, “Our eyes are on the front of our heads for a reason, Grey. Let the past stay where it belongs.” Then, when we get home, she goes straight into the kitchen and starts chopping up the holy trinity. Onions. Green peppers. Celery. A time-honored Louisiana recipe for ignoring hard questions.
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Ginny Myers Sain (Dark and Shallow Lies)