Password Feeling Quotes

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Admit it. You aren’t like them. You’re not even close. You may occasionally dress yourself up as one of them, watch the same mindless television shows as they do, maybe even eat the same fast food sometimes. But it seems that the more you try to fit in, the more you feel like an outsider, watching the “normal people” as they go about their automatic existences. For every time you say club passwords like “Have a nice day” and “Weather’s awful today, eh?”, you yearn inside to say forbidden things like “Tell me something that makes you cry” or “What do you think deja vu is for?”. Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the others…
Timothy Leary
Books have always been my escape - where I go to bury my nose, hone my senses, or play the emotional tourist in a world of my own choosing... Words are my best expressive tool, my favorite shield, my point of entry...When I was growing up, books took me away from my life to a solitary place that didn't feel lonely. They celebrated the outcasts, people who sat on the margins of society contemplating their interiors. . . Books were my cure for a romanticized unhappiness, for the anxiety of impending adulthood. They were all mine, private islands with secret passwords only the worthy could utter. If I could choose my favorite day, my favorite moment in some perfect dreamscape, I know exactly where I would be: stretched out in bed in the afternoon, knowing that the kids are taking a nap and I've got two more chapters left of some heartbreaking novel, the kind that messes you up for a week.
Jodie Foster
Why is it that the people you care about the most end up making you feel so meaningless?
Sudeep Nagarkar (You’re the Password to My Life)
Dear 2600: I think my girlfriend has been cheating on me and I wanted to know if I could get her password to Hotmail and AOL. I am so desperate to find out. Any help would be appreciated. Thanks. And this is yet another popular category of letter we get. You say any help would be appreciated? Let’s find out if thats true. Do you think someone who is cheating on you might also be capable of having a mailbox you don’t know about? Do you think that even if you could get into the mailbox she uses that she would be discussing her deception there, especially if we live in a world where Hotmail and AOL passwords are so easily obtained? Finally, would you feel better if you invaded her privacy and found out that she was being totally honest with you? Whatever problems are going on in this relationship are not going to be solved with subterfuge. If you can’t communicate openly, there’s not much there to salvage.
Emmanuel Goldstein (Dear Hacker: Letters to the Editor of 2600)
The pad had random characters scrawled on several lines, all but the last one crossed out. “Seriously?” Siobhan asked. “Who does that?” “Someone who hates facing a ninety-day password cycle,” Dedra grinned. “Got a few of them back on the ship. When I’m feeling mean, I cross out a line and add a new one without saying anything. Then they put the wrong one in three times and lock themselves out.
Blaze Ward (Two Bottles of Wine with a War God)
Writing is not always a priority. . . .I only write those things that are necessary for me to write. I love to write, and when I’m not writing, I often feel as if I’m betraying my art, my gift, my calling, but that sensation is probably hubris or neurosis as much as anything else. The problem, and one of the joys of writing poetry, is that none of us can really count on entering the canon. The chances are that none of our work will survive long after we’re gone. That’s just the way it is. To feel otherwise is foolish. we write in competition with the dead for the attention of the unborn. We are writing poems that are trying to take the attention of people away from Sappho, Shakespeare, Whitman, and Baudelaire. Good luck to you! There’s a built-in failure to writing poetry that I find comforting. If you know you’re doomed to failure, then you can work freely. People who think their work is going to last, or that it matters, well . . . I always try to disabuse my students of their desire to write for fame. I ask them, “Who here has read Shakespeare?” Everyone raises his or her hand. We agree that his work is immortal, then I remind them: “he’s still dead. He’s as dead as he’d have been if you hadn’t read him; and you’ll be dead too someday, no matter how well you write.” To sacrifice your life for your art is an appalling notion. On the other hand, I have been called to be a poet, ad it’s an unimaginably rich gift. Like every artist, I know that in order to be a moral, effective human being, I have to give myself wholly to my art. The trick is finding a balance. If you can’t recognize that your art is no more, and no less, important than what you make for dinner, then you should find something else to do.
Tony Leuzzi (Passwords Primeval: 20 American Poets in their Own Words (American Readers Series))
I missed my workout this morning, so I vault up the stairs to my flat. Breakfast has taken longer than intended, and I'm expecting Oliver at any minute. Part of me also hopes that Alessia will still be there. As I approach my front door, I hear music coming from the flat. Music? What's going on? I slide my key into the lock and cautiously open the door. It's Bach, one of his preludes in G Major. Perhaps Alessia is playing music through my computer. But how can she? She doesn't know the password. Does she? Maybe she's playing her phone through the sound system, though from the look of her tatty anorak she doesn't strike me as someone who has a smartphone. I've never seen her with one. The music rings through my flat, lighting up its darkest corners. Who knew that my daily likes classical? This is a tiny piece of the Alessia Demachi puzzle. Quickly I close the door, but as I stand in the hallway, it becomes apparent that the music is not coming from the sound system. It's from my piano. Bach. Fluid and light, played with a deftness and understanding I've only heard from concert-standard performers. Alessia? I've never managed to make my piano sing like this. Taking off my shoes, I creep down the hallway and peer around the door into the drawing room. She is seated at the piano in her housecoat and scarf, swaying a little, completely lost in the music, her eyes closed in concentration as her hands move with graceful dexterity across the keys. The music flows through her, echoing off the walls and ceiling in a flawless performance worthy of any concert pianist. I watch her in awe as she plays, her head bowed. She is brilliant. In every way. And I'm completely spellbound. She finishes the prelude, and I step back into the hall, flattening myself against the wall in case she looks up, not daring to breath. However, without missing a beat she goes straight into the fugue. I lean against the wall and close my eyes, marveling at her artistry and the feeling that she puts into each phrase. I'm carried away by the music, and as I listen, I realize that she wasn't reading the music. She's playing from memory. Good God. She's a fucking virtuoso. And I remember her intense focus when she examined my score while she was dusting the piano. Clearly she was reading the music. Shit. She plays at this standard and she was reading my composition? The fugue ends, and seamlessly she launches into another piece. Again Bach, Prelude in C-sharp Major, I think.
E.L. James
Her fingers still cold, she lifted the receiver. “Still reading Proust?” “But not making much progress,” Aomame replied. It was like an exchange of passwords. “You don’t like it?” “It’s not that. How should I put it—it’s a story about a different place, somewhere totally unlike here.” Tamaru was silent, waiting for her to go on. He was in no hurry. “By different place, I mean it’s like reading a detailed report from a small planet light-years away from this world I’m living in. I can picture all the scenes described and understand them. It’s described very vividly, minutely, even. But I can’t connect the scenes in that book with where I am now. We are physically too far apart. I’ll be reading it, and I find myself having to go back and reread the same passage over again.” Aomame searched for the next words. Tamaru waited as she did. “It’s not boring, though,” she said. “It’s so detailed and beautifully written, and I feel like I can grasp the structure of that lonely little planet. But I can’t seem to go forward. It’s like I’m in a boat, paddling upstream. I row for a while, but then when I take a rest and am thinking about something, I find myself back where I started. Maybe that way of reading suits me now, rather than the kind of reading where you forge ahead to find out what happens. I don’t know how to put it exactly, but there is a sense of time wavering irregularly when you try to forge ahead. If what is in front is behind, and what is behind is in front, it doesn’t really matter, does it. Either way is fine.
Haruki Murakami (1Q84 (Vintage International))
So it needs saying from the outset that it’s always very easy to declare that other people are idiots, but only if you forget how idiotically difficult being human is. Especially if you have other people you’re trying to be a reasonably good human being for. Because there’s such an unbelievable amount that we’re all supposed to be able to cope with these days. You’re supposed to have a job, and somewhere to live, and a family, and you’re supposed to pay taxes and have clean underwear and remember the password to your damn Wi-Fi. Some of us never manage to get the chaos under control, so our lives simply carry on, the world spinning through space at two million miles an hour while we bounce about on its surface like so many lost socks. Our hearts are bars of soap that we keep losing hold of; the moment we relax, they drift off and fall in love and get broken, all in the wink of an eye. We’re not in control. So we learn to pretend, all the time, about our jobs and our marriages and our children and everything else. We pretend we’re normal, that we’re reasonably well educated, that we understand “amortization levels” and “inflation rates.” That we know how sex works. In truth, we know as much about sex as we do about USB leads, and it always takes us four tries to get those little buggers in. (Wrong way round, wrong way round, wrong way round, there! In!) We pretend to be good parents when all we really do is provide our kids with food and clothing and tell them off when they put chewing gum they find on the ground in their mouths. We tried keeping tropical fish once and they all died. And we really don’t know more about children than tropical fish, so the responsibility frightens the life out of us each morning. We don’t have a plan, we just do our best to get through the day, because there’ll be another one coming along tomorrow. Sometimes it hurts, it really hurts, for no other reason than the fact that our skin doesn’t feel like it’s ours. Sometimes we panic, because the bills need paying and we have to be grown-up and we don’t know how, because it’s so horribly, desperately easy to fail at being grown-up. Because everyone loves someone, and anyone who loves someone has had those desperate nights where we lie awake trying to figure out how we can afford to carry on being human beings. Sometimes that makes us do things that seem ridiculous in hindsight, but which felt like the only way out at the time.
Fredrik Backman (Anxious People)
Well, I know you don’t want to talk about it anymore, but I signed you up for that computer match thingy.” Why is it that so many people over the age of sixty refer to everything on the Internet as some sort of “computer thing”? Helen was trying to contain her laughter. “Laura, do you mean Match.com?” My father was groaning audibly now. “Yes, that’s it. Charles helped me put up her profile.” “Oh my god, Mother. Are you kidding me?” Helen jumped out of her seat and started running toward the computer in my dad’s home office, which was right off the dining room. “Get out of there, Helen,” my dad yelled, but she ignored him. I chased after her, but she stuck her arm out, blocking me from the monitor. “No, I have to see it!” she shouted. “Stop it, girls,” my mother chided. “Move, bitch.” We were very mature for our age. “This is the best day of my life. Your mommy made a Match profile for you!” “Actually, Chuck made it,” my mother yelled from across the hall. Oh shit. Helen typed my name in quickly. My prom picture from nine years ago popped up on the screen. My brother had cropped Steve Dilbeck out of the photo the best he could, but you could still see Steve’s arms wrapped around my purple chiffon–clad waist. “You’re joking. You’re fucking joking.” “Language, Charlotte!” my dad yelled. “Mom,” I cried, “he used my prom photo! What is wrong with him?” I still had braces at eighteen. I had to wear them for seven years because my orthodontist said I had the worst teeth he had ever seen. You know how sharks have rows of teeth? Yeah, that was me. I blame my mother and the extended breastfeeding for that one, too. My brother, Chuck the Fuck, used to tease me, saying it was leftovers of the dead Siamese twin I had absorbed in utero. My brother’s an ass, so it’s pretty awesome that he set up this handy dating profile for me. In case you hadn’t noticed, our names are Charlotte and Charles. Just more parental torture. Would it be dramatic to call that child abuse? Underneath my prom photo, I read the profile details while Helen laughed so hard she couldn’t breath. My name is Charlotte and I am an average twenty-seven year-old. If you looked up the word mediocre in the dictionary you would see a picture of me—more recent than this nine-year-old photo, of course, because at least back then I hadn’t inked my face like an imbecile. Did I forget to mention that I have a tiny star tattooed under my left eye? Yes, I’d been drunk at the time. It was a momentary lapse of judgment. It would actually be cute if it was a little bigger, but it’s so small that most people think it’s a piece of food or a freckle. I cover it up with makeup. I like junk food and watching reality TV. My best friend and I like to drink Champagne because it makes us feel sophisticated, then we like to have a farting contest afterward. I’ve had twelve boyfriends in the last five years so I’m looking for a lifer. It’s not a coincidence that I used the same term as the one for prisoners ineligible for parole. “Chuck the Fuck,” Helen squeaked through giggles. I turned and glared at her. “He still doesn’t know that you watched him jerk off like a pedophile when he was fourteen.” “He’s only three years younger than us.” “Four. And I will tell him. I’ll unleash Chuck the Fuck on you if you don’t quit.” My breasts are small and my butt is big and I have a moderately hairy upper lip. I also don’t floss, clean my retainer, or use mouthwash with any regularity. “God, my brother is so obsessed with oral hygiene!” “That’s what stood out to you? He said you have a mustache.” Helen grinned. “Girls, get out of there and come clear the table,” my dad yelled. “What do you think the password is?” “Try ‘Fatbutt,’ ” I said. “Yep, that worked. Okay, I’ll change your profile while you clear the table.
Renee Carlino (Wish You Were Here)
I’m very self-motivated,” she’d state with an assertiveness that she didn’t quite feel in her gut, and the HR guy would look down at the paper in front of him and then back up at her blankly, as if to say, No, that’s not today’s password. Then she’d follow with something like “I’m also committed to life-long learning,” and the response would be dead silence. A few days later, she’d get a no-reply e-mail expressing perfunctory pro forma regret, telling her the spot had been filled and wishing her the best of luck.)
Dexter Palmer (Version Control)
Why do they sell hot dogs in packages of ten and buns in packages of eight?” I ask. “It just plain don’t make sense.” She leans over and kisses me, then leans back with a smile. “The world is full of things that don’t make sense.” “It really is, like, why do people give flowers to people for special occasions? I mean, it’s kinda arbitrary. What’s the point?” She nods and tucks one hand under her head. I have her other hand in mine, our fingers playing and tracing and feeling. “Actually, the history of flower giving can be traced back to ancient Greece, when it was thought that flowers were associated with the gods. And in Turkey, they assigned meanings to different flowers, which then was adopted by Victorian culture as a part of the courting ritual. In Japan, it’s called hanakotoba, where various plants are used for passwords and codes.
Mary Frame (Ridorkulous (Dorky Duet #1))
Wi-fi password?” Calder handed it over, feeling at that point like resistance was futile. This was his life now. Overrun and bossed around by two twinks and a scary brunette with no filter. As soon as she connected,
Onley James (Exasperating (Elite Protection Services, #3))
I have big dreams and big goals. But also big limitations, which means III never reach the big goals unless I have the wisdom to recognize the chains that bind me. Only then will I be able to figure out a way to work within them instead of ignoring them or naively wishing they'll cease to exist. I'm on a perennial quest to find balance. Writing helps me do that. To quote Neruda: Tengo que acordarme de todos, recoger las briznas, los hilos del acontecer harapiento (I have to remember everything, collect the wisps, the threads of untidy happenings). That line is ME. But my memory is slipping and that's one of the scariest aspects about all this. How can I tell my story, how can I create a narrative around my life, if I cant even remember the details? But I do want to tell my story, and so I write. I write because I want my parents to understand me. I write to leave something behind for them, for my brother Micah, for my boyfriend Jack, and for my extended family and friends, so I won't just end up as ashes scattered in the ocean and nothing else. Curiously, the things I write in my journal are almost all bad: the letdowns. the uncertainties. the anxieties. the loneliness. The good stuff I keep in my head and heart, but that proves an unreliable way of holding on because time eventually steals all memories-and if it doesn't completely steal them, it distorts them, sometimes beyond recognition, or the emotional quality accompanying the moment just dissipates. Many of the feelings I write about are too difficult to share while I'm alive, so I am keeping everything in my journal password-protected until the end. When I die I want my mom to edit these pages to ensure they are acceptable for publication-culling through years of writing, pulling together what will resonate, cutting references that might be hurtful. My hope is that my writing will offer insight for people living with, or loving someone with, chronic illness.
Mallory Smith (Salt in My Soul: An Unfinished Life)
Consider using the free, cross-platform tool VeraCrypt. If you feel you might ever be compelled to reveal a password for your computer such as at a border crossing or by “rubber hose” cryptanalysis (being beaten by a rubber hose until you squeal), you can use “hidden volumes” to hide
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Everyone has the right to be as mad as you, as long as he or she is not forcing their madness upon you or anyone else in that matter. If you on the other hand, feel and have that burning spark of gnosis inside you—and you think you don't have anything to do with these types of things and people—maybe the entire magical rite doesn't affect you at all. You have performed a sort of a “self-exorcism” and you have the strong feeling that you own your shit. Because of these things, all that knowledge is paramount and it is of vital importance for anyone's personal quest towards enlightenment. In many cases it is an energetic independence and any self-proclaimed Wizard or a genuine Witch wants a few minutes alone under that thick shade near the oak tree—where he or she can gather their thoughts and invoke the crucial hacks toward unlocking the secret passwords of the universe. Think about it; you deeply feel and know that you have it in you. Be the Wizard or the Witch and not the Court Jester.
Borislav Vakinov (Heresy & Metaphysics: A Compendium of Thoughts and Ideas about Magic, Philosophy, Art, Identity, the Occult and the Deeply Weird Side of Existence)
Share the Blame As we discussed earlier, how both partners can be at fault. Although the cheating partner should take 100% of the blame as they could have always talked it out with you and let you know of your intentions beforehand, you should also take responsibility for keeping them in an unhappy or ungrateful union. If the infidelity happened because the partner felt less heard or unappreciated, then the wronged partner must accept it and know that some part of the hurt and isolation that they have brought upon themselves is because of the way they treated their spouse. This knowledge and acceptance can help the process of healing and allow them to be more emotionally available for their partner the next time around. Set Some Ground Rules Before forgiving the adulterous spouse, the wronged partner must lay down some ground rules for how things will be between them from now on. It doesn’t have to be a revenge list since the goal is to get back together. Point out how they can earn back the lost trust and respect in your eyes. Some other rules can be keeping no secrets between them from now on, making more time for the family, removing passwords from their phone and laptop, allowing the other person to see what they are doing without hiding or closing the tabs, etc. If they comply to all of these, it means they really are up for going at the relationship again. It also gives you some power over them and makes them feel like dictated and dominated, which is great at the end of the day because let’s face it, they brought it upon themselves.
Rachael Chapman (Healthy Relationships: Overcome Anxiety, Couple Conflicts, Insecurity and Depression without therapy. Stop Jealousy and Negative Thinking. Learn how to have a Happy Relationship with anyone.)
One day when we feel less embarrassed about it all, the next generation's great poet will write an elegy for the despair you feel when you, without even the hint of a password, look over the list of wireless networks and see nothing but padlocks.
Jay Caspian Kang (The Dead Do Not Improve)
Finally, he says, “What is the shortest distance between two points?” I look at him in the rearview mirror. “Swordfish.” “Come again?” “It’s a joke from an old movie. What’s the secret password? Swordfish.” “I see. Well, it is not swordfish this time. Would you like to know the answer?” “Sure.” I hit the accelerator. Feel the RPMs rumble from my feet and up into my chest as the Charger tears up the cracked desert road, leaving a gray cloud behind us. The Magistrate takes my Colt and puts one bullet in the chamber. Spins it and slams it shut. Puts the gun to his head and pulls the trigger. Nothing happens. He says, “The answer is death. In nothingness, distance has no meaning.” “But death isn’t nothingness. I’m dead and I’m here now.” He puts the Colt to my head. “Perhaps you are not dead enough.” “I still think ‘swordfish’ is a better answer.” “But you are not the one asking the question.” He pulls the trigger.
Richard Kadrey (Hollywood Dead (Sandman Slim, #10))
I have big dreams and big goals. But also big limitations, which means I'II never reach the big goals unless I have the wisdom to recognize the chains that bind me. Only then will I be able to figure out a way to work within them instead of ignoring them or naively wishing they'll cease to exist. I'm on a perennial quest to find balance. Writing helps me do that. To quote Neruda: Tengo que acordarme de todos, recoger las briznas, los hilos del acontecer harapiento (I have to remember everything, collect the wisps, the threads of untidy happenings). That line is ME. But my memory is slipping and that's one of the scariest aspects about all this. How can I tell my story, how can I create a narrative around my life, if I cant even remember the details? But I do want to tell my story, and so I write. I write because I want my parents to understand me. I write to leave something behind for them, for my brother Micah, for my boyfriend Jack, and for my extended family and friends, so I won't just end up as ashes scattered in the ocean and nothing else. Curiously, the things I write in my journal are almost all bad: the letdowns. the uncertainties. the anxieties. the loneliness. The good stuff I keep in my head and heart, but that proves an unreliable way of holding on because time eventually steals all memories-and if it doesn't completely steal them, it distorts them, sometimes beyond recognition, or the emotional quality accompanying the moment just dissipates. Many of the feelings I write about are too difficult to share while I'm alive, so I am keeping everything in my journal password-protected until the end. When I die I want my mom to edit these pages to ensure they are acceptable for publication-culling through years of writing, pulling together what will resonate, cutting references that might be hurtful. My hope is that my writing will offer insight for people living with, or loving someone with, chronic illness.
Mallory Smith (Salt in My Soul: An Unfinished Life)