Party Prop Quotes

We've searched our database for all the quotes and captions related to Party Prop. Here they are! All 36 of them:

When Hel and I were Fivers, a Barbarian raiding party took us prisoner. I was trussed like a festival-day goat, but they tied Helene's hands in front of her with twine and propped her on the back of a pony, assuming she was harmless. That night, she used the twine to garrote three of our jailers and broke the necks of the other three with her bare hands. “They always underestimate me,” she said afterward, sounding puzzled.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Simon turned to Jordan, who was lying down across the futon, his head propped against one of the woven throw pillows. "How much of that did you hear?" "Enough to gather that we're going to a party tonight," said Jordan. "I heard about the Ironworks event. I'm not in the Garroway pack, so I wasn't invited." "I guess you're coming as my date now." Simon shoved the phone back into his pocket. "I'm secure enough in my masculinity to accept that," said Jordan. "We'd better get you something nice to wear, though," he called as Simon headed back into his room. "I want you to look pretty.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
This is modern liberalism in action: an unregulated virtue-exchange in which representatives of one class of humanity ritually forgive the sins of another class, all of it convened and facilitated by a vast army of well-graduated American professionals, their reassuring expertise propped up by bogus social science, while the unfortunate objects of their high and noble compassion sink slowly back into a preindustrial state.
Thomas Frank (Listen, Liberal: Or, What Ever Happened to the Party of the People)
Performing magic in the live show thrills me. Just get me a deck of cards and some attentive audience, and I have made my day and theirs too
Amit Kalantri (Wealth of Words)
Ridin'" [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention Pick me up after school, you can be my baby Maybe we could go somewhere, get a little crazy He’s rich and I’m wishin’, um, he could be my Mister Yum Delicious to the maximum, chew him up like bubble gum Mama’s pretty party favor, he says I’m his favorite flavor [Hook] Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [Lana Del Rey] You say that I am flawless, true perfection So give me all your drugs, props, money, and connections Pick me up after school, actin’ kinda shady You’re the coolest kid in town, I’m your little lady Your sick and I’m kissin’ him, magical musician, how I’m Drivin’ at the cinema, lovin’ him and lickin’ him He’s my love, the life saver Don’t step on my bad behavior Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [A$AP Rocky] Swervin’, swervin’, gettin’ all them dimes Tell her I be doin’, I be swaggin’ to my prime This ain’t all the time, it happens all the time That’s a big contradiction, get your money on your mind What, what, tell her I be on a chase Chasin’ for that paper and you see me on that race What, what, tell her I be goin’ first I be gon’ first and they put me in a herse, oh One big room, full of bad bitches, no One big room and it’s full of mad bitches Lana, Lana, tell them what it is Tell ‘em that you doin’ it, you mean to do it big I said, one big room, full of bad bitches, no it’s One big room and it’s full of mad bitches, I said Lana, Lana, tell them what it is Tell ‘em when you do it that you only do it big Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh
Lana Del Rey
When a society is decaying, it props it­ self up with lies about how great it is, how invincible, and how glorious the future will be. The schools are used to pass on these lies from one generation to the next , in the name of "tradition.
Terry Cannon (All Power to the People. The Story of the Black Panther Party)
THIS IS WHY He will never be given to wonder much if he was the mouth for some cruel force that said it. But if he were (this will comfort her) less than one moment out of millions had he meant it. So many years and so many turns they had swerved around the subject. And he will swear for many more the kitchen and everything in it vanished -- the oak table, their guests, the refrigerator door he had been surely propped against-- all changed to rusted ironwork and ash except in the center in her linen caftan: she was not touched. He remembers the silence before he spoke and her nodding a little, as if in the meat of this gray waste here was the signal for him to speak what they had long agreed, what somewhere they had prepared together. And this one moment in the desert of ash stretches into forever. They had been having a dinner party. She had been lonely. A friend asked her almost joking if she had ever felt really crazy, and when she started to unwind her answer in long, lovely sentences like scarves within her he saw this was the way they could no longer talk together. And that is when he said it, in front of the guests, because he couldn't bear to hear her. And this is why the guests have left and she screams as he comes near her.
Michael Ryan (God Hunger (Poets, Penguin))
That day was an education for me. I'll never forget it. Standing in teh doorway, watching the reaction of the men and women gathered there, I witnessed the poewrful effect of unwavering, uncomplaining, uncompromising leadership. It changed me. It was one of those moments when you say to yourself, [in italics] That's what I want to be when I grow up. and you know you've grown up a little already, simply because you recognize it. Norman called Ducky-Bob's party supply and ordered chairs while I wheeled the second bed out to the hallway. Mommy, Margaret Valentine, and I rushed around, getting everything we needed to cater the cramped but memorable even, and on Tuesday morning, about three dozen top members of the Chili's team jammed into Norman's room at Presbyterian Hospital. Norman didn't what his people to see him lying down, so I'd helped him get into a jogging suit and robe, and propped him up on one of those rolling carts they use to distribute meals. He was in unthinkable pain, but he spoke to them from his heart about how much he appreciated them, how committed he was to the success of the organization, and how far they could all go together.
Nancy G. Brinker (Promise Me: How a Sister's Love Launched the Global Movement to End Breast Cancer)
Of course he enticed them!” “Well now,” said the sergeant, propping his bicycle carefully against one of our pumps. “This is a very hinterestin’ haccusation, very hinterestin’ indeed, because I hain’t never ’eard of nobody hen-ticin’ a pheasant across six miles of fields and open countryside. ’Ow do you think this hen-ticin’ was performed, Mr. ’Azell, if I may hask?” “Don’t ask me how he did it because I don’t know!” shouted Mr. Hazell. “But he’s done it all right! The proof is all around you! All my finest birds are sitting here in this dirty little filling station when they ought to be up in my own wood getting ready for the shoot!” The words poured out of Mr. Hazell’s mouth like hot lava from an erupting volcano. “Am I correct,” said Sergeant Samways, “am I habsolutely haccurate in thinkin’ that today is the day of your great shootin’ party, Mr. ’Azell?
Roald Dahl (Danny the Champion of the World)
A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
An International People's Tribunal assembled later in the Netherlands found the Indonesian military guilty of a number of crimes against humanity, including torture, unjustified and long-term detainment in cruel conditions, forced labour amounting to enslavement, and systemic sexual violence. The judges found that all this was carried out for political purposes--to destroy the Communist Party and then "prop up a violent, dictatorial regime"--with the assistance of the United States, the UK, and Australia.
Vincent Bevins (The Jakarta Method: Washington's Anticommunist Crusade and the Mass Murder Program that Shaped Our World)
Washington’s Farewell Address consists of a series of warnings about the danger of disunion. The North and the South, the East and the West, ought not to consider their interests separate or competing, Washington urged: “your union ought to be considered as a main prop of your liberty.” Parties, he warned, were the “worst enemy” of every government, agitating “the community with ill-founded jealousies and false alarms,” kindling “the animosity of one part against another,” and even fomenting “riot and insurrection.
Jill Lepore (These Truths: A History of the United States)
Washington's Farewell Address consists of a series of warnings about the danger of disunion. The North and the South, the East and the West, ought not to consider their interests separate or competing, Washington urged, "your union ought to be considered as a main prop of your liberty." Parties, he warned, were the "worst enemy" of every government, agitating "the community with ill-founded jealousies and false alarms," kindling "the animosity of one part against another," and even fomenting "riot and insurrection". As to the size of the Republic, "Is there a doubt whether a common government can embrace so large a sphere? Let experience solve it." The American experiment must go on. But it could only thrive if the citizens were supported by religion and morality, and if they were well educated. "Promote, then, as an object of primary importance, institutions for the general diffusion of knowledge," he urged. "In proportion as the structure of a government gives force to public opinion, it is essential that the public opinion should be enlightened.
Jill Lepore (These Truths : A History of the United States)
Some have argued that capitalism promotes democracy, because of common norms of transparency, rule of law, and free competition—for markets, for ideas, for votes. In some idealized world, capitalism may enhance democracy, but in the history of the West, democracy has expanded by limiting the power of capitalists. When that project fails, dark forces are often unleashed. In the twentieth century, capitalism coexisted nicely with dictatorships, which conveniently create friendly business climates and repress independent worker organizations. Western capitalists have enriched and propped up third-world despots who crush local democracy. Hitler had a nice understanding with German corporations and bankers, who thrived until the unfortunate miscalculation of World War II. Communist China works hand in glove with its capitalist business partners to destroy free trade unions and to preserve the political monopoly of the Party. Vladimir Putin presides over a rigged brand of capitalism and governs in harmony with kleptocrats. When push comes to shove, the story that capitalism and democracy are natural complements is a myth. Corporations are happy to make a separate peace with dictators—and short of that, to narrow the domain of civic deliberation even in democracies. After Trump’s election, we saw corporations standing up for immigrants and saluting the happy rainbow of identity politics, but lining up to back Trump’s program of gutting taxes and regulation. Some individual executives belatedly broke with Trump over his racist comments, but not a single large company has resisted the broad right-wing assault on democracy that began long before Trump, and all have been happy with the dismantling of regulation. If democracy is revived, the movement will come from empowered citizens, not from corporations.
Robert Kuttner (Can Democracy Survive Global Capitalism?)
Who is this man with the temper?” “His name is Richard. He is the Seeker of Truth.” Whispers broke out among the other members of the hunting party. Savidlin’s eyes sought Richard’s. “Strength to Richard, the Seeker.” Kahlan told him what Savidlin had said. There was still a hot look on his face. Savidlin stepped up and hit Richard, not with an open hand as he had hit her, but with his fist. Immediately Richard unleashed a powerful blow of his own that knocked Savidlin from his feet and sent him sprawling on his back. He lay dazed on the ground with his limbs strewn awkwardly out. Fists tightened on weapons. Richard straightened, giving the men a dangerous look that kept them rooted firmly in place. Savidlin propped himself up on one hand, rubbing his jaw with the other. A grin spread across his face. “None has ever shown such respect for my strength! This is a wise man.
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
HYSTERICAL HISTORY Bumping into Vincent O’Neil makes me think about what Uncle Frankie said. I need new material for Boston, not Vincent’s stale and stinky fart jokes from The Big Book of Butt Bugles and Blampfs. So I keep my eyes open for new concepts to work out as I go to history class that afternoon. We’re supposed to give a presentation on our favorite president. I chose Millard Fillmore. Why? Because nobody else will. Plus, his name is funny. Who knows? Maybe I’ll get a whole bit out of him for Boston. I roll to the front of the class and prop a portrait of President Fillmore on the flip-chart easel. “Millard Fillmore was the thirteenth president of the United States. Born in January 1800, he was named after a duck. No, I’m sorry. That was his brother Mallard Fillmore. Millard Fillmore was the last member of the Whig Party to ever hold the office of president. Probably because they all wore wigs.
James Patterson (I Even Funnier - FREE PREVIEW EDITION (The First 13 Chapters): A Middle School Story)
Fascism has a contradictory character and carries within it strong elements of ideological and political dislocation and dissolution. Its goal is to recast the old bourgeois 'democratic' state into a fascist state based on violence. This unleashes conflicts between the old established bureaucracy and the new fascist one; between the standing army with its officer corps and the new militia with its leaders; between the violent fascist policies in the economy and state and the ideology of the remaining liberal and democratic bourgeoisie; between the monarchists and republicans; between the actual fascists (the blackshirts) and the nationalists recruited into the party and its militia; between the fascists' original program, which deceived the masses and achieved victory, and present-day fascist politics, which serve the interest of industrial capitalists and above all heave industry, which has been propped up artificially.
Clara Zetkin (Fighting Fascism: How to Struggle and How to Win)
Ronan was waiting for her beyond the estate’s guarded gate. From the looks of things, he had been waiting for some time. His horse was nosing brown grass as Ronan sat on a nearby boulder, throwing pebbles at the general’s stone wall. When he saw Kestrel ride through the gate on Javelin, he flung his handful of rocks to the path. He remained sitting, elbows propped on his bended knees as he stared at her, his face pinched and white. He said, “I have half a mind to tear you down from your horse.” “You got my message, then.” “And rode instantly here, where guards told me that the lady of the house gave strict orders not to let anyone--even me--inside.” His eyes raked over her, taking in the black fighting clothes. “I didn’t believe it. I still don’t believe it. After you vanished last night, everyone at the party was talking about the challenge, yet I was sure it was just a rumor started by Irex because of whatever has caused that ill will between you. Kestrel, how could you expose yourself like this?” Her hands tightened around the reins. She thought about how, when she let go, her palms would smell like leather and sweat. She concentrated on imagining that scent. This was easier than paying heed to the sick feeling swimming inside her. She knew what Ronan was going to say. She tried to deflect it. She tried to talk about the duel itself, which seemed straightforward next to her reasons for it. Lightly, she said, “No one seems to believe that I might win.” Ronan vaulted off the rock and strode toward her horse. He seized the saddle’s pommel. “You’ll get what you want. But what do you want? Whom do you want?” “Ronan.” Kestrel swallowed. “Think about what you are saying.” “Only what everyone has been saying. That Lady Kestrel has a lover.” “That’s not true.” “He is her shadow, skulking behind her, listening, watching.” “He isn’t,” Kestrel tried to say, and was horrified to hear her voice falter. She felt a stinging in her eyes. “He has a girl.” “Why do you even know that? So what if he does? It doesn’t matter. Not in the eyes of society.” Kestrel’s feelings were like banners in a storm, snapping at their ties. They tangled and wound around her. She focused, and when she spoke, she made her words disdainful. “He is a slave.” “He is a man, as I am.” Kestrel slipped from her saddle, stood face-to-face with Ronan, and lied. “He is nothing to me.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?” “If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.” “They’re back, then?” “Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.” Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?” “Back to England.” The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped. “Because Miss Cameron’s uncle has accepted an offer for her hand.” The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?” “Sir Francis Belhaven, I believe.” Ian’s lips twisted with excruciating distaste. “You don’t admire him, I gather?” Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.” “That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.” “That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.” Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.” “What the hell is that supposed to mean?” “You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
Judith McNaught (Almost Heaven (Sequels, #3))
Open All Night" (originally by Bruce Springsteen) I had the carburetor cleaned and checked With her line blown out, she's hummin' like a turbojet Propped her up in the backyard on concrete blocks For a new clutch plate and a new set of shocks Took her down to the carwash, check the plugs and points I'm goin' out tonight, I'm gonna rock that joint Early north Jersey industrial skyline I'm a all-set cobra jet creepin' through the nighttime Gotta find a gas station, gotta find a payphone This turnpike sure is spooky at night when you're all alone Gotta hit the gas, baby, I'm runnin' late This New Jersey in the mornin' like a lunar landscape The boss don't dig me, so he put me on the nightshift It takes me two hours to get back to where my baby lives In the wee wee hours, your mind gets hazy Radio relay towers, won't you lead me to my baby? Underneath the overpass, trooper hits his party light switch Goodnight, good luck, one two powershift I met Wanda when she was employed Behind the counter at the Route 60 Bob's Big Boy Fried chicken on the front seat, she's sittin' in my lap We're wipin' our fingers on a Texaco roadmap I remember Wanda up on scrap metal hill With them big brown eyes that make your heart stand still 5 A.M., oil pressure's sinkin' fast I make a pit stop, wipe the windshield, check the gas Gotta call my baby on the telephone Let her know that her daddy's comin' on home Sit tight, little mama, I'm comin' round I got three more hours, but I'm coverin' ground Your eyes get itchy in the wee wee hours Sun's just a red ball risin' over them refinery towers Radio's jammed up with gospel stations Lost souls callin' long distance salvation Hey Mr. DJ, won't you hear my last prayer? Hey ho rock 'n' roll, deliver me from nowhere Ryan Adams, Nebraska (2022)
Ryan Adams
When Bush and Clinton were talking in 1984, Bush told Clinton ‘when the American people become disillusioned with Republicans leading them into the New World Order, you, as a Democrat, will be put into place.’ I expect that Clinton will be our next President based on that conversation I heard.” “This is serious information!” Billy looked up from his work. “Its no wonder the Feds are worried about your revealing what you know.” “There are a lot of people who know what I know7,” I assured him. “And even more are waking up to reality fast. People with Intelligence operating on a Need-to-Know are gaining insight into a bigger picture with the truth that is emerging. They gain one more piece of the puzzle and the Big Picture suddenly comes into focus. When it does, their paradigms shift. Mark and I are also aware of numerous scientists waking up to the reality of a New World Order agenda who are furious that they’ve been mislead and used. These people are uniting with strength, and the New World Order elite will need to play their hold card and switch political parties. Watch and see. Clinton will appear to ‘defeat’ Bush according to plan, while Bush continues business as usual from behind the scenes of the New World Order.” “Who do you think will follow Clinton?” “A compliant, sleeping public mesmerized by his Oxford learned charisma.” Billy looked up from his work again to clarify his question. “I mean into the Presidency.” “Hillary?” I smiled half-heartedly. “Seriously, she is brighter than Bill, and is even more corrupt. Knowing her, she’d probably rather work behind the scenes, although she may be used as another appearance of ‘change’ since she’s a woman. That’s just speculation based on how these criminals operate. They want to keep their power all in the family. I did see Bush, Jr. being conditioned, and trained for the role of President at the Mount Shasta, California military programming compound in 19868. He’s not very bright, though, so I don’t know how they could possibly prop him up…
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
He shivered. A picture appeared in his mind’s eye, a big photograph in a wooden frame: the delegates to the first congress of the Party. They sat at a long wooden table, some with their elbows propped on it, others with their hands on their knees; bearded and earnest, they gazed into the photographer’s lens. Above each head was a small circle, enclosing a number corresponding to a name printed underneath. All were solemn, only the old man who was presiding had a sly and amused look in his slit Tartar eyes. Rubashov sat second to his right, with his pince-nez on his nose. No. 1 sat somewhere at the lower end of the table, four square and heavy. They looked like the meeting of a provincial town council, and were preparing the greatest revolution in human history. They were at that time a handful of men of an entirely new species: militant philosophers. They were as familiar with the prisons in the towns of Europe as commercial travellers with the hotels. They dreamed of power with the object of abolishing power; of ruling over the people to wean them from the habit of being ruled. All their thoughts became deeds and all their dreams were fulfilled. Where were they? Their brains, which had changed the course of the world, had each received a charge of lead. Some in the forehead, some in the back of the neck. Only two or three of them were left over, scattered throughout the world, worn out. And himself; and No. 1.
Arthur Koestler (Darkness at Noon)
I know it’s early in the party--the huge wine bottle’s still almost full, and the night is young--but I’m impressed at how good everyone looks. And sober. No one’s pink-faced and stumbling, no one’s slurring their words. The groups of people are all mixed. It’s not like the London parties I’ve been to, with boys at one end of the room getting drunk enough to build up the courage to talk to the girls, who are at the other end giggling and pretending to ignore them. This is impressively grown up. And Luca was bang-on in his assessment of me. I’m standing here alone, no one coming to talk to me. I think I look pretty nice: I did myself up in my best makeup, dark smoky eyes and red lipstick. I wish I could wear white, like Kendra, who looks amazing in it, but I’m a little too body-conscious for that. Kendra has an athlete’s body, and I don’t. I’m okay with not being really thin, but I’d feel like a great white whale if I wore a white outfit. Is it a whale? I wonder. Or a shark? I shrug. These are the kind of questions you find yourself pondering when you’re at a fantastic party, all your girlfriends have been snapped up on sight, and you’re busy propping up the drinks table with your bum because no one wants to talk to you.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
Is it a whale? I wonder. Or a shark? I shrug. These are the kind of questions you find yourself pondering when you’re at a fantastic party, all your girlfriends have been snapped up on sight, and you’re busy propping up the drinks table with your bum because no one wants to talk to you.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
give you props for that. I never liked how the state let this place fall apart. I’m glad you’re refurbishing it.” “Thanks, I guess,” I said, my internal danger alarm sounding. Why would Hemlock Cove’s police chief visit me on official business? “What’s going on?” “Well, we’ve had reports of local teenagers raising a ruckus out here,” Chief Terry said. “I want you to be on the lookout in case they try to break into the lighthouse or vandalize any of the construction.” “I’ve been living out here,” I pointed out. “I think I would’ve heard something like that.” “We’ve gotten four different reports from neighbors,” Chief Terry supplied. “I think the kids are partying out here from the sounds of it, but Lionel Strong claims that they’re out here sacrificing chickens,
Amanda M. Lee (Bewitched (Wicked Witches of the Midwest Shorts, #6))
The reason a shuttlecraft was not available to retrieve the landing party is that Desilu decided to defer construction of the life-size prop and its corresponding miniature until it was known if the series would be picked up for the balance of the season.
Marc Cushman (These are the Voyages: TOS Season One (These are the Voyages, #1))
This is not, however, to let Barbie off the hook. In the doll's early years, before women spoke openly about anorexia, Barbie's props encouraged girls to obsess on their weight. In addition to pink plastic hair curlers, Barbie's 1965 "Slumber Party" outfit featured a bathroom scale permanently set at 110. Mattel also gave her bedtime reading—a book called How to Lose Weight that offered this advice: "Don't Eat.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
Is it time to go?” she asked, propping herself onto her elbow. He tugged up the collar of his coat and slipped his feet into his boots. Then he looked at her with a seriousness that sent a jolt of fear through her. “We can’t leave.” “Sure we can.” She pushed herself up but was immediately overcome by a wave of dizziness. “Even if you were up to leaving, which you’re not”—he nodded at her weak attempt at sitting up—“I let the horse go last night. It was her only chance of surviving. Hopefully she made her way back to the stable.” “We could walk—” “Not without snowshoes. The snow’s too deep and the wind too harsh.” She leaned back again, suddenly weary and cold. “Then we’re stuck here?” “Until a rescue party comes for us.” He pulled on his gloves. “Or until spring. Whichever comes first.” He gave a halfhearted grin at his attempt at a joke.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Up top, we saw a party on the verge of a breakout. The three respectful men were, in fact, security guards. On the far edge of the plot, four scraggly dudes were fiddling around with a PA. A guitar and a drum set lay in the grass behind them. A stand-up bass had been propped up against a gravestone. Surrounding a folding table stocked with handles of Costco booze were six or seven men with fuck-you-Dad piercings—septa, cheeks, foreheads—and tribal facial tattoos. I counted seven, maybe fifteen dogs running around, yapping at one another, and at least twenty or so old hippies, each one dressed in his or her referential, Harold and Maude best, smiling and drinking out of red plastic cups.
Jay Caspian Kang (The Dead Do Not Improve)
If you've made it this far in this book, you might be thinking yourself lucky. You might be feeling be feeling grateful that you never went to a tea party meeting, you never wrote a climate research paper, you never donated to Prop 8, you never supported Scott Walker, you never donated any money to ALEC, you never ran a company subject to shareholder proxies, you never volunteered for Americans for Prosperity, you have never had your speech rights assaulted. Only, you'd be wrong. You have. Every person in the United States of America did on Sept. 11, 2014. That day goes down in constitutional infamy. In some ways it shouldn't have come as a surprise. The Left started its intimidation game by trying to silence a non profit here a company there, a big donor here a trade associate there, but along the way it wrapped in small donors and scholars and scientists and petition signers and share holders and free market professors and grass root groups. It was only a matter of time before it came to the obvious conclusion - everybody has too much free speech. And so on Sept. 11, 2014, fifty four members of the senate democratic caucus voted to do something that has never been attempted in the history of the this glorious country. They voted to alter the first amendment.
Kimberly Strassel
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The Party Planners
Broomsticks? Are you serious?” Kirin laughs again. “They’re mostly used in rituals. Though for the students who have the power of levitation, they make a fun prop at parties.
Sarah Piper (Spells of Iron & Bone (Tarot Academy, #1))
Even nonradicalized authoritarian regimes glorified the military. For all his desire to stay out of the war, Franco seized the opportunity offered by the defeat of France in 1940 to occupy Tangiers, as we saw earlier. Military parades were a major form of public ritual for Franquist Spain. Defeated France, under the Vichy regime of World War I hero Marshal Pétain, put much energy into military pomp and patriotic display. It never stopped asking the Nazi occupation authorities to allow the tiny Vichy Armistice Army to play a greater role in the defense of French soil from an Allied invasion. Even the quietist Portuguese dictator Salazar could not neglect the African empire that provided major emotional and economic support for his authoritarian state. But there is a difference between authoritarian dictatorships’ glorification of the military and the emotional commitment of fascist regimes to war. Authoritarians used military pomp, but little actual fighting, to help prop up regimes dedicated to preserving the status quo. Fascist regimes could not survive without the active acquisition of new territory for their “race”—Lebensraum, spazio vitale—and they deliberately chose aggressive war to achieve it, clearly intending to wind the spring of their people to still higher tension. Fascist radicalization was not simply war government, moreover. Making war radicalizes all regimes, fascist or not, of course. All states demand more of their citizens in wartime, and citizens become more willing, if they believe the war is a legitimate one, to make exceptional sacrifices for the community, and even to set aside some of their liberties. Increased state authority seems legitimate when the enemy is at the gate. During World War II, citizens of the democracies accepted not only material sacrifices, like rationing and the draft, but also major limitations on freedom, such as censorship. In the United States during the cold war an insistent current of opinion wanted to limit liberties again, in the interest of defeating the communist enemy. War government under fascism is not the same as the democracies’ willing and temporary suspension of liberties, however. In fascist regimes at war, a fanatical minority within the party or movement may find itself freed to express a furor far beyond any rational calculation of interest. In this way, we return to Hannah Arendt’s idea that fascist regimes build on the fragmentation of their societies and the atomization of their populations. Arendt has been sharply criticized for making atomization one of the prerequisites for Nazi success. But her Origins of Totalitarianism, though cast in historical terms, is more a philosophical meditation on fascism’s ultimate radicalization than a history of origins. Even if the fragmentation and atomization of society work poorly as explanations for fascism’s taking root and arriving in power, the fragmentation and atomization of government were characteristic of the last phase of fascism, the radicalization process. In the newly conquered territories, ordinary civil servants, agents of the normative state, were replaced by party radicals, agents of the prerogative state. The orderly procedures of bureaucracy gave way to the wild unstructured improvisations of inexperienced party militants thrust into ill-defined positions of authority over conquered peoples.
Robert O. Paxton (The Anatomy of Fascism)
Bud Light?” she asks in a distasteful tone. “Did you think you would be getting a microbrew? It’s a college house.” “Still”—she takes a sip and cringes—“I thought you’d have a little more class.” “You’re giving me too much credit.” I nod my head toward the corner of the loft where there are less people. When she doesn’t initially follow me, I turn back around, grab her hand like I had to in class, and pull her across the loft until we’re settled in the corner. I lean against the wall and prop one leg behind me. She eyes me, giving me a full once-over. I do the same. She’s damn hot, and I’m regretting my actions last Saturday, passing out mid grope. Finally she says, “You seem to have lost your shirt.” She motions with her finger over my bare chest. I look down at her legs and reply, “Must be where the other half of your skirt is.” “Think they’re making out in a laundromat somewhere?” She takes a sip of her beer and cringes again. A few more sips and she’ll get used to it; always happens for me. “If they are, I hope they use the gentle cycle.” Her brow pulls together. “Not sure if that makes sense.” “Oh, because half of a skirt and a shirt making out in a laundromat does?” “In children’s books, sure.” “What kind of perverted children’s books did you read growing up?” I counter. “You know, the classics,” she answers causally. “One Fish, Two Fish, Red Fish, Blue Fish and Skirt and Shirt, Lovers for Life.” “Ah, yes, I forgot about that passionate yet eye-opening youth literature that took the New York Times by storm.” “I have five signed first-edition copies in a box in my parents’ attic. Banking on them to clear out my student loans.” She sips her beer, flips her hair behind her shoulder, glances at my chest again. “Five?” I answer sarcastically. “Damn, forget college loans, you’re set for life.” “You think?” She glances around. “What the hell am I doing here then?” “To see me of course,” I answer with a smile. She rolls her eyes. “More like dragged to this party because my roommate has a crush on one of your freshmen.” “Yeah, which one?” I look over her head, eyeing all the partygoers. “No idea, but apparently he has amazing blue eyes.” “Amazing, huh? Has to be Gunner. I was even stunned by his eyes when he was recruited.” No joke, the dude won the lottery for irises. I’m even jealous with how . . . aqua they are. “Not ashamed to admit that?” she asks, shifting on her heels. “Not even a little.
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
may surprise you,’ he urged. Lily’s eyes no longer smiled. Now their licorice darkness reflected only bitterness. ‘It’s not a matter of me finding the courage, Jack. I know my parents. They won’t surprise me. They’re very predictable. They’re also traditional and as far as they’re concerned, I’m as good as engaged … no, married! And they approve of Jimmy.’ Her expression turned glum. ‘All that’s missing are the rings and the party.’ ‘Lily, risk their anger or whatever it is you’re not prepared to provoke but don’t do this.’ He stroked her cheek. ‘Forget me. I’m not important. I’m talking about the rest of your life, here. From what I can see of my friends and colleagues, marriage is hard enough without the kiss of death of not loving your partner.’ ‘It’s not his fault, Jack. You don’t understand. It’s complicated. And in his way, Jimmy is very charismatic.’ Jack didn’t know Professor James Chan, eminent physician and cranio-facial surgeon based at Whitechapel’s Royal London Hospital, but he already knew he didn’t much like him. Jack might be sleeping with Lily and loving every moment he could share with her, but James Chan had a claim on her and that pissed Jack off. Privately, he wanted to confront the doctor. Instead, he propped himself on one elbow and tried once more to reason with Lily. ‘It’s not complicated, actually. This isn’t medieval China or even medieval Britain. This is London 2005. And the fact is you’re happily seeing me … and you’re nearly thirty, Lily.’ He kept his voice light even though he felt like shaking her and cursing. ‘Are you asking me to make a choice?’ He shook his head. ‘No. I’m far more subtle. I’ve had my guys rig up a camera here. I think I should show your parents exactly what you’re doing when they think you’re comforting poor Sally. I’m particularly interested in hearing their thoughts on that rather curious thing you did to me on Tuesday.’ She gave a squeal and punched him, looking up to the ceiling, suddenly unsure. Jack laughed but grew serious again almost immediately. ‘Would it help if I —?’ Lily placed her fingertips on his mouth to hush him. She kissed him long and passionately before replying. ‘I know I shouldn’t be so answerable at my age but Mum and Dad are so traditional. I don’t choose to rub it in their face that I’m not a virgin. Nothing will help, my beautiful Jack. I will marry Jimmy Chan but we have a couple more weeks before I must accept his proposal. Let’s not waste it arguing and let’s not waste it on talk of love or longing. I know you loved the woman you knew as Sophie, Jack. I know you’ve been hiding from her memory ever since and, as much as I could love you, I am not permitted to because I’m spoken for and you aren’t ready to be in love again. This is not a happy-ever-after situation for us. I know you enjoy me and perhaps could love me but this is not the right moment for us to speak of anything but enjoying the time we have, because neither of us is available for anything beyond that.’ ‘You’re wrong, Lily.’ She smiled sadly and shook her head. ‘I have to go.’ Jack sighed. ‘I’ll drop you back.’ ‘No need,’ Lily said, moving from beneath the quilt, shivering as the cool air hit her naked body. ‘I have to pick up Alys from school. She’s very sharp and I don’t need her spotting you – especially as she’s had a crush on you since you first came into the flower shop.’ Suddenly she grinned. ‘If you hurry up, at least we can shower together!’ Jack leaped from the bed and dashed to the bathroom to turn on the taps. He could hear her laughing behind him but he felt sad. Two more weeks. It wasn’t fair – and then, as if the gods had decided to punish him further, his mobile rang, the ominous theme of Darth Vader telling him this was not a call he could ignore. He gave a groan. ‘Carry on without me,’ he called to Lily, reaching for the phone. ‘Hello, sir,’ he said, waiting for the inevitable apology
Fiona McIntosh (Beautiful Death (DCI Jack Hawksworth #2))
Odysseus is the statesman of the Iliad, the man in the middle, keeping what balance he can among the parties. He shows himself at Troy, as later on Ithaca, as a firm conservative, in the sense that he props up the status quo—in this case, his insufficient chief. In his own poem a complementary side to his law-and-order propensity will show itself: a wide and deep imagination. The man of order, balance, and tradition, the centrist par excellence in public life, is a vividly imagining free spirit in his inner life.
Eva Brann (Homeric Moments: Clues to Delight in Reading the Odyssey and the Iliad)