Passenger Seat Love Quotes

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From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of … Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President
Pablo
Because before you can worry about who’s in your passenger seat, you have to learn to drive yourself.
Kelly Quindlen (She Drives Me Crazy)
Except for when I was very little and thought that being an "engineer" meant he drove a train. Then I imagined him in the seat of an engine car the color of coal, a string of shiny passenger cars trailing behind. One day my father laughed and corrected me. Everything snapped into focus. It's one of those unforgettable moments that happen as a child, when you discover that all along the world has been betraying you.
Nicole Krauss (The History of Love)
Look under the passenger seat in a black plastic bin. There should be a book.” Raphael hopped out, dug under the seat, and pulled out a dog-eared copy of The Almanac of Mystical Creatures. “Got it,” I said into the phone. “Page seventy-six.” Raphael flipped the book open and held it up. On the left page a lithograph showed a three-headed dog with a serpent for a tail. The caption under the picture said CERBERUS. “Is that your dog?” Kate asked. “Could be. How the heck did you know the exact page?” “I have perfect memory!” I snorted. She sighed into the phone. “I spilled coffee on that page and had to leave the book open to dry it out. It always opens to that entry now.
Ilona Andrews (Must Love Hellhounds)
Yeah that’s what addiction does. You don’t stop until you have no other choice. You drive headfirst into a fucking brick wall with everything you love in the passenger seat... and you pray that something survives
Kalen Dion
Zach was sitting in the passenger seat, seemingly calm and happy and content with his place in the world. The git.
Mil Millington (Love and Other Near-Death Experiences)
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way. From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW. Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73.” There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.” Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?” Without replying, Ronan climbed out of the car and slammed the door. Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah. Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
When strangers on a train or a plane ask what I do for a living, I say, "I kill people." This response makes for a short conversation. No eye contact and no sudden movement from my seat-mate. Only peace and quiet. Rare is the fellow passenger who asks why I do it. I suppose I got tired hanging out in a book all day waiting for a story to begin. I write the kind of novels I want to read. And why the theme of solving murders? Violent death is larger than life and it's the great equalizer. By law, every victim is entitled to a paladin and a chase, else life would be cheapened. And the real reason I do this? My brain is simply bent this way. There is nothing else I would rather do. This neatly chains into my theory of the writing life. If you scratch an artist, under the skin you will find a bum who cannot hold down a real job. Conversely, if you scratch a bum... but I have never done that. The heart of my theory has puritan roots: if you love what you do, you cannot call it honest work.
Carol O'Connell
There were people who escaped Hiroshima and rushed to Nagasaki to see that their loved ones were safe. Arriving just in time to be incinerated. He went there after the war with a team of scientists. My father. He said that everything was rusty. Everything looked covered with rust. There were burnt-out shells of trolleycars standing in the streets. The glass melted out of the sashes and pooled on the bricks. Seated on the blackened springs the charred skeletons of the passengers with their clothes and hair gone and their bones hung with blackened strips of flesh. Their eyes boiled from their sockets. Lips and noses burned away. Sitting in their seats laughing. The living walked about but there was no place to go. They waded by the thousands into the river and died there. They were like insects in that no one direction was preferable to another. Burning people crawled among the corpses like some horror in a vast crematorium. They simply thought that the world had ended. It hardly even occurred to them that it had anything to do with the war. They carried their skin bundled up in their arms before them like wash that it not drag in the rubble and ash and they passed one another mindlessly on their mindless journeyings over the smoking afterground, the sighted no better served than the blind. The news of all this did not even leave the city for two days. Those who survived would often remember these horrors with a certain aesthetic to them. In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years. Like an immense bladder, they would say. Like some sea thing. Wobbling slightly on the near horizon. Then the unspeakable noise. They saw birds in the dawn sky ignite and explode soundlessly and fall in long arcs earthward like burning party favors. p.116
Cormac McCarthy (The Passenger (The Passenger #1))
i will always be the person who went to the grocery store in cigarette-burned pajamas every day for five months i will always be the person who wanted to die and didn’t i will always be the person who lost twenty pounds in one month and i will always be the person who gained it back i will always be the person who decided, while crying in the passenger seat of your car, to be better i will always be the person who paused when you first said “i love you” just to take the moment in i will always be the person who survived the unsurvivable i will always be the person who fought like hell for it
Joshua Espinoza
The next time you check the box “S” for single, remember this: singleness is no longer a lack of options but a choice—a choice to refuse to let your life be defined by your relationship status and to live every day Happily and let your Ever After work itself out. Whether or not you have someone in the passenger seat, you are still the driver of your own life and can take whatever road you choose. So the next time you hit a speed bump, otherwise known as the age-old question, “Why are you still single?” look ’em in the eye and say, “Because I’m too strong, too smart, and too fabulous to settle.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
People say misery loves company, but I think it's like that with anger too. I'm not the only one pissed—everyone around me is. They didn't have to be sitting in the passenger's seat when it happened. My anger is theirs, and theirs is mine.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
When I was thirteen I spent a lot of time pretending to like dance music because everyone at my school seemed to love it. If only I'd known it was OK to have different tastes to others and that one day my mind would be blown open by an older man who would introduce me to The Smiths, The Cure, Buzzcocks, Talking Heads and almost every other band I adore to this day. I also wish I'd been reassured that one day, yes, a boy would actually fancy me in spite and potentially, deliberately, FOR my zero boob/skinny legs combo. But mainly I wish I'd listened to my mother when she said learning to play the piano might come in handy in the future and would actually be something I would thank her for forcing me to do. Every Wednesday we would drive to Mrs Batten's house listening to The ArchersI, with me in the passenger seat trying desperately to think up excuses for why I hadn't practiced that week. Though it seemed very unlikely at the time, I am thankful for those piano lessons every time I manage to impress a boy by hammering out some Chopin when drunk (swot up, kids!).
Alexa Chung (It)
Hey, stranger," he says as I climb into the passenger seat, in a voice like I'm not one at all.
Katie Cotugno
At the red light, I glance to my side. My passenger seat is ripped, the fabric torn in four lines. Claw marks. I smile. My demon is real.
Tatiana Schlote-Bonne (Such Lovely Skin)
Maybe when you took it back to basics, that’s what love really was: just being there for someone when the sun rises and sets. Jade arrived back at the farm with her sleeping partner and was greeted by his brother who opened the passenger door and unclipped Kevin’s seat belt.
John Marrs (The One)
Pushing Carson back out of the door, I grabbed my jacket off the hook and shoved my feet into the great old clogs that my poor podiatrist father wants outlawed. "Don't you want to change or something?" Mom called after me. "She'll never change," Carson answered, and followed me down the steps. I settled myself into the passenger seat and buckled up as he back out of the driveway. "Your arches are falling?" "Turns out I am deeply flawed," I admitted.
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
Take Greg with you.” Manny stood from the passenger seat, leaning over the SUV’s roof. “And leave you with all the girls? No way, dude.” “Bad deal,” Greg agreed.
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
What matters is that you find the right person with whom to spend your time on this earth. Someone who will take care of you when you are sick. Who will love you and the extra hole in your head. Who will drive for hours while you sleep in the passenger seat. Someone who will show you how immense the universe is and still make you feel that you are the brightest thing in the sky.
Geraldine DeRuiter (All Over the Place: Adventures in Travel, True Love, and Petty Theft)
Everything’s going to be alright, he says. Trust me. I love you, I’m not going to let anything like that happen to you again. For a second or two she holds his gaze and then finally she closes her eyes. She sits back in the passenger seat, head against the headrest, hand still clutching the tissue at her face. It seems to him an attitude of extreme weariness, or relief. Thank you, she says.
Sally Rooney (Normal People)
It doesn't seem like you're living a life, it's almost like you're travelling on a train with the destination unknown. You're sitting on a seat near the window looking outside, imagining how things are there outside, how is it like to live in the houses that you pass by. And when you’re busy noticing the outside, you at times do not pay heed to your surroundings inside the coach. And thus some passengers who got down at a station midway fail to capture your interest, or maybe it is because of your deviation of interest towards the outside. While at other stops new people get up, and you like their company, you share and you laugh. But sooner or later they get down. Because it's your journey, you're the traveler and they just accompany you for some distances. And then, maybe when you reach your destination there will still be passengers in the train, passengers you've mingled with or passengers you hate, people who were there since the train had started or people who got in just before the last stoppage, and like it or not, they will get off the train with you, at your destination which also proved to be there destination.
Sanhita Baruah
Please have a seat, Henrietta. Winifred, thank you; that will be all. Ensure we’re not disturbed.” The older woman bobbed a slight curtsey, giving Etta’s back a parting pinch, hard enough to make her jump forward a step. Etta waited until the woman had vanished through the door in a swirl of dark skirts before turning to Henry and spitting out, “She doesn’t travel through passages, does she? She sacrifices a puppy and flies through the centuries on her broom.” He gave a sharp cough into his hand. “I assure you, your great-aunt is quite loving,” Henry said, only to stop and reconsider. “That is, she’s quite loving in her own way…every other Sunday. In May. Won’t you sit?” Great-aunt. No way in hell.
Alexandra Bracken (Wayfarer (Passenger, #2))
Levi welcomed another favorite day, watching his world sleep in the passenger seat. Never could he hate her. Never would he cut her again with his words. Never would he regret their love. They were real. Human. And worthy of love and forgiveness.
Jewel E. Ann (When Life Happened)
Then — it had to happen eventually — Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of … Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Adam Parrish. This was how it had begun: Ronan Lynch had been in the passenger seat of Richard Campbell Gansey III's bright orange '73 Camaro, hanging out the window because walls couldn't hold him. Little historic Henrietta, Virginia, curled close, trees and streetlights alike leaning in as if to catch the conversation down below. What a pair the two of them were. Gansey, searching desperately for meaning. Ronan, sure that he wouldn't find any. Voted most and least likely to succeed, respectively, at Aglionby Academy, their shared high school. Those days, Gansey was the hunter and Ronan the hawkish best friend kept hooded and belled to prevent him tearing himself to shreds with his own talons. This was how it had begun: a student walking his bike up the last hill into town, clearly headed the same place they were. He wore the Aglionby uniform, although as they grew closer Ronan saw it was threadbare in a way school uniforms couldnt manage in a single year's use--secondhand. His sleeves were pushed up and his forearms were wiry, the thin muscles picked out in stark relief. Ronan's attention stuck on his hands. Lovely boyish hands with prominent knuckles, gaunt and long like his unfamiliar face. "Who's that?" Gansey had asked, and Ronan hadn't answered, just kept hanging out the window. As they passed, Adam's expression was all contradictions: intense and wary, resigned and resilient, defeated and defiant. Ronan hadn't known anything about who Adam was then and, if possible, he'd known even less about who he himself was, but as they drove away from the boy with the bicycle, this was how it had begun: Ronan leaning back against his seat and closing his eyes and sending up a simple, inexplicable, desperate prayer to God: Please.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
But in this analogy you and your family love country music NOW. Turn on the radio and listen to what is being said to your daughter right this minute: That she’s an ass in a pair of blue jeans. That she belongs in the passenger seat of a pickup truck with a koozie. That she’s only into “backroad” guys. Show me even a right-wing mother or father who wants their daughter to believe this about herself and I’ll show you a liar.
Brandi Carlile (Broken Horses)
My name is Cassandra Temperance Steel, I said to the beauti- ful imaginary Death Angel, as if my name wasn’t already on her Santa Claus-like list of souls to collect that evening. Spare me. Then my world went dark. The last thing I remembered before oblivion claimed me was that I was not alone in the car. There was somebody in- side the vehicle with me in the passenger side seat... and that person was going to die because of me.
Kayla Cunningham
He must fly regularly. I don’t. Not any more. So I have been watching everything with interest. I love to watch people and eavesdrop. I can’t help myself. This scene, with passengers taking their seats and struggling with hand luggage, everyone at cross purposes, is repeated all day on dozens of flights at hundreds of airports and must seem commonplace to those working, but this moment won’t happen again. Not just to me, but to all of us. Life is like that.
John Purcell (The Lessons)
Visions flood in as I watch her chest rise and fall . . . the second our eyes locked in my backyard, the flash of surety I initially dismissed but still rang true through every fiber of my being. She knows you. The long looks we shared across every space, to the minute we snapped on that float before we collided and were created. The same continuous buzz thrumming steadily as we stole glances of each other between the flip of pages as storms raged outside my window. Her fingers tracing my skin, wonder in her eyes, to running my palm reverently over her back—in awe of the heart that beat inside of her, wrapped in her mystery. To the burst of sun that lit her up in my passenger seat as she adjusted her honeysuckle crown. The laughter spilling from us where she lay beneath me, tangled in the sheets before our smiles faded. Hearts raw and aching as we locked together, lost in our connection, chests bouncing in unison due to the tie that bound us. That still binds us. A fate we created together. A story I’ll continue to relive without regret. Falling for her was worth hitting bottom—and every single ache that comes with it. Reaching out, I trace the curve of her cheek. “You gutted me, baby,” I croak in confession as my chest caves. “But I can’t say I don’t deserve it . . .” I falter, grunting through the pain consuming me. “You thrive on love, and I . . . we fucking starved your heart . . . we just left you here.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
Emma Chase (Royally Matched (Royally, #2))
Emma, I came out here to tell you that you don't have to mate with Grom." I raise a brow. "Uh, I was never going to mate with Grom." "What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-" "I don't have to mate with Grom," I finish for him. "That's what I just said." "I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom." He grins. "Exactly." "But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?" He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do." He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes. "Thank you," I tell him as he walks around to the driver's side. "It's a little late to blush," he says, strapping in. "I don't think I'll ever stop blushing." "I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet." I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me? For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level. But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his. I pull back. "Right. Sorry." He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you." I laugh, even as a charge runs through my veins. "Yeah. No." He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up." "Let me think about it some more," I tell him on the brink of giggling at his expression. "I'll see what I can do to help you make up your mind." We stay parked for another fifteen minutes. But at least we're not broken up anymore.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Neil felt a half-second from losing his mind, but then Andrew said his name and Neil's thoughts ground to a startled halt. He was belatedly aware of his hand at his ear and his fingers clenched tight around his phone. He didn't remember pulling it from his pocket or making the decision to dial out. He lowered it and tapped a button, thinking maybe he'd imagined things, but Andrew's name was on his display and the timer put the call at almost a minute already. Neil put the phone back to his ear, but he couldn't find the words for the wretched feeling that was tearing away at him. In three months championships would be over. In four months he'd be dead. In five months the Foxes would be right back here for summer practices with six new faces. Neil could count his life on one hand now. On the other hand was the future he couldn't have: vice-captain, captain, Court. Neil had no right to mourn these missed chances. He'd gotten more than he deserved this year; it was selfish to ask for more. He should be grateful for what he had, and gladder still that his death would mean something. He was going to drag his father and the Moriyamas down with him when he went, and they'd never recover from the things he said. It was justice when he'd never thought he'd get any and revenge for his mother's death. He thought he'd come to terms with it but that hollow ache was back in his chest where it had no right to be. Neil felt like he was drowning. Neil found his voice at last, but the best he had was, "Come and get me from the stadium." Andrew didn't answer, but the quiet took on a new tone. Neil checked the screen again and saw the timer flashing at seventy-two seconds. Andrew had hung up on him. Neil put his phone away and waited. It was only a couple minutes from Fox Tower to the Foxhole Court, but it took almost fifteen minutes for Andrew to turn into the parking lot. He pulled into the space a couple inches from Neil's left foot and didn't bother to kill the engine. Kevin was in the passenger seat, frowning silent judgment at Neil through the windshield. Andrew got out of the car when Neil didn't move and stood in front of Neil. Neil looked up at him, studying Andrew's bored expression and waiting for questions he knew wouldn't come. That apathy should have grated against his raw nerves but somehow it steadied him. Andrew's disinterest in his psychological well-being was what had drawn Neil to him in the first place: the realization that Andrew would never flinch away from whatever poison was eating Neil alive.
Nora Sakavic (The King's Men (All for the Game, #3))
You could never hurt me,” he threw my words back at me, jumped out of the car, and made it to the passenger seat just as I opened the door. He squatted, his eyes not leaving mine. “Want to know why?” The sexy grin did it. I stopped arguing and fed my curiosity. “Why?” “I’m the beast, mean and ugly, and you’re the only one who makes these things seem insignificant. With a kiss and a touch, you make the meanness and ugliness go away. With your love, you calm the beast inside me. So yell at me all you want when you’re pissed. Throw things at my head. Maybe I’ll yell back or throw you over my shoulder, cuff you to my bed, and make love to you in ways you couldn’t possibly fathom, but you could never, ever hurt me. You are the light in my darkness. The hope chasing away my despair. You are the keeper of my soul.
Ednah Walters (Souls (Runes, #5))
From the passenger seat Kitty sighs heavily and rests her head against the window. “What’s up with you?” Peter asks. “The bridesmaids won’t let me go on the bachelorette night,” she says. “I’m the only one left out.” I narrow my eyes at the back of her head. “That’s bullshit!” Peter looks at me in the rearview mirror. “Why won’t you guys let her go?” “We’re going to a karaoke bar! We can’t bring Kitty in because she’s too young. Honestly, I think I was barely allowed to go.” “Why can’t you guys just go to a restaurant like we’re doing?” “Because that’s not a real bachelorette.” Peter rolls his eyes. “It’s not like you guys are going to a strip club or something--wait, did you change your mind? Are you going to a strip club?” “No!” “Then what’s the big deal? Just go somewhere else.” “Peter, it’s not my decision. You’ll have to take it up with Kristen.” I smack the back of Kitty’s arm. “Same goes for you, you little fiend! Quit trying to weasel your way in by manipulating Peter. He has no power here.” “Sorry, kid,” Peter says. Kitty slumps in her seat and then straightens. “What if I came to the bachelor night instead?” she suggests. “Since you’re just going to a restaurant?” Peter stutters, “Uh--uh, I don’t know, I’d have to talk to the guys…” “So you’ll ask? Because I like steak too. I like it so much. I’ll order steak with a baked potato on the side, and for dessert I’ll have a strawberry sundae with whipped cream.” Kitty beams a smile at Peter, who smiles back weakly. When we get to the elementary school and she hops out, perky and puffed up like a chickadee, I lean forward in my seat and say into Peter’s ear, “You just got played.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Then there was the time when he picked up a two-by-four on the side of the road and put it in the front seat by me and stuck it out the window. He told me to hold it, which I did, but when the wind hit the board, it turned around and hit me in the head and knocked me out. Another time, when a friend of Daddy’s bought a brand-new Buick, Daddy pressed the push-button window up on my neck. But that time I think it was just a matter of him not being familiar with the equipment. The main thing Momma bases her theory on is once Daddy, who is very artistic, wanted to make a life mask of my face. He put plaster of paris on me but forgot the breathing holes. On top of that he also forgot to put Vaseline on my face. He had to crack the plaster off with a hammer. Momma didn’t speak to him for a week on that one. I myself was sorry that it didn’t turn out. She also says he is going to ruin my nervous system because of the time he sneaked up on me when I was listening to Inner Sanctum on the radio. Just as the squeaking door opened, he grabbed me and yelled, “Got ya,” real loud, which caused me to faint. She also didn’t like him telling me Santa Claus had been killed in a bus accident and making me throw up. The Pettibones have very delicate nervous systems. That’s true. Momma is nervous all the time. She’s worn a hole in the floor on the passenger’s side of Daddy’s car from putting on the brakes. Momma always looks like she is on the verge of a hissy fit, but that’s mainly because when she was eighteen, she stuck her head in a gas oven looking at some biscuits and blew her eyebrows off. So she paints them on like little half-moons. People love to talk to her because she always looks interested, even if she isn’t.
Fannie Flagg (Daisy Fay and the Miracle Man)
surrounded the camp and crept through the perimeter. After that, it was all pitchforks through the chest, people impaled on pokers, arrows through the throat, and harpoon guns in the eye. He crushed her boyfriend’s skull in a work clamp in the woodshop studio. They’d been dating for three weeks. “We’d been dating for six weeks,” I told her. “Who?” she asked, chin resting on her knees, feet on the passenger seat. “Tommy,” I said. It was the first time I’d said his name outside group in over a decade. “I was a cheerleader. He was a football player.” “That’s so Jack and Diane,” she said. “Were you in love?” I think about that sometimes, too. “We weren’t dating long enough to know,” I told her. “I feel like I was, but if I’m going to be honest we never got a chance to find out. I was planning to go all the way with him when Ricky Walker rang the doorbell.” “I
Grady Hendrix (The Final Girl Support Group)
I was sixteen back then, and I was going to a party with my girlfriend and Earl. Earl was driving, and his new squeeze was in the passenger seat. I was in the back, holding hands with mine. That was such a big thing at that age, clasping the hand of someone you loved. A heady declaration, the closing of a circuit, the joining of two souls. When you get older you don't seem to do it so much. Your hands are generally busy with other things, and every relationship goes through an accelerated evolution. Everyone you meet has an apartment, and either self-confidence or a desperate lack of it: Either tends to make you rush through the hand-holding stage. Sure, you may do it later, but it's not the same. It's like eating your appetizer after your dessert. When you're a grown-up, the only time you get to trace slowly through that delicious progression is when you're having an affair, which I guess is why so many people have affairs. A trip back in time, to when everything had weight, through the medium of unfaithfulness.
Michael Marshall Smith (One of Us)
Is this a date? Are you on a date with him? And who the hell’s car is this?” Before I can answer, Genevieve makes a move toward me, which I dodge. I run behind the pillar. “Don’t be such a baby, Lara Jean,” she says. “Just accept that you lose and I win!” I peek from behind the pillar, and John is giving me a look--a look that says, Get in. Quickly I nod. Then he throws open the passenger door, and I run for it, as fast as I can. I’ve barely got the door closed before he’s driving off, Peter and Gen in our dust. I turn back to look. Peter is staring after us, his mouth open. He’s jealous, and I’m glad. “Thanks for the save,” I say, still trying to catch my breath. My heart is pounding in my chest so hard. John is looking straight ahead, a broad smile on his face. “Anytime.” We stop at a stoplight, and he turns his head and looks at me, and then we’re looking at each other, laughing like crazy, and I’m breathless again. “Did you see the looks on their faces?” John gasps, dropping his head on the steering wheel. “It was classic!” “Like a movie!” He grins at me, jubilant, blue eyes alight. “Just like a movie,” I agree, leaning my head back against the seat and opening my eyes wide up at the moon, so wide it hurts. I’m in a red Mustang convertible sitting next to a boy in uniform, and the night air feels like cool satin on my skin, and all the stars are out, and I’m happy. The way John is still grinning to himself, I know he is too. We got to play make-believe for the night.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I’d never been with anyone like Marlboro Man. He was attentive--the polar opposite of aloof--and after my eighteenth-month-long college relationship with my freshman love Collin, whose interest in me had been hampered by his then-unacknowledged sexual orientation, and my four-year run with less-than-affectionate J, attentive was just the drug I needed. Not a day passed that Marlboro Man--my new cowboy love--didn’t call to say he was thinking of me, or he missed me already, or he couldn’t wait to see me again. Oh, the beautiful, unbridled honesty. We loved taking drives together. He knew every inch of the countryside: every fork in the road, every cattle guard, every fence, every acre. Ranchers know the country around them. They know who owns this pasture, who leases that one, whose land this county road passes through, whose cattle are on the road by the lake. It all looked the same to me, but I didn’t care. I’d never been more content to ride in the passenger seat of a crew-cab pickup in all my life. I’d never ridden in a crew-cab pickup in all my life. Never once. In fact, I’d never personally known anyone who’d driven a pickup; the boys from my high school who drove pickups weren’t part of my scene, and in their spare time they were needed at home to contribute to the family business. Either that, or they were cowboy wannabes--the kind that only wore cowboy hats to bars--and that wasn’t really my type either. For whatever reason, pickup trucks and I had never once crossed paths. And now, with all the time I was spending with Marlboro Man, I practically lived in one.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
My mother never seemed to listen to much music, but she loved Barbara Streisand, counting The Way We Were and Yentl as two of her favorite films. I remembered how we used to sing the song "Tell Him" together, and skipped through the album until I found it on track four. "Remember this?" I laughed, turning up the volume. It's a duet between Babe and Celine Dion, two powerhouse divas joining together for one epic track. Celine plays the role of a young woman afraid to confess her feelings to the man she loves, and Barbara is her confidant, encouraging her to take the plunge. "I'm scared, so afraid to show I care... Will he think me weak, if I tremble when I speak?" Celine begins. When I was a kid my mother used to quiver her lower lip for dramatic effect when she sang the word "tremble." We would trade verses in the living room. I was Barbara and she was Celine, the two of us adding interpretive dance and yearning facial expressions to really sell it. "I've been there, with my heart out in my hand..." I'd join in, a trail of chimes punctuating my entrance. "But what you must understand, you can't let the chance to love him pass you by!" I'd exclaim, prancing from side to side, raising my hand to urge my voice upward, showcasing my exaggerated vocal range. Then, together, we'd join in triumphantly. "Tell him! Tell him that the sun and moon rise in his eyes! Reach out to him!" And we'd ballroom dance in a circle along the carpet, staring into each other's eyes as we crooned along to the chorus. My mom let out a soft giggle from the passenger seat and we sang quietly the rest of the way home. Driving out past the clearing just as the sun went down, the scalloped clouds flushed with a deep orange that made it look like magma.
Michelle Zauner (Crying in H Mart)
I turn to see what she’s looking at, and it’s a red convertible Mustang driving down our street, top down--with John McClaren at the wheel. My jaw drops at the sight of him. He is in full uniform: tan dress shirt with tan tie, tan slacks, tan belt and hat. His hair is parted to the side. He looks dashing, like a real soldier. He grins at me and waves. “Whoa,” I breathe. “Whoa is right,” Ms. Rothschild says, googly-eyed beside me. Daddy and his Ken Burns DVD are forgotten; we are all staring at John in this uniform, in this car. It’s like I dreamed him up. He parks the car in front of the house, and all of us rush up to it. “Whose car is this?” Kitty demands. “It’s my dad’s,” John says. “I borrowed it. I had to promise to park really far away from any other car, though, so I hope your shoes are comfortable, Lara Jean--” He breaks off and looks me up and down. “Wow. You look amazing.” He gestures at my cinnamon bun. “I mean, your hair looks so…real.” “It is real!” I touch it gingerly, I’m suddenly feeling self-conscious about my cinnamon-bun head and red lipstick. “I know--I mean, it looks authentic.” “So do you,” I say. “Can I sit in it?” Kitty butts in, her hand on the passenger-side door. “Sure,” John says. He climbs out of the car. “But don’t you want to get in the driver’s seat?” Kitty nods quickly. Ms. Rothschild gets in too, and Daddy takes a picture of them together. Kitty poses with one arm casually draped over the steering wheel. John and I stand off to the side, and I ask him, “Where did you ever get that uniform?” “I ordered it off of eBay.” He frowns. “Am I wearing the hat right? Do you think it’s too small for my head?” “No way. I think it looks exactly the way it’s supposed to look.” I’m touched that he went to the trouble of ordering a uniform for this. I can’t think of many boys who would do that. “Stormy is going to flip out when she sees you.” He studies my face. “What about you? Do you like it?” I flush. “I do. I think you look…super.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab. Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there? Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.” Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop. “It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi. “Want to take it for a spin?” Tim asked. I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel. Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night. After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.” “Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother. But he was nothing like the real thing.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Keynes was a voracious reader. He had what he called ‘one of the best of all gifts – the eye which can pick up the print effortlessly’. If one was to be a good reader, that is to read as easily as one breathed, practice was needed. ‘I read the newspapers because they’re mostly trash,’ he said in 1936. ‘Newspapers are good practice in learning how to skip; and, if he is not to lose his time, every serious reader must have this art.’ Travelling by train from New York to Washington in 1943, Keynes awed his fellow passengers by the speed with which he devoured newspapers and periodicals as well as discussing modern art, the desolate American landscape and the absence of birds compared with English countryside.54 ‘As a general rule,’ Keynes propounded as an undergraduate, ‘I hate books that end badly; I always want the characters to be happy.’ Thirty years later he deplored contemporary novels as ‘heavy-going’, with ‘such misunderstood, mishandled, misshapen, such muddled handling of human hopes’. Self-indulgent regrets, defeatism, railing against fate, gloom about future prospects: all these were anathema to Keynes in literature as in life. The modern classic he recommended in 1936 was Forster’s A Room with a View, which had been published nearly thirty years earlier. He was, however, grateful for the ‘perfect relaxation’ provided by those ‘unpretending, workmanlike, ingenious, abundant, delightful heaven-sent entertainers’, Agatha Christie, Edgar Wallace and P. G. Wodehouse. ‘There is a great purity in these writers, a remarkable absence of falsity and fudge, so that they live and move, serene, Olympian and aloof, free from any pretended contact with the realities of life.’ Keynes preferred memoirs as ‘more agreeable and amusing, so much more touching, bringing so much more of the pattern of life, than … the daydreams of a nervous wreck, which is the average modern novel’. He loved good theatre, settling into his seat at the first night of a production of Turgenev’s A Month in the Country with a blissful sigh and the words, ‘Ah! this is the loveliest play in all the world.’55 Rather as Keynes was a grabby eater, with table-manners that offended Norton and other Bloomsbury groupers, so he could be impatient to reach the end of books. In the inter-war period publishers used to have a ‘gathering’ of eight or sixteen pages at the back of their volumes to publicize their other books-in-print. He excised these advertisements while reading a book, so that as he turned a page he could always see how far he must go before finishing. A reader, said Keynes, should approach books ‘with all his senses; he should know their touch and their smell. He should learn how to take them in his hands, rustle their pages and reach in a few seconds a first intuitive impression of what they contain. He should … have touched many thousands, at least ten times as many as he reads. He should cast an eye over books as a shepherd over sheep, and judge them with the rapid, searching glance with which a cattle-dealer eyes cattle.’ Keynes in 1927 reproached his fellow countrymen for their low expenditure in bookshops. ‘How many people spend even £10 a year on books? How many spend 1 per cent of their incomes? To buy a book ought to be felt not as an extravagance, but as a good deed, a social duty which blesses him who does it.’ He wished to muster ‘a mighty army … of Bookworms, pledged to spend £10 a year on books, and, in the higher ranks of the Brotherhood, to buy a book a week’. Keynes was a votary of good bookshops, whether their stock was new or second-hand. ‘A bookshop is not like a railway booking-office which one approaches knowing what one wants. One should enter it vaguely, almost in a dream, and allow what is there freely to attract and influence the eye. To walk the rounds of the bookshops, dipping in as curiosity dictates, should be an afternoon’s entertainment.
Richard Davenport-Hines (Universal Man: The Seven Lives of John Maynard Keynes)
The fact that the policemen didn’t know their stuff didn’t really surprise me. Not long before, I had asked three different Rome traffic policemen, or vigili, how old a child had to be before being able to ride in the front passenger seat of a car and had gotten three totally different answers. Not so hard to understand, I guess for two reasons. First, if you get your job through pull and not merit then you don’t really need to get good grades on a qualifying exam and, second, if Parliament changes the law every few years it is understandably difficult to keep up.
Sari Gilbert (My Home Sweet Rome: Living (and loving) in Italy's Eternal City)
His passenger seat would always be mine, and this keychain proved it.
Kandi Steiner (A Love Letter to Whiskey)
I remember sitting in the passenger seat, looking at you and feeling devastated because I’d been fired, when in fact I hadn’t lost anything. I myself was no different from before. I’d simply left the company I worked for. That’s all. I still had the option to derive joy from my work and happiness from spending time with my loved ones. It all just depended on me, and what I did from then on. That’s when I realized that I wanted to work freelance in future.
Michiko Aoyama (What You Are Looking for Is in the Library)
Dodge Caravan three weeks ago, out in Pittsfield.’ Pittsfield, she thought, right across the state border from Albany. Where a woman vanished just last month. She stood with the receiver pressed to her ear, her pulse starting to hammer. ‘Where’s that van now?’ ‘Our team sat tight and didn’t follow it. By the time they heard back about the plates, it was gone. It hasn’t come back.’ ‘Let’s change out that car and move it to a parallel street. Bring in a second team to watch the house. If the van comes by again, we can do a leapfrog tail. Two cars, taking turns.’ ‘Right, I’m headed over there now.’ She hung up. Turned to look into the interview room where Charles Cassell was still sitting at the table, his head bowed. Is that love or obsession I’m looking at? she wondered. Sometimes, you couldn’t tell the difference. Twenty-eight DAYLIGHT WAS FADING when Rizzoli cruised up Dedham Parkway. She spotted Frost’s car and pulled up behind him. Climbed out of her car and slid into his passenger seat. ‘And?’ she said. ‘What’s going on?’ ‘Not a damn thing.’ ‘Shit. It’s been over an hour. Did we scare him off?’ ‘There’s still a chance it wasn’t Lank.’ ‘White van, stolen plates from Pittsfield?’ ‘Well, it didn’t hang around. And it hasn’t been back.’ ‘When’s the last time Van Gates left the house?’ ‘He and the wife went grocery shopping around noon. They’ve been home ever since.’ ‘Let’s cruise by. I want to take a look.’ Frost drove past the house, moving slowly enough for her to get a good long gander at Tara-on-Sprague-Street. They passed the surveillance team, parked at the other end of the block, then turned the corner and pulled over. Rizzoli said: ‘Are you sure they’re home?’ ‘Team hasn’t seen either one of them leave since noon.’ ‘That house looked awfully dark to me.’ They sat there for a few minutes, as dusk deepened. As Rizzoli’s uneasiness grew. She’d seen no lights on. Were both husband and wife asleep? Had they slipped out without the surveillance team seeing them? What was that van doing in this neighborhood? She looked at Frost. ‘That’s it. I’m not going to wait any longer. Let’s pay a visit.’ Frost circled back to the house and parked. They rang the bell, knocked on the door. No one answered. Rizzoli stepped off the porch, backed up the walkway, and gazed up at the southern plantation facade with its priapic white columns. No lights were on upstairs, either. The van, she thought. It was here for a reason. Frost said, ‘What do you think?’ Rizzoli could feel her heart starting to punch, could feel prickles of unease. She cocked her head, and Frost got the message: We’re going around back. She circled to the side yard and swung open a gate. Saw just a narrow brick walkway, abutted by a fence. No room for a garden, and barely room for the two trash cans sitting there. She stepped through the gate. They had no warrant, but something was wrong here, something that was making her hands tingle, the same hands that had been scarred by Warren Hoyt’s blade. A monster leaves his mark on your flesh, on your instincts. Forever after, you can feel it when another one passes by. With Frost right behind her, she moved past dark windows and a central air-conditioning unit that blew warm air against her chilled flesh. Quiet, quiet. They were trespassing now, but all she wanted was a peek in the windows, a look in the back door. She rounded the corner and found a small backyard, enclosed by a fence. The rear gate was open. She crossed the yard to that gate and looked into the alley beyond it. No one there. She started toward the house and was almost at the back door when she noticed it was ajar. She and Frost exchanged a look. Both their weapons came out. It had happened so quickly, so automatically, that she did not even remember having drawn hers. Frost gave the back door a push, and it swung
Tess Gerritsen (Body Double (Jane Rizzoli & Maura Isles, #4))
Grandma! Get yo gun, issa good dick nigga invasion!” I yelled, but Grammy was already inside the car and Love was shaking her head. Sin placed me in the passenger seat of his car and shut the door.
K. Renee (His Love Was Law 2)
After the get-to-know-you phase has passed, [...], uncertainty in close relationships arises from whether we're sure about our own thoughts (Am I really in love?), those of the other person (Does he really enjoy spending time together?), and the future of the relationship (Are we headed for a breakup?). [...] Knoblosh believes uncertainty leads close partners to experience relational turbulance [...], a good metaphor for partners facing uncertainty and interference: When an aircraft encounters a dramatic hange in weather cinditions, passengers feel turbulence as the place is jostled, jerked, and jolted erratically. Similarly, when a [couple] undergoes turbulence as sudden intense reactions to their circumstances. Just as turbulence during a flight may make passengers [reconsider] their safety, fear a crash, or grip their seat, turbulence in a relationship may make partners ruminate about hurt, cry over jealousy, or scream during conflict. [...] In times of relational turbulence, we're likely to feel unsettling emotions like anger, sadness, and fear. It's a bumpy ride that makes us more reactive, or sensitive, to our partner's actions. [Reducing uncertainty in ongoing relationships: Relational turbulence theory]
Em Griffin (A First Look at Communication Theory)
Hey, Doc, we better back up. We don’t have enough road to get up to eighty-eight,” I quoted as I slid into the passenger seat. “‘Roads?’” he replied in an excellent impression of Christopher Lloyd’s eccentric scientist. “‘Where we’re going, we don’t need roads!’” The call-and-response rituals of geeks were a thing of beauty, and allowed said geeks to identify each other across time and space.
Atom Yang (Herc & Pyotr (Storming Love: Meteor Strikes, #5))
Then — it had to happen eventually — Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
Rose walks out of the warehouse and gets into the passenger seat. ‘You’re avoiding me,’ she says. ‘I’m avoiding myself,’ I tell her. ‘I’m sorry. About before.’ ‘Me too,’ she says, and takes a breath. ‘So I called Gran. She suggested the value of compromise.’ ‘Translated: she said you’re stubborn and you might try listening to other people once in a while?’ ‘That’s quite close to how the conversation went, yes. I’d do anything for you,’ she says. ‘Even call my mother.’ She shifts around so she’s facing me. ‘Want some good news?’ ‘I would really love some good news.’ ‘I think I might have found you a job cleaning at the hospital.’ ‘We’re in some serious fucking trouble if that’s the good news,’ I say. ‘Don’t swear. Gran’ll think you got it from me.’ ‘We’ll blame Henry. For a guy with a wide vocabulary, he leans heavily on the word shit.’ I say. ‘Don’t think I’m not appreciative of the cleaning job, but I’ve decided to work at the bookstore.’ ‘This is why I don’t have kids,’ she says, getting out of the car
Cath Crowley (Words in Deep Blue)
Our 182-passenger Boeing Classic this morning is under the able command of Captain Hiram Slatt, discharged from service in the United States Air Force mission in Afghanistan after six heroic deployments and now returned, following a restorative sabbatical at the VA Neuropsychiatric Hospital in Wheeling, West Virginia, to his “first love”—civilian piloting for North American Airways. Captain Slatt has informed us that, once we are cleared for takeoff, our flying time will be between approximately seventeen and twenty-two hours depending upon ever-shifting Pacific Ocean air currents and the ability of our seasoned Classic 878 to withstand gale-force winds of 90 knots roaring “like a vast army of demons” (in Captain Slatt’s colorful terminology) over the Arctic Circle. As you have perhaps noticed Flight 443 is a full—i.e., “overbooked”—flight. Actually most North American Airways flights are overbooked—it is Airways protocol to persist in assuming that a certain percentage of passengers will simply fail to show up at the gate having somehow expired, or disappeared, en route. For those of you who boarded with tickets for seats already taken—North American Airways apologizes for this unforeseeable development. We have dealt with the emergency situation by assigning seats in four lavatories as well as in the hold and in designated areas of the overhead bin. Therefore our request to passengers in Economy Plus, Economy, and Economy Minus is that you force your carry-ons beneath the seat in front of you; and what cannot be crammed into that space, or in the overhead bin, if no one is occupying the overhead bin, you must grip securely on your lap for the duration of the flight. Passengers in First Class may give their drink orders now. SECURITY:
Joyce Carol Oates (Dis Mem Ber: And Other Stories of Mystery and Suspense)
Judge leaned back in the passenger seat of Michaels’ truck, content as could be. They’d stayed at the cabin an entire week, after Judge fully convinced Michaels’ Lieutenants that they needed the time together. They learned more of each other, physically, but especially emotionally. They were compatible on so many levels. Both men as simple as the days. Relationships were scary and took work, but Judge believed theirs would come easily. Why he’d had such negative thoughts in the beginning was a mystery to him. He knew Michaels loved him, really loved him. Nothing was guaranteed, life didn’t promise tomorrow. Michaels was a cop, he had a dangerous job, so Judge would have to learn to trust in his partner’s instincts and believe in him. Believe he knew what he was doing and he’d come home to him every night. They
A.E. Via (Don't Judge (Nothing Special, #4))
Hellooo.” The ferry captain shot a thumb at her Jeep. “Gonna get it off ?” “Oh.” She laughed. “Sorry.” Releasing Nicole, she ran back onto the ferry and slid behind the wheel. By the time she revved the engine, Nicole was in the passenger’s seat, sliding a hand over the timeworn dashboard. “I am paying you for this.” Charlotte shot her a startled look and inched forward. “For this car? You are not.” “You wouldn’t have bought it if it weren’t for my book, and you won’t take money for that.” “Because it’s your book. I’m just along for the ride.” She laughed at her own words. “Can you believe, this is the first car I’ve ever owned?” She eased it onto the dock. “Is it real or what?” “Totally real,” Nicole said, though momentarily wary. “Safe on the highway?” “It got me here.” Charlotte waved at the captain. “Thank you!” Still crawling along, she drove carefully off the pier. When she was on firm ground, she stopped, angled sideways in the seat, and addressed the first of the ghosts. “I’m sorry about your dad, Nicki. I wanted to be there. I just couldn’t.” Seeming suddenly older, Nicole smiled sadly. “You were probably better off. There were people all over the place. I didn’t have time to think.” “A heart attack?” “Massive.” “No history of heart problems?” “None.” “That’s scary. How’s Angie?” Nicole’s mother. Charlotte had phoned her, too, and though Angie had said all the right words—Yes, a tragedy, he loved you, too, you’re a darling to call—she had sounded distracted. “Bad,” Nicole confirmed. “They were so in love. And he loved Quinnipeague. His parents bought the house when he was little. He actually proposed to Mom here. They always said that if I’d been a boy, they’d have named me Quinn. She can’t bear to come now. That’s why she’s selling. She can’t even come to pack up. This place was so him.” “Woo-hoo,” came a holler that instantly lifted the mood. “Look who’s here!” A stocky woman, whose apron covered a T-shirt and shorts, was trotting down the stairs from the lower deck of the Chowder House. Dorey Jewett had taken over from her father midway through Charlotte’s summers here and had brought the place up to par with the best of city restaurants. She had the gleaming skin of one who worked over steam, but the creases by her eyes, as much from smiling as from squinting over the harbor, suggested she was nearing sixty. “Missy here
Barbara Delinsky (The Right Wrong Number)
Dave ignored him and kept right on jogging. When he reached me, he jumped into the passenger seat Dukes of Hazzard style. "Can you drive?" Well, that was debatable, given my close encounter with the wall but I wasn't going to get into that now. I eyed him warily. "What are you doing here?" "No time for that. Can you put your foot on the clutch?" I narrowed my eyes at him. I didn't like what he was implying. I may have just almost hit the wall but I wasn't a complete idiot. "I could put my foot in your crotch if you like?" I suggested. A slow smile spread across his face and I looked away. God, that was supposed to insult him, not amuse him. Or turn me on.
Belinda Williams (Wish List (City Love #4))
THE LAST REMNANTS OF THE WHISTLER The Viennese air was fogging up the windows of the train that morning, and as the people traveled obliviously to work, a murderer whistled his happy tune. He bought his ticket. There were polite greetings with fellow passengers and the conductor. He even gave up his seat for an elderly lady and made polite conversation with a gambler who spoke of Americanhorses. After all, the whistler loved talking. He talked to people and fooled them into liking him, trusting him. He talked to them while he was killing them, torturing and turningthe knife. It was only when there was no one to talk to that he whistled, which was why he did so after a murder. . . . “So you think the track will suit number seven, do you?” “Of course.” The gambler grinned. Trust was already there. “He’ll come from behind and kill the whole lot of them!” He shouted it above the noise of the train. “If you insist.” The whistler smirked, and he wondered at length when they would find the inspector’s body in that brand-new BMW
Anonymous
He knew she must’ve said some real fly shit that ticked his mother off. Nice let V lean her body weight on him as he walked her out the front door. When he looked down at her he was trying his hardest not to laugh but his Aunt was rocking the jail house cornrows under a stocking cap and her wig was halfway on her head. Nice tried to get her back right and fix her wig the best way he could. He was trying to save her dignity and not have her out here looking crazier than she already did when she stepped out of the house that morning with that wig on. Nice put the pedal to the medal to drive V back to her house as she cried and blubbered drunkenly in the passenger seat about Cathy doing her dirty.
Ivory B. (It is What it is: A Hood Love Story II - Secrets (Hood Series Book 2))
I would love to kiss you right now.” His fingers tipped my chin, so that he had my full attention. I felt that rush and my heart stalled in my chest. He moved closer and I closed my eyes. “But I think I will wait just a bit longer.” His voice washed over me with its warm tones. That deep sound reverberated in my chest. I opened my eyes with delayed surprise and I found him just looking at me. That look! I should have kept my eyes closed because my disappointment deepened. He was holding back, and that made me want his kiss even more. “W-why?” I hated how unsteady my voice sounded. He shrugged with that devilish look still in his eyes. “I know the old Hadley loved my kiss. I’m just getting to know this new Hadley.” I frowned. He chuckled. “What?” He grinned, making the look in his eyes even more devastating. Did he want to make me a simpering fool? Well, I was no longer the young girl he remembered. “Nothing.” I shook my head and shrugged. “But I do hope you have improved from the last time.” His jaw dropped. I couldn’t hold up my own act with that look of shock on his face. It was adorable. I started to laugh. He lifted his brow. And shook his head. “Careful, little girl.” I smiled. “I’m not scared of you.” I started when he jumped to his feet. He grasped my wrists and pulled me quickly to my feet, before putting me right up and over his shoulder. “Just remember, I’m bigger and stronger,” the timbre in his voice had deepened. He started back to the car. I tried not to struggle too much. I should feel offense at his caveman display, but something in the action was way beyond attractive. It was kinda hot! But I would never tell him that. The strength he displayed with his sure-footed jaunted down the steep hill he had just helped me up was impressive. “Where are we going?” I yelped. He adjusted his stance, and altered my position on his shoulder, so he could open the car door. “Away from here, or I’ll end up doing more than kissing your smart mouth.” I smiled, knowing he couldn’t see it. “Yeah, like I’d let that happen.” His dark laugh sent warmth through me. “Your story.” He dropped me gently back into the passenger seat. I felt dizzy for a moment, but when that cleared I glared back at the handsome devil grinning at me. “My story?” He winked. “We both know how you get after a few kisses, Hadley.” It was my turn to let my jaw drop.                                                         Chapter
Sarah Brocious (What Remains (Love Abounds, #1))
Mum turned around in the passenger seat and looked at me and smiled and the smile had a slightly crumpled quality, her eyes glazed with tears. I felt it. The weight of Mum. The weight of being a son that had gone wrong. The weight of being loved. The weight of being a disappointment. The weight of being a hope that hadn’t happened the way it should have.
Matt Haig (Reasons to Stay Alive)
Every airplane, no matter how far it is up there, I send love to it. I picture the people in their seats with their plastic cups of soda or orange juice or Scotch, and I love them. I really love them. I send a steady, visible stream of it—love—from me to them. From my chest to their chests. From my brain to their brains. It's a game I play. It's a good game because I can't lose. I do it everywhere now. When I buy Rolaids at the drugstore, I love the lady who runs the place. I love the old man who's stocking shelves. I even love the cashier with the insanely large hands who treats me like shit every other day. I don't care if they don't love me back. This isn't reciprocal. It's an outpouring. Because if I give it all away, then no one can control it. Because if I give it all away, I'll be free.
A.S. King (Ask the Passengers)
Mom?” Brayden asked, finally closing his eyes. “Yes, sweetheart?” “I’m glad we left. Dad hurts you. I don’t want you to cry anymore… I love… you,” Brayden said as he finally began falling asleep. A single tear fell from her left eye. Looking over to the passenger’s seat, she saw the rise and fall of Austin’s chest, letting her know that he’d fallen asleep now, too. “I love you both so much. More than you will ever know.
Bella Emy (Enough)
Scripture stirred inside me. Take nothing for the journey—no walking stick, no bag, no bread, not a second cloak. I slid my purse off my arm and set it on the passenger seat. Realization hit that this was the last piece of the puzzle. “I get it,” I said out loud, even though I was alone, and there was nobody there to hear me. There was nothing left to do except go. I stepped out of the car, shutting the door behind me. My body burned with energy like I was on fire. I walked quickly, taking my first right out of the parking lot and then my next left. I couldn’t contain my excitement and started running. I hadn’t run since high school, but I felt like I could run for days. It wasn’t long until I burst into a sprint and didn’t stop until I reached Love International’s campus.
Lucinda Berry (When She Returned)
VESPA SIDECAR IDEAS, LATEST MODELS, AND PRICES With so many automotive ideas, concepts, and brand new models, the Vespa community now has grown, and with so many amazing novel ideas for the Vespa sidecar. Sidecar has been around since World War II and has becoming hobbies, idea, and concept for many automotive lovers. Getting to Sidecar for your Vespa might not be the easiest and cheapest way, but it sure is worth it if you love it. If you want to know more about the latest novel ideas for scooter sidecars, the latest models for Vespa, Vespa upgrade ideas, and local prices for monkey sidecars, then you have come to the right place. For now, find out more about the amazing Vespa and scooters sidecar ideas here. First of all, do you know about the sidecar? Well, the sidecar is an open seating cabin, attached to the motorcycle (preferably scooters or Vespa) side, making the motorcycle three-wheelers, and able to carry another passenger on the sidecar seats. Back then, during wartimes, a sidecar was introduced as extra cargo space for a motorcycle to carry ammunition, supplies, or man in the sidecar of a motorcycle. Nowadays, it becomes a stylish upgrade to the all-time classic motorcycle, Vespa, and scooters. How to Buy, And Install Vespa Sidecar in Your Country? Do you want to buy and install a sidecar for your Vespa? Well then, there are many ways, and means to get the sidecar. You can buy the official sidecar from dealers, from Vespa, or scooters or you can try your luck on customized, homemade sidecar from many auto dealers, and sidecar manufacturers. For example, if you want to get a sidecar for your Vespa scooter, you can buy it from the official dealers of Vespa. Vespa provides the customized, official sidecar that can be attached to the Vespa motorcycle. Depending on the types, and products of the Vespa, from the LX Vespa, S Vespa, 946 Vespa, to the special edition Vespa, the newer types will vary and be different from other older Vespa types. However, you can also try to order a sidecar for your Vespa scooters from homemade manufacturers. You can contact many homemade manufacturers near you. There are a lot of specifications, and different types of the sidecar, with armaments and accessories from armrest, lamp, and windshield. Homemade manufacturers of Sidecar would charge different prices, depending on the modified version of the Vespa sidecar you have. If you have questions regarding the homemade manufacturers of Sidecar, then you might need to reach out to the Vespa community in your city, lot of Vespa community loves to share ideas, and modified Vespa manufacturers. Frequently Asked Questions about The Modified Sidecar for Vespa Do you have any questions about the sidecar Vespa? Like how to get one for your Vespa, is it legal to get modified Vespa in your countries, is it safe to drive with a sidecar, etc. Here are the FAQs to help you figure out about the Sidecar Vespa. • Is it legal to get a sidecar for your Vespa? – In most countries, the sidecar is perfectly legal. In Europe, Asia, and America, most of the time government has already regulated the sidecar regulations, from maximum weight, where it should be attached, and many more. • Is it safe to drive with a sidecar? – Yes it is safe to drive with a sidecar. However, you need to mind where you attach your sidecar, on the left or right, and depending on your country, you need to adjust how you drive on the side of the road. • How to get a sidecar for your motorbike? – You can get a Vespa sidecar from official dealers for Vespa, and get many modifications, or you can also use homemade modifications for the Vespa.
Motorcycles
it putted to life after one try. He patted the handlebars and muttered, “Good loyal girl.” He put it into gear and pulled away from the ditch, running with filthy water. Soon he’d maneuvered himself along a parallel road. He couldn’t see them but knew from the updates that they were one block away, still moving north. He scowled. Soon that road would leave the congestion of city traffic, and his updates would stop as the car would outdistance his people on bicycles trying to keep tabs on them. Time to move over and get on the same road. But before he did, it dawned on him. He slammed his hand on the handlebars and picked up the walkie-talkie. “Break off,” he said in Spanish. “I know where they’re going.” Instead of veering onto their road, he accelerated. Traffic on this road was much lighter than the main road, and what little there was, he could easily avoid. “She’s a clever one,” he said, and he rubbed the speedometer lovingly. Soon he topped out his speed and his road merged with the main road. He chanced a glance behind, but didn’t see them yet. He didn’t doubt their destination for an instant, though. It made perfect sense. The Americans would need proof that she wasn’t a Nazi spy, and showing them a couple of dead Nazis she’d killed would be just the thing. He didn’t know what they’d do with her then, but he’d be close by if she needed him. He could feel the weight of the .38-caliber pistol he had shoved into his waistband. He hoped he wouldn’t need to use it, but he wouldn’t hesitate. * * * “Pull in here.” Ilsa pointed to a wide point in the road. The driver veered in and stopped in front of a seemingly impregnable wall of green jungle. Portman, in the front passenger seat, asked, “Here?” Ilsa nodded. Mr. Portman held an M1 carbine. He stepped out and ordered, “Keep her there while I check it out.” Ilsa, Mr. Blake, and the driver watched him walk around, searching for an ambush.
Chris Glatte (A Time to Serve (A Time to Serve #1))
chaos in her eyes Sitting with Christine, thinking about the chaos in her eyes, his emotional chaos, plotting to lure her out for a weekend of love, he wished in a chaotic, physical logic,” I wish I could count the number of causes and their probabilities that affect your feelings about me and that will determine what kind of answer I get if I ask you out for a date.” -What? What is that you just said? (An internal voice). By knowing the causes and the probabilities of the order in which they occur, you predict emotions Is that possible? Can we treat human emotions like the weather? Are there sensors to measure our emotions across time points in our history from which we can predict our future actions and their impact on us and others? Is there a computer with enormous capacity that can collect, analyze, and predict them? Do human emotions fall within this randomness? Throughout their history, physicists have rejected the idea of a relationship between human emotions and the surrounding world. Emotions are incomprehensible, they cannot be expected, what cannot be expected cannot be measured, what cannot be measured cannot be formulated into equations, and what cannot be formulated into equations, screw it, reject it, get rid of it, it is not part of this world. These ideas were acceptable to physicists in the past before we knew that we can control the effect of randomness to some extent through control sciences, and predict it by collecting a huge amount of data through special sensors and analyzing it. What affects when a plane arrives? Wind speed and direction? Our motors compensate for this unwanted turbulence. A lightning strike could destroy it? Our lightning rods control this disturbance and neutralize its danger. Running out of fuel? We have fuel meter indicators. Engine failure? We have alternative solutions for an emergency landing. All fall under the category of control sciences, But what about the basic building blocks of an airplane model during its flight? Humans themselves! A passenger suddenly felt dizzy, and felt ill, did the pilot decide to change his destination to the nearest airport? Another angry person caused a commotion, did he cause the flight to be canceled? Our emotions are part of this world, affect it, and can be affected by, interact with. Since we can predict chaos if we have the tools to collect, measure, and analyze it, and since we can neutralize its harmful effects through control science, thus, we can certainly do the same to human emotions as we do with weather and everything else that we have been able to predict and neutralize its undesirable effect. But would we get the desired results? nobody knows… -“Not today, not today, Robert”, he spoke to himself. – If you can’t do it today, you can’t do it for a lifetime, all you have to do now is simply to ask her out and let her chaos of feelings take you wherever she wants. Unconsciously, about to make the request, his phone rang, the caller being his mother and the destination being Tel Aviv. Standing next to Sheikh Ruslan at the building door, this wall fascinated him. -The universe worked in some parts of its paint even to the point of entropy, which it broke, so it painted a very beautiful painting, signed by its greatest law, randomness. If Van Gogh was here, he would not have a nicer one. Sheikh Ruslan knocked on the door, they heard the sound of footsteps behind him, someone opened a small window from it, as soon as he saw the Sheikh until he closed it immediately, then there was a rattle in the stillness of the alley, iron locks opening. Here Robert booked a front-row seat for the night with the absurd, illogic and subconscious.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
Alaska Airlines Phone Number-+1-855-653-0615 Alaska Airlines Phone Number The process is very quick and easy for users. The user just has to login through their account select origin place and destination place with their preferred time. They can pay through various modes like Debit card, Credit card or Paypal. Now you can enjoy your ride with paying later through EMI facilities. Alaska Airlines understands the love of people towards their smartphones. So for them, they develop an easy and fast application which is suitable for Android, Apple ios, Windows system. From now on you do not need to rely on the agent you can book your tickets by own with your comfort. Especially for first-class passengers all have access to entertainment through AVOD with soft drinks and smooth blanket. First-class passengers can avail of their meal before taking the flight up to 24 hours. The seats are specially designed with 40 inches of pitch with recline. All the passengers may enjoy the first-class lounge. The lounge has more space for relaxing body and enjoys an alcoholic or non-alcoholic drink.
PGCGEHQ
Miracle story about Lahiri Mahasaya from a woman disciple, Abhoya, from Chapter 31, titled "An Interview with the Sacred Mother", in the book "Autobiography of a Yogi" by Yogananda*: She [Abhoya] and her husband, a Calcutta lawyer, started one day for Banaras to visit the guru. Their carriage was delayed by heavy traffic; they reached the Howrah main station in Calcutta only to hear the Banaras train whistling for departure. Abhoya, near the ticket office, stood quietly. "Lahiri Mahasaya, I beseech thee to stop the train!" she silently prayer. "I cannot suffer the pangs of delay in waiting another day to see thee." The wheels of the snorting train continued to move round and round, but there was no onward progress. The engineer and passengers descended to the platform to view the phenomenon. An English railroad guard approached Abhoya and her husband. Contrary to all precedent, the guard volunteered his services. "Babu," he said, "give me the money. I will buy your tickets while you get aboard." As soon as the couple was seated and had received the tickets, the train slowly moved forward. In panic, the engineer and passangers clambered again to their places, knowing neither how hte train started nor why it had stopped in the first place. Arriving at hte home of Lahiri Mahasaya in Banaras, Abhoya silently prostrated herself before the master, and tried to touch his feet. "Compose yourself, Abhoya," he remarked. "How you love to bother me! As if you could not have come here by the next train! - *More Lahiri Mahasaya miracle stories can be found in this chapter of this book.
Lahiri Mahasaya
I climb into the passenger seat and slam the door. I sit with my arms crossed over my chest, my lips a tight line. This moment is so cruel. For a second I forget myself. All I want is to be the normal girl, with parents who let her date and a house that smells of seasonally appropriate candles and not fried onions. I slink back in the car seat. I know I can wish for life to be different. I can click my heels and hope I'm somewhere else. But in the end, I'm here. I'm me.
Samira Ahmed (Love, Hate & Other Filters)
I didn’t know it, but that was the last time I was going to see Bruno. He was right there, my son, in the passenger seat, lit up by the little dome light of the Peugeot. That’s my last image of him, and I mean, goddamn, it’s a really shitty one. I can’t even see the little dimple in his chin or those long eyelashes that made everybody fall in love with him. The last time I saw him, Bruno was an orange face full of shadows, and I could only guess at the hollows of his eyes. Suddenly, something hit the car hard on the driver’s side, and we started to slide to the right. We’re going off the road, I thought. My god, we’re going off the road.
Carme Chaparro (author) (No soy un monstruo (Ana Arén, #1))
People say misery loves company, but I think it’s like that with anger too. I’m not the only one pissed—everyone around me is. They didn’t have to be sitting in the passenger’s seat when it happened. My anger is theirs, and theirs is mine.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
me the finger, I give him the finger and wish I had a shoulder-mounted rocket launcher on the passenger seat. Oh, humans. Or maybe it’s just the Irish …” I looked out over the faces, at Tuan, at Leo. At Jen. What came out next wasn’t on the page. “People can break you,” I said. “Through pain. But also … also … through love. The feelings so strong, the loss so great …” I faltered, never the good ad-libber. But I kept going. “I was broken two years ago. And Tim … he showed me grace and dignity and kindness when I had none, wasn’t able to see it, kind of gave up. Tim saved my life because he showed me how to live.” I looked at Tuan. He was blinking quickly and gave me just a bit of a smile.
John Kenney (I See You've Called in Dead)
I was one of those people. Stepping off a bus from Manhattan into the glass and concrete terminal dressed in my TWA uniform and on my way to a faraway city. From the moment I had my wings pinned onto my dark blue jacket in 1979, to the day in 1986 when I hung my uniform up for good, being a flight attendant brought me everything that I had dreamed. By the time I had stopped flying, I had flown well over a million miles, much of it out of that terminal on 747s that took me to all those places I dreamed of visiting. But the job gave me things that I could never have imagined: the ability to talk in front of a couple hundred people and navigate the subways and streets of foreign cities with ease. It taught me to listen, to be kind and helpful and compassionate. For every honeymooning passenger I treated to a celebratory bottle of Champaign, there was another whose hand I held as the flew home after someone they loved had died. For every love story I heard, there was a tale of cruelty or a broken heart. I learned that there are misogynists in the world, sure, but that most people are pretty wonderful. I learned to laugh at human foibles and therefore to laugh at myself and to stop taking small things too seriously. We forget bride's maid dresses and Christmas presents on airplanes, we loose our passports and our wallets, we spill coffee on our white pants and red wine on our suits, but we also offer to hold a strangers crying baby or give up a seat so that newlyweds can sit together.
Ann Hood (Fly Girl: A Memoir)
Despite the absence of speech, the green area on the upper part of the gyrus was glowing. “If it’s lighting up, it means she’s talking to me at this very moment.” “Eugenie?” Sharko grunted. Leclerc felt a chill. To see his chief inspector’s meninges react to speech like this, when you couldn’t even hear a fly buzzing, made him feel like there was a ghost in the room. “What’s she saying?” “She wants me to buy a pint of cocktail sauce and some candied chestnuts next time I go shopping. She loves those miserable chestnuts. Excuse me a second…” Sharko closed his eyes, lips pressed tight. Eugenie was someone he might see and hear at any moment. On the passenger seat of his old Renault. At night when he went to bed. Sitting cross-legged, watching the mini-gauge trains run around the tracks. Two years earlier, Eugenie had often shown up with a black man, Willy, a huge smoker of Camels and pot. A real mean son of a bitch, much worse than the little girl because he talked loud and tended to gesticulate wildly. Thanks to the treatment, the Rasta had disappeared for good, but the other one, the girl, came and went as she pleased, resistant as a virus.
Franck Thilliez (Syndrome E)
I want to take his hand, walk him out to the car, put him in the passenger seat, drive him to a really good therapist, and sit there with him until his mind is fixed. I want to fly him out to a sweat lodge in the middle of the desert where a shaman can lead him through an intense guided meditation that will exorcize the demons and make him realize he deserves to keep on living.
Stephanie Wittels Wach (Everything is Horrible and Wonderful: A Tragicomic Memoir of Genius, Heroin, Love, and Loss)
Sometimes it seems like he just wants to punish someone, anyone, for a long list of grievances that he has never made clear, which you can never ask about because he keeps his emotions so guarded that any question would be interpreted as assault. I wonder if dragging us to this village and the nearby town wear he spent his childhood is a way of sinking us all into his own personal hell so that we can see how this strange combination of poverty and opportunity, these broken and muddy roads, these crumbling houses, these overburdened men and women walking slowly in these streets singing praise songs to keep themselves going, created the strange combination of love and anger and pride and fear that is my father. He always sat in the passenger seat while we drove around the village so he could fully view what he sometimes called a world of wasted opportunity. With OJ or my mother in the car, he pointed out all the things he would make right if only he had the power. With me now, he says nothing. Occasionally he turns to look at me with the same expression that occupies his face when he has to solve a problem at the office. I sink down in my seat and wish that my mother had come.
Uzodinma Iweala (Speak No Evil)
From parent to teenager, I love you is not I love you the way our interactions leave me feeling useful and appreciated and like I am definitely in the top percentile of parents working today. It's Even though I delivered you at permanent expense to my genitals and you rolled your eyes at me when I tried to hit the dab, and you trapped me in that modern-day torture chamber of club music and olfactory assault, Abercrankie and Filth, then later that day, impatient to be taken to Bridget's house, you beeped at me from the passenger's seat in the driveway, like maybe I worked for you, I love you.
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
Smiling to myself, I pictured our family one sunny afternoon last fall. It had been a warm day, and we were on our way to the city aquarium. Dad had the car windows rolled down, and I recalled the feel of the wind in my hair and the scent of Mom’s perfume wafting from the seat in front of me. Mom and Dad were chatting and I was scrolling through my Instagram feed. But the moment the song sounded on the radio, I squealed. “Turn it up!” I said, leaning forward in my seat, enough that the belt tightened across my chest. As soon as Dad reached over and turned the knob, I started singing the lyrics aloud. Both Mom and Dad joined in. With the wind in my hair and the music filling the car, a warmth had filled my insides, almost as if I were wrapped in my favorite fuzzy blanket. The memory was fresh in my mind and I could still see Mom’s head bob up and down as she sang while Dad tapped his fingers on the steering wheel. “Come on, Dad!” I said, giggling. “Sing with us.” He glanced over his shoulder at me. “I’m waiting for my favorite part. I don’t want to stretch my singing muscles.” “What singing muscles?” Mom smiled at him. He put a finger in the air for her to wait. “Here we go.” When the chorus of the song began, Dad screeched out the lyrics in a really high voice. He was trying to mimic the singer’s voice but he wasn’t even close and the sound he made was terrible. I burst out laughing. He ignored me and continued to sing, all the while, waving a hand through the air with wide flourishes, as if conducting an orchestra. He tilted his head back and belted out the high notes. When we pulled up at a red traffic light and the car slowed to a stop, Dad was oblivious of the carload of people alongside us watching him. The passengers of the other car had their windows open too and I stared at them in horror. Their eyes were glued to Dad and they shook their heads and rolled their eyes. “Dad!” I called to him. “Those people are watching you.” But he didn’t hear me and continued to sing. I sank into my seat, my cheeks flushing. He finally realized he had an audience but instead of being embarrassed, he waved to them. “Hello, there!” he said. “Did you enjoy my singing?” The light turned green, and the carload of people cracked up laughing as their car lurched forward in their hurry to escape the weird man in the car next to theirs. Dad shrugged. “I guess not.’ Mom and I burst out laughing too, unable to hold it in any longer. Dad waved a dismissive hand. “They wouldn’t know good music if it hit them in the face.” Tears sprang from my eyes because I was laughing so hard. My dad could be so embarrassing sometimes, but that day, it didn’t bother me at all. Dad had always managed to make me laugh at the silliest things. He had a way of making me feel happy, regardless of what mood I was in. Deep down I thought he was a really cool dad. My friends thought so too. He wasn’t boring and super strict like their dads. He was fun to be around and everyone loved him for it, including my friends. Our little family was perfect, and I wouldn’t have changed it for the world.
Katrina Kahler (The Lost Girl - Part One: Books 1, 2 and 3: Books for Girls Aged 9-12)
he that reproves a scorner gets to himself shame; and he that rebukes a wicked man gets himself a blot. Reprove not a scorner, lest he hate you; rebuke a wise man, and he will love you. give instruction to a wise man and he will be yet wiser; teach a just man, and he will increase in learning. the fear of the lord is the beginning of wisdom: and the knowledge of the holy is understanding. For by me your days shall increase and the years of your life shall be multiplied. If you be wise, you shall be wise for yourself, but if you scorn, you shall bear it alone. A clamorous woman is foolish, she is simple, and knows nothing. For she sits at the door of her house on a seat in high places of the city. to call passengers who go right on their ways: whosoever is simple, let him turn hither, and as for him that wants understanding, she says to him: stolen waters are sweet, and bread eaten in secret is pleasant, but he knows not that the dead are there, and that her guests are in the depths of hell.
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Julio Santos (Txano & Oscar 1 - The Green Stone: Illustrated mystery and adventure books for children (age 7-12) (The adventures of Txano and Oscar))