Passed Away Grandfather Quotes

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Blaire, This was my grandmother’s. My father’s mother. She came to visit me before she passed away. I have fond memories of her visits and when she passed on she left this ring to me. In her will I was told to give it to the woman who completes me. She said it was given to her by my grandfather who passed away when my dad was just a baby but that she’d never loved another the way she’d loved him. He was her heart. You are mine. This is your something old. I love you, Rush
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
Lord Cut-Glass, in his kitchen full of time, squats down alone to a dogdish, marked Fido, of peppery fish-scraps and listens to the voices of his sixty-six clocks, one for each year of his loony age, and watches, with love, their black-and-white moony loudlipped faces tocking the earth away: slow clocks, quick clocks, pendulumed heart-knocks, china, alarm, grandfather, cuckoo; clocks shaped like Noah's whirring Ark, clocks that bicker in marble ships, clocks in the wombs of glass women, hourglass chimers, tu-wit-tuwoo clocks, clocks that pluck tunes, Vesuvius clocks all black bells and lava, Niagara clocks that cataract their ticks, old time weeping clocks with ebony beards, clocks with no hands for ever drumming out time without ever knowing what time it is. His sixty-six singers are all set at different hours. Lord Cut-Glass lives in a house and a life at siege. Any minute or dark day now, the unknown enemy will loot and savage downhill, but they will not catch him napping. Sixty-six different times in his fish-slimy kitchen ping, strike, tick, chime, and tock.
Dylan Thomas (Under Milk Wood)
Dear Kai, The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went. I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me. Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make. After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands. But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that. And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle. Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom. I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know. Yours, Elliot Dear Elliot, I know. When will I see you again? Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
For some people, their lives are ruled by one shocking event reverberating through their survival instincts. Life shrinks into a trap made up of a shimmering moment in the past, a trap where they endlessly repeat that singular moment when they were surest of being alive. That moment is short, but long after it has passed, good times as well as bad slip like sand through their fingers as they meaninglessly repeat and confirm their survival. Those who are unaware of their lives slipping away while they are ensnared in the past—him, his grandfather, his mother, me—are in the end, whether alive or dead, ghosts of the past.
Bora Chung (Cursed Bunny)
Other people would call him sensitive, but it is more than that. The dial is broken, the volume turned all the way up. Moments of joy register as brief, but ecstatic. Moments of pain stretch long and unbearably loud. When his first dog dies, Henry cries for a week. ... When David throws away his childhood bear, ... when he loses the card his grandfather gave him before he passed, when he finds Liz cheating on him during their senior trip, when Robbie dumps him before junior year, every time, no matter how small, or how big, it feels like his heart is breaking again inside his chest.
Victoria Schwab (The Invisible Life of Addie LaRue)
I have lived an eloquent sufficiency, any more would have been a superfluous redundancy." My grandfather, Howard Creelman, Sr. always said this to my grandmother, Elaine. It is beautiful. I found this little brown tattered piece of paper tucked away in mmy grandmother's wallet after she passed away. It contained the original quote and simply said, "Howard always said this.
Curt Creelman
On our particular mission, senior marines met with local school officials while the rest of us provided security or hung out with the schoolkids, playing soccer and passing out candy and school supplies. One very shy boy approached me and held out his hand. When I gave him a small eraser, his face briefly lit up with joy before he ran away to his family, holding his two-cent prize aloft in triumph. I have never seen such excitement on a child’s face. I don’t believe in epiphanies. I don’t believe in transformative moments, as transformation is harder than a moment. I’ve seen far too many people awash in a genuine desire to change only to lose their mettle when they realized just how difficult change actually is. But that moment, with that boy, was pretty close for me. For my entire life, I’d harbored resentment at the world. I was mad at my mother and father, mad that I rode the bus to school while other kids caught rides with friends, mad that my clothes didn’t come from Abercrombie, mad that my grandfather died, mad that we lived in a small house. That resentment didn’t vanish in an instant, but as I stood and surveyed the mass of children of a war-torn nation, their school without running water, and the overjoyed boy, I began to appreciate how lucky I was: born in the greatest country on earth, every modern convenience at my fingertips, supported by two loving hillbillies, and part of a family that, for all its quirks, loved me unconditionally. At that moment, I resolved to be the type of man who would smile when someone gave him an eraser. I haven’t quite made it there, but without that day in Iraq, I wouldn’t be trying. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
My grandfather created a fortune that allowed him to live in luxury. He also went on to build the first industrial building in an area of San Paulo that eventually became one of the largest wholesale neighborhoods in the world. When my grandfather passed away, he left millions of dollars to my family as an inheritance. That inheritance, however, would have been worthless if he had not also given us his legacy of personal responsibility and work ethic. My grandfather refused to be defined by others, therefore setting not only the value of his product, but also of himself and his family.
Celso Cukierkorn (Secrets of Jewish Wealth Revealed!)
Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’ ‘I don’t know disassociation.’ ‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’ ‘Engulf means obliterate.’ ‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’ She’s not been looking at Mario this whole time, though Mario’s been looking at her. She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’ She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.
David Foster Wallace (Infinite Jest)
He speculated that, just as a powerful west wind blows away thick banks of clouds, the graphic, scorching emotion that passed through his soul in the form of a dream must have canceled and negated the longing for death, a longing that had reached out and grabbed him around the neck. All that remained now was a sort of quiet resignation. A colorless, neutral, empty feeling. He was sitting alone in a huge, old, vacant house, listening as a massive grandfather clock hollowly ticked away time. His mouth was closed, his eyes fixed on the clock as he watched the hands move forward. His feelings were wrapped in layer upon layer of thin membrane and his heart was still a blank, as he aged, one hour at a time.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
Although I have afflicted you, . . . I will afflict you no more. (Nahum 1:12) There is a limit to our affliction. God sends it and then removes it. Do you complain, saying, “When will this end?” May we quietly wait and patiently endure the will of the Lord till He comes. Our Father takes away the rod when His purpose in using it is fully accomplished. If the affliction is sent to test us so that our words would glorify God, it will only end once He has caused us to testify to His praise and honor. In fact, we would not want the difficulty to depart until God has removed from us all the honor we can yield to Him. Today things may become “completely calm” (Matt. 8:26). Who knows how soon these raging waves will give way to a sea of glass with seagulls sitting on the gentle swells? After a long ordeal, the threshing tool is on its hook, and the wheat has been gathered into the barn. Before much time has passed, we may be just as happy as we are sorrowful now. It is not difficult for the Lord to turn night into day. He who sends the clouds can just as easily clear the skies. Let us be encouraged—things are better down the road. Let us sing God’s praises in anticipation of things to come. Charles H. Spurgeon “The Lord of the harvest” (Luke 10:2) is not always threshing us. His trials are only for a season, and the showers soon pass. “Weeping may remain for a night, but rejoicing comes in the morning” (Ps. 30:5). “Our light and momentary troubles are achieving for us an eternal glory that far outweighs them all” (2 Cor. 4:17). Trials do serve their purpose. Even the fact that we face a trial proves there is something very precious to our Lord in us, or else He would not spend so much time and energy on us. Christ would not test us if He did not see the precious metal of faith mingled with the rocky core of our nature, and it is to refine us into purity and beauty that He forces us through the fiery ordeal. Be patient, O sufferer! The result of the Refiner’s fire will more than compensate for our trials, once we see the “eternal glory that far outweighs them all.” Just to hear His commendation, “Well done” (Matt. 25:21); to be honored before the holy angels; to be glorified in Christ, so that I may reflect His glory back to Him—ah! that will be more than enough reward for all my trials. from Tried by Fire Just as the weights of a grandfather clock, or the stabilizers in a ship, are necessary for them to work properly, so are troubles to the soul. The sweetest perfumes are obtained only through tremendous pressure, the fairest flowers grow on the most isolated and snowy peaks, the most beautiful gems are those that have suffered the longest at the jeweler’s wheel, and the most magnificent statues have endured the most blows from the chisel. All of these, however, are subject to God’s law. Nothing happens that has not been appointed with consummate care and foresight. from Daily Devotional Commentary
Jim Reimann (Streams in the Desert: 366 Daily Devotional Readings)
My darling son: depression at your age is more common than you might think. I remember it very strongly in Minneapolis, Minnesota, when I was about twenty-six and felt like killing myself. I think the winter, the cold, the lack of sunshine, for us tropical creatures, is a trigger. And to tell you the truth, the idea that you might soon unpack your bags here, having chucked in all your European plans, makes your mother and me as happy as could be. You have more than earned the equivalent of any university 'degree' and you have used your time so well to educate yourself culturally and personally that if university bores you, it is only natural. Whatever you do from here on in, whether you write or don't write, whether you get a degree or not, whether you work for your mother, or at El Mundo, or at La Ines, or teaching at a high school, or giving lectures like Estanislao Zuleta, or as a psychoanalyst to your parents, sisters and relatives, or simply being Hector Abad Faciolince, will be fine. What matters is that you don't stop being what you have been up till now, a person, who simply by virtue of being the way you are, not for what you write or don't write, or for being brilliant or prominent, but just for being the way you are, has earned the affection, the respect, the acceptance, the trust, the love, of the vast majority of those who know you. So we want to keep seeing you in this way, not as a future great author, or journalist or communicator or professor or poet, but as the son, brother, relative, friend, humanist, who understands others and does not aspire to be understood. It does not matter what people think of you, and gaudy decoration doesn't matter, for those of us who know you are. For goodness' sake, dear Quinquin, how can you think 'we support you (...) because 'that boy could go far'? You have already gone very far, further than all our dreams, better than everything we imagined for any of our children. You should know very well that your mother's and my ambitions are not for glory, or for money, or even for happiness, that word that sounds so pretty but is attained so infrequently and for such short intervals (and maybe for that very reason is so valued), for all our children, but that they might at least achieve well-being, that more solid, more durable, more possible, more attainable word. We have often talked of the anguish of Carlos Castro Saavedra, Manuel Meija Vallejo, Rodrigo Arenas Betancourt, and so many quasi-geniuses we know. Or Sabato or Rulfo, or even Garcia Marquez. That does not matter. Remember Goethe: 'All theory (I would add, and all art), dear friend, is grey, but only the golden tree of life springs ever green.' What we want for you is to 'live'. And living means many better things than being famous, gaining qualifications or winning prizes. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. Only now, when all that has passed, have I felt really happy. And part of that happiness is Cecilia, you, and all my children and grandchildren. Only the memory of Marta Cecilia tarnishes it. I believe things are that simple, after having gone round and round in circles, complicating them so much. We should do away with this love for things as ethereal as fame, glory, success... Well, my Quinquin, now you know what I think of you and your future. There's no need for you to worry. You are doing just fine and you'll do better, and when you get to my age or your grandfather's age and you can enjoy the scenery around La Ines that I intend to leave to all of you, with the sunshine, heat and lush greenery, and you'll see I was right. Don't stay there longer than you feel you can. If you want to come back I'll welcome you with open arms. And if you regret it and want to go back again, we can buy you another return flight. A kiss from your father.
Héctor Abad Faciolince
Photos Cherish who you are now If you have been sorting and discarding things in the order I recommend, you have likely stumbled across photographs in many different places, perhaps stuck between books on a shelf, lying in a desk drawer, or hidden in a box of odds and ends. While many may already have been in albums, I’m sure you found the odd photo or two enclosed with a letter or still encased in the envelope from the photo shop. (I don’t know why so many people leave photos in these envelopes.) Because photos tend to emerge from the most unexpected places when we are sorting other categories, it is much more efficient to put them in a designated spot every time you find one and deal with them all at the very end. There is a good reason to leave photos for last. If you start sorting photos before you have honed your intuitive sense of what brings you joy, the whole process will spin out of control and come to a halt. In contrast, once you have followed the correct order for tidying (i.e., clothes, books, papers, komono, sentimental items), sorting will proceed smoothly, and you will be amazed by your capacity to choose on the basis of what gives you pleasure. There is only one way to sort photos, and you should keep in mind that it takes a little time. The correct method is to remove all your photos from their albums and look at them one by one. Those who protest that this is far too much work are people who have never truly sorted photos. Photographs exist only to show a specific event or time. For this reason, they must be looked at one by one. When you do this, you will be surprised at how clearly you can tell the difference between those that touch your heart and those that don’t. As always, only keep the ones that inspire joy. With this method, you will keep only about five per day of a special trip, but this will be so representative of that time that they bring back the rest vividly. Really important things are not that great in number. Unexciting photos of scenery that you can’t even place belong in the garbage. The meaning of a photo lies in the excitement and joy you feel when taking it. In many cases, the prints developed afterward have already outlived their purpose. Sometimes people keep a mass of photos in a big box with the intention of enjoying them someday in their old age. I can tell you now that “someday” never comes. I can’t count how many boxes of unsorted photographs I have seen that were left by someone who has passed away. A typical conversation with my clients goes something like this: “What’s in that box?” “Photos.” “Then you can leave them to sort at the end.” “Oh, but they aren’t mine. They belonged to my grandfather.” Every time I have this conversation it makes me sad. I can’t help thinking that the lives of the deceased would have been that much richer if the space occupied by that box had been free when the person was alive. Besides, we shouldn’t still be sorting photos when we reach old age. If you, too, are leaving this task for when you grow old, don’t wait. Do it now. You will enjoy the photos far more when you are old if they are already in an album than if you have to move and sort through a heavy boxful of them.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
My grandpa, unlike Jarod Kintz, was an Elder. Now that he's dead and gone, he's a ghost French wizard. And no one knows what French wizards are good at…
Will Advise (Nothing is here...)
Joel could not help but ponder the possibilities should that fiancé turn out to be Tom Carter. If he saved Tom's life by steering him away from the Army, or even the war itself, he might meddle with his own existence. If Grandma Ginny does not meet and marry Grandpa Joe, there is no daughter Cindy or grandson Joel. Would he vanish into thin air like Marty McFly? Or continue on his merry way in a parallel universe? Joel knew now why people passed up philosophy classes. This stuff could fry your circuits. The grandfather paradox took on new relevance.
John A. Heldt (The Mine (Northwest Passage, #1))
Giovanni, in love with her unabashed feminine strength and her reconciliation of love and revolution. I spent nearly every waking moment around Nikki, and I loved her dearly. But sibling relationships are often fraught with petty tortures. I hadn’t wanted to hurt her. But I had. At the time, I couldn’t understand my mother’s anger. I mean this wasn’t really a woman I was punching. This was Nikki. She could take it. Years would pass before I understood how that blow connected to my mom’s past. My mother came to the United States at the age of three. She was born in Lowe River in the tiny parish of Trelawny, Jamaica, hours away from the tourist traps that line the coast. Its swaths of deep brush and arable land made it great for farming but less appealing for honeymoons and hedonism. Lowe River was quiet, and remote, and it was home for my mother, her older brother Ralph, and my grandparents. My maternal great-grandfather Mas Fred, as he was known, would plant a coconut tree at his home in Mount Horeb, a neighboring area, for each of his kids and grandkids when they were born. My mom always bragged that hers was the tallest and strongest of the bunch. The land that Mas Fred and his wife, Miss Ros, tended had been cared for by our ancestors for generations. And it was home for my mom until her parents earned enough money to bring the family to the States to fulfill my grandfather’s dream of a theology degree from an American university. When my mom first landed in the Bronx, she was just a small child, but she was a survivor and learned quickly. She studied the other kids at school like an anthropologist, trying desperately to fit in. She started with the way she spoke. She diligently listened to the radio from the time she was old enough to turn it on and mimicked what she heard. She’d always pull back enough in her interactions with her classmates to give herself room to quietly observe them, so that when she got home she could practice imitating their accents, their idiosyncrasies, their style. Words like irie became cool. Constable became policeman. Easy-nuh became chill out. The melodic, swooping movement of her Jamaican patois was quickly replaced by the more stable cadences of American English. She jumped into the melting pot with both feet. Joy Thomas entered American University in Washington, D.C., in 1968, a year when she and her adopted homeland were both experiencing
Wes Moore (The Other Wes Moore: One Name, Two Fates)
The Tiger King’s Gift Long ago, in the days of the ancient Pandya kings of South India, a father and his two sons lived in a village near Madura. The father was an astrologer, but he had never become famous, and so was very poor. The elder son was called Chellan; the younger Gangan. When the time came for the father to put off his earthly body, he gave his few fields to Chellan, and a palm leaf with some words scratched on it to Gangan. These were the words that Gangan read: ‘From birth, poverty; For ten years, captivity; On the seashore, death. For a little while happiness shall follow.’ ‘This must be my fortune,’ said Gangan to himself, ‘and it doesn’t seem to be much of a fortune. I must have done something terrible in a former birth. But I will go as a pilgrim to Papanasam and do penance. If I can expiate my sin, I may have better luck.’ His only possession was a water jar of hammered copper, which had belonged to his grandfather. He coiled a rope round the jar, in case he needed to draw water from a well. Then he put a little rice into a bundle, said farewell to his brother, and set out. As he journeyed, he had to pass through a great forest. Soon he had eaten all his food and drunk all the water in his jar. In the heat of the day he became very thirsty. At last he came to an old, disused well. As he looked down into it, he could see that a winding stairway had once gone round it down to the water’s edge, and that there had been four landing places at different heights down this stairway, so that those who wanted to fetch water might descend the stairway to the level of the water and fill their water pots with ease, regardless of whether the well was full, or three-quarters full, or half full or only one-quarter full. Now the well was nearly empty. The stairway had fallen away. Gangan could not go down to fill his water jar so he uncoiled his rope, tied his jar to it and slowly let it down. To his amazement, as it was going down past the first landing place, a huge striped paw shot out and caught it, and a growling voice called out: ‘Oh Lord of Charity, have mercy! The stair is fallen. I die unless you save me! Fear me not.
Ruskin Bond (The Laughing Skull)
My Italian grandmother did not expect work to be a reflection of her identity. After my grandfather passed away, she did what she had to do to take care of their five children. She opened a coffee shop in a small town in the heel of Italy’s boot and worked there for thirty years. Until her death, she had a single bulbous bicep from repeatedly pulling down the manual lever of the espresso machine. Her identity was straightforward. First, she was a woman of faith. Then a mother, a grandmother, a sister, a fresh-pasta maker. She enjoyed her work at the coffee shop—loved it, even—but it did not define her.
Simone Stolzoff (The Good Enough Job: Reclaiming Life from Work)
When he finished he had a magnificent house, perched on the edge of a precipice at whose feet the ocean thundered, but it was a house that knew no happiness, for shortly after Whip had moved in with his third wife, the Hawaiian-Chinese beauty Ching-ching, who was pregnant at the time, she had caught him fooling around with the brothel girls that flourished in the town of Kapaa. Without even a scene of recrimination, Ching-ching had simply ordered a carriage and driven back to the capital town of Lihune, where she boarded an H & H steamer for Honolulu. She divorced Whip but kept both his daughter Iliki and his yet-unborn son John. Now there were two Mrs. Whipple Hoxworths in Honolulu and they caused some embarrassment to the more staid community. There was his first wife, Iliki Janders Hoxworth, who moved in only the best missionary circles, and there was Ching-ching Hoxworth who lived within the Chinese community. The two never met, but Howxworth & Hale saw to it that each received a monthly allowance. The sums were generous, but not so much so as those sent periodically Wild Whip's second wife, the fiery Spanish girl named Aloma Duarte Hoxworth, whose name frequently appeared in New York and London newspapers... p623 When the polo players had departed, when the field kitchens were taken down, and when the patient little Japanese gardeners were tending each cut in the polo turf as if it were a personal wound, Wild Whip would retire to his sprawling mansion overlooking the sea and get drunk. He was never offensive and never beat anyone while intoxicated. At such times he stayed away from the brothels in Kapaa and away from the broad lanai from which he could see the ocean. In a small, darkened room he drank, and as he did so he often recalled his grandfather's words: "Girls are like stars, and you could reach up and pinch each one on the points. And then in the east the moon rises, enormous and perfect. And that's something else, entirely different." It was now apparent to Whip, in his forty-fifth year, that for him the moon did not intend to rise. Somehow he had missed encountering the woman whom he could love as his grandfather had loved the Hawaiian princess Noelani. He had known hundreds of women, but he had found none that a man could permanently want or respect. Those who were desirable were mean in spirit and those who were loyal were sure to be tedious. It was probably best, he thought at such times, to do as he did: know a couple of the better girls at Kapaa, wait for some friend's wife who was bored with her husband, or trust that a casual trip through the more settled camps might turn up some workman's wife who wanted a little excitement. It wasn't a bad life and was certainly less expensive in the long run than trying to marry and divorce a succession of giddy women; but often when he had reached this conclusion, through the bamboo shades of the darkened room in which he huddled a light would penetrate, and it would be the great moon risen from the waters to the east and now passing majestically high above the Pacific. It was an all-seeing beacon, brillant enough to make the grassy lawns on Hanakai a sheet of silver, probing enough to find any mansion tucked away beneath the casuarina trees. When this moon sought out Wild Whip he would first draw in his feet, trying like a child to evade it, but when it persisted he often rose, threw open the lanai screens, and went forth to meet it. p625
James A. Michener (Hawaii)
Mrs. Mayfield’s bakery still filled the streets with the smell of fresh bread, the barbershop still seemed empty, and the Dundurn Gazette building still looked dilapidated and about to crumble. Maybe this is what I need, Gen thought. She craved stability right now. Recently she had felt lost and overwhelmed, hating life at university and struggling with her course, but desperate to please her mother. Every Isherwood woman attended the University of Toronto; Gen couldn’t be the exception. There was only one major road entering and leaving Dundurn, and it quickly took them away from the bustle. Soon they could see the arch boldly displaying the farm’s name etched into the metal: The Triple 7 Ranch. Nothing about the ranch seemed to have changed: the barn behind the house, the farmland beyond it, or the wheat fields arranged in neat lines stretching into the distance. Gen waited to hear Whisky, their German shepherd, as they pulled in. She always came out of wherever she was and barked loudly when cars arrived. “Where’s Whisky?” she asked after a couple of seconds. “Oh, Whisky passed on last year, honey,” her mum said. “No! What happened?” “Some hooligans from Saskatoon ran her over, honey.” “Sheriff Liam says we have to be extra careful now that some new businesses have settled out there.” “Who would do such a thing?” It seemed some things changed after all. ><>< Gen turned the knob of the bedroom door, which creaked as it swung open. Peering into her old bedroom, memories flooded her senses; she travelled to a time when the world made sense. She heard giggling and the patter of running feet as she recalled a time when all that mattered was finding the best place to hide while playing with her grandfather. She had been an only child but had never felt the loneliness others in her position described. Her grandfather had been her friend, confidante,
A.K. Howard (Genesis Awakens (Footnail, #1))
Eventually, in an attempt to avoid his nightmares, he began to read, late at night, which was when his motionless body felt most restless, his mind agile and clear. Yet he refused to read the Russians his grandfather had brought to his bedside, or any novels, for that matter. Those books, set in countries he had never seen, reminded him only of his confinement. Instead he read his engineering books, trying his best to keep up with his courses, solving equations by flashlight. In those silent hours, he thought often of Ghosh. “Pack a pillow and a blanket,” he heard Ghosh say. He remembered the address Ghosh had written on a page of his diary, somewhere behind the tram depot in Tollygunge. Now it was the home of a widow, a fatherless son. Each day, to bolster his spirits, his family reminded him of the future, the day he would stand unassisted, walk across the room. It was for this, each day, that his father and mother prayed. For this that his mother gave up meat on Wednesdays. But as the months passed, Ashoke began to envision another sort of future. He imagined not only walking, but walking away, as far as he could from the place in which he was born and in which he had nearly died. The following year, with the aid of a cane, he returned to college and graduated, and without telling his parents he applied to continue his engineering studies abroad.
Anonymous
He hadn’t picked up on any remorse on her part. Cutting a family member out of your life forever was pretty extreme, but now that he’d heard his father’s take on it, he understood. Still, Pearl was old and dying and seemed to want to make amends. And she hadn’t actually killed him; his grandfather had taken his own life. The fact that they’d had a vicious argument was beside the point, he thought. Would it hurt his dad to talk to her? One short conversation, just to put this behind them before she passed away? Because once she was gone, the opportunity to talk it through would be over as well. He knew this, and yet somehow he knew his father’s mind was made up. Joe shook his head. Why did family relationships have to be so complicated?
Karen McQuestion (Dovetail)
The question arises as to whether man is reconciled to God, or God to man. There is a sense in which both occur. Since “the mind set on the flesh is hostile toward God” (Rom. 8:7), and “those who are in the flesh cannot please God” (Rom. 8:8), reconciliation cannot take place until man is transformed. “Therefore if any man is in Christ, he is a new creature; the old things passed away; behold, new things have come. Now all these things are from God, who reconciled us to Himself through Christ” (2 Cor. 5:17-18). There is also God’s side to reconciliation. From His holy perspective, His just wrath against sin must be appeased. Far from being the harmless, tolerant grandfather that many today imagine Him to be, God “takes vengeance on His adversaries, and He reserves wrath for His enemies” (Nah. 1:2). “At His wrath the earth quakes, and the nations cannot endure His indignation” (Jer. 10:10). The one who refuses to obey the Son will find that “the wrath of God abides on him” (John 3:36).
John F. MacArthur Jr. (Colossians and Philemon MacArthur New Testament Commentary (MacArthur New Testament Commentary Series Book 22))
I had heard such predictions all my life from Malcolm and all his posthumous followers who hollered that the Dreamers must reap what they sow. I saw the same prediction in the words of Marcus Garvey who promised to return in a whirlwind of vengeful ancestors, an army of Middle Passage undead. No. I left The Mecca knowing that this was all too pat, knowing that should the Dreamers reap what they had sown, we would reap it right with them. Plunder has matured into habit and addiction; the people who could author the mechanized death of our ghettos, the mass rape of private prisons, then engineer their own forgetting, must inevitably plunder much more. This is not a belief in prophecy but in the seductiveness of cheap gasoline. Once, the Dream's parameters were caged by technology and by the limits of horsepower and wind. But the Dreamers have improved themselves, and the damming of seas for voltage, the extraction of coal, the transmuting of oil into food, have enabled an expansion in plunder with no known precedent. And this revolution has freed the Dreamers to plunder not just the bodies of humans but the body of the Earth itself. The Earth is not our creation. It has no respect for us. It has no use for us. And its vengeance is not the fire in the cities but the fire in the sky. Something more fierce than Marcus Garvey is riding on the whirlwind. Something more awful than all our African ancestors is rising with the seas. The two phenomena are known to each other. It was the cotton that passed through our chained hands that inaugurated this age. It is the flight from us that went them sprawling into the subdivided woods. And the methods of transport through these new subdivisions, across the sprawl, is the automobile, the noose around the neck of the earth, and ultimately, the Dreamers themselves. I drove away from the house of Mable Jones thinking of all of this. I drove away, as always, thinking of you. I do not believe that we can stop them, Samori, because they must ultimately stop themselves. And still I urge you to struggle. Struggle for the memory of your ancestors. Struggle for wisdom. Struggle for the warmth of The Mecca. Struggle for your grandmother and grandfather, for your name. But do not struggle for the Dreamers. Hope for them. Pray for them, if you are so moved. But do not pin your struggle on their conversion. The Dreamers will have to learn to struggle themselves, to understand that the field for their Dream, the stage where they have painted themselves white, is the deathbed of us all. The Dream is the same habit that endangers the planet, the same habit that sees our bodies stowed away in prisons and ghettos. I saw these ghettos driving back from Dr. Jones' home. They were the same ghettos I had seen in Chicago all those years ago, the same ghettos where my mother was raised, where my father was raised. Through the windshield I saw the mark of these ghettos - the abundance of beauty shops, churches, liquor stores, and crumbling housing - and I felt the old fear. Through the windshield I saw the rain coming down in sheets.
Ta-Nehisi Coates (Between the World and Me)
But my parents who died in the fire, they...they were part of a noble family in England. The family has always owned the Rockford Manor in Oxfordshire, which is a mansion that includes acres of land, plus a local village where people live and farm---" "Wait, noble? Do you mean like royalty?" Zoey interrupts, her eyes wide. "No, no. But in England there's a system called the peerage---dukes and duchesses, earls and countesses---and they're ranked just below royalty. My dad was the younger son of the Duke of Wickersham, which made him a lord and my mom a lady." Carole and Keith sit frozen, listening to me with a look of dread in their eyes. "So what does that make you?" Zoey asks breathlessly. "Well, when my parents were alive, it meant that I was treated a certain way just because I was part of this family of dukes and duchesses. But then after the fire, the line of succession changed---everything changed. My first cousin, Lucia, became next in line to inherit Rockford Manor and the title. So she would have been the Duchess of Wickersham." I swallow hard. "But she died in an accident last year---which I didn't even know about until today." My hands shake as I speak, and I can't look at Keith and Carole, unable to grasp how they could have kept this from me. "That's awful! But what does it mean for you?" Zoey presses. "Her death left me next in line after my grandfather. And he passed away last month---which I was also unaware of." This time I'm able to look at Carole and Keith, shooting them a withering glare. Zoey's mouth hangs open. "That means you're...you're a...?" "Yeah. You're looking at the new Duchess of Wickersham and owner of Rockford Manor.
Alexandra Monir (Suspicion)
Don Fabrizio remembered a conversation with Father Pirrone some months before in the sunlit observatory. What the Jesuit had predicted had come to pass. But wasn’t it perhaps good tactics to insert himself into the new movement, make at least part use of it for a few members of his own class? The worry of his imminent interview with Don Calogero lessened. “But the rest of his family, Don Ciccio, what are they really like?” “Excellency, no one has laid eyes on Don Calogero’s wife for years, except me. She only leaves the house to go to early Mass, the five o’clock one, when it’s empty. There’s no organ-playing at that hour; but once I got up early just to see her. Donna Bastiana came in with her maid, and as I was hiding behind a confessional I could not see very much; but at the end of Mass the heat was too great for the poor woman and she took off her black veil. Word of honour, Excellency, she was lovely as the sun, one can’t blame Don Calogero, who’s a beetle of a man, for wanting to keep her away from others. But even in the best kept houses secrets come out; servants talk; and it seems Donna Bastiana is a kind of animal: she can’t read or write or tell the time by a clock, can scarcely talk; just a beautiful mare, voluptuous and uncouth; she’s incapable even of affection for her own daughter! Good for bed and that’s all.” Don Ciccio, who, as protégé of queens and follower of princes, considered his own simple manners to be perfect, smiled with pleasure. He had found a way of getting some of his own back on the suppressor of his personality. “Anyway,” he went on, “one couldn’t expect much else. You know whose daughter Donna Bastiana is, Excellency?” He turned, rose on tiptoe, pointed to a distant group of huts which looked as if they were slithering off the edge of the hill, nailed there just by a wretched-looking bell-tower: a crucified hamlet. “She’s the daughter of one of your peasants from Runci, Peppe Giunta he was called, so filthy and so crude that everyone called him Peppe “Mmerda” . . . excuse the word, Excellency.” Satisfied, he twisted one of Teresina’s ears round a finger. “Two years after Don Calogero had eloped with Bastiana they found him dead on the path to Rampinzeri, with twelve bullets in his back. Always lucky, is Don Calogero, for the old man was getting above himself and demanding, they say.” Much of this was known to Don Fabrizio and had already been balanced up in his mind; but the nickname of Angelica’s grandfather was new to him; it opened a profound historical perspective, and made him glimpse other abysses compared to which Don Calogero himself seemed a garden flowerbed. The Prince began to feel the ground giving way under his feet; how ever could Tancredi swallow this? And what about himself? He found himself trying to work out the relationship between the Prince of Salina, uncle of the bridegroom, and the grandfather of the bride; he found none, there wasn’t any. Angelica was just Angelica, a flower of a girl, a rose merely fertilised by her grandfather’s nickname. Non olet, he repeated, non olet; in fact optime foeminam ac contuberninum olet.
Giuseppe Tomasi di Lampedusa (The Leopard)
My beloved grandson, I thank the gods for the joy of seeing your face again before I die. I wish with all my heart that you’d come back to us sooner.” Argus smiled, but made no move to approach his grandfather. “You’ll have to forgive me for staying away so long, Lord Aetes. As dearly as I love you, the idea of being put to death on my return to Aea kept me away. It’s a trivial thing, the fear of losing one’s life, but it means a lot to me.” Lord Aetes scowled. “Your father, Phrixus, was wrong to exile you, but every man has the right to rule his own family. I thought Phrixus was unjust, but I couldn’t intercede. I had a good reason.” He didn’t elaborate. “A very good one, no doubt,” Argus drawled. “Is it going to be good enough to justify executing me now that I’m back?” The king shook his head. “Your father and stepmother are both dead. Any quarrel you had with them is over. Your innocence and honor are not to be questioned by any man who owes me allegiance. All of your rights as a royal prince of Colchis are hereby restored.” “All of my rights?” Argus echoed. “You mean my stepbrother, Karos, is dead, too?” Lord Aetes didn’t answer. Argus stroked his beard. “I see. Well, won’t he be thrilled to learn that he’s going to have to share his inheritance.” “There will be peace between my grandsons,” Lord Aetes stated, gritting his teeth. “I will not have it otherwise. Did you come here to vex me, or to rejoin your family?” Argus’s laughter danced with the smoke and sparks rising from the fire pit. He strode around the hearth and embraced the king. “My apologies, Grandfather, but can you blame me for snapping? Look at the two of us. My years of exile have aged me so that we could pass for brothers!” Lord Aetes smiled and returned Argus’s hug. “That’s over now. We’ll soon have you looking your proper age.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
She eased the ring from her finger and extended it to him. The frown returned, settling between his brows like claw marks in the sand. “Meridith. Put it back.” She opened his hand and placed the ring on his palm, the certainty growing roots. She looked at his clean-shaven jaw, the short-clipped hair that wasn’t long enough for the wind to disturb, his high forehead and straight nose. She was trading stability for chaos. Security for ambiguity. Predictability for uncertainty. In some ways, it would be her childhood all over again. But this time she was in charge. She was the one calling the shots. She was no helpless little girl swinging by the tail end of her mother’s illness. Even if he agreed in the end, what kind of father would he be if he didn’t want the children? She wouldn’t do that to her siblings. They deserved far more. “It’s over, Stephen.” “You don’t mean that.” He took her hand. “We’re perfect for each other, you’ve said it yourself a hundred times.” She had said it, believed it. She wondered now if it was true. She couldn’t deny the feelings that had sprung up for Jake, who was not at all what she needed, not at all the man for her. Still, if she truly loved Stephen, those feelings wouldn’t be there. “My future includes Noelle and Max and Ben. Things have changed since I agreed to marry you, and I’m doing what’s right for these kids. I have to do what’s best for them. That’s my reality, but it doesn’t have to be yours. I understand it’s not what you want.” His jaw twitched. “It’s that contractor, isn’t it?” “No.” “I saw the way he looked at you.” The comment sent a pleasant warmth flooding through her. “This is between us, Stephen. My future’s taken an unexpected turn. I can’t leave the kids, and you can’t accept them. There’s nothing to do now but say it’s over.” “Meridith . . .” His eyes pled, turned glossy. She’d never seen him get emotional, not even when his grandfather passed away last November. She
Denise Hunter (Driftwood Lane (Nantucket, #4))
The owner of a small place should avoid the temptation to scatter flower beds about the lawn. Keep all the planting along the edges of the property and around the house, and leave the lawn unbroken by flower beds.[52] The years when gardening consisted only of beds of Coleus, Geraniums, Verbenas and bedding plants have passed away, like the black walnut period of furniture. And even as the mahogany of our grandfathers is now brought forth from garrets and unused rooms, and antiquity shops and farm-houses are searched for the good old-time furniture, so we are learning to take the old gardens for our models, and the old-fashioned flowers to fill our borders.
Helena Rutherfurd Ely (A Woman's Hardy Garden (American Gardening Classics))
Grandfather stood at his window, looking out over the farm. As if he didn’t even see me, Papa passed me and went into Grandfather’s room. Grandfather and Papa, so much alike, faced each other. “Jacob?” said Grandfather. “Sit down.” Papa shook his head. “I’m all right. I’ll stand,” said Papa, leaning on his cane. There was a long silence. Then came Papa’s voice, softer than I’d heard it in a long time. “Why didn’t you take me with you? All those years ago. I wanted to be with you. No matter where you were.” “Jacob--” said Grandfather. But Papa went on. “You didn’t write. Not one letter. And I waited and waited.” “I know,” said Grandfather. “I couldn’t write, Jacob, because…I didn’t know how to write you. I never learned.” Papa moved closer to Grandfather. “I was so ashamed,” whispered Grandfather. “Caleb knew. Caleb taught me. All the evenings in this room, Caleb taught me how to read. So I could write to you.” Papa turned and saw me standing in the doorway. “Caleb did that?” said Papa. “All those years…I was so little…and I began to think that somehow, something I had done had made you go away.
Patricia MacLachlan (Caleb's Story (Sarah, Plain and Tall #3))
Janner plopped to the ground beside Tink, and the weariness of the day fell on him like a blanket. He leaned his head back on the stone and looked at the sky. White clouds slid across the deep blue dome, peaceful as a sigh. His eyes drooped shut, and wind tickled his face and the hairs on his forearms. The rockroach den, then the trolls, Peet’s capture, the foggy despair of the flat beside the river, the dizzy sight of the Dark Sea, the troll breathing at Janner’s back—and Nugget. He opened his eyes and looked at the sky again. Where was Peet now? Janner was afraid for him but felt sure Peet was still alive. He had survived terrible things for years, and something about the way Zouzab watched him from the troll’s shoulder made Janner believe Gnag wanted the Sock Man alive for some reason. For a long time they sat among the ruins. Podo and Leeli finally came back to where the others rested, and though her face still bore the weight of her sorrow, Janner could see that his sister was present. Her eyes didn’t stare into nothing. They saw the situation, grieved for it, and faced it. As Janner drifted to sleep, he was aware of Nugget’s absence; no giggles from Leeli; no big, whiny yawns; no sense of safety knowing that, whatever lay in wait for them in the shadows, at least this huge, happy monster was on their side. Janner woke with a start. Dusk approached, and the clearing lay in cool shadow. Leeli slept on Nia’s lap. Oskar lay on his back, hissing with pain while Podo worked to remove the old fellow’s bandages. Tink assisted Podo with a sick look on his face. Janner wondered for a moment where Nugget and Peet were, until he remembered with a shiver that the day hadn’t been some awful dream. “Hold on now,” Podo said. “I’m almost finished. Tink, hand me the knife, eh?” Tink passed a small knife to his grandfather, who used it to cut away the clotted bandage.
Andrew Peterson (North! or Be Eaten)
Janner woke with a start. Dusk approached, and the clearing lay in cool shadow. Leeli slept on Nia’s lap. Oskar lay on his back, hissing with pain while Podo worked to remove the old fellow’s bandages. Tink assisted Podo with a sick look on his face. Janner wondered for a moment where Nugget and Peet were, until he remembered with a shiver that the day hadn’t been some awful dream. “Hold on now,” Podo said. “I’m almost finished. Tink, hand me the knife, eh?” Tink passed a small knife to his grandfather, who used it to cut away the clotted bandage.
Andrew Peterson (North! or Be Eaten)