Parcel Posting Quotes

We've searched our database for all the quotes and captions related to Parcel Posting. Here they are! All 31 of them:

Could you look again, please?” the woman asked in a clipped, slightly British accent. “It was sent parcel post two weeks ago from Miss Felicity Worthington and addressed to Mrs. Rao, Mrs. Gemma Doyle Rao.
Libba Bray (Lair of Dreams (The Diviners, #2))
Whenever I send a book by parcel post and the clerk at the post office asks me, "Is there anything dangerous in the package?", I'm always tempted to answer: "Yes -- ideas.
Dave Zobel
It was sent parcel post two weeks ago from Miss Felicity Worthington and addressed to Mrs. Rao, Mrs. Gemma Doyle Rao.
Libba Bray (Lair of Dreams (The Diviners, #2))
The most striking difference between the ancient and modern sophists is that the ancients were satisfied with a passing victory of the argument at the expense of truth, whereas the moderns want a more lasting victory at the expense of reality. In other words, one destroyed the dignity of human thought whereas the others destroy the dignity of human action. The old manipulators of logic were the concern of the philosopher, whereas the modern manipulators of facts stand in the way of the historian. For history itself is destroyed, and its comprehensibility—based upon the fact that it is enacted by men and therefore can be understood by men—is in danger, whenever facts are no longer held to be part and parcel of the past and present world, and are misused to prove this or that opinion.
Hannah Arendt (The Origins of Totalitarianism)
Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour--landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard... But after life. The slow pulling down of thick green stalks so that the cup of the flower, as it turns over, deluges one with purple and red light. Why, after all, should one not be born there as one is born here, helpless, speechless, unable to focus one's eyesight, groping at the roots of the grass, at the toes of the Giants?
Virginia Woolf
You know, this always happens. Whenever I go away, I always think I'll come back to mountains of exciting posts, with parcels and telegrams and letters full of scintillating news - and I'm always disappointed. In fact, I really think someone should set up a company called holidaypost.com which you would pay to write you loads of exciting letters, just so you had something to look forward to when you got home.
Sophie Kinsella (Shopaholic Takes Manhattan (Shopaholic, #2))
Email was great, but she did miss being excited by the post. That was probably why people did so much Internet shopping, she reckoned. So they had a parcel to look forward to.
Jenny Colgan (Meet Me at the Cupcake Cafe (Cupcake Café #1))
What a scraping paring affair it is to be sure! The wonder is that I've any clothes on my back, that I sit surrounded by solid furniture at this moment. Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour—landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard ...
Virginia Woolf (Street Haunting)
Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour--landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard ...
Virginia Woolf (The Mark on the Wall)
They never look very big on the table, the bodies. It's built to accommodate the largest frames, there's that. And they're naked. But it's something else. That parcel of the being called the soul-weighing twenty-one grams, according to the experiments of the American doctor Duncan MacDougall-takes up a surprising amount of space, like aloud voice. In its absence, the body seems to shrink
Yann Martel (The High Mountains of Portugal)
She’d learned nearly every job and did each well, but her favorite was greeting the first early truck from the distribution center in Richmond that delivered the big rolling metal OTR package containers. She liked the predawn, enjoyed watching the sky get lighter and lighter as she wheeled the OTRs in from the dock inside the post office and unloaded them into the route hampers. She knew all the contract drivers from the private service the post office used, knew the sound each of their big trucks made as they backed up to the dock to unload the five to ten big OTRs that held up to fifty parcels each. Brakey Alcott was driving the truck this morning. He was young enough to be her son, always sucking down coffee like young people did to stay awake so early in the morning.
Catherine Coulter (Nemesis (FBI Thriller #19))
On the basis of wide clinical experiences, I contend that it is a matter of love in only a few cases when man and woman in our civilization engage in the sexual act. The rage which usurps the initial love impulses, hate, and sadistic emotion are all part and parcel of modern man's contempt for sex. I am not speaking of the clear cases in which the sexual act is performed for profit or subsistence. I am speaking of the majority of people of all social strata. It is on the basis of these clinical findings that the Latin saying, "Omne animal post coitum triste?' has become a scientific axiom. There is only one error in this statement: man ascribes his own disappointment to the animal.
Wilhelm Reich (Character Analysis)
But how marvelous to get the order into the mails, how delicious and terrible to wait for the parcel from Seattle or Portland that might include with it the new gloves, new shoes for town, phonograph records, a musical instrument to charm away the loneliness of winter evenings when the winds howled like wolves down from the mountain peaks. Our very best guitar. Play Spanish-style music and chords. Wide ebony fingerboard, fine resonant fan-ribbed natural spruce top, rosewood sides and back, genuine horn bindings. This is a real Beauty. Waiting for their order to get to the post office fifteen miles down the road, they read again and again such descriptions, reliving the filling out of the order blank, honing their anticipation. Genuine horn bindings!
Thomas Savage (The Power of the Dog)
the grand jurors, local men and women pulled off farms and out of post offices and barbershops, for whom a day at the courthouse counted as genuine excitement—entertainment, even—no matter that a man’s life was at stake. The DA had a storyteller’s instinct for pacing and plot twists, the leisurely parceling out of key information. There was no judge here, only a bailiff, the prosecutor, a court reporter, and the twelve members of the grand jury, who had the solemn task of deciding whether or not to indict Rutherford McMillan for first-degree homicide. Because all grand jury proceedings are private, the honey-colored benches in the gallery were empty. The deck was stacked squarely in the state’s favor. Neither the defendant nor his counsel was allowed to weigh in on the state’s presentation of evidence.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
At length the party arrived at the residence of the Chief of Police. The latter proved indeed a man of spells, for no sooner had he learnt what was afoot than he summoned a brisk young constable, whispered in his ear, adding laconically, “You understand, do you not?” and brought it about that, during the time that the guests were cutting for partners at whist in an adjoining room, the dining-table became laden with sturgeon, caviare, salmon, herrings, cheese, smoked tongue, fresh roe, and a potted variety of the same — all procured from the local fish market, and reinforced with additions from the host’s own kitchen. The fact was that the worthy Chief of Police filled the office of a sort of father and general benefactor to the town, and that he moved among the citizens as though they constituted part and parcel of his own family, and watched over their shops and markets as though those establishments were merely his own private larder. Indeed, it would be difficult to say — so thoroughly did he perform his duties in this respect — whether the post most fitted him, or he the post.
Nikolai Gogol (Dead Souls)
After this interlude we return to the question of the parcel. Yes, says the Postmaster, it has been here – actually here in the office! But it is here no longer. It has been removed to the custody of the Customs. Monsieur B. must realize that parcels are subject to Customs dues. B. says that it is personal wearing apparel. The Postmaster says: ‘No doubt, no doubt; but that is the affair of the Customs.’ ‘We must, then, go to the Customs office?’ ‘That will be the proper procedure,’ agrees the Postmaster. ‘Not that it will be any use going today. Today is Wednesday, and on Wednesdays the Customs are closed.’ ‘Tomorrow, then?’ ‘Yes, tomorrow the Customs will be open.’ ‘Sorry,’ says B. to Max. ‘I suppose it means I shall have to come in again tomorrow to get my parcel.’ The Postmaster says that certainly Monsieur B. will have to come in tomorrow, but that even tomorrow he will not be able to get his parcel. ‘Why not?’ demands B. ‘Because, after the formalities of the Customs have been settled, the parcel must then go through the Post Office.’ ‘You mean, I shall have to come on here?’ ‘Precisely. And that will not be possible tomorrow, for tomorrow the Post Office will be closed,’ says the Postmaster triumphantly. We go into the subject in detail, but officialdom triumphs at every turn. On no day of the week, apparently, are both the Customs and the Post Office open!
Agatha Christie (Come, Tell Me How You Live: An Archaeological Memoir)
to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the
Lindsay Ashford (The Color of Secrets)
Berkshire Hathaway Public Holdings April 4, 2012 Company Holding Value Stake The Coca-Cola Company (KO) $14.69 billion 8.8% International Business Machines (IBM) $13.17 billion 5.4% Wells Fargo (WFC) $12.99 billion 13.0% American Express (AXP) $8.69 billion 2.8% Proctor & Gamble $5.16 billion 2.8% Kraft Foods $3.32 billion 4.9% Wal-Mart Stores $2.36 billion 1.1% ConocoPhillips $2.22 billion 2.3% U.S. Bancorp $2.16 billion 2.3% Johnson & Johnson $1.90 billion 1.1% Moody’s Corp $1.20 billion 12.8% DIRECTV $995 million 2.9% Washington Post Co. $645 million 22.4% M&T Bank Corp $465 million 4.3% Costco Wholesale Corp $386 million 1.0% Visa Inc. $341 million 0.35% Intel Corp. $321 million 0.23% CVS Caremark $315 million 0.55% USG Corp $283 million 16.2% General Dynamics $281 million 1.1% DaVita Inc. $233 million 2.9% Dollar General $210 million 1.3% Torchmark $208 million 4.2% MasterCard Inc. $174 million 0.3% Verisk Analytics $162 million 1.9% General Electric $153 million 0.07% Sanofi SA $153 million 0.15% Liberty Media $149 million 1.4% United Parcel Service $114 million 0.15% GlaxoSmithKline $68 million 0.06% Bank of New York Mellon $43 million 0.15% Ingersoll Rand $26 million 0.2% Gannett $26 million 0.73% Source: CNBC, Warren Buffet Watch.
David Andrews (The Oracle Speaks: Warren Buffett In His Own Words (In Their Own Words))
SpottieOttieDopaliscious [Hook] Damn damn damn James [Verse 1: Sleepy Brown] Dickie shorts and Lincoln's clean Leanin', checking out the scene Gangsta boys, blizzes lit Ridin' out, talkin' shit Nigga where you wanna go? You know the club don't close 'til four Let's party 'til we can't no more Watch out here come the folks (Damn - oh lord) [Verse 2: André 3000] As the plot thickens it gives me the dickens Reminiscent of Charles a lil' discotheque Nestled in the ghettos of Niggaville, USA Via Atlanta, Georgia a lil' spot where Young men and young women go to experience They first li'l taste of the night life Me? Well I've never been there; well perhaps once But I was so engulfed in the Olde E I never made it to the door you speak of, hardcore While the DJ sweatin' out all the problems And the troubles of the day While this fine bow-legged girl fine as all outdoors Lulls lukewarm lullabies in your left ear Competing with "Set it Off," in the right But it all blends perfectly let the liquor tell it "Hey hey look baby they playin' our song" And the crowd goes wild as if Holyfield has just won the fight But in actuality it's only about 3 A.M And three niggas just don' got hauled Off in the ambulance (sliced up) Two niggas don' start bustin' (wham wham) And one nigga don' took his shirt off talkin' 'bout "Now who else wanna fuck with Hollywood Courts?" It's just my interpretation of the situation [Hook] [Verse 3: Big Boi] Yes, when I first met my SpottieOttieDopalicious Angel I can remember that damn thing like yesterday The way she moved reminded me of a Brown Stallion Horse with skates on, ya know Smooth like a hot comb on nappy ass hair I walked up on her and was almost paralyzed Her neck was smelling sweeter Than a plate of yams with extra syrup Eyes beaming like four karats apiece just blindin' a nigga Felt like I chiefed a whole O of that Presidential My heart was beating so damn fast Never knowing this moment would bring another Life into this world Funny how shit come together sometimes (ya dig) One moment you frequent the booty clubs and The next four years you & somebody's daughter Raisin' y'all own young'n now that's a beautiful thang That's if you're on top of your game And man enough to handle real life situations (that is) Can't gamble feeding baby on that dope money Might not always be sufficient but the United Parcel Service & the people at the Post Office Didn't call you back because you had cloudy piss So now you back in the trap just that, trapped Go on and marinate on that for a minute
OutKast
Post’s due any minute – I think Gran’s sending on a few things I forgot.’ Harry had only just started his porridge when, sure enough, there was a rushing sound overhead and a hundred or so owls streamed in, circling the Hall and dropping letters and packages into the chattering crowd. A big, lumpy parcel bounced off Neville’s head, and a second later, something large and grey fell into Hermione’s jug, spraying them all with milk and feathers. ‘Errol!’ said Ron, pulling the bedraggled owl out by
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Men,’ said Jack, ‘I know damned well what’s going on. I know damned well what’s going on; and I won’t have it. What simple fellows you are, to listen to a parcel of makee-clever sea-lawyers and politicians, glib, quick-talking coves. Some of you have put your necks into the noose. I say your necks into the noose. You see the Ville de Paris over there?’ Every head turned to the line-of-battle ship on the horizon. ‘I have only to signal her, or half a dozen other cruisers, and run you up to the yardarm with the Rogue’s March playing. Damned fools, to listen to such talk. But I am not going to signal to the Ville de Paris nor to any other king’s ship. Why not? Because the Polychrest is going into action this very night, that’s why. I am not going to have it said in the fleet that any Polychrest is afraid of hard knocks.
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
A sea change. A transformative change. The sister arts no longer reflecting the natural bent of shared rules but giving way to a chaos of art forms. An expression of a newfound freedom, indication of a cognitive shift. General intelligence took over from hard-wired proclivity. It was a change of mental place, a shift in where problem solving was done, whether in making a work of art or coming up with a scientific explanation. That shift in mental activity is what we call modernism. Artists used a different part of the brain to create art. Modernism and post-Newtonian science were both part and parcel of the same thing: the brain relinquishing natural proclivities for the products of general intelligence. Art interpretation as the ultimate Turing test.
Samuel Jay Keyser (The Mental Life of Modernism: Why Poetry, Painting, and Music Changed at the Turn of the Twentieth Century)
Harry took the other chair and opened his parcel. After reading the first few lines of the top page, he made a sound of discomfort and winced visibly. “Good God.” “What is it?” Poppy asked. “One of our regular guests—Lord Pencarrow—injured himself late last evening.” “Oh, dear.” Poppy’s brow furrowed. “And he’s such a nice old gentleman. What happened? Did he take a fall?” “Not exactly. He slid down the banister of the grand staircase, from the mezzanine level to the ground floor.” Harry paused uncomfortably. “He made it all the way to the end of the balustrade—where he crashed into the pineapple ornament on top of the newel post.” “Why would a man in his eighties do such a thing?” Poppy asked in bewilderment. Harry sent her a sardonic smile. “I imagine he was in his cups.” Merripen was cringing. “One can only be glad his child-siring years are behind him.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
In February 1914, the Pierstorffs of Grangeville, Idaho, sent their five-year-old daughter to visit her grandmother 75 miles away in Lewiston via parcel post, because it was cheaper than buying her a train ticket. Little May Pierstorff weighed 48 pounds, which meant that she was just under the Post Office Department’s 50-pound limit for parcels. The Grangeville postmaster charged her parents 53 cents, attaching the appropriate stamps to the front of her coat. May traveled all the way to Lewiston in a railway baggage car under the watchful eye of a railway mail clerk. When she arrived, a mail clerk on duty drove her to her grandmother’s house rather than leaving her at the post office for morning delivery. Soon there were more incidents of “child mailing,” and finally the Post Office Department outlawed the practice.
Devin Leonard (Neither Snow nor Rain: A History of the United States Postal Service)
I hurried to the Post Office and was given two fat parcels, which I opened with the scissors in the kitchen. Shakespeare’s Collected Works, T.S. Eliot’s Collected Poems and Plays, Oscar Wilde’s Collected Works and a book with photos of naked women.
Karl Ove Knausgård (Min kamp 5 (Min kamp, #5))
BRIGGS: We’re old friends, Jack and myself. We met at a street corner. I should tell you he’ll deny this account. His story will be different. I was standing at a street corner. A car drew up. It was him. He asked me the way to Bolsover Street. I told him Bolsover Street was in the middle of an intricate one-way system. It was a one-way system easy enough to get into. The only trouble was that, once in, you couldn’t get out. I told him his best bet, if he really wanted to get to Bolsover Street, was to take the first left, first right, second right, third on the left, keep his eye open for a hardware shop, go right round the square, keeping to the inside lane, take the second Mews on the right and then stop. He will find himself facing a very tall office block, with a crescent courtyard. He can take advantage of this office block. He can go round the crescent, come out the other way, follow the arrows, go past two sets of traffic lights and take the next left indicated by the first green filter he comes across. He’s got the Post Office Tower in his vision the whole time. All he’s got to do is to reverse into the underground car park, change gear, go straight on, and he’ll find himself in Bolsover Street with no trouble at all. I did warn him, though, that he’ll still be faced with the problem, having found Bolsover Street, of losing it. I told him I knew one or two people who’d been wandering up and down Bolsover Street for years. They’d wasted their bloody youth there. The people who live there, their faces are grey, they’re in a state of despair, but nobody pays any attention, you see. All people are worried about is their ill-gotten gains. I wrote to The Times about it. Life At A Dead End, I called it. Went for nothing. Anyway, I told him that probably the best thing he could do was to forget the whole idea of getting to Bolsover Street. I remember saying to him: This trip you’ve got in mind, drop it, it could prove fatal. But he said he had to deliver a parcel. Anyway, I took all this trouble with him because he had a nice open face. He looked like a man who would always do good to others himself. Normally I wouldn’t give a fuck. I should tell you he’ll deny this account. His story will be different.
Harold Pinter (No Man's Land (Pinter: Plays))
FORMER CONGRESSMAN ALBERT Sidney Burleson of Texas had landed in Wilson’s cabinet thanks to his longtime patron, Colonel House. Burleson “has been called the worst postmaster general in American history,” writes the historian G. J. Meyer, “but that is unfair; he introduced parcel post and airmail and improved rural service. It is fair to say, however, that he may have been the worst human being ever to serve as postmaster general.
Adam Hochschild (American Midnight: The Great War, a Violent Peace, and Democracy's Forgotten Crisis)
My body was an error, as if I'd received the wrong parcel in the post. I had hidden my form, faked its sex, lowered my voice and starved my hips, and in all that time I never considered that it might betray me at the first opportunity, and assert beyond doubt it was female. I never imagined there might be one rule that did apply to me.
Alex Reeve (The House on Half Moon Street (Leo Stanhope, #1))
amazed Sabre by telling him, without trace of self-consciousness and equally without trace of religious mania, that he was waiting, daily, for God to call upon him to fulfil the purpose for which he was placed there. He expected it as one expects a letter by the post. When he talked about it to Sabre he positively trembled and shone with eagerness as a child trembling and shining with excitement before an unopened parcel.
A.S.M. Hutchinson (If Winter Comes)
before long there were also pneumatic tube networks in Vienna, Prague, Munich, Rio de Janeiro, Dublin, Rome, Naples, Milan, and Marseilles. One of the most ambitious systems was installed in New York, linking many of the post offices in Manhattan and Brooklyn. This system was large enough to handle small parcels, and on one occasion a cat was even sent from one post office to another along the tubes.
Tom Standage (The Victorian Internet: The Remarkable Story of the Telegraph and the Nineteenth Century's On-line Pioneers)
The development of literacy was furthermore accelerated by the growth of a postal service by which the colonies were joined. The postman in those days was required to be “active, stout, indefatigable, and honest” and was expected to report on the condition of all ferries, fords, and roads along his route. He delivered his mail to the local inn, which served as a post office where people came to look over all the letters and parcels that came in. Eventually, “mile-stones” were set at mile-long intervals
Benson Bobrick (Angel in the Whirlwind: The Triumph of the American Revolution (Simon & Schuster America Collection))