Paper Princess Quotes

It’s you. It’s always been you and I’m tired of fighting it.

You’re poking a tiger.” I shrug. “He poked me first.” Callum shakes his head. “And I thought raising five boys was an adventure. I haven’t seen anything yet, have I?” - Callum Royal

he opened me up like a book & poured the poetry back into me. -my personal pen and paper

Somewhere along the line, I started thinking that if I just got through this bad experience, this bad day, that tomorrow I’d have something better, brighter, newer. I still believe that. I still believe that there’s something good out there for me. I just have to keep going until my time comes.

My skill, if I have one, isn’t dancing. It’s my ability to believe that tomorrow can be a better day.

You want me to say it?” he whispers. “Fine, I’ll say it. I want you. I fucking want you.

I hate feeling like I don't belong.

Prince Ronald said, Elizabeth, your hair is all dirty. You are wearing an ugly paper bag. You don't have any shoes on and you smell like a dragon's ear. Come back and rescue me when you're dressed like a real princess. Elizabeth said, Ronald, your hair is all nice. Your clothes are all pretty. You look like a nice guy, but guess what? You are a bum. They didn't get married after all.

Reed Royal has broken me. I’ve fallen from the sky and I’m not sure I can get up. Not this time.

Look, I like you. Didn’t think I would but I do, and because I like you, I feel the need to warn you that we Royals are pretty fucked up. We’re good in bed, but out of it? We’re like a stage four hurricane.

You may have lost your family, but you’re not alone anymore, Ella. You’re a Royal now.

I’m only seventeen. Sometimes that feels too young to have lived the life I have. Sometimes I look around at my surroundings and think, I don’t belong here

Hiding's not a bad thing. If you run away, you live to fight another day." Ella Harper - Paper Princess

You belong with us. You’re the best thing that ever happened to this family.” Surprise filters through me. Okay. Wow. “You’re ours,” Easton mumbles. “I’m sorry about tonight. I really am, Ella.

I was having the best dream,” I mumble as he curls his body around my back. “What was it?” he says roughly. “That you showed up in my bedroom and held me all night long.” “I like that dream,” he whispers in my ear and then he does just that—holds me until I fall asleep. - Ella Harper

Nuh-uh, you’re not getting off that easy. I want you to say it. Tell your big brother about your crush on your other big brother.” “You’re imagining things. I’m not crushing on Reed,” I lie. “Bull.” “I’m not,” I insist, but Easton sees right through me. “Shit, Ella, I need a smoke every time you two are within five feet of each other.

Even now, Dickon was upstairs, writing sonnets to his new love, while back at Seadown House, Marianne was writing 'Ella' on scraps of paper and then burning them.

I tug his head down to mine. “I need you, Reed. Don’t make me beg.” And just like that, he gives in. One hand comes up to tangle in my hair while the other pulls me roughly against him. “You don’t ever have to ask again. I’ll give you anything you want.

My life is mine. I live it. I control it.

You should know whatever game you're playing, you can't win. Not against all of us. If you leave now, you won't be hurt. If you stay, we'll break you so bad that you'll be crawling away." - Reed Royal

but a clean knife still makes a painful wound.

You want this?” He pumps himself slowly. “You can have it. Lick it, suck it, fuck it, anything you want, baby. As long it’s just with me.

What did she say?” asked Matthias. Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.” “That word she used: babink,” he said. “You’ve called me that before. What does it mean?” Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.” “Nina—” “Barbarian.” “I was just asking, there’s no need to name-call.” “No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!” “Barbarian isn’t an insult?” he asked, voice rising. “No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.” “It’s a game?” “Not exactly.” “Then what is it?” Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—” “Really?” Matthias asked. “He’s the hero?” “In a manner of speaking. He kidnaps a Ravkan princess—” “That would never happen.” “In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.” “He lives in a cave?” “It’s a very nice cave. Furs. Jeweled cups. Mead.” “Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?” Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.” “How does the story end? Do they fight battles?” Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.” Matthias’ jaw dropped. “In the cave?” “You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—” “To civilize him?” “Yes, but that’s not until the third book.” “There are three?” “Matthias, do you need to sit down?” “This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—” “Calm down, Matthias.” “Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.” “Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear. “We most certainly could not.” “At one point he bathes her.” Matthias’ steps faltered. “Why would he—” “She’s tied up, so he has to.” “Be silent.” “Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.” “How about I bite your lip?” “Now you’re getting the hang of it, Helvar.

Do you really think it’s Abby who’s keeping me up at night?” “I don’t know.” I hesitate. “I don’t want it to be.

This was a voice that drew out memories stretched thin by years of recollection, like paper unfolded and refolded too many times. A voice that brought back, like a wave, the memory of another time on this bridge, a night so long ago, everything black and silver and the river rushing away under her feet...

Fate is for the weak--those people who don't have enough power or will to shape life into what they need it to be.

I'm not mad at you." He presses the cold cloth against my forehead. "I'm mad at myself. I did this. Well, Easton and I. I brought this on you. I'm Reed the Destroyer." He sounds sad. "Didn't you know that?" "I don't like that name." He sits next to me, drawing the cloth around and around my face, down my neck and onto my shoulder. It feels heavenly. "Yeah, and what would you call me instead?" I open my mouth and say, "Mine.

You’re too much, Easton.” “I am.” He nods solemnly. “It’s why I sleep around. Because no one girl can handle all of me.

Come with me.” “Let me think on that.” I tap a finger against my bottom lip as if I’m really contemplating his crappily delivered invitation. His eyes drop to watch the movement. “Okay. I’ve decided. No.” - Ella Harper

Hey, I was sleeping innocently until a big bear came in and decided that my bed was just right.” He tugs on my hair. “I think you got the wrong fairytale here.” “What would be the right one? Aladdin because you plan to take me on a magical carpet ride?” I waggle my eyebrows. Reed bursts out laughing. “Is that what you think of my dick? That it’s magical?” I blush so furiously that he laughs even harder. “Damn, you really are a virgin, aren’t you?” Cheeks still flaming, I flip up my middle finger. “That’s what I think of you and your magical, uh…” “Dick,” he supplies between laughs. “Come on, virgin, just say it—dick.” “Oh, you’re a dick, all right.” I glare at him all the way to the car. - Ella Harper

Some people can seem perfect... everything about them can, on paper, be just right. Until you get to know them. Really know them. Then you find out, in the end, while they might be perfect to every one else, they just aren't right for you.

This will never by my home. I don’t belong in splendour. I belong in squalor. That’s what I know. It’s what I’m comfortable with, because squalor doesn’t lie to you. It’s not wrapped in a pretty package. It is what it is. This house is an illusion. It’s polished and pretty, but the dream Callum is trying to sell is as flimsy as paper. Nothing stays shiny forever in this world.

I keep waiting for that movie moment when Reed runs out of the house, screaming for me to come back. But it never happens. There’s no rain-filled reunion and the only moisture are the tears I can’t hold back any longer.

I’m tired of playing the good, calm girl. I rise up on my knees, reach over and hit him across the top of his head. “Fuck,” he curses. “What the hell was that for?” “That’s for being an asshole!” I hit him again… Reed pushes me back, hard, against the passenger door. “Sit the fuck down! You’re gonna make us crash.” “I’m not going to sit down!” I swing at him again. “I’m tired of you and your insults and your awful friends!

Sometimes I think the universe has decided I'm not allowed to be happy.

No one wants to be ruined. We all want to be saved.

Nothing stays shiny forever in this world.

can't i just be a paper girl with a paper life?

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

I'm not leaving you. If you're in Eldorra, I'm in Eldorra. If you're in Antarctica, the Sahara, or the middle of the fucking ocean, I'm there. I'm as much yours as you are mine, princess, and a law isn't keeping me away. I don't care what a piece of paper says. I'll burn the entire fucking Parliament if I have to.

So...did she just agree to sponsor the charter?" asked Katar. "I think so," Miri whispered. "You think so?"Katar grabbed the paper from Miri. "If I present this in session and the queen doesn't offer her sponsorship, 'I think so' isn't going to save my head." "Your head will be fine," said Miri. "It's your neck you should worry about.

But I do care. I hate myself for it, but I can’t fight this desperate need to try. Try to fit in. Try to make this school experience different than all the previous ones.

Eldric turned away from the mirror, holding out his hand. In the cup of his hand lay his fidget of paper clips. But the fidget had blossomed into a crown. An allover-filigree crown, with a twisty spire marking the front. I stared at it for some moments. "It's for you," said Eldric. "If you want it." "I'm seventeen," I said. "I haven't played at princess for years." "Does that matter ?" Eldric set it on my head. It was almost weightless, a true crown for the steam age. In a proper story, antagonistic sparks would fly between Eldric and me, sparks that would sweeten the inevitable kiss on page 324. But life doesn't work that way. I didn't hate Eldric, which, for me, is about as good as things get.

Look, I like you. Didn’t think I would but I do, and because I like you, I feel the need to warn you that we Royals are pretty fucked up. We’re good in bed, but out of it? We’re like a stage four hurricane.

Steve. That always felt made-up to me. Like, when your kid says, “Tell me about my daddy, Mama!” and you’re on the spot so you blurt out the first name that comes to mind—“Uh, his name was, um, Steve, honey.

Fate is for the weak— those people who don’t have enough power or will to shape life into what they need it to be.

No one would recognize us," I answered. "We’re hardly a proper prince and princess anymore." He laughed mid-kiss and leaned back to look at me. "You were never a proper princess." His hands cradled my face, and his smile faded. "But you’re everything I want. Remember that. I love you, Lia. Not a title. And not because a piece of paper says I should. Because I do.

My skill, if I have one, isn’t dancing. It’s my ability to believe that tomorrow can be a better day. I don’t really know where I got this optimism. Maybe it was from Mom. Somewhere along the line, I started thinking that if I just got through this bad experience, this bad day, that tomorrow I’d have something better, brighter, newer. I still believe that. I still believe that there’s something good out there for me. I just have to keep going until my time comes, because surely, surely, none of this would happen if there wasn’t a reward down the line.

At Christmas, for example, when you see a big, brightly wrapped package under the tree with your name on it, you’re interested. But it’s not the wrapping paper you’re looking forward to. It’s the present inside. Lingerie works the same way. It’s nice—but naked is always better. Except for this. This is the wet dream of every man born after 1975. It’s the elite of eroticism. The ultimate fantasy. Oh yeah—it’s the Princess Leia bikini.

You dont know me. You dont know anything about me, and you havent even tried getting to know me, so youre not allowed to talk shit about something you have no clue about

I feel the need to warn you that we Royals are pretty fucked up. We’re good in bed, but out of it? We’re like a stage four hurricane.

Reed hasn’t issued the Royal decree yet.

No creativity. Trash? Did she steal that from a Disney show?

Nice to meet you,” Durand says in a ridiculously deep voice. Jeez, he sounds like Batman. “I’m

The Royal boys are not what I expected. They don’t look like rich pricks in preppy clothes. They look like terrifying thugs who can snap me like a twig.

Ella.” I jump when his warm hand covers mine, and then his head moves to rest on my shoulder. His soft hair tickles my bare skin, and I force myself not to run a comforting hand through it. He doesn’t deserve comfort right now. “You can’t leave,” he whispers, his breath fanning over my neck. “I don’t want you to go.” He kisses my shoulder, but there’s nothing sexual about it. Nothing romantic in the way his hand tightens over my knuckles. “You belong with us. You’re the best thing that ever happened to this family.” Surprise filters through me. Okay. Wow. “You’re ours,” Easton mumbles. “I’m sorry about tonight. I really am, Ella. Please…don’t be mad at me.” My anger melts away. He sounds like a lost little boy, and I can’t stop myself from stroking his hair now. “I’m not mad. But dammit, Easton, the gambling needs to stop. I might not be there to bail you out next time.” “I know.” He groans. “You shouldn’t have had to bail me out tonight. I promise I’ll pay you back, every last cent. I…” He lifts his head and presses a kiss to my cheek. “Thank you for doing that. I mean it.” Sighing, I turn my eyes back to the road. “You’re welcome.

In Chicago, the appetite for every juicy tidbit about the case was fed by the yellow papers, which—when no actual news was available—cheerfully dished out wild rumor, lurid gossip, and even rank fabrication.

Get used to the gossip, darling. Get used to walking into a room and having everyone in it whisper that you don’t belong. Get used to it, but don’t let those whispers defeat you. Strike back when they strike you. Don’t be weak.

Well, golly gee, I’m so sorry that you had to answer an awkward question at lunch. That must have been so inconvenient. Much more inconvenient than getting hit in the face with a tampon flying out of your locker.” When he grins, I totally lose it. All the frustration and hurt comes rolling out of me. I’m tired of playing the good, calm girl. I rise up on my knees, reach over and hit him across the top of his head. “Fuck,” he curses. “What the hell was that for?” “That’s for being an asshole!” I hit him again,

Auden wrote that when the boy falls from the sky after calamity after calamity, he still has a future somewhere and that there’s no point in dwelling on one’s loss. But did he suffer this? Would he have written that if he had lived my life? ... Reed Royal has broken me. I’ve fallen from the sky and I’m not sure I can get up. Not this time.

And then a strong gust blew against her, and her feet slipped just slightly. She jerked forward against the railing, ever so softly. But, rotten, it crumbled like paper, and May and Kitty went sliding forward, right through it. May scrambled to stop herself, but it was too late. They slid a few more feet, then fell off the edge of the roof. They looked like blackbirds faliing out through the sky.

Is Durand picking you up or do need a ride home?

If you’re better than Easton, then by way of experience, your dad has to be spectacular.

I laid my feelings out there and he told me to keep them. He did it in a nice way, but a clean knife still makes a painful wound.

I had zero idea of what I was doing.. I honestly had no idea where to start. All I knew was I had something I craved to say.. I wanted to create art that lived on longer than I do. Perseverance and teaching yourself, every day through stress and hard work proves shit really does progress without you realizing. One minute you're an amateur, knowing nothing, not even the basics. The next you can put pen to paper, write a song, and create art in such little time! It's crazy beautiful.

But that’s what happens when you allow a nice person to write a news paper serial for you; now the world thinks you’re nice, too, which is silly in the extreme. Sadly, it’s a burden that you must bear.

Mrs. Gunness, the paper declared, was “now thought to be still alive.”[

My brother’s a good lay.” His eyes gleam. “But he’s not as good as me.

People played with fact and fancy. Waitresses wrote novels at night that would make them famous. Laborers fell in love with naked movie queens in rented cassette films. The rich wore paper jewelry, and the poor bought tiny diamonds. And princesses sallied forth onto the Champs Elysées in carefully faded rags.

I had always been a solitary person. Therefore I had a habit of opening my heart to a piece of paper. I thought that was quite secure. I knew that those words would never go out there, except of course if someone read them.

I stare at the water. He stares at me. I can feel his gaze burning into my face, and I shift my head again, smiling wryly. “Let’s hear it.” “Hear what?” “Some more lies. You know, how last night was just you doing me a favor, you don’t really want me, yada, yada.” I wave my hand. To my surprise, he laughs. “Oh my God. Was that a laugh? Reed Royal laughs, folks. Someone call the Vatican because an honest-to-God miracle has occurred.” That gets me another chuckle. “You’re so annoying,” he grumbles. “Yeah, but you still like me.” He goes quiet. I think he’s going to stay that way, but then he curses under his breath and says, “Yeah, maybe I do.” I feign amazement. “Two miracles in one night? Is the world ending?

I swallow a gasp. Oh man. Are these boys pulling twin switches on Sawyer’s girlfriend? That’s ballsy. And twisted. I pour my own bowl of cereal and lean against the counter to eat it. A few minutes later, Sebastian walks into the kitchen. As he passes the table, Sawyer murmurs, “Thanks, bro,” to his twin.

What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.

I do not want to take part in my life. It can just go on without me; I’m not giving it any help. I don’t want to see it, I don’t want to talk to it, I don’t want it anywhere near me. It takes too much energy. I refuse to be a part of it. If you have a life, even if you get used to it ruining your sleep, spoiling your fun, requiring your somewhat undivided attention, what overwhelming relief one must feel when it finally skips town. I don’t like having to keep the spinning plates spinning on top of all their various and sun-dried poles. From now on they can fall off the poles and break for all I care. I censor myself and where the fuck does it get you? Gussying up your thoughts and putting them to paper.

I’m going to be okay. Everything is going to be okay.

spicy aftershave

I just want to get to know the girl who’s got all the Royal panties in a twist.

can’t i just be a paper girl with a paper life?

You should know whatever game you're playing, you can't win. Not against all of us. If you leave now, you won't be hurt. If you stay, we'll break you so bad that you'll be crawling away.

What I fault newspapers for is that day after day they draw our attention to insignificant things whereas only three or four times in our lives do we read a book in which there is something really essential. Since we tear the band off the newspaper so feverishly every morning, they ought to change things and put into the paper, oh, I don’t know, perhaps…Pascal’s Pensees! …and then, in a gilt-edged volume that we open only once in ten years…we would read that the Queen if Greece has gone to Cannes or that the Princesses de Leon has given a costume ball. This way the proper proportions would be established.

Dinah O’Halloran is seated beneath a large painting of a nude woman. The model’s golden hair is down and she’s looking over her shoulder, green eyes narrowed seductively at the viewer. It…oh my God. The woman’s face is Dinah’s. “Do you like it?” Dinah asks with raised eyebrows. “I have others in the house but this is the most conservative.” Conservative? Lady, I can see your ass crack in the picture. “It’s

Equally important was the fact that the interpretation provided the model for how Tianming had hidden his message in the three stories. He employed two basic methods: dual-layer metaphors and two-dimensional metaphors. The dual-layer metaphors in the stories did not directly point to the real meaning, but to something far simpler. The tenor of this first metaphor became the vehicle for a second metaphor, which pointed to the real intelligence. In the current example, the princess’s boat, the He’ershingenmosiken soap, and the Glutton’s Sea formed a metaphor for a paper boat driven by soap. The paper boat, in turn, pointed to curvature propulsion. Previous attempts at decipherment had failed largely due to people’s habitual belief that the stories only involved a single layer of metaphors to hide the real message. The two-dimensional metaphors were a technique used to resolve the ambiguities introduced by literary devices employed in conveying strategic intelligence. After a dual-layer metaphor, a single-layer supporting metaphor was added to confirm the meaning of the dual-layer metaphor. In the current example, the curved snow-wave paper and the ironing required to flatten it served as a metaphor for curved space, confirming the interpretation of the soap-driven boat. If one viewed the stories as a two-dimensional plane, the dual-layer metaphor only provided one coordinate; the supporting single-layer metaphor provided a second coordinate that fixed the interpretation on the plane. Thus, this single-layer metaphor was also called the bearing coordinate. Viewed by itself, the bearing coordinate seemed meaningless, but once combined with the dual-layer metaphor, it resolved the inherent ambiguities in literary language. “A subtle and sophisticated system,” a PIA specialist said admiringly. All the committee members congratulated Cheng Xin and AA. AA, who had always been looked down on, saw her status greatly elevated among the committee members. Cheng

I’m not leaving you. If you’re in Eldorra, I’m in Eldorra. If you’re in Antarctica, the Sahara, or the middle of the fucking ocean, I’m there. I’m as much yours as you are mine, Princess, and a law isn’t keeping me away. I don’t care what a piece of paper says.

From her handbag she takes a round gilt compact with violets on the cover. She opens it, unclosing her other self, and runs her fingertip around the corners of her mouth, left one, right one; then she unswivels a pink stick and dots her cheeks and blends them, changing her shape, performing the only magic left to her. Rump on a packsack, harem cushion, pink on the cheeks and black discreetly around the eyes, as red as blood as black as ebony, a seamed and folded imitation of a magazine picture that is itself an imitation of a woman who is also an imitation, the original nowhere, hairless lobed angel in the same heaven where God is a circle, captive princess in someone's head. She is locked in, she isn't allowed to eat or shit or cry or give birth, nothing goes in, nothing comes out. She takes her clothes off or puts them on, paper doll wardrobe, she copulates under strobe lights with the man's torso while his brain watches from its glassed-in control cubicle at the other end of the room, her face twists into poses of exultation and total abandonment, that is all. She is not bored, she has no other interests.

If you had the capacity to shove love into a princess or fury into a winged monster, you had the capacity to generate passion or mirth or humility or patience in yourself. It wasn't just pen to paper or fingers on a keyboard. It was through your own generosity of imagination that you made yourself good.

A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.

Sheila and Hugh Resting in arms Testing your charms Repeating a ritualized “I love you” Sharing a fight Or a kiss in the night Shrugging when friends ask “What’s new?” After the wedding Her hips started spreading His hair line began to recede They remained together Out of habit now And not out of any great need He’ll show up from work Showing signs of strain While her day was spent cleaning Letting the soap operas wash her brain . . . He reads the evening paper She calls him in to eat They share their meal silently She’s bored, he’s just beat Then they climb the stairs Multiplying the monotony With each step they take The hours spent sleeping They find more satisfying Than those spent awake He removes his work clothes She puts on her curlers and cream Hoping the sheets will protect them From the demon of daily routine Then he clicks off the lamp And the darkness holds no noise For in the dark you can be anyone Housewives will be girls And businessmen boys . . . “I love you, Sheila” I love you, Hugh” But she’s deciding on dishes And his thoughts are all askew And the sheets supply refuge For this perpetual pair Neither really knowing anymore Why the other one is there

Jessabelle, I'm sorry to just leave, but I need some time. Time to get my head back on straight. Time to remember who I really am. Time with my Creator, the one who knew before the foundations of the earth what would happen over the last few days. I wish more than anything, that I could process all of this with you, go through all of this together, because I'm coming to understand that, out of all the men in the world, God picked me for you. It's so much more than lineage. It's you. How you've come into your own. How you've blossomed and grown. I'm so privileged to see that secret side of you-the side no one else gets to see. The side where you secretly paint your second toenail a different color because everyone else does the fourth one, but you're not sure my mother would approve so you never wear open-toed shoes to show them off. You only eat M&Ms in odd numbers. You use your right hand to put hair behind your ear, but never your left. You didn't know I knew those things, did you? I've watched you over the last few months and learned more about you than I realized until I tried to put my thoughts on paper. You're sleeping just feet away from me as I write this. Your even breathing brings some peace to my troubled soul. The small smile on your face makes me wonder what your dreaming about and if, in your sleep, you've managed to find happiness instead of the turmoil life always seems to bring. I have to stop myself from wondering if dream-Jessabelle has found happiness with someone besides dream-Malachi, because I've realized something in the last couple of days. I love you. My life didn't really begin until you walked down the aisle into it. I want to be man enough to tell you to your face, to kiss you, to tell you over and over what you've come to mean to me, but I can't. Not yet... You are the only one for me, sweet Mia Belle. I love you with my entire being, in a way I never believed possible to love another person. I didn't know this kind of love truly existed outside of fairy tales. Always, Kai

Helen’s era was quite different from what most people think of when they hear the words ancient Greece. The Parthenon, the graceful statues, the works of Sophocles, Euripides, Socrates, Aristotle, and Plato, all came nearly a thousand years after Helen’s time, during the classical era. In the Bronze Age, no one yet knew how to make brittle iron flexible enough to use for tools and weapons. Art, especially sculpture of the human form, was stiffer and more stylized. Few people could read or write. Instead of signing important papers, you would use a stone seal to leave an impression on clay tablets. The design on the seal would be as unique as a signature. There was a kind of writing in Bronze Age Greece, but it was mostly used to keep track of financial matters, such as royal tax records. Messages, poems, songs, and stories were not written down but were memorized and passed along by word of mouth.

His gray eyes turned flinty. “I do not recognize your right to rule; I do not recognize you as the rightful Queen of Terrasen. Neither do the Lords Sloane, Ironwood, and Gunnar, who make up the remaining surviving majority of what was once your uncle’s court. Even if the Allsbrook family sides with you, that is still one vote against four. General Ashryver has no lands or title here—and no say as a result. As for Lady Lysandra, Caraverre is not a recognized territory, nor do we recognize her lineage or your purchase of those lands.” Formal words, for a formal declaration. “Should you return to Orynth and seize your throne without our invitation, it will be considered an act of war and treason.” Darrow pulled a piece of paper from his jacket—lots of fancy writing and four different signatures on the bottom. “As of this moment, until it is otherwise decided, you shall remain a princess by blood—but not queen.

He won’t be giving fucking orders for much longer,” Auric growled reading my mind. He slipped out of bed to pull on some clothes. I loved it when he got all protective. I rolled on my stomach and watched him hide his yummy flesh with clothing—wrapping paper, as I called it—that always seemed to beg to be torn off. “What are you going to do?” “Tear his limbs from him one at a time and then finish him off permanently.” Say what you would, when my consort went all tough ass alpha, it was freaking hot. “Mmm, say that again,” I purred.

Right now, Marcy and the birthday girl are curled up on the couch under a blanket watching The Little Princess with Shirley Temple for what, the hundredth time? That Marcy; I don’t know how she does it. I made ‘em popcorn then I said I had to go get smokes, be right back. I didn’t need smokes. What I needed was to get the hell out of there, go for a drive, think. And I knew just what I’d be thinking: she was six, just like my Anna—I know because she told us or maybe I remember reading it in the paper after. Her name was Olive Copely. I got that name tattooed on my brain.

Why do we learn things we'll never use? Why are we taught f(x+y) = f(x) + f(y)? Why are we made to memorize the decline and fall or royal dynasties but not stories of people who've experienced and overcome heartbreak? Why do we answer dozens of questions about the layers of the earth but not of what lies within ourselves? Why do we break down the cellular anatomies of amoebas and plankton but not the anatomy of pain? Why are we told to win, before we're told to overcome ourselves? Why are we lectured on English and French grammar, before we can learn what it is we really need to hear in life? Why are we taught to compete, not cooperate? Why are we forced to compare and ask, what grade did you get, what place did you finish in, whose clothes are you wearing, where did you go to school, where do you work? Why does not being at the top automatically mean you've failed? Why do we feel the need to look good on paper, and who decides what's written on this "paper"? Why can't everyone just be left alone? Why can't everyone just stop running? Who is making us feel more shame with every ounce of envy? Who is this elusive Pied Piper at the head of the pack, luring everyone with his pipe? And just who and where am I?

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the clouds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream. A

Stillness pooled like blood and Devon sat, stunned and terrified to move in case her universe tilted again. The aunts were already cleaning up: wiping blood off her legs, changing the sheets around her as best they could. Someone carried the placenta away. “Your milk will be black, when it comes in,” Gailey said. “Don’t be alarmed by that. All perfectly normal.” Devon just nodded, too overwhelmed to speak. Perfectly normal? How could anything be normal ever again? Her life had been a series of twisted fairy tales in which she had imagined herself the princess, but this, here, living and breathing and snuffling in her arms, had more truth than all of her swallowed stories combined. She was her daughter’s whole world, a realization both humbling and empowering. Devon had never been anybody’s world before—had never been anything at all, in fact, except the sum of paper flesh she’d consumed without thought.

I am in love with Darcy Vega, heir to the throne of Solaria, daughter of the Savage King – who by the way was tricked by Lionel Acrux into being an evil sonuvabitch. And I know you all think I’m a complete waste of oxygen.” He kicked a bread roll into Justin Masters’ face and it bounced off his forehead as he tried not to react. “That my shame is infectious and you don’t want it anywhere near you, let alone your precious princess.” He leapt from one table to another, making his way towards us and I got up, a smile nearly splitting my cheeks open. “But it turns out she wants me anyway. And I’m done making decisions for a girl who has always made better ones than I do. So if this is what she wants, then she can have it. Because she owns me right down to my black heart.” He leapt forward again, a round of cursing and outrage sounding as he landed on my table, looking down at me and holding out his hand with a piece of paper folded inside it.

A silver hairbrush, old and surely precious, with a little leopard's head for London stamped near the bristles. A white dress, small and pretty, the sort of old-fashioned dress Cassandra had never seen, let alone owned- the girls at school would laugh if she wore such a thing. A bundle of papers tied together with a pale blue ribbon. Cassandra let the bow slip loose between her fingertips and brushed the ends aside to see what lay beneath. A picture, a black-and-white sketch. The most beautiful woman Cassandra had ever seen, standing beneath a garden arch. No, not an arch, a leafy doorway, the entrance to a tunnel of trees. A maze, she thought suddenly. The strange word came into her mind fully formed. Scores of little black lines combined like magic to form the picture, and Cassandra wondered what it would feel like to create such a thing. The image was oddly familiar and at first she couldn't think how that could be. Then she realized- the woman looked like someone from a children's book. Like an illustration from an olden-days fairy tale, the maiden who turns into a princess when the handsome prince sees beyond her ratty clothing.

It takes the better part of those months for Herr Thiessen to complete the clock. He works on little else, though the sum of money involved makes the arrangement more than manageable. Weeks are spent on the design and the mechanics. He hires an assistant to complete some of the basic woodwork, but he takes care of all the details himself. Herr Thiessen loves details and he loves a challenge. He balances the entire design on that one specific word Mr. Barris used. Dreamlike. The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As thought clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actually paper pages that turn. There is a silver dragon curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress awaiting an absent prince. Teapots that our into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the hour chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the colds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

Jermyn’s breath stilled. He watched intently. So far, she had followed his instructions. Now he waited to see if she would follow his last, insistent direction. In the top drawer of my bedside table, there’s a small box. It contains everything we need to make our night pleasurable . . . leave everything else behind but bring that box. He bent his will on her. Amy, get the wooden box. Get it. If thoughts had power, then his directive would surely be followed. She gathered the clothes, wrapped them in a piece of brown paper and tied them like a package with a string. She thrust the package into a large cloth bag that hung by her belt and started toward the sitting room. In frustration, Jermyn wanted to stick his fist through the wall. Why couldn’t the girl just once do as she was told? At the doorway, she hesitated. Jermyn’s heart lifted. Do it, he mentally urged. Get it. She glanced toward the bedside table, then away. Jermyn could almost see the tug-of-war between her good sense and her yearning. Had he baited the trap with strong enough desire? Had he played the meek, willing male with enough sincerity? With a soft “blast!” she hurried to the bedside table. Opening the drawer, she pulled out the wooden box and stared at it as if it were a striking snake. With a glance around her, she placed it on the table and raised the lid. She lifted the small, gilt-and-blue bottle. Pulling the stopper, she sniffed. Jermyn preferred a combination of bayberry and spice, and he held his breath as he scrutinized her face, waiting for her reaction. If she didn’t savor the scent, he had no doubt she would put it back. But for a mere second, she closed her eyes. Pleasure placed a faint smile on her lips. She liked it. And he hoped she associated the scent with him, with the day she kidnapped him. That would be sweet justice indeed. Briskly she stoppered the bottle, replaced it in the box and slid the box in her pocket. Together the two men watched as she left the bedroom. Jermyn heard a click as the outer door closed. Guardedly he walked out, surveying the sitting room. Empty. Turning to the bewildered Biggers, Jermyn said, “Quickly, man. I need that bath!

Hey Princess.” Good God I missed hearing his voice. “Chase,” I had to clear my throat to continue, “I didn’t think you were going to be here.” “I asked if you were coming to the house.” He replied hesitantly. “Right, I just figured you meant your house.” The room was thick with the tension that always followed us around. My heart started racing from his nearness and I silently cursed myself. I really didn’t want any kind of feelings for this guy, and here I was wishing he would try to kiss me again. We sat there watching each other for who knows how long before he walked over and sank down on the floor next to me, handing me a small wrapped box. “Merry Christmas Harper.” I picked it up and just stared at it, all I could say was “Why?” “Because you’re my favorite, remember?” he huffed and his lips tilted up a little, “When I saw it, there was no way I couldn’t get it for you. Please open it.” So slowly I probably drove him crazy, I took off the wrapping and opened the little leather box. I gasped when I saw the ring inside there. It was a silver band that wrapped into the trinity symbol on top. I’d always wanted that symbol as a tattoo. I looked up at Chase and shook my head in wonder. “How did you know?” “You doodle it on everything put in front of you.” He was right of course, if I had a pen and paper or napkin, it always ended up on there at some point. I just hadn’t realized anyone other than Brandon noticed that, especially him. “Chase …” I couldn’t hold them back any longer, tears started falling down my cheeks and I quickly dropped my head hoping he wouldn’t notice. He did. “Don’t cry Harper. If you don’t like it, or you don’t like that it’s from me I’ll take it back.” My laugh sounded more like a sob than anything else. “I love it, please don’t take it.” “Then what’s wrong?” He tilted my head up and brushed away a few tears with his thumbs. I had to force myself to not lean into his hands, it was the first time we’d had any type of physical contact in over a month. He was a whole new kind of Chase on Sundays, but I’d never seen him like this. So gentle and kind. It made my entire being crave him. “I’ve never had this before. Not just the presents … the love that your family has for me. I’ve never had it until now, and it’s so overwhelming. I don’t know what I did to deserve it and I don’t know if I show them that too.” “You do. Trust me.” He searched my face for a long time and wiped the remaining tears from my cheeks. “You’re special Harper, it’s not hard to love you.