Passport To Paris Quotes

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Writers are married to their keyboards, as to their passports.
Adam Gopnik (Paris to the Moon)
Some things you cannot leave behind. Your history will pursue you doggedly across frontiers and over oceans. It will slip past the unsmiling border guards, fold itself invisibly into the pages of your passport, a silent, treacherous stowaway.
Alex George (The Paris Hours)
But the very question of whether photography is or is not an art is essentially a misleading one. Although photography generates works that can be called art --it requires subjectivity, it can lie, it gives aesthetic pleasure-- photography is not, to begin with, an art form at all. Like language, it is a medium in which works of art (among other things) are made. Out of language, one can make scientific discourse, bureaucratic memoranda, love letters, grocery lists, and Balzac's Paris. Out of photography, one can make passport pictures, weather photographs, pornographic pictures, X-rays, wedding pictures, and Atget's Paris. Photography is not an art like, say, painting and poetry. Although the activities of some photographers conform to the traditional notion of a fine art, the activity of exceptionally talented individuals producing discrete objects that have value in themselves, form the beginning photography has also lent itself to that notion of art which says that art is obsolete. The power of photography --and its centrality in present aesthetic concerns-- is that it confirms both ideas of art. But the way in which photography renders art obsolete is, in the long run, stronger.
Susan Sontag (On Photography)
It makes me wonder what belonging to a place means. Charles died a Russian in Paris. Viktor called it wrong and was a Russian in Vienna for fifty years, then Austrian, then a citizen of the Reich, and then stateless. Elisabeth kept Dutch citizenship in England for fifty years. And Iggie was Austrian, then American, then an Austrian living in Japan. You assimilate, but you need somewhere else to go. You keep your passport to hand. You keep something private.
Edmund de Waal (The Hare With Amber Eyes: A Family's Century of Art and Loss)
The girls at the club. We don’t have family. We don’t have money. Some have run from home. Some – many – are illegal.’ She sits forward. ‘They have our passports, too.’ ‘So you can’t leave the country,’ I say, turning to Theo. ‘That’s fucking dark.
Lucy Foley (The Paris Apartment)
Though griffe literally translates as 'claw,' Parisians have redefined it to mean 'stamp,' 'label,' or 'signature.' It describes the pattern of favorite cafes, shops, walks, meeting places, which each of us imposes on the city and which makes it uniquely 'our Paris.' A griffe is no trivial thing. As surely as a passport, it identifies one as a bona fide resident, with loves, hates, tastes, and prejudices.
John Baxter (Immoveable Feast: A Paris Christmas)
change who you are simply by climbing on a boat or boarding a train. Some things you cannot leave behind. Your history will pursue you doggedly across frontiers and over oceans. It will slip past the unsmiling border guards, fold itself invisibly into the pages of your passport, a silent, treacherous stowaway.
Alex George (The Paris Hours)
Holiday or business, monsieur?” The customs officer looked unconcerned as he stamped Peter’s passport, and barely glanced up at him after looking at the picture. He had blue eyes and dark hair and looked younger than his forty-four years. He had fine features, he was tall, and most people would have agreed that he was handsome.
Danielle Steel (Five Days in Paris)
At the Treaty of San Ildefonso, Napoleon had promised Spain not to sell Louisiana to a third party, a commitment he now decided to ignore. On the same day that Whitworth called for his passports in Paris, across the Atlantic President Thomas Jefferson signed the Louisiana Purchase, doubling the size of the United States at the stroke of his pen. The Americans paid France 80 million francs for 875,000 square miles of territory that today comprises all or some of thirteen states from the Gulf of Mexico across the Midwest right up to the Canadian border, at a cost of less than four cents an acre.93 ‘Irresolution and deliberation are no longer in season,’ Napoleon wrote to Talleyrand. ‘I renounce Louisiana. It is not only New Orleans that I cede; it is the whole colony, without reserve; I know the price of what I abandon … I renounce it with the greatest regret: to attempt obstinately to retain it would be folly.’94 After the Saint-Domingue debacle and
Andrew Roberts (Napoleon: A Life)
We Negroes of America are tired of a world divided superficially on the basis of blood and color, but in reality on the basis of poverty and power—the rich over the poor, no matter what their color. We Negroes of America are tired of a world in which it is possible for any group of people to say to another: "You have no right to happiness, or freedom, or the joy of life." We are tired of a world where forever we work for someone else and the profits are not ours. We are tired of a world where, when we raise our voices against oppression, we are immediately jailed, intimidated, beaten, sometimes lynched. Nicolás GuiIlén has been in prison in Cuba, Jacques Roumain, in Haiti, Angelo Herndon in the United States. Today a letter comes from the great Indian writer, Raj Anand, saying that he cannot be with us here in Paris because the British police in England have taken his passport from him. I say, we darker peoples of the earth are tired of a world in which things like that can happen.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
Our introduction to Hitler’s Third Reich this evening was probably typical. Taking the day train from Paris so as to see a little of the country, we arrived at the Friedrichstrasse Bahnhof at about ten this evening. The first persons to greet us on the platform were two agents of the secret police. I had expected to meet the secret police sooner or later, but not quite so soon. Two plain-clothes men grabbed me as I stepped off the train, led me a little away, and asked me if I were Herr So-and-So—I could not for the life of me catch the name. I said no. One of them asked again and again and finally I showed him my passport. He scanned it for several minutes, finally looked at me suspiciously, and said: “So…. You are not Herr So-and-So, then. You are Herr Shirer.” “None other,” I replied, “as you can see by the passport.” He gave me one more suspicious glance, winked at his fellow dick, saluted stiffly, and made off. Tess and I walked over to the Hotel Continental and engaged an enormous room. Tomorrow begins a new chapter for me. I thought of a bad pun: “I’m going from bad to Hearst.
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
life in Paris was to some extent protected by the fact that I carried a green passport. This passport proclaimed that I was a free citizen of a free country, and was not, therefore, to be treated as one of Europe’s uncivilized, black possessions. This same passport, on the other side of the ocean, underwent a sea change and proclaimed that I was not an African prince, but a domestic nigger and that no foreign government would be offended if my corpse were to be found clogging up the sewers. I had never had occasion to reflect before on the brilliance of the white strategy: blacks didn’t know each other, could barely speak to each other, and, therefore, could scarcely trust each other—and therefore, wherever we turned, we found ourselves in the white man’s territory, and at the white man’s mercy. Four hundred years in the West had certainly turned me into a Westerner—there was no way around that. But four hundred years in the West had also failed to bleach me—there was no way around that, either—and my history in the West had, for its daily effect, placed me in such mortal danger that I had fled, all the way around the corner, to France.
James Baldwin (No Name in the Street)
At the Treaty of San Ildefonso, Napoleon had promised Spain not to sell Louisiana to a third party, a commitment he now decided to ignore. On the same day that Whitworth called for his passports in Paris, across the Atlantic President Thomas Jefferson signed the Louisiana Purchase, doubling the size of the United States at the stroke of his pen. The Americans paid France 80 million francs for 875,000 square miles of territory that today comprises all or some of thirteen states from the Gulf of Mexico across the Midwest right up to the Canadian border, at a cost of less than four cents an acre.93 ‘Irresolution and deliberation are no longer in season,’ Napoleon wrote to Talleyrand. ‘I renounce Louisiana. It is not only New Orleans that I cede; it is the whole colony, without reserve; I know the price of what I abandon … I renounce it with the greatest regret: to attempt obstinately to retain it would be folly.’94 After the Saint-Domingue debacle and the collapse of Amiens, Napoleon concluded he must realize his largest and (for the immediate future) entirely useless asset, one that might eventually have drawn France into conflict with the United States. Instead, by helping the United States to continental greatness, and enriching the French treasury in the process, Napoleon was able to prophesy: ‘I have just given to England a maritime rival that sooner or later will humble her pride.’95 Within a decade, the United States was at war with Britain rather than with France, and the War of 1812 was to draw off British forces that were still fighting in February 1815, and which might otherwise have been present at Waterloo.
Andrew Roberts (Napoleon: A Life)
He had undoubtedly not availed himself of the ministry archives, archives that might have revealed to him that Iranian diplomats in Paris, from this, his own Foreign Ministry, had taken it upon themselves to issue Iranian passports to Jews escaping the very Holocaust they were aware of, but that he now denied.
Hooman Majd (The Ayatollah Begs to Differ: The Paradox of Modern Iran)
from, The Siamese Collectors: He needed a jolt. A drastic change. An explosion of old habits. He wanted to drop a hot grenade into his broken life. So he cooked up Barcelona and Madrid, Paris, Hong Kong and sent flurries of e-mails with resumes. And finally, when the only offer arrived in a beaten yellow envelope bearing exotic stamps, his father insisted he take it. At first he refused. Thailand to him was third rate, tainted by ideas of the Golden Triangle, white slavery, sleazy tourists and terrorism. But he only had two choices and neither he nor his father lingered when action was needed. So they said a quick goodbye on the porch, blinking at the crisp noon sun and sweating as the taxi idled. His father said, “Don’t worry. I won’t tell them anything.” His plane arrived sometime in the middle of the night. A lone policeman dipped in leather boots and wearing a motorcycle helmet with a loose chinstrap stood guard in the Bangkok airport. Treece slipped his passport into a pocket and watched a dark-eyed Thai girl half-asleep on her arm inside a little glass money exchange booth. A moment later in the open lobby, he nodded to a man behind a walrus tooth moustache holding a piece of cardboard that said: Mike Treece.
Erich R. Sysak
There are no beautiful women writers.’ ‘Yes there are.’ No there aren’t. Well, except for Edna O’Brien, who is actually a kind of genius and gained my undying admiration when she said plots are for precocious schoolboys (Book 2,738, Writers at Work, The Paris Review Interviews, 7th Series, Secker & Warburg, London). ‘Here, look at Emily Dickinson,’ I said, and showed him the passport-sized photo on the back cover of the Collected Poems. ‘Her face, two prunes in porridge.’ ‘I don’t know, I think she looks nice,’ he said. ‘Nice?’ ‘She does. She looks interesting.’ Reader, pick any Brontë. Any one, doesn’t matter. What do you see? You see intelligence, you see an observer, you see distance, you don’t see beauty.
Niall Williams (History of the Rain)
Two days later they got a verification from Air France that they had flown a very old colored man with a passport issued to Cotton Bud of New York City by way of Paris to Dakar. They
Chester Himes (Cotton Comes to Harlem (Harlem Detectives Book 7))
Under these conditions, a passport was not enough. The greatest obstacle in this entire process was the fact that no South or North American country opened any consulates, at the time, in Romania. Consequently, visas to the U.S. or Canada or Chile or Brazil had to be received in Paris. The French government was reluctant to issue transit visas because they were afraid that many Jewish refugees would flock to France and perhaps stay. In that case, the French had no place to deport those unwanted newcomers. An exit visa was a one-way departure; the person became stateless.
Pearl Fichman (Before Memories Fade)
I was born in Szabadka in Hungary. By the treaty of Trianon in 1919 Szabadka was incorporated in Yugoslav territory. In 1921 I went as a student to the University of Buda-Pesth. I obtained a Yugoslav passport for the purpose. While I was still at the University my father and elder brother were shot by the Yugoslav police for a political offense. My mother had died during the war and I had no other relations or friends. I was advised not to attempt to return to Yugoslavia. Conditions in Hungary were terrible. In 1922 I went to England, and remained there, teaching German in a school near London until 1931, when my labor permit was withdrawn. I was one of many other foreigners who had their labor permits withdrawn at that time. When my passport had expired I had applied for its renewal to the Yugoslav legation in London, but had been refused on the grounds that I was no longer a Yugoslav citizen. I had afterwards applied for British naturalization, but when I was deprived of my labor permit I was forced to find work elsewhere. I went to Paris. I was allowed by the police to remain and given papers with the proviso that if I left France I should not be permitted to return. I have since applied for French citizenship.
Eric Ambler (Epitaph for a Spy)
Paris 12 May 1941 Monsieur l’Inspecteur: Why aren’t you looking for undeclared Jews in hiding? Here is the address of Professor Cohen at 35 rue Blanche. She used to teach so-called literature at the Sorbonne. Now she invites students to her home for lectures so she can cavort with colleagues and students, mostly male—at her age! When she ventures out, you see her coming a kilometer away in that swishy purple cape, a peacock feather askew in her hair. Ask the Jewess for her baptism certificate and passport, you’ll see her religion noted there. While good Frenchmen and women work, Madame le Professeur sits around and reads books. My indications are exact, now it’s up to you.
Janet Skeslien Charles (The Paris Library)
Paris 12 May 1941 Monsieur l’Inspecteur: Why aren’t you looking for undeclared Jews in hiding? Here is the address of Professor Cohen at 35 rue Blanche. She used to teach so-called literature at the Sorbonne. Now she invites students to her home for lectures so she can cavort with colleagues and students, mostly male—at her age! When she ventures out, you see her coming a kilometer away in that swishy purple cape, a peacock feather askew in her hair. Ask the Jewess for her baptism certificate and passport, you’ll see her religion noted there. While good Frenchmen and women work, Madame le Professeur sits around and reads books. My indications are exact, now it’s up to you. Signed, One
Janet Skeslien Charles (The Paris Library)
Stokely Carmichael stepped off an Air France Boeing 707 at John F. Kennedy International Airport in New York City to find United States marshals from New York’s Eastern District waiting to confiscate his passport. Carmichael had been on a blistering worldwide tour since his decision to step down in May of that year as the leader of SNCC. While in Paris, he boldly declared to four thousand people at the Palais de la Mutualité, “Our aim is to disrupt the United States of America, and we think our blood is not too high a price to pay. We don’t want peace in Vietnam! We want the Vietnamese to defeat the United States of America!” In
Eddie S. Glaude Jr. (Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own)
A day before the November 2015 Paris attacks, President Obama was feeling a little more hopeful about the war against the Islamic State. Noting that the caliphate hadn’t made any significant territorial gains in some time, Obama said it had been “contained.”23 As we know now, this contention was obscenely countered the very next day. Terrorism has also come of age with the millennial generation. The Islamic State of today is miles from the Al Qaeda it grew out of. Its supporters aren’t coming from Afghanistan, Iraq, or Pakistan anymore. They’re living in Belgium, France, Britain, and, as we saw with the attacks in San Benardino and Orlando, even the United States. They’re not refugees or illegal immigrants. They’re legal, passport-carrying, Western-born or naturalized citizens of our countries. So what does bombing them do now? The more you bomb over there, the more the appeal grows over here. And there’s proof of that from the last three wars: the Islamic State itself is the visible result. ISIS isn’t just a geographical entity. There are kids sitting across Western countries, right here in our cities and neighborhoods, being inspired and groomed by the group’s wide-ranging social media expertise and slickly produced propaganda videos as we speak. These kids are not coming here from Syria. They’ve always been here.
Ali A. Rizvi (The Atheist Muslim: A Journey from Religion to Reason)
Their society was deeply marked by the years under corrupt Ottoman rule. Rumanians had a saying: “The fish grows rotten from the head.” In Rumania almost everything was for sale: offices, licenses, passports. Indeed, a foreign journalist who once tried to change money legally instead of on the black market was thrown into jail by police who thought he must be involved in a particularly clever swindle. Every government contract produced its share of graft. Although Rumania was a wealthy country, rich in farmland and, by 1918, with a flourishing oil industry, it lacked roads, bridges and railways because the money allocated by government had been siphoned off into the hands of families such as Brătianu’s own. Rumanians tended to see intrigues everywhere. In Paris they hinted darkly that the Supreme Council had fallen under the sway of Bolshevism or, alternatively, that it had been bribed by sinister capitalist forces.280
Margaret MacMillan (Paris, 1919: Six Months that Changed the World)
Miles away Matisse had had much the same reaction: he was at the frontier with his passport in his pocket and the boat was waiting at Genoa to take him to Rio de Janeiro; but, as he wrote to his son, “When I saw the endless line of people leaving I had not the least desire to go … I should have felt like a deserter. If everything of any worth runs away, what will remain of France?” France meant different things to Matisse and Picasso: but although Picasso remained a Spaniard through and through, France and above all Paris nevertheless for him meant light, freedom, and the living arts, and that intemporal country, beyond all national or geographic boundaries, was where his patriotism lay.
Patrick O'Brian (Picasso: A Biography)
Churchill worked hard to bring Savinkov to London in late 1921. It was not easy. Foreign Office officials regarded him as unreliable, even crooked, and refused him a visa. SIS chief Mansfield Cumming also declined to help, but Churchill leaned on his intelligence contacts in France. Before the Foreign Office had woken up, the British Passport Office in Paris had issued a visa and Savinkov was in London.
David Stafford (Churchill & Secret Service)