Parrot Head Quotes

Everyone goes there. Everyone has their days. Everyone imagines it. But you know why my pop says that suicide is a sin?” He points his thumb toward the house, where Jerry is now helping Sylvia with the rest of the dishes. “Because it’s murder. Because only God can choose when it’s your time to go. Because stealing a life is stealing from God.” I parrot all the awful things people said about Meg. Richard shakes his head. “No. Because it kills hope. That’s the sin. Anything that kills hope is a sin.

Let's go, Violet Sorrengail.' He lifts his head, and the golden dragon peeks out from under his wing. 'How do you know my name?' I gawk up at him. 'And to think, I'd almost forgotten just how loquacious humans are.' He sighs, the gust of his breath rattling the trees. 'Get on my back.' Oh. Shit. He's choosing... me. 'Get on your back?' I repeat like a fucking parrot. 'Have you seen you? Do you have any idea how huge you are?' I'd need a damned ladder to get up there. The look he gives me can only be described as annoyance. 'One does not live a century without being well aware of the space one takes up. Now get on.

That time when I was five or six and, playing a prank, leapt out at you from behind the hallway door, shouting, “Boom!” You screamed, face raked and twisted, then burst into sobs, clutched your chest as you leaned against the door, gasping. I stood bewildered, my toy army helmet tilted on my head. I was an American boy parroting what I saw on TV. I didn’t know that the war was still inside you, that there was a war to begin with, that once it enters you it never leaves—but merely echoes, a sound forming the face of your own son. Boom.

Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste. (He paused, then claimed that Chapman had whipered in his ear while he was writing the speech): All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'.

The societies kids naturally form are tribal. Gangs, clubs, packs. But we're herded into schools and terrified into behaving. Taught how we're supposed to pretend to be, taught to parrot all kinds of nonsense at the flick of a switch, taught to keep our heads down and our elbows in and shut off our minds and shut off our sex. We learn we can't even piss when we have to. That's how we learn to be plastic and dumb.

But… all I said was that I was scared." After what you got to experience? That's smart, kid," I said. "I'm scared, too. Every time something like this happens, it scares me. But being strong doesn't get you through. Being smart does. I've beaten people and things who were stronger than I was, because they didn't use their heads, or because I used what I had better than they did. It isn't about muscle, kiddo, magical or otherwise. It's about your attitude. About your mind." She nodded slowly and said, "About doing things for the right reasons." You don't throw down like this just because you're strong enough to do it," I said. "You do it because you don't have much choice. You do it because it's unacceptable to walk away, and still live with yourself later." She stared at me for a second, and then her eyes widened. "Otherwise, you're using power for the sake of using power." I nodded. "And power tends to corrupt. It isn't hard to love using it, Molly. You've got to go in with the right attitude or…" Or the power starts using you," she said. She'd heard the argument before, but this was the first time she said the words slowly, thoughtfully, as if she'd actually understood them, instead of just parroting them back to me. Then she looked up. "That's why you do it. Why you help people. You're using the power for someone other than yourself.

He was trying to conjure up a succubus." It should be impossible to leer when all you've got is a beak, but the parrot managed it. "That's a female demon what comes in the night and makes mad passionate wossn-" "I've heard of them," said Rincewind. "Bloody dangerous things." The parrot put its head on one side. "It never worked. All he ever got was a neuralger." "What's that?" "It's a demon that comes and has a headache at you.

You didn't have to know Pilu for long to see that he floated through life like a coconut on the ocean. He always bobbed up. There was some sort of natural spring of cheerfulness that bubbled to the surface. Sadness was like a cloud across the sun, soon past. Sorrow was tucked away somewhere in his head, locked up in a cage with a blanket over it, like the captain's parrot.

All right, indeed! That was hardly the word. All right, in her blue jacket with the silver buttons! All right with her gold locket round her neck! All right with the parrot-headed umbrella under her arm!

New Rule: A dog is the only animal that can get you laid. No offense, parrot guy, but it's not gonna happen. When women see you, they're not thinking, "I bet that guy is interesting," they're thinking, "That bird better not shit on my dress.

Lexington wasn't a great city, like Philadelphia or New York, but around the Courthouse square, and along Main Street and Broadway, brick buildings reared two and three stories tall, and it was possible to buy almost anything: breeze-soft silks from France that came upriver from New Orleans, fine wines and cigars, pearl necklaces, and canes with ivory handles shaped like parrots or dogs'-heads or (in the case of Mary's older friend Cash Clay) scantily dressed ladies (but Cash was careful not to carry that one in company).

What’s this whole Parrot Head phenomenon about, anyway?” asked Crease. “It’s kind of like AA in reverse.

Remember what your grandfather said about the earth's being round at school and flat at home. He was a wise man and taught you what you need to know in Burma. It is the same in politics. Learn the arguments for socialism in the textbooks parrot them pass your exams. Never never argue. But keep within your own head and heart what you and everyone really knows that in the real world it is a system of incompetence and corruption and a project for ruining the country.

On Translating Eugene Onegin 1 What is translation? On a platter A poet's pale and glaring head, A parrot's screech, a monkey's chatter, And profanation of the dead. The parasites you were so hard on Are pardoned if I have your pardon, O, Pushkin, for my stratagem: I traveled down your secret stem, And reached the root, and fed upon it; Then, in a language newly learned, I grew another stalk and turned Your stanza patterned on a sonnet, Into my honest roadside prose-- All thorn, but cousin to your rose. 2 Reflected words can only shiver Like elongated lights that twist In the black mirror of a river Between the city and the mist. Elusive Pushkin! Persevering, I still pick up Tatiana's earring, Still travel with your sullen rake. I find another man's mistake, I analyze alliterations That grace your feasts and haunt the great Fourth stanza of your Canto Eight. This is my task--a poet's patience And scholastic passion blent: Dove-droppings on your monument.

There can be no question that parrots have more intellect than any other kind of bird, and it is this that makes them such favourite pets and brings upon them so many sorrows. ...Men will buy them ... and carry them off to all quarters of the native town, intending, I doubt not, to treat them kindly; but "the tender mercies of the wicked are cruel", and confinement in a solitary cell, the discipline with which we reform hardened criminals, is misery enough to a bird with an active mind, without the superadded horrors of ... life in a tin case, hung from a nail in the wall of a dark shop... Why does the Society for Prevention of Cruelty to Animals never look into the woes of parrots? ... However happy you make her captivity, imagination will carry her at times to the green field and blue sky, and she fancies herself somewhere near the sun, heading a long file of exultant companions in swift career through the whistling air. Then she opens her mouth and rings out a wild salute to all parrots in the far world below her.

Devona picked up my head-and-hands combo and perched me on her shoulder as if she were a vampirate and I her zombie parrot.

People do not realise that the best way to make a person bow his head is to praise him.

My head throbbed and my mouth tasted like incontinent parrots had roosted there overnight. I

Life was the cat that dragged the parrot downstairs by its tail; his head banged against every step.

Big Angel had never noticed his mother’s endowment before. Suddenly, she seemed to be blessed with an expanse of pillowy flesh. And she tucked the parrot into that cleavage, adjusting herself as it sank from view, finishing the operation by using her thumb on its head to get it well positioned in the shadows. She adjusted her bust and said, “Let’s go to San Diego, boys!

On she prattled, friendly as a parrot. But my loyalties were elsewhere. And the flavour of Pippa's kiss - bittersweet and strange - stayed with me all the way back uptown, swaying and sleepy as I sailed home on the bus, melting with sorrow and loveliness, a starry ache that lifted me up above the windswept city like a kite: my head in the rainclouds, my heart in the sky.

Mr. Jamrach led me through the lobby and into the menagerie. The first was a parrot room, a fearsome screaming place of mad round eyes, crimson breasts that beat against bars, wings that flapped against their neighbours, blood red, royal blue, gypsy yellow, grass green. The birds were crammed along perches. Macaws hung upside down here and there, batting their white eyes, and small green parrots flittered above our heads in drifts. A hot of cockatoos looked down from on high over the shrill madness, high crested, creamy breasted. The screeching was like laughter in hell.

Ray plunged into sobering thought. What would have happened if he had, by some cruel twist of fate, got hitched to this lunatic female? He could just see himself laying his head gently on his pillow, thinking, “O woman! When pain and anguish wring the brow, a ministering angel thou,” when suddenly into the bedroom would leap this female Blackbeard, a parrot on her shoulder and a dagger in her teeth. He shuddered.

Help!” screeched a feminine voice. “HELP ME!” Parker whipped around, automatically reaching for the weapon that he didn’t have at the small of his back because, oh yeah, he was in running gear with no place to hide a weapon. But there was no woman. Just a huge parrot perched on a printer at the front desk. “Help!” it squeaked in a shockingly authentic woman’s voice. “I’ve been turned into a parrot!” “Peanut, play dead,” Wyatt said. Peanut sighed and tucked her head into her feathers. “Good parrot.” Wyatt looked at Parker. “She’s a nut.” “Damn, shit, farts,” the bird muttered beneath her breath, making Parker grin. Wyatt sighed. “Peanut’s a mimic, and Jade, our office manager, has a bit of a potty mouth.” “Boner,” Peanut said, head still tucked into her feathers. “Peanut, dead parrots don’t talk.” Wyatt turned back to Parker. “Follow me.

Nahin Minnatkash-e-Taab-e-Shaneedan Dastan Meri Khamoshi Guftugu Hai, Be-Zubani Hai Zuban Meri My story is not indebted to the patience of being heard My silence is my talk, my speechlessness is my speech Ye Dastoor-e-Zuban Bandi Hai Kaisa Teri Mehfil Mein Yahan To Baat Karne Ko Tarasti Hai Zuban Meri Why does this custom of silencing exist in your assembly? My tongue is tantalized to talk in this assembly Uthaye Kuch Waraq Lale Ne, Kuch Nargis Ne, Kuch Gul Ne Chaman Mein Har Taraf Bikhri Huwi Hai Dastan Meri Some leaves were picked up by the tulip, some by the narcissus, some by the rose My story is scattered around everywhere in the garden Urha Li Qumriyon Ne, Tootiyon Ne, Andleebon Ne Chaman Walon Ne Mil Kar Loot Li Tarz-e-Faghan Meri The turtle‐doves, parrots, and nightingales pilfered away The garden’s denizens jointly robbed away my plaintive way Tapak Ae Shama Ansu Ban Ke Parwane Ki Ankhon Se Sarapa Darun Hun, Hasrat Bhari Hai Dastan Meri O Candle! Drip like tears from the eye of the moth Head to foot pathos I am, full of longing is my story

. . .biographers tend to regard as character those elements of personality that remain constant, or nearly so, throughout. . .Like practitioners of fractal geometry, biographers seek patterns that persist as one moves from micro- to macro-levels of analysis, and back again. . . . It follows from this that the scale across which we seek similarity need not be chronological. Consider the following incidents in the life of Stalin between 1929 and 1940, arranged not by dates but in terms of ascending horror. Start with the parrot he kept in a cage in his Kremlin apartment. The dictator had the habit of pacing up and down for long periods of time, smoking his pipe, brooding, and occasionally spitting on the floor. One day the parrot tried to mimic Stalin's spitting. He immediately reached into the cage with his pipe and crushed the parrot's head. A very micro-level event, you might well say, so what? But then you learn that Stalin, while on vacation in the Crimea, was once kept awake by a barking dog. It turned out to be a seeing-eye dog that belonged to a blind peasant. The dog wound up being shot, and the peasant wound up in the Gulag. And then you learn that Stalin drove his independently minded second wife, who tried to talk back to him, into committing suicide. And that he arranged for Trotsky, who also talked back, to be assassinated halfway around the world. And that he arranged as well the deaths of as many of Trotsky's associates that he could reach, as well as the deaths of hundred of thousands of other people who never had anything to do with Trotsky. And that when his own people began to talk back by resisting the collectivization of agriculture, he allowed some fourteen million of them to die from the resulting starvation, exile, or imprisonment. Again, there's self-similarity across scale, except that the scale this time is a body count. It's a fractal geometry of terror. Stalin's character extended across time and space, to be sure, but what's most striking about it is its extension across scale: the fact that his behavior seemed much the same in large matters, small matters, and most of those that lay in between.

She used to be a tremendously affectionate and cooperative cat, perfectly happy for you to pick her up and carry her around on your shoulder like a parrot. Time was, you could even pop her on your head like a living fur hat and she’d stay there, content to grow fat on your loving brainwaves. Now, in her advanced years, she’s developed a certain coolness. Though there are, of course, limits to one’s cool when one looks like a not-particularly-sophisticated glove puppet.

One of the parrots was very friendly with...Master of the Robes. He used to feed it nuts. As it nibbled from his fingers, he used to stroke its head, at which the bird appeared to enter a state of ecstasy. I very much wanted this kind of friendliness and several times tried to get a similar response, but to no avail. So I took a stick to punish it. Of course, thereafter it fled at the sight of me. This was a very good lesson in how to make friends: not by force but by compassion.

They must really have liked cows back then,” I remarked. “Parrots are better,” Penny pointed out. “Well, if that’s the case, why aren’t there any ancient temples worshipping parrots?” “Hmmm…” Penny thought for a little while and then pecked at my head, “You build one!

An indisputable event, my gallant Ned. Accordingly, people have proposed naming this devil fish Bouguer's Squid. And how long was it? the Canadian asked. Didn't it measure about six metres? said Conseil, who was stationed at the window and examining anew the crevices in the cliff. Precisely, I replied Wasn't its head, Conseil went on, crowned by eight tentacles that quivered in the water like a nest of snakes? Precisely. Weren't its eyes prominently placed and considerably enlarged? Yes, Conseil. And wasn't its mouth a real parrot's beak but of fearsome size? Correct, Conseil. Well, with all due respect to master, Conseil replied serenely, if this isn't Bouguers Squid, it's at least one of his close relatives!

Like a bloody cave,” was Lief’s assessment, “and it stinks of magic.” Penthos gave him an arch look. “And you’d have a sensitivity for magic?” “It has floating lights, and that bloke over in the corner is wearing a crown of glowing ice, and his mate’s got the head of a parrot. I don’t think you need to be Grand Archmage Woddleflot to pick up the delicate scent of magic.

I want to hear a million robins making a frightful racket. I sort of like birds." "All women are birds," he ventured. "What kind am I?"—quick and eager. "A swallow, I think, and sometimes a bird of paradise. Most girls are sparrows, of course—see that row of nurse-maids over there? They're sparrows—or are they magpies? And of course you've met canary girls—and robin girls." "And swan girls and parrot girls. All grown women are hawks, I think, or owls." "What am I—a buzzard?" She laughed and shook her head. "Oh, no, you're not a bird at all, do you think? You're a Russian wolfhound." Anthony remembered that they were white and always looked unnaturally hungry. But then they were usually photographed with dukes and princesses, so he was properly flattered. "Dick's

I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.

The old one is tamer than it was, and can laugh and talk like the parrot, having learned this, no doubt, from being with the parrot so much, and having the imitative faculty in a highly developed degree. I shall be astonished if it turns out to be a new kind of parrot, and yet I ought not to be astonished, for it has already been everything else it could think of, since those first days when it was a fish. The new one is as ugly now as the old one was at first; has the same sulphur-and-raw-meat complexion and the same singular head without any fur on it. She calls it Abel. Ten Years Later They are boys; we found it out long ago. It was their coming in that small, immature shape that puzzled us; we were not used to it. There are some girls now. Abel is a good boy, but if Cain had stayed a bear it would have improved him. After all these years, I see that I was mistaken about Eve in the beginning; it is better to live outside the Garden with her than inside it without her.

FOR MOST OF us, failure comes with baggage—a lot of baggage—that I believe is traced directly back to our days in school. From a very early age, the message is drilled into our heads: Failure is bad; failure means you didn’t study or prepare; failure means you slacked off or—worse!—aren’t smart enough to begin with. Thus, failure is something to be ashamed of. This perception lives on long into adulthood, even in people who have learned to parrot the oft-repeated arguments about the upside of failure. How many articles have you read on that topic alone? And yet, even as they nod their heads in agreement, many readers of those articles still have the emotional reaction that they had as children. They just can’t help it: That early experience of shame is too deep-seated to erase. All the time in my work, I see people resist and reject failure and try mightily to avoid it, because regardless of what we say, mistakes feel embarrassing. There is a visceral reaction to failure: It hurts.

That time when I was five or six and, playing a prank, leapt out at you from behind the hallway door, shouting, “Boom!” You screamed, face raked and twisted, then burst into sobs, clutched your chest as you leaned against the door, gasping. I stood bewildered, my toy army helmet tilted on my head. I was an American boy parroting what I saw on TV. I didn’t know that the war was still inside you, that there was a war to begin with, that once it enters you it never leaves—but merely echoes, a sound forming the face of your own son.

Hey, ya'll should come home with us. Verdie has a pot roast in the oven that will melt in your mouth," Finn said. He was as tall as Sawyer and had the bluest eyes Jill had ever seen on a man. Callie nodded at his side as she corralled four kids, and Verdie poked her head out around Finn's shoulder to say, "Yes, we'd love to have you. Got plenty of food and plenty of these wild urchins to entertain you. If that don't keep you laughing, then there's a parrot that never shuts up and a bunch of dogs." "And a cat," a little girl said shyly.

I would tell you some of the bizarre things I have heard otherwise rational philosophers say about parrots, but it would probably be actionable if I did so in print, and they would deny it anyway. A human philosopher thinks that no one notices when she starts putting on airs. A parrot doesn’t think this way. You may say that a parrot puts on airs. Well, a parrot does. But a parrot knows he’s putting on airs; he’s not like a blue jay that way, it’s completely different. A blue jay gets all mixed up in his thinking because he starts believing his own PR, but a parrot is more cool-headed than that, which is why you can win an argument with a blue jay and never with a parrot.

Faith is an evil precisely because it requires no justification and brooks no argument. Teaching children that unquestioned faith is a virtue primes them - given certain other ingredients that are no hard to come by - to grow up into potentially lethal weapons for future jihads or crusades. Immunized against fear by the promise of a martyr's paradise, the authentic faith-head deserves a high place in the history of armaments, alongside the longbow, the warhorse, the tank and the cluster bomb. If children were taught to question and think through their beliefs, instead of being taught the superior virtue of faith without question, it is a good bet that there would be no suicide bombers. Suicide bombers do what they do because they really believe what they were taught in their religious schools: that duty to God exceeds all other priorities, and that martyrdom in his service will be rewarded in the gardens of Paradise. And they were taught that lesson not necessarily by extremist fanatics but by decent, gentle, mainstream religious instructors, who lined them up in their madrasa, sitting in rows, rhythmically nodding their innocent little head up and down while they learned every words of the holy book like demented parrots. Faith can be very very dangerous, and deliberately to implant it into the vulnerable mind of an innocent child is a grievous wrong.

This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented

Poppy wiped his sweating face with a dry cloth. “Poor Merripen.” She brought a cup of water to his lips. When he tried to refuse, she slid an arm beneath his head and raised it insistently. “Yes, you must. I should have known you’d be a terrible patient. Drink, dear, or I’ll be forced to sing something.” Amelia stifled a grin as Merripen complied. “Your singing isn’t that terrible, Poppy. Father always said you sang like a bird.” “He meant a parrot,” Merripen said hoarsely, leaning his head on Poppy’s arm. “Just for that,” Poppy informed him, “I’m going to send Beatrix in here to look after you today. She’ll probably put one of her pets in bed with you, and spread her jacks all over the floor. And if you’re very lucky, she’ll bring in her glue pots, and you can help make paper-doll clothes.” Merripen gave Amelia a glance rife with muted suffering, and she laughed. “If that doesn’t inspire you to get well quickly, dear, nothing will.

She felt a tug on her scalp, and looked back to find John running a thick curl through his fingertips. “Can I ask you a question?” “You can,” she told him with a smile, “but I may not answer it.” John grinned at her as she parroted back to him. “Is this your natural color?” “Muddy brown, you mean? Yes, it is.” “It’s not muddy,” he told her firmly. “In the firelight it looks about ten different colors. None of them mud-colored.” “Thank you,” she said finally. He tugged the loose curl out straight and let it fall, then pulled it out again. Finally, he tunneled his fingers in against her scalp, and Shannon could not help but groan. Nerve endings on her head leapt to attention. “That feels really good,” she told him, and tipped her head to rest completely against the couch. For several long minutes, he ran his fingers over and under and through her hair. “I have to warn you,” she told him finally, “that if you don’t quit, I’ll be asleep in no time.

She opened the door and we found ourselves in underground vaults, beyond which was what looked like a silver lake, but was actually a lake of quicksilver. The princess clapped her hands, and a boat propelled by a yellow dwarf appeared. We stepped into the boat, and I saw that the dwarf’s face was of gold, with diamond eyes and a coral mouth. In other words it was an automaton who rowed through the quicksilver with his little oars and skilfully made the boat skim along. This novel pilot took us to the foot of a rock which opened up to allow us to pass into another chamber, in which there was the amazing spectacle of countless other automata: peacocks spreading enamel tails which were studded with jewels, parrots with emeralds for plumage flying above our heads, negroes made of ebony proffering golden platters laden with ruby cherries and sapphire grapes. There were numerous other astonishing objects in these magical vaults which stretched further than the eye could see.

Jolly Marchers by Maisie Aletha Smikle Dam Dam Didley Doe Dee Daw Didley Doe Dee Dam Doe Fa So La Ti Doe Animals in a row Prancing as they go Jiggling and Wiggling Tails and head bobbing Mice on drums Elephants on flute Zebras blare the trumpets Squirrels blow trombones Skunks get funky on clarinets Bees on violins Hogs on guitar Parrots and crickets sing Aha Aha Vultures cheer Mosquitoes twirl Wings clapping and flapping Heads go up and down bobbing Marching and skanking Rocking and bobbing Wiggling and singing Dee Daw Didley Doe This is not a circus There are no clowns There is not a palace There are no crowns On and on they go Monkeys in tow Tigers in bow Onlookers stare and glow Donkey takes the podium As conductor of the band Waving his marching wand The band comes to a stand Mule takes a stool And sits in the cool They have reached the bend Where the march ends The ants were nesting So they missed the fest Some got on tambourines And insist they must join in The ants jiggle and wiggle Some play the fiddle Dancing and singing Didley Dam Didley Doe

For most of us, failure comes with baggage—a lot of baggage—that I believe is traced directly back to our days in school. From a very early age, the message is drilled into our heads: Failure is bad; failure means you didn’t study or prepare; failure means you slacked off or—worse!—aren’t smart enough to begin with. Thus, failure is something to be ashamed of. This perception lives on long into adulthood, even in people who have learned to parrot the oft-repeated arguments about the upside of failure.

With that jaunty tick of her chin, she darted around a chair and moved directly into his path. "You cannot frighten me with your scowl, Captain." "I was not attempting to either frighten or scowl. It is this inconvenient affectation, you see." He tapped his finger to his cheek and stepped toward her. She remained still but seemed to vibrate upon the balls of her feet now. She was a little slip of a thing, barely reaching his chin yet erect and determined. He couldn't resist grinning. "You don't look any taller to me standing on your toes, you know. I am uncowed." Her heels hit the floor. "Perhaps you take pleasure in playing at notoriety with this pirate costume." "Again with the pirate accusation." He shook his head. "You see no hook on my wrist or parrot on my shoulder, do you? And I have all the notoriety I wish without pretending a part." -Arabella & Luc

But if the teacher does little more than dictate that information and then demand that students memorize and parrot it on tests, they are not learning democratic values. Instead, they are learning to survive as subjects of an autocracy: keep your head down, your mouth shut, and repeat the party line whether or not you understand it or believe it.

I don’t have all day. It’s almost five, and I promised to fetch my fiancée home.” He smirked. “I’ll be renting a carriage from you for a few weeks, until after the wedding.” Ice raced through Curt’s veins. “Fiancée? Wedding?” He cursed himself for sounding like a parrot. “Your friend Faith Lindberg has accepted my proposal. Once we’re wed, we plan to take her old grandpappy and head for Oregon.” The words struck Curt with the force of a blow. “Congratulations. She’s a fine girl. You’re blessed.” His voice sounded as tight as a wagon spring. “Blessed, or lucky. Whatever you want to call it.

A confession, if a faithful echo of what God already says, can guide us and shelter us from the disabilities of an age or locale. Confessions that parrot and lightly amplify the soundings of Scripture endure, while also equipping God’s family with strength and perspective to avoid the ditches of every fad or heresy. Confessions that stand on the shoulders of previous saintly exegetes are the advanced courses that settle certain matters and yield a head start.

Tommy suddenly picks up his stuff and starts walking down the stairs. “I’m honest, I’m never late, I respect people, I try my hardest, I’m friendly, I love my wife, I love my children,” he rants as he makes his way out of the building and toward his truck. “It’s just like, no one wants bugs around, so no one wants me around.” Tommy shakes his head and shoves his supplies into the truck. “I mean, why do you think it’s un labeled?” He waves an arm outward toward his truck. “Because people would be embarrassed to have it in their parking lots, that’s why.” He shakes his head, suddenly stops talking, and sighs. “Ehh, stupid landlord. He’s just an asshole anyway. What do I care?” Tommy smiles and his body becomes less tense. “Hey, here’s one I’ve never told you, my dear. What do you get when you cross a centipede and a parrot? . . . A walkie-talkie!” He gags, and bends over laughing. Tommy slides into the driver’s seat of his truck and shuts the door, sealing the plain white shell around him.

This cramped little space that stank of earth and smoke and sweat, that dripped water during every hard rain, and whose floor was often a half-frozen soup of mud and sunflower seeds and straw, now seemed to him more comfortable than Ketterling’s HQ could ever be, and he knew why. Here, surrounded by the weapons hanging from nails by their straps, the boxes of hand grenades, the cut-down artillery shells filled with cigarette butts, the crumpled moisture-bloated magazines and greasy playing cards, one lived an honest life. You couldn’t get that back home anymore. The radio and the newspapers were full of lies that would have been insulting even if the streets hadn’t been full of rubble and the air with the shriek of air-raid sirens, and it wasn’t enough for the government that the people merely endure it all, bombs and lies, without objecting. They had to believe the lies, had to parrot them back with sickly smiles plastered on their faces, lest they be branded defeatists and be taken away. It wasn’t like that here. Nickolaus wanted it to be, but it wasn’t. Here, a man might be hungry, he might itch with lice, he might sting with pain from cuts that never healed, he might be empty-headed with fatigue and half-deafened from noise, but he always knew precisely where he stood—with his comrades and with the enemy. There were no intrigues, no politics, no flag-waving. A man never looked you in the eyes and told you black was white, or worse yet, demanded that you agree that black was white. There was no need because he had already asked you to die for him, and once you had agreed, what need was there for words?

Well, well… We meet again, you asshole,” Lei Lo said wryly. “Will you ask for forgiveness? Or will you give up right away?” “Umm, sorry,” Kai said, smiling innocently and rubbed the back of his head in confusion. “Have we met before?” “Don’t you fuck around with me! You know damn well who I am! I won’t go easy on you! I thought you wouldn’t get this far, but I’m glad that I was wrong. Now I don’t have to chase you. You’ll need more than brute force to defeat me. I’ll make you pay for humiliating me!” “You talk too much. Like a parrot...” Kai yawned. “Honorable judge.” He turned to the Exorcist standing nearby. “Are we holding a debate or are we fighting?

purple parrots hovering around my head and dive-bombing in and out of the massive flowering trees.

and heads close together like parrots,

First there were the indoor animals. Leeda took all five dogs out on their leashes, letting herself be dragged along as they sniffed at this rock, trotted to that tree, and wrestled with one another exuberantly. She smiled, watching them. They were like clowns. Constantly ridiculous. Once she managed to drag them back inside and foist each dog into its pen, she filled all the food and water bowls. She cleaned the parrot cage and managed not to feel like gagging. She rubbed the parrot on the back of his head, which she'd discovered was his favorite spot. She thought about Birdie catching impetigo from her chicken. She could see now how one might not be totally disgusted to kiss a bird. The parrot looked at her with such human curiosity. Birdie had named him Chiquito and had nuzzled her nose to his. Now Leeda tried it, half afraid she'd lose her nose. But Chiquito nestled into her and made a low sound of contentment in the back of his throat.

She haunted many a low resort, Round the grimy road of Tottenham Court. She flitted around the no man’s land From The Rising Sun to The Friend At Hand And the postman sighed as he scratched his head You really would have thought she ought to be dead And who would ever suppose that that Was Grizabella The Glamour Cat. And that was not all. There was a letter from Tom Eliot to his publisher Geoffrey Faber about an event which brought all the Pollicle Dogs and Jellicle Cats together who then ascended to the “Heaviside Layer” in a great big air balloon. There was even a couplet to go with it: “Up, up, up, past the Russell Hotel, / Up, up, up, to the Heaviside Layer.” So Eliot himself had an idea for a bigger structure for these poems, very vague, but it was there. I knew then that I had the bare bones of a stage musical. Most importantly Grizabella the Glamour Cat gave me a tragic character, a character who you would really care about. I asked Cameron and Gillie to join Valerie and Matthew, and the excitement was tangible. There were other poems too, the story of a parrot called Billy McCaw, who lived on the

She haunted many a low resort, Round the grimy road of Tottenham Court. She flitted around the no man’s land From The Rising Sun to The Friend At Hand And the postman sighed as he scratched his head You really would have thought she ought to be dead And who would ever suppose that that Was Grizabella The Glamour Cat. And that was not all. There was a letter from Tom Eliot to his publisher Geoffrey Faber about an event which brought all the Pollicle Dogs and Jellicle Cats together who then ascended to the “Heaviside Layer” in a great big air balloon. There was even a couplet to go with it: “Up, up, up, past the Russell Hotel, / Up, up, up, to the Heaviside Layer.” So Eliot himself had an idea for a bigger structure for these poems, very vague, but it was there. I knew then that I had the bare bones of a stage musical. Most importantly Grizabella the Glamour Cat gave me a tragic character, a character who you would really care about. I asked Cameron and Gillie to join Valerie and Matthew, and the excitement was tangible. There were other poems too, the story of a parrot called Billy McCaw, who lived on the bar of an East End pub. There was the saga of a Yorkshire terrier called Little Tom Pollicle which was apparently Eliot’s nickname, and a long poem about a man in white spats who meets a casual diner in a pub called the Princess Louise and starts talking about “this’s and thats and Pollicle Dogs and Jellicle Cats.” I asked Valerie what the words “Pollicle” and “Jellicle” meant. She explained it was Eliot’s private joke about how the British upper class slurred the words “poor little dogs” and “dear little cats.” She also revealed that Eliot intended the “Princess Louise” poem, as we came to call it, to be the preface of a book about dogs and cats, but in the end cats prevailed. “The Awefull Battle of the

I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the fornt doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.

Cold-blooded murders are frightfully common here. Some kill people in order to be allowed to wear the red tail feathers of a parrot in their hair, and yet they are not ugly like the West Coast Negroes, for many men have as finely formed heads as could be found in London. We English, if naked, would make but poor figures beside the strapping forms and finely shaped limbs of Manyuema men and women.

I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the front doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.

The apple pie colophon, signaling the end of the war for that Wednesday morning, splattered and the decibels were boosted for the April Ford commercial, “Come and Get Me, Cop.” Come and get me, Cop, Cause I’m not gonna stop At your red light. It was a happy little song, but how could he feel happy when he knew that Milly was probably watching it too and enjoying it in a faculty lounge somewhere, never even giving a thought for Boz, or where he was, or how he felt. Milly studied all the commercials and could play them back to you verbatim, every tremor and inflection just so. And not a milligram of her own punch. Creative? As a parrot. Now, what if he were to tell her that? What if he told her that she would never be anything more than a second-string Grade-Z hygiene demonstrator for the Board of Education. Cruel? Boz was supposed to be cruel? He shook his head, flip flop of auburn. “Baby, you don’t know what cruel is.” Mickey switched off the teevee. “Oh, if you think this was something today you should have seen them yesterday. They were in this school. Parkistanis, I think. Yeah. You should have seen it. That was cruel. They wiped them out.” “Who did?” “Company A.” Mickey came to attention and saluted the air. Kids his age (six) always wanted to be guerillas or firemen. At ten it was pop singers. At fourteen, if they were bright (and somehow all the Hansons were bright), they wanted to write. Boz still had a whole scrapbook of the advertisements he’d written in high school. And then, at twenty …? Don’t think about it.

No matter how hard you try to bend and appease and please and hide yourself away to make those whom you “intimidate” happy, their feelings about you may never abate. The best you can do is recognize that “I feel intimidated” is really code for “You threaten me/I need attention and love.” Recognizing this doesn’t mean you have to transform into a lovable, validation-parroting Furby. If it feels right, you can choose to be more open and emotionally generous at work; if it doesn’t, you can simply say “fuck ’em,” keep your head down, and focus on your work.

And this is Maxwell.' The parrot tilted his head at me curiously, then barked. 'Did he just …' Had he been the one barking this whole time? I’d thought for sure there was a dog in here. 'Some days he likes to pretend he’s a dog,' Alice informed me. 'And he gets super sulky if you correct him, so please don’t. Comforting him is a whole process and I can’t do another forty-eight hours of aggressive Eminem.

Juliet! My daemon has made contact!” “Yes!” Juliet pumped her fist, speaking aloud. She cringed, embarrassed by the outburst, but the pedestrians on the busy sidewalk ignored her. “I have an encrypted back door into the Port Security network. My daemon shared its activity log with me, and it did a wonderful job disguising its actions. I’m calling him home.” “Him?” “Yes. I’ve named him Fido.” Juliet choked out a short laugh but caught herself, afraid she’d hurt Angel’s feelings. “You named him Fido?” “Yes, Juliet! He’s a very good boy.” “Oh my …” Juliet shook her head, trying to wrap her mind around the idea that her PAI had given birth to a partially conscious daemon and given it the name of a dog. “Is something wrong?” Angel pressed as Juliet made the last turn toward her destination. “No, Angel. Nothing at all. You surprised me, that’s all. You always surprise me, and I love it. Tell Fido I said thanks.

You’re covered in blood,” Felix noted. Jericho snorted. “Yeah, kind of a hazard of the job.” Felix scoffed. “Yeah, but you’re also wearing that weird smug, smirky look you only get whenever you get laid, and since you were in an abandoned cabin with Trevor the perv, we’re…alarmed.” He flicked his hand dramatically. “Alarmed,” Jericho echoed. Arsen leaned in, his tone conspiratorial. “Did you fuck Trevor the perv, Coe?" Felix pulled a face. “I’m just hoping he fucked him before he killed him, not after. Once you cross that line, you don’t come back.” Jericho tried to follow their dizzying thought process, but before he could formulate a response, Nico and Levi arrived. Fuck. Levi looked like a wanted poster had fucked a tattoo model. His inky dark hair fell in his face, and he sucked on a Dum-Dum lollipop. Nico’s springy blond curls hung in his face. He looked surprisingly angelic for somebody who was such a little monster. “What’s up? Why’s everybody looking so constipated?” Levi asked. “Coe fucked Trevor the perv,” Arsen said, as if this was fact and not their wild speculation. Levi wrinkled his nose. “That dude was gay? Or was he, like”—he mimed a blowjob—“trying to bribe his way out of it?” Jericho’s face contorted at the idea of a blowjob from greasy ass Trevor, but they paid him no mind. Nico also looked disgusted. “What the fuck, man? Like, I get it. Who hasn’t wanted to fuck somebody they killed or kill somebody they fucked? But it’s a slippery slope, man.” “This is what I told him,” Arsen said, shaking his head. “Once you cross that line…” “Jesus Christ. I didn’t fuck Trevor the perv. I killed Trevor the perv,” Jericho said, walking around the four of them to head to his office, attempting to close the door behind him. His brother caught it and swung it back open. “If you didn’t fuck Trevor, then who was it? And don’t lie and say it didn’t happen. Your after orgasm glow never lies,” Arsen said, flopping down into a chair hard enough to rock it back dangerously far before it righted itself. “I—” Jericho shook his head. “I ran into a guy.” “With your dick?” Levi asked. Nico’s brows knitted together. “In the middle of the woods?” “Like, a homeless man in the woods? A… What’s the word? A hobo?” Arsen asked. Levi elbowed him. “We don’t call them that anymore. Show some respect.” Arsen shrugged. “Sorry. What do you call a man roaming the woods looking for sex?” “A lie,” Felix said, his mouth set in a hard line. “No way my brother banged some hot, sweaty lumberjack in the woods. That’s not his type.” His long, elegant fingers trailed over his collarbones, a slow smile spreading along his face as his brother seemed to get lost in his own lumberjack fantasy. “I—” “There’s nothing in the woods but animals and Sasquatch,” Nico said. “Sasquatch?” Levi parroted. Nico nodded. “Yeah, you know. Bigfoot.” “Did you fuck Bigfoot?” Levi asked, pulling the lollipop from his mouth with a pop.

The raven settled back. “Dog is Cordi.” “Said that.” Percy took flight from Kate’s shoulder and landed next to the raven. “First.” Copernicus swatted the parrot with a wing. Percy ducked his head, feathers fluffing, and twisted, bumping the other bird with his rear. David intervened before a bird brawl broke out in earnest. “Enough, you two.

Can you get Pete some ice for his eye?” Dad asks my mom. Her brow arches at me, and she shoots me a glare that would drop a full-grown man in his tracks. She starts to fill a zipper bag with ice. “And just why does Pete need ice for his eye?” she asks flippantly. Dad points to me. “Your daughter hit him in the face.” Mom gasps. “Reagan!” Mom crosses to stand close to Pete. She looks him over, pressing on the bone beneath his eye with her thumb. He hisses in a breath. One side of his face is dirty, probably from where Dad rolled him into the dirt. Mom passes him a damp cloth, and he wipes gingerly at his face. When it’s clean, Mom presses his eye socket with the pad of her thumb. He winces and jerks his head back. “I think Reagan did enough damage,” Dad warns. “Stop torturing the boy.” He glares at me, too. I want to hide my face in shame. Suddenly, I notice the way that Pete is holding his left wrist in his hand. My gaze shoots up to meet his, and I don’t see anything but curiosity. He should be fuming mad. He has every right to be. “Is your arm hurt?” I ask quietly. The corners of Pete’s lips tilt in a small smile. “It’s fine.” “It’s not fine,” Dad gripes. “It might be broken.” “Oh shit,” I breathe. “Reagan,” Mom warns. “Oh shit,” Link parrots. Shit again. Now Link’s repeating me. “Oh shit,” Link says again. I bury my face in my hands. My parents are going to kill me when they get me alone.

She turns and puts two fingers to her lips. A shrill whistle bursts through the air. Link covers his ears and grins. Suddenly, a horse gallops up, barreling toward us like a streak of black-and-white lightning. Reagan shrieks when I thrust her behind me, but she’s laughing too. The horse stops a step from my feet and snorts in my face. “Motherfucker,” I breathe. “Motherfucker,” Link parrots. Oh, hell. That’s bad. I’ve got to learn to watch my mouth around the kid. “Pretty horse,” I say, and I watch Link. “Pretty horse,” he repeats. “That’s better,” I say quietly. Link nods, and he holds the bucket up so the horse can stick his nose in it. “This is Romeo,” Reagan says as she slips a halter over his head. She pats his sides. “He escapes all the time and goes to hang with the cows. Then Juliette gets upset and takes it out on everyone else.

Of course I want you to go! Are you kidding? I’ve been so fucking worried that I would never get to see you again or if we didn’t see one another for a few weeks, that we would lose what we have.” “What do we have, Pete?” she asks, but she’s smiling. “You don’t know?” I ask. She shakes her head. “I’m not always good at reading people, Pete,” she admits, blushing. I tweak her nose and steel myself. “I think I’m falling in love with you, Reagan,” I say. I swallow hard because there’s suddenly a lump on my throat. I don’t know where it came from, and no matter how hard I swallow, it won’t go away. I wait. She has to say something, right? “Good,” she finally says. Good? That’s it? “Thanks for telling me.” She grins and spins to walk in the other direction. I grab her arm and pull her back to me, and my heart swells because she doesn’t punch me and drop-kick me or knee me in the chin when I jerk her to me and back her up against a tree. “That’s all I get?” I ask. My heart is thudding like crazy. Maybe I misread her. Maybe I’m way off base. Maybe I’m an idiot. “What do you want?” she whispers. I palm the side of her face and stare at her. She’s so fucking beautiful that I can barely think when I’m this close to her. “I want you to love me back,” I admit. “Done,” she says. A blush creeps up her cheeks, and I thought she couldn’t look any prettier than she did a minute ago. But I was wrong. “Done?” I parrot. God, now I sound like Link. She heaves a sigh. “Done. Gone. Don’t want to be away from you. Can’t breathe when I think about you leaving. Want to be with you all the time, gone. Done.” She blinks, and then she says, “You’re inside me, Pete. And I want to keep you there.” Fuck. That’s the best fucking thing I’ve ever heard in my life. And I can’t even put two thoughts together to tell her.

Steve drove the next morning as we made the turn for the Burdekin River. The single-lane dirt road, as small as it was, ended there--but we had another two or three hours of four-wheel driving to go. We navigated through deep ravines carved by the area’s repeated cyclone-fed floods, occasionally balancing on three wheels. “Hang out the window, will you?” Steve shouted as we maneuvered around the edge of a forty-foot drop. “I need to you to help counterbalance the truck.” You’ve got to be kidding me, I thought. But there I was, hanging off the side of the bull bar while Steve threaded his way over the eroding track. As we pounded and slammed our way deep into the bush, Steve talked about the area’s Aborigines. He pointed out a butte where European colonists massacred a host of the Aboriginal population in Victorian times. The landscape was alive to him, not only with human history, but with the complex interrelatedness of plants, animals, and the environment. He pointed out giant 150-year-old eucalypts, habitats for insectivorous bats, parrots, and brush-tailed possums. After hours of bone-jarring terrain, we reached the Burdekin, a beautiful river making its way through the tea trees. It was a breathtaking place. We set up camp--by which I mean Steve did--at a fork in the river, where huge black boulders stood exposed in the middle of the water. I tried to help, but I felt completely out of my depth. He unpacked the boat and the motor, got it tied and moored on the river, rolled out the swags, and lined up containers of fuel, water, and food. Then he started stringing tarps. What a gift Steve had for setting up camp. He had done it countless times before, month in and month out, all by himself, with only Sui for company. I watched him secure ropes, tie knots, and stretch canvas like he was expecting that we’d have to withstand a cyclone. It was hot, more than a hundred degrees Fahrenheit, but Steve didn’t seem to notice. Sui found a little shallow place at the edge of the river and immediately plopped herself in. I saw Steve look over at her as if calculating her chances of being snatched by a croc. Crocodiles are the ultimate camouflage attack predators, striking from the water’s edge. There would never be “down time” for Steve. No time to sit down and unwind. We were off in an instant. We grabbed Sui, jumped in the boat, and headed upstream. White Burdekin ducks startled up in front of our boat, their dark neck-rings revealed as they flew over us. Cormorants dried their feathers on the mid-river boulders, wings fully open. It was magical and unspoiled, as if we were the first people ever to travel there.

don’t have all day. It’s almost five, and I promised to fetch my fiancée home.” He smirked. “I’ll be renting a carriage from you for a few weeks, until after the wedding.” Ice raced through Curt’s veins. “Fiancée? Wedding?” He cursed himself for sounding like a parrot. “Your friend Faith Lindberg has accepted my proposal. Once we’re wed, we plan to take her old grandpappy and head for Oregon.” The words struck Curt with the force of a blow. “Congratulations. She’s a fine girl. You’re blessed.” His voice sounded as tight as a wagon spring. “Blessed, or lucky. Whatever you want to call it.” “I’ll

I’m taking thirty to shower and give myself a full body lift. You’ll thank me later,” she parroted back to her sister. “Says the sister who was born looking like an Olympian. Wah-wah.” Kerry stood and stretched, stifling a groan as every muscle in her body protested. So much for the restorative powers of sleep. She grabbed her last fresh pair of khaki shorts, decided which of her already worn T-shirts was the least questionable, made a mental note to take her laundry basket with her when she left, then sighed as she caught sight of her restless night, wild-child hair once again in the mirror. If only Cooper could see your oh-so-sexy self now, she thought, he’d book the next flight out. “Kerry?” “Well,” she said, making a face at herself in the mirror, “if there was an Olympic even for bed head, I’d take the gold right now, no question. Even the Russian judge would have to cave and give me a ten.” “I’d say give me a break, but come to think of it, I have seen you in the morning.” “Bite me.” “Oh, and because you brought it up,” Fiona added, her voice dripping with sugar once again, “make sure you book some extra time to tell us every last detail about your dead-sexy Aussie fiancé.” “He’s not my--” “Hurry!” Fiona interrupted as group laughter echoed through the phone from somewhere behind her; then she hung up. Kerry looked at the dead phone, then tossed it on the bed, mumbling swear words in several languages under her breath.

Calm down, calm down. Deep breath,” Colleen whispered. “It's showtime. He's a nice guy, you're a nice woman.” “Hey, Paulie,” Bryce said as he loped over to Paulie's car. “Everything okay here? Our window just broke.” Paulie inhaled audibly, her breath hitching in her throat. “Oh! Wow. Hi. Your eyes are so...so...blue.” Colleen winced. “Stop that.” “Stop that,” echoed Paulie. Bryce stopped and tilted his head. “Paulie, relax. Just...just say hi to him.” Another shaking breath. “Hi, Bryce!” she said loudly. “What are you doing here?” Bryce laughed. “I live here. How about you?” A squeaky groan came over the wire. “I threw a pebble, I guess. I think I had a blowout,” Colleen whispered. “I threw a pebble, I guess,” Paulie parroted. “I think I had a blow job.” She clapped her hands over her mouth. “Out, out! I didn't mean blow job. I never had a blow job. I meant something else. Out. I had a blowout.” “Paulie, calm down,” Colleen whispered. “Jesus.” “Jesus, calm down,” Paulie said, then wiped her forehead with her arm. “Uh...I...I have a flat tire.” “Bummer,” Bryce said, not freaked out in the least by Paulie sounding as if she were possessed by a demon. “Can you help me change it, Bryce?” Colleen asked. “Can you help me change it? Bryce? Please? Please help me.” Dear Lord. This was going to be a long afternoon.

pranced to her cub's side. "Lucky!" she yelled. "How many times do I have to tell you to go home and stay with your siblings? You are a tiny lion cub, not a brave adventurer!" The mother lizard smiled up at Lucky. "Actually, I'm not so sure," she said. "This little cub travelled across the entire jungle and brought my lost baby home. That makes him the bravest, greatest adventurer this jungle has ever seen!" Lucky's mother's jaw dropped. She looked at the lizard. She looked at Lucky. Then she smiled. "You have proven me wrong. You really are a great adventurer! But a tiny cub like you, traveling across the entire jungle? How did you do it?" she asked. "Roar!" Lucky cried. He stood tall, puffed up his chest and said; "Because I am Lucky!" Lucky and Pec the parrot’s great adventure! The next day, Lucky was feeling especially brave. After all he saved a little lizard from the dangers of the jungle and brought him safely home. His mother was so proud of him that she didn't even punish him for not babysitting his brothers and sisters! She even gave him the best part of their meal for dinner. And he had permission to spend 2 hours in the jungle this very morning. But he had to stay close to home and come back in time to babysit his younger brother and sisters. "There is much adventuring to be done in just 2 hours!" he said to himself, as walked under the shady green canopy, following a path into the jungle. "But I am the bravest, greatest adventurer in the jungle. Watch out jungle! Here I come! Roooaaaar! “Suddenly he saw the tall grass to his right sway, but there wasn't any wind. The grass rustled as if someone was moving around. Lucky crouched down in his stalking pose that he had practiced as part of his adventure skills. He crept forward, his golden-green eyes wide and fixed on the swaying grass. Slowly, oh so slowly he moved closer and closer. He was right in front of the tall green grass, and heard the rustling again. "ROOOOOAAAARRR!" He burst through the grass with his very best roar and his very best pounce. "AAAAACCCCCCKKKKKK" screeched a large shiny grey parrot. "What is wrong with you?! It is extremely rude to just bust into a parrot's home without knocking! I swear, kids these days just don't have any manners!" The parrot shrieked right into Lucky's ear. "Owwww. Stop it! I am a brave adventurer and I am saving you!" Lucky snapped back, "It's also rude to yell in the ear of the lion saving your life" The parrot's head feathers stood up on the back of his head like he had a mohawk, and he glared at Lucky from piercing yellow eyes. "Lions are known to eat birds like me. I am not going to let my glorious self, become your breakfast. I am a mighty warrior and if you eat me, I will give you a very upset belly. I promise". Lucky laughed a barky lion laugh, "I do not eat birds. My mother is a great hunter and brings home only the biggest and fattest of animals for us to eat. Besides, I will be a great adventurer, the greatest and bravest in the jungle". Pec's shimmering grey head feathers slowly lowered. He shook his head, stuck his beak under his wing and looked at Lucky from the corner of his yellowish eye. "A brave adventurer, hmm? You look more like a little lion cub getting into mischief" he said as he brought his head from under his wing. “My name is Pec. What is yours?" he asked. "My name is Lucky and I don't get into mischief. Just yesterday I saved a lizard from a deep, scary crack in the ground. He could have died. I even took him home and it was a long ways away" Lucky said as proudly as he could after being squawked at by a big feathery bird. Pec's eyes twinkled at him and he opened his sharply hooked beak letting out a squeaky laugh. "I believe you, young Lucky. And, since you are so good at helping others, could you

Who let you in?” he demanded. “What’re you doing to my poor Sailor?” He held out an arm, and the parrot promptly strolled up to his shoulder. Erin pointed at the blackened back wall. “Your parrot called for help,” she explained. “I was walking down the hall and—” “Good gravy!” The man ran gnarled fingers through his hair, making it stand up straighter than ever. “The doughnuts! I remember now. Got ’em all ready to fry, and then I thought I’d rest a little while the oil was heating . . . Don’t ever do that!” he turned on Erin severely. “When you’re heating oil you better be on your toes every minute, and don’t you forget it!” Erin nodded. “I—I don’t make doughnuts,” she said. “My mother says it’s too dangerous.” “Your mother’s a smart woman,” the old man said. He touched the charred wall and shook his head. “I’ll have to fix this up,” he said. “Don’t want Grady to see it, that’s for sure. Have enough trouble with him over Sailor here. The man don’t like pets, you know.” He picked up a limp ring of dough from the floor. “Wasn’t really my fault, anyway. My wife said, ‘Cook,’ so I cooked. I bet she’s sorry now.” Erin looked around. There was nothing about the stark little kitchen to suggest a woman worked there, but she was relieved to hear the old man had a wife to look after him. In spite of his blustering, Erin could tell he was deeply upset. “When your wife comes home,” she said, “please tell her I’m sorry about the doughnuts. I couldn’t see anything to smother the fire with except the baking sheet.” “Oh, she’s here right now,” the man said cheerfully. “Can’t talk to her, of course, but she’s here. Been dead six years this August, but she never leaves me—not for a minute.” “Really?” Erin backed across the living room, ready to run. “I have to go now,” she said nervously.

Hi. I’m Bailey. Can you tell me your name?” “I’m Mac,” he responds. “I’m a Macaw,” he continues. “I’m a hottie,” he crows. O M G! Mac is now preening his head back and forth and ruffling his feathers. He’s stunning and he’s right, he is a hottie! “Who are you?” Mac asks. “My name is Bailey and I live in the apartment upstairs now. You are a very smart bird, Mac,” I answer and praise him. “I is amazing,” he replies mangling the English language a bit. I start chuckling because he’s just too much. I want to hug him and then run away with him under my arm. I’ve never even considered stealing something before but Mac, I would gladly steal. That thought is reconsidered when he continues talking. “Big bazoongas, Bailey.” “Uh, what did you say?” I ask, certain I misunderstood. “Big bazoongas!” he screeches. I think a parrot just embarrassed me! Oh my god

They have the instinct to hunt and fly,” Nancy told me, “but how to hunt, they learn. It’s as if there’s some file folder in their heads about hunting success that they learn and never forget.

Miraculously, he began to fluff his feathers and raise his wings. I slowly moved him into the shower’s gentle stream. It had been nearly two months since he’d last bathed; he was so excited that he almost fell off my hand. The water ran off his back in tiny silvery beads. He flung his wings out and rubbed his wet head against his back. He was acting in the same manner as the bathing parrots I’d seen in the Amazon.

The rain was warm, and it washed over my face. It was raining so hard that the ground was exploding beneath me; rivulets braided, frothed, ran away toward the river. I must have been a ridiculous sight, drenched to the bone in two seconds but still, ludicrously, holding an umbrella high above my head with one hand and grasping binoculars with the other, through which I eagerly gazed. That’s why I was holding the umbrella, you see, not in an attempt to stay dry but because it offered a modicum of protection to the binoculars’ lenses, without which I hadn’t a hope in Hades of catching a glimpse of the raucous denizens of the forest; I followed with my ears, shifting directions, adjusting my course, homing in on them in the ocean of rain as their cries became louder and louder. I scanned the treetops, teetering with my umbrella like Mary Poppins, and then, suddenly, there they were. I had found the ultimate birdbath. In the winding branches of the Ype trees above me, I counted two Scarlet Macaws, thirteen Chestnut-fronted Macaws, and two Blue-headed Parrots.

The smaller, delicate Blue-headed Parrots were Tiko’s stature; indeed they are closely related to him. Instead of Tiko’s red, their foreheads were a delicate deep blue, but otherwise they were a rich and varied green—the basic parrot palette.

One pair of Chestnut-fronted Macaws preened each other for nearly an hour. Suddenly they stopped, made eye contact, and then the male, with his head bent low, climbed onto the female’s back. The female averted her tail, and he slid his tail under hers so that cloacal contact was made. If they were vocalizing, it was so quiet I could not hear it. He dismounted, they preened, and then he mounted her again. It was almost as if the romance of the rain, the intensity of the sensual experience of bathing, had precipitated sex. After the second go-round, they moved about a meter apart, preening themselves, and then, with chattering, squawking calls, lifted off, flying over the treetops at a great speed, perhaps searching for a suitable nest site. As if stimulated by the macaws, the Blue-headed Parrots also began to court, preening and billing each other around the head. Within minutes they, too, were copulating. Their contact was brief. I felt sure the rain had signaled the beginning of the intense courtship phase of these birds, triggering ancient physiological changes inside them—increases in the sex hormone that lead to enlarging testes and ripening ova. The rains pointed them toward mating, finding a nest, laying eggs. For my entire career I had wanted to watch wild parrots in this intense courtship phase. To find two species simultaneously mating was breathtaking.

Even within Somerville, DLS was gently encouraged to dress a bit more quietly when she arrived at breakfast one morning “wearing a three-inch wide scarlet riband round her head and in her ears a really remarkable pair of ear-rings; a scarlet and green parrot in a gilt cage pendant almost to each shoulder and visible right across the hall.”26

So when Finn sailed back down the Negro at dawn, he saw no flames and heard no roaring as the house was destroyed. Everything at first seemed to be as it had always been: the big trees by the river, the huts of the Indians, the Carters’ launch riding at anchor. Then the dog, standing beside him, threw back his head and howled. “What is it?” asked Finn. But now he, too, smelled the choking, lingering smoke. And as he sailed toward the landing stage, he saw it--the space, the nothingness, where the Carters’ house should have been. Not even an empty shell. Nothing. He had thought that the news of his father’s death was the worst thing that had happened to him, but this was worse, because he was to blame. If he had taken Maia as she had begged… He was shivering so much that it was difficult to steer the Arabella to the jetty and make her fast. There was no point in searching the ruins; it was so obvious that no one could survive such a blaze. But there was one last hope. The huts of the Indians had been spared. Perhaps they had gotten Maia out; perhaps he would find her sleeping there. He pushed open the door of the first hut and went inside…then the second and the third. They were completely empty. Even the parrot on his perch had gone, even the little dog. A broken rope in the run outside showed where the pig, terrified by the flames, had rushed back into the forest. There was no doubt now in Finn’s mind. They had let Maia burn and fled in terror and shame. What would it be like, Finn wondered, going on living and knowing that he had killed his friend? The howler monkeys had been right to laugh when he said he wasn’t going back. He had turned downriver again almost at once to fetch Maia, and he had made good time, traveling with the current--but he had come too late.

before dying Nushino tells the old man, I CANT GO IN PEACE MY BROTHER.UNTIL HIS HEAD HANGS FROM A STAKE, i will wander like a sad blind parrot bumping into the trees.help me my brother.Antonio jose armed himself with a blowpipe and he swam across the river.he missed his target and got hold of the white man gun shooting him in the stomach.he dragged him by his feet to the other side.when the shuar saw the white man they began to cry.how coud they shrink that head when in life it had been frozen in expression of fear and pain.Antonio had disgraced himself and was thereby responsible for his friend enternal misery .still weeping,they gave him their best canoe,embraced him gave him supplies and told him that from that moment he was no longer welcome.he could pass through the shuar encampments,but would no longer have the right to linger

The suspected witch was in the dock, the fagots had been piled all around her . . . and the hard-headed District Attorney was flourishing an unlighted torch before the audience. But it took only an hour for the jury to decide that witches are out of fashion in Massachusetts and no one is to be executed there on suspicion and on parrot-like police testimony.

There is a parrot living in a bar in Tijuana—I have this on excellent authority—who causes people to order more drink than they intended by sidling up to them, cocking his head, and asking, “Can you talk?” And there was Napoleon, a parrot from Brazil, who put on airs at Riverside’s Mission Inn from the time in 1907 when he was given as a gift to Frank Miller, the inn’s founder, until 1956. Napoleon held his own with more dignitaries than any other parrot in history, so Riversiders say, including Andrew Carnegie, Henry Ford, Albert Einstein,

Jonathon, who has the Kung Chow act—always good to have another of the company about—” “Kung Chow?” Wolf said in dismay. “I am not going to substitute for one of his wretched doves again! Really, Nigel, this is going too far—” “No one is asking you to substitute for a dove, Wolf,” Nigel said, pacing faster. “We should make this a real Arabian Nights story. Shipwreck our girl in Arabia, have her taken to a harem, that way we can bring in all the variety acts as things to entertain the sultan! And have an excuse to put her in as little as we can convince her to wear. And there are plenty of girls in our chorus who wouldn’t blanch at doing a harem dance. Have her escape with the Court Magician’s help—” “Oh good lord, why don’t you just steal the plot and music from my Abduction from the Seraglio and have done with it?” Wolf said in disgust. “Why don’t I—Wolf! That’s brilliant!” Nigel turned towards the parrot and conductor with a smile lighting up his face. “Perfect! You adapt the music for our show, we can tout it as ‘Based on Abduction from the Seraglio by Wolfgang Amadeus Mozart.’ Make the print just large enough that the punters won’t notice and the high-minded will. The punters will get their nautch dances, and the high-toned will tell each other how fine it is to listen to classical music while they gawk at the nautch dances from behind their pince-nezes. It’s brilliant! I love you!” As Wolf growled in startlement, Nigel swooped him up, kissed his beak, and put him back down on his stand again. “Brilliant! Brilliant! I’m going to go look up the libretto of this opera of yours and see what I can keep out of it. Arthur, help Wolf with some catchy lyrics. We’ll need at least one love song, of course, and one song about being homesick. And one from the sultan about making the beauty his slave for all time—” Nigel strode off, heading for the music library. Behind him, Wolf sighed. “Well,” the parrot said in resignation. “At least I won’t have to make up any little tinkly tunes this time.” 5 NINETTE sat up in the bed, curled her arms around her knees, and listened in astonishment to the cat.