Parody Quotes

We've searched our database for all the quotes and captions related to Parody. Here they are! All 100 of them:

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Hey," said Shadow. "Huginn or Muninn, or whoever you are." The bird turned, head tipped, suspiciously, on one side, and it stared at him with bright eyes. "Say 'Nevermore,'" said Shadow. "Fuck you," said the raven.
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Neil Gaiman (American Gods (American Gods, #1))
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If smart people are parodying it, that's a sure sign that some less smart people are believing it.
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David Levithan (Every Day (Every Day, #1))
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Sorry," [Hamlet] said, rubbing his temples. "I don't know what came over me. All of a sudden I had this overwhelming desire to talk for a very long time without actually doing anything.
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Jasper Fforde (Something Rotten (Thursday Next, #4))
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People are sheep. TV is the shepherd.
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Jess C. Scott (Literary Heroin (Gluttony): A Twilight Parody)
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The Christian religion is a parody on the worship of the sun, in which they put a man called Christ in the place of the sun, and pay him the adoration originally payed to the sun.
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Thomas Paine
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Poems On Time The butterfly counts not months but moments, and has time enough. Time is a wealth of change, but the clock in its parody makes it mere change and no wealth. Let your life lightly dance on the edges of Time like dew on the tip of a leaf.
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Rabindranath Tagore
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I had recently come into the possession of a Thesaurus. You would not believe how many words there are! When I opened that book, I was like, whoa! Word party!
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The Harvard Lampoon (Nightlight: A Parody)
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It is clear that the world is purely parodic, that each thing seen is the parody of another, or is the same thing in a deceptive form.
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Georges Bataille
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Satire is a lesson, parody is a game.
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Vladimir Nabokov (Strong Opinions)
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Suddenly I wanted to get better. Mania wasn't fun anymore. It wasn't creative or visionary. It was mean parody at best, a cheap chemical trick. I needed to stop and get better. I'd take whatever they gave me, I pledged silently. I'd take Trilafon or Thorazine or whatever. I just wanted to sleep.
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David Lovelace (Scattershot: My Bipolar Family)
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It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
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Chuck Klosterman
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About three things I was absolutely certain. First, Edwart was most likely my soul mate, maybe. Second, there was a vampire part of him -- which I assumed was wildly out of his control -- that wanted me dead. And third, I unconditionally, irrevocably, impenetrably, heterogeneously, gynecologically, and disreputably wished he has kissed me.
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The Harvard Lampoon (Nightlight: A Parody)
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I typed in a single word: Vampre. Google asked, 'Did you mean vampire?' I said, 'Yes.
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The Harvard Lampoon (Nightlight: A Parody)
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There is only one solution if old age is not to be an absurd parody of our former life, and that is to go on pursuing ends that give our existence a meaning.
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Simone de Beauvoir
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Irony and cynicism were just what the U.S. hypocrisy of the fifties and sixties called for. That’s what made the early postmodernists great artists. The great thing about irony is that it splits things apart, gets up above them so we can see the flaws and hypocrisies and duplicates. The virtuous always triumph? Ward Cleaver is the prototypical fifties father? "Sure." Sarcasm, parody, absurdism and irony are great ways to strip off stuff’s mask and show the unpleasant reality behind it. The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, "then" what do we do? Irony’s useful for debunking illusions, but most of the illusion-debunking in the U.S. has now been done and redone. Once everybody knows that equality of opportunity is bunk and Mike Brady’s bunk and Just Say No is bunk, now what do we do? All we seem to want to do is keep ridiculing the stuff. Postmodern irony and cynicism’s become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what’s wrong, because they’ll look sentimental and naive to all the weary ironists. Irony’s gone from liberating to enslaving. There’s some great essay somewhere that has a line about irony being the song of the prisoner who’s come to love his cage.
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David Foster Wallace
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You see, writers traveling to Southeast Asia visit indigenous communities. No writing quest will be complete without some cross-cultural comparisons. This exercise is a decisive moment in every author’s life. Equate it to a photographer meeting his first old man with a wrinkled face or the old lady with heavy earrings dangling from her earlobes.
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Merlin Franco (Saint Richard Parker)
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Be careful not to appear obsessively intellectual. When intelligence fills up, it overflows a parody.
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Criss Jami (Healology)
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So, Belle, what's new today?" Dad," I said, grasping his hands and looking directly into his eyes. "I'm in the deepest love that has ever occurred in the history of the world." Gosh, Belle. When someone asks you 'What's new?' the correct answer is 'Not much'. Besides, isn't it a little soon to cut yourself off from the rest of your peers, depending on a boyfriend to satisfy your social needs as opposed to making friends? Imagine what would happen if something forced that boy to leave! I'm imagining pages and pages would happen - with nothing but the names of the months on them.
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The Harvard Lampoon (Nightlight: A Parody)
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How much truth is contained in something can be best determined by making it thoroughly laughable and then watching to see how much joking around it can take. For truth is a matter that can withstand mockery, that is freshened by any ironic gesture directed at it. Whatever cannot withstand satire is false.
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Peter Sloterdijk (Critique of Cynical Reason)
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Muurp," muurped Edwart.
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The Harvard Lampoon (Nightlight: A Parody)
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Blake understood. Treated it like a joke, but he understood. He saw the cracks in society, saw the little men in masks trying to hold it together...he saw the true face of the twentieth century and chose to become a reflection of it, a parody of it. No one else saw the joke. That's why he was lonely.
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Alan Moore (Watchmen)
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North Korea invites parody. We laugh at the excesses of the propaganda and the gullibility of the people. But consider that their indoctrination began in infancy, during the fourteen-hour days spent in factory day-care centers; that for the subsequent fifty years, every song, film, newspaper article, and billboard was designed to deify Kim Il-sung; that the country was hermetically sealed to keep out anything that might cast doubt on Kim Il-sung's divinity. Who could possibly resist?
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Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
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Fancy thinking the Beast was something you could hunt and kill! You knew, didn't you?' said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. 'You knew, didn't you? I'm part of you? Close, close, close! I'm the reason why it’s no go? Why things are what they are?
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William Golding (Lord of the Flies)
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The only thing I can recommend at this stage is a sense of humor, an ability to see things in their ridiculous and absurd dimensions, to laugh at others and at ourselves, a sense of irony regarding everything that calls out for parody in this world. In other words, I can only recommend perspective and distance.
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VΓ‘clav Havel
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I was so attracted to him I could have peed myself right there on the spot, but I hadn't done anything like that in a while. I was older now, and harnessed my feelings in moments like these by opening and closing my fists very rapidly.
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The Harvard Lampoon (Nightlight: A Parody)
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With good parody, you have to be smarter that the people you’re parodying.
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Craig Ferguson
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You're lucky I was on that roof all day. That old man... he was trying to sell you a Sega product.
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The Harvard Lampoon (Nightlight: A Parody)
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There is something immensely scary about putting yourself out there for people to love or hate you, fan or pan you, review or screw you.
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L.V. Lewis (Fifty Shades of Jungle Fever)
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Some are born old maids, some achieve old maidenhood, and some have old maidenhood thrust upon them ," parodied Miss Lavendar whimsically.
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L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
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It's a sort of piss-take on culture, because a drag queen is a clown - a parody of our society. It's a sarcastic spoof on culture, which allows us to laugh at ourselves - but in a way that is inclusive of everyone.
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RuPaul
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The Internet was born into a world where many people had already lost their sense of connection to each other. The collapse had already been taking place for decades by then. The web arrived offering them a kind of parody of what they were losingβ€”Facebook friends in place of neighbors, video games in place of meaningful work, status updates in place of status in the world. The comedian Marc Maron once wrote that β€œevery status update is a just a variation on a single request: β€˜Would someone please acknowledge me?
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Johann Hari (Lost Connections: Uncovering the Real Causes of Depression - and the Unexpected Solutions)
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One's life is an act with no actor, and thus it has always been recognized that the insane man that has lost his mind is a parody of the sage who has transcended his ego. If one is paranoid, the other is metanoid.
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Alan W. Watts (Psychotherapy East and West)
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I like my tea like I like my men,” I say. With the last name β€œGrey.” But I realize that’s too forward, so I add, β€œBlack.” He raises an eyebrow. β€œI mean, not that I exclusively like black men,” I say, trying to recover. β€œI like other kinds of tea. And men.” β€œHave you ever tasted...white tea, Anna?
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Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
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Because I want to have sex with him--and because that's sinful--I'm blushing and flushing furiously under his scrutinizing scrutiny.
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Jess C. Scott
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Pyp had stabbed a turnip with his knife. "The night is dark and full of turnips," he announced in a solemn voice. "Let us all pray for venison, my children, with some onions and a bit of tasty gravy.
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George R.R. Martin
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Germs contagious, contagious alert! But Edwart and Purell are stronger than dirt!
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The Harvard Lampoon (Nightlight: A Parody)
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He was there below me, and, upon my word, to look at him was as edifying as seeing a dog in a parody of breeches and a featherhat, walking on his hind legs.
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Joseph Conrad (Heart of Darkness)
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You are fifty different kinds of twisted." "Only fifty? Val, you wound me.
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Nenia Campbell (Horrorscape (Horrorscape, #2))
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The things that had filled his days seemed now like a nursery parody of life, or like the wrangles of medieval schoolmen over metaphysical terms that nobody had ever understood.
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Edith Wharton (The Age of Innocence)
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A totally nondenominational prayer: Insofar as I may be heard by anything, which may or may not care what I say, I ask, if it matters, that I be forgiven for anything I may have done or failed to do which requires forgiveness.Β  Conversely, if not forgiveness but something else may be required to insure any possible benefit for which I may be eligible after the destruction of my body, I ask that this, whatever it may be, be granted or withheld, as the case may be, in such a manner as to insure said benefit. I ask this in my capacity as your elected intermediary between yourself and that which may not be yourself, but which may have an interest in the matter of your receiving as much as it is possible for you to receive of this thing, and which may in some way be influenced by this ceremony. Amen.
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Roger Zelazny (Creatures of Light and Darkness)
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Man was entering under false pretenses the sphere of incredible facilities, acquired too cheaply, below cost price, almost for nothing, and the disproportion between outlay and gain, the obvious fraud on nature, the excessive payment for a trick of genius, had to be offset by self-parody.
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Bruno Schulz (The Street of Crocodiles)
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He made small talk on the way about how he was abandoned as a child and will only rest easy once he is avenged. His name was Tom.
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The Harvard Lampoon (Nightlight: A Parody)
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The two things I look for in a guy is how tall he is and whether or not he's a vampire. Pretty much all my crushes have been one or the other. One guy, actually, was both big and a vampire, but he turned out to be gay.
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The Harvard Lampoon (Nightlight: A Parody)
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I'll have AB positive', I told Josh when he returned from the dance floor, 'What's it made of? Apples and Bananas?' -Belle Goose
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The Harvard Lampoon (Nightlight: A Parody)
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The christian religion is a parody on the worship of the Sun, in which they put a man whom they call Christ, in the place of the Sun, and pay him the same adoration which was originally paid to the Sun. [An Essay on the Origin of Free-Masonry]
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Thomas Paine
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Is not parody the eternal lot of man?
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Milan Kundera (Life is Elsewhere)
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Real rebels, as far as I can see, risk disapproval. The old postmodern insurgents risked the gasp and squeal: shock, disgust, outrage, censorship, accusations of socialism, anarchism, nihilism. Today’s risks are different. The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the β€œOh how banal.” To risk accusations of sentimentality, melodrama. Of overcredulity. Of softness. Of willingness to be suckered by a world of lurkers and starers who fear gaze and ridicule above imprisonment without law. Who knows.
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David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
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You want your art to be hip and seem cool to people, but a great deal of what passes for hip or cool is now highly commercially driven. And some if it is important art. I think 'The Simpsons' is important art. On the other hand, it's also, in my opinion, relentlessly corrosive to the soul and everything is parodied and everything is ridiculous. Maybe I'm old but for my part I can be steeped in about an hour of it and then I have to walk away and look at a flower. If there's something to be talked about, that thing is this weird conflict between what my girlfriend calls the 'inner sap,' the part of us that can really wholeheartedly weep at stuff and the part of us that has to live in a world of smart, jaded, sophisticated people and wants very much to be taken seriously by those people.
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David Foster Wallace
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(Parody that is often falsely believed to be a true quote of Mariah Carey's) Whenever I watch TV and see those poor starving kids all over the world, I can't help but cry. I mean I'd love to be skinny like that but not with all those flies and death and stuff.
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MAD Magazine
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It was a bright cold day in April, and the clocks were striking thirteen. It was the future, and everything sucked.
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Greg Nagan (The 5-Minute Iliad and Other Instant Classics: Great Books For The Short Attention Span)
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Some people fight fire with fire. I've found water to be more effective.
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Adrianne Ambrose (Confessions of a Virgin Sacrifice)
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If there is anything of which I am certain in life it is that I shall never exchange the liberty of my exile for the vile parody of home.
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Vladimir Nabokov (The Real Life of Sebastian Knight)
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Alice is fictional. This isn't.
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Jess C. Scott (Zombie Mania: A Zombie Apocalypse Parody)
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Stand by; for I am holier than you!" What a parody on holiness! Jesus the Holy One is the humble One: the holiest will ever be the humblest. There is none holy but God: we have as much of holiness as we have of God.
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Andrew Murray (Humility: The Journey Toward Holiness)
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I am talking about the responsibility of the poet, who is irresponsible by definition, an anarchist enamored of a solar order and never of the new order or whatever slogan makes five or six hundred million men march in step in a parody of order.
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Julio CortΓ‘zar (Around the Day in Eighty Worlds)
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How can even the idea of rebellion against corporate culture stay meaningful when Chrysler Inc. advertises trucks by invoking β€œThe Dodge Rebellion”? How is one to be bona fide iconoclast when Burger King sells onion rings with β€œSometimes You Gotta Break the Rules”? How can an Image-Fiction writer hope to make people more critical of televisual culture by parodying television as a self-serving commercial enterprise when Pepsi and Subaru and FedEx parodies of self-serving commercials are already doing big business? It’s almost a history lesson: I’m starting to see just why turn-of-the-century Americans’ biggest fear was of anarchist and anarchy. For if anarchy actually wins, if rulelessness become the rule, then protest and change become not just impossible but incoherent. It’d be like casting a ballot for Stalin: you are voting for an end to all voting.
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David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
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As I brush my long, brown hair, the girl in the mirror with blue eyes too big for her head stares back at me. Wait...I don’t have blue eyes! Then I realize I haven’t been looking into the mirror. I’ve been staring at a poster of Kristen Stewart for five minutes. My own hair is actually fine.
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Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
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Girl! I'm here to make you look Fa-Bu-Lous!
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Fake Cinna
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Raging crime, class warfare, invasive immigrants, light morals, public misbehavior. Always we convince ourselves that the parade of unwelcome and despised is a new phenomenon, which is why the phrase "the good old days" has passed from clichΓ© to self-parody.
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Anna Quindlen (Imagined London: A Tour of the World's Greatest Fictional City)
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This Power Elite directly employs several millions of the countryΒ΄s working force in its factories, offices and stores, controls many millions more by lending them the money to buy its products, and, through its ownership of the media of mass communication, influences the thoughts, the feelings and the actions of virtually everybody. To parody the words of W. Churchill, never have so many been manipulated so much by few.
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Aldous Huxley (Brave New World Revisited)
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I took the one letter he had for us. It was from the Switchblade Gas & Electric Company. I didn't know I had admirers there too, but I wasn't that surprised. I threw it in the trash with the IRS's love letters and closed the door without reply.
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The Harvard Lampoon (Nightlight)
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How about we walk back? Through the cemetery?' One thing my mom had taught me is that it's difficult to refuse requests made in italics.
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The Harvard Lampoon (Nightlight: A Parody)
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My father despises cats. He believes them to be Democrats. He considers them to be little mean hillary clintons covered all over with feminist legfur. Cats would have abortions, if given half a chance. Cats would have abortions for fun. Consequently our own soft sinner, a soulful snowshoe named Alice, will stay shut in the bedroom upstairs, padding back and forth on cashmere paws, campaigning for equal pay, educating me about my reproductive system, and generally plotting the downfall of all men.
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Patricia Lockwood (Priestdaddy)
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Here, and it goes on to appear now, she comes, a peacefugle, a parody's bird, a peri potmother, a pringlpik in the ilandiskippy, with peewee and powwows in beggybaggy on her bickybacky and a flick flask fleckflinging its pixylighting pacts' huemeramybows, picking here, pecking there, pussypussy plunderpussy.
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James Joyce (Finnegans Wake)
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Monsters are getting more uppity, too (...) I heard where this guy, he killed this monster in this lake, no problem, stuck its arm up over the door (...) and you know what? Its mum come and complained. Its actual mum come right down to the hall next day and complained. Actually complained. That's the respect you get.
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Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
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Too many people think the ends justify the means. They should all be shot!” said the President.
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James Allen Moseley (The Duke of D.C.: The American Dream)
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My inner goddess confirms that staring at a beautiful/rich/powerful face is the basis of True Love.
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Jess C. Scott (My Inner Goddess (Fifty Shades of Grey Parody))
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I don’t sell spells, and I don’t sell tricks. I don’t carry illusions or marked cards or weighted coins. I cannot sell you an endless purse or help you win the lottery. I can’t make that girl you’ve got your eye on fall in love with you, and I wouldn’t do it even if I could. I don’t have a psychic hotline to your dead relatives, I don’t know if you’re going to be successful in your career, and I don’t know when you’re going to get married. I can’t get you into Hogwarts or any other kind of magic school, and if you even mention those stupid sparkly vampires I will do something unpleasant to you.
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Benedict Jacka (Cursed (Alex Verus, #2))
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All literature, highbrow or low, from the Aeneid onward, is fan fiction....Through parody and pastiche, allusion and homage, retelling and reimagining the stories that were told before us and that we have come of age loving--amateurs--we proceed, seeking out the blank places in the map that our favorite writers, in their greatness and negligence, have left for us, hoping to pass on to our own readers--should we be lucky enough to find any--some of the pleasure that we ourselves have taken in the stuff that we love: to get in on the game. All novels are sequels; influence is bliss.
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Michael Chabon (Maps and Legends: Reading and Writing Along the Borderlands)
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We (people) only remembered that elves sang. But we forgot what they sang about.
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Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
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Listen' he whispered ferociously, like a ferocious breeze or a very gentle hurricane.
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The Harvard Lampoon (Nightlight: A Parody)
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I noticed there was garlic above the doorframe. Edwart held a stake in one hand and a 'Team Jacob' shirt in the other.
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The Harvard Lampoon (Nightlight: A Parody)
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No man is an island,” he says. β€œIslands are made of dirt and rocks and trees. I don’t know any people made of such things. Therefore, people are not islands.
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Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
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I learned that it's okay to feel the way I do: that my life has no meaning unless I have a boyfriend. A real man is like the perfect vampire-boy and all the perfect guys in Twue Wuv.
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Jess C. Scott (Literary Heroin (Gluttony): A Twilight Parody)
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Rock-a-bye, Bratniss, in your safe cage, These bars will protect you when mommy's enraged. If she should break through them, Don't have any fear, I made a machine that shoots tranquilizer darts at her if she gets too near.
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Bratniss Everclean (The Hunger But Mainly Death Games: A Parody)
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I want to leave all my friends and the sunlight for a small, rainy town.
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The Harvard Lampoon
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It is a truth universally acknowledged, that a single man in possession of a good riding crop must be in want of a pair of bare buttocks to trash.
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William Codpiece Thwackery (Fifty Shades of Mr Darcy: A Parody)
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Who is this man I’m supposed to interview, this man whose last name is the same as the color of my sweatpants? Is that a sign?
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Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
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You don't have to hide your natural inclination to boss me around. I want you to feel comfortable with me, Edwart. To the point of domination." "Okay, okay." He took a deep breath and pointed at me. "You," he said stiffly, the words flowing straight from some primordial, bossy wordbank. "Come to the place where you want to go, which, hopefully, is my car, where I will be, God willing.
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The Harvard Lampoon (Nightlight: A Parody)
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They all got really quiet and started to lick their lips, closing in on Lucy. I started to lick my lips, too, because it's one of those subconcious, contagious things like sneezing, but then I stopped because it just isn't worth it if you forgot to bring ChapStick.
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The Harvard Lampoon (Nightlight: A Parody)
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Matter never makes jokes: it is always full of the tragically serious. Who dares to think that you can play with matter, that you can shape it for a joke, that the joke will not be built in, will not eat into it like fate, like destiny? Can you imagine the pain, the dull imprisoned suffering, hewn into the matter of that dummy which does not know why it must be what it is, why it must remain in that forcibly imposed form which is no more than a parody? Do you understand the power of form, of expression, of pretense, the arbitrary tyranny imposed on a helpless block, and ruling it like its own, tyrannical, despotic soul?
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Bruno Schulz (The Street of Crocodiles)
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He hands me his shopping list and I lead him through the store in search of the items. Duct tape? Plastic wrap? A hacksaw? Who is this guy, Dexter?
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Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
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Stop it, girl. There’s no way he’s five-years-old. Or one hundred. He’s probably like every other CEO on the planet: Late twenties, handsome in that geeky sort of way, and just as awkward as you. I breathe a sigh of relief, because I know I’m probably right.
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Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
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Maybe you aren't ready yet. I get it. This is a new situation, you want time to explore it, play with a block or two, eat some Play-Doh. I get it. Go wild. But one day, I'm going to make you mine.
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Bratniss Everclean (The Hunger But Mainly Death Games: A Parody)
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Mission motto, sir," said Carrot cheerfully. "Morituri Nolumus Mori. Rincewind suggested it." "I imagine he did," said Lord Vetinari, observing the wizard coldly. "And would you care to give us a colloquial translation, Mr Rincewind?" "Er..." Rincewind hesitated, but there really was no escape. "Er... roughly speaking, it means, 'We who are about to die don't want to', sir.
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Terry Pratchett (The Last Hero (Discworld, #27; Rincewind, #7))
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Life is Beautiful? Beyond all the vicissitudes that are presented to us on this short path within this wild planet, we can say that life is beautiful. No one can ever deny that experiencing the whirlwind of emotions inside this body is a marvel, we grow with these life experiences, we strengthen ourselves and stimulate our feelings every day, in this race where the goal is imminent death sometimes we are winners and many other times we lose and the darkness surprises us and our heart is disconnected from this reality halfway and connects us to the server of the matrix once more, debugging and updating our database, erasing all those experiences within this caracara of flesh and blood, waiting to return to earth again. "Life is beautiful gentlemen" is cruel and has unfair behavior about people who looked like a bundle of light and left this platform for no apparent reason, but its nature is not similar to our consciousness and feelings, she has a script for each of us because it was programmed that way, the architects of the game of life they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels. You can't take a quantum leap and get through the game on your own. inventing a heaven and a hell in order to transcend, that comes from our fears of our imagination not knowing what life has in store for us after life is a dilemma "rather said" the best kept secret of those who control us day by day. We are born, we grow up, we are indoctrinated in the classrooms and in the jobs, we pay our taxes, we reproduce, we enjoy the material goods that it offers us the system the marketing of disinformation, Then we get old, get sick and die. I don't like this story! It looks like a parody of Noam Chomsky, Let's go back to the beautiful description of beautiful life, it sounds better! Let's find meaning in all the nonsense that life offers us, 'Cause one way or another we're doomed to imagine that everything will be fine until the end of matter. It is almost always like that. Sometimes life becomes a real nightmare. A heartbreaking horror that we find impossible to overcome. As we grow up, we learn to know the dark side of life. The terrors that lurk in the shadows, the dangers lurking around every corner. We realize that reality is much harsher and ruthless than we ever imagined. And in those moments, when life becomes a real hell, we can do nothing but cling to our own existence, summon all our might and fight with all our might so as not to be dragged into the abyss. But sometimes, even fighting with all our might is not enough. Sometimes fate is cruel and takes away everything we care about, leaving us with nothing but pain and hopelessness. And in that moment, when all seems lost, we realize the terrible truth: life is a death trap, a macabre game in which we are doomed to lose. And so, as we sink deeper and deeper into the abyss, while the shadows envelop us and terror paralyzes us, we remember the words that once seemed to us so hopeful: life is beautiful. A cruel and heartless lie, that leads us directly to the tragic end that death always awaits us.
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Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
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Penelope had read several novels about such governesses in preparation for her interview and found them chock-full of useful information, although she had no intention of developing romantic feelings for the charming, penniless tutor at a neighboring estate. Or - heaven forbid! - for the darkly handsome, brooding, and extravagantly wealthy master of her own household. Lord Frederick Ashton was newly married in any case, and she had no inkling what his complexion might be
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Maryrose Wood (The Mysterious Howling (The Incorrigible Children of Ashton Place, #1))
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A year later we were in a coffee shop, the kind taking a last stand against Starbucks with its thrift-store chairs, vegan cookies, and over-promising teas with names like Serenity and Inner Peace. I was curled up with a stack of causes, trying to get in a few extra hours of work over the weekend, and Andrew sat with one hand gripping his mug, his nose in The New York Times; the two of us a parody of the yuppie couple of the new millennium. We sat silently that way, though there wasn't silence at all. On top of the typical coffee-shop sounds - the whir of an expresso machine, the click of the cash register, the bell above the door - Andrew was making his noises, an occasional snort at something he read in the paper, the jangle of his keys in his pocket, a sniffle since he was getting over a cold, a clearing of his throat. And as we sat there, all I could do was listen to those Andrew-specific noises, the rhythm of his breath, the in-out in-out, its low whistle. Snort. Jangle. Sniffle. Clear. Hypnotized. I wanted to buy his soundtrack. This must be what love is, I thought. Not wanting his noises to ever stop.
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Julie Buxbaum (The Opposite of Love)
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Nice piano," I said. "Do you play?" "oh no, but Edwart does!" Eva Mullen said. "A little," Edwart said sheepishly. "Go ahead, play!" Eva said. She picked up the triangle that was lying on the piano and handed it to Edwart. He started banging on it. It sounded like construction work very early in the morning. "Whoops. I messed up. Let me start over," he said. He started banging again. "Wait. Uh. I haven't practiced in a while. Let me start over." Edwart continued to bang the triangle. Eva closed her eyes and raised her arms, swaying rhythmically to Edwart's music. Edwart held the triangle up high, in what appeared to be a grand finish, but then he brought it down hard, hitting the top of the piano. He continued to bang the piano, putting the entire force of his slim body into each smash. The piano shook. The room vibrated. When he finished I subtly removed my hands from my ears. "I wrote that for you," Edwart murmured, drawing me close. "It's called Belle's Lullaby.
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The Harvard Lampoon (Nightlight: A Parody)
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Ye know, doan't ye, what it feels like when ye burn yer hand in takin' a cake out of the oven or wi'a match when ye're lightin' one of they godless cigarettes? Ay. It stings wi' a fearful pain, doan't it? And ye run away to clap a bit o' butter on it to take the pain away. Ah, but' (an impressive pause) 'there'll be no butter in hell!
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Stella Gibbons (Cold Comfort Farm)
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The next real literary "rebels" in this country might well emerge as some weird bunch of anti-rebels, born oglers who dare somehow to back away from ironic watching, who have the childish gall actually to endorse and instantiate single-entendre principles. Who treat of plain old untrendy human troubles and emotions in U.S. life with reverence and conviction. Who eschew self-consciousness and hip fatigue. These anti-rebels would be outdated, of course, before they even started. Dead on the page. Too sincere. Clearly repressed. Backward, quaint, naive, anachronistic. Maybe that'll be the point. Maybe that's why they'll be the next real rebels. Real rebels, as far as I can see, risk disapproval. The old postmodern insurgents risked the gasp and squeal: shock, disgust, outrage, censorship, accusations of socialism, anarchism, nihilism. Today's risks are different. The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the "Oh how banal". To risk accusations of sentimentality, melodrama. Of overcredulity. Of softness. Of willingness to be suckered by a world of lurkers and starers who fear gaze and ridicule above imprisonment without law. Who knows
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David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
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To explode or to implode - said Qwfwq - that is the question: whether 'tis nobler in the mind to expand one's energies in space without restraint, or to crush them into a dense inner concentration and, by ingesting, cherish them. To steal away, to vanish; no more; to hold within oneself every gleam, every ray, deny oneself every vent, suffocating in the depths of the soul the conflicts that so idly trouble it, give them their quietus; to hide oneself, to obliterate oneself; perchance to awaken elsewhere, unchanged.
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Italo Calvino
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For the first time since he showed up in my checkout lane, I let my eyes wander the full length of his body. The bulge in his running down the side of his pants leg is quite noticeable; either he has a banana in his pocket, or he’s happy to see me. Then I notice a similar bulge running down the side of his other pants leg. Either he has two bananas in his pockets, or he has two erections.
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Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
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By crossing into a space whose curvature is no longer that of the real, nor that of truth, the era of simulation is inaugurated by a liquidation of all referentials - worse: with their artificial resurrection in the systems of signs, a material more malleable than meaning, in that it lends itself to all systems of equivalences, to all binary oppositions, to all combinatory algebra. It is no longer a question of imitation, nor duplication, nor even parody. It is a question of substituting the signs of the real for the real, that is to say of an operation of deterring every real process via its operational double, a programmatic, metastable, perfectly descriptive machine that offers all the signs of the real and shortcircuits all its vicissitudes.
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Jean Baudrillard (Simulacra and Simulation)
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My shift isn’t over until six,” I say glumly. β€œHold on,” he says. He pulls a Blackberry from his coat pocket and taps out a text. It buzzes, and he taps out another text before stashing it back in his pocket. β€œI think you can take the rest of the afternoon off.” β€œI only have a week left, but my boss would kill me,” I say. β€œI’m your boss, Anna.” β€œWhat do you mean?” There’s that smile again, the one with all those teeth. β€œI just bought Walmart,” he says.
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Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
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Quick, I told myself. Try to remember what you learned from Jimbo's Self Defence for Young Ladies. Jimbo was a beefy man with prison tats. "Go into the nearest dark alley," I recalled Jimbo saying. "Freeze like a rabbit or the creature you desire your attacker to mistake you for. If your attacker shouts out to you, respond politely - maybe your optimism will change his mind. If you're about to get into an elevator with a man you feel uncomfortable spending time with in a small, escapeless room, head right in. Remember , fear i an irrational emotion, you should probably ignore it." Armed with these tips, I hung a right into the nearest dead-end, curled into a ball and started rolling.
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The Harvard Lampoon (Nightlight: A Parody)
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Mr. Gray,” I mutter. He’s smiling again like the Big Bad Wolf who wants to eat me. And boy, do I want him to eat m– β€œI just happened to be in the area,” he says, cutting off my internal monologue. β€œI needed to pick up a few supplies, and here you are. What a pleasant surprise.” His voice is cool and husky like a Wendy’s Frosty shake, with just a little bit of grit (also like a Frosty).
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Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
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The argument that Hawking has offered may be conveyed by question-and-answer, as in the Catholic catechism. Β  A Catechism of Quantum Cosmology Q: From what did our universe evolve? A: Our universe evolved from a much smaller, much emptier mini-universe. You may think of it as an egg. Q: What was the smaller, emptier universe like? A: It was a four-dimensional sphere with nothing much inside it. You may think of that as weird. Q: How can a sphere have four dimensions? A: A sphere may have four dimensions if it has one more dimension than a three-dimensional sphere. You may think of that as obvious. Q: Does the smaller, emptier universe have a name? A: The smaller, emptier universe is called a de Sitter universe. You may think of that as about time someone paid attention to de Sitter. Q: Is there anything else I should know about the smaller, emptier universe? A: Yes. It represents a solution to Einstein’s field equations. You may think of that as a good thing. Q: Where was that smaller, emptier universe or egg? A: It was in the place where space as we know it did not exist. You may think of it as a sac. Q: When was it there? A: It was there at the time when time as we know it did not exist. You may think of it as a mystery. Q: Where did the egg come from? A: The egg did not actually come from anywhere. You may think of this as astonishing. Q: If the egg did not come from anywhere, how did it get there? A: The egg got there because the wave function of the universe said it was probable. You may think of this as a done deal. Q: How did our universe evolve from the egg? A: It evolved by inflating itself up from its sac to become the universe in which we now find ourselves. You may think of that as just one of those things. This catechism, I should add, is not a parody of quantum cosmology. It is quantum cosmology.
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David Berlinski (The Devil's Delusion: Atheism and its Scientific Pretensions)
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Captain Smek himself appeared on television for an official speech to humankind. [...] 'Noble Savages of Earth,' he said. 'Long time we have tried to live together in peace.' (It had been five months.) 'Long time have the Boov suffered under the hostileness and intolerableness of you people. With sad hearts I now concede that Boov and humans will never to exist as one.' I remember being really excited at this point. Could I possibly be hearing right? Were the Boov about to leave? I was so stupid. 'And so now I generously grant you Human Preserves - gifts of land that will be for humans forever, never to be taken away again, now.' [...] So that's when we Americans were given Florida. One state for three hundred million people. There were going to be some serious lines for the bathrooms.
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Adam Rex (The True Meaning of Smekday)
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I growl with frustration at my reflection in the mirror. Damn my hair – it’s fifty shades of fucked up. The situation I’m in is fifty shades of fucked up. I’m supposed to be studying for my finals; my roommate, Kathleen, should be the one fussing with her hair in front of the mirror right now. Instead, I’m trying to brush my hair into submission. Why is my hair so kinky? I need to stop sleeping with it wet, because it always ends up out of control. As I brush my long, brown hair, the girl in the mirror with blue eyes too big for her head stares back at me. Wait...I don’t have blue eyes! Then I realize I haven’t been looking into the mirror. I’ve been staring at a poster of Kristen Stewart for five minutes. My own hair is actually fine.
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Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))