Partly Cloudy Quotes

Being a nerd, which is to say going too far and caring too much about a subject, is the best way to make friends I know.

When I find myself in times of trouble, mother Mary comes to me, speaking words of wisdom, let it be. And in my hour of darkness she is standing right in front of me, speaking words of wisdom, let it be. Let it be, let it be, let it be, let it be. Whisper words of wisdom, let it be. And when the broken hearted people living in the world agree, there will be an answer, let it be. For though they may be parted there is still a chance that they will see, there will be an answer. let it be. Let it be, let it be, ..... And when the night is cloudy, there is still a light, that shines on me, shine until tomorrow, let it be. I wake up to the sound of music, mother Mary comes to me, speaking words of wisdom, let it be. Let it be, let it be, .....

Buffy's high school was built on top of a vortex of evil, the Hellmouth. And whose wasn't?

The true American patriot is by definition skeptical of the government.

Today is one of those excellent January partly cloudies in which light chooses an unexpected part of the landscape to trick out in gilt, and then the shadow sweeps it away. You know you’re alive. You take huge steps, trying to feel the planet’s roundness arc between your feet.

There are two kinds of people in the world: the kind who alphabetize their record collections, and the kind who don't.

In these fast and fickle times, it’s nice to know that there are some things you can always count on: the enduring brilliance of the last page of The Great Gatsby; the near-religious harmonies of the Beach Boys’ “California Girls”; and the lifelong friendship of Matt Damon and Ben Affleck.

Along with voting, jury duty, and paying taxes, goofing off is one of the central obligations of American citizenship.

Being a nerd, which is to say going too far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm . . . At fifteen, I couldn't say two words about the weather or how I was doing, but I could come up with a paragraph or two about the album Charlie Parker with Strings. In high school, I made the first real friends I ever had because one of them came up to me at lunch and started talking about the Cure.

The modern mocha is a bittersweet concoction of imperialism, genocide, invention, and consumerism served with whipped cream on top

No cowboys for Canada. Canada got Mounties instead - Dudley Do-Right, not John Wayne. It's a mind-set of "Here I come to save the day" versus "Yippee-ki-yay, motherfucker.

As recently as fifty years ago my grandmother was picking cotton with bleeding fingers. I think about her all the time while I'm getting overpaid to sit at a computer, eat Chinese takeout, and think up things in my pajamas, The half century separating my fingers, which are moisturized with cucumber lotion and type eighty words per minute, and her bloody digits is an ordinary Land of Opportunity parable, and don't think I don't appreciate it.

Once or twice a day, I am enveloped inside what I like to call the Impenetrable Shield of Melancholy. This shield, it is impenetrable. Hence the name. I cannot speak. And while I can feel myself freeze up, I can't do anything about it.

When one of a culture's guiding credos is that "all men are created equal," any person who, say, becomes an expert on, say, nuclear weapons or, say, ecology, i.e., anyone who distinguishes himself through mental excellence, is a nuisance.

I wish that in order to secure his party’s nomination, a presidential candidate would be required to point at the sky and name all the stars; have the periodic table of the elements memorized; rattle off the kings and queens of Spain; define the significance of the Gatling gun; joke around in Latin; interpret the symbolism in seventeenth-century Dutch painting; explain photosynthesis to a six-year-old; recite Emily Dickenson; bake a perfect popover; build a shortwave radio out of a coconut; and know all the words to Hoagy Carmichael’s “Two Sleepy People”, Johnny Cash’s “Five Feet High and Rising”, and “You Got the Silver” by the Rolling Stones...What we need is a president who is at least twelve kinds of nerd, a nerd messiah to come along every four years, acquire the Secret Service code name Poindexter, install a Revenge of the Nerds screen saver on the Oval Office computer, and one by one decrypt our woes.

That's what we Americans do when we find a place that's really special. We go there and act exactly like ourselves. And we are a bunch of fun-loving dopes.

I shouted to the cop who pulled us over for dreaming. I'm not high, officer, I just don't believe in time. Tomorrow, partly cloudy with a chance.

He spent part of last year working in Canada, and I think it rubbed off on him, diminishing his innate American ability to celebrate the civic virtue of idiocy.

There seems to be no end to the satisfaction one gets in having one’s opinions confirmed.

On Drinking Alone by Moonlight Here are flowers and here is wine, But where’s a friend with me to join Hand in hand and heart to heart In one full cup before we part? Rather than to drink alone, I’ll make bold to ask the moon To condescend to lend her face The hour and the scene to grace. Lo, she answers, and she brings My shadow on her silver wings; That makes three, and we shall be. I ween, a merry company The modest moon declines the cup, But shadow promptly takes it up, And when I dance my shadow fleet Keeps measure with my flying feet. But though the moon declines to tipple She dances in yon shining ripple, And when I sing, my festive song, The echoes of the moon prolong. Say, when shall we next meet together? Surely not in cloudy weather, For you my boon companions dear Come only when the sky is clear.

I drank that sentence and began to glow.

I revere the Bill of Rights, but at the same time I believe that anyone who's using three or more of them at a time is hogging them too much. (152)

Partly cloudy means mostly sunny

I don't know how to describe the magnificence of Carlsbad Caverns without making it sound like a cartoon or a drug trip or a cartoon of a drug trip. The only thing I can say is that it is one of those dear places that make you love the world.

The more history I learn, the more the world fills up with stories.

But I have never had the privilege of unhappiness in Happy Valley. California is about the good life. So a bad life there seems so much worse than a bad life anywhere else. Quality is an obsession there—good food, good wine, good movies, music, weather, cars. Those sound like the right things to shoot for, but the never-ending quality quest is a lot of pressure when you’re uncertain and disorganized and, not least, broker than broke. Some afternoons a person just wants to rent Die Hard, close the curtains, and have Cheerios for lunch.

Um," I asked, "isn't the whole point about being a slave that you don't have a choice to be anything else?" Prettying up the word slave with the adjective-noun constructions makes "enslaved African" sound nonchalant. As in "Those were the cabins of the jolly leprechauns.

The best part about being a nerd within a community of nerds is the insularity – it’s cozy, familial, come as you are. In a discussion board on the Web site Slashdot.org about Rushmore, a film with a nerdy teen protagonist, one anonymous participant pinpointed the value of taking part in detail-oriented zealotry: Geeks tend to be focused on very narrow fields of endeavor. The modern geek has been generally dismissed by society because their passions are viewed as trivial by those people who ‘see the big picture.’ Geeks understand that the big picture is pixilated and their high level of contribution in small areas grows the picture. They don’t need to see what everyone else is doing to make their part better. Being a nerd, which is to say going to far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm like detective novels or Ulysses S. Grant.

There are freaky talking mannequins in the Salem Witch Museum that recite the Lord's Prayer and while they do resemble shrunken apples they nevertheless help the visitor understand how hard it must have been for the condemned to say the line about forgiving those who trespass against us.

it may seem strange that any men should dare to ask a just God’s assistance in wringing their bread from the sweat of other men’s faces.

There is something aesthetically pleasing about trading one engraving - and old map - for another - American money.

The internet is the nerd Israel, a place to speak and listen to spectacularly specific concerns.

I wish it were different. I wish that we privileged knowledge in politicians, that the ones who know things didn't have to hide it behind brown pants, and that the know-not-enoughs were laughed all the way to the Maine border on their first New Hampshire meet and greet. I wish that in order to secure his party's nomination, a presidential candidate would be required to point at the sky and name all the stars; have the periodic table of the elements memorized; rattle off the kings and queens of Spain; define the significance of the Gatling gun; joke around in Latin; interpret the symbolism in seventeenth-century Dutch painting; explain photosynthesis to a six-year-old; recite Emily Dickinson; bake a perfect popover; build a shortwave radio out of a coconut; and know all the words to Hoagy Carmichael's "Two Sleepy People," Johnny Cash's "Five Feet High and Rising," and "You Got the Silver" by the Rolling Stones. After all, the United States is the greatest country on earth dealing with the most complicated problems in the history of the world--poverty, pollution, justice, Jerusalem. What we need is a president who is at least twelve kinds of nerd, a nerd messiah to come along every four years, acquire the Secret Service code name Poindexter, install a Revenge of the Nerds screen saver on the Oval Office computer, and one by one decrypt our woes.

His boss, Isaac (Robert Guillaume), agrees but tells him to do it anyway “because it’s television and this is how it’s done.” Dan replies, “Yeah, well, sitting in the back of the bus was how it was done until a forty-two-year-old lady moved up front.” A few minutes later Isaac looks Dan in the eye and tells him, “Because I love you I can say this. No rich young white guy has ever gotten anywhere with me comparing himself to Rosa Parks.” Finally, the voice of reason, which of course was heard on a canceled network TV series on cable.

The year might age, and cloudy The lessening day might close, But air of other summers Breathed from beyond the snows, And I had hope of those. They came and were and are not And come no more anew; And all the years and seasons That ever can ensue Must now be worse and few. So here's an end of roaming On eves when autumn nighs: The ear too fondly listens For summer's parting sighs, And then the heart replies.

The avoidance of reality has pervaded our language and even the way we understand what’s happening around us, as the late comedian George Carlin pointed out. People have invented a ‘soft language’ to insulate themselves from the truth, he said, ‘toilet paper became bathroom tissue … The [garbage] dump became a landfill … Partly cloudy became partly sunny.

It's partly cloudy and partly windy and partly cold.

I remember that day very clearly: I had received a phone call. A friend had been in an accident. Perhaps she would not live. She had very little face, and her spine was broken in two places. She had not yet moved; the doctor described her as “a pebble in water.” I walked around Brooklyn and noticed that the faded peri-winkle of the abandoned Mobil gas station on the corner was suddenly blooming. In the baby-shit yellow showers at my gym, where snow sometimes fluttered in through the cracked gated windows, I noticed that the yellow paint was peeling in spots, and a decent, industrial blue was trying to creep in. At the bottom of the swimming pool, I watched the white winter light spangle the cloudy blue and I knew together they made God. When I walked into my friend’s hospital room, her eyes were a piercing, pale blue and the only part of her body that could move. I was scared. So was she. The blue was beating.

For the better part of the 1990s, it seemed like the only Americans who publicly described themselves as patriots were scary militia types hiding out in the backwoods of Michigan and Montana, cleaning their guns.

.....breathing secondhand smoke, being subject to unfair dairy pricing, and not being able to mime (or lap dance), though they are all tragic, tragic injustices, are not quite as bad as the systematic segregation of public transportation based on skin color. And while fighting for your right to lap dance and mime and breathe just regular pollution is a very fine, very American idea, it is not quite as brave as being middle-aged black woman in Alabama in 1955 telling a white man she's not giving him her seat despite the fact that the law requires her to do so.

And many years later, as an adult student of history, Knecht was to perceive more distinctly that history cannot come into being without the substance and the dynamism of this sinful world of egoism and instinctuality, and that even such sublime creations as the Order were born in this cloudy torrent and sooner or later will be swallowed up by it again...Nor was this ever merely an intellectual problem for him. Rather, it engaged his innermost self more than any other problem, and he felt it as partly his responsibility. His was one of those natures which can sicken, languish, and die when they see an ideal they have believed in, or the country and community they love, afflicted with ills.

Since the lunchroom does no significant harm to the caverns' ecology, I'd like to believe that this is one of those lucky places where we don't have to choose between doing the right thing and enjoying a goof. I look up at the ceiling of the lunchroom, which is, of course, the ceiling of the cave. It looks so lunar I can't help but think of a certain astronaut. In 1971, Apollo 14's Alan Shepard hit golf balls on the moon. Gearing up to face the profundity of the universe, this man brought sporting goods with him into space. Who can blame him? That's what we Americans do when we find a place that's really special. We go there and act exactly like ourselves. And we are a bunch of fun-loving dopes.

I waited in vain for someone like me to stand up and say that the only thing those of us who don't believe in god have to believe is in other people and that New York City is the best place there ever was for a godless person to practice her moral code. I think it has to do with the crowded sidewalks and subways. Walking to and from the hardware store requires the push and pull of selfishness and selflessness, taking turns between getting out of someone's way and them getting out of yours, waiting for a dog to move, helping a stroller up steps, protecting the eyes from runaway umbrellas. Walking in New York is a battle of the wills, a balance of aggression and kindness. I'm not saying it's always easy. The occasional "Watch where you're going, bitch" can, I admit, put a crimp in one's day. But I believe all that choreography has made me a better person. The other day, in the subway at 5:30, I was crammed into my sweaty, crabby fellow citizens, and I kept whispering under my breath "we the people, we the people" over and over again, reminding myself we're all in this together and they had as much right - exactly as much right - as I to be in the muggy underground on their way to wherever they were on their way to.

Is the sky blue?" "Well, that depends." Sometimes it's blue, different shades depending on where you, what the weather is like, or the time of day. On cloudy days the sky is really shades of white and gray, and sometimes it looks red, or pink around sunset, or when there is a nearby fire..." I mean really, the possibilities are endless, to a lawyer.

Another reason I’m intrigued with the hanged of Salem, especially the women, is that a number of them aroused suspicion in the first place because they were financially independent, or sharp-tongued, or kept to themselves. In other words, they were killed off for living the same sort of life I live right now but with longer skirts and fewer cable channels.

At any rate, those of us lucky enough to be present swelled with pride as the cloudy purple liquor was carried upstairs to the table in its decanter, poured into juice glasses, toasted with, and drunk heartily. Was it the best wine in the world? No. Was it the worst? Very close. Did it matter? No. It was part of my grandfather, whom we adored, and that made it the sweetest liquid ever to pass our lips.

The more history I learn, the more the world fills up with stories. Just the other day, I was in my neighborhood Starbucks, waiting for the post office to open. I was enjoying a chocolatey caffé mocha when it occurred to me that to drink a mocha is to gulp down the entire history of the New World. From the Spanish exportation of Aztec cacao, and the Dutch invention of the chemical process for making cocoa, on down to the capitalist empire of Hershey, PA, and the lifestyle marketing of Seattle’s Starbucks, the modern mocha is a bitter-sweet concoction of imperialism, genocide, invention, and consumerism served with whipped cream on top. No wonder it costs so much.

I concentrated on his eyes and his facial expression. Those said a lot about a person. I’d noticed that his eyes changed color based on his mood. Right now they were a true clear green, which meant he was happy. When his eyes turned cloudy with a mix of gray, he was angry. But my favorite shade was clear dark green, the color of his eyes when he’d just kissed me. Eyes only told part of the story. Drawing a portrait could be like looking at a person’s soul, when done right.

The water cycle consists of three phenomena – evaporation, precipitation, and collection- which are the three phenomena that make up what is known as “the water cycle.” Evaporation, the first of these phenomena, is the process of water turning into vapor and eventually forming clouds, such as those found in cloudy skies, or on cloudy days, or even cloudy nights. These clouds are formed by a phenomenon known as “evaporation,” which is the first of three phenomena that make up the water cycle. Evaporation, the first of these three, is simply a term for a process by which water turns into vapor and eventually forms clouds. Clouds can be recognized by their appearance, usually on cloudy days or nights, when they can be seen in cloudy skies. The name for the process by which clouds are formed – by water, which turns into vapor and becomes part of the formation known as “clouds” – is “evaporation,” the first phenomenon in the three phenomena that make up the cycle of water, otherwise known as “the water cycle,” and surely you must be asleep by now and so can be spared the horrifying details of the Baudelaires' journey.

Along with voting, jury duty, and paying taxes, goofing off is one of the central obligations of American citizenship. So when my friends Joel and Stephen and I play hooky from our jobs in the middle of the afternoon to play Pop-A-Shot in a room full of children, I like to think we are not procrastinators; we are patriots pursuing happiness.

Long feathery eyelashes have been planted along her tattooed eye line, and she does routine light therapy on her skin, which glistens cloudy white, like skim milk. Earlier, she was waxing on about the benefits of lotus leaf masks and ceramide supplements for budding neck lines. The only unaltered part of her is surprisingly her hair, which unfolds like a dark river down her back.

One night, he left Stephen and me in the arcade and rushed off to a – this hurt my feelings – “real” game. That night, he missed a foul shot by two feet and made the mistake of admitting to the other players that his arms were tired from throwing miniature balls at a shortened hoop all afternoon. They laughed and laughed. ‘In the second overtime,’ Joel told me, ‘when the opposing team fouled me with four seconds left and gave me the opportunity to shoot from the line for the game, they looked mighty smug as they took their positions along the key. Oh, Pop-A-Shot guy, I could hear them thinking to their smug selves. He’ll never make a foul shot. He plays baby games. Wa-wa-wa, little Pop-A-Shot baby, would you like a zwieback biscuit? But you know what? I made those shots, and those songs of bitches had to wipe their smug grins off their smug faces and go home thinking that maybe Pop-A-Shot wasn’t such a baby game after all.” I think Pop-A-Shot’s a baby game. That’s why I love it. Unlike the game of basketball itself, Pop-A-Shot has no standard socially redeeming value whatsoever. Pop-A-Shot is not about teamwork or getting along or working together. Pop-A-Shot is not about getting exercise or fresh air. It takes place in fluorescent-lit bowling alleys or darkened bars. It costs money. At the end of a game, one does not swig Gatorade. One sips bourbon or margaritas or munches cupcakes. Unless one is playing the Super Shot version at the ESPN Zone in Times Square, in which case, one orders the greatest appetizer ever invented on this continent – a plate of cheeseburgers.

I held her eyes in mind, took her hand in mine. The feeling of our hands touching was strange, sudden. It was a feeling that made my body tremble with a deep distant pleasure, more distant than the age of my remembered life, deeper than the consciousness I had carried with me throughout. I could feel it somewhere, like a part of my being which had been born with me when I was born, but had not grown with me when I had grown, like a part of my being that I had once known, but left behind when I was born. A cloudy awareness of something that could have been, and yet was never lived.

Floods will rob us of one thing, fire of another. These are conditions of our existence which we cannot change. What we can do is adopt a noble spirit, such a spirit as befits a good man, so that we may bear up bravely under all that fortune sends us and bring our wills into tune with nature’s; reversals, after all, are the means by which nature regulates this visible realm of hers: clear skies follow cloudy; after the calm comes the storm; the winds take turns to blow; day succeeds night; while part of the heavens is in the ascendant, another is sinking. It is by means of opposites that eternity endures.

Sunday Morning I Complacencies of the peignoir, and late Coffee and oranges in a sunny chair, And the green freedom of a cockatoo Upon a rug mingle to dissipate The holy hush of ancient sacrifice. She dreams a little, and she feels the dark Encroachment of that old catastrophe, As a calm darkens among water-lights. The pungent oranges and bright, green wings Seem things in some procession of the dead, Winding across wide water, without sound. The day is like wide water, without sound, Stilled for the passing of her dreaming feet Over the seas, to silent Palestine, Dominion of the blood and sepulchre. II Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams? Shall she not find in comforts of the sun, In pungent fruit and bright, green wings, or else In any balm or beauty of the earth, Things to be cherished like the thought of heaven? Divinity must live within herself: Passions of rain, or moods in falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The bough of summer and the winter branch. These are the measures destined for her soul. III Jove in the clouds had his inhuman birth. No mother suckled him, no sweet land gave Large-mannered motions to his mythy mind He moved among us, as a muttering king, Magnificent, would move among his hinds, Until our blood, commingling, virginal, With heaven, brought such requital to desire The very hinds discerned it, in a star. Shall our blood fail? Or shall it come to be The blood of paradise? And shall the earth Seem all of paradise that we shall know? The sky will be much friendlier then than now, A part of labor and a part of pain, And next in glory to enduring love, Not this dividing and indifferent blue. IV She says, "I am content when wakened birds, Before they fly, test the reality Of misty fields, by their sweet questionings; But when the birds are gone, and their warm fields Return no more, where, then, is paradise?" There is not any haunt of prophecy, Nor any old chimera of the grave, Neither the golden underground, nor isle Melodious, where spirits gat them home, Nor visionary south, nor cloudy palm Remote on heaven's hill, that has endured As April's green endures; or will endure Like her remembrance of awakened birds, Or her desire for June and evening, tipped By the consummation of the swallow's wings

we stared at each other, and I knew we were both thinking about the same exact thing: the night before. Not the long talk we’d had about our families—and that raw honesty we’d given each other—but about what happened after that. The movie. The damn movie. I didn’t know what the hell I’d been thinking, fully fucking aware I was already mopey, when I asked if he wanted to watch my favorite movie as a kid. I’d watched it hundreds of times. Hundreds of times. It felt like love and hope. And I was an idiot. And Aiden, being a nice person who apparently let me get away with most of the things I wanted, said, “Sure. I might fall asleep during it.” He hadn’t fallen asleep. If there was one thing I learned that night was that no one was impervious to Little Foot losing his mom. Nobody. He’d only slightly rolled his eyes when the cartoon started, but when I glanced over at him, he’d been watching faithfully. When that awful, terrible, why-would-you-do-that-to-children-and-to-humanity-in-general part came on The Land Before Time, my heart still hadn’t learned how to cope and I was feeling so low, the hiccups coming out were worse than usual. My vision got cloudy. I got choked up. Tears were coming out of my eyes like the powerful Mississippi. Time and dozens of viewings hadn’t toughened me up at all. And as I’d wiped at my face and tried to remind myself it was just a movie and a young dinosaur hadn’t lost his beloved mom, I heard a sniffle. A sniffle that wasn’t my own. I turned not-so-discreetly and saw him. I saw the starry eyes and the way his throat bobbed with a gulp. Then I saw the sideways look he shot me as I sat there dealing with my own emotions, and we stared at each other. In silence. The big guy wasn’t handling it, and if there were ever a time in any universe, watching any movie, this would be the cause of it. All I could do was nod at him, get up to my knees, and lean over so I could wrap my arms around his neck and tell him in as soothing of a voice as I could get together, “I know, big guy. I know,” even as another round of tears came out of my eyes and possibly some snot out of my nose. The miraculous part was that he let me. Aiden sat there and let me hug him, let me put my cheek over the top of his head and let him know it was okay. Maybe it happened because we’d just been talking about the faulty relationships we had with our families or maybe it was because a child losing its mother was just about the saddest thing in the world, especially when it was an innocent animal, I don’t know. But it was sad as shit. He sniffed—on any other person smaller than him it would have been considered a sniffle—and I squeezed my arms around him a little tighter before going back to my side of the bed where we finished watching the movie

No, you will never been tamed, you are a monster, the eternal wild one. I often wonder where you came from, only someone with something to hide has such a cloudy beginnings. Who are you? Or more importantly who were you? There is only the odd bits that are known about you and nothing is set in stone. Do you even know the real you behind the charade? The fact that you are aroused by virginity, is a worrying fascination. I would not be surprised if the person who turned you realised what a monster he'd created. They were not called Frankenstein by any chance? Maybe you are a creature of many parts? Did you destroy your creator as well in a fit of rage? Is that why your are always looking for your virgin bride? Only you take beautiful swans and turn them into ugly ducklings. You will never return to that life that you give up. Stop trying to recreate them.

Let It Be" When I find myself in times of trouble Mother Mary comes to me Speaking words of wisdom, let it be And in my hour of darkness She is standing right in front of me Speaking words of wisdom, let it be Let it be, let it be Let it be, let it be Whisper words of wisdom Let it be And when all the brokenhearted people Living in the world agree There will be an answer, let it be For though they may be parted There is still a chance that they will see There will be an answer, let it be Let it be, let it be Let it be, let it be Yeah, there will be an answer let it be Let it be, let it be Let it be, let it be Whisper words of wisdom Let it be Let it be, let it be Let it be, yeah, let it be Whisper words of wisdom Let it be And when the night is cloudy There is still a light that shines on me Shine on until tomorrow, let it be I wake up to the sound of music Mother Mary comes to me Speaking words of wisdom, let it be Yeah, let it be, let it be Let it be, yeah, let it be There will be an answer, let it be Let it be, let it be Let it be, yeah, let it be Whisper words of wisdom Let it be

It was then that I made the discovery that his talk created reverberations, that the echo took a long time to reach one's ears. I began to compare it with French talk in which I had been enveloped for so long. The latter seemed more like the play of light on an alabaster vase, something reflective, nimble, dancing, liquid, evanescent, whereas the other, the Katsimbalistic language, was opaque, cloudy, pregnant with resonances which could only be understood long afterwards, when the reverberations announced the collision with thoughts, people, objects located in distant parts of the earth. The Frenchman puts walls about his talk, as he does about his garden: he puts limits about everything in order to feel at home. At bottom he lacks confidence in his fellow-man; he is skeptical because he doesn't believe in the innate goodness of human beings. He has become a realist because it is safe and practical. The Greek, on the other hand, is an adventurer: he is reckless and adaptable, he makes friends easily. The walls which you see in Greece, when they are not of Turkish or Venetian origin, go back to the Cyclopean age. Of my own experience I would say that there is no more direct, approachable, easy man to deal with than the Greek. He becomes a friend immediately: he goes out to you. With the Frenchman friendship is a long and laborious process: it may take a lifetime to make a friend of him. He is best in acquaintanceship where there is little to risk and where there are no aftermaths. The very word ami contains almost nothing of the flavor of friend, as we feel it in English. C'est mon ami cannot be translated by "this is my friend." There is no counterpart to this English phrase in the French language. It is a gap which has never been filled, like the word "home." These things affect conversation. One can converse all right, but it is difficult to have a heart to heart talk.

a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking. ASTROFF is walking up and down near her. MARINA. [Pouring some tea into a glass] Take a little tea, my son. ASTROFF. [Takes the glass from her unwillingly] Somehow, I don't seem to want any. MARINA. Then will you have a little vodka instead? ASTROFF. No, I don't drink vodka every day, and besides, it is too hot now. [A pause] Tell me, nurse, how long have we known each other? MARINA. [Thoughtfully] Let me see, how long is it? Lord—help me to remember. You first came here, into our parts—let me think—when was it? Sonia's mother was still alive—it was two winters before she died; that was eleven years ago—[thoughtfully] perhaps more. ASTROFF. Have I changed much since then? MARINA. Oh, yes. You were handsome and young then, and now you are an old man and not handsome any more. You drink, too. ASTROFF. Yes, ten years have made me another man. And why? Because I am overworked. Nurse, I am on my feet from dawn till dusk. I know no rest; at night I tremble under my blankets for fear of being dragged out to visit some one who is sick; I have toiled without repose or a day's freedom since I have known you; could I help growing old? And then, existence is tedious, anyway; it is a senseless, dirty business, this life, and goes heavily. Every one about here is silly, and after living with them for two or three years one grows silly oneself. It is inevitable. [Twisting his moustache] See what a long moustache I have grown. A foolish, long moustache. Yes, I am as silly as the rest, nurse, but not as stupid; no, I have not grown stupid. Thank God, my brain is not addled yet, though my feelings have grown numb. I ask nothing, I need nothing, I love no one, unless it is yourself alone. [He kisses her head] I had a nurse just like you when I was a child. MARINA. Don't you want a bite of something to eat? ASTROFF. No. During the third week of Lent I went to the epidemic at Malitskoi. It was eruptive typhoid. The peasants were all lying side by side in their huts, and the calves and pigs were running about the floor among the sick. Such dirt there was, and smoke! Unspeakable! I slaved among those people all day, not a crumb passed my lips, but when I got home there was still no rest for me; a switchman was carried in from the railroad; I laid him on the operating table and he went and died in my arms under chloroform, and then my feelings that should have been deadened awoke

It's partly cloudy with trouser stains.

her mind preoccupied, her gaze trained on the changing sky—partly cloudy, partly clear—as they neared the downtown Atlanta area. Bradford pears and planters filled with flowers added a splash of color among the concrete and glass and steel. “Y-you realize, of course, that this is only temporary,

I’ll refill this, and then we’ll get you positioned.” “Positioned?” Cass fumbled over the word. Falco pulled her over to the divan, then left her standing beside it as he strode across the room to a tall armoire hidden in a shadowy corner. “I’m going to paint you, of course.” “Paint me?” “Are you going to repeat everything I say?” He returned to her and placed a full glass of cloudy brown liquid in her hand. “Sorry. That was the last of the wine. All I’ve got left is Tommaso’s special brew.” Cass made a face, but accepted the glass. “I’d like to see some of your paintings,” she said, in an attempt to stall. Part of her had been hoping that Falco would want her to sit for him ever since she met him, but now that it was happening, she felt horribly self-conscious. Falco smiled. “You want to see if I’m any good before you become my latest victim?” “No, I just--” “I’m joking.

Standing at a distance ( Part 2 ) continued ............... Until then let time circle around her beauty, Let sunshine drape her and let the rain drops make her wet, I am sure someday she will realise my piety, What if not yet, not yet, Because I know someday it will be cloudy, When there is no sunshine, no moon and not even drops of rain, That day I shall not act cowardly, With no adversaries in the arena of love, I shall let her feel my pain, Perhaps then she will turn and wink her eyes, As soon as I shall close mine, To trap her in them under the bright skies, And be with her beauty hiding her from the rain drops, the Moon and the Sunshine, Then she shall live in my eyes, there forever to be, Atleast, now for me, there shall be no need to stand there and wait, Because now she seeks her beautiful form inside me, As for the Sun, the Moon and the raindrop, it will be there turn to wait, So I shall lie there with my eyes closed, To feel you with the eyes of my soul and heart, And as to you I shall have all my feelings disclosed, Then I shall let you depart, Now, if you forsake the Sun, the raindrop and the Moon too, And walk into my eyes once again, Then you truly love me too, And end my pain, Today the Sun was there, the Moon shone too, it rained as well, And suddenly she looked at me, & walked into the perceivable circle of my feelings, I could easily tell, And confessed, “this is where I forever wish to be!” Now the sunshine covers me and the moonlight seeks me, The raindrop kisses my skin, But now through me this world you see, Because now I am your destiny and your life’s final inn, And as we surge like waves of feelings, You flow within me and I keep kissing you, They wonder what are these love’s new dealings, Where I have become a part of you, and only you, So I let the Sunshine and Moonlight peer into my eyes, And ah their joy to be with you, And the hasty raindrop that falls from the skies, Once again kisses you, just you, And I close my eyes too, And I let you sleep within me, With nothing left to feel or do, Because now it is forever just you and me, The Sun, the Moon and the raindrop, Trapped in the eternity, Where the Sunshine, the Moonlight and the rain never stop, As we all lie willingly enslaved to you, and your beauty!

On a cloudy day, the sun is not absent; it is merely obscured by the clouds. To experience the sun, we don’t need to manufacture a new sun in front of the clouds. When the clouds part, the sun will be there, shining brightly.

The universe stares back from her mirror cloudy and unsure And part of her wants to take a hammer to the glass slip out of the world and into another Somewhere she will be happier

the preacher, the scholar or the Book is to be doubted?’ 25. The Local Sun Nasrudin was listening to two men as they continued with a street brawl one cloudy evening. ‘It is the sun that shines hot at this high noon,’ one of them insited ‘It is the cool moon that beams at this midnight,’ the other was in no mood to concede. ‘You appear to be a Mulla,’ they observed as Nasrudin approached, ‘lets us know whether it is moon during this noon or the sun at this midnight that lights up the world?’ Hoja immediately sized up the situation. ‘I am not sure,’ Nasrudin pointed out, ‘ You see, I am not from this part of the village.

The heart of the engine is the one part that I can’t help you find, unfortunately. There is just no way for me to document its location; it’s different in every car. I could barely find the heart of my VW-it was too confusing, and there were too many routes. Every time I thought I’d reach the center point I realized I was lost, not where I thought I was, following the wrong sunrise yet again. I wonder: Does the heart move around or something? The geographic arrangement of the engine compartment doesn’t make things any easier- some of the mechanical parts are underground, nestled in the hills, and others are hidden behind the hustle and lathe of small mechanical cities. But don’t cloudy-day! We’ll find the heart eventually- I don’t care if we need to tear the engine down to every bolt and moment to do so.

Computers: he always fixed on computers when his mind wandered into the future--instruments he revered and hated. The computer world was a place where snotty kids knew everything and nothing.... The computer was part of a future cloudy, unpredictable and menacing.

Through pleasant and through cloudy weather; 'Tis hard to part when friends are dear; Perhaps 'twill cost a sigh, a tear; Then steal away, give little warning, Choose thine own time; Say not Good night, but in some brighter clime Bid me Good morning.

2 Corinthians 12:9-10 (NASB) And He said to me, “My grace is sufficient for you, for power is perfected in weakness.” Most gladly, therefore, I would rather boast about my weakness, so that the power of Christ may dwell in me. Therefore, I am well content with weaknesses, with insults, with distressed, with persecutions, with difficulties for Christ’s sake; for when I am weak, then I am strong. The last part of verse 10 is where we should stop and think about ourselves. “For when I am weak, then I am strong.” Let that be your battle cry! If you are a Christian, you really just want Jesus to shine through you. On the days when it’s cloudy outside and you barely have enough energy to get out of bed and grab a cup of coffee. At that moment, live out this verse. When I am weak I am strong. When your body aches so bad you want to cry—look in the mirror and say “for when I am weak, I am strong.” When you take out your medicines for the day and you can’t believe you may have to swallow that many pills for the rest of your life—hold them up to God and say “for when I am weak, I am strong.

This is a delicious evening, when the whole body is one sense, and imbibes delight through every pore. I go and come with a strange liberty in Nature, a part of herself. As I walk along the stony shore of the pond in my shirt sleeves, though it is cool as well as cloudy and windy, and I see nothing special to attract me, all the elements are unusually congenial to me. The bullfrogs trump to usher in the night, and the note of the whippoorwill is borne on the rippling wind from over the water. Sympathy with the fluttering alder and poplar leaves almost takes away my breath; yet, like the lake, my serenity is rippled but not ruffled. These small waves raised by the evening wind are as remote from storm as the smooth reflecting surface. Though it is now dark, the wind still blows and roars in the wood, the waves still dash, and some creatures lull the rest with their notes. The repose is never complete. The wildest animals do not repose, but seek their prey now; the fox, and skunk, and rabbit, now roam the fields and woods without fear. They are Nature’s watchmen,—links which connect the days of animated life.

This morning, Allegra said that my pinkie looks good and will probably heal up okay. Not a hundred percent, but pretty okay. She had these big clunky chunks of something like cloudy stones. Like big opals.” “It sounds like divine light glass.” She laughs a little at that. “Is that like holy water? A priest blesses it and suddenly it’s magic.” I set down my cup. “Nope. It’s part of one of the vessels that God used to make the first stars.” “Get out of here.” “It’s true. One of the vessels broke. The glass fell to Earth and created life. Including us.” “You’re fucking with me.” “I’m not. We’re one gigantic cosmic mistake.” Fuck Hollywood stares off into space for a minute. Eventually, she looks at me. “That’s kind of cool when you think about it,” she says. “I mean, if we’re just a mistake it means that anything nice we do is special. Any music or paintings or movies or people we love. They’re all special because we’re not even supposed to be here.

The head has the same eyes as the fish, beady and unblinking, only they’re cloudy and flat, sunken deep into its skull. Its hair grows wild, tangled with beetles, twigs, and burs, and it trails the head like a tail. The flesh itself is rotten and foul, dead as the Heaven and Hell tree, once the tallest old oak on the reservation—its branches stretching for the stars, its roots reaching for the abyss below—and as ragged around its missing neck as the hem of my jeans.” The chain he wore on his wallet rattled as he lifted a foot over the fire, showing off the frayed cuff of his pant leg, streaked with mud. “The mouth”—he paused, clenching his jaw to steel himself—“that’s the worst part of it. It can stretch as wide as it wants . . . wide enough to suck you between its wormy lips.” She thought of the catfish again, their mouths gaping and wide, flanked by whiskers that had curled and turned black after her father had hacked off the fish heads and tossed them into the fire he’d stoked to cook the fish fillets. “It’s got a tongue of old leather and teeth like shattered glass, jagged and sharp.

When someone you love dies, a part of your heart is forever dissolved along with their essence. The feeling is surreal and tangible at the same time, and the reality that you'll never see their face again returns daily like a morning mist--cool, cloudy, and a chill to the bones.

I looked behind me; gross darkness pressed upon our rear, and came rolling over the land after us like a torrent. We had scarce sat down, when darkness overspread us, not like that of a moonless or cloudy night, but of a room when it is shut up, and the lamp put out. You could hear the shrieks of women, the crying of children, and the shouts of men; some were seeking their children, others their parents, others their wives or husbands, and only distinguishing them by their voices; one lamenting his own fate, another that of his family; some praying to die, from the very fear of dying; many lifting their hands to the gods; but the great part imagining that there were no gods left anywhere, and that the last and eternal night was come upon the world.

Popo sucked in air, real fast, making a rasping sound. He turned his face away from us. Popo was wearing a sleeveless T-shirt, one of those wife beaters, I think they're called, not sure why. The one wife beater we'd come across wore a leather jacket. We broke down his door and caught him in action. Bernie made him pay. But that's another story. Right now I was watching Popo's shoulders, skinny shoulders, not at all like Bernie's, and his neck was skinny, too. Something about the back of his head was very nice, hard to explain. He was trembling just the tiniest bit. I went around and sat down in front of him, at his feet. Maybe he didn't see me right away, on account of his eyes being so damp and cloudy. But then he did, and reached out. I gave his hand a lick. It tasted of lipstick, a taste I knew from having chewed up one of Leda's lipsticks in the old days, or possibly more than one, even lots. Popo's eyes, overflowing now although he didn't make a sound, stayed on me. His face was very strange, part clown, part man, all smeared with red and tears, but I wasn't afraid. I moved closer, pressed against his leg. Popo was the kind of human I really liked, didn't know why. He put his hand on my shoulder and pulled me closer. I let myself be pulled.

She loved the order and the certainty the Church gave her life, arranging the seasons for her, the weeks and the days, guiding her philosophies and her sorrows. She loved the hymns. She loved the prayers. She loved the way the Church--the priests and the Brothers and the nuns, as well as the handy threat of eternal damnation--ordered her disorderly children. But holiness bored her. She liked chaos, busyness, bustling. She liked a household strewn with clothes and dust and magazines and books, jump ropes, baseball bats, milk bottles. She like the sight and smell of overflowing ashtrays, of a man who's had a few drinks, of tabletops crowded with cloudy glasses. She loved falling into an unmade bed at the end of the long day, falling in beside her snoring husband--with maybe a child or two snagged in the covers--and never reaching, because sleep overtook her, the part of the Hail Mary that said: Now and at the hour of our death.

Variations on a Summer Day" I Say of the gulls that they are flying In light blue air over dark blue sea. II A music more than a breath, but less Than the wind, sub-music like sub-speech, A repetition of unconscious things, Letters of rock and water, words Of the visible elements and of ours. III The rocks of the cliffs are the heads of dogs That turn into fishes and leap Into the sea. IV Star over Monhegan, Atlantic star, Lantern without a bearer, you drift, You, too, are drifting, in spite of your course; Unless in the darkness, brightly-crowned You are the will, if there is a will, Or the portent of a will that was, One of the portents of the will that was. V The leaves of the sea are shaken and shaken. There was a tree that was a father. We sat beneath it and sang our songs. VI It is cold to be forever young, To come to tragic shores and flow, In sapphire, round the sun-bleached stones, Being, for old men, time of their time. VII One sparrow is worth a thousand gulls, When it sings. The gull sits on chimney-tops. He mocks the guineas, challenges The crow, inciting various modes. The sparrow requites one, without intent. VIII An exercise in viewing the world. On the motive! But one looks at the sea As one improvises, on the piano. IX This cloudy world, by aid of land and sea, Night and day, wind and quiet, produces More nights, more days, more clouds, more worlds. X To change nature, not merely to change ideas, To escape from the body, so to feel Those feelings that the body balks, The feelings of the natures round us here: As a boat feels when it cuts blue water. XI Now, the timothy at Pemaquid That rolled in heat is silver-tipped And cold. The moon follows the sun like a French Translation of a Russian poet. XII Everywhere the spruce trees bury soldiers: Hugh March, a sergeant, a redcoat, killed, With his men, beyond the barbican. Everywhere spruce trees bury spruce trees. XIII Cover the sea with the sand rose. Fill The sky with the radiantiana Of spray. Let all the salt be gone. XIV Words add to the senses. The words for the dazzle Of mica, the dithering of grass, The Arachne integument of dead trees, Are the eye grown larger, more intense. XV The last island and its inhabitant, The two alike, distinguish blues, Until the difference between air And sea exists by grace alone, In objects, as white this, white that. XVI Round and round goes the bell of the water And round and round goes the water itself And that which is the pitch of its motion, The bell of its dome, the patron of sound. XVII Pass through the door and through the walls, Those bearing balsam, its field fragrance, Pine-figures bringing sleep to sleep. XVIII Low tide, flat water, sultry sun. One observes profoundest shadows rolling. Damariscotta dada doo. XIX One boy swims under a tub, one sits On top. Hurroo, the man-boat comes, In a man-makenesse, neater than Naples. XX You could almost see the brass on her gleaming, Not quite. The mist was to light what red Is to fire. And her mainmast tapered to nothing, Without teetering a millimeter's measure. The beads on her rails seemed to grasp at transparence. It was not yet the hour to be dauntlessly leaping.

ANNA LÆTITIA BARBAULD. 3. Life. Animula, vagula, blandula. Life! I know not what thou art, But know that thou and I must part; And when, or how, or where we met, I own to me's a secret yet. But this I know, when thou art fled, Where'er they lay these limbs, this head, No clod so valueless shall be, As all that then remains of me. O whither, whither dost thou fly, Where bend unseen thy trackless course, And in this strange divorce, Ah tell where I must seek this compound I? To the vast ocean of empyreal flame, From whence thy essence came, Dost thou thy flight pursue, when freed From matter's base encumbering weed? Or dost thou, hid from sight, Wait, like some spell-bound knight, Through blank oblivious years the appointed hour, To break thy trance and reassume thy power? Yet canst thou without thought or feeling be? O say what art thou, when no more thou'rt thee? Life! we've been long together, Through pleasant and through cloudy weather; 'Tis hard to part when friends are dear; Perhaps 'twill cost a sigh, a tear; Then steal away, give little warning, Choose thine own time; Say not Good night, but in some brighter clime Bid me Good morning. 1825 Edition.

The historical periods I like to learn about aren’t so much costume dramas as slasher flicks. The French Revolution is a favorite because it features the beloved plot of carnage in service of democracy, but I prefer American history. And if I had to pick my pet domestic bloodbaths, nothing beats Salem or Gettysburg. I’m a sucker for Puritan New England and the Civil War. Because those two subjects feature the central tension of American life, the conflict between freedom and community, between individual will and the public good.

When his cloudy eyes lift to mine, and he runs his tongue carefully along the blunt seal, my lips part. Fuck me.

RANCHER CROOM IN HANDMADE BOOTS AND FILTHY hat, that walleyed cattleman, stray hairs like curling fiddle string ends, that warm-handed, quick-foot dancer on splintery boards or down the cellar stairs to a rack of bottles of his own strange beer, yeasty, cloudy, bursting out in garlands of foam, Rancher Croom at night galloping drunk over the dark plain, turning off at a place he knows to arrive at a canyon brink where he dismounts and looks down on tumbled rock, waits, then steps out, parting the air with his last roar, sleeves surging up windmill arms, jeans riding over boot tops, but before he hits he rises again to the top of the cliff like a cork in a bucket of milk.