“
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?
We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.
They can keep their heaven. When I die, I'd sooner go to middle Earth.
”
”
George R.R. Martin
“
What do you want to show me?"
"Nothing, really. I just want to be alone with you for a minute."
He pulled her to the back of the driveway, where they were almost completely hidden by a line of trees and the RV and the garage.
"Seriously?" she said. "That was so lame."
"I know," he said, turning to her. "Next time, I'll just say, 'Eleanor, follow me down this dark alley, I want to kiss you.'"
She didn't roll her eyes. She took a breath, then closed her mouth. He was learning how to catch her off guard.
She pushed her hands deeper in her pockets, so he put his hands on her elbows. "Next time," he said, "I'll just say, 'Eleanor, duck behind these bushes with me, I'm going to lose my mind if I don't kiss you.'"
She didn't move, so he thought it was probably okay to touch her face. Her skin was as soft as it looked, white and smooth as freckled porcelain.
"I'll just say, 'Eleanor, follow me down this rabbit hole...'"
He laid his thumb on her lips to see if she'd pull away. She didn't. He leaned closer. He wanted to close his eyes, but he didn't trust her not to leave him standing there.
”
”
Rainbow Rowell (Eleanor & Park)
“
Oh, doll, I just did. Was it you he was fucking on the hood of Sex in the parking garage before dinner? I didn't think so.
”
”
K. Bromberg (Fueled (Driven, #2))
“
As Beck drove out of the garage, he gave the parking attendants a big toothy smile and a wave. “There's some snow on the fifth level. Thought ya might like to know. Y'all have a nice day, now!” he called out.
No wonder Dad liked working with you.
”
”
Jana Oliver (Forsaken (The Demon Trappers, #1))
“
Every time my brain parks the car neatly in the driveway, my mouth drives through the back of the garage.
”
”
Dave Eggers (The Circle (The Circle, #1))
“
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
”
”
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help)
“
What happened to your face?" Blue asked.
Adam shrugged ruefully. Either he or Ronan smelled like a parking garage. His voice was self-deprecating. "Do you think it makes me look tougher?"
What it did was make him look more fragile and dirty, somehow, like a teacup unearthed from the soil, but Blue didn't say that.
Ronan said, "It makes you look like a loser."
"Ronan," said Gansey.
"I need everyone to sit down!" shouted Maura.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
At 1 A.M. a parking garage feels like a crime scene in waiting.
”
”
Drew Magary (The Hike)
“
I miss that time. The cities back then, just after the forests died, were full of wonders, and you'd stumble on them--these princes of the air on common rooftops--the rivers that burst through the city streets so they ran like canals--the rabbits in parking garages--the deer foaling, nestled in Dumpsters like a Nativity.
”
”
M.T. Anderson (Feed)
“
I want to leave a legacy. I'll leave him in the trunk, tied up, at a parking garage on the campus of the university where he graduated.
”
”
Jarod Kintz ($3.33 (the title is the price))
“
I realized we’d pulled into a parking garage. We drove around two levels, pulled into a spot, then immediately pulled out again. Along with four other black Bentley SUVs.
“What’s going on?” I asked, as we headed back toward the exit with two Bentleys in front of us and two behind us.
“Shell game,” he said…
”
”
Sylvia Day (Entwined with You (Crossfire, #3))
“
What is this place?"
"A parking garage. It's like a hotel for cars. Ready?"
"For what?"
"You've been in New York nearly two hours. It's time for some light breaking and entering.
”
”
Leigh Bardugo (Wonder Woman: Warbringer)
“
Or the one where I kidnapped her in the hospital parking garage, drove her into the middle of the woods, and told her to run as far as she could because what I planned to do when I caught her would make even the Devil weep.
”
”
Navessa Allen (Lights Out (Into Darkness, #1))
“
Both observer and observed are parts of the world that has an objective existence, and any distinction between them has no meaningful significance. In other words, if you see a herd of zebras fighting for a spot in the parking garage, it is because there really is a herd of zebras fighting for a spot in the parking garage.
”
”
Stephen W. Hawking (The Grand Design)
“
I strolled into a downtown parking garage, wearing a black pantsuit and matching heels. I’d pulled my dark, chocolate-brown hair up into a high, sleek ponytail, while black glasses with clear lenses covered my cold
gray eyes. I looked like just another corporate office drone, right down to the enormous black handbag I carried.
”
”
Jennifer Estep (Widow's Web (Elemental Assassin, #7))
“
Better watch out said a second voice from somewhere under the Beetle. Don't park those two kraut cars too close together; it's springtime, and they might decide to mate. then Charlie'll be stuck with a garage full of little orange safety cones
”
”
Mercedes Lackey
“
Nothing good ever happens in parking garages.
”
”
P.D. Atkerson (Winnie Winfield (AKA Simon Lee #5))
“
X? Seriously? What, do you meet them in darkened parking garages? Do you have a Bat-Signal or something?
”
”
Jane Seville (Zero at the Bone (Zero at the Bone, #1))
“
Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I'd sooner go to Middle Earth..
”
”
George R.R. Martin
“
increasingly we live in a world filled with the equivalents of deadly garage-door openers, unnecessary items that offer us mild and insipid comfort at the price of a dangerous and uncomfortable planet, and at the price of any real relationship to the physical world. if you live in a suburban home and commute to a parking garage somewhere, that ten seconds of opening the garage door(manually) might be nearly the only rain you ever feel.
”
”
Bill McKibben (The Age of Missing Information)
“
Back at the office, Woodward went to the rear of the newsroom to call Deep Throat. Bernstein wished he had a source like that. The only source he knew who had such comprehensive knowledge in any field was Mike Schwering, who owned Georgetown Cycle Sport Shop. There was nothing about bikes - and, more important, bike thieves - that Schwering didn't know. Bernstein knew something about bike thieves: the night of the Watergate indictments, somebody had stolen his 10-speed Raleigh from a parking garage. That was the difference between him and Woodward. Woodward went into a garage to find a source who could tell him what Nixon's men were up to. Bernstein walked into a garage to find an eight-pound chain cut neatly in two and his bike gone.
-- Carl Bernstein, Bob Woodward
”
”
Carl Bernstein (All the President’s Men)
“
You take enough blasting gelatin and wrap the foundation columns of anything, you can topple any building in the world. You have to tamp it good and tight with sandbags so the blast goes against the column and not out into the parking garage around the column.
This how-to stuff isn't in any history book.
”
”
Chuck Palahniuk (Fight Club)
“
I want to say something to make it all better as we walk in silence towards the parking garage, but nothing can take back my thoughtless words, and besides, I don't really want to whitewash the way I feel.
”
”
Katy Regnery (Unloved)
“
I grabbed my heels without hesitating, eager to put an end to this night. But when I tried to straighten, shoes in hand, my entire world momentarily tipped. Careened. My scream bounced off the walls of the parking garage as a strong arm looped beneath my back and my knees, and I realized—with a fair bit of horror—that Julian was carrying me.
”
”
Amelie Rhys (Alive at Night (Wildflower, #1))
“
I have a rule: Anything that can be done privately does not need to be performed publicly. It’s why I love the gays but I hate their parades. Actually, I hate all parades. Marching to celebrate something you’re born as seems silly. (As I write this, St. Patrick’s Day is in full bore in Midtown. It’s delightful how celebrating a heritage requires you to pick fights with strangers and then pee in a parking garage. The upside—the sea of clover-painted drunks moving in unison—might be the only green energy I’ve ever seen work.) And what’s the point of a parade anyway? A bunch of yahoos who share some affinity, walking in one direction? Who decided this was entertainment? For previous generations, this was called a migration, or more often, refugees fleeing for their lives
”
”
Greg Gutfeld (The Joy of Hate: How to Triumph over Whiners in the Age of Phony Outrage)
“
There was a low growling sound and the Munstermobile came gliding up out of the parking garage, dripping water from its gleaming surface like some lantern-eyed leviathan rising from the depths. There were still a few dents and dings in it, but the broken glass had all been replaced, and the engine sounded fine.
Okay, I'm not like a car fanatic or anything - but the guitar riff from "Bad to the Bone" started playing in my head.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
Would it be alright if I ripped your clothes?” I breathed out, obviously not thinking about what I was saying or caring in the least. “Cameras,” was all he replied. “What?” “There are cameras in the garage,” he explained in a deep, hoarse voice. I looked up and saw the big black glob pointed right at us and I sighed. Good Lord, two seconds longer and I would have been on YouTube under the heading, “Author does research in a parking garage.
”
”
C.P. Smith (Property Of)
“
When I received my glossy black invitation in the mail a few days later, I could feel my heart swell with excitement. “Hef’s Midsummer Night’s Dream Party,” it read. On the front was a beautiful pinup illustration by famed artist Olivia De Berardinis and inside was a small piece of paper with directions. It was like Cinderella finally scoring an invitation to the ball—except instead of arriving by horse-drawn carriage, we would board a shuttle at a UCLA parking garage.
”
”
Holly Madison (Down the Rabbit Hole: Curious Adventures and Cautionary Tales of a Former Playboy Bunny)
“
In the parking area, Ove sees that imbecile Anders backing his Audi out of his garage. It has those new, wave-shaped headlights, Ove notes, presumably designed so that no one at night will be able to avoid the insight that here comes a car driven by an utter shit.
”
”
Fredrik Backman (A Man Called Ove)
“
I want a house with a garage, so someone from the government won’t try to park a tank in my living room.
”
”
Jarod Kintz (This Book Has No Title)
“
If I get a ticket in an Aston Martin, I plan to frame it and put it on my desk.” And with that Zach gunned the engine and spun out of the parking garage.
”
”
Tiffany Reisz (The Siren (The Original Sinners, #1))
“
That one brown house still had that hole in its garage door splintering like a chewed cookie smile, the hole the exact size and height of the car parked on the driveway in front of it.
”
”
Tim Kinsella (The Karaoke Singer's Guide to Self-Defense)
“
My hands fell asleep, so I washed them with hot coffee. Then I had donuts for breakfast, by way of spinning circles in my car and burning rubber in the parking garage of my office building.
”
”
Jarod Kintz (This Book is Not for Sale)
“
There are so many things for a woman to be afraid of, I think. Crowded bars. Empty rooms. Parking garages. Dark alleys covered in graffiti. It’s so easy to think that much of the world is bad.
”
”
Abigail Rose-Marie (The Moonflowers)
“
Taking another sip of his coffee, he held up the car key to the Audi that was parked further along the garage. I snatched the key out of his hand with a snarl. He gave a satisfied nod. “Good girl.
”
”
Suzanne Wright (The Favor)
“
If Mrs. Child's ghost was planting, my father's was building. Half finished, nearly finished, and just started projects which waited throughout the house. In Evie's room, the closet he built swung open with a bang, impatient for a latch. The closet without a door in Rene's room just stared - day and night - like someone gone mad. The garage let in birds that left a mess where planks had been pried off for a second car to rest. Worst of all, the hole that he dug for my mother's patio filled with rainwater and grew grass as tall as in the marsh. Instead of a place to entertain in summer, it became a nature reserve which she could not close down. A holiday park for mosquitos. A rest home for caterpillars and other things that she loathed that squirmed.
”
”
Georgia Scott (American Girl: Memories That Made Me)
“
If you kill a black man, the world is silent. You can hear a garage door opening from twenty blocks away. You can pick up a pay phone and only hear the dial tone. Shooting stars sound exactly like the soft laughter of a little girl in Gasworks Park. If you kill a white man, the world erupts with noise: fireworks, sirens, a gavel pounding a desk, the slamming of doors.
”
”
Sherman Alexie (Indian Killer)
“
Pharaohs
It took Khufu twenty-three years to build his Great Pyramid at Giza, where some eleven hundred stone blocks, each weighing about two and a half tons, had to be quarried, moved, and set in place every day during the annual building season, roughly four months long. Few commentators on these facts can resist noting that this achievement is an amazing testimonial to the pharaoh’s iron control over the workers of Egypt. I submit, on the contrary, that pharaoh Khufu needed to exercise no more control over his workers at Giza than pharaoh Bill Gates exercises over his workers at Microsoft. I submit that Egyptian workers, relatively speaking, got as much out of building Khufu’s pyramid as Microsoft workers will get out of building Bill Gates’s pyramid (which will surely dwarf Khufu’s a hundred times over, though it will not, of course, be built of stone).
No special control is needed to make people into pyramid builders—if they see themselves as having no choice but to build pyramids. They’ll build whatever they’re told to build, whether it’s pyramids, parking garages, or computer programs.
Karl Marx recognized that workers without a choice are workers in chains. But his idea of breaking chains was for us to depose the pharaohs and then build the pyramids for ourselves, as if building pyramids is something we just can’t stop doing, we love it so much.
”
”
Daniel Quinn (Beyond Civilization: Humanity's Next Great Adventure)
“
Your uncle is in parking garages because they fund his more important work,” Morrison said. “Which is to seek out, fund and create the sort of technologies and services that bring disruptive change to existing industrial and social paradigms, and offer them, on a confidential basis, to interested businesses and governments.
”
”
John Scalzi (Starter Villain)
“
Luz leaned her head against the window. The bus was already on the outskirts of Mexico City and the endless urban landscape had never seemed so gray and or so harsh. Most of the city was nothing like the old money enclave of Lomas Virreyes where the Vegas lived or Polanco where the city’s most expensive restaurants and clubs catered to the wealthy.
The bus passed block after block of sooty concrete cut into houses and shops and shanties and parking garages and mercados and schools and more shanties where people lived surrounded by hulks of old cars and plastic things no one bothered to throw away. Sometimes there wasn’t concrete for homes, just sheets of corrugated metal and big pieces of cardboard that would last until the next rainy season. It was the detritus of millions upon millions of people who had nowhere to go and nothing to do and were angry about it.
The Reforma newspaper had reported a few weeks ago that the city’s population was in excess of 28 million--more than 25 percent of the country’s entire population--and Luz believed it. All of those people were clawing at each other in a huge fishbowl suspended 7500 feet above sea level, where there was never enough oxygen and the air was thin and dirty.
The city was hemmed in by mountains on all sides; mountains like Popocatépetl and Iztaccíhuatl that sometimes spewed smoke and ash and prevented the contaminatión from cars and factories and sewers from escaping. Luz privately thought of it as la sopa--a white soup that often blotted out the stars and prevented the night sky from getting dark.
The bus slowed in traffic. As they crept along Luz saw a car stopped on the side of the road, pulled over by a transito traffic cop. As Luz watched, the driver handed the cop a peso bill from his wallet. The transito accepted it but kept talking, gesturing at the car. The motorist handed him another bill. La mordida--the bite--of the traffic cop, right under her nose.
Los Hierros was crap.
”
”
Carmen Amato (The Hidden Light of Mexico City)
“
He bolted right through the wooden cross arm at the parking garage exit and power-slid into traffic. A torrent of car horns and skids enveloped his vehicle, but the tears in Danny's eyes created the inability to differentiate one vehicle from another. The colors of the automobiles bled into each other like melting rainbow sherbet.
”
”
Rick Mayhew (Donovan's Law)
“
We parked in one of those underground garages that charges a kidney and both retinas for two hours,
”
”
Kristan Higgins (On Second Thought)
“
And there were likely people who thought one could not interpret men's feelings by the cars they drove.
But when they moved onto the street, Ove drove a Saab 96 and Rune a Volvo 244. After the accident Ove bought a Saab 95 so he'd have space for Sonja's wheelchair. That same year Rune bought a Volvo 245 to have space for a stroller. Three years later Sonja got a more modern wheelchair and Ove bought a hatchback, a Saab 900. Rune bought a Volvo 265 because Anita had started talking about another child.
Then Ove bought two more Saab 900s and after that his Saab 9000. Rune bought a Volvo 265 and eventually a Volvo 745 station wagon. But no more children came. One evening Sonja came home and told Ove that Anita had been to the doctor.
And a week later a Volvo 740 stood parked in Rune's garage. The sedan model.
Ove saw it when he washed his Saab. In the evening Rune found a half bottle of whiskey outside his door. They never spoke about it.
”
”
Fredrik Backman (A Man Called Ove)
“
I want to be a hero, Ava. Or really rich. I think it's easy to make yourself a hero when you can pay for it.
I know you fantasize about accepting your Oscar and thanking your parents after falling on the steps to the podium, but I fantasize about meeting a source in a parking garage and putting my entire family at risk.
I WANT TO BE GREAT, AVA! I WANT TO WRITE THINGS THAT CHANGE THE WIORLD AND WALK INTO ROOMS FULL OF PEOPLE WHO FEAR ME!
”
”
Gaby Dunn (I Hate Everyone But You (I Hate Everyone But You, #1))
“
Feeling more tired than I'd ever felt after work, I walked through the sliding glass doors leading to the small alley that separated the parking garage from the hospital. I usually experienced this passage as a sort of limbo: a seven-foot-long stretch of asphalt that got me to where I parked, a portal where tired nurses left as fresh ones entered. On that morning, though, I felt a breeze on my face as I stepped through the double doors and saw the day's first light, and it hit me: I'm alive.
”
”
Lee Gutkind
“
I was thinking maybe…sometime…” Good God, a heart attack felt like a real possibility. “I was hoping that you would park more than your motorcycle in my garage.”
Ky stared at him with the frown that represented confusion. “Is that a sexual innuendo?
”
”
River Jaymes (The Boyfriend Makeover (The Boyfriend Chronicles, #3))
“
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her.
I smirk. “That’s not my car.”
She nods. “Right, of course. I see it now.”
She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.”
“Not even close.”
“Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?”
I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school.
“You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me.
I shrug. “It gets good gas mileage.”
She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.”
I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.”
We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence.
Finally, I ask, “Where do you live?”
“On the west side. Right across from Franklin Park.”
“Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?”
“Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.”
I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.”
She doesn’t think I’m funny.
”
”
R.S. Grey (Hotshot Doc)
“
His senior year, he started a garage band that was quickly banned from every club, bar, park, and concert hall in the region due to his insistence on playing a song called, “This Venue Is a Front for Human Trafficking, Someone Call the FBI, this Is Not Just a Joke Song Title.
”
”
David Wong (What the Hell Did I Just Read (John Dies at the End, #3))
“
Gene Berdichevsky, one of the members of the solar-powered-car team, lit up the second he heard from Straubel. An undergraduate, Berdichevsky volunteered to quit school, work for free, and sweep the floors at Tesla if that’s what it took to get a job. The founders were impressed with his spirit and hired Berdichevsky after one meeting. This left Berdichevsky in the uncomfortable position of calling his Russian immigrant parents, a pair of nuclear submarine engineers, to tell them that he was giving up on Stanford to join an electric car start-up. As employee No. 7, he spent part of the workday in the Menlo Park office and the rest in Straubel’s living room designing three-dimensional models of the car’s powertrain on a computer and building battery pack prototypes in the garage. “Only now do I realize how insane it was,” Berdichevsky said.
”
”
Ashlee Vance (Elon Musk: Inventing the Future)
“
Growing up, my bedroom was like a garage, only much smaller and with more lawnmowers in it (we had to store them there because the garage was crowded with the 14-person dining room table—despite there being only four of us in the house). I’m just thankful my parents didn’t park their cars in the living room.
”
”
Jarod Kintz (This Book is Not for Sale)
“
What isn’t scary can do you in.
Snacking doesn’t intimidate anybody. Neither does watching TV. Or sitting in a movie with a large drink and so much popcorn that it comes in a tub.
Driving to work and parking in the garage doesn’t upset any applecarts, but riding your bike and asking for a place to lock it up just might.
Suggesting to your boyfriend that you’d like to go to the soup-and-salad place instead of the he-man chuck-wagon could be awkward…[but] you are committed to living fully. You are going to take care of you, no matter who suggests that you’re selfish or full of yourself.
Living well will give you the emotional energy you need to fulfill your destiny.
”
”
Victoria Moran (Fat, Broke & Lonely No More: Your Personal Solution to Overeating, Overspending, and Looking for Love in All the Wrong Places – A Revolutionary Five-Step Plan to Break Free and Take Back Your Life)
“
From the safety of his BMW with tinted windows, he watched Hannah Young pull out of her parking space, seemingly in a hurry to leave work. He'd hoped to catch her alone, but the garage was too busy right now. He wasn't out of place at all, but he couldn't have made a move against her without someone noticing. And following her from the hospital wasn't an option. Traffic in Miami was too thick this time of day.
Something told him she'd notice if he tailed her. Hannah was far too smart for her own good. She'd seen something she shouldn't have, and unfortunately he needed to eliminate her.
It wasn't something he relished doing, but it came down to his life or hers.
”
”
Katie Reus (Chasing Danger (Deadly Ops, #2.5))
“
Emily My sneakers hit the pavement and my heart slams like the truck door behind me. "Watch it!" My cousin and best friend Erick hops out of the drivers' side, reprimanding me at the same time. Sensitive about his truck. "Sorry," I mutter. The dim, enclosed parking garage puts me on edge. It's a perfect place for vampires. But it's early afternoon, not their prime hunting time. The upscale Austin, Texas, mall parking lot is packed with sedans and trucks. I sling a motorcycle helmet into the bed of the truck, where it joins the massive four-wheeler we just spent an exhilarating morning breaking in. A gift for his eighteenth birthday a couple of months ago. For my eighteenth, I'm getting a night
”
”
Lacy Yager (Rival (Unholy Alliance #2))
“
Your uncle is in parking garages because they fund his more important work.... Which is to seek out, fund and create the sort of technologies and services that bring disruptive change to existing industrial and social paradigms, and offer them, on a confidential basis, to interested businesses an d governments.
That's a great mission statement... but it doesn't say what he actually DID.
HE WAS A VILLIAN, Hera typed.
I stared at what she had written and looked back at Morrison.
We don't use that word in public, and also, yes, she said.
And this meeting that the stabber had the invite for, I asked.
Villain conference, Morrison said. Think of Davos, except they don't pretend they're helping people.
And I'd be going there.
Yes, after we visit the volcano lair.
”
”
John Scalzi (Starter Villain)
“
I love the way the Italians park. You turn any street corner in Rome and it looks as if you’ve just missed a parking competition for blind people. Cars are pointed in every direction, half on the sidewalks and half off, facing in, facing sideways, blocking garages and side streets and phone booths, fitted into spaces so tight that the only possible way out would be through the sun roof.
”
”
Bill Bryson (Neither Here Nor There: Travels in Europe)
“
I heard a choking sound behind me. When I looked back, Cannoli was hanging from the backpack harness with her hind legs circling frantically in the air. She looked like she was riding a bike just above ground level.
"Cannoli," I yelled. I unhooked her and made sure she was breathing on her own. When I tried to get her back in the backpack, she whimpered. I talked to her soothingly yet firmly, then tried again. This time she started howling like I was hurting her.
People turned and stared as they walked by. "What are you looking at?" I said to one couple. I suddenly felt true remorse for every time I'd stared at a parent with a toddler throwing a tantrum. I made a vow to be a better aunt to Tulia's kids if I ever made it out of this parking garage. I pleaded with Cannoli one more time.
”
”
Claire Cook (Summer Blowout)
“
Palo Alto is lined with magnolia trees full of creamy blossoms, blue mailboxes, oranges like round dots on trees. Temperatures average in the seventies, you can smell the sun baking fallen shards of eucalyptus bark. There's mottled shade in spotless parks, pink-tongued dogs. Cul-de-sacs with Eichler houses, wooden garage doors, Japanese maples. Sidewalks are smoothly paved, kids bicycle to school and adults bicycle to work; everybody has degrees and everybody recycles.
”
”
Chanel Miller
“
Why do Mexicans park their cars on the front lawn? MIGHT EVEN NEED SOME OAXACANS Dear MENSO: Where do you want us to park them, MENSO? The garage we rent out to a family of five? The backyard where we put up our recently immigrated cousins in tool-shacks-cum-homes? The street with the red curbs recently approved by city planners? The driveway covered with construction materials for the latest expansion of la casa? The nearby school parking lot frequented by cholos on the prowl for a new radio? MENSO, the lawn is the only spot
”
”
Gustavo Arellano (Ask a Mexican)
“
Trevor stayed in the rented convertible as I walked around the perimeter of the house, peering through the dusty windows at the empty spaces inside. It hardly looked any different from when I’d lived in it. “Don’t sell until the market improves,” Trevor yelled. I got emotional and embarrassed, ducked away and jumped in the mucky pond behind the garage, then emerged covered in rotting moss. Trevor got out of the car to hose me off in the garden, made me strip and put on his blazer before getting back into the car, then asked for a blow job in the parking lot of the Poughkeepsie Galleria before he went in to buy me a new outfit. I acquiesced. For him, this was erotic gold.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
The Unravel process is like cleaning out that garage. Before I could park a car in that space, I had to go through everything that was occupying that area and separate out what needed to be kept and what needed to be thrown out. I had to pick up the garden hose and see if it was still usable. I had to go through every box and investigate what was in it. I had to go through all the miscellaneous stuff and decide if I needed it, if it could be donated, or if it should be thrown out. I asked myself why I was keeping some of the things I had piled up. I realized that some of it was being kept out of a sense of loyalty or sentimentality, and some of it was being kept because I was afraid that I might need it and wouldn’t have it.
”
”
Melissa Lloyd (Unravel: Make Peace with Your Past, Learn to See Yourself as God Does, & Create a Life of Purpose)
“
Du bist 18 und deine Freunde sind mit Balken vor den Augen in den Zeitungen. Sie liegen in den Parks und auf der Pennerwiese herum, sie sind jetzt die Statistik aus den Talkshows, abgeschoben, in der Entzugsklinik oder im Gefängnis. Manche mussten zurück, so wie Bojan. Manche können nicht zurück, weil sie von nirgendwo herkommen, so wie Savaş. Manche mussten gehen, ohne zu wissen wohin, so wie Aylin. Und manche gingen, weil sie sich dazu entschieden hatten, so wie Merve Teyze. Aber wenn es eine Sache gibt, die ich spätestens an dem Nachmittag in der Garage begriffen habe, dann, dass wir alle auf dieser Welt nur beschissene Gastarbeiter sind, und das Einzige, was du tun kannst, ist, aufstehen und das Leben suchen, solange du noch kannst.
”
”
Necati Öziri (Vatermal)
“
If you could have a gigantic billboard anywhere with anything on it, what would it say and why? “Discipline equals freedom.” Everyone wants freedom. We want to be physically free and mentally free. We want to be financially free and we want more free time. But where does that freedom come from? How do we get it? The answer is the opposite of freedom. The answer is discipline. You want more free time? Follow a more disciplined time-management system. You want financial freedom? Implement long-term financial discipline in your life. Do you want to be physically free to move how you want, and to be free from many health issues caused by poor lifestyle choices? Then you have to have the discipline to eat healthy food and consistently work out. We all want freedom. Discipline is the only way to get it. What is one of the best or most worthwhile investments you’ve ever made? Ever since I have had a home with a garage, I have had a gym in my garage. It is one of the most important factors in allowing me to work out every day regardless of the chaos and mayhem life delivers. The convenience of being able to work out any time, without packing a gym bag, driving, parking, changing, then waiting for equipment . . . The home gym is there for you. No driving. No parking. No little locker to cram your gear into. In your home gym, you never wait for equipment. It is waiting for you. Always. And, perhaps most important: You can listen to whatever music you want, as loud as you want. GET SOME.
”
”
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
“
You see Matt and Anthony every week. You see everyone every week.”
“Not everyone, Nick,” his mother said pointedly. Then her voice changed and turned warmer. “Well, except for this upcoming weekend.”
Nick paused at this. It could’ve been a trap. Perhaps his mother suspected something was up with her birthday and was fishing for information. Although it was surprising that she’d come to him—she usually went after Anthony, who had the secret-keeping skills of a four-year-old.
“Why? What’s happening this weekend?” he asked nonchalantly.
“Oh, nothing much. I just heard something about a sixtieth birthday party your father and you boys are planning for me.”
Fucking Anthony.
“And don’t go blaming Anthony,” his mother said, quick to protect her youngest. “I’d already heard about it from your aunt Donna before he slipped.”
Nick knew what her next question would be before the words left her mouth.
“So? Are you bringing a date?” she asked.
“Sorry, Ma. It’ll just be me.”
“There’s a surprise.”
He pulled into the driveway that led to the parking garage of his condo building. “Just a warning, I’m about to pull into the garage—I might lose you.”
“How convenient,” his mother said. “Because I had a really nice lecture planned for you.”
“Let me guess the highlights: it involved me needing to focus on something other than work, and you dying heartbroken and miserable without grandchildren. Am I close?”
“Not bad. But I’ll save the rest of the lecture for Sunday. There’s going to be a lot of gesturing on my part, and the phone doesn’t quite capture the spirit.”
Nick smiled. “Shockingly, I’m looking forward to it. I’ll see you Sunday, Ma.”
Her voice softened. “I know how busy you are, Nick. It means a lot to me that you’re coming home.”
He knew it did. “I wouldn’t miss it for the world.
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
We will be evaluating some nasty oils. You will have to put them in your mouth.* For the good of science. For the good of olive oil. We are here to help the producers, to tell them, What attributes does the oil have, does it have defects, what can they do differently next year—treat the olives better, pick them at a different time, et cetera.” There will be no pay. No one will reimburse for the seven-dollar parking-garage fee. The existing panelists are known to have some prickle, to borrow an official olive-oil sensory descriptor. “You may be thinking, wow, I really don’t want to be on this thing.” The faint of heart are invited to pack up and go. No one moves. “All right then.” Langstaff surveys the room. “Shields up.” She is referring to removable panels used to partition the room’s long tables into private tasting booths. This way, you aren’t influenced by the facial expressions (or test answers) of the people seated next to you.
”
”
Mary Roach (Gulp: Adventures on the Alimentary Canal)
“
Dad's in D.C. all week," he said as we climbed out, "so I get to use the garage. Parking's a bitch around here."
I didn't know whether to roll my eyes or sympathize.
"Is your mom home?" I really didn't know how I felt about seeing Karina Romanova in her own home. Well,no.
Truth: I was worried how she would feel about seeing me in it.
"Will she mind my being here?"
"Why would she?" Alex gave me an odd look as he pushed open a small door onto a wide brick patio. "But no, she's at the studio until midnight. It's just you,me,and the lacrosse team."
I could see myself with amazing clarity in the huge glass wall that was the entire back of the house. I was small, dark, and frozen. "You're kidding, right?"
Next to mine, Alex's reflection looked twice as big and ust as still. "You're kidding. Right?"
I nodded. Clearly not emphatically enough.
"Christ,Ella. Who do you think I am?"
I sighed. Honestly, I didn't know. "I think you're probably a terrific guy, Alex. But let's be truthful here.We don't really know each other."
"Oh,come one.We've gone to school together for two and a half years. I've been to Marino's..." He stopped. Sighed. "Okay.Fine.So let's change it. Now." And he unlocked the door to his house.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
From Tomorrow to Yesterday
The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods.
He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment.
She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.
”
”
Jens Christian Grøndahl (An Altered Light)
“
Someone must be having a big party, Shyla thought as she turned into her neighborhood, the rhythmic salsa beat of Latin music was so loud.
A car she didn't recognize was parked in the middle of her driveway. She had to drive over the grass in order to get around it. She pushed the automatic opener to raise the garage door. Another car was parked where she normally parked, and it wasn't Carl's. It belonged to Pilar. Leaving her car where it was, she got out and went into the house through the back door from the garage.
Inside the house, the noise was almost deafening. Two young children were thrashing one another in the middle of the family room while some woman, presumably their mother, yelled at them in Spanish. The woman barely noticed Shyla.
Shyla went into the living room and could hear other voices and laughter coming from her bedroom. There, she found a young woman going through her jewelry box, and someone else holding up one of her bras. When they saw Shyla, they stopped laughing.
Pilar and another elderly woman were just coming down the stairs when Shyla went back into the living room.
"Shyla, why are you home?" Pilar asked, then shrugged.
Shyla could hardly hear her over the noise. "I live here," she said, too stunned to say anything else. She went back into the family room and turned off the compact disc player. There, on the floor, lay her great grandmother's china clock, broken.
”
”
Barbara Casey (Shyla's Initiative)
“
A Tale of Two Parking Requirements The impact of parking requirements becomes clearer when we compare the parking requirements of San Francisco and Los Angeles. San Francisco limits off-street parking, while LA requires it. Take, for example, the different parking requirements for concert halls. For a downtown concert hall, Los Angeles requires, as a minimum, fifty times more parking than San Francisco allows as its maximum. Thus the San Francisco Symphony built its home, Louise Davies Hall, without a parking garage, while Disney Hall, the new home of the Los Angeles Philharmonic, did not open until seven years after its parking garage was built. Disney Hall's six-level, 2,188-space underground garage cost $110 million to build (about $50,000 per space). Financially troubled Los Angeles County, which built the garage, went into debt to finance it, expecting that parking revenues would repay the borrowed money. But the garage was completed in 1996, and Disney Hall—which suffered from a budget less grand than its vision—became knotted in delays and didn't open until late 2003. During the seven years in between, parking revenue fell far short of debt payments (few people park in an underground structure if there is nothing above it) and the county, by that point nearly bankrupt, had to subsidize the garage even as it laid employees off. The money spent on parking shifted Disney Hall's design toward drivers and away from pedestrians. The presence of a six-story subterranean garage means most concert patrons arrive from underneath the hall, rather than from the sidewalk. The hall's designers clearly understood this, and so while the hall has a fairly impressive street entrance, its more magisterial gateway is an "escalator cascade" that flows up from the parking structure and ends in the foyer. This has profound implications for street life. A concertgoer can now drive to Disney Hall, park beneath it, ride up into it, see a show, and then reverse the whole process—and never set foot on a sidewalk in downtown LA. The full experience of an iconic Los Angeles building begins and ends in its parking garage, not in the city itself. Visitors to downtown San Francisco have a different experience. When a concert or theater performance lets out in San Francisco, people stream onto the sidewalks, strolling past the restaurants, bars, bookstores, and flower shops that are open and well-lit. For those who have driven, it is a long walk to the car, which is probably in a public facility unattached to any specific restaurant or shop. The presence of open shops and people on the street encourages other people to be out as well. People want to be on streets with other people on them, and they avoid streets that are empty, because empty streets are eerie and menacing at night. Although the absence of parking requirements does not guarantee a vibrant area, their presence certainly inhibits it. "The more downtown is broken up and interspersed with parking lots and garages," Jane Jacobs argued in 1961, "the duller and deader it becomes ... and there is nothing more repellent than a dead downtown.
”
”
Donald C. Shoup (There Ain't No Such Thing as Free Parking (Cato Unbound Book 42011))
“
Once a young man with a black beard asked if he could have Roger’s parking space in a car park, and Roger waited twenty minutes before he moved the car. Out of principle!
...
He waited twenty minutes before he moved the car out of principle. Because on the news that morning there was a man, a politician, who said we ought to stop helping immigrants. That they just come here thinking they can get everything for free, and that a society can’t work like that. He swore a lot, and said they’re all the same, people like that. And Roger had voted for the party that man belonged to, you see. Roger has very firm ideas about the economy and fuel taxes and things like that, he doesn’t like it when Stockholmers turn up and decide how everyone outside Stockholm should live. And he can be very sensitive. Sometimes he expresses himself a bit harshly, I’ll admit that, but he has his principles. No one can say he hasn’t got principles. And that particular day, after he’d heard that politician say that, we were in a shopping mall, it was just before Christmas so the car park was completely full when we got back to the car. Long, long queues. And that young man with the black beard, he saw us walking back to our car and wound his window down and asked if we were leaving, and if he could have our space if we were.
...
There were so many cars there that it took the young man twenty minutes to get to the part of the garage where we were parked. Roger refused to move the car until he got there. He had two little children in the back of the car, I hadn’t noticed, but Roger had. When we drove away I told Roger I was proud of him, and he replied that it didn’t mean he’d changed his mind about the economy or fuel taxes or Stockholmers. But then he said that he realized that in that young man’s eyes, Roger must look just like that politician on television, they were the same age, had the same color hair, the same dialect, and everything. And Roger didn’t want the man with the beard to think that meant they were all exactly the same.
”
”
Fredrik Backman (Anxious People)
“
The bright flash from the CSI camera illuminated the darkened garden. The temperature had dropped along with the last of the sunlight and there was a chill in the air. Morgan couldn’t take her gaze away from Olivia Potter; even in death she looked beautiful. Despite trying for the last hour Harrison hadn’t been able to make contact with Bronte. Ben had asked for a PNC check of all vehicles listed for the address and it had come back with two: a brand new Jaguar F-Pace, in white, and a slightly older Mercedes C-Class. The Mercedes was parked in the garage, its engine cold, but there was no sign of the Jag. An ANPR marker had been placed on the vehicle to find out where it was last seen. It was strange that they couldn’t find anyone to notify about Olivia, but it happened.
”
”
Helen Phifer (One Left Alive (Detective Morgan Brookes, #1))
“
The general manager of the Cleveland transit system, D. C. Hyde, argued in 1952 that parking was doing the opposite of what its builders believed: “Destroying buildings and using valuable land for more and more parking lots and garages hastens decentralization. . . . It is just as sensible to stop doing things that bring more automobiles into already congested areas as it is to stop buying drinks for a person who is already drunk.
”
”
Henry Grabar (Paved Paradise: How Parking Explains the World)
“
So can I tell her owner that we’ll help Lola?” Charles finally asked his mom. She had not been happy to hear that he and his friends had taken someone’s dog, and she had interrupted his story more than a few times to let him know it. She sighed, but Charles knew what that sigh meant. It meant “yes,” as long as Dad agreed. And Dad always agreed. Charles grinned and told her he’d call her back as soon as he knew more. Then he gave his friends a thumbs-up. “We can take her,” he said. “Not so fast,” said David’s father. He gathered Lola into his arms and stood up. “First we have to go talk to her owner.” Outside, the storm was over but the sky was still filled with low, dark clouds. They piled into David’s parents’ tiny red car. David held Lola in his lap as his dad drove back to the blue house on Maple Street. It didn’t look so empty now: some of the curtains were open, and a white truck was parked in the driveway outside the garage. “ ‘Reliable Rod’s Plumbing and Heating,’ ” Charles read from the side of the truck. “ ‘Twenty-four-hour service.’ ” He knew what “reliable” meant: that this plumber was somebody you could count on. He wasn’t sure that this Rod was so reliable when it came to dogs.
”
”
Ellen Miles (Lola (The Puppy Place #45))
“
Freiburg eco city, Germany Renowned for sustainable urban development since the 1970s. In the Vauben district, cars must be parked in garages on the outskirts. One-third of city journeys are made by bike.
”
”
Roman Krznaric (The Good Ancestor: A Radical Prescription for Long-Term Thinking)
“
The desert agglomeration of Phoenix has 12.2 million parking spaces, about 3 per person, 4.3 per vehicle, and 6.6 per job, divided more or less evenly between the street, commercial facilities, and home garages. Parking accounts for 10 percent of the manmade landscape in the Valley of the Sun.
”
”
Henry Grabar (Paved Paradise: How Parking Explains the World)
“
Pulling into the parking garage, I park and then walk over to the nice elevator that’s always up and running and never smells like piss. We’d all been thrilled to move into this building. Poverty is something we’re all familiar with, and that means we were all more than happy to walk away from it. None of us give a fuck that all the money we have is stolen. Danil syphons it from men and women who are so ridiculously rich that they’ll never notice, especially not with the way he covers his tracks.
”
”
Sonja Grey (Paved in Rage (Melnikov Bratva, #3))
“
Products and services that raise the willingness-to-pay (WTP) for another product are called complements. These (easily overlooked) helpers contribute substantially to the WTP of just about every product ever created. Just think of all the complements without which cars would be far less valuable: roads, parking garages, gas stations, repair shops, GPS, and driving schools (figure 6-1).
”
”
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
“
A post-movie dance: [You walk out of the theatre. You stretch. You toss your popcorn in the trash bin and wonder if it’s recycling. You pretend to be a slow walker on your way to the exit so you don’t appear too close to the stranger in front of you. You walk to the bathroom. You wait in line. You piss. You hold your fart. You come out. You walk to the parking garage. You walk back to the theatre because you forgot to validate your ticket. You come back to your car. You leave the garage. You get a phone call from mom and talk to her. Then you turn on the radio in traffic. Then you come home and respond to e-mails and go back to sleep. And soon, a movie has died.]
”
”
Kristian Ventura (The Goodbye Song)
“
Then he turned to Rosemary Barr. “Meanwhile we’ll put you somewhere safe,” he told her. “Your tutorials will start as soon as the soldier is buried.” The outer western suburbs were bedroom communities for people who worked in the city, so the traffic stayed bad all the way out. The houses were much grander than in the east. They were all two-story, all varied, all well maintained. They all had big lots and pools and ambitious evergreen landscaping. With the last of the sunset behind them they looked like pictures in a brochure. “Tight-ass middle class,” Reacher said. “What we all aspire to,” Yanni said. “They won’t want to talk,” Reacher said. “Not their style.” “They’ll talk,” Yanni said. “Everyone talks to me.” They drove past the Archer place slowly. There was a cast-metal sign on thin chains under the mailbox: Ted and Oline Archer. Beyond it, across a broad open lawn, the house looked closed-up and dark and silent. It was a big Tudor place. Dull brown beams, cream stucco. Three-car garage. Nobody home, Reacher thought. The neighbor they were looking for lived across the street and one lot to the north. Hers was a place about the same size as the Archers’ but done in an Italianate style. Stone accents, little crenellated towers, dark green sun awnings on the south-facing ground-floor windows. The evening light was fading away to darkness and lamps were coming on behind draped windows. The whole street looked warm and rested and quiet and very satisfied with itself. Reacher said, “They sleep safely in their beds because rough men stand ready in the night to visit violence on those who would do them harm.” “You know George Orwell?” Yanni asked. “I went to college,” Reacher said. “West Point is technically a college.” Yanni said, “The existing social order is a swindle and its cherished beliefs mostly delusions.” “It is not possible for any thinking person to live in such a society as our own without wanting to change it,” Reacher said. “I’m sure these are perfectly nice people,” Helen said. “But will they talk to us?” “They’ll talk,” Yanni said. “Everyone talks.” Helen pulled into a long limestone driveway and parked about twenty feet behind an imported SUV that had big chrome wheels. The front door of the house was made of ancient gray weathered oak with iron banding that had nail heads as big as golf balls. It felt like you could step through it straight into the Renaissance. “Property is theft,” Reacher said. “Proudhon,” Yanni said. “Property is desirable, is a positive good in the world.” “Abraham Lincoln,” Reacher said. “In his first State of the Union.” There was an iron knocker shaped like
”
”
Lee Child (One Shot (Jack Reacher, #9))
“
Where’s the van?” Isa asked. “I put it in the parking garage under the hospital,” Mr. B said.
”
”
Karina Yan Glaser (The Vanderbeekers Ever After)
“
For endless hours I sat in my car on top of a parking garage overlooking the Atlanta skyline, a world away from the small town that changed everything I thought I knew about life and love.
”
”
Kate Stewart (Exodus (The Ravenhood Duet, #2))
“
Her limbs function, and she finds this miraculous when she dwells on it. In fact, she finds plenty of things miraculous. Forcefully, she summons her best memories. That time on a red-eye bus when the driver used the intercom to contemplate, in campfire baritone, the wonder of his grandchildren, the way they validated his life as time well spent. As he lulled the passengers with stories, someone began to pass around a Tupperware of sliced watermelon, and a drunk man offered to share the miniature bottles of whiskey from his bag, and Joan felt such overwhelming affection for her species, she feared she would sacrifice herself to save it.
A bad summer storm. Green sky, tornado warning, violent winds. Joan was downtown, leaving work early, briskly walking toward the parking garage where her station wagon waited. On the opposite end of the sidewalk, a large woman in her sixties collapsed. Immediately, two people rushed to the woman's side, gingerly tending to her, touching her shoulders and face, speaking to her as though she were their mother -- a cherished one -- and Joan understood that human tenderness was not to be mocked. It was the last real thing.
Dining alone on a blustery Easter night at the only Chinese restaurant in town. When she asked for the check, the waiter said, "It just started to rain. You're welcome to stay a little longer, if you want." Miraculous. Joan recalls the existence of dogs, craft stores, painkillers, the public library. Cream ribboning through coffee. The scent of the lilacs near her childhood home. Brown sugar on a summer strawberry. Her father's recovery from the tyranny of multigenerational alcoholism. The imperfect but true repossession of his life. The euphoria of the first warmth after winter, the first easy breath after a cold, the return of one's appetite after an anxiety attack. Joan has much to be happy about. She thinks: I am happy, you are happy, we are happy. These thoughts -- how she can force herself to have them. Miraculous.
”
”
Tess Gunty (The Rabbit Hutch)
“
I know Ryle has a temper. I saw it the first night we met, before we ever even spoke a word to each other. I saw it that awful night in my kitchen. I saw it when he found the phone number in my phone case. But I also see the difference between Ryle and my father. Ryle is compassionate. He does things my father never would have done. He donates to charity, he cares about other people, he puts me before everything. Ryle would never in a million years make me park in the driveway while he took the garage.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
Irie stepped out into streets she’d known her whole life, along a route she’d
walked a million times over. If someone asked her just then what memory was,
what the purest definition of memory was, she would say this: the street you
were on when you first jumped in a pile of dead leaves. She was walking it right
now. With every fresh crunch came the memory of previous crunches. She was
permeated by familiar smells: wet woodchip and gravel around the base of the
tree, newly laid turd underneath the cover of soggy leaves. She was moved by
these sensations. Despite opting for a life of dentistry, she had not yet lost all of
the poetry in her soul, that is, she could still have the odd Proustian moment,
note layers upon layers, though she often experienced them in periodontal terms.
She got a twinge – as happens with a sensitive tooth, or in a ‘phantom tooth’,
when the nerve is exposed – she felt a twinge walking past the garage, where she
and Millat, aged thirteen, had passed one hundred and fifty pennies over the
counter, stolen from an Iqbal jam-jar, in a desperate attempt to buy a packet of
fags. She felt an ache (like a severe malocclusion, the pressure of one tooth upon
another) when she passed the park where they had cycled as children, where they
smoked their first joint, where he had kissed her once in the middle of a storm.
Irie wished she could give herself over to these past-present fictions: wallow in
them, make them sweeter, longer, particularly the kiss. But she had in her hand a
cold key, and surrounding her lives that were stranger than fiction, funnier than
fiction, crueller than fiction, and with consequences fiction can never have. She
didn’t want to be involved in the long story of those lives, but she was, and she
found herself dragged forward by the hair to their denouement, through the high
road – Mali’s Kebabs, Mr Cheungs, Raj’s, Malkovich Bakeries – she could reel
them off blindfold; and then down under pigeon-shit bridge and that long wide
road that drops into Gladstone Park as if it’s falling into a green ocean. You
could drown in memories like these, but she tried to swim free of them. She
jumped over the small wall that fringed the Iqbal house, as she had a million
times over, and rang the doorbell. Past tense, future imperfect.
”
”
Zadie Smith (White Teeth)
“
Irie stepped out into streets she’d known her whole life, along a route she’d walked a million times over. If someone asked her just then what memory was, what the purest definition of memory was, she would say this: the street you were on when you first jumped in a pile of dead leaves. She was walking it right now. With every fresh crunch came the memory of previous crunches. She was permeated by familiar smells: wet woodchip and gravel around the base of the tree, newly laid turd underneath the cover of soggy leaves. She was moved by these sensations. Despite opting for a life of dentistry, she had not yet lost all of the poetry in her soul, that is, she could still have the odd Proustian moment, note layers upon layers, though she often experienced them in periodontal terms. She got a twinge – as happens with a sensitive tooth, or in a ‘phantom tooth’, when the nerve is exposed – she felt a twinge walking past the garage, where she and Millat, aged thirteen, had passed one hundred and fifty pennies over the counter, stolen from an Iqbal jam-jar, in a desperate attempt to buy a packet of fags. She felt an ache (like a severe malocclusion, the pressure of one tooth upon another) when she passed the park where they had cycled as children, where they smoked their first joint, where he had kissed her once in the middle of a storm. Irie wished she could give herself over to these past-present fictions: wallow in them, make them sweeter, longer, particularly the kiss. But she had in her hand a cold key, and surrounding her lives that were stranger than fiction, funnier than fiction, crueller than fiction, and with consequences fiction can never have. She didn’t want to be involved in the long story of those lives, but she was, and she found herself dragged forward by the hair to their denouement, through the high road – Mali’s Kebabs, Mr Cheungs, Raj’s, Malkovich Bakeries – she could reel them off blindfold; and then down under pigeon-shit bridge and that long wide road that drops into Gladstone Park as if it’s falling into a green ocean. You could drown in memories like these, but she tried to swim free of them. She jumped over the small wall that fringed the Iqbal house, as she had a million times over, and rang the doorbell. Past tense, future imperfect.
”
”
Zadie Smith (White Teeth)
“
I open my eyes a tiny crack. We're in a parking garage.
"We're home," he says.
I think the unthinkable. I should have been thinking it all long. My eyes slide closed and I feign sleep.
"You need to woke up," he whispers. A kiss on my cheek. A miracle.
I love Joshua Templeman.
”
”
Sally Thorne, The Hating Game
“
After catching my breath, I shook my head and let out an aggravated chuckle. See, this was one of the many things that I disliked about my mother. She was selfish and inconsiderate. My apartment had a one car garage, and somehow, she thought it was ok to park in my garage instead of the apartment’s parking lot. Yeah, she paid my rent because I couldn’t afford it and my car payment on a bagger’s salary.
”
”
Octavia Grant (Dear Vicky)
“
The fuck?” Damien cut his car off and quickly hopped out. He couldn’t park in his garage because there was a moving truck in the driveway. Jogging into his home, he yelled, “Vanessa!
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B. Love (Mister: The Mister Series Prelude)
“
Are you touching yourself?” I gasp.
“Like a fucking teenager. We’re in a bloody parking garage with my guards right outside, and I’m fucking my hand wishing it was your cunt.”
I can just imagine it. “Show me,” I beg.
”
”
K.A. Knight (Den of Vipers)
“
The hospital parking garage is empty when I leave. It’s three-thirty in the morning. I was with my client for nearly seven hours, helping her deliver a beautiful baby boy that she and her husband named Zeppelin. It’s horrible. He’s only hours old and already I’m imagining him being made fun of at school. But no one asked for my opinion. The husband, Matt, is an amateur guitar player and a diehard fan of ’70s rock. They’d made up their minds weeks ago.
”
”
Mary Kubica (Local Woman Missing)
“
Ryle would never in a million years make me park in the driveway while he took the garage.
”
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Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
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”
”
Park Garage Auto Sales Ltd
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Parking garages are like that person drinking their soda with a straw: They just sit there and suck.
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Gregor Collins (The Accidental Caregiver: How I Met, Loved, and Lost Legendary Holocaust Refugee Maria Altmann)
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Do I know that? How the hell can I possibly know that? Only a few hours earlier, Chris, my beloved husband of twenty years, jumped to his death off the roof of a parking garage a mile from our home. Cops came to the house in a pair to tell me, just like in the movies. Ding-dong, your husband’s dead. Your life is over. Except it’s not.
”
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Amy Biancolli (Figuring Shit Out: Love, Laughter, Suicide, and Survival)
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Leaving the parking garage, I stayed on Front Street until I reached Mel Fisher's Treasure Museum.
”
”
Bill H. Myers (Mango Key (Mango Bob #5))
“
One of the real reasons that Russia’s President Vladimir Putin is so intent on remaining loyal to Syria’s Dictator Bashar Al-Assad, is that in January 2017, Russia and Syria signed a lease to extend Russia's control of its naval facility in the port of Tartus, Syria for 49 years. As with the United States Naval Base in Guantanamo, Cuba, the Russians have sovereign rights over the territory, considered a Material-Technical Support Point and not technically a naval base. The piers are large enough to accommodate four medium-sized vessels but not any of their larger ships of the line, including cruisers or their aircraft carrier. The facility which gives Russia a warm water port, consists of office space, two storage buildings, barracks and a parking garage for about six vehicles.
Under the terms of this lease agreement, the Russians also operate Khmeimim Air Base located south-east of the city of Latakia, Syria. The present lease for these military facilities has an extension clause for an additional 25 years.
”
”
Hank Bracker
“
I fetched my bag, tucked the folded newspaper inside, and grabbed the house keys. Clay beat me to the door. I scowled down at him. He stared back at me. After a moment, he shook his neck, jangling his tags. Defeated, I clipped on his leash. He negotiated well without using a single word. I used my cell to call the number for the first ad. The man sounded a bit brusque as if my planned visit inconvenienced him. Shrugging it off, I led Clay to the address. A rusty car parked on the front lawn with a “for sale” sign affirmed I had the right place. Clay and I walked toward the car. A man called hello from the open garage and made his way toward us. As he neared, his demeanor changed, and I inwardly groaned. He introduced himself as Howard and looked me over with interest. Clay moved to stand between us, his stoic presence a good deterrent. Howard talked about the car for a bit, going through the laundry list of its deficiencies. Then he popped the hood so I could look at the engine. In the middle of Howard’s attempt to impress me with his vast mechanical knowledge, Clay sprang up between us. Howard yelped at Clay’s sudden move and edged away as Clay placed his paws on the front of the car to get a good look at the engine, too. I fought not to smile at the man’s stunned expression. At Clay’s discreet nod, I bought the car, not bothering with the second ad. No matter what errand I wanted to run during the week before classes started, Clay insisted on tagging along. On Friday, when I drove to the bookstore, Clay rode a very cramped shotgun and waited in the car while I made my purchases. Later, he sat in the hot car again while I bought some basic school supplies. However, Monday, when I tried leaving for my first class, I put my foot down. He bristled and growled and tried to follow me. “Your license only wins you so much freedom. Dogs aren’t allowed on campus and definitely not in the classroom.” Thankfully, Rachel had left first and didn’t hear me scold him. I tried to leave again, but he stubbornly persisted. Finally, exasperated, I reminded him that he slept on my bed because of my good grace. He resentfully stepped away from the door. *
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement.
Everest was nothing compared to seeing her.
I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy.
I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said.
In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry.
We had so much fun together that year. I persuaded Shara, almost daily, to skip off work early from her publishing job (she needed little persuading, mind), and we would go on endless, fun adventures.
I remember taking her roller-skating through a park in central London and going too fast down a hill. I ended up headfirst in the lake, fully clothed. She thought it funny.
Another time, I lost a wheel while roller-skating down a steep busy London street. (Cursed skates!) I found myself screeching along at breakneck speed on only one skate. She thought that one scary.
We drank tea, had afternoon snoozes, and drove around in “Dolly,” my old London black cab that I had bought for a song.
Shara was the only girl I knew who would be willing to sit with me for hours on the motorway--broken down--waiting for roadside recovery to tow me to yet another garage to fix Dolly. Again.
We were (are!) in love.
I put a wooden board and mattress in the backseat so I could sleep in the taxi, and Charlie Mackesy painted funny cartoons inside. (Ironically, these are now the most valuable part of Dolly, which sits majestically outside our home.)
Our boys love playing in Dolly nowadays. Shara says I should get rid of her, as the taxi is rusting away, but Dolly was the car that I will forever associate with our early days together. How could I send her to the scrapyard?
In fact, this spring, we are going to paint Dolly in the colors of the rainbow, put decent seat belts in the backseat, and go on a road trip as a family. Heaven. We must never stop doing these sorts of things. They are what brought us together, and what will keep us having fun.
Spontaneity has to be exercised every day, or we lose it.
Shara, lovingly, rolls her eyes.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
The drive downtown was uneventful and she pulled in to the parking garage under the building. It was dark and gloomy. She wondered briefly if she should go ahead and park at the meters on the street. Deciding that would be the smart thing to do—see, Baldwin, I’m not a total idiot—she wound her way back up the ramps and onto West End. She found a spot on a meter that had a sign saying she could park there starting at 8:00 a.m. She looked at her watch. Seven forty-five. Close enough. What would they do, give her a ticket?
”
”
J.T. Ellison (Judas Kiss (Taylor Jackson #3))
“
My lips twitched as I tried to decide if I wanted to burst into laughter or tears.
"That's OK," Jim said, leaning against me, leaving a little puddle of drool on the top of my shoe. "We won't think bad of you just because no one's ever parked the pink Plymouth in your garage of love."
"Jim!" Aisling said, whapping it on the butt with the magazine.
"What? I said it politely! Would you have preferred 'ride the skin bus to Tuna Town '?"
"No!"
I wondered if it would be possible to strangle a demon to death.
"Windsurfing on Mount Baldy?"
"That's it!" Aisling bellowed, pointing a finger at the demon. "One more euphemism, and you're spending a week in the Akasha.
”
”
Katie MacAlister (Playing With Fire (Silver Dragons, #1))
“
In some ways, the neighborhood was the poster child for bad zoning. There were shiny glass-and-steel condominiums across from corrugated and I-beam parking garages. Single-family homes perched alongside recycling plants and foundries. A new multistory school turned its proud granite façade away from its neighbor, a dilapidated relic of a car repair shop, like an ungrateful child ashamed of an ailing parent.
”
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Barry Eisler (A Lonely Resurrection (John Rain #2))