Passing Out Parade Quotes

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I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a “Gay Pride Parade,” which made my stomach turn.
Bret Easton Ellis (American Psycho (Vintage Contemporaries))
The West Indian is not exactly hostile to change, but he is not much inclined to believe in it. This comes from a piece of wisdom that his climate of eternal summer teaches him. It is that, under all the parade of human effort and noise, today is like yesterday, and tomorrow will be like today; that existence is a wheel of recurring patterns from which no one escapes; that all anybody does in this life is live for a while and then die for good, without finding out much; and that therefore the idea is to take things easy and enjoy the passing time under the sun. The white people charging hopefully around the islands these days in the noon glare, making deals, bulldozing airstrips, hammering up hotels, laying out marinas, opening new banks, night clubs, and gift shops, are to him merely a passing plague. They have come before and gone before.
Herman Wouk (Don't Stop the Carnival)
We got passes, till midnight after the parade. I met Muriel at the Biltmore at seven. Two drinks, two drugstore tuna-fish sandwiches, then a movie she wanted to see, something with Greer Garson in it. I looked at her several times in the dark when Greer Garson’s son’s plane was missing in action. Her mouth was opened. Absorbed, worried. The identification with Metro-Goldwyn-Mayer tragedy complete. I felt awe and happiness. How I love and need her undiscriminating heart. She looked over at me when the children in the picture brought in the kitten to show to their mother. M. loved the kitten and wanted me to love it. Even in the dark, I could sense that she felt the usual estrangement from me when I don’t automatically love what she loves. Later, when we were having a drink at the station, she asked me if I didn’t think that kitten was ‘rather nice.’ She doesn’t use the word ‘cute’ any more. When did I ever frighten her out of her normal vocabulary? Bore that I am, I mentioned R. H. Blyth’s definition of sentimentality: that we are being sentimental when we give to a thing more tenderness than God gives to it. I said (sententiously?) that God undoubtedly loves kittens, but not, in all probability, with Technicolor bootees on their paws. He leaves that creative touch to script writers. M. thought this over, seemed to agree with me, but the ‘knowledge’ wasn’t too very welcome. She sat stirring her drink and feeling unclose to me. She worries over the way her love for me comes and goes, appears and disappears. She doubts its reality simply because it isn’t as steadily pleasurable as a kitten. God knows it is sad. The human voice conspires to desecrate everything on earth.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
I think we're the only ones in the building," he says. "Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish. "Quick!" he says. "What?" I hop off the desk. Is Nate here? Did he see? But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor. "Well," he says. Our conversation halts for the first time in hours. I look past him. "Um.Good night." "See you tomorrow? Late breakfast at the creperie?" "That'd be nice." "Unless-" he cuts himself off. Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away. "Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna. The stairwell door bursts open. My heart stops. St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now." "Uh." I can't breathe. He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-" "No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay." St. Clair is still for a moment. And then he nods. I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
It was drizzling. As people rushed along, they began opening umbrellas over their heads, and all at once the streets were crowded, too. Arched umbrella roofs collided with one another. The men were courteous, and when passing Tereza they held their umbrellas high over their heads and gave her room to go by. But the women would not yield; each looked straight ahead, waiting for the other woman to acknowledge her inferiority and step aside. The meeting of the umbrellas was a test of strength. At first Tereza gave way, but when she realized her courtesy was not being reciprocated, she started clutching her umbrella like the other women and ramming it forcefully against the oncoming umbrellas. No one ever said "Sorry." For the most part no one said anything, though once or twice she did hear a "Fat cow!" or "Fuck you!" The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors. Tereza recalled the days of the invasion and the girls in miniskirts carrying flags on long staffs. Theirs was a sexual vengeance: the Russian soldiers had been kept in enforced celibacy for several long years and must have felt they had landed on a planet invented by a science fiction writer, a planet of stunning women who paraded their scorn on beautiful long legs the likes of which had not been seen in Russia for the past five or six centuries. She had taken many pictures of those young women against a backdrop of tanks. How she had admired them! And now these same women were bumping into her, meanly and spitefully. Instead of flags, they held umbrellas, but they held them with the same pride. They were ready to fight as obstinately against a foreign army as against an umbrella that refused to move out of their way.
Milan Kundera (The Unbearable Lightness of Being)
The day of her long interview with Tietjens, amongst the amassed beauties of Macmaster furnishings, she marked in the calendar of her mind as her great love scene. That had been two years ago; he had been going into the army. Now he was going out again. From that she knew what a love scene was. It passed without mention of the word 'love'; it passed in impulses; warmths; rigors of the skin. Yet with every word they had said to each other they had confessed their love; in that way, when you listen to the nightingale you hear the expressed craving of your lover beating upon your heart.
Ford Madox Ford (Parade's End)
After the burial, the hares of the Long Patrol sang a short verse as a farewell to their comrade. “Now the sunny glades are silent, where our fallen warriors lay. As in memory we treasure all the brave who marched away. Through the dusty seasons rolling, o’er our passing out parade, how we laughed and sang together, Oh your face ’twill never fade.
Brian Jacques (Rakkety Tam (Redwall, #17))
I had no one to point at. Certainly not my parents, because I had nothing to accuse them of. The zeal for letting in the daylight, with which , as a member of the concentration camps seminar, I had condemned my father to shame, had passed, and it embarrassed me. But what other people in my social environment had done, and their guilt, were in any case a lot less bad than what Hanna had done. I had to point at Hanna. But the finger I had pointed at her turned back to me. I had loved her. Not only had I loved her, I had chosen her. I tried to tell myself that I had known nothing of what she had done when I chose her. I tried to talk myself into the state of innocence in which children love their parents. But love of our parents is the only for which we are not responsible. And perhaps we are responsible even for the love we feel for our parents. I envied other students back then who had dissociated themselves from their parents and thus from the entire generation of perpetrators, voyeurs, and the willfully blind, accommodators and accepters, thereby overcoming perhaps not their shame, but at least their suffering because of the shame. But what gave rise to the swaggering self-righteousness I so often encountered among these students? How could one feel guilt and sahme and at teh same time parade one's self-righteousness? Was their dissociation of themselves from their parents ere rhetoric: sounds and noise that were supposed to drown out the fact that their love for their parents made them irrevocably complicit in their crimes? These thoughts did not come until later, and even later they brought no comfort. How could it be a comfort that the pain I went through because of my love for Hanna, was, in a way, the fate of my generation, a German fate, and that it was only more difficult for me to evade, more difficult for me to manage than for others. All the same, it would have been good for me back then to be able to feel I was part of my generation.
Bernhard Schlink (The Reader)
December 1931 was drawing to a close and Hollywood was aglow with Christmas spirit, undaunted by sizzling sunshine, palm trees, and the dry encircling hills that would never feel the kiss of snow. But the “Know-how” that would transform the Chaplin studio in the frozen Chilkoot Pass could easily achieve a white Christmas. In Wilson’s Rolls-Royce convertible, we drove past Christmas trees heavy with fake snow. An entire estate on Fairfax Avenue had been draped in cotton batting; carolers straight out of Dickens were at its gate, perspiring under mufflers and greatcoats. The street signs on Hollywood Boulevard had been changed to Santa Claus Lane. They drooped with heavy glass icicles. A parade was led by a band blaring out “Santa Claus is Coming to Town,” followed by Santa driving a sleigh. But Hollywood granted Santa the extra dimension of a Sweetheart and seated beside him was Clara Bow (or was it Mabel Normand?)
Anita Loos (Kiss Hollywood Good-By)
I was once on a BBC current-affairs show and the sneering host produced a Solzhenitsyn quote designed to demonstrate that my view of American pre-eminence was all hooey, and rounded it out with a snide “I take it you’ve heard of Aleksandr Solzhenitsyn?” “Oh, sure,” I said. “We have the same piano tuner.” Which we did.
Mark Steyn (Mark Steyn's Passing Parade: Obituaries & Appreciations expanded edition)
I'll keep in touch, says Lige, ain't going to let you go. This makes John Coke very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.
Sebastian Barry (Days Without End (Days Without End, #1))
Tinder fills our need for attention, to be seen by someone, to be wanted, and to not quite know what will happen next. It’s a slot machine pass that you always win: Put in a bit of time and a few swipes, crank the lever, and out comes a parade of choices of people who might call you pretty and say they want to buy you a drink.
Dana Schwartz (Choose Your Own Disaster)
Mrs. O’Dowd, the good housewife, arrayed in curl papers and a camisole, felt that her duty was to act, and not to sleep, at this juncture. “Time enough for that,” she said, “when Mick’s gone”; and so she packed his travelling valise ready for the march, brushed his cloak, his cap, and other warlike habiliments, set them out in order for him; and stowed away in the cloak pockets a light package of portable refreshments, and a wicker-covered flask or pocket-pistol, containing near a pint of a remarkably sound Cognac brandy, of which she and the Major approved very much; ... Mrs. O’Dowd woke up her Major, and had as comfortable a cup of coffee prepared for him as any made that morning in Brussels. And who is there will deny that this worthy lady’s preparations betokened affection as much as the fits of tears and hysterics by which more sensitive females exhibited their love, and that their partaking of this coffee, which they drank together while the bugles were sounding the turn-out and the drums beating in the various quarters of the town, was not more useful and to the purpose than the outpouring of any mere sentiment could be? The consequence was, that the Major appeared on parade quite trim, fresh, and alert, his well-shaved rosy countenance, as he sate on horseback, giving cheerfulness and confidence to the whole corps. All the officers saluted her when the regiment marched by the balcony on which this brave woman stood, and waved them a cheer as they passed; and I daresay it was not from want of courage, but from a sense of female delicacy and propriety, that she refrained from leading the gallant--personally into action.
William Makepeace Thackeray (Vanity Fair)
Trap. Horrible trap. At one’s birth it is sprung. Some last day must arrive. When you will need to get out of this body. Bad enough. Then we bring a baby here. The terms of the trap are compounded. That baby also must depart. All pleasures should be tainted by that knowledge. But hopeful dear us, we forget. Lord, what is this? All of this walking about, trying, smiling, bowing, joking? This sitting-down-at-table, pressing-of-shirts, tying-of-ties, shining-of-shoes, planning-of-trips, singing-of-songs-in-the-bath? When he is to be left out here? Is a person to nod, dance, reason, walk, discuss? As before? A parade passes. He can’t rise and join. Am I to run after it, take my place, lift knees high, wave a flag, blow a horn? Was he dear or not? Then let me be happy no more.
George Saunders (Lincoln in the Bardo)
I'll keep in touch, says Lige, ain't going to let you go. This makes John Cole very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.
Sebastian Barry (Days Without End (Days Without End, #1))
On the way to Wall Street this morning, due to gridlock I had to get out of the company car and was walking down Fifth Avenue to find a subway station when I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a "Gay Pride Parade," which made my stomach turn. Homosexuals proudly marched down Fifth Avenue, pink triangles emblazoned on pastel-colored windbreakers, some even holding hands, most singing "Somewhere" out of key and in unison.
Bret Easton Ellis (American Psycho)
On the way to Wall Street this morning, due to gridlock I had to get out of the company car and was walking down Fifth Avenue to find a subway station when I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a "Gay Pride Parade," which made my stomach turn. Homosexuals proudly marched down Fifth Avenue, pink triangles emblazoned on pastel-colored windbreakers, some even holding hands, most singing "Somewhere" out of key and in unison.
Bret Easton Ellis (American Psycho)
On the way to Wall Street this morning, due to gridlock I had to get out of the company car and was walking down Fifth Avenue to find a subway station when I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a "Gay Pride Parade," which made my stomach turn. Homosexuals proudly marched down Fifth Avenue, pink triangles emblazoned on pastel-colored windbreakers, some even holding hands, most singing "Somewhere" out of key and in unison.
Bret Easton Ellis (American Psycho)
…the two chatting surreptitiously as a procession of priests, musicians, and locals dressed like demons paraded down the street: the men hoisting erect wooden phalluses, the women embracing smaller carved penises swathed in red paper, the spectators touching the tips of passing phalluses to ensure good health for their children. “How remarkable,” commented Holmes. “I thought you might find this of interest,” said Mr Umezaki. Holmes grinned slyly. “My friend, I suspect this is much more to your liking than mine.” “You’re probably right,” agreed Mr Umezaki, smiling while his fingertips reached out for an oncoming phallus.
Mitch Cullin (A Slight Trick of the Mind)
The days passed. Success went fizzily to Bernard's head, and in the process completely reconciled him (as any good intoxicant should do) to a world which, up till then, he had found very unsatisfactory. In so far as it recognized him as important, the order of things was good. But, reconciled by his success he yet refused to forgo the privilege of criticizing this order. For the act of criticizing heightened his sense of importance, made him feel larger. Moreover, he did genuinely believe that there were things to criticize. (At the same time, he genuinely liked being a success and having all the girls he wanted.) Before those who now, for the sake of the Savage, paid their court to him, Bernard would parade a carping unorthodoxy. He was politely listened to. But behind his back people shook their heads. 'That young man will come to a bad end,' they said, prophesying the more confidently in that they themselves would in due course personally see to it that the end was bad. 'He won't find another Savage to help him out a second time,' they said. Meanwhile, however, there was the first Savage; they were polite. And because they were polite, Bernard felt positively gigantic - gigantic and at the same time light with elation, lighter than air.
Aldous Huxley
On the labour front in 1919 there was an unprecedented number of strikes involving many millions of workers. One of the lager strikes was mounted by the AF of L against the United States Steel Corporation. At that time workers in the steel industry put in an average sixty-eight-hour week for bare subsistence wages. The strike spread to other plants, resulting in considerable violence -- the death of eighteen striking workers, the calling out of troops to disperse picket lines, and so forth. By branding the strikers Bolsheviks and thereby separating them from their public support, the Corporation broke the strike. In Boston, the Police Department went on strike and governor Calvin Coolidge replaced them. In Seattle there was a general strike which precipitated a nationwide 'red scare'. this was the first red scare. Sixteen bombs were found in the New York Post Office just before May Day. The bombs were addressed to men prominent in American life, including John D. Rockefeller and Attorney General Mitchell Palmer. It is not clear today who was responsible for those bombs -- Red terrorists, Black anarchists, or their enemies -- but the effect was the same. Other bombs pooped off all spring, damaging property, killing and maiming innocent people, and the nation responded with an alarm against Reds. It was feared that at in Russia, they were about to take over the country and shove large cocks into everyone's mother. Strike that. The Press exacerbated public feeling. May Day parades in the big cities were attacked by policemen, and soldiers and sailors. The American Legion, just founded, raided IWW headquarters in the State of Washington. Laws against seditious speech were passed in State Legislatures across the country and thousands of people were jailed, including a Socialist Congressman from Milwaukee who was sentenced to twenty years in prison. To say nothing of the Espionage and Sedition Acts of 1917 which took care of thousands more. To say nothing of Eugene V. Debs. On the evening of 2 January 1920, Attorney General Palmer, who had his eye on the White House, organized a Federal raid on Communist Party offices throughout the nation. With his right-hand assistant, J. Edgar Hoover, at his right hand, Palmer effected the arrest of over six thousand people, some Communist aliens, some just aliens, some just Communists, and some neither Communists nor aliens but persons visiting those who had been arrested. Property was confiscated, people chained together, handcuffed, and paraded through the streets (in Boston), or kept in corridors of Federal buildings for eight days without food or proper sanitation (in Detroit). Many historians have noted this phenomenon. The raids made an undoubted contribution to the wave of vigilantism winch broke over the country. The Ku Klux Klan blossomed throughout the South and West. There were night raidings, floggings, public hangings, and burnings. Over seventy Negroes were lynched in 1919, not a few of them war veterans. There were speeches against 'foreign ideologies' and much talk about 'one hundred per cent Americanism'. The teaching of evolution in the schools of Tennessee was outlawed. Elsewhere textbooks were repudiated that were not sufficiently patriotic. New immigration laws made racial distinctions and set stringent quotas. Jews were charged with international conspiracy and Catholics with trying to bring the Pope to America. The country would soon go dry, thus creating large-scale, organized crime in the US. The White Sox threw the Series to the Cincinnati Reds. And the stage was set for the trial of two Italian-born anarchists, N. Sacco and B. Vanzetti, for the alleged murder of a paymaster in South Braintree, Mass. The story of the trial is well known and often noted by historians and need not be recounted here. To nothing of World War II--
E.L. Doctorow (The Book of Daniel)
But I could get back to sleep after one of those mock exercises at once; I had learned to sleep any place, any time—sitting up, standing up, even marching in ranks. Why, I could even sleep through evening parade standing at attention, enjoy the music without being waked by it—and wake instantly at the command to pass in review. I made a very important discovery at Camp Currie. Happiness consists in getting enough sleep. Just that, nothing more. All the wealthy, unhappy people you’ve ever met take sleeping pills; Mobile Infantrymen don’t need them. Give a cap trooper a bunk and time to sack out in it and he’s as happy as a worm in an apple—asleep.
Robert A. Heinlein (Starship Troopers)
One article on reproductive strategies was titled "Sneaky Fuckers." Kya laughed. As is well known, the article began, in nature, usually the males with the most prominent secondary sexual characteristics, such as the biggest antlers, deepest voices, broadest chests, and superior knowledge secure the best territories because they have fended off weaker males. The females choose to mate with these imposing alphas and are thereby inseminated with the best DNA around, which is passed on to the female's offspring- one of the most powerful phenomena in the adaptation and continuance of life. Plus, the females get the best territory for their young. However, some stunted males, not strong, adorned, or smart enough to hold good territories, possess bags of tricks to fool the females. They parade their smaller forms around in pumped-up postures or shout frequently- even if in shrill voices. By relying on pretense and false signals, they manage to grab a copulation here or there. Pint-sized male bullfrogs, the author wrote, hunker down in the grass and hide near an alpha male who is croaking with great gusto to call in mates. When several females are attracted to his strong vocals at the same time, and the alpha is busy copulating with one, the weaker male leaps in and mates one of the others. The imposter males were referred to as "sneaky fuckers." Kya remembered, those many years ago, Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. "Unworthy boys make a lot of noise," Ma had said. She read a consolation for females. Nature is audacious enough to ensure that the males who send out dishonest signals or go from one female to the next almost always end up alone. Another article delved into the wild rivalries between sperm. Across most life-forms, males compete to inseminate females. Male lions occasionally fight to the death; rival bull elephants lock tusks and demolish the ground beneath their feet as they tear at each other's flesh. Though very ritualized, the conflicts can still end in mutilations. To avoid such injuries, inseminators of some species compete in less violent, more creative methods. Insects, the most imaginative. The penis of the male damselfly is equipped with a small scoop, which removes sperm ejected by a previous opponent before he supplies his own. Kya dropped the journal on her lap, her mind drifting with the clouds. Some female insects eat their mates, overstressed mammal mothers abandon their young, many males design risky or shifty ways to outsperm their competitors. Nothing seemed too indecorous as long as the tick and the tock of life carried on. She knew this was not a dark side to Nature, just inventive ways to endure against all odds. Surely for humans there was more.
Delia Owens (Where the Crawdads Sing)
The train scooted along the fried coast. We made solid headway into the Marston's. Mo was down a testicle since the spring. We'd called in at the Royal the night of his operation. We'd stopped at the Ship and Mitre on the way—they'd a handsome bitter from Clitheroe on guest tap. We needed the fortification: when Real Ale Club boys parade down hospital wards, we tend to draw worried glances from the whitecoats. We are shaped like those chaps in the warning illustrations on cardiac charts. We gathered around Mo and breathed a nice fog of bitter over the lad and we joshed him gently. “Sounding a little high-pitched, Mo?” “Other lad's going to be worked overtime.” “Diseased bugger you'll want in a glass jar, Mo. One for the mantelpiece.” Love is a strong word, but. We were family to Mo when he was up the Royal having the bollock out. We passed Flint Castle and Everett Bell piped up.
Kevin Barry (Beer Trip to Llandudno)
Almost a hundred years earlier, to the day, Samuel Smiles had written the final pages of his book Self-Help. It included this moving tale of heroism as an example for the Victorian Englishman to follow. For the fate of my great-grandfather, Walter, it was poignant in the extreme. The vessel was steaming along the African coast with 472 men and 166 women and children on board. The men consisted principally of recruits who had been only a short time in the service. At two o’clock in the morning, while all were asleep below, the ship struck with violence upon a hidden rock, which penetrated her bottom; and it was at once felt that she would go down. The roll of the drums called the soldiers to arms on the upper deck, and the men mustered as if on parade. The word was passed to “save the women and children”; and the helpless creatures were brought from below, mostly undressed, and handed silently into the boats. When they had all left the ship’s side, the commander of the vessel thoughtlessly called out, “All those that can swim, jump overboard and make for the boats.” But Captain Wright, of the 91st Highlanders, said, “No! If you do that, the boats with the women will be swamped.” So the brave men stood motionless. Not a heart quailed; no one flinched from his duty. “There was not a murmur, nor a cry among them,” said Captain Wright, a survivor, “until the vessel made her final plunge.” Down went the ship, and down went the heroic band, firing a volley shot of joy as they sank beneath the waves. Glory and honor to the gentle and the brave! The examples of such men never die, but, like their memories, they are immortal. As a young man, Walter undoubtedly would have read and known those words from his grandfather’s book. Poignant in the extreme. Indeed, the examples of such men never die, but, like their memories, they are immortal.
Bear Grylls (Mud, Sweat and Tears)
It's a parade of flawless tuna deliciousness! But by far, the most dangerous piece... is the one that looks like a bomb of pure tuna goodness, the straw-grilled, seared noten sushi! The noten- a cut of meat from the top of the tuna's head- is one of the priciest cuts. Extravagantly fatty, its richness melds with the fragrant searing into a powerful duo! Yet there isn't the first hint of fishiness! Searing it using aromatic straw burned it away, leaving only pure savory flavor behind to please both nose and palate!" "His Trace was dead-on. Looks like it really will be his arrangements on that Gunkan Maki that decide this card." "I can't even begin to guess what it tastes like." What's this on top of the minced tuna and leeks?! Is it... meringue?! "Aah! Now I see! I know what Subaru Mimasaka took out at that moment! It was the same smoked soy sauce he passed to Kuga!" The mellow, full-bodied aroma of smoked soy sauce has seeped into every crevice of the minced tuna... ... while the differing textures of the meringue and the negitoro create deeper, more complex layers to the flavor! If I were to name it, I would call it the "Ultimate Negitoro Eggs-over-Rice Gunkan Sushi"! Minced tuna rib meat mixed with leeks and smoked soy sauce, topped with quail-egg yolk
Yūto Tsukuda (食戟のソーマ 27 [Shokugeki no Souma 27] (Food Wars: Shokugeki no Soma, #27))
He conjured a spotlight, which travelled down along the balcony, and rested on her face. ‘Your hair,’ he said. ‘All of the lights land in it.’ (All of the lights land in it: an excellent line. While I try to deny it, there were times – when I was younger – when this would have impressed me, too.) ‘Is this how you usually spend your Saturday nights?’ Mother asked. ‘No. Sometimes. I like the technology, you see. And I like to help out.’ Mother leaned against the railing alongside him. She let her hair fall against his arm. ‘I’ve never had company before,’ Father said, and smiled. ‘This makes things much more interesting.’ ‘I’m not that interesting at all,’ Mother said. ‘I mean, I’m pretty boring. Actually.’ ‘I don’t believe you. What’s the best thing that’s ever happened to you?’ ‘What?’ ‘Tell me the best thing that’s ever happened to you. Nobody’s boring when they tell you the best thing that’s ever happened. Go.’ Mother thought of her princess dress, and the faces of the villagers watching the Harvest Festival. In her mind, they multiplied, so that she led the parade through a crowd of hundreds – thousands – of well-wishers. ‘Fine,’ she said. She knew exactly how she would tell it. ‘See,’ Father said, at the end. ‘That wasn’t boring. But it wasn’t the best thing that ever happened to you, either.’ ‘It wasn’t?’ ‘Of course not,’ Father said. He concentrated on the fuse box, passing it from one great palm to the other. He was smiling, close to laughter. ‘That’s tonight.
Abigail Dean (Girl A)
Back in the barracks, those of us still left were white-faced and very shaky, but we were so relieved that the ordeal was finally over. Trucker looked particularly bad, but had this huge grin. I sat on his bed and chatted as he pottered around sorting his kit out. He kept shaking his head and chuckling to himself. It was his way of processing everything. It made me smile. Special man, I thought to myself. We all changed into some of the spare kit we had left over from the final exercise and sat on our beds, waiting nervously. We might have all finished--but--had we all passed? “Parade in five minutes, lads, for the good and the bad news. Good news is that some of you have passed. Bad news…you can guess.” With that the DS left. I had this utter dread that I would be one of the ones to fail at this final hurdle. I tried to fight the feeling. Not at this stage. Not this close. The DS reappeared--he rapidly called out a short list of names and told them to follow him. I wasn’t in that group. The few of us remaining, including Trucker, looked at one another nervously and waited. The minutes went by agonizingly slowly. No one spoke a word. Then the door opened and the other guys reappeared, heads down, stern-faced, and walked past us to their kit. They started packing. I knew that look and I knew that feeling. Matt was among them. The guy who had helped me so much on that final Endurance march. He had been failed for cracking under duress. Switch off for a minute, and it is all too easy to fall for one of the DS’s many tricks and tactics. Rule 1: SAS soldiers have to be able to remain sharp and focused under duress. Matt turned, looked at me, smiled, and walked out. I never saw him again.
Bear Grylls (Mud, Sweat and Tears)
She had always felt such impulses, ever since she was a kid. Passing a cop on the street, she’d have the impulse to grab the gun from his belt. Sitting at a glass table or passing a huge glass window, she’d feel the impulse to break it with a rock, to put an object through it. The impulse to shout out a curse word in the middle of class. To grab a candy bar in a bodega. To run into the middle of a parade or up onstage during the middle of a play.
Jonathan Stone (The Teller)
On the ninth day of the festival, Abram and Mikael positioned themselves to watch the grand parade of the gods. It proceeded down the Processional Way from Esagila all the way past the temple of Ishtar in the north of the city. A large flock of white doves, the bird of the goddess, was released from Ishtar’s temple as they passed, creating a spectacle of peaceful liberation. The parade continued out through the vainglorious Ishtar Gate on to another temple by the river, where they held a banquet of the gods. This was the most public of events. Throngs of people crowded the lanes of the Processional Way, trying to get a glimpse of the gods in their glorious chariots covered with dazzling jewels. Cultic musicians, dancers, and singers accompanied the parade through the city. Priests, royalty and visiting dignitaries received front row seats to the spectacle.
Brian Godawa (Abraham Allegiant (Chronicles of the Nephilim Book 4))
April 22 The Light That Fails We all with open face beholding . . . the glory of the Lord. 2 Corinthians 3:18 A servant of God must stand so much alone that he never knows he is alone. In the first phases of Christian life disheartenments come, people who used to be lights flicker out, and those who used to stand with us pass away. We have to get so used to it that we never know we are standing alone. “All men forsook me: . . . notwithstanding the Lord stood with me” (2 Timothy 4:16–17). We must build our faith, not on the fading light, but on the light that never fails. When “big” men go we are sad, until we see that they are meant to go; the one thing that remains is looking in the face of God for ourselves. Allow nothing to keep you from looking God sternly in the face about yourself and about your doctrine, and every time you preach see that you look God in the face about things first, then the glory will remain all through. A Christian worker is one who perpetually looks in the face of God and then goes forth to talk to the people. The characteristic of the ministry of Christ is that of unconscious glory that abides. “Moses wist not that the skin of his face shone while He talked with him.” We are never called on to parade our doubts or to express the hidden ecstasies of our life with God. The secret of the worker’s life is that he keeps in tune with God all the time.
Oswald Chambers (My Utmost for His Highest)
I knew the Tam were already a success by the greeting I got. The women in their canoes in the middle of the lake called out loud hellos that I heard over my engine, and a few men and children came down to the beach and gave me big floppy Tam waves. A noticeable shift from the chary welcome we’d received six weeks earlier. I cut the engine and several men came and pulled the boat to shore, and without my having to say a word two swaybacked young lads with something that looked like red berries woven in their curled hair led me up a path and down a road, past a spirit house with an enormous carved face over the entryway—a lean and angry fellow with three thick bones through his nose and a wide open mouth with many sharp teeth and a snake’s head for a tongue. It was much more skilled than the Kiona’s rudimentary depictions, the lines cleaner, the colors—red, black, green, and white—far more vivid and glossy, as if the paint were still wet. We passed several of these ceremonial houses and from the doorways men called down to my guides and they called back. They took me in one direction then, as if I wouldn’t notice, turned me around and doubled back down the same road past the same houses, the lake once again in full view. Just when I thought their only plan was to parade me round town all day, they turned a corner and stopped before a large house, freshly built, with a sort of portico in front and blue-and-white cloth curtains hanging in the windows and doorway. I laughed out loud at this English tea shop encircled by pampas grass in the middle of the Territories. A few pigs were digging around the base of the ladder. From below I heard footsteps creaking the new floor. The cloth at the windows and doors puffed in and out from the movement within. ‘Hallo the house!’ I’d heard this in an American frontier film once. I waited for someone to emerge but no one did, so I climbed up and stood on the narrow porch and knocked on one of the posts. The sound was absorbed by the voices inside, quiet, nearly whispery, but insistent, like the drone of a circling aeroplane. I stepped closer and pulled the curtain aside a few inches. I was struck first by the heat, then the smell. There were at least thirty Tam in the front room, on the floor or perched oddly on chairs, in little groups or even alone, everyone with a project in front of them. Many were children and adolescents, but
Lily King (Euphoria)
Because he was unable to see out of the wind hole (window) Robin had learned to guess at what was going on down in the street. He knew the sound of armor and knightly equipment, for the King’s men passed that way going to and from the Tower or Westminster, to joust or tournament, to parade, or on business for the King. A horse was passing now, but Robin was sure it was not of that order. It was probably the shire reeve’s horse, for above the slow clatter over the cobbles Robin could hear the grating of runners on a kind of sled the horse was dragging. From the odor that came through the window he could guess that Wat Hokester had been taken again for selling putrid fish in the market stall.
Marguerite de Angeli (The Door in the Wall: (Newbery Medal Winner))
A cat, owl, woman-girl screeched. Blood ran, water ran, white greyed, red glowed, and a thousand-towered castle rose and fell in stagnant green waters that loomed above scarlet mountains coated with wolves that flew like bats on broomsticks of lightning. An axe fell, guillotine hummed, knife whistled, stake thudded, and Martin smiled, holding out his arms as a road came and went beneath his naked feet. Suns came up, clouds, caves, homes of gingerbread, streets, paths, trails of thorns. There marched dolls with pink pins, men on jackals, and an out-of-step parade passed, parted over him, through him…and he was alone.
Charles L. Grant (Tales from the Nightside)
Japanese paranoia stemmed partly from xenophobia rooted in racism. This combination wasn’t peculiar to Japan, as the Nazis were demonstrating in Germany. In the United States, the 1924 Exclusion Act remained in force, prohibiting all immigration from Asia. Some Western states didn’t think the Exclusion Act went far enough, because it hadn’t gotten rid of the Japanese who had immigrated before the United States slammed the door. Xenophobes argued that these immigrants were now breeding more Japanese, who were recognized, outrageously, as American citizens under the Fourteenth Amendment. Farmers in California and Arizona were especially hostile. Even before the Exclusion Act, these states had passed Alien Land Laws severely restricting the property rights of Japanese. Then in 1934 a group of farmers in Arizona’s Salt River Valley began agitating to kick Japanese farmers out, alleging that they had flooded into the region and were depriving farmland from deserving whites who were already hurting from the Depression. They also demanded that white landowners stop leasing acreage to Japanese farmers. The white farmers and their supporters held rallies and parades, blaring their message of exclusion. In the fall of that year, night riders began a campaign of terrorism. They dynamited irrigation canals used by Japanese farmers and threw dynamite bombs at their homes and barns. The leaders of the Japanese community tried to point out that only 700 Japanese lived in the valley and most had been there for more than twenty years. Three hundred fifty of them were American citizens, and only 125 worked in agriculture, mostly for American farmers. Facts made no impression on the white farmers’ racist resentments. Some local officials exploited the bigotry for political gain. The Japanese government protested all this. Hull didn’t want a few farmers to cause an international incident and pushed the governor of Arizona to fix the problem. The governor blamed the terrorism on communist agitators. Dynamite bombs continued to explode on Japanese farms through the fall of 1934. The local and state police maintained a perfect record—not a single arrest. In early February 1935 the Arizona legislature began considering a bill that would forbid Japanese immigrants from owning or leasing land. If they managed to grow anything, it could be confiscated. Any white farmer who leased to a Japanese would be abetting a crime. (Japan had similar laws against foreigners owning farmland.) American leaders and newspapers quickly condemned the proposed law as shameful, but farmers in Arizona remained enthusiastic. Japanese papers covered the controversy as well. One fascist group, wearing uniforms featuring skulls and waving a big skull flag, protested several times at the US embassy in Tokyo. Patriotic societies began pressuring Hirota to stand up for Japan’s honor. He and Japan’s representatives in Washington asked the American government to do something. Arizona politicians got word that if the bill passed, millions of dollars in New Deal money might go elsewhere. Nevertheless, on March 19 the Arizona senate passed the bill. On March 21 the state house of representatives, inspired more by fears of evaporating federal aid than by racial tolerance, let the bill die. The incident left a bad taste all around.
Steve Kemper (Our Man In Tokyo: An American Ambassador and the Countdown to Pearl Harbor)
To recover an intuitive sense of what will be in season throughout the year, picture a season of foods unfolding as if from one single plant. Take a minute to study this creation—an imaginary plant that bears over the course of one growing season a cornucopia of all the different vegetable products we can harvest. We’ll call it a vegetannual. Picture its life passing before your eyes like a time-lapse film: first, in the cool early spring, shoots poke up out of the ground. Small leaves appear, then bigger leaves. As the plant grows up into the sunshine and the days grow longer, flower buds will appear, followed by small green fruits. Under midsummer’s warm sun, the fruits grow larger, riper, and more colorful. As days shorten into the autumn, these mature into hard-shelled fruits with appreciable seeds inside. Finally, as the days grow cool, the vegetannual may hoard the sugars its leaves have made, pulling them down into a storage unit of some kind: a tuber, bulb, or root. So goes the year. First the leaves: spinach, kale, lettuce, and chard (here, that’s April and May). Then more mature heads of leaves and flower heads cabbage, romaine, broccoli, and cauliflower (May–June). Then tender young fruit-set: snow peas, baby squash, cucumbers (June), followed by green beans, green peppers, and small tomatoes (July). Then more mature, colorfully ripened fruits: beefsteak tomatoes, eggplants, red and yellow peppers (late July–August). Then the large, hard-shelled fruits with developed seeds inside: cantaloupes, honeydews, watermelons, pumpkins, winter squash (August–September). Last come the root crops, and so ends the produce parade. Plainly these don’t all come from the same plant, but each comes from a plant, that’s the point—a plant predestined to begin its life in the spring and die in the fall. (A few, like onions and carrots, are attempting to be biennials, but we’ll ignore that for now.) Each plant part we eat must come in its turn—leaves, buds, flowers, green fruits, ripe fruits, hard fruits—because that is the necessary order of things for an annual plant. For the life of them, they can’t do it differently. Some minor deviations and a bit of overlap are allowed, but in general, picturing an imaginary vegetannual plant is a pretty reliable guide to what will be in season, wherever you live. If you find yourself eating a watermelon in April, you can count back three months and imagine a place warm enough in January for this plant to have launched its destiny.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
Autumn Psalm A full year passed (the seasons keep me honest) since I last noticed this same commotion. Who knew God was an abstract expressionist? I’m asking myself—the very question I asked last year, staring out at this array of racing colors, then set in motion by the chance invasion of a Steller’s jay. Is this what people mean by speed of light? My usually levelheaded mulberry tree hurling arrows everywhere in sight— its bow: the out-of-control Virginia creeper my friends say I should do something about, whose vermilion went at least a full shade deeper at the provocation of the upstart blue, the leaves (half green, half gold) suddenly hyper in savage competition with that red and blue— tohubohu returned, in living color. Kandinsky: where were you when I needed you? My attempted poem would lie fallow a year; I was so busy focusing on the desert’s stinginess with everything but rumor. No place even for the spectrum’s introverts— rose, olive, gray—no pigment at all— and certainly no room for shameless braggarts like the ones that barge in here every fall and make me feel like an unredeemed failure even more emphatically than usual. And here they are again, their fleet allure still more urgent this time—the desert’s gone; I’m through with it, want something fuller— why shouldn’t a person have a little fun, some utterly unnecessary extravagance? Which was—at least I think it was—God’s plan when He set up (such things are never left to chance) that one split-second assignation with genuine, no-kidding-around omnipotence what, for lack of better words, I’m calling vision. You breathe in, and, for once, there’s something there. Just when you thought you’d learned some resignation, there’s real resistance in the nearby air until the entire universe is swayed. Even that desert of yours isn’t quite so bare and God’s not nonexistent; He’s just been waylaid by a host of what no one could’ve foreseen. He’s got plans for you: this red-gold-green parade is actually a fairly detailed outline. David never needed one, but he’s long dead and God could use a little recognition. He promises. It won’t go to His head and if you praise Him properly (an autumn psalm! Why didn’t I think of that?) you’ll have it made. But while it’s true that my Virginia creeper praises Him, its palms and fingers crimson with applause, that the local breeze is weaving Him a diadem, inspecting my tree’s uncut gold for flaws, I came to talk about the way that violet-blue sprang the greens and reds and yellows into action: actual motion. I swear it’s true though I’m not sure I ever took it in. Now I’d be prepared, if some magician flew into my field of vision, to realign that dazzle out my window yet again. It’s not likely, but I’m keeping my eyes open though I still wouldn’t be able to explain precisely what happened to these vines, these trees. It isn’t available in my tradition. For this, I would have to be Chinese, Wang Wei, to be precise, on a mountain, autumn rain converging on the trees, a cassia flower nearby, a cloud, a pine, washerwomen heading home for the day, my senses and the mountain so entirely in tune that when my stroke of blue arrives, I’m ready. Though there is no rain here: the air’s shot through with gold on golden leaves. Wang Wei’s so giddy he’s calling back the dead: Li Bai! Du Fu! Guys! You’ve got to see this—autumn sun! They’re suddenly hell-bent on learning Hebrew in order to get inside the celebration, which explains how they wound up where they are in my university library’s squashed domain. Poor guys, it was Hebrew they were looking for, but they ended up across the aisle from Yiddish— some Library of Congress cataloger’s sense of humor: the world’s calmest characters and its most skittish squinting at each other, head to head, all silently intoning some version of kaddish. Part 1
Jacqueline Osherow
Celebrations Christmas is Italy’s biggest holiday. Stores decorate in gold, silver, red, and white. At home, many people celebrate Christmas Eve with a huge feast, often featuring fish. The Christmas season in Italy lasts until Epiphany, January 6, the date when the Three Wise Men are said to have reached Jesus’s manger. Santa Claus, or Saint Nicholas, is mainly a northern European traditional figure, but one that Italians now often celebrate. Traditionally, Italian children become excited about a different gift-giving figure--Befana, whose name comes from the Italian word for Epiphany, Epifania. Befana as supposedly a woman who meant to go with the Wise Men but was too busy. She planned to see them on their way back, but they returned by a different route. Since then, each year on Epiphany, she busily searches for them, riding on a broomstick and bringing gifts. Children dress in costumes like Befana and go to neighboring houses, where they receive small gifts such as fruit and nuts. At the end of the Befana celebration, Befana figures are burned in a bonfire to get rid of the old year and start the new year fresh. Another major festival is Carnevale. It is a huge festival celebrated in the last week before Lent, a serious forty-day period that precedes Easter. Italy’s biggest Carnevale celebration is in Venice, where people dress in dazzling costumes and parade around the city. Though the costumes often feature somber masks, Carnevale is a time for giddy fun. Children run about throwing confetti. Shopkeepers pass out snacks in the city’s squares. Music fills the air. Like Italy itself, it is a feast for the senses.
Jean Blashfield Black (Italy (Enchantment of the World Second Series))
Finally, I could see the four-ton trucks below me, parked in a small turnout next to a dam at the foot of the mountains. I raced down to the dam and clocked in. I knew I was slow, as I could see all the other recruits huddled in the woods next to the dam’s entrance. Wispy trails of smoke drifted up from the many little self-contained army Hexi stoves, each heating individual mugs of sweet tea. I knew the score. Each recruit quietly working in their own little world, trying to rehydrate and sort their kit out under their basha or camp, before the night march. The DS didn’t say anything. They simply sent me to join the others, and await the orders for the night-march. As dusk approached, we all stood on parade. Once more they announced: “Okay, the following will not start the night march. You have not passed today’s test.” I stood and waited. Four names were read out. Then the DS looked up at me. Cold. Unemotional. “…And Grylls.
Bear Grylls (Mud, Sweat and Tears)
In full uniform, the color guard marched by as part of the parade. And as they did, he forced his horribly slumped and deeply aged body out of his worn wheelchair and stood to ram-rod attention. He held a salute until the guard had passed, and then he feebly collapsed back into his wheelchair. As I stared in ever-warming admiration, emblazoned across his hat I saw the words “WWII Veteran.” And while I deeply admire his stirring passion for our country, I stood there wishing that my passion for the cause of Christ might someday be strong enough to lift me out of the many wheelchairs within which I sit.
Craig D. Lounsbrough
Very often these luminous designs, rich in data, take the form of geometry. I speak from experience, having participated in more than seventy ayahuasca sessions since 2003, continuing to work with the brew for the valuable lessons it teaches me long after Supernatural was researched, written, and published. Here’s part of my account of the first time I drank ayahuasca in the Amazon: I raise the cup to my lips again. About two thirds of the measure that the shaman poured for me still remains, and now I drain it in one draught. The concentrated bittersweet foretaste, followed instantly by the aftertaste of rot and medicine, hits me like a punch in the stomach…. Feeling slightly apprehensive, I thank the shaman and wander back to my place on the floor…. Time passes but I don’t keep track of it. I’ve improvized a pillow from a rolled-up sleeping bag and I now find I’m swamped by a powerful feeling of weariness. My muscles involuntarily relax, I close my eyes, and without fanfare a parade of visions suddenly begins, visions that are at once geometrical and alive, visions of lights unlike any light I’ve ever seen—dark lights, a pulsing, swirling field of the deepest luminescent violets, of reds emerging out of night, of unearthly textures and colors, of solar systems revolving, of spiral galaxies on the move. Visions of nets and strange ladder-like structures. Visions in which I seem to see multiple square screens stacked side by side and on top of each other to form immense patterns of windows arranged in great banks. Though they manifest without sound in what seems to be a pristine and limitless vacuum, the images possess a most peculiar and particular quality. They feel like a drum-roll—as though their real function is to announce the arrival of something else.13 Other notes I made following my ayahuasca sessions in the Amazon refer to a “geometrical pulse,”14 to “a recurrence of the geometrical patterns,”15 to “a background of shifting geometrical patterns,”16 and to “complex interlaced patterns of geometry…. I zoom in for a closer view…. They’re rectangular, outlined in black, like windows. There’s a circle in the centre of each rectangle.”17
Graham Hancock (America Before: The Key to Earth's Lost Civilization)
Mr. Gingham had the true spirit of his profession, and such words as "funeral" or "coffin" or "hearse" never passed his lips. He spoke always of "interments," of "caskets," and "coaches," using terms that were calculated rather to bring out the majesty and sublimity of death than to parade its horrors.
Stephen Leacock (Sunshine Sketches of a Little Town)
He saw the clowns doing cartwheels at the end of the parade and once more he saw the face of his miserable solitude when everything had passed by and there was nothing but the bright expanse of the street and the air full of flying ants with a few onlookers peering into the precipice of uncertainty. Then he went to the chestnut tree, thinking about the circus, and while he urinated he tried to keep on thinking about the circus, but he could no longer find the memory. He pulled his head in between his shoulders like a baby chick and remained motionless with his forehead against the trunk of the chestnut tree. The family did not find him until the following day at eleven o’clock in the morning when Santa Sofía de la Piedad went to throw out the garbage in back and her attention was attracted by the descending vultures.
Gabriel García Márquez (One Hundred Years of Solitude)
It was well known that G's early years in the city had been wild. As time went by her circumstances had become more conventional, which everyone except her seemed to regard as a natural progression. Great success had come to her, and with it a husband and child, and money that needed to be converted into material things. Her wild years were safely behind her: it was apparently only she who had thought that things could go on as they were. But instead the wildness had become historic, and was now a certified source of allusion in her work, as foreign landscapes and exotic paraphernalia were in the works of the masters (44) The days passed slowly and indistinguishably at Mann's farm, as though they were the same day examined from different angles (69) It was a day of brutal heat. The valley below lay stunned, pulsing in the throbbing air (71) The next morning, in the hotel room, we stood at the window looking out at the curious devastation of dawn, its relentless casting of new light on old failures (197)
Rachel Cusk (Parade)