Paper Towns Book Quotes

Peeing is like a good book in that it is very, very hard to stop once you start.

Radar threw his books into his locker and shut it. Then the din of conversation around us quieted just a bit as he turned his eyes toward the heavens and shouted, "IT IS NOT MY FAULT THAT MY PARENTS OWN THE WORLD'S LARGEST COLLECTION OF BLACK SANTAS.

Your party kicked so much ass!Even though you suck so much! It's like, instead of blood, your heart pumps liquid suck! But thanks for the beer!

It's so hard for anyone to show us how we look, and so hard for us to show anyone how we feel

All along — not only since she left, but for a decade before — I had been imagining her without listening, without knowing that she made as a poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might have read travel books to escape having to live in the town that so many people escape to. Someone who — because no one thought she was a person — had no one to really talk to.

Former police chief of Houston once said of me: “Frank Abagnale could write a check on toilet paper, drawn on the Confederate States Treasury, sign it ‘U.R. Hooked’ and cash it at any bank in town, using a Hong Kong driver’s license for identification.

Long Time. The famous seventeenth-century Ming painter Chou Yung relates a story that altered his behavior forever. Late one winter afternoon he set out to visit a town that lay across the river from his own town. He was bringing some important books and papers with him and had commissioned a young boy to help him carry them. As the ferry neared the other side of the river, Chou Yung asked the boatman if they would have time to get to the town before its gates closed, since it was a mile away and night was approaching. The boatman glanced at the boy, and at the bundle of loosely tied papers and books—“Yes,” he replied, “if you do not walk too fast.” As they started out, however, the sun was setting. Afraid of being locked out of the town at night, prey to local bandits, Chou and the boy walked faster and faster, finally breaking into a run. Suddenly the string around the papers broke and the documents scattered on the ground. It took them many minutes to put the packet together again, and by the time they had reached the city gates, it was too late. When you force the pace out of fear and impatience, you create a nest of problems that require fixing, and you end up taking much longer than if you had taken your time.

I wanted to stop peeing but couldn't, of course. Peeing is like a good book in that it is very, very hard to stop once you start.

We shove the dirt over the book, tamping down the disturbed soil. The grass will grow back soon enough. It will be for us the beautiful uncut hair of graves.

I want to tell her that the pleasure for me wasn't planning or doing or leaving; the pleasure was in seeing our strings cross and separate and then come back together.

WORK, SOMETIMES I was sad all day, and why not. There I was, books piled on both sides of the table, paper stacked up, words falling off my tongue. The robins had been a long time singing, and now it was beginning to rain. What are we sure of? Happiness isn’t a town on a map, or an early arrival, or a job well done, but good work ongoing. Which is not likely to be the trifling around with a poem. Then it began raining hard, and the flowers in the yard were full of lively fragrance. You have had days like this, no doubt. And wasn’t it wonderful, finally, to leave the room? Ah, what a moment! As for myself, I swung the door open. And there was the wordless, singing world. And I ran for my life.

The Rough Guide to Nepal; The Great Sights of Canada; America by Car; Fodor's Guide to the Bahamas; Let's go Bhutan.

You shall no longer take things at second or third hand.... nor look through the eyes of the dead.... nor feed on the spectres in books. I tramp a perpetual journey All goes onward and outward.... and nothing collapses, And to die is different from what any one supposed, and luckier. If no other in the world be aware I sit content, And if each and all be aware I sit content. The final three stanzas of 'Song of Myself" were also highlighted. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your bootsoles. You will hardly know who I am or what I mean, But I shall be good health to your nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one places search another, I stop some where waiting for you It became a weekend of reading, of trying to see her in the fragments of the poem she'd left for me. I could never get anywhere with the lines, but I kepr thinking about them anyway, becase I didn't want to disappoint her. She wanted me to play out with the string, to find the place where she had stopped and was waiting for me, to follow the bread crumb trail until it dead-ended into her.

Peeing is like a good book in that it is very, very hard to stop once you start.

Fortune favours the brave, sir," said Carrot cheerfully. "Good. Good. Pleased to hear it, captain. What is her position vis a vis heavily armed, well prepared and excessively manned armies?" "Oh, no–one's ever heard of Fortune favouring them, sir." "According to General Tacticus, it's because they favour themselves," said Vimes. He opened the battered book. Bits of paper and string indicated his many bookmarks. "In fact, men, the general has this to say about ensuring against defeat when outnumbered, out–weaponed and outpositioned. It is..." he turned the page, "'Don't Have a Battle.'" "Sounds like a clever man," said Jenkins. He pointed to the yellow horizon. "See all that stuff in the air?" he said. "What do you think that is?" "Mist?" said Vimes. "Hah, yes. Klatchian mist! It's a sandstorm! The sand blows about all the time. Vicious stuff. If you want to sharpen your sword, just hold it up in the air." "Oh." "And it's just as well because otherwise you'd see Mount Gebra. And below it is what they call the Fist of Gebra. It's a town but there's a bloody great fort, walls thirty feet thick. 's like a big city all by itself. 's got room inside for thousands of armed men, war elephants, battle camels, everything. And if you saw that, you'd want me to turn round right now. Whats your famous general got to say about it, eh?" "I think I saw something..." said Vimes. He flicked to another page. "Ah, yes, he says, 'After the first battle of Sto Lat, I formulated a policy which has stood me in good stead in other battles. It is this: if the enemy has an impregnable stronghold, see he stays there.'" "That's a lot of help," said Jenkins. Vimes slipped the book into a pocket. "So, Constable Visit, there's a god on our side, is there?" "Certainly, sir." "But probably also a god on their side as well?" "Very likely, sir. There's a god on every side." "Let's hope they balance out, then.

Bookstores, invariably, are a refuge. There's one in the town where they live, and the first time Lydia ventures in, it takes her breath away. She has to steady herself against a shelf. The smell of coffee and paper and ink. It's nothing like her little shop back home. It's stocked mostly with religious books, and instead of calendars and toys, they carry rosaries, Buddha figurines, yarmulkes. Still, the upright spines of the books are bedrock. Steady. There's an international poetry section. Hafiz. Heaney. Neruda. Lydia flips past the twenty love poems and reads "The Song of Despair." She reads it desperately, hungrily, bent over the books in the aisle of the quiet shop. Her fingers ready the next page while she devours the words. The book is water in the desert.

Like me. Margo Roth Spiegelman was a person, too. And I had never quite thought of her that way, not really; it was a failure of all my previous imaginings. All along—not only since she left, but for a decade before—I had been imagining her without listening, without knowing that she made as poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might read travel books to escape having to live in the town that so many people escape to. Someone who—because no one thought she was a person—had no one to really talk to.

I imagine it is hard to go back once you've felt the continents in your palm.

I put the book down and lay on my side, staring out the window that had always been between us.

To Be the Famous..." To be the famous isn’t attractive, Not this could ever elevate, You needn’t to make your archive active, You needn’t your scripts to be all saved. Self-offering’s aimed by creation, But ballyhoo or cheap success, It is a shame, if worthless persons Are talks of towns’ populace. But you’ve to live without phony, To live such life that, after all, To gain love of the space symphony, And answer to the future’s call, And oft to leave gaps in your traces In fate, but in the papers, crooked, To mark the chapters and main places On margins of your being’s book, To fully sink in the unknown, And hide in it your own steps Like hide itself, if mist is grown, The whole landscape of the place. The others, by the living traces, Will pass your way through, bit by bit, But wins and losses of your battles You have not to discern on it. You’ve never – not by fate or folly – To lose an atom of your face, But – be alive, alive and only, Alive and only, till your last.

Historically, dust jackets are a new concern for authors; you don't see them much before the 1920s. And dust jacket is a strange name for this contrivance, as if books had anything to fear from dust. If you store a book properly, standing up, then the jacket doesn't cover the one part of the book that is actually exposed to dust, which is the top of the pages. So a dust jacket is no such thing at all; it is really a sort of advertising wrapper, like the brown paper sheath on a Hershey's bar. On this wrapper goes the manufacturer's name, the ingredients--some blithering about unforgettable characters or gemlike prose or gripping narrative--and a brief summation of who does what to whom in our gripping, unforgettable, gemlike object.

When we sat down, Lacey started reading “Song of Myself,” and she agreed that none of it sounded like anything and certainly none of it sounded like Margo. We still had no idea what, if anything, Margo was trying to say. She gave the book back to me, and they started talking about prom again.

Merchants and charlatans gained control of Europe, calling their insidious gospel “The Enlightenment.” The day of the locust was at hand, but from the ashes of humanity there arose no Phoenix. The humble and pious peasant, Piers Plowman, went to town to sell his children to the lords of the New Order for purposes that we may call questionable at best. (See Reilly, Ignatius J., Blood on Their Hands: The Crime of It All, A study of some selected abuses in sixteenth-century Europe, a Monograph, 2 pages, 1950, Rare Book Room, Left Corridor, Third Floor, Howard-Tilton Memorial Library, Tulane University, New Orleans 18, Louisiana. Note: I mailed this singular monograph to the library as a gift; however, I am not really certain that it was ever accepted. It may well have been thrown out because it was only written in pencil on tablet paper.) The gyro had widened; The Great Chain of Being had snapped like so many paper clips strung together by some drooling idiot; death, destruction, anarchy, progress, ambition, and self-improvement were to be Piers’ new fate. And a vicious fate it was to be: now he was faced with the perversion of having to GO TO WORK.

And finally it was too much. I could not talk myself down from the feeling, and the feeling became unbearable. I reached in deep to the recesses of my locker. I pushed everything—photographs and notes and books—into the trash can. I left the locker open and walked away. As I walked past the band room, I could hear through the walls the muffled sounds of “Pomp and Circumstance.” I kept walking.

Well … yes, and here we go again. But before we get to The Work, as it were, I want to make sure I know how to cope with this elegant typewriter—(and, yes, it appears that I do) —so why not make this quick list of my life’s work and then get the hell out of town on the 11:05 to Denver? Indeed. Why not? But for just a moment I’d like to say, for the permanent record, that it is a very strange feeling to be a 40-year-old American writer in this century and sitting alone in this huge building on Fifth Avenue in New York at one o’clock in the morning on the night before Christmas Eve, 2000 miles from home, and compiling a table of contents for a book of my own Collected Works in an office with a tall glass door that leads out to a big terrace looking down on The Plaza Fountain. Very strange.

I wonder what Miss Skeeter would do if she was here and it kind a makes me sad. I know ain’t nobody in town gone sign a book for her and tell her she brave. Ain’t nobody gone tell her they look after her. Then the Reverend hands me a box, wrapped in white paper, tied with light blue ribbon, same colors as the book. He lays his hand on it as a blessing. “This one, this is for the white lady. You tell her we love her, like she’s our own family.

My life began by flickering out. It may sound strange but it is so. From the very first moment I became conscious of myself, I felt that I was already flickering out. I began to flicker out over the writing of official papers at the office; I went on flickering out when I read truths in books which I did not know how to apply in life, when I sat with friends listening to rumours, gossip, jeering, spiteful, cold, and empty chatter, and watching friendships kept up by meetings that were without aim or affection; I was flickering out and wasting my energies with Minna on whom I spent more than half of my income, imagining that I loved her; I was flickering out when I walked idly and dejectedly along Nevsky Avenue among people in raccoon coats and beaver collars – at parties, on reception days, where I was welcomed with open arms as a fairly eligible young man; I was flickering out and wasting my life and mind on trifles moving from town to some country house, and from the country house to Gorokhovaya, fixing the arrival of spring by the fact that lobsters and oysters had appeared in the shops, of autumn and winter by the special visiting days, of summer by the fêtes, and life in general by lazy and comfortable somnolence like the rest. ... Even ambition – what was it wasted on? To order clothes at a famous tailor's? To get an invitation to a famous house? To shake hands with Prince P.? And ambition is the salt of life! Where has it gone to? Either I have not understood this sort of life or it is utterly worthless; but I did not know of a better one. No one showed it to me.

Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.

I woke a few moments ago from a fever and a host of interlocking fever dreams, one after the next. There was one where I was in London, walking through old abandoned formerly beautiful buildings, all of them about to be demolished. Sometimes I'd find myself walking past the enormous line of people waiting to attend the television memorial for a dead author friend of mine, but his memorial was a television spectacular with comedians and big band music. There was the one where I had accidentally connected my bank card to a portable printer and the little printer kept printing cash but on the wrong paper and at the wrong size, so my money had huge, incredibly detailed faces on it, works of art that could not be spent. Then I woke from one dream into another: I was asleep in the passenger seat of the car, and saw that we were driving through a densely populated town, and that the driver was also asleep. I tried hard to wake her up and failed, and knew that no one was in control, no one was at the wheel, and soon someone was going to be killed, and I was shouting and calling without effect; but I whimpered and snuffled enough in the real world that my wife stroked my face and said, "Honey? You're having a nightmare," and, finally, I woke for real. But I woke into a world in which, somewhere, I am still being driven through my life by a sleeping driver, in which money is only good as art, in which we can write the finest books but at the end the crowds will come out and say good-bye for the entertainment, in which the buildings and cities we inhabit will relentlessly be destroyed by progress and time: a world colored by dreams and illuminated by them, too.

Twas the night before Valentine’s Day, and all through the town, children were busy, not making a sound. They gathered their scissors, their glitter and glue, pink and red paper, and paintbrushes, too. They made cards that read, “Will you be mine?” and others that said, “My true valentine.” They trimmed giant hearts with stickers and lace, and added an arrow in just the right place. Then marking the envelopes with each friend’s name, they hoped that their friends were doing the same. And when they were done, they slept snug in their beds while visions of candy hearts danced in their heads.

yoga on the mountainside and then fall asleep in the meadow. Read a newspaper on the porch, and feel the cold pump water wash away the ink on your grubby hands afterward. Listen to one of Andy’s old records while you eat lunch and notice how you start chewing in rhythm. Go to town and ask for a map of the local stores and restaurants. Read a book even if it’s not what you would prefer, just to see what another genre is like. Take off your shoes and get your feet muddy down by where the frogs live. Wander around the neighborhood looking for someone to talk to. Write things down, with a nice pen, on scrap paper, and stuff the bits of ideas in your pockets so you’ll meet them again at the end of the day.

Then he thinks that there should be a place in every town where people could put rescued or found things. Not just objects, but snippets of forgotten languages, or misused time – an hour that can never be lived again. It would be a place where lost faiths could be collected, as well as keys, gloves and love letters never sent. Here you could find extinct animals and old wives’ tales vanished in history; a whole shelf of unfinished songs, discontinued books, deleted texts. It would be a safe for fleeting emotions – the first flush of love, or a particular scent on a sunny day that is never savoured again. Among the dog leads, phones and hats, there would be babies hoped for and lost. All this would be remembered: missed opportunities, mislaid friends, the smile of a wife. It would be a place for lost things.

SPIEGEL: You have a lot of respect for the Dalai Lama, you even rewrote some Buddhist writings for him. Are you a religious person? Cleese: I certainly don't think much of organized religion. I am not committed to anything except the vague feeling that there is something more going on than the materialist reductionist people think. I think you can reduce suffering a little bit, like the Buddhists say, that is one of the few things I take seriously. But the idea that you can run this planet in a rational and kind way -- I think it's not possible. There will always be these sociopaths at the top -- selfish people, power-seekers who want to spend their whole lives seeking it. Robin Skynner, the psychiatrist that I wrote two books with, said to me that you could begin to enjoy life when you realized how bad the planet is, how hopeless everything is. I reached that point these last two or three years when I saw that our existence here is absolutely hopeless. I see the rich people have got a stranglehold on us. If somebody had said that to me when I was 20, I would have regarded him as a left-wing loony. SPIEGEL: You may not have been a left-wing loony, but you were happy to attack and ridicule the church. The "Life of Brian," the story of a young man in Judea who isn't Jesus Christ, but is nevertheless followed like a savior and crucified afterwards, was regarded as blasphemy when it was released in 1979. Cleese: Well there was a small number of people in country towns, all very conservative, who got upset and said, "You can't show the film." So people hired a coach and drove 15 miles to the next town and went to see the film there. But a lot of Christians said, "We got it, we know that the joke is not about religion, but about the way people follow religion." If Jesus saw the Spanish Inquisition I think he would have said, "What are you doing there?" SPIEGEL: These days Muslims and Islam are risky subjects. Do you think they are good issues for satire? Cleese: For sure. In 1982, Graham Chapman and I wrote a number of scenes for "The Meaning of Life" movie which had an ayatollah in them. This ayatollah was raging against all the evil inventions of the West, you know, like toilet paper. These scenes were never included in the film, although I thought they were much better than many other scenes that were included. And that's why I didn't do any more Python films: I didn't want to be outvoted any longer. But I wouldn't have made fun of the prophet. SPIEGEL: Why not? Cleese: How could you? How could you make fun of Jesus or Saint Francis of Assisi? They were wonderful human beings. People are only funny when they behave inappropriately, when they've been taken over by some egotistical emotion which they can't control and they become less human. SPIEGEL: Is there a difference between making fun of our side, so to speak, the Western, Christian side, and Islam? Cleese: There shouldn't be a difference. [SPIEGEL Interview with John Cleese: 'Satire Makes People Think' - 2015]

And yet curiously enough I was also tormented by an almost irresistible impulse not to work. There were days when my heart sickened at the labours ahead of me, and I stood stupid as an animal before the most elementary difficulties. In the holidays, also, I could not work. Some of the scholarship boys received extra tuition from a certain Mr. Batchelor, a likeable, very hairy man who wore shaggy suits and lived in a typical bachelor’s “den”—booklined walls, overwhelming stench of tobacco—somewhere in the town. During the holidays Mr. Batchelor used to send us extracts from Latin authors to translate, and we were supposed to send back a wad of work once a week. Somehow I could not do it. The empty paper and the black Latin dictionary lying on the table, the consciousness of a plain duty shirked, poisoned my leisure, but somehow I could not start, and by the end of the holidays I would only have sent Mr. Batchelor fifty or a hundred lines. Undoubtedly part of the reason was that Sim and his cane were far away. But in term time, also, I would go through periods of idleness and stupidity when I would sink deeper and deeper into disgrace and even achieve a sort of feeble defiance, fully conscious of my guilt and yet unable or unwilling—I could not be sure which—to do any better.

on some fundamental level we find it difficult to understand that other people are human beings in the same way that we are? We idealize them as gods or dismiss them as animals.” “True. Consciousness makes for poor windows, too. I don’t think I’d ever thought about it quite that way.” I was sitting back. I was listening. And I was hearing something about her and about windows and mirrors. Chuck Parson was a person. Like me. Margo Roth Spiegelman was a person, too. And I had never quite thought of her that way, not really; it was a failure of all my previous imaginings. All along—not only since she left, but for a decade before—I had been imagining her without listening, without knowing that she made as poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might read travel books to escape having to live in the town that so many people escape to. Someone who—because no one thought she was a person—had no one to really talk to. And all at once I knew how Margo Roth Spiegelman felt when she wasn’t being Margo Roth Spiegelman: she felt empty. She felt the unscaleable wall surrounding her. I thought of her asleep on the carpet with only that jagged sliver of sky above her. Maybe Margo felt comfortable there because Margo the person lived like that all the time: in an abandoned room with blocked-out windows, the only light pouring in through holes in the roof. Yes. The fundamental mistake I had always made—and that she had, in fairness, always led me to make—was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.

Why?” “Why? Blimey, Harry, everyone’d be wantin’ magic solutions to their problems. Nah, we’re best left alone.” At this moment the boat bumped gently into the harbor wall. Hagrid folded up his newspaper, and they clambered up the stone steps onto the street. Passersby stared a lot at Hagrid as they walked through the little town to the station. Harry couldn’t blame them. Not only was Hagrid twice as tall as anyone else, he kept pointing at perfectly ordinary things like parking meters and saying loudly, “See that, Harry? Things these Muggles dream up, eh?” “Hagrid,” said Harry, panting a bit as he ran to keep up, “did you say there are dragons at Gringotts?” “Well, so they say,” said Hagrid. “Crikey, I’d like a dragon.” “You’d like one?” “Wanted one ever since I was a kid — here we go.” They had reached the station. There was a train to London in five minutes’ time. Hagrid, who didn’t understand “Muggle money,” as he called it, gave the bills to Harry so he could buy their tickets. People stared more than ever on the train. Hagrid took up two seats and sat knitting what looked like a canary-yellow circus tent. “Still got yer letter, Harry?” he asked as he counted stitches. Harry took the parchment envelope out of his pocket. “Good,” said Hagrid. “There’s a list there of everything yeh need.” Harry unfolded a second piece of paper he hadn’t noticed the night before, and read: HOGWARTS SCHOOL of WITCHCRAFT and WIZARDRY UNIFORM First-year students will require: 1. Three sets of plain work robes (black) 2. One plain pointed hat (black) for day wear 3. One pair of protective gloves (dragon hide or similar) 4. One winter cloak (black, silver fastenings) Please note that all pupils’ clothes should carry name tags COURSE BOOKS All students should have a copy of each of the following: The Standard Book of Spells (Grade 1) by Miranda Goshawk A History of Magic by Bathilda Bagshot Magical Theory by Adalbert Waffling A

At the diner where we went for our snack, there was yet another curious thing that made me think. White people like us would come in and take seats at the counter, but black people would place an order and then stand against the wall. When their food was ready, it would be handed to them in a paper bag and they would take it home or out to their car. My father explained to us that Negroes weren’t allowed to sit at luncheon counters in Washington. It wasn’t against the law exactly, but they didn’t do it because Washington was enough of a Southern city that they just didn’t dare. That seemed strange too and it made me even more reflective. Afterwards, lying awake in the hot hotel room, listening to the restless city, I tried to understand the adult world and could not. I had always thought that once you grew up you could do anything you wanted—stay up all night or eat ice cream straight out of the container. But now, on this one important evening of my life, I had discovered that if you didn’t measure up in some critical way, people might shoot you in the head or make you take your food out to the car. I sat up on one elbow and asked my dad if there were places where Negroes ran lunch counters and made white people stand against the wall. My dad regarded me over the top of a book and said he didn’t think so. I asked him what would happen if a Negro tried to sit at a luncheon counter, even though he wasn’t supposed to. What would they do to him? My dad said he didn’t know and told me I should go to sleep and not worry about such things. I lay down and thought about it for a while and supposed that they would shoot him in the head. Then I rolled over and tried to sleep, but I couldn’t, partly because it was so hot and I was confused and partly because earlier in the evening my brother had told me that he was going to come over to my bed when I was asleep and wipe boogers on my face because I hadn’t given him a bite of my frosted malt at the ball game, and I was frankly unsettled by this prospect, even though he seemed to be sleeping soundly now. The world has changed a lot since those days, of course. Now if you lie awake in a hotel room at night, you don’t hear the city anymore.

money untouched he inspected the left side. It looked like the nail head rusted just enough for the tin to pop off, but he decided to check behind anyway. He pulled the tin away from the wall and looked into the dimly lit space. To his surprise, something was there. He reached in and pulled out a large cardboard envelope. The envelope was a heavy one used to mail important documents and looked like it had been there for a while. It was addressed to Edward, but there was no return address. The top was open, so Adam reached inside. He pulled out a small stack of papers and pictures. The picture on top was of a group of people standing in front of Town Hall. It must have been the Grand Opening, because they were all dressed in formal clothes and there were decorations hanging in the background. If it was the Grand Opening, the picture was from 1910. He had learned the year it was built while on a class trip a few years before. The date was carved into a brick near the main entrance. Adam looked at the picture a little closer. Each of the people wore the same lapel pin as the one Edward wore in his portrait.

Bothe’s expression changed from friendly to nervous. “We are still at war,” Bothe said. “It must be clear to you that I cannot tell anything which I promised to keep secret.” “I understand your reluctance to talk,” said Goudsmit. “But I should appreciate it if you will show me whatever secret papers you may have.” “I have no such papers. I have burned all secret documents. I was ordered to do so.” Goudsmit didn’t buy it. “The fear of a German atom bomb development superior to ours still dominated our thinking,” he said later, “and as we had obtained no real information of their uranium project in all our investigations so far, we were still mighty uneasy.” The Alsos team learned that Werner Heisenberg, and whatever work he was doing, had recently been moved to a town called Haigerloch. Goudsmit had only one option. “We had to go farther into Germany.” * * * AT LOS ALAMOS, Robert Oppenheimer was

No one is to disturb another in his speech by hissing, coughing, spitting, 6 Grey 332. Scob. 8. D'Ewes 332. col. 1. 640. col. 2. speaking or whispering to another; Scob. 6. D'Ewes. 487. col. 1. nor to stand up or interrupt him; Town. col. 205. Mem. in Hakew. 31. nor to pass between the Speaker and the speaking member, nor to go across the House; Scob. 6. or to walk up and down it, or to take books or papers from the table, or write there. 2 Hats. 171.

Gogol flips through the book. A single picture at the front, on smoother paper than the rest of the pages, shows a pencil drawing of the author, sporting a velvet jacket, a billowy white shirt and cravat. The face is foxlike, with small, dark eyes, a thin, neat mustache, an extremely large pointy nose. Dark hair slants steeply across his forehead and is plastered to either side of his head, and there is a disturbing, vaguely supercilious smile set into long, narrow lips. Gogol Ganguli is relieved to see no resemblance. True, his nose is long but not so long, his hair dark but surely not so dark, his skin pale but certainly not so pale. The style of his own hair is altogether different—thick Beatle-like bangs that conceal his brows. Gogol Ganguli wears a Harvard sweatshirt and gray Levi’s corduroys. He has worn a tie once in his life, to attend a friend’s bar mitzvah. No, he concludes confidently, there is no resemblance at all. For by now, he’s come to hate questions pertaining to his name, hates having constantly to explain. He hates having to tell people that it doesn’t mean anything “in Indian.” He hates having to wear a nametag on his sweater at Model United Nations Day at school. He even hates signing his name at the bottom of his drawings in art class. He hates that his name is both absurd and obscure, that it has nothing to do with who he is, that it is neither Indian nor American but of all things Russian. He hates having to live with it, with a pet name turned good name, day after day, second after second. He hates seeing it on the brown paper sleeve of the National Geographic subscription his parents got him for his birthday the year before and perpetually listed in the honor roll printed in the town’s newspaper. At times his name, an entity shapeless and

This visual of two different worlds and planes of existence converging on a mountain top was actually quite amazing and eye opening to witness. The “haves” and the “have nots.”  It gave me a new perspective. More perspective than I feel I’d gained on the journey so far. People simply don’t know how good they have it, even when things seem terrible or difficult. Although I’d chosen to do this hike and live this way temporarily, I understood there were people out there who lived like this permanently, without any choice, while in much worse conditions and circumstances. Any Dick and Jane can say, “Yeah, I know there are people out there who live like that, and I understand and feel sorry for them.” I’m sure some people reading this are thinking that same thing. I’ll tell you right now, I’ve been to third world countries and you can see it, sympathize with it, and think you understand it; but in reality, you may not. Not until you’ve experienced and lived it for yourself. I thought I understood it simply by seeing it, but it wasn’t until I’d lived parts of that “have not” experience, that I realized just how much I didn’t understand it. Defecating outside and maybe not having toilet paper. Sleeping outside, not having running water or hot water, not having showers, and being miles from the nearest help. Not having whatever you want to eat every day or possibly running out of food, or not finding water. Not having electricity, not having climate control, and having your feet as your only means of transportation. Dealing with any and all elements whenever they should arise, as well as having limited hygiene products and smelling terrible every day. This only scratches the surface. I won’t pretend to know exactly what it’s like for people who are stuck in this lifestyle permanently, but in making this journey I certainly gained a much better understanding. I knew that even though it was the life I’d chosen to live at that time, I still had it better than probably half the people on the planet. I could get a reprieve (for a price) anytime I went into town. I could end any suffering, discomfort, and pain I experienced on any day I chose... but I didn’t.  I was enjoying the experience and perspective I was gaining on an almost daily basis. The time for personal reflection and the thousands of moments I had each day that belonged to me and only me was intoxicating. The whole experience was surreal, yet at the same time more real than anything in the modern world. Everything around you out there “is what it is” and isn’t trying to be anything else. It’s simple and honest, which is more than can be said for the “modern” world, where many things are never as they seem, and most everybody wants something from you. 

He’s too sweet on you. If he doesn’t work, he has no business wanting to marry you. I’ll have to give him his walking papers.” Inasmuch as his prospective father-in-law was near to being a colossus, Joseph was led to reflect that perhaps it would be better for him to look for a job. He would hang about the corridors of the Parliament Buildings and, just as Flora’s sisters were returning from work, would come out with a bustling air and a newspaper under his arm.

It was a peculiarly beautiful book. Its smooth creamy paper, a little yellowed with age, was of a kind that had not been manufactured for at least forty years past. He could guess, however, that the book was much older than that. He had seen it lying in the window of a frowsy little junk shop in a slummy quarter of the town (just what quarter he did not now remember) and had been stricken immediately by an overwhelming desire to possess it.

Examination papers, class lists, terminal reports—all could dissolve into the thin air of the mountains, leaving not a wrack behind. But he could never quite lose his interest in boys. And when, one September morning in 1917 in the English mountain-town of Keswick, he saw an eager-faced freckled youngster of about eleven or twelve swinging astride a hotel-balcony reading a book, he couldn’t help intervening: “I’d be careful of that rail, if I were you.’ It doesn’t look too safe.

For such a small town, it was always busy. He checked his watch. The grand opening of Brooke’s store had started half an hour ago. On the flight to New York City, he’d rearranged his week, pushing a few appointments into the evening so that he could be back home for Friday afternoon. His agent hadn’t been impressed, but after everything that had happened over the last few weeks, Eric was ready to cut him a break. A knock on the driver’s window scared the living daylights out of him. Caleb’s grinning face didn’t make it any better. He opened the door, scowling at his friend. “Are you trying to give me a heart attack?” “It’s called living dangerously. Welcome home.” Gabe had done his fair share of living dangerously and he wasn’t going back there in a hurry. “I thought your flight wasn’t arriving until ten o’clock tonight.” “I moved my appointments around. I wanted to be here for the opening of Brooke’s store.” “I’m heading there, too. Does Natalie know you’re here?” Gabe shook his head. “It’s a surprise.” So were the two bottles of champagne sitting on his back seat. He grabbed one of them before locking the truck. “Did you get your project finished?” Caleb’s smile disappeared. “Not yet. Something’s not working and I can’t figure out what’s wrong. Instead of staring at a blank computer screen, I thought I’d get out of the house and support Brooke. How was the Big Apple?” “Busy, noisy, and productive. My book’s scheduled to be released in early December.” “You’ll be hitting the Christmas market. Well done. Did they give you a pay raise?” Gabe rubbed his leg. Caleb’s grin took the sting out of the cramp making him limp. “You’ve been talking to Natalie’s mom.” “I saw them on Wednesday. Kathleen couldn’t stop raving about your book. But don’t worry, she didn’t give anything away.” “It doesn’t matter. It will be in the stores soon enough.” They turned the corner. Gabe stared at the number of people standing on the street. “All these people can’t be waiting to go into Brooke’s store.” “You wanna bet? The local paper ran an article about the store on Monday. Since then, social media has been going crazy. Mabel has been adding Facebook updates all week. She even snapped a picture of Natalie and her mom helping to wrap candy. I’m telling you, Brooke’s onto something.” Gabe wasn’t surprised. Her candy already sold well. The store

The sun is gone; the topaz-light is gone; and Cha stops to light his lantern of paper; and we hurry on again, between two long lines of painted paper lanterns suspended before the shops: so closely set, so level those lines are, that they seem two interminable strings of pearls of fire. And suddenly a sound — solemn, profound, mighty — peals to my ears over the roofs of the town, the voice of the tsurigane, the great temple-bell of Nogiyama. All too short the day seemed. Yet my eyes have been so long dazzled by the great white light, and so confused by the sorcery of that interminable maze of mysterious signs which made each street vista seem a glimpse into some enormous grimoire, that they are now weary even of the soft glowing of all these paper lanterns, likewise covered with characters that look like texts from a Book of Magic. And I feel at last the coming of that drowsiness which always follows enchantment.

The famous seventeenth-century Ming painter Chou Yung relates a story that altered his behavior forever. Late one winter afternoon he set out to visit a town that lay across the river from his own town. He was bringing some important books and papers with him and had commissioned a young boy to help him carry them. As the ferry neared the other side of the river, Chou Yung asked the boatman if they would have time to get to the town before its gates closed, since it was a mile away and night was approaching. The boatman glanced at the boy, and at the bundle of loosely tied papers and books—“Yes,” he replied, “if you do not walk too fast.” As they started out, however, the sun was setting. Afraid of being locked out of the town at night, prey to local bandits, Chou and the boy walked faster and faster, finally breaking into a run. Suddenly the string around the papers broke and the documents scattered on the ground. It took them many minutes to put the packet together again, and by the time they had reached the city gates, it was too late.

It's not just that I don't like prom. I also don't like people who like prom," I explained, although, this was, in point of fact untrue. (book is Paper Towns)