Passing The Mantle Quotes

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In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face. All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen. "You cannot enter here," said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!" The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter. "Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade. Gandalf did not move. And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin's sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled. He walked along and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came. Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless.
J.R.R. Tolkien (The Lord of the Rings)
With industry's sales and marketing machines cloaked in mantles of charitable virtue, no wonder most Americans don't realize that the junk that passes for food is in fact the biggest contributor to our health crisis, and the junk that passes for medicine keeps us just well enough to continue to spend on both the food and the medicine.
T. Colin Campbell (Whole: Rethinking the Science of Nutrition)
When age fell upon the world, and wonder went out of the minds of men; when grey cities reared to smoky skies tall towers grim and ugly, in whose shadow none might dream of the sun or of spring’s flowering meads; when learning stripped earth of her mantle of beauty, and poets sang no more save of twisted phantoms seen with bleared and inward-looking eyes; when these things had come to pass, and childish hopes had gone away forever, there was a man who travelled out of life on a quest into the spaces whither the world’s dreams had fled.
H.P. Lovecraft (The Complete H.P. Lovecraft Collection)
As for those not directly affected by this struggle, it would help if more conversations could hold greater complexity—the ability to acknowledge that the Israelis who came to Palestine in the 1940s were survivors of genocide, desperate refugees, many of whom had no other options, and that they were settler colonists who participated in the ethnic cleansing of another people. That they were victims of white supremacy in Europe being passed the mantle of whiteness in Palestine. That Israelis are nationalists in their own right and that their country has long been enlisted by the United States to act as a kind of subcontracted military base in the region. All of this is true all at once. Contradictions like these don’t fit comfortably within the usual binaries of anti-imperialism (colonizer/colonized) or the binaries of identity politics (white/racialized)—but if Israel-Palestine teaches us anything, it might be that binary thinking will never get us beyond partitioned selves, or partitioned nations.
Naomi Klein (Doppelganger: a Trip into the Mirror World)
My Last Duchess That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps Fra Pandolf chanced to say “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat”: such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men,—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E’en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
When age fell upon the world, and wonder went out of the minds of men; when grey cities reared to smoky skies tall towers grim and ugly, in whose shadow none might dream of the sun or of Spring’s flowering meads; when learning stripped the Earth of her mantle of beauty, and poets sang no more save of twisted phantoms seen with bleared and inward looking eyes; when these things had come to pass, and childish hopes had gone forever, there was a man who travelled out of life on a quest into the spaces whither the world’s dreams had fled.
H.P. Lovecraft (Complete Collection of H.P. Lovecraft - 150 eBooks with 100+ Audio Books Included (Complete Collection of Lovecraft's Fiction, Juvenilia, Poems, Essays and Collaborations))
Those who visited that exhibition-room found an auto-de-fé of immense skies in ignition, globes blotted out by bleeding suns; hemorrhages of stars, flowing down in purple cataracts over tumbling tufts of clouds. Against this background of terrible din, silent women passed, nude or appareled in jeweled stuffs, like the bindings of the old Evangelists; women with hair of shaggy silk, with pale blue eyes, hard and fixed, and flesh of the frozen whiteness of milk; Salomes holding, motionless upon a platter, the head of the Baptist, which shone, soaked in phosphorus, under the quincunxes with shorn leaves, of a green that was almost black; goddesses galloping on hippogriffs and streaking, with the lapis lazuli of their wings, the agony of the clouds; feminine idols, in tiaras, upright on thrones, at the top of stairs submerged in extraordinary flowers, or seated, in rigid poses, upon the backs of elephants with green-mantled foreheads and breasts strung with pearl-ropes like cavalry bells, stamping about upon their own heavy image, reflected in a sheet of water and splashed by the columns of the ring-circled legs!
Joris-Karl Huysmans (Downstream and Other Works)
And he said, Go forth, and stand upon the mount before the Lord. And, behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; but the Lord was not in the wind: and after the wind an earthquake; but the Lord was not in the earthquake: 12 And after the earthquake a fire; but the Lord was not in the fire: and after the fire a still small voice. 13 And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And, behold, there came a voice unto him, and said, What doest thou here, Elijah?
Anonymous
Guest lists, I warned him, don’t apply to established family friends. The man smiled an apology—I was dealing with a professional. Sequined gaggle of mantled goslings streamed past me just then, and the butler unwisely let ’em pass me. Was halfway down the glittering hallway before the white-gloved hand clamped my shoulder.
David Mitchell (Cloud Atlas)
when learning stripped the Earth of her mantle of beauty, and poets sang no more save of twisted phantoms seen with bleared and inward looking eyes; when these things had come to pass, and childish hopes had gone forever, there was a man who travelled out of life on a quest into the spaces whither the world’s dreams had fled.
H.P. Lovecraft (H.P. Lovecraft: The Complete Fiction)
IT HAD NEVER been such a beautiful May. Every day the sky shone a peerless blue, untouched by cloud. Already, the gardens were crammed with lupins, roses, delphiniums, honeysuckle, and lime clouds of lady’s mantle. Insects cricked, hovered, bumbled, and whizzed. Harold passed fields of buttercups, poppies, ox-eye daisies, clover, vetch, and campion. The hedgerows were sweetly scented with bowing heads of elderflower, and wound through with wild clematis, hops, and dog roses. The allotments too were burgeoning. There were rows of lettuce, spinach, chard, beetroot, early new potatoes, and wigwams of peas. The first of the gooseberries hung like hairy green pods.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
If manhood is passed down, if it is a mantle cut from the cloth of one and draped across another, it is not done so using titles or accolades. Not hardly. It occurs there—in that spout now resting neck-high—pouring down the spine and into the belly in a language that has never been transcribed, but that every boy on the planet understands and has always understood.
Charles Martin (Chasing Fireflies)
The bill for establishing religious freedom, the principles of which had, to a certain degree, been enacted before, I had drawn in all the latitude of reason & right. It still met with opposition; but, with some mutilations in the preamble, it was finally passed; and a singular proposition proved that it's protection of opinion was meant to be universal. Where the preamble declares that coercion is a departure from the plan of the holy author of our religion, an amendment was proposed, by inserting the word "Jesus Christ," so that it should read "a departure from the plan of Jesus Christ, the holy author of our religion." The insertion was rejected by a great majority, in proof that they meant to comprehend, within the mantle of it's protection, the Jew and the Gentile, the Christian and Mahometan, the Hindoo, and infidel of every denomination.
Thomas Jefferson (Autobiography of Thomas Jefferson (Optimized for Kindle))
You will never shun us again, a voice speaks, a clearer, darker baritone. Harry feels a chill. The voice of the first Black, the Black Prince as Sirius calls him, echoes in Harry's mind. You shall bear our mantle all of your eternal life. You shall take it upon your shoulders when it passes to you. You shall give us your heart and your mind as no Lord has done since we were made. We shall be your ravens and you shall bear us forth as of old.
elph13 (The Heir to the House of Prince)
The lore which he was believed to pass his days brooding upon so that it had rapt him from the companionship of youth was only a garner of slender sentences from Aristotle's poetics and psychology and a Synopsis Philosophiæ Scholasticæ ad mentum divi Thomæ. His thinking was a dusk of doubt and self-mistrust, lit up at moments by the lightnings of intuition, but lightnings of so clear a splendour that in those moments the world perished about his feet as if it had been fire consumed: and thereafter his tongue grew heavy and he met the eyes of others with unanswering eyes, for he felt that the spirit of beauty had folded him round like a mantle and that in reverie at least he had been acquainted with nobility. But when this brief pride of silence upheld him no longer he was glad to find himself still in the midst of common lives, passing on his way amid the squalor and noise and sloth of the city fearlessly and with a light heart.
James Joyce (A Portrait of the Artist as a Young Man)
Languor is upon your heart and the slumber is still on your eyes. Has not the word come to you that the flower is reigning in splendour among thorns? Wake, oh awaken! let not the time pass in vain! At the end of the stony path, in the country of virgin solitude, my friend is sitting all alone. Deceive him not. Wake, oh awaken! What if the sky pants and trembles with the heat of the midday sun---what if the burning sand spreads its mantle of thirst--- Is there no joy in the deep of your heart? At every footfall of yours, will not the harp of the road break out in sweet music of pain?
Rabindranath Tagore (Gitanjali)
Men have before hired bravos to transact their crimes, while their own person and reputation sat under shelter. I was the first that ever did so for his pleasures. I was the first that could plod in the public eye with a load of genial respectability, and in a moment, like a schoolboy, strip off these lendings and spring headlong into the sea of liberty. But for me, in my impenetrable mantle, the safety was complete. Think of it-I did not even exist! Let me but escape into my laboratory door, give me but a second or two to mix and swallow the draught that I had always standing ready; and whatever he had done, Edward Hyde would pass away like the stain of breath upon a mirror; and there in his stead, quietly at home, trimming the midnight lamp in his study, a man who could afford to laugh at suspicion, would be Henry Jekyll. The pleasures which I made haste to seek in my disguise were, as I have said, undignified; I would scarce use a harder term. But in the hands of Edward Hyde, they soon began to turn toward the monstrous. When I would come back from these excursions, I was often plunged into a kind of wonder at my vicarious depravity. This familiar that I called out of my own soul, and sent forth alone to do his good pleasure, was a being inherently malign and villainous; his every act and thought centered on self; drinking pleasure with bestial avidity from any degree of torture to another; relentless like a man of stone. Henry Jekyll stood at times aghast before the acts of Edward Hyde; but the situation was apart from ordinary laws, and insidiously relaxed the grasp of conscience. It was Hyde, after all, and Hyde alone, that was guilty. Jekyll was no worse; he woke again to his good qualities seemingly unimpaired; he would even make haste, where it was possible, to undo the evil done by Hyde. And thus his conscience slumbered.
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
When the word of the Lord found Elijah in the wilderness, as he fled from Jezebel, it said to him: “Go forth, and stand upon the mount before the LORD. And, behold, the LORD passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the LORD; but the LORD was not in the wind; and after the wind an earthquake; but the LORD was not in the earthquake; and after the earthquake a fire; but the LORD was not in the fire; and after the fire a still small voice. And it was so, when Elijah heard it that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And, behold, there came a voice unto him, and said, What doest thou here, Elijah?” 1 Kings 19:11-13. 
E.J. Waggoner (Living by Faith)
Those who pass their time immured in the smoky circumference of the city, amid the rattling of carts, the brawling of the multitude, and the variety of unmeaning and discordant sounds that prey insensibly upon the nerves, and beget a weariness of the spirits, can alone understand and feel that expansion of the heart, that physical renovation which a citizen experiences when he steals forth from his dusty prison, to breathe the free air of heaven, and enjoy the unsophisticated face of nature. Who that has rambled by the side of one of our majestic rivers, at the hour of sun-set, when the wildly romatick scenery around is softened and tinted by the voluptuous mist of evening; when the bold and swelling outlines of the distant mountain seem melting into the glowing horizon, and rich mantle of refulgence is thrown over the whole expanse of the heavens, but must have felt how abundant is nature in sources of pure enjoyment; how luxuriant in all that can enliven the senses or delight the imagination. The jocund zephyr full freighted with native fragrance, sues sweetly to the senses; the chirping of the thousand varieties of insects with which our woodlands abound, forms a concert of simple melody; even the barking of the farm dog, the lowing of the cattle, the tinkling of their bells, and the strokes of the woodman's axe from the opposite shore, seem to partake of the softness of the scene and fall tunefully upon the ear; while the voice of the villager, chaunting some rustick ballad, swells from a distance, in the semblance of the very musick of harmonious love.
Washington Irving (Salmagundi)
From the molten basements of the world, two hundred miles down, it comes. One crystal in a seam of others. Pure carbon, each atom linked to four equidistant neighbors, perfectly knit, tetrahedral, unsurpassed in hardness. Already it is old: unfathomably so. Incalculable eons tumble past. The earth shifts, shrugs, stretches. One year, one day, one hour, a great upflow of magma gathers a seam of crystals and drives it toward the surface, mile after burning mile; it cools inside a huge, smoking xenolith of kimberlite, and there it waits. Century after century. Rain, wind, cubic miles of ice. Bedrock becomes boulders, boulders become stones; the ice retreats, a lake forms, and galaxies of freshwater clams flap their million shells at the sun and close and die and the lake seeps away. Stands of prehistoric trees rise and fall and rise again in succession. Until another year, another day, another hour, when a storm claws one particular stone out of a canyon and sends it into a clattering flow of alluvium, where eventually it finds, one evening, the attention of a prince who knows what he is looking for. It is cut, polished; for a breath, it passes between the hands of men. Another hour, another day, another year. Lump of carbon no larger than a chestnut. Mantled with algae, bedecked with barnacles. Crawled over by snails. It stirs among the pebbles.
Anthony Doerr (All the Light We Cannot See)
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
Adam Begley (Updike)
Oh, Tom!” she exclaimed in a voice of deep sympathy. She leaned toward me, studying my face. “Poor man, what’s happened to you?” Empty as a hollow log when the mice are eaten. “My wolf died.” It shocked me that I spoke the truth so bluntly. Jinna was silent, staring at me. I knew she could not understand. I did not expect her to understand. But then, as her helples silence lengthened, I felt very much as if she might understand, for she offered me no useless words. Abruptly, she dropped her knitting in her lap and leaned across to put her hand on my forearm. “Will you be all right?” she asked me. It was not an empty question; she genuinely listened for my reply. “In time,” I told her, and for the first time, I admitted that was true. As disloyal as the thought felt, I knew that as time passed, I would be myself again. And in that moment, I felt for the first time the sensation that Black Rolf had tried to describe to me. The wolfish part of my soul stirred, and, Yes, you will be yourself again, and that is as it should be, I heard near as clearly as if Nighteyes had truly shared the thought with me. Like remembering, but more so, Rolf had told me. I sat very still, savoring the sensation. Then it passed, and a shiver ran over me. “Drink your tea, you’re taking a chill,” Jinna advised me, and leaned down to toss another piece of wood on the fire. I did as she suggested. As I set the cup down, I glanced up at the charm over the mantle. The changeable light from the flames gilded and then hid the beads. Hospitality. The tea was warm and sweet and soothing, the cat purred on my lap, and a woman looked at me fondly. Something in me eased another notch. Petting the cat makes you feel better, Fennel asserted smugly.
Robin Hobb (Fool's Errand (Tawny Man, #1))
At Singapore the Japanese promptly began murdering tens of thousands of Chinese civilians;34 and in the Philippines MacArthur had already passed back to Washington reports of Japanese atrocities and mistreatment of prisoners in Manila so disturbing that he recommended the President take a number of Japanese immigrants in America hostage, as a surety against further barbarity35—a suggestion that in part persuaded Roosevelt to authorize the removal and internment of over one hundred thousand members of Japanese immigrant families from the California area. It would be one of the most controversial decisions the President ever made—licensing paranoia and xenophobia over the very virtues the President claimed as the moral basis of the democracies.
Nigel Hamilton (FDR At War: The Mantle of Command, Commander in Chief, and War and Peace)
1ki.19.19 ¶ So he departed thence, and found Elisha the son of Shaphat, who was plowing with twelve yoke of oxen before him, and he with the twelfth: and Elijah passed by him, and cast his mantle upon him.     19.19 Elie partit de là, et il trouva Elisée, fils de Schaphath, qui labourait. Il y avait devant lui douze paires de boeufs, et il était avec la douzième. Elie s'approcha de lui, et il jeta sur lui son
OSNOVA (La Bible avec des Textes Parallèles (en Français et Anglais); English-French Parallel Bible (French Edition))
He had become aware of the eyes of the Daylight Folk on him. Hopeful, expectant, suspicious or dazed, they watched him from the parapet and from the crenellations of the Natural History Museum, their wings spread like banners against the sky. And now he could see the Midnight Folk, too, drawn by whatever mystery had been at work on these rooftops: Atlas, and Luna, and Diamondback, and Cinnabar. For a moment, Cinnabar stood aloof on the parapet. Then Brimstone held out his hand to her, and she went to join him. My people, Tom thought to himself, and put up his hand to cover a smile. It was ridiculous, of course, and yet it felt so natural. As natural as being in love. As natural as flying. Spider pulled at the silver thread again. Between his fingers, Tom now saw an intricate cat's cradle of light that seemed to extend in multiple directions. 'With this, you can go anywhere,' said Spider, lifting the cradle of light. 'You could stay here, in London Before. You could go back to the London you know. Or you could reclaim your Kingdom, and lead your people home. Your choice.' He passed the cat's cradle over Tom's head. As it touched him, the net of light settled over Tom's shoulders, becoming a kind of mantle: golden, soft as spider silk, light as woven thistledown. He made the same gesture over Charissa, and she too was draped in gossamer. And with the mantle came a scent of green woods and of summertime; of distant spices, unnamed blooms, and blackberries, and honeycomb.
Joanne Harris (The Moonlight Market)
Despite evolution's scientific mantle or the latest court decision, the theory is proving increasingly faulty with each passing decade. In light of the New Agers' preoccupation with personal experience, evolution may be the only belief that New Agers take on faith, because it has never been observed to occur, and the scientific evidence needed to support it does not exist.
Randy England (Unicorn in the Sanctuary : The Impact of the New Age)
While the issues we each face are different, God’s Word remains the same. If we look to Jesus, we will find that the challenging situations in our lives will pass. Why? Because He orchestrates the beginning and directs the ending. He is sitting at the right hand of God’s throne, watching us try to come to grips with something that He knew was coming before we were even born. Be reassured that God knows that the lesson is greater than the difficulty.2 The ultimate victory that He provides is greater than the ultimate challenge!
D.I. Hennessey (The Tenth Mantle Bearer (Niergel Chronicles #3))
There are two worlds. One is made of water and earth, of rock and minerals. It has a core, a mantle and a crust, and oxygen for breathing. The other is made of fear. I have inhabited each and know one to feel deceptively like the other. Until it is too late, and you are watching the eyes of the other inmates to see if there is death in them, watching every face you pass, listening to the angry hum for a hint you are its next target, clawing at the walls of your cell to get free, to get out, for air and sky and please, not this shrinking tomb. The fear world is worse than death. It is worse than anything.
Charlotte McConaghy (Migrations)
With the backing of Soviet first secretary Leonid Brezhnev, Erich Honecker now took on the mantle of leadership, ruling with his small clique, including the minister of state security, Erich Mielke. Ulbricht retained the official title of head of state, but this new leadership was now closely aligned with Moscow. The ailing and somewhat bitter Ulbricht would suffer a stroke and pass away in August 1973. The Wall was his legacy, and by 1976 construction of a fourth-generation Wall began. “Grenzmauer 75” would be state-of-the-art in design and construction, a world away from the prefab first version of 1961. The new iteration was speedily installed, comprising L-shaped reinforced concrete sections
Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
Patriarchies are societies within institutions - hierarchical bodies of government, religion, law, education, commerce, and culture - designed to transcend individual lives, to endure over ages, and to maintain and transmit power from man to man, a practice called "Passing the mantle". All institutions have customs or laws that give men prerogatives or advantages and that exclude or limit the participation of women and certain men. Patriarchies in different states disempower different groups of men, but they all disempower women.
Marilyn French (From Eve to Dawn: A History of Women in the World, Vol. 1)
I’m always more interested in the people around me,” Mrs. Mantle said. “All the details that tell me about a person. For example, I have some ideas about you.” “As in?” I couldn’t help but be intrigued. Most people didn’t notice me at all. “Your love of art. The glimmer of intelligence in your eyes. Your simple dark skirt and white blouse hinted that you’d been at work, although I’d guessed a secretary, not a bakery. You mentioned a father but no mother, which leads me to believe your mother has passed away some time ago. You’re in obvious distress, given the tears. I’m guessing a man has broken your heart.” My brows shot up in surprise. “How did you know?” “As I said, I watch people carefully. The way you brushed away the tears with such ferocity, as if you wanted to punish yourself for crying. Tell me about him. What happened?” I thought for a moment. Did I want to tell my pitiful story to a stranger? It was surely one she’d heard before. Left for a woman’s best friend. An image of Lionel’s face danced before me. His soft brown eyes and a mouth too pink for a man, yet perfect. The pitying way he’d looked at me while saying the words, “I love her. We’re going to marry. I’m sorry, Faith. Truly, I am. But you deserve a man who loves you, and I’m not him.
Tess Thompson (A Match for a Reluctant Bride (The Mystery Matchmaker of Ella Pointe #2))
In Paradise what have I to do? I care not to enter, but only to have Nicolette, my very sweet friend, whom I love so dearly well. For into Paradise go none but such people as I will tell you of. There go those aged priests, and those old cripples, and the maimed who all day long and all night long cough before the altars, and in the crypts beneath the Churches; those who go in worn old mantles and old tattered habits; who are naked and barefoot, and full of sores; who are dying of hunger and thirst, of cold and wretchedness. Such as these enter Paradise and with them I have nought to do. But in Hell I will go. For to Hell go the fair clerks and the fair knights who are slain in the tourney and the great wars, and the stout archer and the loyal man. With them I will go. And there go the fair and the courteous ladies, who have friends, two or three, together with their wedded lords. And there pass the gold and the silver, the ermine and all rich furs, harpers and minstrels, and the happy of the world. With these will I go, so only that I have Nicolette, my very sweet friend, by my side.
Anonymous (Aucassin et nicolette)
The immediate target of revolt is an elite class that has failed persistently, on its own terms. The elites once were wrapped in the mantle of authority and delivered grandiose national projects, but now the public knows them too well, and they can only mutter and stammer, demoralized. They loathe the public for their humiliation. Politicians have lost faith in the idea of service, or the common interest, or the promotion of some universal cause or ideology: they exist, in office, merely to survive, or more accurately to be seen surviving, to suck up the attention of mass and social media. It has come to pass that presidents are chosen from the casts of reality TV shows. Political actors more and more resemble the real actors in Hollywood, whose company they keep and whose perverse predilections they seem to share.
Martin Gurri (The Revolt of the Public and the Crisis of Authority in the New Millennium)
Luke Skywalker is dead, passing on his knowledge and the mantle of the last Jedi to Rey. The Resistance has been all but wiped out; Snoke is gone; and Kylo Ren — now Supreme Leader Ren — is more broken than ever, Driven by conflict through the unlikely bond that he forged with Rey.
chris terrio
tradition and Edie couldn’t be happier about it. The inn had been Paul’s idea, but she’d taken to it with gusto. With each month that passed after they arrived in the north, Edie had embraced a new aspect of their adventure. She’d worked with the architect they’d found in Brisbane to put together the best possible design. She’d selected every paint colour, each item of furniture, and the eclectic decorative items that were scattered over tables, buffets, mantles, and hung on walls. As it all came together, she’d embraced it, learned to love it in a way she hadn’t imagined she could. Keith loved it there as well. He spent much of each day traipsing through the sand to build sandcastles or cubbies. They’d bought him a book on botany and bird life for his last birthday, and she often found him sitting with it in his lap as he studied a bird or plant in front of him. He’d become a precocious, intelligent, and curious little boy, and being with him made her heart sing. Seeing their little family seated around the small dining table she’d set up in the kitchen, often brought a lump to her throat. They’d done the impossible, created a life out of the remnants evil had left them. And they were happy. Guests milled about behind them in the sitting room. The smell of apple cider filled the air. Paul had insisted she make it for the guests, though she’d assured him that a hot Australian Christmas didn’t need apple cider, it required
Lilly Mirren (One Summer in Italy (Waratah Inn #2))
Evil has always been symbolized by darkness, and Good by light, and hidden within the symbol is contained the perfect interpretation, the reality; for, just as light always floods the universe, and darkness is only a mere speck or shadow cast by a small body intercepting a few rays of the illimitable light, so the Light of the Supreme Good is the positive and life-giving power which floods the universe, and evil the insignificant shadow cast by the self that intercepts and shuts off the illuminating rays which strive for entrance. When night folds the world in its black impenetrable mantle, no matter how dense the darkness, it covers but the small space of half our little planet, while the whole universe is ablaze with living light, and every soul knows that it will awake in the light in the morning. Know, then, that when the dark night of sorrow, pain, or misfortune settles down upon your soul, and you stumble along with weary and uncertain steps, that you are merely intercepting your own personal desires between yourself and the boundless light of joy and bliss, and the dark shadow that covers you is cast by none and nothing but yourself. And just as the darkness without is but a negative shadow, an unreality which comes from nowhere, goes to nowhere, and has no abiding dwelling place, so the darkness within is equally a negative shadow passing over the evolving and Lightborn soul.
James Allen (Complete Collection)
A man who did not want to listen to the voice of reason (or a woman) was a man cursed to deafness, to blindness, though unfortunately never to silence. Only the threat of losing money— or the favorable chance to pass the mantle of failure to a woman— was ever enough to shut him up.
Olivie Blake (The Atlas Complex (The Atlas, #3))