Passageway Quotes

Have you ever seen anything quite as pathetic?" said Malfoy. "And he’s supposed to be our teacher!" Harry and Ron both made furious moves toward Malfoy, but Hermione got there first - SMACK! She had slapped Malfoy across the face with all the strength she could muster. Malfoy staggered. Harry, Ron, Crabbe, and Goyle stood flabbergasted as Hermione raised her hand again. "Don’t you dare call Hagrid pathetic you foul—you evil—" "Hermione!" said Ron weakly and he tried to grab her hand as she swung it back. "Get off Ron!" Hermione pulled out her wand. Malfoy stepped backward. Crabbe and Goyle looked at him for instructions, thoroughly bewildered. "C’mon," Malfoy muttered, and in a moment, all three of them had disappeared into the passageway to the dungeons. "Hermione!" Ron said again, sounding both stunned and impressed.

At first she beckoned and lured one into her world; then, she blurred the passageways, confused all the images, as if to elude detection.

Here's what I mean by the miracle of language. When you're falling into a good book, exactly as you might fall into a dream, a little conduit opens, a passageway between a reader's heart and a writer's, a connection that transcends the barriers of continents and generations and even death ... And here's the magic. You're different. You can never go back to being exactly the same person you were before you disappeared into that book.

I stepped into the secret passageway to find Jameson waiting for me. “Fancy meeting you here, Heiress.” “You,” I told him, “are the most annoying person on the face of the planet.

I found something" Simon said as he walked in. He whipped out an old-fashioned key from his pocket and grinned at me. "It was taped to the back of my dresser drawer. What do you think? Buried treasure? Secret passageway? Locked room where they keep crazy old Aunt Edna?" "It probaly unlocks another dresser," Tori said. "One they threw out fifty years ago." "Its tragic, being born without an imagination. Do they hold telethons for that?

The internal dialogue is what grounds people in the daily world. The world is such and such or so and so, only because we talk to ourselves about its being such and such and so and so. The passageway into the world of shamans opens up after the warrior has learned to shut off his internal dialogue

She was truly a beautiful girl. I could feel a small polished stone sinking through the darkest waters of my heart. All those deep convoluted channels and passageways, and yet she managed to toss her pebble right down to the bottom of it all.

Raffin appeared again, a floor above her, on the balconied passageway that ran past his workrooms. He leaned over the railing and called down to her. "Kat!" "What is it?" "You look lost . Have you forgotten the way to your rooms?" "I'm stalling." "How long will you be? I'd like to show you a couple of my new discoveries." "I've been told to make myself pretty for dinner." He grinned. "Well in that case, you'll be ages." His face dissolved into laughter, and she tore a button from one of her bags an hurled it at him. He squealed and dropped to the floor, and the button hit the wall right where he'd been standing. When he peeked back over the railing, she stood in the courtyard with her hands on her hips, grinning. "I missed on purpose," she said. "Show off! Come if you have time." He waved, and turned into his rooms.

If we weren't about to face another terrible passageway filled with life-threatening danger, I'd take you in my arms this instant.

I’m not sure how big ten centimeters is, but Emily’s passageway into life was definitely not large enough to suit me. In fact, everything had been pushing on me for hours. I felt like toothpaste emerging from a tube. Painfully and slowly, like an inch per hour.

Zaphod marched quickly down the passageway, nervous as hell, but trying to hide it by striding purposefully.

Human beings are ultimately nothing but carriers-passageways- for genes. They ride us into the ground like racehorses from generation to generation. Genes don't think about what constitutes good or evil. They don't care whether we are happy or unhappy. We're just means to an end for them. The only thing they think about is what is most efficient for them.

He missed Hogwarts so much it was like having a constant stomachache. He missed the castle, with its secret passageways and ghosts, his classes, … the mail arriving by owl, eating banquets in the Great Hall, sleeping in his four-poster bed in the tower dormitory, visiting the gamekeeper, Hagrid, in his cabin next to the Forbidden Forest in the grounds, and especially, Quidditch, the most popular sport in the wizarding world

I wished I could get inside his head and crawl through the passageways to the secret rooms until I found the one labeled with my name. How could I shatter that steel door and see what lay hidden inside?

I call her Wild Woman, for those very words, wild and woman, create llamar o tocar a la puerta, the fairy-tale knock at the door of the deep feminine psyche. Llamar o tocar a la puerta means literally to play upon the instrument of the name in order to open a door. It means using words that summon up the opening of a passageway. No matter by which culture a woman is influenced, she understands the words wild and woman, intuitively.

Writing is a conduit. It opens up a passageway into the past. Not just for the writer, but for the reader too. Both readers and writer are linked by the commonality of human experience.

Sonder - n. the realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk.

This is what writing is: I one language, I another language, and between the two, the line that makes them vibrate; writing forms a passageway between two shores.

The passageway was still as dark as a bar of extra-dark chocolate sitting in a planetarium covered in a thick, black blanket

The way a source strains toward the light, toward the air. Its laboring work, its effort, its black passageways like despair. That’s the way a poet looks for words. With muscles, gestures.

Celaena’s scream was still echoing through the passageway as Chaol leapt off the stairs and hurtled through the misty portal after Fleetfoot.

I have a hunch from reading about old passageways that there may be one or more rooms off this tunnel," Nancy told Captain Rossland.

The soul is the entryway to the heart, the heart is the doorway to the mind, the mind is the hallway to the world, and the world is the passageway to the universe.

The winter evening settles down With smell of steaks in passageways. Six o'clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps.

Valdin did not notice the grey stones in the distant rock, although they glinted in the setting sun, nor did he spot the three figures sitting below the rocks. Not that he would have spotted the men even if he had paid close attention. The two Coelete warriors had been instructed by Anaton. They were to look out for a man on a black stallion and follow him until they knew where he was going. The third Coelete would travel back through the passageway to report the sighting to Anaton.

He walked down the passageway with her and cursed silently. Obviously, he'd grossly overestimated his appeal. Perhaps he should have taken her at her word at Gobhann when she reminded him that she had no use for mages. Perhaps he should have realized sooner that she - ...had reached behind his back and taken his hand.

Like the subconscious, like love, like memory, like time itself, like every single one of us, the church is built on the ruins of subsequent restorations, there is no rock bottom, there is no first anything, no last anything, just layers and secret passageways and interlocking chambers, like the Christian Catacombs, and right along these, even a Jewish Catacomb.

In the morning stillness, when the world is just waking up and your conscious mind hasn't fully taken over, you may feel a connection or passageway to another world, and a feeling that something is about to happen in yours. It's like a quiet storm is coming. You can feel the distant rumble of thunder on the horizon, yet you have no idea of the deluge your life is about to experience.

I met you at the cornerstone on the highway to bedlam./Walked with you to the pinnacle, along that ledge to hell,/Traveled along the passageway of all things aching,/But would crawl with you if you wanted me to/On the steeple point to hope./So we can tip the stars and hold the moon,/Graze the sun, but make it soon.

And so their spirits soared as they took positions own the passageways of battle all night long, and the watchfires blazed among them. Hundreds strong, as stars in the night sky glittering round the moon's brilliance blaze in all their glory when the air falls to a sudden, windless calm... all the lookout peaks stand out and the jutting cliffs and the steep ravines and down from the high heavens bursts the boundless bright air and all the stars shine clear and the shepherd's heart exults - so many fires burned between the ships and the Xanthus' whirling rapids set by the men of Troy, bright against their walls. A thousand fires were burning there on the plain and beside each fire sat fifty fighting men poised in the leaping blaze, and champing oats and glistening barley, stationed by their chariots, stallions waited for Dawn to mount her glowing throne.

Well, hello there,” I said, “you big, beautiful overgrown passageway.” I looked over to Lia. “Let’s confuse ’em a little.

Swelter's eyes meet those of his enemy, and never has there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl's door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred - broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and reentrenched themselves in startled sockets.

Rain is the subject of prayer, the kind gesture of saints. Dear City, explain your irreverence: in you, rain is a visitor with nowhere to go. Where is the ground that knows only the love of water? What are the passageways to your heart? Pity the water that stays and rises on the streets, pity the water that floods into houses, so dark and filthy and heavy with rats and dead leaves and plastic. How ashamed water is to be what you have made it. What have you done to its beauty, its graceful body in pictures of oceans, its clear face in a glass?

We should do something,” I said. “Can the something be play blind-guy video games while sitting on the couch?” “Yeah, that’s just the kind of something I had in mind.” So we sat there for a couple hours talking to the screen together, navigating this invisible labyrinthine cave without a single lumen of light. The most entertaining part of the game by was far trying to get the computer to engage with us in humorous conversation: Me: “Touch the cave wall.” Computer: “You touch the cave wall. It is moist.” Isaac: “Lick the cave wall.” Computer: “I do not understand. Repeat?” Me: “Hump the cave wall.” Computer: “You attempt to jump. You hit your head.” Isaac: “Not jump. HUMP.” Computer: “I don’t understand.” Isaac: “Dude, I’ve been alone in the dark in this cave for weeks and I need some relief. HUMP THE CAVE WALL.” Computer: “You attempt to ju—” Me: “Thrust pelvis against cave wall.” Computer: “I do not—” Isaac: “Make sweet love to the cave.” Computer: “I do not—” Me: “FINE. Follow left branch.” Computer: “You follow the left branch. The passage narrows.” Me: “Crawl.” Computer: “You crawl for one hundred yards. The passage narrows.” Me: “Snake crawl.” Computer: “You snake crawl for thirty yards. A trickle of water runs down your body. You reach a mound of small rocks blocking the passageway.” Me: “Can I hump the cave now?” Computer: “You cannot jump without standing.” Isaac: “I dislike living in a world without Augustus Waters.” Computer: “I don’t understand—” Isaac: “Me neither. Pause.

For the first time in my life I took to writing things on walls. The passage-ways of several smart restaurants had ' Visca P.O.U.M.!' scrawled on them as large as I could write it. All the while, though I was technically in hiding, I could not feel myself in danger. The whole thing seemed too absurd. I had the ineradicable English belief that they cannot arrest you unless you have committed a crime. It is a most dangerous belief to have during a political pogrom.

Air in the chateau clammy like laundry that won't dry. Door-banging drafts down the passageways. Autumn is leaving its mellowness behind for its spiky, rotted stage. Don't remember summer even saying good-bye.

Soul divine, I wanted her. Wanted more than just a hand to hold in the dark, more than just a touch to push forward through the crowded passageways of death and decay. Wanted to knit our beings together until we were one and she never cried again for lack of light or love or sun.

Human being are ultimately nothing but carriers - passageways - for genes. They ride us into the ground like racehorses from generation to generation." -

That’s what books were for, after all. They were passageways to other worlds, other realities, other lives one could imagine living.

These were both nothing more than a pair of minor incidents that happened in my trivial little life. Short side trips along the way. Even if they hadn’t happened, I doubt my life would have wound up much different from what it is now. But still, these memories return to me sometimes, traveling down a very long passageway to arrive. And when they do, their unexpected power shakes me to the core. Like an autumn wind that gusts at night, swirling fallen leaves in a forest, flattening the pampas grass in fields, and pounding hard on the doors to people’s homes, over and over again.

Sarah took a deep breath and set off along the passageway again. A clump of lichen on the gatepost opened its eyes and watched her go. The eyes, on tendrils, had an anxious look, and when she had gone some distance away the clump, swiveling its eyes toward each other, commenced to gossip among itself. Most of it disapproved of the direction she had taken. You could tell that from the way the eyes looked meaningfully into each other. Lichen knows about directions.

Love discovered me all weaponless, and opened the way to the heart through the eyes, which are made the passageways and doors of tears: so that it seems to me it does him little honour to wound me with his arrow, in that state, he not showing his bow at all to you who are armed

Hair in darkness doesn’t feel the way it does in light. In light, you can touch a person’s hair and not feel it at all - you might think you are feeling it, but really you are seeing its color, seeing its shape, seeing the light and the shadows intertwined between the hair and your own hands. But in darkness, her hair poured across his palms like molten music between his fingers. Skin in darkness is different, too. In light, you don’t notice skin, distracted as you are by eyes watching you, eyes you are afraid to trust, eyes that could be waiting for your shame. But in pure darkness, her skin was warm and trembling and alive - secret whorled passageways of ears, soft fingertips tracing circles on his neck, the living heartbeat-shudders of falling-closed eyelids, cheeks erupting into lips and giving way to his tongue. And in light you don’t think of how warm a person is, of how a person can enfold you, enclose you amid arms and clothes and ribs in pure primeval underground darkness, the heat between you glowing like an ember that you are afraid to put out.

The body is a passageway - a channel, without which the two of us would not be able to exist in the way we do now, the way I know you and you know me. Without their mirror images, our original forms would not exist.

Ruith?" He looked at her with a smile. "Aye, my love?" "Are you sure?" He looked at her, puzzled, for a moment, then apparently he realized what she was asking. "How could you ask?" "Because when a gel wants something very badly, she tends to want to avoid breaking her heart over the false hope of having it." His breath caught. If she hadn't known better, she would have thought he was blinking rapidly from something besides the smoke the passageway.

I came to regard my body in a new light. For the first time I apprehended the little mounds on my chest as teats for the suckling of young, and their physical resemblance to udders on cows or the swinging distensions on lactating hounds was suddenly unavoidable. Funny how even women forget what breasts are for. The cleft between my legs transformed as well. It lost a certain outrageousness, an obscenity, or achieved an obscenity of a different sort. The flaps seemed to open not to a narrow, snug dead end, but to something yawning. The passageway itself became a route to somewhere else, a real place, and not merely to a darkness in my mind. The twist of flesh in front took on a devious aspect, its inclusion overtly ulterior, a tempter, a sweetener for doing the species' heavy lifting, like the lollipops I once got at the dentist.

It seemed to me like all my worrying about not being a mother came down to this history - this implication that a woman is not an end in herself. She is a means to a man, who will grow up to be an end in himself, and do something in the world. While a woman is a passageway through which a man might come. I have always felt like an end in myself - doesn't everyone? - but perhaps my doubt that being an end-in-myself is enough comes from this deep lineage of women not being seen as ends, but as passageways through which a man might come. If you refuse to be a passageway, there is something wrong. You must at least try. But I don't want to be a passageway through which a man might come, then manifest himself in the world however he likes, without anyone doubting his right.

Touch your breast,Hellen," he commanded as he pressed a finger inside her and stroked the tight velvet passageway of her sex."I want to see you squeeze your nipples as I suckle your clit." "Oh,gods,"she moaned, grasping her breast as her hips swung forward and back.

The passageway smelled of smoke: burning wood, a torch, acrid. His head ached. Blood was wet and sticky upon his arm and on his fingers, and the orange glow of torchlight played from behind his back and over the corridor walls, leaping like a bonfire. There was a strange familiarity to it: the narrow walls in around him. And when he came to a wooden door set in the wall, he put his hand upon it and pushed it open. There was a room, and a pallet inside it; a small torch burned low in a socket upon the wall. A man lay upon the cot, his face bruised and battered, his hands curled against his chest bloody: and Laurence knew him; knew him and knew himself. He remembered another door opening, in Bristol, three years before, and a voice asking him to come outside his prison, in a Britain under siege. “Tenzing,” Laurence said, and, as Tharkay opened feverish eyes, went to help him stand.

He turned down the passageway to their little parlor, and sent the door swinging open with a crash. "Losing my temper will not help," he said, and gave the door a vicious kick.

Madeleine Rose Manchester had absolutely no intention of invading the White House. But she knew seven different ways she could do it if she'd wanted to. After all, Logan had lived there less than a year, and already he and Maddie had found four tunnels, two pseudo-secret passageways, and a cabinet near the kitchen that smelled faintly of cheese and only partially blocked an old service elevator that really wasn't as boarded up as everybody thought.

He knew that he did not play music so much as walk into it, as if into a palace of great riches, with rooms opening into other rooms, which opened into still other rooms, and in these rooms were courtyards and fountains with passageways to yet more mysterious spaces of melody,

Then to top it all off, you were only reacting to me because you were impaired! That's rich! You know what those drugs did to you in the first dose, before the second one made you comatose? They killed the bug up your arse!" With that, he yanked the stone off its setting and opened the passageway. My mouth hung open in outrage, and he pointed an emphatic finger at the exit. "Out you go, before I lose my temper and we'll see how much you don't like kissing me.

Blue irises. They’re so indescribable. It’s more of a feeling. My chills evaporate and blood surges through my body heating the surface until it glistens. No words can escape, just the faint whisper of a satisfied sigh as my posture relaxes. It’s as if all the wonder and nostalgia of the most surreal places on Earth have been captured then released from his gaze. It’s crazy, I know it, but there are blue eyes and then there are blue eyes. It’s like God decided to give one man infinitely beautiful irises, a passageway to forever, a glimpse of Heaven, and I’m looking at him. It’s the only explanation because it’s not possible—or fair for that matter—to have eyes so mesmerizing.

Should your friend dismiss you, Do not be disheartened: Today he rejects you, Tomorrow he'll relent. If he has shut you out, Don't go away. Just stay. Patience is rewarded. He will reinstate you. If he appears to bar All passageways and paths, He will open the secret way For you, which others do not know.

Piper had trouble falling asleep. Coach Hedge spent the first hour after curfew doing his nightly duty, walking up and down the passageway yelling, “Lights out! Settle down! Try to sneak out, and I’ll smack you back to Long Island!” He banged his baseball bat against a cabin door whenever he heard a noise, shouting at everyone to go to sleep, which made it impossible for anyone to go to sleep. Piper figured this was the most fun the satyr had had since he’d pretended to be a gym teacher at the Wilderness School.

I could feel a small polished stone sinking through the darkest waters of my heart. All those deep convoluted channels and passageways, and yet she managed to toss her pebble right down to the bottom of it all.

Mathematicians still don’t understand the ball our hands made, or how your electrocuted grandparents made it possible for you to light my cigarettes with your eyes. It isn’t as simple as me climbing into the window to leave six ounces of orange juice and a doughnut by the bed, or me becoming the sand you dug your toes in, on the beach, when you wished to hide them from the sun and the fixed eyes of strangers, and your breath broke in waves over my earlobe, splashing through my head, spilling out over the opposite lobe, and my first poems under your door in the unshaven light of dawn: Your eyes remind me of a brick wall about to be hammered by a drunk driver. I’m that driver. All night I’ve swallowed you in the bar. Once I kissed the scar, stretching its sealed eyelid along your inner arm, dried raining strands of hair, full of pheromones, discovered all your idiosyncratic passageways, so I’d know where to run when the cops came. Your body is the country I’ll never return to. The man in charge of what crosses my mind will lose fingernails, for not turning you away at the border. But at this moment when sweat tingles from me, and blame is as meaningless as shooting up a cow with milk, I realise my kisses filled the halls of your body with smoke, and the lies came like a season. Most drunks don’t die in accidents they orchestrate, and I swallowed a hand grenade that never stops exploding.

Human beings are ultimately nothing but carriers – passageways – for genes. They ride us into the ground like racehorses from generation to generation. Genes don’t think about what constitutes good or evil. They don’t care whether we are happy or unhappy. We’re just a means to an end for them. The only thing they think about is what is most efficient for them.

Anyway, what do women grab when they’re nervous and sitting at their desks? Do they slip their hands inside their panties? What a distracting thought. Just the word panty is distracting. I love that word; it implies so much. I love how women look in panties, how they’re flat in the front. I’m thirty-five, but sometimes it’s still this beautiful amazing shock to me that women don’t have penises. They just have this lovely little mound of hair and then this tucked away glorious hole. Hole. Wait. Hole sounds vulgar. Is passageway better? Pretty envelope? Georgia O’Keeffe flower? Pussy? Pussy is good. I like the word pussy. Tucked away beautiful pussy. I wish I could put my face in one right now and sing out, “I love you!

I came to another passageway and paused to examine the scene. I saw myself dead and lying on the ground with Ren kneeling beside me. He leaned over my inert body investigating. I heard him whisper, “Kelsey? Is it you? Kelsey, please. Talk to me. I need to know if it’s really you.” He picked my body up and cradled it lovingly in his arms. I checked to make sure he had the gada and the backpack, which he did, but I’d been fooled before. Then he said, “Don’t leave me, Kells.” I closed my eyes and listened to his voice begging me to live. My heart started thumping wildly, a different reaction than I’d had in the past visions. I took a step closer and hit a barrier again. I spoke to him softly, “Ren? I’m here. Don’t give up.” He raised his head as if he’d heard me. “Kelsey? I can hear you, but I can’t see you. Where are you?” He lowered me, or the body that looked like me, to the ground, and it disappeared. I told him, “Close your eyes and feel your way to me.” He stood slowly and closed his eyes. I closed my eyes too, and tried to focus not on his voice but on his heart. I imagined my hand on his chest, feeling the strong thump of his heart beneath my fingers. My body seemed to move of its own volition, and I took several steps forward. I concentrated on Ren, his laugh, his smile, how I felt being near him, then, suddenly, my hand touched his chest, and I could feel his heart beating. He was there. I opened my eyes slowly and looked at him. He reached out a hand to touch my hair, but then he pulled it back. “Is it really you this time, Kells?” “Well, I’m no maggoty corpse, if that’s what you mean.” He grinned. “That’s a relief. No maggoty corpse would be that sarcastic.” I countered, “Well, how do I know it’s really you?” He considered my question for a moment and then ducked his head to kiss me. He tugged me flush up against his chest, pulling me closer than I even thought possible, and then his lips touched mine. His kiss started out warm and soft, but quickly turned hungry and demanding. His hands ran up my arms, to my shoulders, and then cupped my neck. I wrapped my arms around his waist and luxuriated in the kiss. When he finally pulled back, my heart was pounding in response. When the power of speech returned, I quipped, “Well, even if it isn’t really you, I’ll take this version.” He laughed and relief flooded both of us. “Kells, I think you’d better hold my hand the rest of the way.” I smiled gaily back at him. “No problem.

There were no chambers now along the passageway and consequently no lights. There was a glow up ahead, however—fitful and cold, but bright enough to illuminate both the ground she stumbled over, which was bare earth, and the silvery frost on the walls.

He didn't care for the books their tutors gave them, but he did care for the shadowed alleyways, the exquisitely carved arched passageways, the dancing lights in the trees. He wanted to know and taste the parts of the city that never make it into a history book.

Inside, the children were greeted by the sort of cool and reverent silence known only to places that house books- well, and perhaps artwork and religious artifacts. Mismatched bookcases stood back to back and side to side, making raucously wobbly passageways of words.

Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.

You’re not going to fight me, Captain. This is the right call. You know it.” She marched me off the bridge and into the brilliant white passageway. “You think I’m just going to trust you’ll let me go?” I asked, getting a painful nudge in the back. “You don’t have a choice.” She was right about that. “Relax. I got your back, Cale.” “You’ve got a pistol in my back is what you’ve got.” “Just like old times.” Trust her? Well, shit.

Every once in a while, large cities have narrow streets, silent passageways that allow your footsteps to echo in the stillness of the night, and it seems like everything is going back to the way it was, when there were only a few of us and we all knew each other and greeted each other on the street.

What danger signs should patients watch for when selecting a skeleton doctor? Well, if the doctor refers to patients as “poor unlucky bastards,” be careful. Also, doctors who turn abandoned mental institutions into their own private research facilities are probably up to no good. Especially when the entrance to said clinic is “an underground passageway behind the morgue.” Most important, just remember that whenever a skeleton does science, innocent people wind up getting hurt.

In antiquity, Hekate was loved and revered as the goddess of the dark moon. People looked to her as a guardian against unseen dangers and spiritual foes. All was well until Persephone, the goddess of spring, was kidnapped by Hades and ordered to live in the underworld for three months each year. Persephone was afraid to make the journey down to the land of the dead alone, so year after year Hekate lovingly guided her through the dark passageway and back. Over time Hekate became known as Persephone's attendant. But because Persephone was also the queen of the lower world, who ruled over the dead with her husband, Hades, Hekate's role as a guardian goddess soon became twisted and distorted until she was known as the evil witch goddess who stalked the night, looking for innocent people to bewitch and carry off to the underworld. Today few know the great goddess Hekate. Those who do are blessed with her compassion for a soul lost in the realm of evil. Some are given a key.

Good horror is written by people who understand that fear is one of the cardinal passageways into the core of humanity. Good horror is generally written by folks who grew up on horror; books, movies, etc. You can’t simply decide to write—in any genre—if you don’t first have an understanding of the topic and a strong mental backlog of reference.

I took a few dragging steps toward the locker-room door. 'You're doing something to me that I wouldn't do to a dog,' I mumbled. 'What you're doing to me is worse than if you were to kill me. You're locking me up in shadows for the rest of my life. You're taking my mind away from me. You're condemning me slowly but surely to madness, to being without a mind. It won't happen right away, but sooner or later, in six months or in a year - Well, I guess that's that.' I fumbled my way out of the locker room and down the passageway outside, guiding myself with one arm along the wall, and past the sergeant's desk and down the steps, and then I was out in the street. ("All At Once, No Alice")

So I dream nightly of an embarcation, captains, captains, iron passageways, cabin lights, Brooklyn across the waters, the great dull boat, visitors, farewells, the blurred vast sea-- one trip a lifetime's loss or gain : as Europe is my own imagination --many shall see her, many shall not-- though it's only the old familiar world and not some abstract mystical dream. And in a moment of previsioning sleep I see that continent in rain, black streets, old night, a fading monument . . . And a long journey unaccomplished yet, on antique seas rolling in gray barren dunes under the world’s waste of light toward ports of childish geography the rusty ship will harbor in . . .

Besides, you have to remember that the thinner air out here slows down the intellectual process, the result of less oxygen flowing to the brain.' He grinned and looked at her sideways. 'Is that a doctor thing?' 'No that's a Scully thing... The doctor thing is, get some sleep... or you'll be useless in the morning.' He nodded as he waved a weary good night over his shoulder, sidestepping a garden wall just before he tripped over it. Another wave- I'm okay, I know what I'm doing- before he disappeared into the passageway.

Maera lay still, his head on his arms, his face in the sand. He felt warm and sticky from the bleeding. Each time he felt the horn coming. Sometimes the bull only bumped him with his head. Once the horn went all the way through him and he felt it go into the sand. Some one had the bull by the tail. They were swearing at him and flopping the cape in his face. Then the bull was gone. Some men picked Maera up and started to run with him toward the barriers through the gate out the passageway around under the grandstand to the infirmary. They laid Maera down on the cot and one of the men went out for the doctor. The others stood around. The doctor came running from the coral where he had been sewing up picador horses. He had to stop and wash his hands. There was a great shouting going on in the grandstand overhead. Maera felt everything getting larger and larger and then smaller and smaller. Then it got larger and larger and larger and then smaller and smaller. Then everything commenced to run faster and faster as when they speed up a cinematograph film. Then he was dead.

There are places in New York where the city's anarchic, unaccommodating spirit, its fundamental, irrepressible aimlessness and heedlessness have found especially firm footholds. Certain transfers between subway lines, passageways of almost transcendent sordidness; certain sites of torn-down buildings where parking lots have silently sprung up like fungi; certain intersections created by illogical confluences of streets--these express with particular force the city's penchant for the provisional and its resistance to permanence, order, closure.

Upon what grounds do you refuse?" "Upon the grounds that you owe me." "Do you plan to run me before a judge and jury?" he asked wryly. "I don't need to," she retorted, playing her last, most powerful card. "I only have to run you before my brother-in-law." There was a beat as the words sank in, and his eyes widened, just barely, just enough for her to notice before he closed the distance between them, and said, "A fine idea. Let's tell Bourne everything. You think he would force me to honor our agreement?" She refused to be cowed. "No. I think he would murder you for agreeing to it in the first place. Even more so when he discovers that it was negotiated by a lady of the evening." Emotion flared in his serious grey gaze, irritation and... admiration? Whatever it was, it was gone almost instantly, extinguished like a lantern in one of his strange, dark passageways. "Well played, Lady Philippa." The words were soft as they slid over her skin. "I rather thought so." Where had her voice gone?

it. At intervals of forty or fifty feet, air monitors were mounted on the right-hand wall. I found no signs of tampering. If the passageway led to the cooling-tower vault, as I was sure that it must, then it would be about four hundred feet long. Twice I thought I heard something behind me. When I looked over my shoulder, nothing loomed. The third time, I refused to succumb to the urge to glance back. Irrational

Perhaps you think it's quiet in the prison, but it's noisy. For every activity iron doors have to be opened and closed and iron passageways and iron steps have to be walked down. By day people shout at one another and at night they shout in their sleep....You want to know what the worst thing is? That life is elsewhere. That you're cut off from kt and rotting, and the longer you wait for afterward, the less afterward is worth.

Perfection’s firsts, creation’s pampered favourites, the peaks and summits we look to where they redden in the first touch of the created world – spilt pollen of flowering Godhead, knots of light, passageways, stairs, thrones, spaces of life, the blazoned shields of bliss, tumults of ecstasy and as suddenly, solely – mirrors, scooping up that flood of beauty that pours from them and re-directing it back into themselves. For we, even as we feel, evaporate in the act of breathing ourselves out and beyond, ember after ember, we burn away to nothing. We give off an ever-diminishing scent. Though somebody might come and say, ‘Yes! You are in my blood now. This room, the whole of spring is full of your presence . . .’ What’s the use? He cannot preserve us. We still disappear in him or around him. Even the truly beautiful – who holds them? Nothing but appearance

What never fails to astonish at Skara Brae is the sophistication. These were the dwellings of Neolithic people, but the houses had locking doors, a system of drainage and even, it seems, elemental plumbing with slots in the walls to sluice away wastes. The interiors were capacious. The walls, still standing, were up to ten feet high, so they afforded plenty of headroom, and the floors were paved. Each house has built-in stone dressers, storage alcoves, boxed enclosures presumed to be beds, water tanks, and damp courses that would have kept the interiors snug and dry. The houses are all of one size and built to the same plan, suggesting a kind of genial commune rather than a conventional tribal hierarchy. Covered passageways ran between the houses and led to a paved open area—dubbed “the marketplace” by early archaeologists—where tasks could be done in a social setting.

They followed through the double doors and along the narrow corridor beyond, which was lined with more portraits of famous Healers and lit by crystal bubbles full of candles that floated up on the ceiling, looking like giant soapsuds. More witches and wizards in lime-green robes walked in and out of the doors they passed; a foul-smelling yellow gas wafted into the passageway as they passed one door, and every now and then they heard distant wailing. They climbed a flight of stairs and entered the “Creature-Induced Injuries” corridor, where the second door on the right bore the words “DANGEROUS” DAI LLEWELLYN WARD: SERIOUS BITES. Underneath this was a card in a brass holder on which had been handwritten Healer-in-Charge: Hippocrates Smethwyck, Trainee Healer: Augustus Pye.

One had to be so careful...about remembering things. Thinking and remembering were something like walking along well-known paths and passageways that always used to lead to something lovely...but now, the same paths and passageways might end in something dead or frightening. Yes, one had to walk on tiptoe, remembering to look carefully ahead and turn quickly away before one was faced with something ruined or dead. The thing to do was to make little tunnels or thoughtways, from now to once-upon-a-time, each leading to a lovely thing to remember.

I called it the San Clemente Syndrome. Today's Basilica of San Clemente is built on the site of what once was a refuge for persecuted Christians. The home of the Roman consul Titus Flavius Clemens, it was burnt down during Emperor Nero's reign. Next to its charred remains, in what must have been a large, cavernous vault, the Romans built an underground pagan temple dedicated to Mithras, God of the Morning, Light of the World, over whose temple the early Christians built another church, dedicated -coincidentally or not, this is a matter to be further excavated to another Clement, Pope St. Clement, on top of which came yet another church that burnt down and on the site of which stands today's basilica. And the digging could go on and on. Like the subconscious, like love, like memory, like time itself, like every single one of us, the church is built on the ruins of subsequent restorations, there is no rock bottom, there is no first anything, no last anything, just layers and secret passageways and interlocking chambers, like the Christian Catacombs, and right along these, even a Jewish Catacomb.

That day and night, the bleeding and the screaming, had knocked something askew for Esme, like a picture swinging crooked on a wall. She loved the life she lived with her mother. It was beautiful. It was, she sometimes thought, a sweet emulation of the fairy tales they cherished in their lovely, gold-edged books. They sewed their own clothes from bolts of velvet and silk, ate all their meals as picnics, indoors or out, and danced on the rooftop, cutting passageways through the fog with their bodies. They embroidered tapestries of their own design, wove endless melodies on their violins, charted the course of the moon each month, and went to the theater and the ballet as often as they liked--every night last week to see Swan Lake again and again. Esme herself could dance like a faerie, climb trees like a squirrel, and sit so still in the park that birds would come to perch on her. Her mother had taught her all that, and for years it had been enough. But she wasn't a little girl anymore, and she had begun to catch hints and glints of another world outside her pretty little life, one filled with spice and poetry and strangers.

THERE’S SOMETHING IMPORTANT that the moment of stopping to listen has in common with the labyrinthine quality of attention-holding architecture: in their own ways, each enacts some kind of interruption, a removal from the sphere of familiarity. Every time I see or hear an unusual bird, time stops, and later I wonder where I was, just as wandering some unexpected secret passageway can feel like dropping out of linear time. Even if brief or momentary, these places and moments are retreats, and like longer retreats, they affect the way we see everyday life when we do come back to it.

Book Excerpt: "What about your family, Abu Huwa? Are you an orphan?” the little girl very innocently asked the Sphinx. “My father and your father are one and the same. However, I do have a brother who has stood as my mirror throughout time on the opposite horizon. It is I who faces east, but it is he who faces west. I am the recorder of yesterday and he holds the records of tomorrow. I am the positive, and he is my negative. I carry the right eye of the sun and he carries the left eye of the moon. He keeps his eye on the underworld and I keep an eye on the world over. Together we have joined the sky and earth, and split fire and water.” Seham stood on all toes to peek over the Sphinx's shoulder for a sign of his brother. “Where is he?” she asked, her eyes still searching the open horizon. “He has yet to be uncovered, but as I stand above the sands of time, he still sleeps below. Before the descent of Adam, we have both stood as loyal Protectors of the Two Halls of Truth.” The girl asked in astonishment, “I've never heard of these halls, Abu Huwa. Where are they?” “At the end of each of our tails is a passage that will reveal to you the secrets of Time. One hall reflects a thousand truths, and the other hall reflects all that is untrue. One will speak to your heart, and the other will speak to your mind. This is why you need to use both your heart and mind to understand which one is real, and which is a distorted illusion created to misguide those that have neglected their conscience. Both passageways connect you to the Great Hall of Records.” “What is the Hall of Records?” “The Great Pyramid, my child. It is as multidimensional in its shape as it is in its purpose. Every layer and every brick marks the coming of a prophet, the ascension of evil, or another cycle of man. It contains the entire history and future of mankind. And, as is above, so is below. Above ground, it serves as the most powerful energy source to harmonize and power the world! The shape of the pyramid above ground is also the same image mirrored beneath it. Underground, it serves as a powerful well and drain. This is really why Egypt is called the Land of Two Lands. There exists a huge world of its own underneath the plateau, a world within worlds. Large amounts of gold, copper and mercury were once housed here, including the secrets of Time, the 100th name of He Who Is All, and a gift from Truth that still awaits to be discovered. It sleeps with Time in the Great Pyramid, hidden away in a lower shaft that leads to the stars.” Dialogue from 'The Little Girl and the Sphinx' by Suzy Kassem, Rise Up and Salute the Sun (Dar-El Shams, 2010)

He had gone again and, emboldened by his first successful trip, had chosen a different sort of world to enter, that of THE MONK. He had studied the book with great care and finally selected a passage that was purely descriptive. The result was the same. The instant he closed the top of the showcase, he was transported to the world described in the open pages. He found himself standing - and shivering - in a dank corridor that, he knew, was far underground. Feeble candlelight flickered in the distance, off to his left. Water dripped down the gleaming walls and startled rats scurried past his feet. The air was stale and unpleasant. Down the corridor to his left, he could hear singing but could not make out the words. Then suddenly, from his right, he heard a woman's high-pitched scream, its sound caroming off the wet, stone walls of the passageway. He jumped, his skin crawling at the back of his neck. And found himself back in his warm and familiar room. ("I Shall Not Leave England Now")

Entering yet another code, she took the passageway to Rehv’s office, and when she came through his door, the three males around the desk all looked at her warily. She took up res against the black wall across from them. “What.” Rehv leaned back in his chair, crossing his fur-clad arms over his chest. “Are you getting ready to go into your needing.” As he spoke, Trez and iAm both made the Shadow hand motion for warding off disaster. “God, no. Why do you ask?” “Because, no offense, you’re cranky as fuck.” “I am not.” As the males looked at one another, she barked, “Stop that.” Oh, great, now they all just pointedly didn’t look at each other. -Xhex, Rehv, Trez & iAm

The eye in this city acquires an autonomy similar to that of a tear. The only difference is that it doesn't sever itself from the body but subordinates it totally. After a while - on the third or fourth day here- the body starts to regard itself as merely the eye's carrier, as a kind of submarine to its now dilating, now squinting periscope. Of course, for all its targets, its explosions are invariably self-inflicted: it's own heart, or else your mind, that sinks; the eye pops up to the surface. This, of course, owes to local topography, to the streets - narrow, meandering like eels - that finally bring you to a flounder of a campo with a cathedral in the middle of it, barnacled with saints and flaunting its Medusa-like cupolas. No matter what you set out for as you leave the house here, you are bound to get lost in these long, coiling lanes and passageways that beguile you to see them through to follow them to their elusive end, which usually hits water, so that you can't even call it a cul-de-sac. On the map this city looks like two grilled fish sharing a plate, or perhaps like two nearly overlapping lobster claws ( Pasternak compared it to a swollen croissant); but it has no north, south, east, or west; the only direction it has is sideways. It surrounds you like frozen seaweed, and the more you dart and dash about trying to get your bearings, the more you get lost. The yellow arrow signs at intersections are not much help either, for they, too, curve. In fact, they don't so much help you as kelp you. And in the fluently flapping hand of the native whom you stop to ask for directions, the eye, oblivious to his sputtering, A destra, a sinistra, dritto, dritto, readily discerns a fish.

I feel as though dispossessed from the semblances of some crystalline reality to which I’d grown accustomed, and to some degree, had engaged in as a participant, but to which I had, nevertheless, grown inexplicably irrelevant. But the elements of this phenomenon are now quickly dissolving from memory and being replaced by reverse-engineered Random Access actualizations of junk code/DNA consciousness, the retro-coded catalysts of rogue cellular activity. The steel meshing titters musically and in its song, I hear a forgotten tale of the Interstitial gaps that form pinpoint vortexes at which fibers (quanta, as it were) of Reason come to a standstill, like light on the edge of a Singularity. The gaps, along their ridges, seasonally infected by the incidental wildfires in the collective unconscious substrata. Heat flanks passageways down the Interstices. Wildfires cluster—spread down the base trunk Axon in a definitive roar: hitting branches, flaring out to Dendrites to give rise to this release of the very chemical seeds through which sentience is begotten. Float about the ether, gliding a gentle current, before skimming down, to a skip over the surface of a sea of deep black with glimmering waves. And then, come to a stop, still inanimate and naked before any trespass into the Field, with all its layers that serve to veil. Plunge downward into the trenches. Swim backwards, upstream, and down through these spiraling jets of bubbles. Plummet past the threshold to trace the living history of shadows back to their source virus. And acquire this sense that the viruses as a sample, all of the outlying populations withstanding: they have their own sense of self-importance, too. Their own religion. And they mine their hosts barren with the utilitarian wherewithal that can only be expected of beings with self-preservationist motives.

KUNDALINI DANCE Dark and cold and wet were Her hands I felt Her chilly breath inside my throat Her claws deep inside trying to find traces of Fear within me I stayed still Accepting Opening Receiving Within a moment She was inside Two fingers below My belly button In there She found no traces of shivers no traces of resistance, no traces of weakness just clear pure Passage-Way Then She grew into Her most powerful Self She stood undisturbed, unmoved, unchanged Totally free and She screamed AAAAAUUUUUUMMM From the centre of the earth, Through the tunnels of the caves, To the surface of the volcanoes AAAAUUUUUUMMMM To open: Mountain tops untouched by clouds and rain Cherry fields in their full blossom A dog running after a train filled with the excitement A witch laughing at passers-by mirroring their paranoia Death looking us in the eyes searching for the chosen Few Capable to see the Key behind Her magic veil

Our room swallowed light whole. Even in summer when sunlight glared through the windows, it was somehow dim inside. Now it was only Easter morning, and the muted sky of early spring offered scant relief to our tenebrous room. On our side of the house a gnarled and ancient oak tree spread its reach across the back facade of the house as if to shade and protect us. One of the massive branches of its principal fork reached invitingly right up to our window to offer to take us wherever we wanted to go. This great limb, with circumference grander than both of us together, was our stairway to heaven and our secret exit to the ground; it was our biplane in the Great War of our imaginations and a magic carpet to Araby; it was our lookout post and the clubhouse of our most secret fraternal order; it was our secret passageway through the imaginary castle we made of our house. It was our escape from the darkness into the light.

Time is the entryway to the past, the past is the doorway to the present, the present is the hallway to the future, and the future is the passageway to eternity. Reality is the entryway to awareness, awareness is the doorway to experience, experience is the hallway to truth, and truth is the passageway to knowledge. Intelligence is the entryway to insight, insight is the doorway to understanding, understanding is the hallway to wisdom, and wisdom is the passageway to enlightenment. Religion is the entryway to spirituality, spirituality is the doorway to faith, faith is the hallway to hope, and hope is the passageway to expectation. God is the entryway to light, light is the doorway to love, love is the hallway to life, and life is the passageway to existence. The soul is the entryway to the heart, the heart is the doorway to the mind, the mind is the hallway to the world, and the world is the passageway to the universe.

Been to your office, Lupin. You forgot to take your potion tonight, so I took a gobletful along. And very lucky I did . . . lucky for me, I mean. Lying on your desk was a certain map. One glance at it told me all I needed to know. I saw you running along this passageway and out of sight.” “Severus —” Lupin began, but Snape overrode him. “I’ve told the headmaster again and again that you’re helping your old friend Black into the castle, Lupin, and here’s the proof. Not even I dreamed you would have the nerve to use this old place as your hideout —” “Severus, you’re making a mistake,” said Lupin urgently. “You haven’t heard everything — I can explain — Sirius is not here to kill Harry —” “Two more for Azkaban tonight,” said Snape, his eyes now gleaming fanatically. “I shall be interested to see how Dumbledore takes this. . . . He was quite convinced you were harmless, you know, Lupin . . . a tame werewolf —” “You fool,” said Lupin softly. “Is a schoolboy grudge worth putting an innocent man back inside Azkaban?” BANG! Thin, snakelike cords burst from the end of Snape’s wand and twisted themselves around Lupin’s mouth, wrists, and ankles; he overbalanced and fell to the floor, unable to move. With a roar of rage, Black started toward Snape, but Snape pointed his wand straight between Black’s eyes. “Give me a reason,” he whispered. “Give me a reason to do it, and I swear I will.” Black stopped dead. It would have been impossible to say which face showed more hatred.

Our ghoulish mission was to search for bodies. It was rich hunting that day and the many thereafter. We started on a small scale—here a leg, there an arm, and an occasional baby—but struck a mother lode before noon. We cut our way through a basement wall to discover a reeking hash of over one hundred human beings. Flame must have swept through before the building’s collapse sealed the exits, because the flesh of those within resembled the texture of prunes. Our job, it was explained, was to wade into the shambles and bring forth the remains. Encouraged by cuffing and guttural abuse, wade in we did. We did exactly that, for the floor was covered with an unsavory broth from burst water mains and viscera. A number of victims, not killed outright, had attempted to escape through a narrow emergency exit. At any rate, there were several bodies packed tightly into the passageway. Their leader had made it halfway up the steps before he was buried up to his neck in falling brick and plaster. He was about fifteen, I think.

At that time I found that many of the citizens had been living under ground. The ridges upon which Vicksburg is built, and those back to the Big Black, are composed of a deep yellow clay of great tenacity. Where roads and streets are cut through, perpendicular banks are left and stand as well as if composed of stone. The magazines of the enemy were made by running passage-ways into this clay at places where there were deep cuts. Many citizens secured places of safety for their families by carving out rooms in these embankments. A door-way in these cases would be cut in a high bank, starting from the level of the road or street, and after running in a few feet a room of the size required was carved out of the clay, the dirt being removed by the door-way. In some instances I saw where two rooms were cut out, for a single family, with a door-way in the clay wall separating them. Some of these were carpeted and furnished with considerable elaboration. In these the occupants were fully secure from the shells of the navy,

Meanwhile, two miles down the mine shaft, nineteen men sat in absolute darkness trying to figure out what to do. One of the groups included a man whose arm had been pinned between two timbers, and, out of earshot, the others discussed whether to amputate it or not. The man kept begging them to, but they decided against it and he eventually died. Both groups ran out of food and water and started to drink their own urine. Some used coal dust or bark from the timbers to mask the taste. Some were so hungry that they tried to eat chunks of coal as well. There was an unspoken prohibition against crying, though some men allowed themselves to quietly break down after the lamps died, and many of them avoided thinking about their families. Mostly they just thought about neutral topics like hunting. One man obsessed over the fact that he owed $1.40 for a car part and hoped his wife would pay it after he died. Almost immediately, certain men stepped into leadership roles. While there was still lamplight, these men scouted open passageways to see if they could escape and tried to dig through rockfalls that were blocking their path. When they ran out of water, one man went in search of more and managed to find a precious gallon, which he distributed to the others. These men were also instrumental in getting their fellow survivors to start drinking their own urine or trying to eat coal. Canadian psychologists who interviewed the miners after their rescue determined that these early leaders tended to lack empathy and emotional control, that they were not concerned with the opinions of others, that they associated with only one or two other men in the group, and that their physical abilities far exceeded their verbal abilities. But all of these traits allowed them to take forceful, life-saving action where many other men might not.

We are all children in the dark, finding our way together to the light. Many define the light before the light is reached and fix on their defining. There in the dark they clamor for others to embrace their defining, demanding its elevation, and giving it names they claim as sacred. But all are still in the dark, distracted by so many claims to the one way out, all unseen, and fix their take with fear and penalty if not likewise elevated as the one and only way. Whereas I leave it open to what the opening will reveal. Layered writing is my tool to enable the opening to widen, and it is our consciousness, not our physical form that has trouble squeezing through the passageway to the way out of the dark, while so many call out in the dark they know the way, rather than allowing the way to reveal itself. Watch the silent ones, calm in demeanor, who are experienced at leaving ways open, in order to find it. They listen and feel their way, in different ways and on different levels. These have no following to create the clamor, nor seek the glamour the clamor brings. They are simply wise because they leave it open to what the opening may become, rather than what they have been fed from birth, they birth in solitude what might be, allowing layers of ways to formulate and in that way follow in their minds and hearts a revealed and reveled light yet unseen.

His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.

Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft. Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work. “What is it, Kestrel?” She shook her head. She set the violin back on the wall. “Ask me.” She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more. “You can ask me anything,” he said. Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?” He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.” Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.” “It’s not your fault.” It felt as if it was. Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood. It was newer. Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.