Paperback Book Quotes

[D]on't ever apologise to an author for buying something in paperback, or taking it out from a library (that's what they're there for. Use your library). Don't apologise to this author for buying books second hand, or getting them from bookcrossing or borrowing a friend's copy. What's important to me is that people read the books and enjoy them, and that, at some point in there, the book was bought by someone. And that people who like things, tell other people. The most important thing is that people read...

Sections in the bookstore - Books You Haven't Read - Books You Needn't Read - Books Made for Purposes Other Than Reading - Books Read Even Before You Open Them Since They Belong to the Category of Books Read Before Being Written - Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered - Books You Mean to Read But There Are Others You Must Read First - Books Too Expensive Now and You'll Wait 'Til They're Remaindered - Books ditto When They Come Out in Paperback - Books You Can Borrow from Somebody - Books That Everybody's Read So It's As If You Had Read Them, Too - Books You've Been Planning to Read for Ages - Books You've Been Hunting for Years Without Success - Books Dealing with Something You're Working on at the Moment - Books You Want to Own So They'll Be Handy Just in Case - Books You Could Put Aside Maybe to Read This Summer - Books You Need to Go with Other Books on Your Shelves - Books That Fill You with Sudden, Inexplicable Curiosity, Not Easily Justified - Books Read Long Ago Which It's Now Time to Re-read - Books You've Always Pretended to Have Read and Now It's Time to Sit Down and Really Read Them

She read books quickly and compulsively, paperback after paperback, as if she might drift away without the anchor of the printed page.

That moment when you finish a book, look around, and realize that everyone is just carrying on with their lives as though you didn't just experience emotional trauma at the hands of a paperback.

In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which are frowning at you from the tables and shelves, trying to cow you...And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out in Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too.

The paperback is very interesting but I find it will never replace the hardcover book -- it makes a very poor doorstop.

She read paperbacks too, one after the next like she was chain-smoking—romance, science fiction, old pulp fantasy. All she wanted to do was sit, unbothered in a circle of lamplight, and live someone else’s life.

I think of my pile of old paperbacks, their pages gone wobbly, like they'd once belonged to the sea.

We are the people of the book. We love our books. We fill our houses with books. We treasure books we inherit from our parents, and we cherish the idea of passing those books on to our children. Indeed, how many of us started reading with a beloved book that belonged to one of our parents? We force worthy books on our friends, and we insist that they read them. We even feel a weird kinship for the people we see on buses or airplanes reading our books, the books that we claim. If anyone tries to take away our books—some oppressive government, some censor gone off the rails—we would defend them with everything that we have. We know our tribespeople when we visit their homes because every wall is lined with books. There are teetering piles of books beside the bed and on the floor; there are masses of swollen paperbacks in the bathroom. Our books are us. They are our outboard memory banks and they contain the moral, intellectual, and imaginative influences that make us the people we are today.

[T]he only luxury he allows himself is buying books, paperback books, mostly novels, American novels, British novels, foreign novels in translation, but in the end books are not luxuries so much as necessities, and reading is an addiction he has no wish to be cured of.

CUSTOMER: Hi. BOOKSELLER: Hi there, how can I help? CUSTOMER: Could you please explain Kindle to me. BOOKSELLER: Sure. It’s an e-reader, which means you download books and read them on a small hand-held computer. CUSTOMER: Oh OK, I see. So . . . this Kindle. Are the books on that paperback or hardback?

Life Is Too Short--So Kiss Slowly, Laugh Insanely, Love Truly, And Live With Passion.

I've come to think of Europe as a hardcover book, America as the paperback version.

Out of habit, she stopped by the bookshelf in the living room to see if there was a paperback that she could stuff into her pocket for emergencies — you never knew when you might need a book to entertain and comfort and distract you in the day's empty places

Today you can buy the Dialogues of Plato for less than you would spend on a fifth of whiskey, or Gibbon's Decline and Fall of the Roman Empire for the price of a cheap shirt. You can buy a fair beginning of an education in any bookstore with a good stock of paperback books for less than you would spend on a week's supply of gasoline.

Some of us find our lives abridged even before the paperback comes out.

When you buy a jacket, it’s important the pockets are big enough for a paperback!

More recently, books, especially paperbacks, have been printed in massive and inexpensive editions. For the price of a modest meal you can ponder the decline and fall of the Roman Empire, the origin of species, the interpretation of dreams, the nature of things. Books are like seeds. They can lie dormant for centuries and then flower in the most unpromising soil.

In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books You've Been Planning To Read For Ages, the Books You've Been Hunting For Years Without Success, the Books Dealing With Something You're Working On At The Moment, the Books You Want To Own So They'll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified, Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them.

I am a reader, a flashlight-under-the-covers, carries-a-book-everywhere-I-go​, don't-look-at-my-Amazon-bill. I choose purses based on whether I can cram a paperback into them, and my books are the first items I pack into a suitcase. I am the person who family and friends call when they need a book recommendation or cannot remember who wrote Heidi. My identity as a person is so entwined with my love of reading and books that I cannot separate the two.

There's nothing like a printed book; the weight, the woody scent, the feel, the look.

One never owns a book. It sits on your shelf in a fine edition like a piece of furniture, and you are its admiring ward until it flies off from you in a time of financial hardship. If it is a tattered paperback, she is your casual mistress you use a few times. If you have read it a hundred times then it is your wife, and a source of infinite mystery.

On the dashboard of our family car is a shallow indentation about the size of a paperback book. If you are looking for somewhere to put your sunglasses or spare change, it is the obvious place, and it works extremely well, I must say, so long as the car is not actually moving. However, as soon as you put the car in motion ... everything slides off ... It can hold nothing that has not been nailed to it. So I ask you: what then is it for?

Books might be your passion but you can’t fuck a paperback.

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy? Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question. O: It’s a rather ghettoized genre. P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre. O: It’s certainly regarded as less than serious fiction. P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that. (Pauses) That was a bloody good answer, though I say it myself.

Rip her dress off!” Bob shouted. Bob the Skull takes paperback romances very seriously. The next page turned so quickly that he tore the paper a little. Bob is even harder on books than I am. “That’s what I’m talking about!” Bob hollered, as more pages turned.

He reached into the bag and drew out an odd array of manga, ripped paperbacks of books both classic and modern, and a small stack of crumpled magazines. "See, I even brought some things to read aloud. I wasn't sure what you'd like, so there's a bit of everything.

There was, in fact, a street sign to that effect—the first I’d seen in all of Devil’s Acre. Louche Lane, it read in fancy handwritten script. Piracy discouraged. “Discouraged?” I said. “Then what’s murder? Frowned upon?” “I believe murder is ‘tolerated with reservations.’ ” “Is anything illegal here?” Addison asked. “Library late fines are stiff. Ten lashes a day, and that’s just for paperbacks.” “There’s a library?” “Two. Though one won’t lend because all the books are bound in human skin and quite valuable.

The mature human being goes about doing what needs to be done regardless of whether that person feels great or terrible.

Dear Sir or Madam, will you read my book? It took me years to write, will you take a look?

You are enough to drive a saint to madness or a king to his knees Excerpt from To Kiss a King by Grace Willows Coming this summer to Amazon Kindle and paperback.

You asked me to be an open book. As I've already told you, I am. Anything you need to know about me can be found. Don't confuse me, a paperback, with a book on tape.

Atticus tried not to care, telling himself paperbacks were meant to be abused, but it was hard, like watching friends get knocked around.

You and Wes," she said, triumphant, "are just likethis ." She was holding a book, a paperback romance. The title, emblazoned in gold across the cover, wasForbidden , and the picture beneath it was of a man in a pirate outfit, eye patch and all, clutching a small, extremely busty woman to his chest. In the background, there was a deserted island surrounded by blue water. "We're pirates?" I said. She tapped the book with one fingernail. "This story," she said, "is all about two people who can't be together because of other circumstances. But secretly, they pine and lust for each other constantly, the very fact that their love is forbidden fueling their shared passion." "Did you just make that up?" "No," she said, flipping the book over to read the back cover. "It's right here! And it's totally you and Wes. You can't be together, which is exactly why you want to be. And why you can't admit it to us, because that would make it less secret and thus less passionate.

Smaller than a breadbox, bigger than a TV remote, the average book fits into the human hand with a seductive nestling, a kiss of texture, whether of cover cloth, glazed jacket, or flexible paperback.

Reading is not as insignificant as we claim. First we must steal the key to the library. Reading is a provocation, a rebellion: we open the book’s door, pretending it is a simple paperback cover, and in broad daylight escape! We are no longer there: this is what real reading is. If we haven’t left the room, if we haven’t gone over the wall, we’re not reading.

It's time for bed. And here's what I'm going to do. I'm going to get in bed, and I don't have anyone to sleep with now, so what I do is I sleep with my books. And I know that's kind of weird and solitary and pathetic. But if you think about it, it's very cozy. Over a period of four, five, six, seven, nine, twenty nights of sleeping, you've taken all these books to bed with you, and you fall asleep, and the books are there. *** Some of the books are thick, and some are thin, some of the books are in hardcover and some in paperback. Sometimes they get rolled up with the pillows and the blankets. And I never make the bed. So it's like a stew of books. The bed is the liquid medium. It's a Campbell's Chunky Soup of books. The bed you eat with a fork.

My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.

Neurotic obsessed suffering is essential for greatness.

SAY IT. Go ahead, stand before the mirror, look at your mouth, and say it. Blue. See how you pucker up, your lips opening with the consonants into a kiss, and then that final exhalation of vowels? Blue. The word looks like what it is, a syllable blown out into the air, and with the sound and the sight of saying it as one.

I believe murder is ‘tolerated with reservations.’ ” “Is anything illegal here?” Addison asked. “Library late fines are stiff. Ten lashes a day, and that’s just for paperbacks.” “There’s a library?” “Two. Though one won’t lend because all the books are bound in human skin and quite valuable.

They understood that. They all understood it. This is not the same as comprehension, but it was good enough. When you stop to think, the whole idea of comprehension has a faintly archaic taste, like the sound of forgotten tongues or a look into a Victorian camera obscura. We Americans are much higher on simple understanding. It makes it easier to read the billboards when you're heading into town on the expressway at plus-fifty. To comprehend, the mental jaws have to gape wide enough to make the tendons creak. Understanding, however, can be purchased on every paperback-book rack in America.

The book was thick and red. It was almost thicker than it was wide, a thickness that somehow enhanced its bookishness. It was - to me aged 12 - quite clearly more of a book than most, if not all, of the paperbacks untidily stacked on the shelves of my father's study.

Spend 80 percent of your time on books and 20 percent on articles and newspapers. And by books, I don’t mean just any book. I mean hardcovers. A paperback is made to be read. A hardcover is made to be studied. There’s a huge difference.

I am a reader, a flashlight-under-the-covers, carries-a-book-everywhere-I-go, don't-look-at-my-Amazon-bill reader. I choose purswes based on whether I can cram a paperback into them, and my books are the first items I pack ingo a suitcase.

If Jenny were a book, she would be a paperback just out of the box—no dog ears, no waterlogging, no creases in her spine.

Miss Lasqueti consumed mostly crime thrillers, which constantly seemed to disappoint her. I suspect that for her the world was more accidental than any book’s plot. Twice I saw her so irritated by a mystery that she half rose from the shadow of her chair and flung the paperback over the railing into the sea.

Everything’s digital now, but sometimes I’ll buy a paperback if I love the book. I love the smell of them too. Like the first time you open them up, and they’re fresh and new. Or old books,

The e-reading revolution may have reached our shores this year but it has yet to reckon with Australia's summer holidays. Intense sunlight plays havoc with screens and the sand invades every nook and cranny, so as convenient and sexy as your new iPad may be, the battered paperback, its pages pocked and swollen from contact with briny hands, will likely remain the beach format of choice for a few years yet.

Her guardian sighed and looked back down at his book. "I can't tell you how much I look forward to these mature and scintillating conversations. Still, when the old Ari pays a visit, let me know." "Old Ari? I was sarcastic to you before." "True." He nodded, turning the page on the paperback. "But there was this era bewteen scared, sarcastic Ari and this new-fangled five year old Ari where you were actually a decent person to be around." Ouch. "Bite me." Jai grinned slyly and looked up at her from under his lashes. "Just tell me how hard.

Maybe I'll just go ahead and buy her the Tufte book. I'll bring it wrapped in brown paper. Wait- is that weird? It's an expensive book. Maybe there's a low-key paperback edition. I could buy it on Amazon. That's stupid, I work at a bookstore. (Could Amazon ship it fast enough?)

Izzy was sitting cross-legged on the couch, a paper-back book in her hands. She didn’t look up when we came in, and I wondered what she was reading that had her so absorbed. Monster Killing for Beginners, probably.

Other than her homework, Ollie was carrying Captain Blood by Rafael Sabatini, a broken-spined paperback that she'd dug out of he dad's bookshelves. She mostly liked it. Peter Blood outsmarted everyone, which was a feature she liked in heroes, although she wished Peter were a girl, or the villain were a girl, or someone in the book besides his boat and his girlfriend (both named Arabella) were a girl.

He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up. "All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?" He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words: Do not fear that which cannot be seen. For they are lost in between. 'Tis the ones who come alive That your blood will allow to thrive. Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question." His blood crawled over to the next page. Answer, answer, you always say, But it doesn't work that way. In time, the truth you shall find. And then you will understand my rhyme. "I'm such a masochist to even try talking to you" Underneath the words, a picture of an obscene gesture formed. "Oh very nice, Nashira. Very nice. Wherever did you learn that?" In your pocket I reside. Ever privy to your deride. But more than that, I can see. And that includes bathroom stall graffiti Nick screwed his face up in distaste. "Oh my God, no. Tell me you haven't been spying on me in the rest room. You perv!" Calm yourself, you evil troll. My job is not to console. But if it is privacy you seek, Leave me in your backpack so I can't peek. Now he understood why other people got so aggravated with his attitude disorder. He wanted to strangle his book.

I emerge into a library-study with the highest book-population density I have seen in my life. Book walls, book towers, book avenues, book side-streets. Book spillages, book rubble. Paperback books, hardcover books, atlases, manuals, almanacs. Nine lifetimes of books. Enough books to build an igloo to hide in, and then to hide the igloo. The room is sentient with books. Mirrors double and cube the books. A Great Wall of China quantity of books. Enough books to make me wonder if I am a book too. Light

One of the strongest motivations for rereading is purely selfish: it helps you remember what you used to be like. Open an old paperback, spangled with marginalia in a handwriting you outgrew long ago, and memories will jump out with as much vigor as if you’d opened your old diary. These book-memories, says Hazlitt, are “pegs and loops on which we can hang up, or from which we can take down, at pleasure, the wardrobe of a moral imagination, the relics of our best affections, the tokens and records of our happiest hours.” Or our unhappiest. Rereading forces you to spend time, at claustrophobically close range, with your earnest, anxious, pretentious, embarrassing former self, a person you thought you had left behind but who turns out to have been living inside you all along.

Bit by bit, he has pared down his desires to what is now approaching a bare minimum. He has cut out smoking and drinking, he no longer eats in restaurants, he does not own a television, a radio, or a computer. He would like to trade his car in for a bicycle, but he can’t get rid of the car, since the distances he must travel for work are too great. The same applies to the cell phone he carries around in his pocket, which he would dearly love to toss in the garbage, but he needs it for work as well and therefore can’t do without it. The digital camera was an indulgence, perhaps, but given the drear and slog of the endless trash-out rut, he feels it is saving his life. His rent is low, since he lives in a small apartment in a poor neighborhood, and beyond spending money on bedrock necessities, the only luxury he allows himself is buying books, paperback books, mostly novels, American novels, British novels, foreign novels in translation, but in the end books are not luxuries so much as necessities, and reading is an addiction he has no wish to be cured of.

You told me you read e-books because paperbacks take up too much space in your luggage.

Life's a book filled on pages Just awaiting to be written. Some don't open it for ages, Maybe afraid of being bitten.

Fanfiction belongs online, books are published to be held.

Paperbacks make the world go round. Okay, maybe only my world. Either way paperbacks rock!

Hey Sarge, remember me? -Ravi Singh

He always had a paperback book, usually history, in his jacket pocket in case he found himself in a queue or a waiting room. He marked what he read with a pencil stub.

In 1939, fewer than two hundred thousand paperback books were sold in the United States; by 1943, this number had climbed to over forty million.

A paperback book was wrapped around Barney's massive index finger as he held his place.

Fifty Shades Trilogy is available in paperback, eBook, Spanish-language, and audio, and in deluxe hardcover editions featuring elegant silver-embossed jackets and bindings, red silk ribbon

Carol would not be a bad one to [settle down] with. She's pretty and bright, and maybe this is what love is. She's good company: her interests broaden almost every day. She reads three books to my one, and I read a lot. We talk far into the night. She still doesn't understand the first edition game: Hemingway, she says, reads just as well in a two-bit paperback as he does in a $500 first printing. I can still hear myself lecturing her the first time she said that. Only a fool would read a first edition. Simply having such a book makes life in general and Hemingway in particular go better when you do break out the reading copies. I listened to myself and thought, This woman must think I'm a government-inspected horse's ass. Then I showed her my Faulkners, one with a signature, and I saw her shiver with an almost sexual pleasure as she touched the paper where he signed. Faulkner was her most recent god[.]

On the fourth night, just as I was facing the dismal prospect of finishing my only book and thereafter having nothing to do in the evenings but lie in the half light and listen to Katz snore, I was delighted, thrilled, sublimely gratified to find that some earlier user had left a Graham Greene paperback. If there's one thing the AT teaches, it is low level ecstasy, something we can all do with more of in our lives

Paperback and buckram books decorated the floor, torn open to leave loose pages lying about like the useless guts of an eviscerated animal. Fury smoldered deep down inside my stomach, as if I were looking at heaps of dead children lying about the room instead. Books were my children. It was sacrilegious. Hundreds

I was coming up on a cross street when a man wearing a filthy suit stepped out from around the corner of the building ahead and directly into my path. Bent with age, he turned bleak red eyes to me and stared. Pressed with his chest to both hands he carried a paperback book as soiled and bereft as his suit. Are you one of the real ones or not? he demanded. And after a moment, when I failed to answer, he walked on, resuming his sotto voce conversation. A chill passed through me. Somehow, indefinably, I felt, felt with the kind of baffled, tacit understanding that we have in dreams , that I had just glimpsed one possible future self.

Sell through multiple channels. Readers like plenty of choice when they go to purchase their books. Your book should be available in a variety of formats such as every type of Ebook paperback, hardcover and audiobook.

I remembered talking with a writer friend who lived in Otisfield and supported his wife and two kids by raising chickens and turning out one paperback original a year — spy stories. We had gotten talking about the bulge in popularity of books concerning themselves with the supernatural. Gault pointed out that in the forties Weird Tales had only been able to pay a pittance, and then in the fifties it went broke. When the machines fail, he had said (while his wife candled eggs and roosters crowed querulously outside), when the technologies fail, when the conventional religious systems fail, people have got to have something. Even a zombie lurching through the night can seem pretty cheerful compared to the existential comedy/horror of the ozone layer dissolving under the combined assault of a million fluorocarbon spray cans of deodorant.

What do you have to forget or overlook in order to desire that this dysfunctional clan once more occupies the White House and is again in a position to rent the Lincoln Bedroom to campaign donors and to employ the Oval Office as a massage parlor? You have to be able to forget, first, what happened to those who complained, or who told the truth, last time. It's often said, by people trying to show how grown-up and unshocked they are, that all Clinton did to get himself impeached was lie about sex. That's not really true. What he actually lied about, in the perjury that also got him disbarred, was the women. And what this involved was a steady campaign of defamation, backed up by private dicks (you should excuse the expression) and salaried government employees, against women who I believe were telling the truth. In my opinion, Gennifer Flowers was telling the truth; so was Monica Lewinsky, and so was Kathleen Willey, and so, lest we forget, was Juanita Broaddrick, the woman who says she was raped by Bill Clinton. (For the full background on this, see the chapter 'Is There a Rapist in the Oval Office?' in the paperback version of my book No One Left To Lie To. This essay, I may modestly say, has never been challenged by anybody in the fabled Clinton 'rapid response' team.) Yet one constantly reads that both Clintons, including the female who helped intensify the slanders against her mistreated sisters, are excellent on women's 'issues.

When I had no books and had to learn everything I needed off by heart, and when I had to hide what books I had, I promised myself a library filled with the best editions I could afford. I have it now. Books bought out of books. A red room with deep chairs and a fireplace lit. Books of every kind, but no paperbacks, and certain shelves where First Editions are. This is not my study, where there are plenty of paperbacks, it is a contemplative island cut off from busyness, set outside of time.

Book in bath. Paperbacks are ideal, obviously, and the worst that can happen is you have to dry it out on the radiator (all my children’s handed-down Harry Potters are utterly warped), but I read a lot on my e-reader and I will let you into a secret: I turn the pages with my nose. You may not have been blessed with a magnificent Scots-Italian Peter Capaldi nose like me, but with a bit of practice you should soon find it’s perfectly possible to keep one of your hands in the water and turn the pages at the same time.

Carefully squeezing through the forest of adults that crowded the aisles, feeling like an intruder in a forbidden temple, he cautiously pushed deeper into the newsstand and found a new paperback by a writer whose novel about vampires he had read and reread until the cover was falling apart. There had been an all-black cover on the vampire book. This new one gleamed like polished chrome. It was called THE SHINING, but it cost $2.50 and he had spent all but $1.25 of his weekly allowance on some STAR WARS stuff at the mall.

Before we'd arrived, I'd asked my brother to stock our room with paperback classics and murder mysteries - Jamie Watson's poison, if you'll excuse the expression - and I hope that he'll be engrossed enough in Slaughterhouse 5 to not notice that, from time to time, I would slip out to do some work on my own. The fact that Milo ordered those books in German is an unfunny joke and hardly my fault.

CHIEF LAMBIASE IS a frequent visitor to the store, and to justify these visits, he buys books. Because Lambiase doesn’t believe in wasting money, he reads the books, too. At first, he had mainly bought mass-market paperbacks—Jeffery Deaver and James Patterson (or whoever writes for James Patterson)—and then A.J. graduates him to trade paperbacks by Jo Nesbø and Elmore Leonard. Both authors are hits with Lambiase, so A.J. promotes him again to Walter Mosley and then Cormac McCarthy. A.J.’s most recent recommendation is Kate Atkinson’s Case Histories.

They're going to burn this complete collection of MacDonald's children's book There's a new translation out in paperback but I've always dreamed of eating the entire twelve-volume set in hardcover I refuse to watch something so delicious get turned to charcoal right in front of me

My favorite book is The Mysterious Island. I order my books from a flimsy catalog the teacher hands out to every student in the class. Emil and the Detectives. White Fang. Like that. Money is tight for us, but when it comes to books my mother is a spendthrift; I can order as many as I like. I sit here day after day, waiting for my books to arrive. My books. It takes a month or more, but when they finally do, when the teacher opens the big box and passes out the orders to the kids, checking the books against a form taken from her desk, I glow with happiness. I've never had the newest dress, or the prettiest, but I always have the tallest stack of books. Little paperbacks that smell of wet ink. I lay my cheek against their cool covers, anticipating the stories inside, knowing all the other girls wonder what I could possibly want with those books.

Americans purchased about 25 percent more books in 1943 than they did in 1942. The new paperback format was a hit, as Americans craved simple pleasures in times of peril. This increase in book buying was indicative of an expanded market of book buyers. As Time magazine observed, by 1943, “book-reading and book-buying reached outside the narrow quarters of the intellectuals and became the business of the whole vast literate population of the U.S.” No longer were books linked to wealth and status: they had become a universal pastime and a fitting symbol of democracy.

Even a paperback printed on acidic paper, whose pages have yellowed ten years on, can still be read, no matter how badly the spine is cracked or how inflated it's become from being dropped in the bathtub. The pages might separate from the spine, but a rubber band can keep them together. You may loan a book to your circle of closest friends, but shoes are another matter. A great book will never go out of style - books go with every outfit.

Pick one,” he says just as I reach the handle. “One what?” He nods toward the shelves. I run my hands over my face in frustration. “You drive me insane.” I move toward the shelf and look over his collection. I pause when I see a few familiar titles. “You have a whole romance section.” I giggle and pull a book from the shelf. When I open it, a receipt falls to the floor. Inspecting it, I see he’s just bought ten books and spent a few hundred dollars opting for some pricy hardcovers over paperbacks. “You just bought these?” Upon closer inspection, I see most of them are romance titles by my favorite indies. There’s also a few suspense and an older historical, all of them titles from a familiar list that I wrote on a bookmark in my bedroom. When he was in my house, he had to have snooped in my room while Sean was distracting me. “You looked through my stuff?” He keeps his eyes on his book. It’s a stupid question. And the answer is so obvious, but I can’t help myself. “You bought these for me?” Silence. And again, I’m floating off the ground as he continues to read, feigning indifference. But I know differently now, and it changes everything. Beneath that mask is a man who’s been paying attention, very close attention to me. He turns another page and pulls an empty pillow closer to his shoulder. He wants me to read, with him, in his bed. And what better way to pass a day in stormy weather than curling up with a gorgeous man and getting lost in the words.

Choosing a color for your paperback book cover feels like entering a mall and seeing a dress you love, just your size, and available in a number of colors – each of which is lovely in its own manner – so you want them all! ...But you must choose only one... Isn't this one of the hardest choices to make? :-)

Early in 1967 Highsmith's agent told her why her books did not sell in paperback in America. It was, said Patricia Schartle Myrer, because they were 'too subtle', combined with the fact that none of her characters were likeable. 'Perhaps it is because I don't like anyone,' Highsmith replied. 'My last books may be about animals'.

Reacher looked at the books on the tables. He read when he could, mostly through the vast national library of lost and forgotten volumes. Battered paperbacks mostly, all curled and furry, found in waiting rooms or on buses, or on the porches of out-of-the-way motels, read and enjoyed and left somewhere else for the next guy. He liked fiction better than fact, because fact often wasn’t. Like most people he knew a couple of things for sure, up close and eyeballed, and when he saw them in books they were wrong. So he liked made-up stories better, because everyone knew where they were from the get-go. He wasn’t strict about genre. Either shit happened, or it didn’t. Chang

She planned to fix herself a cup of lemon-ginger tea and pick a book from the stack on her coffee table. It didn’t matter which title she chose, every book had something unique to offer. They were memories she’d yet to make. Worlds she’d yet to discover. Friends she’d yet to meet. And she was looking forward to making their acquaintance.

The shop was quiet until about 11.30 a.m., when a few people began to trickle in. After lunch a teenage girl – who had been sitting by the fire reading for an hour – brought three Agatha Christie paperbacks to the counter; the total came to £8. She offered me a limp fiver and said, ‘Can I have them for £5?’ I refused, telling her that the postage on Amazon alone would come to £7.40. She wandered off muttering about getting them from the library. Good luck with that: Wigtown library is full of computers and DVDs and not a lot of books

They visited a bookshop and each bought a paper-back thriller to read in bed.

To paint her would have driven me to madness.

The minutes ticked past. This is why peelers need a book. A wee paperback to stick in your pocket.

The book was a challenge, a secondhand paperback crammed with huge and violent emotions in small crowded type on waterlogged pages.

A used bookstore. Paperback carnage. Books ripped apart, spines broken pages everywhere. Stories so far past their usefulness.

People bring you books, cheap paperbacks, when you’re in the hospital: this was how I found out that I hate mystery novels.

in his mind nearly everyone seemed to be noticing him in the same way that he was focusing on himself.

Archie, I am so sorry to have hit you with a hardback book,’ I say. ‘I will use a paperback next time.

Technically, you cannot really own a book you bought; you can only own the sheets of paper your copy is printed on; unless, of course, you are the book’s publisher.

Isn't Fate Artistic?

A book, then," I say, walking over to the stack of paperbacks. "I've come to realize it's a wonderful way to pass the time.

When she came back she gave him a paperback called Commonwealth. “It was a very big deal last year, won the National Book Award, sold through the roof. Do you know it?

CUSTOMER: (holding up a paperback) If I buy this book, can I transfer it onto my friend’s Kindle? BOOKSELLER: ... No. CUSTOMER: Oh. How do they put physical books on a Kindle, then? Is it like that part in the film of Charlie and the Chocolate Factory, where Mike Teavee wants to become part of television, and he flies over everyone’s heads in tiny little pieces?

Nine years ago, my sister handed me a paperback she had picked up in an airport shop on her way to India. It was a gloomy-looking book, with a black an white photo of a steam train approaching through fog on the cover. Cutting across the top of the photo was . . . an author's name I did not know: J.K. Rowling. I began to read the novel and by page three, I was hooked.

What’s your favorite book?” Doubt colors my voice. “If you have a favorite, I don’t trust you. Any book lover has at least five they can name off the top of their head.” His blue eyes hold mine. Oh, wow. This guy actually likes reading. He grins when I roll my eyes with little effort, not putting much sass behind it. “All right. Name your top author then since you’re such a scholar.” My voice rasps. I imagine him in bed, blonde hair ruffled while he rocks reading glasses and a thick paperback because he’d rather be practical than carry a heavy hardcover. Sigh. Damn him and his nerdy secret. “Brandon Sanderson. No questions asked.” His voice drops. “A man who prefers to live in a fantasy. How cute.” “I’d be your best fantasy, no book needed.

OUTLANDER A Delta Book PUBLISHING HISTORY Delacorte Press hardcover edition published 1991 Delta trade paperback edition/July 2001 Published by Bantam Dell A Division of Random House, Inc.

That moment you finish a book, look around, and realize that everyone else is just getting on with their lives as though you didn't just experience emotional trauma at the hands of a paperback

This would require an e-book reader that is as easy to read as a traditional book, durable to abuse as much as we abuse paperbacks and cheap enough that when you lose it, you can buy another one

That moment when you finish a book, look around, and realize that everyone is just carrying on with their lives ... As though you didn't just experience emotional trauma at the hands of a paperback

You might have noticed that I have been sending you used books. I have done this not to save money, but to make a point which is that a used book, unlike a used car, hasn't lost any of its initial value. A good story rolls of the lot into the hands of its new reader as smoothly as the day it was written. And there's another reason for these used paperbacks that never cost much even when new; I like the idea of holding a book that someone else has held, of eyes running over lines that have already seen the light of other eyes. That, in one image, is the community of readers, is the communion of literature.

Actually, he hadn’t just complained; she’d come home from school one afternoon and found him stabbing his paperback edition with a steak knife, the tip of the blade penetrating the cover and sinking far enough down into the early chapters that he sometimes had trouble pulling it out. When she asked him what he was doing, he explained in a calm and serious voice that he was trying to kill the book before it killed him.

For a while they sat without talking. Anna got her daypack and dug out a paperback copy of Ivanhoe. It produced a book’s inevitable effect. In cats it stimulated the urge to sit on the pages. In humans it stimulated conversation.

All I want really big and rock-hard on a guy is his IQ, and what I consider to be hardcore porn is a picture of a guy reading a book with a hard cover. Soft-core porn is a paperback, and browsing Amazon is my version of PornHub, okay?

Is anything illegal here?' Addison asked. 'Library late fines are stiff. Ten lashes a day, and that's just for paperbacks. 'There's a library?' 'Two. Though one won't lend because all the books are bound in human skin and quite valuable.

There was dusting and sweeping to do, books to be put away. Lovely books. It didn't matter to Dick if they were serious leather-bound tomes or paperbacks with garish covers. He loved them all, for they were filled with words, and words were magic to this hob. Wise and clever humans had used some marvelous spell to imbue each book with every kind of story and character you could imagine, and many you couldn't. If you knew the key to unlock the words, you could experience them all - Pixel Pixies

And long gone are the days when a paperback meant a Penguin, pure and simple, let alone when a paperback publisher could confidently market a product with no image at all on the cover - just the title and the author's name, emphatically lettered. Beautiful.

One of the strongest motivations for rereading is purely selfish: it helps you remember what you used to be like. Open an old paperback, spangled with marginalia in a handwriting you outgrew long ago, and memories will jump out with as much vigor as if you’d opened your old diary. These book-memories, says Hazlitt, are ‘pegs and loops on which we can hang up, or from which we can take down, at pleasure, the wardrobe of a moral imagination, the relics of our best affections, the tokens and records of our happiest hours.’ Or our unhappiest. Rereading forces you to spend time, at claustrophobically close range, with your earnest, anxious, pretentious, embarrassing former self, a person you thought you had left behind but who turns out to have been living inside you all along.

Beyond that -- don't ever apologise to an author for buying something in paperback, or taking it out from a library (that's what they're there for. Use your library). Don't apologise to this author for buying books second hand, or getting them from bookcrossing or borrowing a friend's copy. What's important to me is that people read the books and enjoy them, and that, at some point in there, the book was bought by someone. And that people who like things, tell other people. The most important thing is that people read...

The Caitlin books, which ran as a set of three trilogies (Loving, Promises, and Forever) published between 1985 and 1988, chart a decade or so in the life of the beautiful, terrible poor little rich girl as she repeatedly breaks up and makes up with her first love, Montana-based hunk Jed (Jed!), rides many horses, drives many luxury cars, is emotionally neglected by her family, accidentally lets an elementary schooler eat poison (it’s okay, he survives, everyone calm down!), gets trapped in a mine, reconnects with her long-lost father, goes to college, is forced against her will to become a successful model, gets trapped in a barn fire, is forced against her will to become the head of a successful mining company, and is the subject of numerous unsuccessful plots by evil men who wish to “ruin” her.

Grampa’s long beard was serving as a bookmark in a well-thumbed paperback with a Western-themed cover. I never knew what would catch Grampa’s fancy in the book department. He was as likely to be caught reading a gothic romantic suspense as he was a snowblower repair manual.

Dogs are mute and obedient, but they have watched us and know us and can smell how pitiful we are. It should astonish us, move us, overwhelm us that our dogs continue, incredibly, to follow us and obey us. Maybe they despise us. Maybe they forgive us. Or maybe they like having no responsibility. We’ll never know. Maybe they see us as some sort of unfortunate race of overgrown, misshapen beings, like huge sluggish beetles. Not gods. Dogs must have seen through us, they must possess a crushing insight that thousands of years of obedience holds in check.

The wooden shelves were tall and packed with worn covers of books read many times over. Pages were yellowed and paperbacks had arched spines like old sway-backed horses. It was an old folks' home for secondhand books, with that smell of old newsprint and slightly musty wood smell.

I know this sounds like quite a pile. I know, too, that some of you will wonder why I don't just buy a Kindle. I see your point, but the trouble is that to do so would be to forgo the pleasure of the moment when, years in the future, sand falls from the pages of an old book, and you suddenly remember the Isle of Wight and A Passage to India, a Greek island and The Map of Love, or whatever. For me, a ghostly trace of Ambre Solaire rising from the pages of a sun-bleached paperback is a way back to the past: to favourite stories as much as to favourite beaches.

That evening, in her apartment, still in Warsaw, Ana takes down a book from her shelf – a rather thick, ordinary paperback. It looks old, because it's worn out and somehow shabby. But it's not ordinary. I can tell by the way she handles it so carefully, like something unique. 'This is the book I told you about,' she says, holding out the Anthology of Feminist Texts, a collection of early American feminist essays, 'the only feminist book translated into the Polish language,' the only such book to turn to when you are sick and tired of reading about man-eater/man-killer feminists from the West, I think, looking at it, imagining how many women have read this one copy. 'Sometimes I feel like I live on Jupiter, among Jupiterians, and then one day, quite by chance, I discover that I belong to another species. And I discover it in this book. Isn't that wonderful.

As much as we all want Mateo and Rufus to live forever, granting them some easy way out would’ve been a major disservice to their journey—and being inspired by their journey to treat our own days like lifetimes is what I believe to be the point of the book. {From bonus essay in paperback release.}

Yet Romney’s swagger went only so far. When the paperback version of his book hit shelves that February, observers noted that one line from the hardback, about the success of Romneycare, had been expunged: the author’s hopeful boast that “we can accomplish the same thing for everyone in the country.

When other girls had tea parties on the playground, I brought out my secondhand Ouija board and attempted to raise the dead. While my classmates gave book reports on The Wind In The Willows or Charlotte’s Web, I did mine on tattered, paperback copies of Stephen King novels that I’d borrowed from my grandmother. Instead of Sweet Valley High, I read books about zombies and vampires. Eventually, my third grade teacher called my mother in to discuss her growing concerns over my behavior, and my mom nodded blithely, but failed to see what the problem was. When Mrs. Johnson handed her my recent book report on Pet Sematary,, my mom wrinkled her forehead with concern and disapproval. "Oh, I see,"she said disappointingly, as she turned to me. "You spelled ‘cemetery’ wrong.” Then I explained that Stephen King had spelled it that way on purpose, and she nodded, saying, “Ah. Well, good enough for me.

Poppy used to share the room with her older sister, and piles of he sister's outgrown clothes still remained spread out in drifts, along with a collection of used makeup and notebooks covered in stickers and scrawled with lyrics. A jumbled of her sister's old Barbies were on top of a bookshelf, waiting for Poppy to try and fix their melted arms and chopped hair. The bookshelves were overflowing with fantasy paperbacks and overdue library books, some of them on Greek myths, some on mermaids, and a few on local hauntings. The walls were covered in posters-Doctor Who, a cat in a bowler hat, and a giant map of Narnia.

At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap

I have just published a revised version of my book for Kindle and it will be available soon. When it is, I will make a formal announcement. The story is the same but without the noticeable errors. The revised paperback is already available, Thank you for your patience and thanks to all who are reading "A Woman Of Courage.

For a bit, he picked up the paperbacks, thumbed the worn edges. Military thrillers. Books with clear right and wrong where the good guys always won in the end. Zero or hero. A part of Telly clearly wanted to be the hero. The brother who’d saved his sister. The troubled teen who, according to his PO, was trying to do better.

Sometimes, after they'd done the shopping, they would stop, each with his or her cart, in front of a bookstore that carried the paperback edition of his book. His wife would point to it and say: you're still there. Invariably, he would nod and then they would continue browsing the mall stores. Did he know her or didn't he? He knew her, of course he did, it was just that sometimes reality, the same little reality that served to anchor reality, seemed to fade around the edges, as if the passage of time had a porous effect on things, and blurred and made more insubstantial what was itself already, by its very nature, insubstantial and satisfactory and real.

But if that great method of promoting our books is less effective than it was even six month ago, what options are left open to us? We need to make our books work harder. We need to make each book available in multiple formats – eBook, paperback, audio – and promote it cleverly and inexpensively. Then move on to the next book. Keep writing, that’s key.

I was condemned to be burnt myself recently, or my books were. An article in the _Catholic Herald_ said that my _His Dark Materials_ was "far more worthy of the bonfire than Harry [Potter]"; it was "a million times more sinister." Naturally, I'm very proud of this distinction, and I asked the publishers to print it in the paperback of _The Subtle Knife_.

Queen Gunnhild waves away the advice with a pale hand. "I can't abide that scourge sneaking around the Chateau, killing everyone that comes within an inch of its evil presence. That building and its surrounds are Nord Property and we are in dire need of an outpost so near the Gray Sea again. It's time to end this, return a presence to a southern territory.

He would read as his supper cooked over a small, smokeless campfire, it didn’t matter what: words from some battered and coverless paperback porno novel, or maybe Mein Kampf, or an R. Crumb comic book, or one of the baying reactionary position papers from the America Firsters or the Sons of the Patriots. When it came to the printed word, Flagg was an equal opportunity reader.

It was filled with books. That was the first thing I noticed when I went in—how many books there were. Three of the four walls were lined with shelves from the floor to the ceiling, and every inch of those shelves was crammed with books. There were further clusters and piles of them on chairs and tables, on the rug, on the desk. Hardcovers and paperbacks, new books and old books

Just down the street from his apartment, Allen discovered the perfect independent bookstore. It was the first in the country to sell nothing but paperbacks. Until that time, cheap paperback books were not sold in “real” bookstores, but instead were relegated to spinning racks in drugstores and bus stations. They were usually stocked without any regard for the quality of the literature, and finding a good book was hit or miss. This particular bookstore had been founded in 1953 by Peter Martin, the publisher of a little magazine christened City Lights in honor of the Charlie Chaplin film of the same name. Martin had decided to open a store to subsidize the magazine, and while he was putting the sign over the door, a thirty-four-year-old man passed by and struck up a conversation.

Puffin is over seventy years old. Sounds ancient, doesn’t it? But Puffin has never been so lively. We’re always on the lookout for the next big idea, which is how it began all those years ago. Penguin Books was a big idea from the mind of a man called Allen Lane, who in 1935 invented the quality paperback and changed the world. And from great Penguins, great Puffins grew, changing the face of children’s books forever. The first four Puffin Picture Books were hatched in 1940 and the first Puffin story book featured a man with broomstick arms called Worzel Gummidge. In 1967 Kaye Webb, Puffin Editor, started the Puffin Club, promising to ‘make children into readers’. She kept that promise and over 200,000 children became devoted Puffineers through their quarterly instalments of Puffin Post.

Poetry must be available to the public in far greater volume than it is. It should be as ubiquitous as the nature that surrounds us, and from which poetry derives many of its similes; or as ubiquitous as gas stations, if not as cars themselves. Bookstores should be located not only on campuses or main drags but at the assembly plant’s gates also. Paperbacks of those we deem classics should be cheap and sold at supermarkets. This is, after all, a country of mass production, and I don’t see why what’s done for cars can’t be done for books of poetry, which take you quite a bit further. Because you don’t want to go a bit further? Perhaps; but if this is so, it’s because you are deprived of the means of transportation, not because the distances and the destinations that I have in mind don’t exist.

She endured a contentious and passionate relationship with this library. The huge number of books confirmed how much magic she’d been denied for most of her life, and now she hungrily wanted to read every book on every shelf. An impossible task, to be sure, Herculean in its exaggeration, but Corliss wanted to read herself to death. She wanted to be buried in a coffin filled with used paperbacks. She

I need fiction, I am an addict. This is not a figure of speech. I don’t quite read a novel a day, but I certainly read some of a novel every day, and usually some of several. There is always a heap of opened paperbacks face down near the bed, always something current on the kitchen table to reach for over coffee when I wake up. Colonies of prose have formed in the bathroom and in the dimness of the upstairs landing, so that I don’t go without text even in the leftover spaces of the house where I spend least time….I can be happy with an essay or a history if it interlaces like a narrative, if its author uses fact or impression to make a story-like sense, but fiction is kind, fiction is the true stuff….I don’t give it up. It is entwined too deeply within my history, it has been forming the way I see for too long.

He hands me a book- paperback cover with a picture of the bay. I flip through, find picture after picture from my month in Felicity Bay, all those *beep* *click* *beep* times that Daniel captured, put in a book - a baby crab, mermaid hair, Froot Loops, sandy toes, tree house, and even stained glass windows, and a chalice - moments of significance, ordinary things that turned out to be extraordinary." -Bailey

I found the world of the Little House books to be so much less confusing, not just because it was "simpler," as plenty of people love to insist, but because it reconciled all the little contradictions of my modern girlhood. On the Banks of Plum Creek clicked with me especially, with its perfect combination of pinafores and recklessness. (I will direct your attention to the illustration on page 31 of my Plum Creek paperback, where you will note how fabulous Laura looks as she pokes the badger with a stick; her style is casual yet feminine, perfect for precarious nature adventures!) At an age when I found myself wanting both a Webelos uniform and a head of beautiful Superstar Barbie hair, On the Banks of Plum Creek was a reassuring book. Being a girl sometimes made more sense in Laura World than it did in real life.

Underline in your books, jot notes in the margins, and turn the corners of your pages down. Public education is a beautiful dream, but public classrooms too often train students not to mark, write in, disfigure, or in any way make books permanently their own. You're a grownup now, so buy your own books if you possibly can. In my opinion, a cheap paperback filled with your own notes is worth five times as much as a beautiful collector's edition.

all good things beyond sleep come precisely because we defy gravity while we live. Besides, somewhere in the basement of The Jolly Corner to this day, mildewing amidst the pages of an equally mildewed paperback, is a 3-x-5 card on which I had scribbled this quote from Flaubert: Books aren’t made the way babies are: they are made like pyramids. There’s some long-pondered plan, and then great blocks of stone are placed one on top of the other, and it’s back-breaking, sweaty, time-consuming work. And all to no purpose! It just stands there on the desert! But it towers over it prodigiously. Jackals piss at the base of it, and the bourgeois clamber to the top of it, etc. Continue this comparison. I was eight when I jotted down that quote, but even then, the part I enjoyed the most was the delightful “Continue this comparison.” And even then, I understood at once that the pissing jackals were critics.

The boy ran away from home one night. He ran with no plans. In his backpack were a bag of Cheerios taken out of the box, a pair of socks, and two Goosebumps paperbacks. Although he could not read chapter books yet, he knew how far a story could take him, and holding these books meant there were at least two more worlds he could eventually step into. But because he was ten, he made it only to the playscape behind his elementary school twenty minutes away.

Horror is a woman’s genre, and it has been all the way back to the oldest horror novel still widely read today: Frankenstein by Mary Shelley, daughter of pioneering feminist author Mary Wollstonecraft. Ann Radcliffe’s gothic novels (The Mysteries of Udolpho, The Italian) made her the highest-paid writer of the late eighteenth century. In the nineteenth century, Mary Elizabeth Braddon and Charlotte Riddell were book-writing machines, turning out sensation novels and ghost stories by the pound. Edith Wharton wrote ghost stories before becoming a novelist of manners, and Vernon Lee (real name Violet Paget) wrote elegant tales of the uncanny that rival anything by Henry James. Three of Daphne du Maurier’s stories became Hitchcock films (Jamaica Inn, Rebecca, The Birds), and Shirley Jackson’s singular horror novel The Haunting of Hill House made her one of the highest-regarded American writers of the twentieth century.

She did have one book—a thick paperback snatched up in passing, until that moment something bought years ago and never read, perhaps it was meant for this kind of situation: Manzoni’s I Promessi Sposi, in translation as The Betrothed. She did not want to begin it because what would happen when she had read it? There was no other. Then she overcame the taboo (if she did not read, they would find a solution soon; if she did read the book, they would still be here when it was finished).

Lass.' Saga turned away to hide her smile. How like a fairy tale, that word. Rapunzel. A tall tower by a deep emerald lake. A dark green word, 'lass.' As she turned, she saw the bookcase beside the armchair- right out there in the garden! It was filled with with paperback books that looked as if they'd been read about a hundred times each. She saw Pride and Prejudice, she saw Middlemarch and The Quiet American. Titles she had seen forever on the shelves in Uncle Marsden's house. "What if it rains when you're not looking?" "These are the books everyone likes to read again and again, books you can lose because they'll reappear the minute you turn your back. They replace themselves," he said. Saga pictured this man with the dashing accent as the rescuer of Rapunzel. It was't outrageous in the least. He was handsome enough, though neither tall nor dark. His skin and hair were faintly golden, or they had been once upon a time, and his hands were long and slim like the hands of a prince. Piano hands, Aunt Liz would have said.

Life of a software engineer sucks big time during project release. Every single team member contribution is very important. At times, we have to skip breakfast, lunch and even dinner, just to make sure the given ‘TASK’ is completed. Worst thing, that’s the time we get to hear wonderful F* words. It can be on conference calls or on emails, still we have to focus and deliver the end product to a client, without any compromise on quality. Actually, every techie should be saluted. We are the reason for the evolution of Information Technology. We innovate. We love artificial intelligence. We create bots and much more. We take you closer to books. Touch and feel it without the need of carrying a paperback. We created eBook and eBook reader app: it’s basically a code of a software engineer that process the file, keeps up-to-date of your reading history, and gives you a smoother reading experience. We are amazing people. We are more than a saint of those days. Next time, when you meet a software engineer, thank him/her for whatever code he/she developed, tested, designed or whatever he/she did!

—Now please please no please don’t tell me now Crow Books, too…?  I loved that place, the paperbacks shoved behind the other paperbacks on the metal racks because there wasn’t space, the mostly sense that they just want to have all those nice books in there for you, waiting for you if you want - need - to discover something, and the bad lighting, and the rumply chair with its bottom rupturing stuff, and Mr. Shelling and his rectangular mustache and no employee recommendations and discovering Denis Johnson and Virgin Suicides and I just can’t, I can’t—

I was wondering how Ms. Hetley, who seemed to occupy just about every slot on the New York Times hardback, paperback, and e-book bestseller lists, had managed to wring eight five-hundred-page installments out of the concept of wars between rival gangs of vampires and wizards when it seemed obvious to me that all a wizard would have to do to kick a vampire's ass was pounce on it during the day while it was sleeping. How could anyone take this stuff seriously, I wondered. Hetley's graphic depictions of wizard-on-vampire sex, which was creating a bloodthirsty, mutant race of evil, soulless 'vampards', seemed absurd.

There are many ways to measure a year, but the reader is likely to measure it in books. There was the novel that felt as fresh and full of promise as the new year in January, the memoir read on the bus to and from work through the grey days of March, the creased paperback fished from a pocket in the park in May, the stacks of books thumbed through and sandy-paged, passed around at the beach in August, the old favorite read by light coming in the window in October, and the many books in between. And when we each look back at our own years in reading, we are almost sure to find that ours was exactly like no other reader’s.

Ours is a society so immersed in the sea of video reactions that there are little old ladies out there who know Hoss Cartwright is more real than their next door neighbors. Everyone of value to them is an image. A totem. A phosphor-dot wraith whose hurts and triumphs are created from the magic of a scenarist’s need to make the next payment on his Porsche. (I recommend a book titled Bug Jack Barron by Norman Spinrad, for a more complete, and horrifying analysis of this phenomenon. It’s an Avon paperback, so it shouldn’t trouble you too much to pick it up.) But because of this acceptance of the strangers who appear on the home screen, ours has become a society where shadow and reality intermix to the final elimination of any degree of rational selectivity on the part of those whose lives are manipulated: by the carnivores who flummox them, and the idols they choose to worship. I don’t know that there’s any answer to this. If we luck out and we get a John Kennedy or a Leonard Nimoy (who, strangely enough, tie in to one another by the common denominator of being humane), then we can’t call it a bad thing. But if we wind up with a public image that governs us as Ronald Reagan and Joe Pyne govern us, then we are in such deep trouble the mind turns to aluminum thinking of it.

By the end of that summer in Ashcroft my father had nearly run out of stories. He’d almost read his father’s full library and arrived at last at Moby Dick. The edition I have is a Penguin paperback (Book 2,333, Herman Melville, Penguin, London). It’s been well-thumbed, at least triple-read, there’s that smell the fat orange-spine Penguins get when their pages have yellowed and the book bulges, basically the smell of complex humanity, sort of sweat and salt and endeavour. Like all the fat orange Penguins, it gets fatter with reading, which it should, because in a way the more you read it the bigger your own experience of the world gets, the fatter your soul. Try it, you’ll see.

Crossing my arms over my chest, I said, a little too heartily, “So this is the library.” There certainly couldn’t be any doubt on that score; never had a room so resembled popular preconception. The walls were paneled in rich, dark wood, although the finish had worn off the edges in spots, where books had scraped against the wood in passing one too many times. A whimsical iron staircase curved to the balcony, the steps narrowing into pie-shaped wedges that promised a broken neck to the unwary. I tilted my head back, dizzied by the sheer number of books, row upon row, more than the most devoted bibliophile could hope to consume in a lifetime of reading. In one corner, a pile of crumbling paperbacks—James Bond, I noticed, squinting sideways, in splashy seventies covers—struck a slightly incongruous note. I spotted a moldering pile of Country Life cheek by jowl with a complete set of Trevelyan’s History of England in the original Victorian bindings. The air was rich with the smell of decaying paper and old leather bindings. Downstairs, where I stood with Colin, the shelves made way for four tall windows, two to the east and two to the north, all hung with rich red draperies checked with blue, in the obverse of the red-flecked blue carpet. On the west wall, the bookshelves surrendered pride of place to a massive fireplace, topped with a carved hood to make Ivanhoe proud, and large enough to roast a serf. In short, the library was a Gothic fantasy.

I pulled Slayer from its sheath and pushed the door open with my fingertips. It swung soundlessly on well-greased hinges. Through the hallway, I saw the living room lamp glowing with soothing yellow light. I smelled coffee. Who breaks into a house, turns on the lights, and makes coffee? I padded into the living room on soft feet, Slayer ready. “Loud and clumsy, like a baby rhino,” said a familiar voice. I stepped into the living room. Curran sat on my couch, reading my favorite paperback. His hair was back to its normal short length. His face was clean shaven. He looked nothing like the dark, demonic figure who shook a would-be god’s head on a field a month ago. I thought he had forgotten about me. I had been quite happy to stay forgotten. “The Princess Bride?” he said, flipping the book over. “What are you doing in my house?” Let himself in, had he? Made himself comfortable, as if he owned the place. “Did everything go well with Julie?” “Yes. She didn’t want to stay, but she’ll make friends quickly, and the staff seems sensible.” I watched him, not quite sure where we stood. “I meant to tell you but haven’t gotten a chance. Sorry about Bran. I didn’t like him, but he died well.” “Yes, he did. I’m sorry about your people. Many losses?” A shadow darkened his face. “A third.” He had taken a hundred with him. At least thirty people had never come back. The weight of their deaths pressed on both of us. Curran turned the book over in his hands. “You own words of power.” He knew what a word of power was. Lovely. I shrugged. “Picked up a couple here and there. What happened in the Gap was a one shot deal. I won’t be that powerful again.” At least not until the next flare. “You’re an interesting woman,” he said. “Your interest has been duly noted.” I pointed to the door. He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.” My mouth gaped open. He inhaled my scent, bent close, about to kiss me . . . I just stood there like an idiot. Curran smirked and whispered in my ear instead. “Psych.” And just like that, he was out the door and gone. Oh boy.

Studying the Bible requires hard work. It takes self-discipline and due diligence. It requires prayerful consideration of the text you are reading, along with the remote text of the other books. Reading the Bible is not a casual read like reading a paperback novel or the daily newspaper. The Bible is a rich, deep, literary, living gold-mine filled with everything that mankind needs for life – eternal life. Studying and understanding the Bible is not for the lazy. Studying the Bible requires muscle and a shovel. It requires mental muscle and a willingness to use honest intelligence (the metaphorical shovel) to dig deep beyond all of our preconceived ideas, our false beliefs, and our comfortable traditions. Studying the Bible takes muscle and a shovel.

I listened impatiently to the wisdom of the O'Neills for about twenty minutes until I could take no more (by this time Steve and Susan had me thumbing through the paperback). I slid the book across the desk at them and said, 'This is so much shit.' That was a mistake because the word 'shit' on the lips of a pastor deeply offended their moral sensibilities. Such was the state of things among us. They took grave exception to the word SHIT, while I was expected to remain noddingly neutral toward their adultery. WELL, SHIT, I thought. Without apologizing, I tried to convince them I was merely 'upset' by the prospects of their separation. Gradually, I achieved the clinical tone that they so admired in the O'Neills and evidently expected in their country parson.

So many books. Cookbooks with garish colors, full of pictures of plump brown birds and things mummy-wrapped in bandages of bacon. Plays and slender volumes of poetry with surnames I didn’t recognize. Endless books on World War II and Adolf Hitler, branded with the ubiquitous stark and menacing swastika. The Joy Of Sex, Ribald Rhymes, Dirty Limericks, Hemingway, Mailer, Fitzgerald, Salinger. Montague Summers. Wheatley, Crowley, Castaneda. Manson. Edgar Cayce, LaVey, Margaret Murray. Abrecan Geist. Colin Wilson. Uncle John’s Bathroom Reader, many volumes. Dirty Jokes—hundreds of paperbacks with spines whitened with a thousand cracks. Lovecraft, Kuttner, Silverberg, Heinlein, and Sturgeon. Vonnegut. Older books whose names had long been rubbed from their ancient covers.

He’s a sweet guy,” Charlie says quietly. “Anyway, he let the car stuff go and started picking up paperbacks for me every time he stopped by a garage sale, or a new donation box came into Mom’s shop. He has no idea how much erotica he’s given me.” “And you actually read it.” Charlie turns his wineglass one hundred and eighty degrees, eyes boring into me. “I wanted to understand how things worked, remember?” I arch a brow. “How’d that turn out for you?” He sits forward. “I was slightly disappointed when my first serious girlfriend didn’t have three consecutive orgasms, but otherwise okay.” A torrent of laughter rips through me. “So I’ve found the key to Nora Stephens’s joy,” he says. “My sexual humiliation.” “It’s not the humiliation so much as the sheer optimism.

When I was a kid, growing up during the 1970s, I used to read a lot of horror and science fiction. I graduated from comic books to paperbacks around the time I first entered my teens. And I want to say that what 99% of that stuff tells you about supposed encounters with the unknown is a formulaic convention. No one faints like a chicken-shit or else reaches for their weapon like Arnie Schwarzenegger in the face of something so utterly terrifying there isn’t even a name for it. What those writers don’t know is what happens in an encounter with the outside is this: that the moment slows down to such an extent that time itself simply stands still in your head. I suppose that fact doesn’t make for good characterisation. It’s incommunicable. I think they call it the numinous. I once did a semester in creative writing back after graduating, around the decade King was outselling every other author on the planet, but could never make the grade. Still, I read a lot of the best attempts. Maybe that’s why someone like Lovecraft, or Machen, or one of the old-school writers of that stuff I used to read had almost pulled it off. They were no good at characterisation and tended to use ciphers, presenting the phenomenon itself as the main protagonist, because it was the way things are when you encounter it. The thing empties you, draining out any semblance of normalcy, no matter what your history is, or what you think you’re all about. Real horror consists not of the worst thing in the world you can imagine happening, but in encountering some abomination you cannot possibly imagine, something even worse than fear: a shard of absolute outsideness. Human characters become shadows, just shadows.

One day I found him amid large packages from which spilled attractive, glossy paperbacks with mythical covers. He had tried to use, as a "generator of ideas" — for we were running out of them — those works of fantastic literature, that popular genre (especially in the States), called, by a persistent misconception, "science fiction." He had not read such books before; he was annoyed — indignant, even — expecting variety, finding monotony. "They have everything except fantasy," he said. Indeed, a mistake. The authors of these pseudo-scientific fairy tales supply the public with what it wants: truisms, clichés, stereotypes, all sufficiently costumed and made "wonderful" so that the reader may sink into a safe state of surprise and at the same time not be jostled out of his philosophy of life. If there is progress in a culture, the progress is above all conceptual, but literature, the science-fiction variety in particular, has nothing to do with that.

You get to a place eventually. The advanced reading section in the library of living. A place where they no longer stock the story that you’re looking for in paperback. Only leather bound first editions... with no fancy art on the cover. This is where they keep the books that look like they’re about to fall apart first day off the press. This is where they keep the books that don’t mind waiting in the darkness for someone to understand them. This is where they keep the books your parents tell you not to read. I’ll say it again. This shit isn’t offered in paperback. You’re gonna need a hard cover to write the hard truths. If it doesn’t have a spine, it’s not gonna stand up for itself. You’ll know you’re getting close when the library goes from quiet to silent. You’ll know you’re getting close when every trace of humanity disappears. You’ll know you’re getting close with the titles all sound like the last chapter at the end of the book. They call this section: “These Books Are Ready To Burn.

I lift the lid of the chest. Inside, the air is musty and stale, held hostage for years in its three-foot-by-four-foot tomb. I lean in to survey the contents cautiously, then pull out a stack of old photos tied with twine. On top is a photo of a couple on their wedding day. She's a young bride, wearing one of those 1950's netted veils. He looks older, distinguished- sort of like Cary Grant or Gregory Peck in the old black-and-white movies I used to watch with my grandmother. I set the stack down and turn back to the chest, where I find a notebook, filled with handwritten recipes. The page for Cinnamon Rolls is labeled "Dex's Favorite." 'Dex.' I wonder if he's the man in the photo. There are two ticket stubs from 1959, one to a Frank Sinatra concert, another to the movie 'An Affair to Remember.' A single shriveled rosebud rests on a white handkerchief. A corsage? When I lift it into my hand, it disintegrates; the petals crinkle into tiny pieces that fall onto the living room carpet. At the bottom of the chest is what looks like a wedding dress. It's yellowed and moth-eaten, but I imagine it was once stark white and beautiful. As I lift it, I can hear the lace swishing as if to say, "Ahh." Whoever wore it was very petite. The waist circumference is tiny. A pair of long white gloves falls to the floor. They must have been tucked inside the dress. I refold the finery and set the ensemble back inside. Whose things are these? And why have they been left here? I thumb through the recipe book. All cookies, cakes, desserts. She must have loved to bake. I tuck the book back inside the chest, along with the photographs after I've retied the twine, which is when I notice a book tucked into the corner. It's an old paperback copy of Ernest Hemingway's 'The Sun Also Rises.' I've read a little of Hemingway over the years- 'A Moveable Feast' and some of his later work- but not this one. I flip through the book and notice that one page is dog-eared. I open to it and see a line that has been underscored. "You can't get away from yourself by moving from one place to another." I look out to the lake, letting the words sink in. 'Is that what I'm trying to do? Get away from myself?' I stare at the line in the book again and wonder if it resonated with the woman who underlined it so many years ago. Did she have her own secret pain? 'Was she trying to escape it just like me?

I loved all the Hardy Boy books. Once I collected my paperboy money each Friday I'd walk into town, make the rounds of all the local thrift shops (where you could buy a used hardback for a quarter.) I'd always get excited swinging open the front cover of a newly discovered book in the series. Let's solve a mystery! And investigate the long-abandoned water tower north of town. They were a lot of fun. And science fiction, although these were paperbacks. I stopped going to church when I was about ten. I'd get dressed and go out the front door telling my mom I was going to church, but I'd have a science fiction paperback jammed in the back pocket of my trousers. Once I got near the church (St. Mary's on Greenwich Avenue), I'd veer down a side street, pull out my book, and stumble along the sidewalks for an hour, visiting another planet, sometimes another galaxy. My mother eventually found out about my deception - a friend told her she had spotted me walking, reading, when I was supposed to be at mass. I explained to my mother I didn't want to attend church anymore, and she accepted that. If it made her sad, she never showed me. She was actually an incredibly good mother, which I realize more and more as I age.

A box of dominoes, a deck of cards, those were under the folded blankets. There are a lot of paperbacks on the shelves in the bedrooms, detective novels mostly, recreational reading. Beside them are the technical books on trees and the other reference books, Edible Plants and Shoots, Tying the Dry Fly, The Common Mushrooms, Log Cabin Construction, A Field Guide to the Birds, Exploring Your Camera, he believed that with the proper guidebooks you could do everything yourself; and his cache of serious books: the King James Bible which he said he enjoyed for its literary qualities, a complete Robert Burns, Boswell’s Life, Thompson’s Seasons, selections from Goldsmith and Cowper. He admired what he called the eighteenth-century rationalists: he thought of them as men who had avoided the corruptions of the Industrial Revolution and learned the secret of the golden mean, the balanced life, he was sure they all practiced organic farming. It astounded me to discover much later, in fact my husband told me, that Burns was an alcoholic, Cowper a madman, Dr. Johnson a manic-depressive and Goldsmith a pauper. There was something wrong with Thompson also; “escapist” was the term he used. After that I liked them better, they weren’t paragons any more.

With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You’ll Wait Till They’re Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody’s Read So It’s As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books You’ve Been Planning To Read For Ages, the Books You’ve Been Hunting For Years Without Success, the Books Dealing With Something You’re Working On At The Moment, the Books You Want To Own So They’ll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified. Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It’s Now Time To Reread and the Books You’ve Always Pretended To Have Read And Now It’s Time To Sit Down And Really Read Them.

In my introduction to Warriors, the first of our crossgenre anthologies, I talked about growing up in Bayonne, New Jersey, in the 1950s, a city without a single bookstore. I bought all my reading material at newsstands and the corner “candy shops,” from wire spinner racks. The paperbacks on those spinner racks were not segregated by genre. Everything was jammed in together, a copy of this, two copies of that. You might find The Brothers Karamazov sandwiched between a nurse novel and the latest Mike Hammer yarn from Mickey Spillane. Dorothy Parker and Dorothy Sayers shared rack space with Ralph Ellison and J. D. Salinger. Max Brand rubbed up against Barbara Cartland. A. E. van Vogt, P. G. Wodehouse, and H. P. Lovecraft were crammed in with F. Scott Fitzgerald. Mysteries, Westerns, gothics, ghost stories, classics of English literature, the latest contemporary “literary” novels, and, of course, SF and fantasy and horror—you could find it all on that spinner rack, and ten thousand others like it. I liked it that way. I still do. But in the decades since (too many decades, I fear), publishing has changed, chain bookstores have multiplied, the genre barriers have hardened. I think that’s a pity. Books should broaden us, take us to places we have never been and show us things we’ve never seen, expand our horizons and our way of looking at the world. Limiting your reading to a single genre defeats that. It limits us, makes us smaller. It seemed to me, then as now, that there were good stories and bad stories, and that was the only distinction that truly mattered.

Neutrons and protons occupy the atom's nucleus. The nucleus of an atom is tiny- only one millionth of a billionth of the full volume of an atom- but fantastically dense, since it contains virtually all the atom's mass. As Cropper has put it, if an atom were expanded to the size of a cathedral, the nucleus would only be about the size of a fly- but a fly many thousands of times heavier than the cathedral... The picture that nearly everybody has in mind of an atom is of an electron or two flying around a nucleus, like planets orbiting a sun. This image... is completely wrong... In fact, as physicists were soon to realize, electrons are not like orbiting planets at all, but more like the blades of a spinning fan, managing to fill every bit of space in their orbits simultaneously (but with the crucial difference that the blades of a fan only seem to be everywhere at once; electrons are)... So the atom turned out to be quite unlike the image that most people had created. The electron doesn't fly around its sun, but instead takes on the more amorphous aspect of a cloud. The "shell" of an atom isn't some hard shiny casing, as illustrations sometimes encourage us to suppose, but simply the outermost of these fuzzy electron clouds. The cloud itself is essentially just a zone of statistical probability marking the area beyond which the electron only very seldom strays. Thus an atom, if you could see it, would look more like a very fuzzy tennis ball than a hard-edged metallic sphere (but not much like either, or, indeed, like anything you've ever seen; we are, after all, dealing here with a world very different from the one we see around us. p145

I’ve worn Niki’s pants for two days now. I thought a third day in the same clothes might be pushing it.” Ian shrugged with indifference. “It might send Derian through the roof, but it doesn’t bother me. Wear what you want to wear.” Eena wrinkled her nose at him. “Do you really feel that way or are you trying to appear more laissez-faire than Derian?” “More laissez-faire?” “Yes. That’s a real word.” “Two words actually,” he grinned. “Laissez faire et laissez passer, le monde va de lui même!" He coated the words with a heavy French accent. Eena gawked at him. “Since when do you speak French?” “I don’t.” Ian chuckled. “But I did do some research in world history the year I followed you around on Earth. Physics was a joke, but history—that I found fascinating.” Slapping a hand against her chest, Eena exclaimed, “I can’t believe it! Unbeknownst to me, Ian actually studied something in high school other than the library’s collection of sci-fi paperbacks!” He grimaced at her exaggerated performance before defending his preferred choice of reading material. “Hey, popular literature is a valuable and enlightening form of world history. You would know that if you read a book or two.” She ignored his reproach and asked with curiosity, “What exactly did you say?” “In French?” “Duh, yes.” “Don’t ‘duh’ me, you could easily have been referring to my remark about enlightening literature. I know the value of a good book is hard for you to comprehend.” He grinned crookedly at her look of offense and then moved into an English translation of his French quote. “Let it do and let it pass, the world goes on by itself.” “Hmm. And where did that saying come from?” Ian delivered his answer with a surprisingly straight face. “That is what the French Monarch said when his queen began dressing casually. The French revolution started one week following that famous declaration, right after the queen was beheaded by the rest of the aristocracy in her favorite pair of scroungy jeans.” “You are such a brazen-tongued liar!

Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.

Page 25: …Maimonides was also an anti-Black racist. Towards the end of the [Guide to the Perplexed], in a crucial chapter (book III, chapter 51) he discusses how various sections of humanity can attain the supreme religious value, the true worship of God. Among those who are incapable of even approaching this are: "Some of the Turks [i.e., the Mongol race] and the nomads in the North, and the Blacks and the nomads in the South, and those who resemble them in our climates. And their nature is like the nature of mute animals, and according to my opinion they are not on the level of human beings, and their level among existing things is below that of a man and above that of a monkey, because they have the image and the resemblance of a man more than a monkey does." Now, what does one do with such a passage in a most important and necessary work of Judaism? Face the truth and its consequences? God forbid! Admit (as so many Christian scholars, for example, have done in similar circumstances) that a very important Jewish authority held also rabid anti-Black views, and by this admission make an attempt at self-education in real humanity? Perish the thought. I can almost imagine Jewish scholars in the USA consulting among themselves, ‘What is to be done?’ – for the book had to be translated, due to the decline in the knowledge of Hebrew among American Jews. Whether by consultation or by individual inspiration, a happy ‘solution’ was found: in the popular American translation of the Guide by one Friedlander, first published as far back as 1925 and since then reprinted in many editions, including several in paperback, the Hebrew word Kushim, which means Blacks, was simply transliterated and appears as ‘Kushites’, a word which means nothing to those who have no knowledge of Hebrew, or to whom an obliging rabbi will not give an oral explanation. During all these years, not a word has been said to point out the initial deception or the social facts underlying its continuation – and this throughout the excitement of Martin Luther King’s campaigns, which were supported by so many rabbis, not to mention other Jewish figures, some of whom must have been aware of the anti-Black racist attitude which forms part of their Jewish heritage. Surely one is driven to the hypothesis that quite a few of Martin Luther King’s rabbinical supporters were either anti-Black racists who supported him for tactical reasons of ‘Jewish interest’ (wishing to win Black support for American Jewry and for Israel’s policies) or were accomplished hypocrites, to the point of schizophrenia, capable of passing very rapidly from a hidden enjoyment of rabid racism to a proclaimed attachment to an anti-racist struggle – and back – and back again.

Leonard H. Stringfield 1)Retrievals of the Third Kind: A Case Study of Alleged UFOs and Occupants in Military Custody. The first formal research paper presented publicly on the subject of UFO crash/retrievals at the MUFON Symposium, Dayton, Ohio, July, 1978. Original edition, dated April, 1978, was published in MUFON Proceedings (1978). Address: MUFON, 103 Oldtowne Road, Seguin, Texas 78155. If available, price___________. 2)Retrievals of the Third Kind: A Case Study of Alleged UFOs and Occupants in Military Custody,Status Report I. Revised edition, July, 1978, word processed copy, 34 pages. Available at author's address. See below. Price, USA___________. 3)UFO Crash/Retrieval Syndrome, Status Report II. Published by MUFON. Flexible cover, typeset, illustrations, 37 pages. Available only at MUFON address: 103 Oldtowne Road, Seguin, Texas 78155. Price, USA___________. 4)UFO Crash/Retrievals: Amassing the Evidence, Status Report III, June 1982; flexible cover, typeset, illustrations, 53 pages. Available from author's address. See below. Price, USA___________. 5)The Fatal Encounter at Ft. Dix -- McGuire: A Case Study, Status Report IV, June, 1985. Paper presented at MUFON Symposium, St. Louis, Missouri, 1985. Xeroxed copy, 26 pages. Available at author's address. See below. Price, USA___________. 6)UFO Crash/Retrievals: Is the Coverup Lid Lifting? Status Report V. Published in MUFON UFO Journal, January, 1989, with updated addendum. Xeroxed copy, 23 pages. Available at author's address. See below. Price, USA___________. 7)Inside Saucer Post, 3-0 Blue. Book privately published, 1957. Review of author's early research and cooperative association with the Air Defense Command Filter Center, using code name, FOX TROT KILO 3-0 BLUE. Flexible cover, typeset, illustrations, 94 pages. Available from author's address. See below. Price, USA___________. 8)Situation Red: The UFO Siege. Hardcover book published by Doubleday & Co., 1977. Paperback edition published by Fawcett Crest Books, 1977. Also foreign publishers. Out of print, not available. 9)Orbit Newsletter, published monthly, 1954-1957, by author for international sale and distribution. Set of 36 issues. Some issues out of stock, duplicated by xerox. Available at author's address -- see below. Price of set, USA___________. 10)UFO Crash/Retrievals: The Inner Sanctum, Status Report VI, July, 1991; flexible cover, book length, 81.000 words, 142 (8-1/2 X 11) pages, illustrated. Privately published. Available from author's address. See below. Price, USA___________. Prices include postage and handling. Mailings to Canada, add 500 for each item ordered. All foreign orders, payable U.S. funds, International money order or draft on U.S. Bank. Recommend Air Mail outside U.S. territories. Check on price. Leonard H. Stringfield 4412 Grove Avenue Cincinnati, Ohio 45227 USA Telephone: (513) 271-4248

Harari is best known for his million-copy bestsellers, which seem to find great favor with the most powerful people in the world. The front of the paperback version of his book Sapiens has an endorsement from Bill Gates that reads, “I would recommend Sapiens to anyone who’s interested in the history and future of our species.

The best solutions are not custom made—they are customer-made. —Mike Goran

The Undermining of Western Civilization Paperback” by Leslie Stein ASIN ‏ : ‎ B0B6L779ZB ISBN-13 ‏ : ‎ 979-8840081624 … within much of the West and within American in particular, a Marxist presence containing fanatics with an obsessive hatred of all that their country stands for, has captured large numbers of alienated and benighted followers. As a result, a growing number of people, blind to their country’s achievements, seek the replacement of western societies based on free enterprise capitalism and liberal democratic values, by a communist regime of one form or another. It is this tendency that has induced me to write this book, based on the careful sifting of the evidence, which would provide the reader with a concise and reliable account of how, what I term the “radical left,” has arisen and influenced the Mores of present-day Western society.

But we can’t leave without a book,” I protest, looking around. There are non-magical books I’ve had on my to-read list forever. And leaving a bookstore without a book is unthinkable. “Ellie’s right.” Lia strides over, placing the paperback edition of Dear Martin, one of my favorites, onto the counter. She grins. “We’d never leave without a book.

Mount Sinai demands that we distinguish between temporary books and the eternal Book, between a decomposing paperback from the pen of a sinner and a smoking stone tablet from the finger of God. If we fail to make this distinction, if we fail to prioritize the eternal Word over temporary books, our reading will never be distinctly Christian.

Young Readers paperback edition. | New York : Simon & Schuster Books for Young Readers, 2018. | Series: An Ada Lace adventure ; [4] | Summary:

the meditation room in back. The main room has shelves of books on mysticism, spirituality, metaphysics, philosophy, Eastern religion, illustrated sex texts, mind-expansion through drugs; separate stands for the bestselling quarterly Psychedelic Review, hardcover and paperback volumes of Timothy Leary’s The Psychedelic Experience, and Aldous Huxley’s The Doors of Perception; long glass cabinets and lacquered burl tables stocked with recreational drug paraphernalia; bins of bootlegged tapes from the Dead, Hendrix, Cream, Jefferson Airplane, the Beatles, and Dylan; potted plants growing lush throughout—ferns, ficus, creeping Charlie, and philodendron.

Page 25: …Maimonides was also an anti-Black racist. Towards the end of the [Guide to the Perplexed], in a crucial chapter (book III, chapter 51) he discusses how various sections of humanity can attain the supreme religious value, the true worship of God. Among those who are incapable of even approaching this are: Some of the Turks [i.e., the Mongol race] and the nomads in the North, and the Blacks and the nomads in the South, and those who resemble them in our climates. And their nature is like the nature of mute animals, and according to my opinion they are not on the level of human beings, and their level among existing things is below that of a man and above that of a monkey, because they have the image and the resemblance of a man more than a monkey does. Now, what does one do with such a passage in a most important and necessary work of Judaism? Face the truth and its consequences? God forbid! Admit (as so many Christian scholars, for example, have done in similar circumstances) that a very important Jewish authority held also rabid anti-Black views, and by this admission make an attempt at self-education in real humanity? Perish the thought. I can almost imagine Jewish scholars in the USA consulting among themselves, ‘What is to be done?’ – for the book had to be translated, due to the decline in the knowledge of Hebrew among American Jews. Whether by consultation or by individual inspiration, a happy ‘solution’ was found: in the popular American translation of the Guide by one Friedlander, first published as far back as 1925 and since then reprinted in many editions, including several in paperback, the Hebrew word Kushim, which means Blacks, was simply transliterated and appears as ‘Kushites’, a word which means nothing to those who have no knowledge of Hebrew, or to whom an obliging rabbi will not give an oral explanation. During all these years, not a word has been said to point out the initial deception or the social facts underlying its continuation – and this throughout the excitement of Martin Luther King’s campaigns, which were supported by so many rabbis, not to mention other Jewish figures, some of whom must have been aware of the anti-Black racist attitude which forms part of their Jewish heritage. Surely one is driven to the hypothesis that quite a few of Martin Luther King’s rabbinical supporters were either anti-Black racists who supported him for tactical reasons of ‘Jewish interest’ (wishing to win Black support for American Jewry and for Israel’s policies) or were accomplished hypocrites, to the point of schizophrenia, capable of passing very rapidly from a hidden enjoyment of rabid racism to a proclaimed attachment to an anti-racist struggle – and back – and back again.

What they had wasn’t ordinary, or subject to the ordinary rules of relationships and breakups. They belonged to each other totally, and always would, and that was that. But maybe everyone felt that way? Until the moment they’d realized they were just like everyone else, and everything they thought was real shattered apart.

As we were heading down Mass Ave toward campus, a man stepped out of a doorway. “I’m selling books,” he said. Instinctively I averted my eyes, picked up my pace, and changed course slightly to give him a wider berth—just as Ivan did the opposite, slowing down right in front of the man, looking right at him, right into his eyes. “Books, really?” I was overcome by the sudden sense of Ivan’s freedom. I realized for the first time that if you were a guy, if you were some tall guy who looked like Ivan, you could pretty much stop to look at anything you wanted, whenever you felt like it. And because I was walking with him now, for just this moment, I had a special dispensation, I could look at whatever he was looking at, too. So I, too, looked at the man—at the lines etched into his face, at his crafty and reproachful expression, at his cloudy eye and his piercing eye, overhung by a wilderness of eyebrows. The man opened one flap of his trench coat. Strapped to the inside, contraband-style, was an array of paperbacks: The Fountainhead, Dr. Atkins’ Diet Revolution, an introduction to the philosophy of Heidegger, The Communist Manifesto, a Dear Abby anthology, The Seven Habits of Highly Effective People, and a Spanish-English dictionary. The man looked awkwardly down over the titles, apparently deciding which one to offer Ivan.

The pulsing heartbeat of true crime, of all human stories when you got right down to it, was we all wanted and hoped and dreamed and loved, but we had no control over what happened in the end. There was a reason why even the most sensationalistic supermarket paperback would tell you that the victim loved animals and wanted to be a veterinarian, or that another victim was three days away from her birthday. "These books promise closure and justice," I said to Lenore, scratching her under her chin. "But ultimately they reinforce the reality that so many lives are interrupted, so many dreams unfulfilled.

The girl in the Four Seasons coat check was eating handfuls of colored jelly beans and reading a thin yellow paperback. I’d read in the witness report in Ashley’s police file that the coat-check girl’s name was Nora Halliday and she was nineteen. Every time a party of diners arrived—midwestern tourists, finance dudes, a couple so elderly they moved like they were doing a form of tai chi—she whisked off her black-rimmed eyeglasses, hid the book, and with a cheerful “Good evening!” took their coats. After they moved upstairs to the restaurant, she put her glasses back on, brought out the paperback, and started reading again, hunched over the counter of the stall.

Every book was “better than Rosemary’s Baby,” “more terrifying than The Exorcist,” and “in the tradition of The Other!” Read in the right order, the titles painted a grim portrait of Satan marching from free-spirited young demon to middle-aged ennui: Satan’s Holiday, Satan’s Gal, Satan’s Seed, Satan’s Child, Satan’s Bride, Satan Sublets, The Sorrows of Satan, Satan’s Mistress, Satan: His Psychotherapy and His Cure.

HarperCollinsChildren’sBooks First published in the USA in 2018 by Harper, an imprint of HarperCollinsPublishers First published in Australia in 2018 by HarperCollinsChildren’sBooks a division of HarperCollinsPublishers Australia Pty Limited ABN 36 009 913 517 harpercollins.com.au Copyright © Working Partners Limited 2018 Series created by Working Partners Limited Map art © Virginia Allyn 2018 Interior art © Owen Richardson 2018 The right of Erin Hunter to be identified as the author of this work has been asserted by her in accordance with the Copyright Amendment (Moral Rights) Act 2000. This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced, copied, scanned, stored in a retrieval system, recorded, or transmitted, in any form or by any means, without the prior written permission of the publisher. HarperCollinsPublishers Level 13, 201 Elizabeth Street, Sydney, NSW 2000, Australia Unit D1, 63 Apollo Drive, Rosedale, Auckland 0632, New Zealand A 53, Sector 57, Noida, UP, India 1 London Bridge Street, London SE1 9GF, United Kingdom 2 Bloor Street East, 20th floor, Toronto, Ontario M4W 1A8, Canada 195 Broadway, New York, NY 10007, USA ISBN 978 1 4607 5628 7 (paperback) ISBN 978 1 4607 1026 5 (ebook) Cover design by Alison Klapthor Cover art by Owen Richardson Logo by David Coulson

For Your Convenience “Star Invasions” Now Comes As An Audiobook At: Amazon, Audible, & iTunes—And As A Paperback At: Amazon, & Barnes & Noble—Plus In Shorter Series Editions—In All Formats, eBooks, Audiobooks, & Paperbacks.

There was a time when I could put the palm of my hand flat on the front of a tattered paperback called The Dying Earth and feel the magic seeping through the cardboard: Turjan of Miir, Liane the Wayfarer, T’sais, Chun the Unavoidable. Nobody I knew had so much as heard of that book, but I knew it was the finest book in the world. (Castle of Days, 211)

They were paperbacks, the kind that were readily available from the hospital gift shop. Carl hadn't chosen his selections carefully. One dealt with the strategy of investing, one was a book on raising farm animals, and the third was a collection of bedtime stories for children. She had no use for any of them but didn't want to hurt Carl's feelings. "Thank you very much," she told him. "I'm sure I'll enjoy these.

Waiting for my life to really begin, I underlined a passage in chapter 29 of my paperback copy: “I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be.” That quote has stayed with me. Sometimes through the years, it was about a man who I wished could love me as much as I loved him. But more often it was about my determination to make good on the expectations placed on me. By God, by my parents, by me. No matter what.

In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books Dealing With Something You're Working On At The Moment, the Books You Want To Own So They'll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified. Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them. With a zigzag and a dash you shake them off and leap straight into the citadel of the New Books Whose Author or Subject Appeals To You. Even inside this stronghold you can make some breaches in the ranks of the defenders, dividing them into New (for you in general) and New Books By Authors Or On Subjects Completely Unknown (at least to you), and defining the attraction they have for you on the basis of your desires and needs for the new and the not new (for the new you seek in the not new and for the not new you seek in the new). All this means that, having rapidly glanced over the titles of the volumes displayed in the bookshop, you turn toward a stack of If on a winter’s night a traveler fresh off the press, you have grasped a copy, and you have carried it to the cashier so that your right to own it can be established. You cast another bewildered look at the books around you (or, rather: it was the books that looked at you, with the bewildered gaze of dogs who, from their cages in the city pound, see a former companion go off on the leash of his master, come to rescue him), and out you went. You derive a special pleasure from a just-published book, and it isn’t only a book you are taking with you but the novelty as well, which could also merely be that of an object fresh from the factory, the youthful bloom of new books, which lasts until the dust jacket begins to yellow, until a veil of smog settles on the top edge, until the bindings become dog-eared, in the rapid autumn of libraries. No, you hope always to encounter true newness, which having been new once, will continue to be so. Having read the freshly published book, you will take possession of this newness at the first moment, without having to pursue, to chase it. Will it happen this time? You can never tell. Let’s see how it begins.

My father knew from the start what was going to happen,' Clara explained. 'He stayed close to his friends because he felt it was his duty. What killed him was his loyalty to people who, when their time came, betrayed him. Never trust anyone, Daniel, especially the people you admire. Those are the ones who will make you suffer the worst blows'. Phoenix paperback, 2005, p.19

My attachment to books is sensual as well as intellectual. A friend of mine once broke my concentration to remark that I will caress a book as I read along. I hadn't noticed but it's true: my hands move constantly over the pages. I love to hold them, feel them. I love the way books smell. I will fold a paperback in two and break the spine. I will bend the spine of a hardback, felling the turned page rend just enough until it rest loosely in position.

Burke, Peter. Popular Culture in Early Modern Europe. Scholars Press. Bynum, Carolyn Walker. Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women. University of California Press. ________. Jesus as Mother. University of California Press. Camporesi, Piero. The Anatomy of the Senses. Cambridge Polity Press. ________. Bread of Dreams. Cambridge Polity Press. ________. The Incorruptible Flesh. Cambridge University Press. Cardono, Girolamo. “The Book of My Life.” New York Review of Books, 2002. Clark, Stuart. Thinking with Demons. Clarendon Press. Dear, Peter. Revolutionizing the Sciences: European Knowledge and Its Ambitions 1500–1700. Princeton Paperbacks.

In this manner, secretly, the Fortuny family let the years go by, silencing their hearts and their souls to the point where, from so much keeping quiet, they forgot the words with which to express their real feelings and the family became strangers living under the same roof, like so many other families living in the vast city. - Phoenix paperback, 2005, p.132

In my sin, my name began to fade in the sacred book before the Lamb as I dared to lift my eyes in wicked pride looking upon a cross I did see the sights of Jesus paying the price for me bowing my head in most profound humility a voice cried out to me I did this for you and my fading name was seen again for the Lamb was slain so I could see again!

The Most Important Strategic Decision Was to Become a Genuine Retailer The fundamental job of a retailer is to buy goods whole, cut them into pieces, and sell the pieces to the ultimate consumers. This is the most important mental construct I can impart to those of you who want to enter retailing. Most “retailers” have no idea of the formal meaning of the word. Time and again I had to remind myself just what my role in society was supposed to be. Many of the policy decisions for a retailer boil down to this: How closely should we stick to the fundamental retailing job? “Retail” comes from a medieval French verb, retailer, which means “to cut into pieces.” “Tailor” comes from the same verb. The fact is that most so-called retailers don’t want to face up to their basic job. In Pronto Markets we did everything we could to avoid retailing. We tried to shift the burden to suppliers, buying prepackaged goods, hopefully pre-price-marked (potato chips, bread, cupcakes, magazines, paperback books) so we had no role in the pricing decision. The goods were ordered, displayed, and returned by outside salespeople. To this day, supermarkets fight with the retail clerks’ union to expand their right to let core store work be done by outsiders. Whole Earth Harry’s moves into wine and health foods had taken us quite a distance into genuine retailing. In our cheese departments we were literally taking whole wheels and cutting them into pieces. I took this as an analogy for what we should do with everything we sold. Getting rid of all outside salespeople was corollary to the programs that would unfold during the next five years. In Mac the Knife, no outsiders of any sort were permitted in the store. All the work was done by employees. The closest thing to it that I see these days is Costco, which shares many features with Trader Joe’s.

Thank you for always being there for me. You're the best friends I've ever had.

Sections in the bookstore - Books You Haven't Read - Books You Needn't Read - Books Made for Purposes Other Than Reading - Books Read Even Before You Open Them Since They Belong to the Category of Books Read Before Being Written - Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered - Books You Mean to Read But There Are Others You Must Read First - Books Too Expensive Now and You'll Wait 'Til They're Remaindered - Books ditto When They Come Out in Paperback - Books You Can Borrow from Somebody - Books That Everybody's Read So It's As If You Had Read Them, Too - Books You've Been Planning to Read for Ages - Books You've Been Hunting for Years Without Success - Books Dealing with Something You're Working on at the Moment - Books You Want to Own So They'll Be Handy Just in Case - Books You Could Put Aside Maybe to Read This Summer - Books You Need to Go with Other Books on Your Shelves - Books That Fill You with Sudden, Inexplicable Curiosity, Not Easily Justified - Books Read Long Ago Which It's Now Time to Re-read - Books You've Always Pretended to Have Read and Now It's Time to Sit Down and Really Read Them