Parrot Sayings Quotes

Books say: She did this because. Life says: She did this. Books are where things are explained to you; life is where things aren't. I'm not surprised some people prefer books.

Books say: She did this because. Life says: She did this. Books are where things are explained to you; life is where things aren't. I'm not surprised some people prefer books. Books make sense of life. The only problem is that the lives they make sense of are other people's lives, never your own.

Loving humanity means as much, and as little, as loving raindrops, or loving the Milky Way. You say that you love humanity? Are you sure you aren’t treating yourself to easy self-congratulation, seeking approval, making certain you’re on the right side?

Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer. What?” The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away. Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control. What?” he asked Halt, and the smaller man made a gesture of exasperation. That’s what I want to know,” he said irritably. “What?” Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper. What?” said Horace, now totally puzzled. Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?” Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.” Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him. What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?” Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.” Horace frowned. “I was?” Halt nodded. “You were. I saw you take a breath to ask it.” I see,” Horace said. “And what was it about?” For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak. That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.” I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded. Then what, if I may use that word once more, were you about to ask me?” Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?

on the phone Bookseller: Hello Ripping Yarns. Customer: Do you have any mohair wool? Bookseller: Sorry, we're not a yarns shop, we're a bookshop. Customer: You're called Ripping Yarns. Bookseller: Yes, that's 'yarns' as in stories. Customer: Well it's a stupid name. Bookseller: It's a Monty Python reference. Customer: So you don't sell wool? Bookseller: No. Customer: Hmf. Ridiculous. Bookseller: ...but we do sell dead parrots. Customer: What? Bookseller: Parrots. Dead. Extinct. Expired. Would you like one? Customer: Erm, no. Bookseller: Ok, well if you change your mind, do call back.

You can define a net two ways, depending on your point of view. Normally you would say it is a meshed instrument designed to catch fish. But you could, with no great injury to logic, reverse the image and define the net as a jocular lexicographer once did: he called it a collection of holes tied together with string.

What is it you’re interested in exactly?” the man asked slowly. “Just the color?” “I think we both know,” said Adrian cunningly. “I want the color. I want the ‘bonus effects.’ And I want it to look badass. You probably can’t even do the design I want.” “That’s the least of your worries,” said the guy. “I’ve been doing this for years. I can draw anything you want.” “Yeah? Can you draw a skeleton riding a motorcycle with flames coming out of it? And I want a pirate hat on the skeleton. And a parrot on his shoulder. A skeleton parrot. Or maybe a ninja skeleton parrot? No, that would be overkill. But it’d be cool if the biker skeleton could be shooting some ninja throwing stars. That are on fire.” “That’s the most ridiculous thing I’ve ever heard,” said the tattooist. “That’s not what the ladies are going to say,” said Adrian

Everyone goes there. Everyone has their days. Everyone imagines it. But you know why my pop says that suicide is a sin?” He points his thumb toward the house, where Jerry is now helping Sylvia with the rest of the dishes. “Because it’s murder. Because only God can choose when it’s your time to go. Because stealing a life is stealing from God.” I parrot all the awful things people said about Meg. Richard shakes his head. “No. Because it kills hope. That’s the sin. Anything that kills hope is a sin.

Say I Am You I am dust particles in sunlight. I am the round sun. To the bits of dust I say, Stay. To the sun, Keep moving. I am morning mist, and the breathing of evening. I am wind in the top of a grove, and surf on the cliff. Mast, rudder, helmsman, and keel, I am also the coral reef they founder on. I am a tree with a trained parrot in its branches. Silence, thought, and voice. The musical air coming through a flute, a spark of a stone, a flickering in metal. Both candle and the moth crazy around it. Rose, and the nightingale lost in the fragrance. I am all orders of being, the circling galaxy, the evolutionary intelligence, the lift, and the falling away. What is, and what isn't. You who know Jelaluddin, You the one in all, say who I am. Say I am You.

What he says, even on his knees, about his own sinfulness is all parrot talk. At bottom, he still believes he has run up a very favorable credit-balance in the Enemy's ledger by allowing himself to be converted, and thinks that he is showing great humility and condescension in going to church with these 'smug', commonplace neighbors at all.

When you are young, you think that the old lament the deterioration of life because this makes it easier for them to die without regret. When you are old, you become impatient with the way in which the young applaud the most insignificant improvements … while remaining heedless of the world’s barbarism. I don’t say things have got worse; I merely say the young wouldn’t notice if they had. The old times were good because then we were young, and ignorant of how ignorant the young can be.

Exactly,” says the parrot. “WHY are you here? Or should I ask ‘Why are YOU here?’ Or ‘Why are you HERE?

Boner," Peanut said. "Oh no," Jade said to the parrot. "No, no, no...you can't say- "Boner" "Oh G-d" Jade panicked. "Peanut-" "Pretty bird," Dell broke in, smiling at the parrot and speaking low and soft. "Such a pretty girl, Peanut." Peanut preened under his admiring tone. "Pretty Peanut.

Maybe it’s not a lesson so much as it’s a magic trick. You can make a little girl into anything if you say the right words. Take her apart until all that’s left is her red, red heart thumping against the world. Stitch her up again real good. Now, maybe you get a woman. If you’re lucky. If that’s what you were after. Just as easy to end up with a blackbird or a circus bear or a coyote. Or a parrot, just saying what’s said to you, doing what’s done to you, copying until it comes so natural that even when you’re all alone you keep on cawing hello pretty bird at the dark.

Mahler put the word schwer beside certain passages in his musical scores. Meaning “difficult.” “Heavy.” We were told this at some point by The Moth, as if it was a warning. He said we needed to prepare for such moments in order to deal with them efficiently, in case we suddenly had to take control of our wits. Those times exist for all of us, he kept saying. Just as no score relies on only one pitch or level of effort from musicians in the orchestra. Sometimes it relies on silence. It was a strange warning to be given, to accept that nothing was safe anymore. “ ‘Schwer,’ ” he’d say, with his fingers gesturing the inverted commas, and we’d mouth the word and then the translation, or simply nod in weary recognition. My sister and I got used to parroting the word back to each other—“schwer.

Haters, like parrots, talk much but cannot fly. Dreamers, like eagles, say nothing but conquer the skies.

Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste. (He paused, then claimed that Chapman had whipered in his ear while he was writing the speech): All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'.

Buttering a roll, my dad says, “I like Peter.” “You do?” I say. Daddy nods. “He’s a good kid. He’s really taken with you, Lara Jean.” “Taken with me?” I repeat. To me Kitty says, “You sound like a parrot.” To Daddy she says, “What does that mean? Taken by her?” “It means he’s charmed by her,” Daddy explains. “He’s smitten.” “Well, what’s smitten?” He chuckles and stuffs the roll in Kitty’s open, perplexed mouth. “It means he likes her.” “He definitely likes her,” Kitty agrees, her mouth full. “He . . . he looks at you a lot, Lara Jean. When you’re not paying attention. He looks at you, to see if you’re having a good time.” “He does?” My chest feels warm and glowy, and I can feel myself start to smile.

Now tell me how long you would have her after you have possessed her. ORLANDO Forever and a day. ROSALIND Say “a day” without the “ever.” No, no, Orlando, men are April when they woo, December when they wed. Maids are May when they are maids, but the sky changes when they are wives. I will be more jealous of thee than a Barbary cock- pigeon over his hen, more clamorous than a parrot against rain, more newfangled than an ape, more giddy in my desires than a monkey. I will weep for nothing, like Diana in the fountain, and I will do that when you are disposed to be merry. I will laugh like a hyena, and that when thou art inclined to sleep.

You don’t have to say I love you to say I love you,” you said with a shrug. “All you have to do is say my name and I know.” “How?” When I looked down at you, I was struck by how much of myself I could see in the shape of your eyes, in the light of your smile. “Sa Cassidy,” you instructed. “Cassidy.” “Say…Ursula.” “Ursula,” I parroted. “Now….,” and you pointed to your own chest. “Willow.” “Can’t you hear it?” you said. ” When you love someone, you say their name different. Like it’s safe inside your mouth.

Okay, here’s a cheat I learned in a leadership seminar. It’s called active listening. Someone says something, a complaint, or a criticism, or they’re excited about something that happened to them. For a lot of us, our instinct is to offer a solution, or expand on an idea, to fix or offer something. The key is to think about how they’re feeling, be receptive to that, and parrot it back to them. They just got a new car, and they’re happy about it? A simple ‘that’s excellent’ or ‘you must be so proud’ works. It leaves room for them to keep talking, to know you’re listening. For your teammate who just lost someone she obviously cared about, just recognizing that she’s upset and she’s right to feel upset, that’s enough.

I myself was to experience how easily one is taken in by a lying and censored press and radio in a totalitarian state. Though unlike most Germans I had daily access to foreign newspapers, especially those of London, Paris and Zurich, which arrived the day after publication, and though I listened regularly to the BBC and other foreign broadcasts, my job necessitated the spending of many hours a day in combing the German press, checking the German radio, conferring with Nazi officials and going to party meetings. It was surprising and sometimes consternating to find that notwithstanding the opportunities I had to learn the facts and despite one’s inherent distrust of what one learned from Nazi sources, a steady diet over the years of falsifications and distortions made a certain impression on one’s mind and often misled it. No one who has not lived for years in a totalitarian land can possibly conceive how difficult it is to escape the dread consequences of a regime’s calculated and incessant propaganda. Often in a German home or office or sometimes in a casual conversation with a stranger in a restaurant, a beer hall, a café, I would meet with the most outlandish assertions from seemingly educated and intelligent persons. It was obvious that they were parroting some piece of nonsense they had heard on the radio or read in the newspapers. Sometimes one was tempted to say as much, but on such occasions one was met with such a stare of incredulity, such a shock of silence, as if one had blasphemed the Almighty, that one realized how useless it was even to try to make contact with a mind which had become warped and for whom the facts of life had become what Hitler and Goebbels, with their cynical disregard for truth, said they were.

Love can’t kill me,” I say, parroting Carla’s words. “That’s not true,” she says. “Whoever told you that?

The solutions are obvious. Stop making excuses. Stop saying women run publishing. Stop justifying the lack of parity in prominent publications that have the resources to address gender inequity. Stop parroting the weak notiong that you're simply publishing the best writing, regardless. There is ample evidence of the excellence of women writers. Publish more women writers. If women aren't submitting to your publication or press, ask yourself why, deal with the answers even if those answers make you uncomfortable, and then reach out to women writers. If women don't respond to your solicitations, go find other women. Keep doing that, issue after issue after issue. Read more widely. Create more inclusive measures of excellence. Ensure that books by mean and women are being reviewed in equal numbers. Nominate more deserving women for the important awards. Deal with your resentment. Deal with your biases. Vigorously resist the urge to dismiss the gender problem. Make the effort and make the effort and make the effort until you no longer need to, until we don't need to keep having this conversation. Change requires intent and effort. It really is that simple.

Dr. Urbino caught the parrot around the neck with a triumphant sigh: ça y est. But he released him immediately because the ladder slipped from under his feet and for an instant he was suspended in the air and then he realized that he had died without Communion, without time to repent of anything or to say goodbye to anyone, at seven minutes after four on Pentecost Sunday. Fermina Daza was in the kitchen tasting the soup for supper when she heard Digna Pardo's horrified shriek and the shouting of the servants and then of the entire neighborhood. She dropped the tasting spoon and tried to run despite the invincible weight of her age, screaming like a madwoman without knowing yet what had happened under the mango leaves, and her heart jumped inside her ribs when she saw her man lying on his back in the mud, dead to this life but still resisting death's final blow for one last minute so that she would have time to come to him. He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked for her for the last and final time with eyes more luminous, more grief-stricken, more grateful that she had ever seen them in the half century of a shared life, and he managed to say to her with his last breath: "Only God knows how much I loved you.

Why do you ask?" "Because I can." "You can what?" "I can go in the private collection!" I scurried toward him. "My father had a lifetime subscriptioin, Mr. Sheridan, and not just that, but he had special privileges. I'm certain I could use his name to get you into the private collection." Daniel's jaw fell. "Why didn't you say so before?" "What?" I recoiled. "How was I supposed to know you needed it?" "We could've gone ages ago!" My enthusiasm transformed into outrage. "In that case, why didn't you say you needed it?" "Because I didn't know you had a subscription!" "Aha!" I cried, thrusting a finger at him. "Your argument's a circle!" Daniel sprang up. "We wasted all this time-" "Silence!" Joseph roared. "You are like squawking parrots, and I have had quite enough. Miss Fitt, I would ask that you take Mr. Sheridan to the library immediately. Daniel, I would ask that you keep that big mouth of yours silent.

Someday you'll be as old as I. People will say the same. 'Oh, no,' they'll say, 'those vultures were never hummingbirds, those owls were never orioles, those parrots were never bluebirds!" One day you'll be like me!

We were happy enough; that's what people say, isn't it? How happy is happy enough? It sounds like a grammatical mistake - happy enough, like rather unique...

It goes without saying that even those of us who are going to hell will get eternal life—if that territory really exists outside religious books and the minds of believers, that is. Having said that, given the choice, instead of being grilled until hell freezes over, the average sane human being would, needless to say, rather spend forever idling in an extremely fertile garden, next to a lamb or a chicken or a parrot, which they do not secretly want to eat, and a lion or a tiger or a crocodile, which does not secretly want to eat them.

He loved his mother: doesn't that warm your silly, sentimental, twentieth-century heart? He loved his father. He loved his sister. He loved his niece. He loved his friends. He admired certain individuals. But his affections were always specific; they were not given away to all comers. This seems enough to me. You want him to do more? You want him to 'love humanity', to goose the human race? But that means nothing. Loving humanity means as much and as little as loving raindrops, or loving the Milky Way. You say that you love humanity? Are you sure you aren't treating yourself to easy self-congratulation, seeking approval, making certain you're on the right side?

Mariac tells us about the books he's read, the painters he's liked, the plays he's seen. He finds himself by looking in the works of others. He defines his own faith by a passionate anger against Gide the Luciferian. Reading his 'memories' is like meeting a man on a train who says, 'Don't look at me; that's misleading. If you want to know what I'm like, wait until we're in a tunnel, and then study my reflection in the window.' You wait, and look, and catch a face against a shifting background of sooty walls, cables, and sudden brickwork. The transparent shape flickers and jumps, always a few feet away. You become accustomed to its existence, you move with its movements; and though you know its presence is conditional, you feel it to be permanent. Then there is a wail from ahead, a roar and a burst of light; the face is gone for ever.

I can't deceive myself out of the bare stark realization that no matter how enthusiastic you are, no matter how sure that character is fate, nothing is real, past or future, when you are alone in your room with the clock ticking loudly into the false cheerful brilliance of the electric light. And if you have no past or future which, after all, is all that the present is made of, why then you may as well dispose of the empty shell of present and commit suicide. But the cold reasoning mass of gray entrail in my cranium which parrots "I think, therefore I am," whispers that there is always the turning, the upgrade, the new slant. And so I wait. What avail are good looks? To grab temporary security? What avail are brains? Merely to say "I have seen; I have comprehended?

Why would you go on a pirate dinner cruise?” He had to know. Her jaw dropped. “Are you kidding me? Why wouldn’t you go on a pirate dinner cruise? There’s pirates and dinner. And you get to say ‘argh’ and ‘matey’ while drinking lots of rum without anyone looking at you funny.” Her breath caught. “Maybe one of them will even have a real parrot!” Perhaps he’d overestimated her—just a little.

Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.

The parrot had a range of phrases. His own name ('Niko, Niko'), the name of his original owner and now 'Stavros'. Occasionally he would also say 'Panagia mou', which could be an expression of piety but also a gentle expletive, depending on how it was said. With the parrot it was hard to tell. It did not sound pious.

That's the real distinction between people: not between those who have secrets and those who don't, but between those who want to know everything and those who don't. This search is a sign of love, I maintain. It's similar with books. Not quite the same, of course (it never is); but similar. If you quite enjoy a writer's work, if you turn the page approvingly yet don't mind being interrupted, then you tend to like that author unthinkingly. Good chap, you assume. Sound fellow. They say he strangled an entire pack of Wolf Cubs and fed their bodies to a school of carp? Oh no, I'm sure he didn't; sound fellow, good chap. But if you love a writer, if you depend upon the drip-feed of his intelligence, if you want to pursue him and find him -- despite edicts to the contrary -- then it's impossible to know too much. You seek the vice as well. A pack of Wolf Cubs, eh? Was that twenty-seven or twenty-eight? And did he have their little scarves sewn up into a patchwork quilt? And is it true that as he ascended the scaffold he quoted from the Book of Jonah? And that he bequeathed his carp pond to the local Boy Scouts? But here's the difference. With a lover, a wife, when you find the worst -- be it infidelity or lack of love, madness or the suicidal spark -- you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment? With a writer you love, the instinct is to defend. This is what I meant earlier: perhaps love for a writer is the purest, the steadiest form of love. And so your defense comes the more easily. The fact of the matter is, carp are an endangered species, and everyone knows that the only diet they will accept if the winter has been especially harsh and the spring turns wet before St Oursin's Day is that of young minced Wolf Cub. Of course he knew he would hang for the offense, but he also knew that humanity is not an endangered species, and reckoned therefore that twenty-seven (did you say twenty-eight?) Wolf Cubs plus one middle-ranking author (he was always ridiculously modest about his talents) were a trivial price to pay for the survival of an entire breed of fish. Take the long view: did we need so many Wolf Cubs? They would only have grown up and become Boy Scouts. And if you're still so mired in sentimentality, look at it this way: the admission fees so far received from visitors to the carp pond have already enabled the Boy Scouts to build and maintain several church halls in the area.

For some, Life is rich and creamy, made according to an old peasant recipe from nothing but natural products, while Art is a pallid commercial confection, consisting mainly of artificial colourings and flavourings. For others, Art is the truer thing, full, bustling and emotionally satisfying, while Life is worse than the poorest novel: devoid of narrative, peopled by bores and rogues, short on wit, long on unpleasant incidents, and leading to a painfully predictable dénouement. Adherents of the latter view tend to cite Logan Pearsall Smith: ‘People say that life is the thing; but I prefer reading.’ Candidates are advised not to use this quotation in their answers.

Words without thoughts never to heaven go,’ says the King in Hamlet. Simply to say prayers is not to pray; otherwise a team of properly trained parrots would serve as well as men

Love can't kill me." I say, parroting Carla's words. "That's not true," she says "Whoever told you that?

Love can't kill,' I say, parroting Carla's words. 'That's not true,' she says. 'Whoever told you that?

Don’t keep parroting at me!’ Halt fumed. ‘Stop repeating what I say! I asked you “what”, so don’t ask

And it's no use putting her on her honour, because——' 'Because she hasn't any,' Philip finished. 'I wouldn't say that,' said the parrot, 'of anybody. I'd only say we haven't come across it.

And answers are dangerous, they kill your wonder. They are dangerous because they give you the feeling that you know, although you know not. They give you this misconception about yourself that now questions have been solved. “I know what The Bible says, I know what the Koran says, I know what the Gita says. I have arrived.” You will become a parrot; you will repeat things but you will not know anything. This is not the way to know—knowledge is not the way to know. Then what is the way to know? Wonder. Let your heart dance with wonder. Be full of wonder: throb with it, breathe it in, breathe it out. Why be in such a hurry for the answer? Can’t you allow a mystery to remain a mystery? I know there is a great temptation not to allow it to remain a mystery, to reduce it to knowledge.

Never be left speechless again. Like a parrot, simply repeat the last few words your conversation partner says. That puts the ball right back in his or her court, and then all you need to do is listen.

A parrot can say anything Albert Einstein could say, as well as mimicking the sounds of phones ringing, doors slamming and sirens wailing. Whatever advantage Einstein had over a parrot, it wasn’t vocal.

Some take pains to be biblical, but many [Christian financial teachers, writers, investment counselors, and seminar leaders] simply parrot their secular colleagues. Other than beginning and ending with prayer, mentioning Christ, and sprinkling in some Bible verses, there's no fundamental difference. They reinforce people's materialist attitudes and lifestyles. They suggest a variety of profitable plans in which people can spend or stockpile the bulk of their resources. In short, to borrow a term from Jesus, some Christian financial experts are helping people to be the most successful 'rich fools' they can be.

They keep saying it’ll be over in two weeks.” They, I think. The news anchors, who are parroting the press secretary, who is parroting the president. “Yeah, I know. But that’s not what my attending’s saying.

He told them therefore that He was not a Teacher asking for a disciple who would parrot His sayings; He was a Saviour Who first disturbed a conscience and then purified it. But many would never get beyond hating the disturber. The Light is no boon, except to those who are men of good will; their lives may be evil, but at least they want to be good. His Presence, He said, was a threat to sensuality, avarice, and lust. When a man has lived in a dark cave for years, his eyes cannot stand the light of the sun; so the man who refuses to repent turns against mercy. No one can prevent the sun from shining, but every man can pull down the blinds and shut it out.

A pirate walks into a bar with a parrot on his shoulder, a peg leg, and a steering wheel on his pants,” Derek said. “The bartender says, ‘Hey, you’ve got a steering wheel on your pants.’ And the pirate goes, ‘Arrrgh, I know. It’s driving me nuts.

parrot can say anything Albert Einstein could say, as well as mimicking the sounds of phones ringing, doors slamming and sirens wailing. Whatever advantage Einstein had over a parrot, it wasn’t vocal. What, then, is so special about our language?

Make then your forecasts, my lords Astrologers, with your slavish physicians, by means of those astrolabes with which you seek to discern the fantastic nine moving spheres; in these you finally imprison your own minds, so that you appear to me but as parrots in a cage, while I watch you dancing up and down, turning and hopping within those circles. We know that the Supreme Ruler cannot have a seat so narrow, so miserable a throne, so straight a tribunal, so scanty a court, so small and feeble a simulacrum that a phantasm can bring to birth, a dream shatter, a delusion restore, a chimera disperse, a calamity diminish, a misdeed abolish and a thought renew it again, so that indeed with a puff of air it were brimful and with a single gulp it were emptied. On the contrary we recognize a noble image, a marvellous conception, a supreme figure, an exalted shadow, an infinite representation of the represented infinity, a spectacle worthy of the excellence and supremacy of Him who transcendeth understanding, comprehension or grasp. Thus is the excellence of God magnified and the greatness of his kingdom made manifest; he is glorified not in one, but in countless suns; not in a single earth, a single world, but in a thousand thousand, I say in an infinity of worlds.

Exactly. That’s why it’s so rare.” The parrot arrives, flapping up from far below, and sits on the cash register. Seeing the register reminds me that I can’t pay, and I tell the bartender so. “Not a problem,” the bartender says. “We’ll bill your insurance.

What you have heard is true. I was in his house. His wife carried a tray of coffee and sugar. His daughter filed her nails, his son went out for the night. There were daily papers, pet dogs, a pistol on the cushion beside him. The moon swung bare on its black cord over the house. On the television was a cop show. It was in English. Broken bottles were embedded in the walls around the house to scoop the kneecaps from a man's legs or cut his hands to lace. On the windows there were gratings like those in liquor stores. We had dinner, rack of lamb, good wine, a gold bell was on the table for calling the maid. The maid brought green mangoes, salt, a type of bread. I was asked how I enjoyed the country. There was a brief commercial in Spanish. His wife took everything away. There was some talk of how difficult it had become to govern. The parrot said hello on the terrace. The colonel told it to shut up, and pushed himself from the table. My friend said to me with his eyes: say nothing. The colonel returned with a sack used to bring groceries home. He spilled many human ears on the table. They were like dried peach halves. There is no other way to say this. He took one of them in his hands, shook it in our faces, dropped it into a water glass. It came alive there. I am tired of fooling around he said. As for the rights of anyone, tell your people they can go f--- themselves. He swept the ears to the floor with his arm and held the last of his wine in the air. Something for your poetry, no? he said. Some of the ears on the floor caught this scrap of his voice. Some of the ears on the floor were pressed to the ground.

There is no mistake,” says Herr Keller. “The extra lessons are necessary. We cannot hope to build a successful socialist state in this country if its citizens are not properly informed about socialist ideals.” He sounds as if he is repeating something he has been taught to say, parrot-fashion.

A frightened man came to the KGB. ‘My talking parrot disappeared,’ he said. ‘This is not our case,’ says the KGB, ‘go to the criminal police.’ ‘Excuse me,’ says the man. ‘Of course I know I have to go to the criminal police. I am here just to tell you officially that I disagree with that parrot.

Reading [Mauriac's] 'memoirs' is like meeting a man on a train who says, 'Don't look at me, that's misleading. If you want to know what I'm like, wait until we're in a tunnel, and then study my reflection in the window.' You wait, and look, and catch a face against a shifting background of sooty walls, cables and sudden brickwork. The transparent shape flickers and jumps, always a few feet away. You become accustomed to its existence, you move with its movements; and though you know its presence is conditional, you feel it to be permanent. Then there is a wail from ahead, a roar and a burst of light; the face is gone for ever.

Jane, this young man is Jacob, my oldest son. It’s no secret that a headmistress’s biggest challenge is her family. Jacob, say hello to Jane.” “Hello to Jane,” he parroted, pulling out the pockets of his shorts in a silly curtsey. I couldn’t decide if it was the dumbest thing I’d ever seen, or the funniest, so I stared back at him.

The emperor Caesar Augustus had a parakeet who greeted him daily, and after his victory over Mark Antony in Egypt in 29 B.C., he purchased a raven whose trainer had taught him to say “Ave, Caesar Victor Imperator.” (The trainer had wisely taught another bird to say “Ave, Victor Imperator Antoni” in case the battle went the other way.)

What he says, even on his knees, about his own sinfulness is all parrot talk. At bottom, he still believes he has run up a very favourable credit-balance in the Enemy’s ledger by allowing himself to be converted, and thinks that he is showing great humility and condescension in going to church with these ‘smug’, commonplace neighbours at all.

. . .biographers tend to regard as character those elements of personality that remain constant, or nearly so, throughout. . .Like practitioners of fractal geometry, biographers seek patterns that persist as one moves from micro- to macro-levels of analysis, and back again. . . . It follows from this that the scale across which we seek similarity need not be chronological. Consider the following incidents in the life of Stalin between 1929 and 1940, arranged not by dates but in terms of ascending horror. Start with the parrot he kept in a cage in his Kremlin apartment. The dictator had the habit of pacing up and down for long periods of time, smoking his pipe, brooding, and occasionally spitting on the floor. One day the parrot tried to mimic Stalin's spitting. He immediately reached into the cage with his pipe and crushed the parrot's head. A very micro-level event, you might well say, so what? But then you learn that Stalin, while on vacation in the Crimea, was once kept awake by a barking dog. It turned out to be a seeing-eye dog that belonged to a blind peasant. The dog wound up being shot, and the peasant wound up in the Gulag. And then you learn that Stalin drove his independently minded second wife, who tried to talk back to him, into committing suicide. And that he arranged for Trotsky, who also talked back, to be assassinated halfway around the world. And that he arranged as well the deaths of as many of Trotsky's associates that he could reach, as well as the deaths of hundred of thousands of other people who never had anything to do with Trotsky. And that when his own people began to talk back by resisting the collectivization of agriculture, he allowed some fourteen million of them to die from the resulting starvation, exile, or imprisonment. Again, there's self-similarity across scale, except that the scale this time is a body count. It's a fractal geometry of terror. Stalin's character extended across time and space, to be sure, but what's most striking about it is its extension across scale: the fact that his behavior seemed much the same in large matters, small matters, and most of those that lay in between.

I was sorry he had not a cat, or a young dog, or better still, an old dog. But all he had to offer in the way of dumb companions was a pink and grey parrot. He used to try and teach it to say, Nihil in intellectu, etc. These first three words the bird managed well enough, but the celebrated restriction was too much for it, all you heard was a series of squawks.

When she dies, you are not at first surprised. Part of love is preparing for death. You feel confirmed in your love when she dies. You got it right. This is part of it all. Afterward comes the madness. And then the loneliness: not the spectacular solitude you had anticipated, not the interesting martyrdom of widowhood, but just loneliness. You expect something almost geological-- vertigo in a shelving canyon -- but it's not like that; it's just misery as regular as a job. What do we doctors say? I'm deeply sorry, Mrs Blank; there will of course be a period of mourning but rest assured you will come out of it; two of these each evening, I would suggest; perhaps a new interst, Mrs Blank; can maintenance, formation dancing?; don't worry, six months will see you back on the roundabout; come and see me again any time; oh nurse, when she calls, just give her this repeat will you, no I don't need to see her, well it's not her that's dead is it, look on the bright side. What did she say her name was? And then it happens to you. There's no glory in it. Mourning is full of time; nothing but time.... you should eat stuffed sow's heart. I might yet have to fall back on this remedy. I've tried drink, but what does that do? Drink makes you drunk, that's all it's ever been able to do. Work, they say, cures everything. It doesn't; often, it doesn't even induce tiredness: the nearest you get to it is a neurotic lethargy. And there is always time. Have some more time. Take your time. Extra time. Time on your hands. Other people think you want to talk. 'Do you want to talk about Ellen?' they ask, hinting that they won't be embarrassed if you break down. Sometimes you talk, sometimes you don't; it makes little difference. The word aren't the right ones; or rather, the right words don't exist. 'Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.' You talk, and you find the language of bereavement foolishly inadequate. You seem to be talking about other people's griefs. I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her. There is a limited choice of prayers on offer: gabble the syllables. And you do come out of it, that's true. After a year, after five. But your don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.

Are you saying people aren’t interested in the truth?” “Listen, what’s true to a lot of people is that they need the money for the rent by the end of the week. Look at Mr. Ron and his friends. What’s the truth mean to them? They live under a bridge!” She held up a piece of lined paper, crammed edge to edge with the careful looped handwriting of someone for whom holding a pen was not a familiar activity. “This is a report of the annual meeting of the Ankh-Morpork Caged Birds Society,” she said. “They’re just ordinary people who breed canaries and things as a hobby. Their chairman lives next door to me, which is why he gave me this. This stuff is important to him! My goodness, but it’s dull. It’s all about Best of Breed and some changes in the rules about parrots which they argued about for two hours. But the people who were arguing were people who mostly spend their day mincing meat or sawing wood and basically leading little lives that are controlled by other people, do you see? They’ve got no say in who runs the city but they can damn well see to it that cockatoos aren’t lumped in with parrots. It’s not their fault. It’s just how things are. Why are you sitting there with your mouth open like that?

To a chorus of resonant barking, the instruments proceeded to adjust themselves into tune. A billy-goat, alarmed, aroused his harem, and distantly a muffled lowing broke out. Philippa said, ‘Oh dear. It must have cost a fortune. Did Gideon ever do this to you?’ Kate thought. ‘No, but I did it to him. He hadn’t called to see me for a week, so I sent eight bell ringers to serenade him at cock-crow and his mother’s parrot dropped dead, quoting Luther.’ ‘What did it say?’ Philippa said. Sitting on the sill, with her long brown hair falling over her night robe, she looked, in the darkness, like the daughter who had come back from Turkey: calm and smiling and soignée. ‘Music is a fair and lovely gift of God, and deserves to be extolled as the mistress and governess of the feelings of the human heart,’ said Kate, surprised.

What he was saying was of no importance in itself, it had all been said before so many times, repeated parrot-like but with an air of acute perception and originality by one person after another, in one country after another, all the way down through history. After all, even Hitler was unable to think up anything really new on the subject of the Jews; he merely said what everybody else had been saying, only of course he said it louder and oftener, and put it a bit more strongly.

FOR MOST OF us, failure comes with baggage—a lot of baggage—that I believe is traced directly back to our days in school. From a very early age, the message is drilled into our heads: Failure is bad; failure means you didn’t study or prepare; failure means you slacked off or—worse!—aren’t smart enough to begin with. Thus, failure is something to be ashamed of. This perception lives on long into adulthood, even in people who have learned to parrot the oft-repeated arguments about the upside of failure. How many articles have you read on that topic alone? And yet, even as they nod their heads in agreement, many readers of those articles still have the emotional reaction that they had as children. They just can’t help it: That early experience of shame is too deep-seated to erase. All the time in my work, I see people resist and reject failure and try mightily to avoid it, because regardless of what we say, mistakes feel embarrassing. There is a visceral reaction to failure: It hurts.

You can make a little girl into anything if you say the right words. Take her apart until all that’s left is her red, red heart thumping against the world. Stitch her up again real good. Now, maybe you get a woman. If you’re lucky. If that’s what you were after. Just as easy to end up with a blackbird or a circus bear or a coyote. Or a parrot, just saying what’s said to you, doing what’s done to you, copying until it comes so natural that even when you’re all alone you keep cawing hello pretty bird at the dark.

When Radha and I were children, we used to play a game. She would ask, “What is the true color of the world, Didi?” And I would say, “Green.” “Why green?” “Because the trees are green. Grass is green. The new buds on the plants are green. Even the parrots are green. Green is the color of the world.” “But, Didi,” Radha would argue, “the wheat stalks are brown. My body is brown. The field mice are brown. No, the world is brown.” “What about blue?” I would say. “The sky is blue. And it covers the whole world, like a mother who loves and embraces all her children. Radha would fall silent, and I would remember that she had known our mother’s love for even fewer years than I did. So I would take her in my arms and hold her, to make her know what it feels like to be loved. Today I know the truth: The true color of the world is black. Anger is black. Shame and scandal are black. Betrayal is black. Hatred is black. And a roasted, smoking body is Black, Black, Black. The world, after witnessing such cruelty, goes black. The waking up to a changed world is black.

Hey, ya'll should come home with us. Verdie has a pot roast in the oven that will melt in your mouth," Finn said. He was as tall as Sawyer and had the bluest eyes Jill had ever seen on a man. Callie nodded at his side as she corralled four kids, and Verdie poked her head out around Finn's shoulder to say, "Yes, we'd love to have you. Got plenty of food and plenty of these wild urchins to entertain you. If that don't keep you laughing, then there's a parrot that never shuts up and a bunch of dogs." "And a cat," a little girl said shyly.

In certain young people today…I notice what I find increasingly troubling: a cold-blooded grasping, a hunger to take and take and take, but never give; a massive sense of entitlement; an inability to show gratitude; an ease with dishonesty and pretension and selfishness that is couched in the language of self-care; an expectation always to be helped and rewarded no matter whether deserving or not; language that is slick and sleek but with little emotional intelligence; an astonishing level of self-absorption; an unrealistic expectation of puritanism from others; an over-inflated sense of ability, or of talent where there is any at all; an inability to apologize, truly and fully, without justifications; a passionate performance of virtue that is well mexecuted in the public space of Twitter but not in the intimate space of friendship. I find it obscene. People who ask you to ‘educate’ yourself while not having actually read any books themselves, while not being able to intelligently defend their own ideological positions, because by ‘educate,’ they actually mean ‘parrot what I say, flatten all nuance, wish away complexity.’ People who wield the words ‘violence’ and ‘weaponize’ like tarnished pitchforks. People who depend on obfuscation, who have no compassion for anybody genuinely curious or confused. Ask them a question and you are told that the answer is to repeat a mantra. Ask again for clarity and be accused of violence. And so we have a generation of young people on social media so terrified of having the wrong opinions that they have robbed themselves of the opportunity to think and to learn and to grow.

educated and intelligent persons. It was obvious that they were parroting some piece of nonsense they had heard on the radio or read in the newspapers. Sometimes one was tempted to say as much, but on such occasions one was met with such a stare of incredulity, such a shock of silence, as if one had blasphemed the Almighty, that one realized how useless it was even to try to make contact with a mind which had become warped and for whom the facts of life had become what Hitler and Goebbels, with their cynical disregard for truth, said they were.

British prime minister Winston Churchill said, “When the eagles are silent, the parrots begin to jabber.” Good leaders are like eagles: they soar; they inspire; they fly high. And they don’t talk just to hear themselves. They don’t vent about someone to others to make themselves feel better. If they have a problem with a person, they go to that individual and address the issue directly—never through a third party. They praise publicly and criticize privately. And they never say anything about others that they wouldn’t want them to hear—because they probably will.

She does say the most amusing things, doesn’t she? ‘Pretty girl,’ and ‘yes,’ and—Do you hear that one? ‘Fancy a . . .’ what? I never can catch what she’s saying at the end. It’s certainly not biscuit. ‘Fancy a cuppa,’ perhaps? But who gives a parrot tea? It sounds a great deal like ‘fancy a foxglove,’ but that makes even less sense. I don’t mind saying the mystery is driving me a bit mad.” “Fuck.” She froze. “I’m not that upset about it.” He returned to the bedchamber, now clothed in a pair of trousers and an unbuttoned shirt. “It’s what the parrot’s saying. ‘Fancy a fuck, love.’ That bird came from a whorehouse.

I like Peter.” “You do?” I say. Daddy nods. “He’s a good kid. He’s really taken with you, Lara Jean.” “Taken with me?” I repeat. To me Kitty says, “You sound like a parrot.” To Daddy she says, “What does that mean? Taken by her?” “It means he’s charmed by her,” Daddy explains. “He’s smitten.” “Well, what’s smitten?” He chuckles and stuffs the roll in Kitty’s open, perplexed mouth. “It means he likes her.” “He definitely likes her,” Kitty agrees, her mouth full. “He…he looks at you a lot, Lara Jean. When you’re not paying attention. He looks at you, to see if you’re having a good time.” “He does?” My chest feels warm and glowy, and I can feel myself start to smile.

I would tell you some of the bizarre things I have heard otherwise rational philosophers say about parrots, but it would probably be actionable if I did so in print, and they would deny it anyway. A human philosopher thinks that no one notices when she starts putting on airs. A parrot doesn’t think this way. You may say that a parrot puts on airs. Well, a parrot does. But a parrot knows he’s putting on airs; he’s not like a blue jay that way, it’s completely different. A blue jay gets all mixed up in his thinking because he starts believing his own PR, but a parrot is more cool-headed than that, which is why you can win an argument with a blue jay and never with a parrot.

I do not believe any person is born knowing how to be human. Everyone has to learn their letters and everyone has to learn how to be alive. . . . . Maybe it's not a lesson so much as it's a magic trick. You can make a little girl into anything if you say the right words. Take her apart until all that's left is her red, red heart thumping against the world. Stitch her up again real good. Now, maybe you get a woman. If you're lucky. If that's what you were after. Just as easy to end up with a blackbird or a circus bear or a coyote. Or a parrot, just saying what's said to you, doing what's done to you, copying until it comes so natural that even when you're all alone, you keep on cawing __hello, pretty bird__ at the dark.

I, for one, am not pro-sex. I am not sex-positive or sex-negative. I am pro-pleasure, which does not need to include sex at all, and I am pro-sexual choice—real choice. It is not enough to say that everyone should only do what they want. That’s a bromide that anyone can parrot and it ignores the ways that society pressures us to want certain things. Back it up. Show us examples of powerful, enviable women who are openly indifferent to sex, secure in that decision, and not constantly challenged by others. Don’t reinforce the new charmed circle with comments about how polyamory is more evolved than monogamy, or look down on vanilla sex. Stop assuming that sexual behavior must be linked to political belief or that horniness is an interesting personality trait. That’s closer to what I mean by real choice.

The best units, according to Lartéguy, while officially built on high ideals, are, in fact, products of such deep bonds of brotherhood and familiarity that the world outside requires a dose of “cynicism” merely to stomach. As one Green Beret once wrote me, “There are no more cynical soldiers on the planet than the SF [Special Forces] guys I work with, they snort at the platitudes we are expected to parrot, but,” he went on, “you will not find anyone who gets the job done better in tough environments like Iraq.” In fact, in extreme and difficult situations like Iraq, cynics may actually serve a purpose. For in the regular army there is a tendency to report up the command chain that the mission is succeeding, even if it isn’t. Cynics won’t buy that, and will say so bluntly. Lartéguy immortalizes such soldiers.

He is incredibly suggestable, skimming ideas and thoughts and statements from other people and repackaging them as his own; campaign aides once called him a “sophisticated parrot.” He has shown a willingness both to believe anything is true, and to say anything is true. He has a few core ideological impulses, but is often willing to suppress them when it’s useful for another purpose. He makes vague statements that allow people to project what they want onto his words, so two sides of the same issue could claim his support. More often than not, Trump is reacting to something instead of having an active plan, but because he so disorients people, they believe there must be a grander strategy or secret scheme at play. Whatever he’s up to is often part of what he sees as a game, whose rules and objectives make sense only to him.

Amy was on the point of crying, but Laurie slyly pulled the parrot's tail, which caused Polly to utter an astonished croak and call out, "Bless my boots!" in such a funny way, that she laughed instead. "What do you hear from your mother?" asked the old lady gruffly. "Father is much better," replied Jo, trying to keep sober. "Oh, is he? Well, that won't last long, I fancy. March never had any stamina," was the cheerful reply. "Ha, ha! Never say die, take a pinch of snuff, goodbye, goodbye!" squalled Polly, dancing on her perch, and clawing at the old lady's cap as Laurie tweaked him in the rear. "Hold your tongue, you disrespectful old bird! And, Jo, you'd better go at once. It isn't proper to be gadding about so late with a rattlepated boy like . . ." "Hold your tongue, you disrespectful old bird!" cried Polly, tumbling off the chair with a bounce, and running to peck the `rattlepated' boy, who was shaking with laughter at the last speech.

She pouts. “Well, Art, this morning my dog ate half my boomerang.” She pulls a chewed piece of wood from a pocket. “Does it still work?” Arathusa considers this question and throws the object across the yard with surprising skill. It whistles through the air and lands in the dust a few feet from the latrine. They both stare at it for a moment. “Well,” she says with delight, “I guess it half works! Art, what’s your philosophy?” A few axioms come to mind—Don’t buy tomatoes in winter; men over forty should not dye their hair; expensive underwear is worth it—but no philosophies. Less demurs: “Um, I don’t think I have one.” “Everybody has one; you just have to discover it. Mine is about embracing the affirmative. It goes like this: Know no no.” “No, no, no,” Less parrots. “You’re mishearing me,” she says, smiling. “Now, listen: Know no no.” “No, no, no.” Arathusa’s smile sharpens. “No, no, no!” she says, then starts again: “Know. No. No.” “No,” Less begins slowly. “No. No.” A sigh. “No.

We have, as it seems to me, in this most mechanical and interlocking of civilizations, attempted to lop this creature down to the status of time-saving invention. He is, after all, not merely a member of a Society or a Group or a deplorable conundrum to be explained by Science. He is—and how old-fashioned the words sound!—something more than that, something resolutely indefinable, unpredictable. In overlooking, denying, evading his complexity—which is nothing more than the disquieting complexity of ourselves—we are diminished and we perish; only within this web of ambiguity, paradox, this hunger, danger, darkness, can we find at once ourselves and the power that will free us from ourselves. It is this power of revelation which is the business of the novelist, this journey toward a more vast reality which must take precedence over all other claims. What is today parroted as his Responsibility—which seems to mean that he must make formal declaration that he is involved in, and affected by, the lives of other people and to say something improving about this somewhat self-evident fact—is, when he believes it, his corruption and our loss; moreover, it is rooted in, interlocked with and intensifies this same mechanization.

Some pastors are lazy and no good” by Martin Luther “Some pastors and preachers are lazy and no good. They rely on these and other good books to get a sermon out of them. They do not pray; they do not study; they do not read; they do not search the Scripture. It is just as if there were no need to read the Bible for this purpose. They use such books as offer them homiletical help in order to earn their yearly living; they are nothing but parrots and jackdaws, which learn to repeat without understanding, though our purpose and the purpose of these theologians is to direct preachers to Scripture with such books and exhort them to plan to defend our Christian faith after death, against the devil, the world, and the flesh… Therefore the call is: Watch, study, attend to reading. In truth, you cannot read too much in Scripture; and what you read you cannot read too carefully, and what you read carefully you cannot understand too well, and what you understand well you cannot teach too well, and what you teach well you cannot live too well. Believe a man who has found this out. It is the devil, it is the world, it is our flesh that are raging and raving against us. Therefore, dear sirs and brethren, pastors and preachers, pray, read, study, be diligent. Truly, this evil, shameful time is not the season for being lazy, for sleeping and snoring. Use the gift that has been entrusted to you, and reveal the mystery of Christ.” –Martin Luther, What Luther Says: An Anthology, comp. Ewald M. Plass (St. Louis: Concordia Publishing House, 1959), entry no. 3547, 1110.

Effective Pauses: Silence is powerful. We told Benjie to use it for emphasis, to encourage Sabaya to keep talking until eventually, like clearing out a swamp, the emotions were drained from the dialogue. 2.​Minimal Encouragers: Besides silence, we instructed using simple phrases, such as “Yes,” “OK,” “Uh-huh,” or “I see,” to effectively convey that Benjie was now paying full attention to Sabaya and all he had to say. 3.​Mirroring: Rather than argue with Sabaya and try to separate Schilling from the “war damages,” Benjie would listen and repeat back what Sabaya said. 4.​Labeling: Benjie should give Sabaya’s feelings a name and identify with how he felt. “It all seems so tragically unfair, I can now see why you sound so angry.” 5.​Paraphrase: Benjie should repeat what Sabaya is saying back to him in Benjie’s own words. This, we told him, would powerfully show him you really do understand and aren’t merely parroting his concerns. 6.​Summarize: A good summary is the combination of rearticulating the meaning of what is said plus the acknowledgment of the emotions underlying that meaning (paraphrasing + labeling = summary). We told Benjie he needed to listen and repeat the “world according to Abu Sabaya.” He needed to fully and completely summarize all the nonsense that Sabaya had come up with about war damages and fishing rights and five hundred years of oppression. And once he did that fully and completely, the only possible response for Sabaya, and anyone faced with a good summary, would be “that’s right.

We can’t afford to winter here, we’ll have to move while we can still get out to sea.” “Fine with me. I’m not sure I can take even another week here. The food—” “Not a Meat Olaf fancier, I gather.” “Can anything be done?” “Well, it’s supposed to be for emergencies, but I guess this qualifies as one.” Unlocking a black valise and gazing inside for a moment. “Here you go,” handing over an ancient hand-blown bottle whose label, carefully engraved and printed in an unfaded spectrum of tropical colors, showed an erupting volcano, a parrot with a disdainful smile and the legend ¡Cuidado Cabrón! Salsa Explosiva La Original. “Couple of drops is all you’ll need really to light that Meat Olaf right up, not that I’m being stingy, understand. My father handed this on to me, as did his father to him, and it isn’t down by even a quarter of an inch yet, so do exercise caution’s all I’m saying.” As expected, this advice was ignored, and next mealtime the bottle got passed around and everybody slopped on the salsa. The evening that resulted was notable for hysteria and recrimination. The luxuriant world of the parrot on the label, though seemingly as remote from this severe ice-scape as could be imagined, in fact was separated from it by only the thinnest of membranes. To get from one to the other one had only to fill one’s attention unremittingly with the bird’s image, abasing oneself meantime before his contempt, and repeat “¡Cuidado cabrón!” preferably with a parrot accent, until the phrase no longer had meaning—though in practice, of course, the number of repetitions was known to run into the millions, even as it ran listeners’ forbearance into the ground. In thus acquiring some of the force of a Tibetan prayer-wheel, the practice was thought to serve as an open-sesame to the Tsangpo-Brahmaputra country as well, a point which old Expedition hands were not reluctant to bring up.

till she found herself saying the words and singing the responses like a parrot.

He wants to make sure we understand each other, especially when we’re upset. So he gives me feedback. During arguments, he repeats or paraphrases what I say. He sounds like a parrot. I’ll say, ‘I’m furious.’ ‘You’re furious?’ ‘You’re making me crazy.’ ‘I’m making you crazy?’ ‘Stop it!’ ‘Stop it?’” —Marissa, Chicago, IL

Ideas cannot live outside of people" [...] "I don't accept that. The ideas in one lecture by Ikem changed my entire life from a parrot to a man." "Really?" "Yes, really. And the lives of some of my friends. It wasn't Ikem the man that changed me. I hardly knew him. It was his ideas set down on paper. One idea in particular: that we may accept a limitation on our actions but never, under no circumstances, must we accept restriction on our thinking." "Ok," said Beatrice bowing to this superior, unstoppable passion. "I have also felt what you are saying, though I knew him too as a man. You win! People and Ideas, then. We shall drink to both of them.

Active Listening As a skill, active listening draws on many of the abilities you’ve developed so far, from your relaxation techniques to body language to conversation skills. Here are four ways to be a good listener: 1. Instead of thinking ahead or worrying about what you’ll say next, focus on what the other person is saying right now. 2. Use positive body language to encourage the other person (maintain eye contact, smile, nod). 3. Occasionally restate the point the other person is making in another way (don’t merely parrot their words), so that he or she knows you understand and are paying attention. Ask for and offer examples to support what is being said. 4. Look for hints of something that the person seems truly interested or involved in. Seize the moment with a follow-up question such as “Why do you say that?” or, “What happened then?” 5. Use self-awareness and relaxation techniques both to improve your ability to focus and to develop your listening ability.

Not at all," persisted Chalmers, unaware that Shea was trying to shush him. "The people of the country have agreed to call magic 'white' when practised for lawful ends by duly authorized agents of the governing authority, and 'black' when practised by unauthorized persons for criminal ends. That is not to say that the principles of the science — or art — are not the same in either event. You should confine such terms as 'black' and 'white' to the objects for which the magic is performed, and not apply it to the science itself, which like all branches of knowledge is morally neutral —" "But," protested Belphebe, "is't not that the spell used to, let us say, kidnap a worthy citizen be different from that used to trap a malefactor?" "Verbally but not structurally," Chalmers went on. After some minutes of wrangling, Chalmers held up the bone of his drumstick. "I think I can, for instance, conjure the parrot back on this bone — or at least fetch another parrot in place of the one we ate. Will you concede, young lady, that that is a harmless manifestation of the art?" "Aye, for the now," said the girl. "Though I know you schoolmen; say 'I admit this; I concede that,' are ere long one finds oneself conceded into a noose." "Therefore it would be 'white' magic. But suppose I desired the parrot for some — uh — illegal purpose —" "What manner of crime for ensample, good sir?" asked Belphebe. "I — uh — can't think just now. Assume that I did. The spell would be the same in either case —" "Ah, but would it?" cried Belphebe. "Let me see you conjure a brace of parrots, one fair, one foul; then truly I'll concede." Chalmers frowned. "Harold, what would be a legal purpose for which to conjure a parrot?" Shea shrugged. "If you really want an answer, no purpose would be as legal as any, unless there's something in gamelaws. Personally I think it's the silliest damned argument —

In her previous life, Leni wouldn’t have believed this man had been a captain at Pan Am. But up here, lots of people had been one thing on the Outside and became another in Alaska. Large Marge used to be a big-city prosecutor and now took showers at the Laundromat and sold gum, and Natalie had gone from teaching economics at a university to captaining her own fishing boat. Alaska was full of unexpected people—like the woman who lived in a broken-down school bus at Anchor Point and read palms. Rumor had it that she used to be a cop in New York City. Now she walked around with a parrot on her shoulder. Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you. No one cared if you had an old car on your deck, let alone a rusted fridge. Any life that could be imagined could be lived up here.

The parrot sat on the back of a chair across from me. Suddenly he climbed down and walked across the table between the ashtrays and empty bottles and climbed up on my shoulder. “Don’t say that thing,” I told him, “it’s very irritating to me when you say that thing.” “Fuckin’ whore,” said the parrot.

Every so often, the parrot would mechanically say, “Lord, have mercy.” The elder would respond, “Look, the parrot can say the prayer, but does that mean that it is praying?

As the Chinese translation of the name Sukhāvatī suggests, it is a land of supreme joy. The Sanskrit is of similar meaning: “that which possesses ease and comfort.” Sukhāvatī is not subject to the sufferings that plague this world and, furthermore, it is a land of surpassed beauty. It is described as having seven tiers of balustrades, seven rows of nets, and seven rows of trees, all adorned with four jewels (gold, silver, lapsis lazuli, and crystal). There is a lake of the seven jewels (gold, silver, lapis lazuli, crystal, a kind of big shell [tridacna gigas], coral, and agate), filled with water having the eight virtues. The bottom of the lake is gold sand. On the four sides of the lake are stairs (galleries) made of the four jewels. Above are towers and palaces also adorned with the seven jewels. Above are towers and palaces also adorned with the seven jewels. In the lake bloom lotus flowers as large as chariot wheels. The blue lotus flowers emit a blue light, and the yellow, red, and white lotus flowers emit light of corresponding colors. They all give forth a sweet fragrance. The delightful sound of heavenly music can be hard, and in the morning, at noon, and in the evening mandārava flowers fall from the sky and gently pile up on the golden ground. Every morning the inhabitants of the Pure Land gather these flowers with the hems of their robes and make offerings of them to myriads of buddhas in other lands. At mealtime they return to their own land, where they take their meal and stroll around. There are many kinds of birds—swans, peacocks, parrots, sharikas, kalaviṅkas, and jīvaṃjīvakas, which sing with beautiful voices, proclaiming the teachings of the Buddha. When living beings hear this song, they think about the Buddha, Dharma (“law,” or his teachings), and Saṅgha (“community of believers”). When the gentle breezes blow, the rows of four-jeweled trees and jeweled nets give forth a gentle music, like a beautiful symphony. In this land dwell Amitābha Buddha and his two attendants, the bodhisattvas Avalokitśvara and Mahāsthāmaprāpta. At their feet are those virtuous beings who have been reborn in that land because of their ardent faith. All, however, are male; women of deep faith are reborn here with male bodies. The female sex, considered inferior and unfortunate, has no place in Sukhāvatī. All people, says Śākyamuni, should ardently wish for rebirth in that land and become the companions of the most virtuous of all beings. People cannot hope for rebirth there just by performing a few good deeds, however. If living beings meditate eagerly upon the name of Amitābha for even one day with an undisturbed mind, Amitābha and his holy retinue will appear before them to receive them at the end of Life. They will enter the Pure Land with unperturbed hearts.

There is considerable physical evidence compared to other emotions (pleasure, sadness, anger), and hormonal activity becomes very strong when you feel love. When you fall in love, the brain secretes various chemicals, including pheromones, dopamine, norepinephrine, serotonin, oxytocin, and vasopressin. Just hugging a loved one or simply looking at a picture of a lover releases a hormone called oxytocin in the body, acting as a painkiller for headaches. Biochemically, phenylethylamine [18] secreted by the brain limbic system works, which is a kind of natural amphetamine, a stimulant. It's because phenylethylamine is the first step, but other hormones work, which are hormones such as adrenaline, dopamine, endorphin, oxytocin, and serotonin that are used in stimulants. The expression "love is a drug" is actually the opposite because drugs imitate love. However, the secretion of phenylethylamine has a shelf life, so it generally does not exceed two years. There are individual differences in this, so many of them are over in three months, and in some cases, it lasts up to three years. If two sparks fly at the same time and one person finishes at three months, and the other goes for two years and three years, tragedy will occur from then on. In other words, after that period, the brain, which had been exhausted by drugs, will regain its grip. Link to bean pods off. From this point on, love ends the chemistry phase and moves on to the sociology phase. Some say that the two-and-a-half years are meant to build and strengthen ties and intimacy with the other, and that the couple who don't become a parrot couple will sink in a moment of excitement and fall into ennui. At this time, the secretion of phenylethylamine decreases, but [19] oxytocin is actively secreted, resulting in comfort with each other. Link

You’re covered in blood,” Felix noted. Jericho snorted. “Yeah, kind of a hazard of the job.” Felix scoffed. “Yeah, but you’re also wearing that weird smug, smirky look you only get whenever you get laid, and since you were in an abandoned cabin with Trevor the perv, we’re…alarmed.” He flicked his hand dramatically. “Alarmed,” Jericho echoed. Arsen leaned in, his tone conspiratorial. “Did you fuck Trevor the perv, Coe?" Felix pulled a face. “I’m just hoping he fucked him before he killed him, not after. Once you cross that line, you don’t come back.” Jericho tried to follow their dizzying thought process, but before he could formulate a response, Nico and Levi arrived. Fuck. Levi looked like a wanted poster had fucked a tattoo model. His inky dark hair fell in his face, and he sucked on a Dum-Dum lollipop. Nico’s springy blond curls hung in his face. He looked surprisingly angelic for somebody who was such a little monster. “What’s up? Why’s everybody looking so constipated?” Levi asked. “Coe fucked Trevor the perv,” Arsen said, as if this was fact and not their wild speculation. Levi wrinkled his nose. “That dude was gay? Or was he, like”—he mimed a blowjob—“trying to bribe his way out of it?” Jericho’s face contorted at the idea of a blowjob from greasy ass Trevor, but they paid him no mind. Nico also looked disgusted. “What the fuck, man? Like, I get it. Who hasn’t wanted to fuck somebody they killed or kill somebody they fucked? But it’s a slippery slope, man.” “This is what I told him,” Arsen said, shaking his head. “Once you cross that line…” “Jesus Christ. I didn’t fuck Trevor the perv. I killed Trevor the perv,” Jericho said, walking around the four of them to head to his office, attempting to close the door behind him. His brother caught it and swung it back open. “If you didn’t fuck Trevor, then who was it? And don’t lie and say it didn’t happen. Your after orgasm glow never lies,” Arsen said, flopping down into a chair hard enough to rock it back dangerously far before it righted itself. “I—” Jericho shook his head. “I ran into a guy.” “With your dick?” Levi asked. Nico’s brows knitted together. “In the middle of the woods?” “Like, a homeless man in the woods? A… What’s the word? A hobo?” Arsen asked. Levi elbowed him. “We don’t call them that anymore. Show some respect.” Arsen shrugged. “Sorry. What do you call a man roaming the woods looking for sex?” “A lie,” Felix said, his mouth set in a hard line. “No way my brother banged some hot, sweaty lumberjack in the woods. That’s not his type.” His long, elegant fingers trailed over his collarbones, a slow smile spreading along his face as his brother seemed to get lost in his own lumberjack fantasy. “I—” “There’s nothing in the woods but animals and Sasquatch,” Nico said. “Sasquatch?” Levi parroted. Nico nodded. “Yeah, you know. Bigfoot.” “Did you fuck Bigfoot?” Levi asked, pulling the lollipop from his mouth with a pop.

Kat looked at them as they spoke, wanting to say something. She'd told me often enough that the nursery wasn't without its problems. It wasn't all singing and painting rainbows. But she believed that children were innocent parrots of their mothers' and fathers' prejudices. Wickedness wasn't innate. Well, she hadn't seen what Lennie Sturzaker used to do to me. No, some children are like pigs in a wood. Weaknesses to them are as pungent as truffles.

Sonnet 1480 If you can't say anything but my religion says this, my religion says that, I got no interest in hearing you. If you can't say anything but science says this, science says that, I got no interest in hearing you. If you can't say anything but philosophy says this, philosophy says that, I got no interest in hearing you. If you can't say anything but psychology says this, psychology says that, I got no interest in hearing you. If you can't utter a single word without parroting second-hand thought, my phone deserves more attention than you. But grow up and muster one original idea, I'll put aside my writing to listen to you.

It isn’t a lack of courage that prevents him from reaching out to his wife but gratitude for this moment filled with longing and contentment. Chanda Devi leans over to tell him something, but her words are drowned out by the cacophony of birds. ‘My lady,’ he says, ‘you are competing with more than five thousand parrot residents of this isle. You must speak louder.

Parrots can remember and repeat words and speak like human beings. But they do not understand what they are saying. As far as they are concerned, these are only sounds that humans have taught them to say.