Parking Garage Quotes

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The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake. Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I'd sooner go to middle Earth.
George R.R. Martin
What do you want to show me?" "Nothing, really. I just want to be alone with you for a minute." He pulled her to the back of the driveway, where they were almost completely hidden by a line of trees and the RV and the garage. "Seriously?" she said. "That was so lame." "I know," he said, turning to her. "Next time, I'll just say, 'Eleanor, follow me down this dark alley, I want to kiss you.'" She didn't roll her eyes. She took a breath, then closed her mouth. He was learning how to catch her off guard. She pushed her hands deeper in her pockets, so he put his hands on her elbows. "Next time," he said, "I'll just say, 'Eleanor, duck behind these bushes with me, I'm going to lose my mind if I don't kiss you.'" She didn't move, so he thought it was probably okay to touch her face. Her skin was as soft as it looked, white and smooth as freckled porcelain. "I'll just say, 'Eleanor, follow me down this rabbit hole...'" He laid his thumb on her lips to see if she'd pull away. She didn't. He leaned closer. He wanted to close his eyes, but he didn't trust her not to leave him standing there.
Rainbow Rowell (Eleanor & Park)
Oh, doll, I just did. Was it you he was fucking on the hood of Sex in the parking garage before dinner? I didn't think so.
K. Bromberg (Fueled (Driven, #2))
As Beck drove out of the garage, he gave the parking attendants a big toothy smile and a wave. “There's some snow on the fifth level. Thought ya might like to know. Y'all have a nice day, now!” he called out. No wonder Dad liked working with you.
Jana Oliver (Forsaken (The Demon Trappers, #1))
Every time my brain parks the car neatly in the driveway, my mouth drives through the back of the garage.
Dave Eggers (The Circle (The Circle, #1))
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
What happened to your face?" Blue asked. Adam shrugged ruefully. Either he or Ronan smelled like a parking garage. His voice was self-deprecating. "Do you think it makes me look tougher?" What it did was make him look more fragile and dirty, somehow, like a teacup unearthed from the soil, but Blue didn't say that. Ronan said, "It makes you look like a loser." "Ronan," said Gansey. "I need everyone to sit down!" shouted Maura.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
At 1 A.M. a parking garage feels like a crime scene in waiting.
Drew Magary (The Hike)
I miss that time. The cities back then, just after the forests died, were full of wonders, and you'd stumble on them--these princes of the air on common rooftops--the rivers that burst through the city streets so they ran like canals--the rabbits in parking garages--the deer foaling, nestled in Dumpsters like a Nativity.
M.T. Anderson (Feed)
I want to leave a legacy. I'll leave him in the trunk, tied up, at a parking garage on the campus of the university where he graduated.
Jarod Kintz ($3.33 (the title is the price))
I realized we’d pulled into a parking garage. We drove around two levels, pulled into a spot, then immediately pulled out again. Along with four other black Bentley SUVs. “What’s going on?” I asked, as we headed back toward the exit with two Bentleys in front of us and two behind us. “Shell game,” he said…
Sylvia Day (Entwined with You (Crossfire, #3))
Both observer and observed are parts of the world that has an objective existence, and any distinction between them has no meaningful significance. In other words, if you see a herd of zebras fighting for a spot in the parking garage, it is because there really is a herd of zebras fighting for a spot in the parking garage.
Stephen Hawking (The Grand Design)
What is this place?" "A parking garage. It's like a hotel for cars. Ready?" "For what?" "You've been in New York nearly two hours. It's time for some light breaking and entering.
Leigh Bardugo (Wonder Woman: Warbringer)
I strolled into a downtown parking garage, wearing a black pantsuit and matching heels. I’d pulled my dark, chocolate-brown hair up into a high, sleek ponytail, while black glasses with clear lenses covered my cold gray eyes. I looked like just another corporate office drone, right down to the enormous black handbag I carried.
Jennifer Estep (Widow's Web (Elemental Assassin, #7))
Better watch out said a second voice from somewhere under the Beetle. Don't park those two kraut cars too close together; it's springtime, and they might decide to mate. then Charlie'll be stuck with a garage full of little orange safety cones
Mercedes Lackey
Hey you, dragging the halo- how about a holiday in the islands of grief? Tongue is the word I wish to have with you. Your eyes are so blue they leak. Your legs are longer than a prisoner's last night on death row. I'm filthier than the coal miner's bathtub and nastier than the breath of Charles Bukowski. You're a dirty little windshield. I'm standing behind you on the subway, hard as calculus. My breath be sticking to your neck like graffiti. I'm sitting opposite you in the bar, waiting for you to uncross your boundaries. I want to rip off your logic and make passionate sense to you. I want to ride in the swing of your hips. My fingers will dig in you like quotation marks, blazing your limbs into parts of speech. But with me for a lover, you won't need catastrophes. What attracted me in the first place will ultimately make me resent you. I'll start telling you lies, and my lies will sparkle, become the bad stars you chart your life by. I'll stare at other women so blatantly you'll hear my eyes peeling, because sex with you is like Great Britain: cold, groggy, and a little uptight. Your bed is a big, soft calculator where my problems multiply. Your brain is a garage I park my bullshit in, for free. You're not really my new girlfriend, just another flop sequel of the first one, who was based on the true story of my mother. You're so ugly I forgot how to spell. I'll cheat on you like a ninth grade math test, break your heart just for the sound it makes. You're the 'this' we need to put an end to. The more you apologize, the less I forgive you. So how about it?
Jeffrey McDaniel
X? Seriously? What, do you meet them in darkened parking garages? Do you have a Bat-Signal or something?
Jane Seville (Zero at the Bone (Zero at the Bone, #1))
Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I'd sooner go to Middle Earth..
George R.R. Martin
increasingly we live in a world filled with the equivalents of deadly garage-door openers, unnecessary items that offer us mild and insipid comfort at the price of a dangerous and uncomfortable planet, and at the price of any real relationship to the physical world. if you live in a suburban home and commute to a parking garage somewhere, that ten seconds of opening the garage door(manually) might be nearly the only rain you ever feel.
Bill McKibben (The Age of Missing Information)
You take enough blasting gelatin and wrap the foundation columns of anything, you can topple any building in the world. You have to tamp it good and tight with sandbags so the blast goes against the column and not out into the parking garage around the column. This how-to stuff isn't in any history book.
Chuck Palahniuk (Fight Club)
I want to say something to make it all better as we walk in silence towards the parking garage, but nothing can take back my thoughtless words, and besides, I don't really want to whitewash the way I feel.
Katy Regnery (Unloved)
I have a rule: Anything that can be done privately does not need to be performed publicly. It’s why I love the gays but I hate their parades. Actually, I hate all parades. Marching to celebrate something you’re born as seems silly. (As I write this, St. Patrick’s Day is in full bore in Midtown. It’s delightful how celebrating a heritage requires you to pick fights with strangers and then pee in a parking garage. The upside—the sea of clover-painted drunks moving in unison—might be the only green energy I’ve ever seen work.) And what’s the point of a parade anyway? A bunch of yahoos who share some affinity, walking in one direction? Who decided this was entertainment? For previous generations, this was called a migration, or more often, refugees fleeing for their lives
Greg Gutfeld (The Joy of Hate: How to Triumph over Whiners in the Age of Phony Outrage)
There was a low growling sound and the Munstermobile came gliding up out of the parking garage, dripping water from its gleaming surface like some lantern-eyed leviathan rising from the depths. There were still a few dents and dings in it, but the broken glass had all been replaced, and the engine sounded fine. Okay, I'm not like a car fanatic or anything - but the guitar riff from "Bad to the Bone" started playing in my head.
Jim Butcher (Cold Days (The Dresden Files, #14))
Would it be alright if I ripped your clothes?” I breathed out, obviously not thinking about what I was saying or caring in the least. “Cameras,” was all he replied. “What?” “There are cameras in the garage,” he explained in a deep, hoarse voice. I looked up and saw the big black glob pointed right at us and I sighed. Good Lord, two seconds longer and I would have been on YouTube under the heading, “Author does research in a parking garage.
C.P. Smith (Property Of)
Back at the office, Woodward went to the rear of the newsroom to call Deep Throat. Bernstein wished he had a source like that. The only source he knew who had such comprehensive knowledge in any field was Mike Schwering, who owned Georgetown Cycle Sport Shop. There was nothing about bikes - and, more important, bike thieves - that Schwering didn't know. Bernstein knew something about bike thieves: the night of the Watergate indictments, somebody had stolen his 10-speed Raleigh from a parking garage. That was the difference between him and Woodward. Woodward went into a garage to find a source who could tell him what Nixon's men were up to. Bernstein walked into a garage to find an eight-pound chain cut neatly in two and his bike gone. -- Carl Bernstein, Bob Woodward
Carl Bernstein (All the President’s Men)
When I received my glossy black invitation in the mail a few days later, I could feel my heart swell with excitement. “Hef’s Midsummer Night’s Dream Party,” it read. On the front was a beautiful pinup illustration by famed artist Olivia De Berardinis and inside was a small piece of paper with directions. It was like Cinderella finally scoring an invitation to the ball—except instead of arriving by horse-drawn carriage, we would board a shuttle at a UCLA parking garage.
Holly Madison (Down the Rabbit Hole: Curious Adventures and Cautionary Tales of a Former Playboy Bunny)
I want a house with a garage, so someone from the government won’t try to park a tank in my living room.
Jarod Kintz (This Book Has No Title)
If I get a ticket in an Aston Martin, I plan to frame it and put it on my desk.” And with that Zach gunned the engine and spun out of the parking garage.
Tiffany Reisz (The Siren (The Original Sinners, #1))
That one brown house still had that hole in its garage door splintering like a chewed cookie smile, the hole the exact size and height of the car parked on the driveway in front of it.
Tim Kinsella (The Karaoke Singer's Guide to Self-Defense)
My hands fell asleep, so I washed them with hot coffee. Then I had donuts for breakfast, by way of spinning circles in my car and burning rubber in the parking garage of my office building.
Jarod Kintz (This Book is Not for Sale)
If Mrs. Child's ghost was planting, my father's was building. Half finished, nearly finished, and just started projects which waited throughout the house. In Evie's room, the closet he built swung open with a bang, impatient for a latch. The closet without a door in Rene's room just stared - day and night - like someone gone mad. The garage let in birds that left a mess where planks had been pried off for a second car to rest. Worst of all, the hole that he dug for my mother's patio filled with rainwater and grew grass as tall as in the marsh. Instead of a place to entertain in summer, it became a nature reserve which she could not close down. A holiday park for mosquitos. A rest home for caterpillars and other things that she loathed that squirmed.
Georgia Scott (American Girl: Memories That Made Me)
If you kill a black man, the world is silent. You can hear a garage door opening from twenty blocks away. You can pick up a pay phone and only hear the dial tone. Shooting stars sound exactly like the soft laughter of a little girl in Gasworks Park. If you kill a white man, the world erupts with noise: fireworks, sirens, a gavel pounding a desk, the slamming of doors.
Sherman Alexie (Indian Killer)
In the parking area, Ove sees that imbecile Anders backing his Audi out of his garage. It has those new, wave-shaped headlights, Ove notes, presumably designed so that no one at night will be able to avoid the insight that here comes a car driven by an utter shit.
Fredrik Backman (A Man Called Ove)
Luz leaned her head against the window. The bus was already on the outskirts of Mexico City and the endless urban landscape had never seemed so gray and or so harsh. Most of the city was nothing like the old money enclave of Lomas Virreyes where the Vegas lived or Polanco where the city’s most expensive restaurants and clubs catered to the wealthy. The bus passed block after block of sooty concrete cut into houses and shops and shanties and parking garages and mercados and schools and more shanties where people lived surrounded by hulks of old cars and plastic things no one bothered to throw away. Sometimes there wasn’t concrete for homes, just sheets of corrugated metal and big pieces of cardboard that would last until the next rainy season. It was the detritus of millions upon millions of people who had nowhere to go and nothing to do and were angry about it. The Reforma newspaper had reported a few weeks ago that the city’s population was in excess of 28 million--more than 25 percent of the country’s entire population--and Luz believed it. All of those people were clawing at each other in a huge fishbowl suspended 7500 feet above sea level, where there was never enough oxygen and the air was thin and dirty. The city was hemmed in by mountains on all sides; mountains like Popocatépetl and Iztaccíhuatl that sometimes spewed smoke and ash and prevented the contaminatión from cars and factories and sewers from escaping. Luz privately thought of it as la sopa--a white soup that often blotted out the stars and prevented the night sky from getting dark. The bus slowed in traffic. As they crept along Luz saw a car stopped on the side of the road, pulled over by a transito traffic cop. As Luz watched, the driver handed the cop a peso bill from his wallet. The transito accepted it but kept talking, gesturing at the car. The motorist handed him another bill. La mordida--the bite--of the traffic cop, right under her nose. Los Hierros was crap.
Carmen Amato (The Hidden Light of Mexico City)
He bolted right through the wooden cross arm at the parking garage exit and power-slid into traffic. A torrent of car horns and skids enveloped his vehicle, but the tears in Danny's eyes created the inability to differentiate one vehicle from another. The colors of the automobiles bled into each other like melting rainbow sherbet.
Rick Mayhew (Donovan's Law)
We parked in one of those underground garages that charges a kidney and both retinas for two hours,
Kristan Higgins (On Second Thought)
Taking another sip of his coffee, he held up the car key to the Audi that was parked further along the garage. I snatched the key out of his hand with a snarl. He gave a satisfied nod. “Good girl.
Suzanne Wright (The Favor)
I want to be a hero, Ava. Or really rich. I think it's easy to make yourself a hero when you can pay for it. I know you fantasize about accepting your Oscar and thanking your parents after falling on the steps to the podium, but I fantasize about meeting a source in a parking garage and putting my entire family at risk. I WANT TO BE GREAT, AVA! I WANT TO WRITE THINGS THAT CHANGE THE WIORLD AND WALK INTO ROOMS FULL OF PEOPLE WHO FEAR ME!
Gaby Dunn (I Hate Everyone But You (I Hate Everyone But You, #1))
Pharaohs It took Khufu twenty-three years to build his Great Pyramid at Giza, where some eleven hundred stone blocks, each weighing about two and a half tons, had to be quarried, moved, and set in place every day during the annual building season, roughly four months long. Few commentators on these facts can resist noting that this achievement is an amazing testimonial to the pharaoh’s iron control over the workers of Egypt. I submit, on the contrary, that pharaoh Khufu needed to exercise no more control over his workers at Giza than pharaoh Bill Gates exercises over his workers at Microsoft. I submit that Egyptian workers, relatively speaking, got as much out of building Khufu’s pyramid as Microsoft workers will get out of building Bill Gates’s pyramid (which will surely dwarf Khufu’s a hundred times over, though it will not, of course, be built of stone). No special control is needed to make people into pyramid builders—if they see themselves as having no choice but to build pyramids. They’ll build whatever they’re told to build, whether it’s pyramids, parking garages, or computer programs. Karl Marx recognized that workers without a choice are workers in chains. But his idea of breaking chains was for us to depose the pharaohs and then build the pyramids for ourselves, as if building pyramids is something we just can’t stop doing, we love it so much.
Daniel Quinn (Beyond Civilization: Humanity's Next Great Adventure)
And there were likely people who thought one could not interpret men's feelings by the cars they drove. But when they moved onto the street, Ove drove a Saab 96 and Rune a Volvo 244. After the accident Ove bought a Saab 95 so he'd have space for Sonja's wheelchair. That same year Rune bought a Volvo 245 to have space for a stroller. Three years later Sonja got a more modern wheelchair and Ove bought a hatchback, a Saab 900. Rune bought a Volvo 265 because Anita had started talking about another child. Then Ove bought two more Saab 900s and after that his Saab 9000. Rune bought a Volvo 265 and eventually a Volvo 745 station wagon. But no more children came. One evening Sonja came home and told Ove that Anita had been to the doctor. And a week later a Volvo 740 stood parked in Rune's garage. The sedan model. Ove saw it when he washed his Saab. In the evening Rune found a half bottle of whiskey outside his door. They never spoke about it.
Fredrik Backman (A Man Called Ove)
Feeling more tired than I'd ever felt after work, I walked through the sliding glass doors leading to the small alley that separated the parking garage from the hospital. I usually experienced this passage as a sort of limbo: a seven-foot-long stretch of asphalt that got me to where I parked, a portal where tired nurses left as fresh ones entered. On that morning, though, I felt a breeze on my face as I stepped through the double doors and saw the day's first light, and it hit me: I'm alive.
Lee Gutkind
I was thinking maybe…sometime…” Good God, a heart attack felt like a real possibility. “I was hoping that you would park more than your motorcycle in my garage.” Ky stared at him with the frown that represented confusion. “Is that a sexual innuendo?
River Jaymes (The Boyfriend Makeover (The Boyfriend Chronicles, #3))
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her. I smirk. “That’s not my car.” She nods. “Right, of course. I see it now.” She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.” “Not even close.” “Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?” I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school. “You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me. I shrug. “It gets good gas mileage.” She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.” I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.” We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence. Finally, I ask, “Where do you live?” “On the west side. Right across from Franklin Park.” “Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?” “Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.” I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.” She doesn’t think I’m funny.
R.S. Grey (Hotshot Doc)
His senior year, he started a garage band that was quickly banned from every club, bar, park, and concert hall in the region due to his insistence on playing a song called, “This Venue Is a Front for Human Trafficking, Someone Call the FBI, this Is Not Just a Joke Song Title.
David Wong (What the Hell Did I Just Read (John Dies at the End, #3))
Growing up, my bedroom was like a garage, only much smaller and with more lawnmowers in it (we had to store them there because the garage was crowded with the 14-person dining room table—despite there being only four of us in the house). I’m just thankful my parents didn’t park their cars in the living room.
Jarod Kintz (This Book is Not for Sale)
From the safety of his BMW with tinted windows, he watched Hannah Young pull out of her parking space, seemingly in a hurry to leave work. He'd hoped to catch her alone, but the garage was too busy right now. He wasn't out of place at all, but he couldn't have made a move against her without someone noticing. And following her from the hospital wasn't an option. Traffic in Miami was too thick this time of day. Something told him she'd notice if he tailed her. Hannah was far too smart for her own good. She'd seen something she shouldn't have, and unfortunately he needed to eliminate her. It wasn't something he relished doing, but it came down to his life or hers.
Katie Reus (Chasing Danger (Deadly Ops, #2.5))
What isn’t scary can do you in. Snacking doesn’t intimidate anybody. Neither does watching TV. Or sitting in a movie with a large drink and so much popcorn that it comes in a tub. Driving to work and parking in the garage doesn’t upset any applecarts, but riding your bike and asking for a place to lock it up just might. Suggesting to your boyfriend that you’d like to go to the soup-and-salad place instead of the he-man chuck-wagon could be awkward…[but] you are committed to living fully. You are going to take care of you, no matter who suggests that you’re selfish or full of yourself. Living well will give you the emotional energy you need to fulfill your destiny.
Victoria Moran (Fat, Broke & Lonely No More: Your Personal Solution to Overeating, Overspending, and Looking for Love in All the Wrong Places)
Emily My sneakers hit the pavement and my heart slams like the truck door behind me. "Watch it!" My cousin and best friend Erick hops out of the drivers' side, reprimanding me at the same time. Sensitive about his truck. "Sorry," I mutter. The dim, enclosed parking garage puts me on edge. It's a perfect place for vampires. But it's early afternoon, not their prime hunting time. The upscale Austin, Texas, mall parking lot is packed with sedans and trucks. I sling a motorcycle helmet into the bed of the truck, where it joins the massive four-wheeler we just spent an exhilarating morning breaking in. A gift for his eighteenth birthday a couple of months ago. For my eighteenth, I'm getting a night
Lacy Yager (Rival (Unholy Alliance #2))
I love the way the Italians park. You turn any street corner in Rome and it looks as if you’ve just missed a parking competition for blind people. Cars are pointed in every direction, half on the sidewalks and half off, facing in, facing sideways, blocking garages and side streets and phone booths, fitted into spaces so tight that the only possible way out would be through the sun roof.
Bill Bryson (Neither Here Nor There: Travels in Europe)
I heard a choking sound behind me. When I looked back, Cannoli was hanging from the backpack harness with her hind legs circling frantically in the air. She looked like she was riding a bike just above ground level. "Cannoli," I yelled. I unhooked her and made sure she was breathing on her own. When I tried to get her back in the backpack, she whimpered. I talked to her soothingly yet firmly, then tried again. This time she started howling like I was hurting her. People turned and stared as they walked by. "What are you looking at?" I said to one couple. I suddenly felt true remorse for every time I'd stared at a parent with a toddler throwing a tantrum. I made a vow to be a better aunt to Tulia's kids if I ever made it out of this parking garage. I pleaded with Cannoli one more time.
Claire Cook (Summer Blowout)
Gene Berdichevsky, one of the members of the solar-powered-car team, lit up the second he heard from Straubel. An undergraduate, Berdichevsky volunteered to quit school, work for free, and sweep the floors at Tesla if that’s what it took to get a job. The founders were impressed with his spirit and hired Berdichevsky after one meeting. This left Berdichevsky in the uncomfortable position of calling his Russian immigrant parents, a pair of nuclear submarine engineers, to tell them that he was giving up on Stanford to join an electric car start-up. As employee No. 7, he spent part of the workday in the Menlo Park office and the rest in Straubel’s living room designing three-dimensional models of the car’s powertrain on a computer and building battery pack prototypes in the garage. “Only now do I realize how insane it was,” Berdichevsky said.
Ashlee Vance (Elon Musk: Inventing the Future)
The Unravel process is like cleaning out that garage. Before I could park a car in that space, I had to go through everything that was occupying that area and separate out what needed to be kept and what needed to be thrown out. I had to pick up the garden hose and see if it was still usable. I had to go through every box and investigate what was in it. I had to go through all the miscellaneous stuff and decide if I needed it, if it could be donated, or if it should be thrown out. I asked myself why I was keeping some of the things I had piled up. I realized that some of it was being kept out of a sense of loyalty or sentimentality, and some of it was being kept because I was afraid that I might need it and wouldn’t have it.
Melissa Lloyd (Unravel: Make Peace with Your Past, Learn to See Yourself as God Does, & Create a Life of Purpose)
If you could have a gigantic billboard anywhere with anything on it, what would it say and why? “Discipline equals freedom.” Everyone wants freedom. We want to be physically free and mentally free. We want to be financially free and we want more free time. But where does that freedom come from? How do we get it? The answer is the opposite of freedom. The answer is discipline. You want more free time? Follow a more disciplined time-management system. You want financial freedom? Implement long-term financial discipline in your life. Do you want to be physically free to move how you want, and to be free from many health issues caused by poor lifestyle choices? Then you have to have the discipline to eat healthy food and consistently work out. We all want freedom. Discipline is the only way to get it. What is one of the best or most worthwhile investments you’ve ever made? Ever since I have had a home with a garage, I have had a gym in my garage. It is one of the most important factors in allowing me to work out every day regardless of the chaos and mayhem life delivers. The convenience of being able to work out any time, without packing a gym bag, driving, parking, changing, then waiting for equipment . . . The home gym is there for you. No driving. No parking. No little locker to cram your gear into. In your home gym, you never wait for equipment. It is waiting for you. Always. And, perhaps most important: You can listen to whatever music you want, as loud as you want. GET SOME.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
We stand in front of the TV, soaking up news reports that break in between infomercials. At a little after one in the morning, we learn that the girl was taken to a burn center in South Bay. Ten minutes later, we learn she’s in critical condition. At one thirty in the morning, we learn she has suffered fourth-degree burns over thirty percent of her body. At one forty-five, we learn that she is expected to survive, but will undergo extensive reconstructive surgery and rehabilitation. At one fifty, reporters state that the owner of the home admitted to spilling fuel near a car parked outside his garage. Investigators state they have no reason to believe the fire was caused intentionally, but a complete investigation will follow up to corroborate the homeowner’s claims.
Colleen Hoover (November 9)
You see Matt and Anthony every week. You see everyone every week.” “Not everyone, Nick,” his mother said pointedly. Then her voice changed and turned warmer. “Well, except for this upcoming weekend.” Nick paused at this. It could’ve been a trap. Perhaps his mother suspected something was up with her birthday and was fishing for information. Although it was surprising that she’d come to him—she usually went after Anthony, who had the secret-keeping skills of a four-year-old. “Why? What’s happening this weekend?” he asked nonchalantly. “Oh, nothing much. I just heard something about a sixtieth birthday party your father and you boys are planning for me.” Fucking Anthony. “And don’t go blaming Anthony,” his mother said, quick to protect her youngest. “I’d already heard about it from your aunt Donna before he slipped.” Nick knew what her next question would be before the words left her mouth. “So? Are you bringing a date?” she asked. “Sorry, Ma. It’ll just be me.” “There’s a surprise.” He pulled into the driveway that led to the parking garage of his condo building. “Just a warning, I’m about to pull into the garage—I might lose you.” “How convenient,” his mother said. “Because I had a really nice lecture planned for you.” “Let me guess the highlights: it involved me needing to focus on something other than work, and you dying heartbroken and miserable without grandchildren. Am I close?” “Not bad. But I’ll save the rest of the lecture for Sunday. There’s going to be a lot of gesturing on my part, and the phone doesn’t quite capture the spirit.” Nick smiled. “Shockingly, I’m looking forward to it. I’ll see you Sunday, Ma.” Her voice softened. “I know how busy you are, Nick. It means a lot to me that you’re coming home.” He knew it did. “I wouldn’t miss it for the world.
Julie James (A Lot like Love (FBI/US Attorney, #2))
We will be evaluating some nasty oils. You will have to put them in your mouth.* For the good of science. For the good of olive oil. We are here to help the producers, to tell them, What attributes does the oil have, does it have defects, what can they do differently next year—treat the olives better, pick them at a different time, et cetera.” There will be no pay. No one will reimburse for the seven-dollar parking-garage fee. The existing panelists are known to have some prickle, to borrow an official olive-oil sensory descriptor. “You may be thinking, wow, I really don’t want to be on this thing.” The faint of heart are invited to pack up and go. No one moves. “All right then.” Langstaff surveys the room. “Shields up.” She is referring to removable panels used to partition the room’s long tables into private tasting booths. This way, you aren’t influenced by the facial expressions (or test answers) of the people seated next to you.
Mary Roach (Gulp: Adventures on the Alimentary Canal)
Dad's in D.C. all week," he said as we climbed out, "so I get to use the garage. Parking's a bitch around here." I didn't know whether to roll my eyes or sympathize. "Is your mom home?" I really didn't know how I felt about seeing Karina Romanova in her own home. Well,no. Truth: I was worried how she would feel about seeing me in it. "Will she mind my being here?" "Why would she?" Alex gave me an odd look as he pushed open a small door onto a wide brick patio. "But no, she's at the studio until midnight. It's just you,me,and the lacrosse team." I could see myself with amazing clarity in the huge glass wall that was the entire back of the house. I was small, dark, and frozen. "You're kidding, right?" Next to mine, Alex's reflection looked twice as big and ust as still. "You're kidding. Right?" I nodded. Clearly not emphatically enough. "Christ,Ella. Who do you think I am?" I sighed. Honestly, I didn't know. "I think you're probably a terrific guy, Alex. But let's be truthful here.We don't really know each other." "Oh,come one.We've gone to school together for two and a half years. I've been to Marino's..." He stopped. Sighed. "Okay.Fine.So let's change it. Now." And he unlocked the door to his house.
Melissa Jensen (The Fine Art of Truth or Dare)
From Tomorrow to Yesterday The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods. He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment. She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.
Jens Christian Grøndahl (An Altered Light)
Someone must be having a big party, Shyla thought as she turned into her neighborhood, the rhythmic salsa beat of Latin music was so loud. A car she didn't recognize was parked in the middle of her driveway. She had to drive over the grass in order to get around it. She pushed the automatic opener to raise the garage door. Another car was parked where she normally parked, and it wasn't Carl's. It belonged to Pilar. Leaving her car where it was, she got out and went into the house through the back door from the garage. Inside the house, the noise was almost deafening. Two young children were thrashing one another in the middle of the family room while some woman, presumably their mother, yelled at them in Spanish. The woman barely noticed Shyla. Shyla went into the living room and could hear other voices and laughter coming from her bedroom. There, she found a young woman going through her jewelry box, and someone else holding up one of her bras. When they saw Shyla, they stopped laughing. Pilar and another elderly woman were just coming down the stairs when Shyla went back into the living room. "Shyla, why are you home?" Pilar asked, then shrugged. Shyla could hardly hear her over the noise. "I live here," she said, too stunned to say anything else. She went back into the family room and turned off the compact disc player. There, on the floor, lay her great grandmother's china clock, broken.
Barbara Casey (Shyla's Initiative)
Once a young man with a black beard asked if he could have Roger’s parking space in a car park, and Roger waited twenty minutes before he moved the car. Out of principle! ... He waited twenty minutes before he moved the car out of principle. Because on the news that morning there was a man, a politician, who said we ought to stop helping immigrants. That they just come here thinking they can get everything for free, and that a society can’t work like that. He swore a lot, and said they’re all the same, people like that. And Roger had voted for the party that man belonged to, you see. Roger has very firm ideas about the economy and fuel taxes and things like that, he doesn’t like it when Stockholmers turn up and decide how everyone outside Stockholm should live. And he can be very sensitive. Sometimes he expresses himself a bit harshly, I’ll admit that, but he has his principles. No one can say he hasn’t got principles. And that particular day, after he’d heard that politician say that, we were in a shopping mall, it was just before Christmas so the car park was completely full when we got back to the car. Long, long queues. And that young man with the black beard, he saw us walking back to our car and wound his window down and asked if we were leaving, and if he could have our space if we were. ... There were so many cars there that it took the young man twenty minutes to get to the part of the garage where we were parked. Roger refused to move the car until he got there. He had two little children in the back of the car, I hadn’t noticed, but Roger had. When we drove away I told Roger I was proud of him, and he replied that it didn’t mean he’d changed his mind about the economy or fuel taxes or Stockholmers. But then he said that he realized that in that young man’s eyes, Roger must look just like that politician on television, they were the same age, had the same color hair, the same dialect, and everything. And Roger didn’t want the man with the beard to think that meant they were all exactly the same.
Fredrik Backman (Anxious People)
barns. Hinged on their sides and latched in the center, the old garage doors swung open into the alley. No electric door openers, no remote controls. Drivers parked in the alley, got out and opened the swinging doors, then returned to their cars to pull inside. Beside each garage were garbage cans, waiting for the garbage trucks that still rumbled down the cinder alleys. Molded plastic garbage cans, some with small plastic wheels, had replaced the dented sheet metal cans that our parents had used. The plastic cans lasted longer, and they didn’t rust, but you lost
Tom Robertson (Burying Father Tim)
Parking garages are like that person drinking their soda with a straw: They just sit there and suck.
Gregor Collins (The Accidental Caregiver: How I Met, Loved, and Lost Legendary Holocaust Refugee Maria Altmann)
Do I know that? How the hell can I possibly know that? Only a few hours earlier, Chris, my beloved husband of twenty years, jumped to his death off the roof of a parking garage a mile from our home. Cops came to the house in a pair to tell me, just like in the movies. Ding-dong, your husband’s dead. Your life is over. Except it’s not.
Amy Biancolli (Figuring Shit Out: Love, Laughter, Suicide, and Survival)
Everything that could go tits-up, would. Parker wanted to kick his own ass for thinking the rule wasn’t in effect in civilian territory. “Dean. Change of plans. She’s not headed home.” He let a single car slip between him and the sporty hatchback Lynn and the blonde woman with her had driven from the parking garage of the Bay City Press. His partner’s voice echoed through the radio, slightly tinny. “I’m leaving the office now. Where should I meet you?” Parker adjusted the radio setting to lower Dean’s
Vivian Arend (All Fired Up (DreamMakers, #1))
Kate’s knees felt shaky as she walked across the parking garage under the Barbizon Hotel. Every atom in her body was vibrating at a different frequency. Her lips felt swollen from Philip’s kisses. Her breasts were tender from his mouth. If she closed her eyes, she could summon up the sensations of his tongue roaming up and down her body.
Karin Slaughter (Cop Town)
Genesis, chapter eleven. We came down, into the plain of Shinar, and said, ‘Hot damn, let’s show off how clever we are!’ So we built ourselves a fine city, and put a bodacious skyscraper in the middle. And yea verily, we did the whole thing in mirrored glass, and installed high-speed elevators, and AC, and an underground garage with valet parking.
Richard Farr (The Fire Seekers (The Babel Trilogy, #1))
We’re outmatched.” Saneh fired two rounds in the direction of the vans parked in the garage. “That’s what the Russians thought in Stalingrad.” “You want to wait for winter to kill them?
Jack Silkstone (PRIMAL Fury (PRIMAL #4))
While girls and women are raised to fear strangers – to worry about being raped, murdered, or assaulted in the street or in parking garages, which are real dangers – statistically, the most dangerous men are those they know and, particularly, those they live with. So Willow Springs started as a community for battered women, with only women.
Lisa M. Lilly
Dummy cars were parked in our garages around back at our real homes. That way if a nigga drove by our real home by happenstance, he wouldn't recognize the car.
Shvonne Latrice (Good Girls Love Thugs (Good Girls Love Thugs #2))
I caught them just as they were pushing through the door to the garage and heard the tail end of what sounded like a rather querulous question from Deborah. “… supposed to believe you?” she was saying. Alana moved briskly through the door and into the parking area. “Because, ducks,” she said, “Bobby is jeopardizing everything I have worked for.” “Worked?” Deborah said scornfully. “Isn’t that kind of a strong word for what you do?” “Oh, I assure you, it’s work,” Alana said. “Starting at the beginning, with My Recording Career.” She said the words like they were the title of a foolish and boring book. “But believe me, a musical career is very hard work, especially if you have no talent, like me.” She smiled fondly at Debs. “A great deal of it involves fucking terribly unpleasant people, of course. I’m sure you’ll grant me that that isn’t easy.
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
I could feel the spring in my step as I walked up one flight of stairs from the parking garage into the company’s lobby. Although I wore my old blue suit, a remnant of all my previous job interviews, I felt the day had new possibilities. After all, I was interviewing at a company that made something I loved – movies!
J.C. Patrick (A Hollywood Classic)
New York was still here, but it had changed in our absence. It was long after midnight, and vast walls of fog off the river shimmered along the sidewalks like the ghosts of tenements that had long ago been leveled to make way for the parking garages and office buildings. It was a spectral Manhattan, a double-exposed landscape where the past folded back over on itself in overlapping decades.
Joe Schreiber (Au Revoir, Crazy European Chick (Perry & Gobi, #1))
I left my car in the garage, then followed the guard’s directions past a Spanish tile fountain in the lobby to the elevators, and then to the top floor. Another blazered gentleman smiled at me in the lobby, and a third just happened to be on the elevator. Both were polite and both, like the guard in the parking garage, had the corded necks of men who spent a lot of their time honing confrontational skills. Corded necks are a dead giveaway.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
I’m sorry, Mr. Chavez,” the club’s young assistant reception manager, Talya, said. “This is a private club. If you’re not a member, your name has to be on the guest list.” Luis Chavez sighed. He wasn’t here by choice. “I was told to come here at this time,” Luis replied. “By whom?” Talya asked. Luis watched her eyes weigh his appearance. He was in black pants, heavy black shoes, and wore a gray jacket zipped up to his Adam’s apple even though it was almost summer. He was clean shaven with short black hair. That he wasn’t representative of the club’s regular clientele wasn’t even a question. “Mr. Alazraqui.” “I’m sorry. We don’t have a member by that name or anyone on our guest list.” Luis nodded. His job was done. He could go home in good conscience. “My mistake,” Luis said, nodding to the young woman. He turned and was almost out the door when a white Mercedes SUV rolled up to the valet stand just outside in the sublevel parking garage. Its driver was a large Hispanic man practically bursting through the seams of an off-white suit and mustard-yellow shirt. Even though he was only an inch or two taller than Luis’s diminutive five foot three, his expansive girth caused him to dwarf Luis. Talya stepped past Luis to open the door for him. “Good morning, Mr. Mata!” Mata nodded a greeting at her and stepped through the door. As soon as the big man was through, Talya jogged ahead to ring for an elevator. Though the club’s entrance was in a parking garage, the club itself was an elevator ride up to the ninth floor. “Have a good breakfast, sir.” Luis had just located the valet ticket in his pocket when he heard the older man’s voice. “Padre?” Luis winced. “Oh, is Mr. Chavez a guest of yours?” Talya asked. “He’s the priest. To deliver the benediction.” Luis caught the surprised look on Talya’s face, then felt Mata’s heavy hand on his shoulder. “Come on, Padre. Let’s get you upstairs.” As soon as they were inside the elevator, Mata nodded to the tiny strip of white peering over the top of Luis’s jacket. “Why didn’t you flash the collar?” Mata asked. “Waited too late,” Luis admitted. “Would’ve felt like a jerk.” “Ah,” Mata said, laughing. “Guess enough people out there think priests are assholes, huh?” Luis didn’t reply.
Mark Wheaton (Fields of Wrath (Luis Chavez, #1))
Control slowed and turned the Jaguar into the underground car park beneath a small building huddled on the north bank of the Thames. It was a sixties build, constructed from brick and concrete without style or grace. Five floors, anonymous. The car idled as the garage door rolled up with a tired metallic creak. The sign painted onto the door read GLOBAL LOGISTICS.
Mark Dawson (The Cleaner (John Milton, #1))
The bright flash from the CSI camera illuminated the darkened garden. The temperature had dropped along with the last of the sunlight and there was a chill in the air. Morgan couldn’t take her gaze away from Olivia Potter; even in death she looked beautiful. Despite trying for the last hour Harrison hadn’t been able to make contact with Bronte. Ben had asked for a PNC check of all vehicles listed for the address and it had come back with two: a brand new Jaguar F-Pace, in white, and a slightly older Mercedes C-Class. The Mercedes was parked in the garage, its engine cold, but there was no sign of the Jag. An ANPR marker had been placed on the vehicle to find out where it was last seen. It was strange that they couldn’t find anyone to notify about Olivia, but it happened.
Helen Phifer (One Left Alive (Detective Morgan Brookes, #1))
I hate parking garages,” she muttered. “Why?” he asked. “They tend to go boom.
Kristen Banet (An Echo of Darkness (The Redemption Saga, #4))
I fetched my bag, tucked the folded newspaper inside, and grabbed the house keys. Clay beat me to the door.  I scowled down at him.  He stared back at me.  After a moment, he shook his neck, jangling his tags.  Defeated, I clipped on his leash.  He negotiated well without using a single word. I used my cell to call the number for the first ad.  The man sounded a bit brusque as if my planned visit inconvenienced him.  Shrugging it off, I led Clay to the address.  A rusty car parked on the front lawn with a “for sale” sign affirmed I had the right place.  Clay and I walked toward the car. A man called hello from the open garage and made his way toward us.  As he neared, his demeanor changed, and I inwardly groaned.  He introduced himself as Howard and looked me over with interest.  Clay moved to stand between us, his stoic presence a good deterrent. Howard talked about the car for a bit, going through the laundry list of its deficiencies.  Then he popped the hood so I could look at the engine.  In the middle of Howard’s attempt to impress me with his vast mechanical knowledge, Clay sprang up between us.  Howard yelped at Clay’s sudden move and edged away as Clay placed his paws on the front of the car to get a good look at the engine, too.  I fought not to smile at the man’s stunned expression.  At Clay’s discreet nod, I bought the car, not bothering with the second ad. No matter what errand I wanted to run during the week before classes started, Clay insisted on tagging along.  On Friday, when I drove to the bookstore, Clay rode a very cramped shotgun and waited in the car while I made my purchases.  Later, he sat in the hot car again while I bought some basic school supplies. However, Monday, when I tried leaving for my first class, I put my foot down.  He bristled and growled and tried to follow me. “Your license only wins you so much freedom.  Dogs aren’t allowed on campus and definitely not in the classroom.” Thankfully, Rachel had left first and didn’t hear me scold him. I tried to leave again, but he stubbornly persisted.  Finally, exasperated, I reminded him that he slept on my bed because of my good grace.  He resentfully stepped away from the door. *
Melissa Haag (Hope(less) (Judgement of the Six #1))
to park, and he did. He cut the engine and slung an arm over the wheel, squinting at the brick pens situated at the bottom of each drive that held trash cans with lids. Jo stared, too. “Lisa said she pulled into her garage and didn’t take the car out again until the next morning. But if she’d driven into the garage, she would’ve had to enter the alley, like we just did. She wouldn’t have been on Ella Drive. She would never have seen Jenny at all.” “Maybe she parked in front initially and then moved the car around back later.” “Maybe,” Jo agreed. Or maybe Lisa Barton was a liar. She hesitated, shifting position enough to shove her fingers into her pocket and retrieve the balled-up latex gloves. Hank stared at her as she fussed with them, using her teeth to pull them back on. “You plan on going dumpster diving?
Susan McBride (Walk Into Silence (Detective Jo Larsen, #1))
Leaving the parking garage, I stayed on Front Street until I reached Mel Fisher's Treasure Museum.
Bill H. Myers (Mango Key (Mango Bob #5))
In some ways, the neighborhood was the poster child for bad zoning. There were shiny glass-and-steel condominiums across from corrugated and I-beam parking garages. Single-family homes perched alongside recycling plants and foundries. A new multistory school turned its proud granite façade away from its neighbor, a dilapidated relic of a car repair shop, like an ungrateful child ashamed of an ailing parent.
Barry Eisler (A Lonely Resurrection (John Rain #2))
One of the real reasons that Russia’s President Vladimir Putin is so intent on remaining loyal to Syria’s Dictator Bashar Al-Assad, is that in January 2017, Russia and Syria signed a lease to extend Russia's control of its naval facility in the port of Tartus, Syria for 49 years. As with the United States Naval Base in Guantanamo, Cuba, the Russians have sovereign rights over the territory, considered a Material-Technical Support Point and not technically a naval base. The piers are large enough to accommodate four medium-sized vessels but not any of their larger ships of the line, including cruisers or their aircraft carrier. The facility which gives Russia a warm water port, consists of office space, two storage buildings, barracks and a parking garage for about six vehicles. Under the terms of this lease agreement, the Russians also operate Khmeimim Air Base located south-east of the city of Latakia, Syria. The present lease for these military facilities has an extension clause for an additional 25 years.
Hank Bracker
I don’t want to die.” I say, defiantly. “Bright Side, what?” He’s confused. Of course he’s confused. No one starts a conversation like that. I repeat, “I don’t want to fucking die.” “Oh, shit, Bright Side.” I hear him take a deep breath, a primer for the conversationthat’s about to unfold. “Talk to me. What’s going on?” “I’m fucking dying, Gus. I don’t want to die. That’s what’s fucking going on.” I hit the steering wheel with my palms. “Goddammit!” I scream... Gus doesn’t deserve this, but I know he’ll deal with it better than anyone else would. “Calm down, dude. Where are you?” “I don’t know. I’m sitting in my car in a fucking parking garage in the middle of motherfucking Minneapolis, Minnesota.” That was hostile. “Are you by yourself?” “Yes,” I snap. “You’re not supposed to be driving while you’re on your pain meds.” I don’t want his fatherly tone. “I know that.” “Are you in danger or hurt?” I burst out laughing, surprised that I can’t even laugh without sounding angry. The question is absurd to me though. I’m dying. “Bright Side, shut up for a second and talk to me. Do I need to call 911? What the fuck is going on?” He sounds scared. I shake my head like he can see me. “No, no. I’m just ... I’m fucking mad, Gus. That’s all.” And at a loss for words because my mind is jumbled up into this bitter, resentful ball. I don’t know what else to say so I repeat myself. “I’m really fucking mad.” “Well shit, by all means, there’s plenty of room at my table for anger.” He gets it. That’s why I called him, after all. “I’ve been dishing out heaping servings of fury for the past month. I feel better knowing I’m not the only one in this whole debacle with some rage issues. So fire away. Fucking give it to me.” I do. An explosive, steady stream of expletives flows out of me. I’m cursing it all, shouting out questions, pounding the steering wheel, and wiping away hot, angry tears. Occasionally Gus joins in, yelling affirmations. Sometimes he waits for a pause on my part and takes his turn and sometimes he just steamrolls over the top of me... Eventually, my tears stop, and I’m able to take normal breaths. My throat feels tight and my head hurts a little, but I’m calm. On the other end of the line, Gus gets quiet, too. Silence falls between us... My voice is raspy when I decide to break the silence. “Gus?” “Yeah, Bright Side.” He sounds like himself again. Calm. “Thanks.” I feel like a huge weight has been lifted off of me. And now I need to apologize. “Sorry, dude.” He laughs. “No worries. You feel better?” I can actually smile now. “Yeah, I really do.” “Good, me too. I think we should’ve done this weeks ago.” “I think I should’ve done it months ago.” I mean it. It felt so good to let it all out. “Bright Side, you know I love you all happy and adorable in your little world of sunshine and rainbows, but you’re kinda hot when you’re angry. I dig aggressive chicks. And that was crazy aggressive.” He knows I’m going to say it, but I can’t help myself. “Whatever.” I even roll my eyes. “I think I’m gonna rename you Demon Seed.” “What? I show you my dark side and now I have to be the fucking antichrist? I don’t like that. Why can’t I just be Angry Bitch?” He laughs hard and my heart swellsbecause I haven’t heard this laugh out of Gus in a month. And I love this laugh. “Well dude, since it seems my therapysession has wrapped up, I’d better get going. I need to get home.” “Sure. Drive slowly and text me when you get there so I know you made it. And no more driving after this trip.” “Yes sir. I love you, Gus.” “Love you, too, Angry Bitch,” his voice low and dramatic. He pauses because he knows I’m not going to hang up to that. “I was just trying it out,” he says innocently.
Kim Holden (Bright Side (Bright Side, #1))
Depending on your point of view, Jersey City was the rose, or possibly the thorn, of the Garden State. It is so far back that my memories are rather vague, but they were my first memories, and this is where I have to start. We lived at 77 Nelson Avenue, behind my parents’ German-style delicatessen, in three Spartan rooms counting the kitchen. Supermarkets were not yet prevalent and the neighborhood general store, grocery store or delicatessen was where most folks shopped for food. It was during the pre-World War II years, when very few people owned cars and the general public did not have the modern means of travel, which we now take for granted. Every item people needed came from a different store, so to go shopping was a daily task of which people were not even consciously mindful. Even if they had a car, they would have to deal with constant breakdowns, poor and frequently unpaved roads, and tire problems. Garage rentals were crowded behind and between buildings. Parking on the street was limited and most people respected the concept that the parking space in front of a dwelling was for the resident who lived there. It was much easier to use the available mass transportation or endure long walks.
Hank Bracker
Optimism is radical. It is the hard choice, the brave choice. And it is, it seems to me, most needed now, in the face of despair—just as a car is most useful when you have a distance to close. Otherwise it is a large, unmovable object parked in the garage. These days, the safest way for someone to appear intelligent is being skeptical by default. We seem sophisticated when we say “we don’t believe” and disingenuous when we say “we do.” History and fable have both proven that nothing is ever entirely lost. David can take Goliath. A beach in Normandy can turn the tide of war. Bravery can topple the powerful. These facts are often seen as exceptional, but they are not. Every day, we all become the balance of our choices—choices between love and fear, belief or despair. No hope is ever too small.
Guillermo del Toro
Products and services that raise the willingness-to-pay (WTP) for another product are called complements. These (easily overlooked) helpers contribute substantially to the WTP of just about every product ever created. Just think of all the complements without which cars would be far less valuable: roads, parking garages, gas stations, repair shops, GPS, and driving schools (figure 6-1).
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
Then he turned to Rosemary Barr. “Meanwhile we’ll put you somewhere safe,” he told her. “Your tutorials will start as soon as the soldier is buried.” The outer western suburbs were bedroom communities for people who worked in the city, so the traffic stayed bad all the way out. The houses were much grander than in the east. They were all two-story, all varied, all well maintained. They all had big lots and pools and ambitious evergreen landscaping. With the last of the sunset behind them they looked like pictures in a brochure. “Tight-ass middle class,” Reacher said. “What we all aspire to,” Yanni said. “They won’t want to talk,” Reacher said. “Not their style.” “They’ll talk,” Yanni said. “Everyone talks to me.” They drove past the Archer place slowly. There was a cast-metal sign on thin chains under the mailbox: Ted and Oline Archer. Beyond it, across a broad open lawn, the house looked closed-up and dark and silent. It was a big Tudor place. Dull brown beams, cream stucco. Three-car garage. Nobody home, Reacher thought. The neighbor they were looking for lived across the street and one lot to the north. Hers was a place about the same size as the Archers’ but done in an Italianate style. Stone accents, little crenellated towers, dark green sun awnings on the south-facing ground-floor windows. The evening light was fading away to darkness and lamps were coming on behind draped windows. The whole street looked warm and rested and quiet and very satisfied with itself. Reacher said, “They sleep safely in their beds because rough men stand ready in the night to visit violence on those who would do them harm.” “You know George Orwell?” Yanni asked. “I went to college,” Reacher said. “West Point is technically a college.” Yanni said, “The existing social order is a swindle and its cherished beliefs mostly delusions.” “It is not possible for any thinking person to live in such a society as our own without wanting to change it,” Reacher said. “I’m sure these are perfectly nice people,” Helen said. “But will they talk to us?” “They’ll talk,” Yanni said. “Everyone talks.” Helen pulled into a long limestone driveway and parked about twenty feet behind an imported SUV that had big chrome wheels. The front door of the house was made of ancient gray weathered oak with iron banding that had nail heads as big as golf balls. It felt like you could step through it straight into the Renaissance. “Property is theft,” Reacher said. “Proudhon,” Yanni said. “Property is desirable, is a positive good in the world.” “Abraham Lincoln,” Reacher said. “In his first State of the Union.” There was an iron knocker shaped like
Lee Child (One Shot (Jack Reacher, #9))
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Underground parking garages, like the interior of submarines, are malevolent in their ugliness and lack of human comfort, in their machine-oil smell, their lack of natural light, their sense of confinement.
Nicola Griffith (Always (Aud Torvingen #3))
In another five minutes they reached a tiny village which consisted of a general store, a garage, a church, and a few homes. Frank parked the car. “Peaceful-looking place,” he remarked. “I wonder if we’ll find a clue here.
Franklin W. Dixon (The Secret Panel (Hardy Boys, #25))
The insatiable need for more processing power -- ideally, located as close as possible to the user but, at the very least, in nearby indus­trial server farms -- invariably leads to a third option: decentralized computing. With so many powerful and often inactive devices in the homes and hands of consumers, near other homes and hands, it feels inevitable that we'd develop systems to share in their mostly idle pro­cessing power. "Culturally, at least, the idea of collectively shared but privately owned infrastructure is already well understood. Anyone who installs solar panels at their home can sell excess power to their local grid (and, indirectly, to their neighbor). Elon Musk touts a future in which your Tesla earns you rent as a self-driving car when you're not using it yourself -- better than just being parked in your garage for 99% of its life. "As early as the 1990s programs emerged for distributed computing using everyday consumer hardware. One of the most famous exam­ples is the University of California, Berkeley's SETl@HOME, wherein consumers would volunteer use of their home computers to power the search for alien life. Sweeney has highlighted that one of the items on his 'to-do list' for the first-person shooter Unreal Tournament 1, which shipped in 1998, was 'to enable game servers to talk to each other so we can just have an unbounded number of players in a single game session.' Nearly 20 years later, however, Sweeney admitted that goal 'seems to still be on our wish list.' "Although the technology to split GPUs and share non-data cen­ter CPUs is nascent, some believe that blockchains provide both the technological mechanism for decentralized computing as well as its economic model. The idea is that owners of underutilized CPUs and GPUs would be 'paid' in some cryptocurrency for the use of their processing capabilities. There might even be a live auction for access to these resources, either those with 'jobs' bidding for access or those with capacity bidding on jobs. "Could such a marketplace provide some of the massive amounts of processing capacity that will be required by the Metaverse? Imagine, as you navigate immersive spaces, your account continuously bidding out the necessary computing tasks to mobile devices held but unused by people near you, perhaps people walking down the street next to you, to render or animate the experiences you encounter. Later, when you’re not using your own devices, you would be earning tokens as they return the favor. Proponents of this crypto-exchange concept see it as an inevitable feature of all future microchips. Every computer, no matter how small, would be designed to be auctioning off any spare cycles at all times. Billions of dynamically arrayed processors will power the deep compute cycles of event the largest industrial customers and provide the ultimate and infinite computing mesh that enables the Metaverse.
Mattew Ball
Driveway was formed with the verb to drive in the late 1800s. This was before the automobile, and drive was something you did with a carriage or team of animals. A driveway might also be called a carriageway, horseway, or cartway. At the time, no one would have thought of its primary purpose as a place to park anything. Its purpose was to provide room for vehicles to move, not stand still. That’s what a barn or carriage house was for. It wasn’t until later, with the development of private home driveways leading from the street to a house or garage and the spread of automobiles, that it became standard to park in a driveway.
Arika Okrent (Highly Irregular: Why Tough, Through, and Dough Don't Rhyme?And Other Oddities of the English Language)
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real … for a moment at least … that long magic moment before we wake. Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I’d sooner go to middle Earth.
George R.R. Martin
People were dreaming the dream along with him; they were worrying, worrying helpfully, over its details. Take the man who wanted more taxis. He’d noticed that the Draft guaranteed an automobile for every family, and not just any automobile either but one which, like all material blessings of full communism, would be ‘of considerably higher quality than the best products of capitalism’. All well and good; but where would they be parked, these Zhigulis so creamily powerful they put Porsche to shame, these Ladas purring more quietly than any Rolls-Royce, these Volgas whose doors clunked shut with a heavy perfection that reduced Mercedes-Benz to impotent envy? Had the Party considered the number of garages that would be required? The ‘deleterious effect on the hygienic conditions of city life’? The extra roadworks?
Francis Spufford (Red Plenty)
Donna Ritch was (and still is) the ticket-taker at the parking garage that’s attached to the building where my dad works. She’s tall, skinny, young and my baby sister is smarter than she is. Cara and I had lots of fun with her last name. Donna Bitch. Donna Witch. Donna Snitch. Donna Ditch. When the rhyming got old, I named her Donna Dumbass. It works for me.
K.M. Walton (Empty)
Demographics tells you who they are, psychographics tells you what they want. Knowing who the typical renter is and anticipating his needs in advance, and what amenities he will want (garages, covered parking, pools, in-unit washers and dryers, walk-in closets, proximity to highways, bus transportation) will also help you focus on the right kind of building for your market and dramatically reduce the likelihood of vacancies.
Bryan M. Chavis (Buy It, Rent It, Profit! (Updated Edition): Make Money as a Landlord in ANY Real Estate Market)
Why do Mexicans park their cars on the front lawn? MIGHT EVEN NEED SOME OAXACANS Dear MENSO: Where do you want us to park them, MENSO? The garage we rent out to a family of five? The backyard where we put up our recently immigrated cousins in tool-shacks-cum-homes? The street with the red curbs recently approved by city planners? The driveway covered with construction materials for the latest expansion of la casa? The nearby school parking lot frequented by cholos on the prowl for a new radio? MENSO, the lawn is the only spot
Gustavo Arellano (Ask a Mexican)
So can I tell her owner that we’ll help Lola?” Charles finally asked his mom. She had not been happy to hear that he and his friends had taken someone’s dog, and she had interrupted his story more than a few times to let him know it. She sighed, but Charles knew what that sigh meant. It meant “yes,” as long as Dad agreed. And Dad always agreed. Charles grinned and told her he’d call her back as soon as he knew more. Then he gave his friends a thumbs-up. “We can take her,” he said. “Not so fast,” said David’s father. He gathered Lola into his arms and stood up. “First we have to go talk to her owner.” Outside, the storm was over but the sky was still filled with low, dark clouds. They piled into David’s parents’ tiny red car. David held Lola in his lap as his dad drove back to the blue house on Maple Street. It didn’t look so empty now: some of the curtains were open, and a white truck was parked in the driveway outside the garage. “ ‘Reliable Rod’s Plumbing and Heating,’ ” Charles read from the side of the truck. “ ‘Twenty-four-hour service.’ ” He knew what “reliable” meant: that this plumber was somebody you could count on. He wasn’t sure that this Rod was so reliable when it came to dogs.
Ellen Miles (Lola (The Puppy Place #45))
The general manager of the Cleveland transit system, D. C. Hyde, argued in 1952 that parking was doing the opposite of what its builders believed: “Destroying buildings and using valuable land for more and more parking lots and garages hastens decentralization. . . . It is just as sensible to stop doing things that bring more automobiles into already congested areas as it is to stop buying drinks for a person who is already drunk.
Henry Grabar (Paved Paradise: How Parking Explains the World)
There was something else about Tuol Sleng that was important, though, beyond the ghosts and the darkness. At night, after it closed to tourists, it opened as a parking garage. Boeung Keng Kang III was not a neighborhood built for cars, and many homes had nowhere at night to park their cars. It was not unusual to see Camrys and Daelim motorcycles parked for the night in someone’s living room. But at Tuol Sleng, for two thousand riel, or fifty cents, you could park from eight o’clock at night until eight in the morning, an hour before the gates opened for tourism. Paul and I each had a motorcycle for the first three years that we lived in Phnom Penh, but eventually I sold mine and we bought a cobbled-together SUV, a Kia Sportage body with a Mitsubishi engine and air-conditioning. Then we, too, became nighttime patrons of the Tuol Sleng Genocide Museum parking lot. We’d pull in to the gate and hand money to one of several guards hanging out in hammocks as a soccer game played on an old television hooked up to a car battery. At first it was hilarious, and then an odd fact we’d share among our friends, and eventually just part of our daily routine. There was the horror and the memory, there were the ghosts and the darkness, but there was also the absolute utilitarian need to go on.
Rachel Louise Snyder (Women We Buried, Women We Burned: A Memoir)