“
He'd changed since the last summer. Instead of Bermuda shorts and a T-shirt, he wore a button-down shirt, khaki pants, and leather loafers. His sandy hair, which used to be so unruly, was now clipped short. He look like an evil male model, showing off what the fashionable college-age villain was wearing to Harvard this year.
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
[Piper] rushed to get dressed. By the time she got up on deck, the others had already gathered—all hastily dressed except for Coach Hedge, who had pulled the night watch.
Frank’s Vancouver Winter Olympics shirt was inside out. Percy wore pajama pants and a bronze breastplate, which was an interesting fashion statement. Hazel’s hair was all blown to one side as though she’d walked through a cyclone; and Leo had accidentally set himself on fire. His T-shirt was in charred tatters. His arms were smoking.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
I had a vague memory of being that ridiculous at one time. Let he who hath never worn parachute pants cast the first stone.
”
”
Jim Butcher (Death Masks (The Dresden Files, #5))
“
Mr. Sourpuss Pants God I love her Nicholas " Thomas crowed. When he noticed that neither Nicholas nor Inez looked impressed by the words he added quickly "In a totally sister-in-law type fashion of course.
”
”
Lynsay Sands (The Renegade Hunter (Argeneau, #12; Rogue Hunter, #3))
“
Well, he was wearing those really bad pants ant that awful shirt. Clearly he did need some things explained to him bya teenager, but i didn't think it was the right time to mention his unforunate and obvious fashion impairment.
”
”
P.C. Cast
“
After I pulled in, I decided in my typical fly-by-the-seat-of-my-pants fashion that if anyone asked, I was going to be "lost." I hoped no one would have the opportunity to look in the car. Lost and a fancy GPS system didn't go together.
”
”
Myra McEntire (Hourglass (Hourglass, #1))
“
From time to time, you may see a girl wearing her black opaque tights as pants. They are, in fact, not.
”
”
Nina García (The One Hundred: A Guide to the Pieces Every Stylish Woman Must Own)
“
The running pants were tolerable, Drustan decided, relieved. The blue trews had clearly been a torture device and would have strangled a man's seed. Mayhap men were fashioned differently in her time. He hadn't seen one other bulge out there on the street; mayhap they all had wee carrots in their trews.
”
”
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
“
Kincaid rounded the far corner. He was dressed in his customary black clothing again, fatigue pants, and a hunting jacket over body armor, and he had enough guns strapped to his body to outfit a terrorist cell, or a Texan nuclear family.
”
”
Jim Butcher (Small Favor (The Dresden Files, #10))
“
Let them howl. Let the wolves pant. You have evolved. You were not fashioned to run in a pack, or to be defined by the opinions of those who wish to limit your creativity. Let them howl. Let the wolves pant.
”
”
Alfa Holden (Abandoned Breaths)
“
The fact that students passed him by in uniform and he was standing there in torn jeans and faded old concert T-shirt made me smile. The rebel in me could totally relate.
I stopped in front of him. "They're not going to let you stay in school dressed like that. I got a huge lecture for wearing a black shirt the other day."
He glanced my outfit, which didn't really diverge from my normal fashion, and arched an eyebrow. Black cargo pants, white tank, grey zip-up hoodie, with a blade strapped to my thigh and a dagger in my boot.
"What? Pants are black. Shirt is white. Blade stays." I grinned wider. "Because I'm special.
”
”
Kelly Keaton (A Beautiful Evil (Gods & Monsters, #2))
“
Until the sixteenth century, men—priests, academics, judges, merchants, princes, and many others—wore skirts, or robes. For men, the skirt was a 'sign of leisure and a symbol of dignity,' writes Quentin Bell. This is still true for men in high positions. After all, can you imagine the Pope, or Professor Dumbledore, wearing trousers? Have you ever seen a depiction of God wearing pants?
”
”
Tim Gunn (Tim Gunn's Fashion Bible)
“
Black culture today not only condones delinquency and thuggery but celebrates it to the point where black youths have adopted jail fashion in the form of baggy, low-slung pants and oversize T-shirts. Hip-hop music immortalizes drug dealers and murderers.
”
”
Jason L. Riley (Please Stop Helping Us: How Liberals Make It Harder for Blacks to Succeed)
“
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
I don't believe in wearing track pants unless you are in an actual athletic situation.
”
”
Carrie Mesrobian (Sex & Violence)
“
So, you’re dead asleep, and you get a call. Something terrible’s happened, and I’m dead. What do you do?”
It took him a moment to quell the terror, to ignore the small, dark place inside him that feared getting that call every day. “Before or after I fall prostrate with grief?”
“Before, during, and after. Do you peruse your wardrobe and select a coordinating outfit—down to the footwear? Do you deal with your hair so it’s perfectly groomed?”
“With my considerable skills and innate instincts that would take no time at all.”
“Keep it up and I’ll dump red sauce all over your fashionable smarty-pants.”
“That statement is one of the countless reasons why, under the circumstances you described, I’d be lucky to remember to dress at all.
”
”
J.D. Robb (Strangers in Death (In Death, #26))
“
Tell me something about yourself.” “I’d rather save the small talk.” “There’s no need to be rude, child, and believe me, I’m asking for a reason. Tell me something about yourself. Anything.”
“I’m twenty-eight . . .”
He rejected that one out of hand. “Something personal. Something . . . interior. Tell me something you love.”
I thought about it for a long few seconds, then said, “Ralph Lauren’s summer line this year. Not the spring collection, which was way too pastel, and the winter was really crappy, all bland browns and grays. But he’s got some good fabrics this summer, kind of a hot tangerine matched with dull red. Only he skirts, though. Hiscapri pants are for shit. Pockets? Who wants pockets on capri pants? What woman in her right mind puts extra fabric on her hips?”
There was a long and ringing silence. Patrick’s eyes were wide and rather frightened.
He finally cleared
his throat and said, “Anything else apart from fashion?”
“What do you want me to say? Puppies? Fluffy kittens? Babies?”
“Let’s try something simple. Your favorite food.”
I rolled my eyes. “Chocolate.” Duh .
”
”
Rachel Caine (Heat Stroke (Weather Warden, #2))
“
She'd been taught that pants were inappropriate for girls because they were immodest [...] If women's pants were suggestive, men's were equally so, and they revealed a great deal more of what was underneath them. There was almost always a bulge--you couldn't help but notice it--and if the pants were tight, you could see practically everything. And the way men were always drawing attention to it! Touching and scratching themselves with total unselfconsciousness, as if they were alone and not in public. She'd even seen Aidan do it a few times, absent-mindedly. And yet no one accused men of being improper or of encouraging sin by reminding women of what hung between their legs. She looked at herself in the mirror, irritated suddenly by the double standard. This was how her body was made. The fact that it was well made and encased in a pair of blue jeans didn't mean she was inviting anything.
”
”
Hillary Jordan (When She Woke)
“
What are shirts and pants made from?
Are they a living organism that can make decisions? No. They are just fabric. So how can fabric make you feel more valuable? what gives clothes, music, fashion, rules, monetary value? The answer is ... you. You give it value. You are valuable. You cannot give what you don’t have.
”
”
Matt Purcell (Life Hacks For Mindful Living)
“
Who the hell cares about how your pants look like with your boots!
Wear your attitude!
”
”
Avijeet Das
“
I also learned a valuable lesson of the importance to operate pants zipper only in a calm and controlled fashion, else it might cause considerable and rather painful damage.
”
”
Alexander Trouble (Incurable: Fighting the odds)
“
But a century from now, your mortal associates will be rotting in the earth, whereas, barring amputation or radical shifts in fashion, you will still be putting your pants on one leg at a time.
”
”
Jim Butcher (Death Masks (The Dresden Files, #5))
“
Shortly before school started, I moved into a studio apartment on a quiet street near the bustle of the downtown in one of the most self-conscious bends of the world. The “Gold Coast” was a neighborhood that stretched five blocks along the lake in a sliver of land just south of Lincoln Park and north of River North. The streets were like fine necklaces and strung together were the brownstone houses and tall condominiums and tiny mansions like pearls, and when the day broke and the sun faded away, their lights burned like jewels shining gaudily in the night.
The world’s most elegant bazaar, Michigan Avenue, jutted out from its eastern tip near The Drake Hotel and the timeless blue-green waters of Lake Michigan pressed its shores. The fractious make-up of the people that inhabited it, the flat squareness of its parks and the hint of the lake at the ends of its tree-lined streets squeezed together a domesticated cesspool of age and wealth and standing. It was a place one could readily dress up for an expensive dinner at one of the fashionable restaurants or have a drink miles high in the lounge of the looming John Hancock Building and five minutes later be out walking on the beach with pants cuffed and feet in the cool water at the lake’s edge.
”
”
Daniel Amory (Minor Snobs)
“
The eighties were a strange time for teenage fashion. We wore silk blouses and shoulder pads, neon earrings and jodhpur pants. Come to think of it, our pants were especially weird. We also wore stirrup pants, parachute pants, and velvet knickers. It was a real experimental pant time.
”
”
Amy Poehler (Yes Please)
“
One also, in our milieu, simply didn't meet enough Americans to form an opinion. And when one did—this was in the days of crew-cuts and short-legged pants—they, too, often really did sport crew-cuts and trousers that mysteriously ended several inches short of the instep. Why was that? It obviously wasn't poverty. A colleague of my father's had a daughter who got herself married and found that an American friend she had met on holiday had offered to pay the whole cost of the nuptial feast. I forget the name of this paladin, but he had a crew-cut and amputated trouser-bottoms and a cigar stub and he came from a place called Yonkers, which seemed to me a ridiculous name to give to a suburb. (I, who had survived Crapstone… ) Anyway, once again one received a Henry Jamesian impression of brash generosity without overmuch refinement. There was a boy at my boarding school called Warren Powers Laird Myers, the son of an officer stationed at one of the many U.S. Air Force bases in Cambridgeshire. Trousers at The Leys School were uniform and regulation, but he still managed to show a bit of shin and to buzz-cut his hair. 'I am not a Yankee,' he informed me (he was from Norfolk, Virginia). 'I am a CON-federate.' From what I was then gleaning of the news from Dixie, this was unpromising. In our ranks we also had Jamie Auchincloss, a sprig of the Kennedy-Bouvier family that was then occupying the White House. His trousers managed to avoid covering his ankles also, though the fact that he shared a parent with Jackie Kennedy meant that anything he did was accepted as fashionable by definition. The pants of a man I'll call Mr. 'Miller,' a visiting American master who skillfully introduced me to J.D. Salinger, were also falling short of their mark. Mr. Miller's great teacher-feature was that he saw sexual imagery absolutely everywhere and was slightly too fond of pointing it out [...]. Meanwhile, and as I mentioned much earlier, the dominant images projected from the United States were of the attack-dog-and-firehose kind, with swag-bellied cops lying about themselves and the political succession changed as much by bullets as by ballots.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
It doesn't happen to me anymore, because a fresh generation of Africans and Asians has arisen to take over the business, but in my early years in Washington, D.C., I would often find myself in the back of a big beat-up old cab driven by an African-American veteran. I became used to the formalities of the mise-en-scène: on some hot and drowsy Dixie-like afternoon I would flag down a flaking Chevy. Behind the wheel, leaning wa-aay back and relaxed, often with a cigar stub in the corner of his mouth (and, I am not making this up, but sometimes also with a genuine porkpie hat on the back of his head) would be a grizzled man with the waist of his pants somewhere up around his armpits. I would state my desired destination. In accordance with ancient cabdriver custom, he would say nothing inresponse but simply engage the stickshift on his steering wheel and begin to cruise in a leisurely fashion. There would be a pause. Then: 'You from England?' I would always try to say something along the lines of 'Well, I'm in no position to deny it.' This occasionally got me a grin; in any case, I always knew what was coming next. 'I was there once.' 'Were you in the service?' 'I sure was.' 'Did you get to Normandy?' 'Yes, sir.' But it wasn't Normandy or combat about which they wanted to reminisce. (With real combat veterans, by the way, it almost never is.) It was England itself. 'Man did it know how to rain… and the warm beer. Nice people, though. Real nice.' I would never forget to say, as I got out and deliberately didn't overtip (that seeming a cheap thing to do), how much this effort on their part was remembered and appreciated.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Corey was hanging out down by the port one afternoon with Karl and Jacques when a bus-load of american tourists drove by, and in a moment of clarity Corey suddenly perceived Karl in the light of reality rather than through the kaleidoscope of fashion: the tourists were staring open-mouthed through the bus windows, ice creams held in mid-air, gawping at the apparition that was Karl. Jacques was driving the mobylette and Karl sat behind riding side-saddle dressed in hot pants, long strands of pearls and dark glasses; he was wielding a raw frankfurter straight from the packet in one hand and a bottle of coca-cola in the other. I remember thinking "I am with this total freak," says Corey.
”
”
Alicia Drake (The Beautiful Fall: Lagerfeld, Saint Laurent, and Glorious Excess in 1970s Paris)
“
I really identify with being a bookworm. I love reading, learning and books. I mean, I have 1000 books, all catalogued, already in my specially made library my dad made me. Books are my friends. I live in sweat pants and workout gear or t-shirt and jeans. I dress more for comfort than for fashion. I dress up if I have to go out but I can’t wait to come home and take off the makeup, heels and scratchy clothing.
”
”
Tania Marshall (I Am Aspienwoman: The Unique Characteristics and Gifts of Adult Females on the Autism Spectrum)
“
And thither, ere sweet night had slain sweet day,
Iseult and Tristram took their wandering way,
And rested, and refreshed their hearts with cheer
In hunters' fashion of the woods; and here
More sweet it seemed, while this might be, to dwell
And take of all world's weariness farewell
Than reign of all world's lordship queen and king.
Nor here would time for three moon's changes bring
Sorrow nor thought of sorrow; but sweet earth
Fostered them like her babes of eldest birth,
Reared warm in pathless woods and cherished well.
And the sun sprang above the sea and fell,
And the stars rose and sank upon the sea;
And outlaw-like, in forest wise and free,
The rising and the setting of their lights
Found those twain dwelling all those days and nights.
And under change of sun and star and moon
Flourished and fell the chaplets woven of June,
And fair through fervours of the deepening sky
Panted and passed the hours that lit July,
And each day blessed them out of heaven above,
And each night crowned them with the crown of love.
Nor till the might of August overhead
Weighed on the world was yet one roseleaf shed
Of all their joy's warm coronal, nor aught
Touched them in passing ever with a thought
That ever this might end on any day
Or any night not love them where they lay;
But like a babbling tale of barren breath
Seemed all report and rumour held of death,
And a false bruit the legend tear impearled
That such a thing as change was in the world.
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
What's going on, miscreant?" Logan stood in the doorway, wearing his favorite frock coat as usual, but there were rips in his jeans.
I lifted my eyebrows at his pants. "Holes?" He was impeccable about his fancy goth clothes.
"Isabeau," he admitted ruefully. "The Hounds are a great tribe, but they have no sense of fashion."
"So she tore your jeans?"
He grinned. "No, she tore at a Hel-Blar. I just happened to get in the way."
I grinned back at him. "Cool." Have I mentioned? Our girlfriends are fierce.
”
”
Alyxandra Harvey (Blood Moon (Drake Chronicles, #5))
“
One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.”
“As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.
These are the tales those merry guests
Told to each other, well or ill;
Like summer birds that lift their crests
Above the borders of their nests
And twitter, and again are still.
These are the tales, or new or old,
In idle moments idly told;
Flowers of the field with petals thin,
Lilies that neither toil nor spin,
And tufts of wayside weeds and gorse
Hung in the parlor of the inn
Beneath the sign of the Red Horse.
Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward;
The old stage-coach was at the door,
With horses harnessed, long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: "Farewell forevermore.
Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.
”
”
Henry Wadsworth Longfellow
“
Sunset at Seminyak
Barefoot, the well heeled expats drift
from the beach into mauve chaise lounges
wearing trendy Thai fisherman pants
and billowing knock-off Armani linens.
They dis the local touts, piss and moan
about the tawdry and 'so yesterday'.
Devout Splenglerians, they spout
the rise and fall of fashion
every fucking fifteen minutes.
Exhaling the outlaw plumes of
Hoyo de Monterrey Churchills,
they drown in their Courvoisier
and Hennessey Privilege
as the unfashionable sun
plunges divinely into the Bali Strait
unnoticed.
”
”
Beryl Dov
“
One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.
As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.
These are the tales those merry guests
Told to each other, well or ill;
Like summer birds that lift their crests
Above the borders of their nests
And twitter, and again are still.
These are the tales, or new or old,
In idle moments idly told;
Flowers of the field with petals thin,
Lilies that neither toil nor spin,
And tufts of wayside weeds and gorse
Hung in the parlor of the inn
Beneath the sign of the Red Horse.
Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward;
The old stage-coach was at the door,
With horses harnessed,long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: "Farewell forevermore.
Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.
”
”
Henry Wadsworth Longfellow
“
Daniel opened a dresser drawer and pulled out a bell-sleeved shirt that was tiny enough to have fit Trixie when she was eight. Had she ever worn this in public?
He sank down onto the floor, holding the shirt, wondering if all this had been his own fault. He'd forbidden Trixie to buy certain clothes, like the pants she had had on last night, in fact, and that she must have purchased and hidden from him.
You saw outfits like those in fashion magazines, outfits so revealing they bordered on porn, in Daniel's opinion. Women glanced at those photo spreads and wished they looked that way, men glanced at them and wished for women who looked that way, and the sad reality was that most of those models were not women at all, but girls about Trixie's age.
”
”
Jodi Picoult (The Tenth Circle)
“
Compared to cotton, synthetic fibers require a lot less water to produce, but that’s not necessarily a good enough argument for using them, since they have other significant impacts: they are still made of oil, and their production can require a lot of energy. MIT calculated that the global impact of producing polyester alone was somewhere between 706 million metric tons of carbon dioxide, or about what 185 coal-fired power plants emit in a year.2 Samit Chevli, the principal investigator for biomaterials at DuPont, the giant chemical company, has said that it will be hundreds of years before regular polyester degrades.3 Plus, while the chemicals used in production typically aren’t released to the environment, if factories don’t have treatment systems in the last phase of production, they can release antimony, an element that can be harmful to human health, as well as other toxins and heavy metals. Despite having just written a good amount about the impacts associated with the production of synthetic fibers, that’s actually not why I wanted to call attention to your yoga pants and dry-fit sweat-wicking T-shirts, which we wear out to dinner. It is hard for me to leave my fashion critique at the door, but what I actually want to say about synthetic fibers is that they are everywhere—not just in all of our clothes, but literally everywhere: rivers, lakes, oceans, agricultural fields, mountaintops, glaciers. Everywhere. Synthetic fibers, actually, may be one of the most abundant, widespread, and stubborn forms of pollution that we have inadvertently created.
”
”
Tatiana Schlossberg (Inconspicuous Consumption: The Environmental Impact You Don't Know You Have)
“
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace.
Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops.
One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward.
It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . .
I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place.
The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best.
It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt.
But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing.
Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
”
”
D. Todd Christofferson
“
Back in the twentieth century, American girls had used baseball terminology. “First base” referred to embracing and kissing; “second base” referred to groping and fondling and deep, or “French,” kissing, commonly known as “heavy petting”; “third base” referred to fellatio, usually known in polite conversation by the ambiguous term “oral sex”; and “home plate” meant conception-mode intercourse, known familiarly as “going all the way.” In the year 2000, in the era of hooking up, “first base” meant deep kissing (“tonsil hockey”), groping, and fondling; “second base” meant oral sex; “third base” meant going all the way; and “home plate” meant learning each other’s names. Getting to home plate was relatively rare, however. The typical Filofax entry in the year 2000 by a girl who had hooked up the night before would be: “Boy with black Wu-Tang T-shirt and cargo pants: O, A, 6.” Or “Stupid cock diesel”—slang for a boy who was muscular from lifting weights—“who kept saying, ‘This is a cool deal’: TTC, 3.” The letters referred to the sexual acts performed (e.g., TTC for “that thing with the cup”), and the Arabic number indicated the degree of satisfaction on a scale of 1 to 10. In the year 2000, girls used “score” as an active verb indicating sexual conquest, as in: “The whole thing was like very sketchy, but I scored that diesel who said he was gonna go home and caff up [drink coffee in order to stay awake and study] for the psych test.” In the twentieth century, only boys had used “score” in that fashion, as in: “I finally scored with Susan last night.” That girls were using such a locution points up one of the ironies of the relations between the sexes in the year 2000. The continuing vogue of feminism had made sexual life easier, even insouciant, for men. Women had been persuaded that they should be just as active as men when it came to sexual advances. Men were only too happy to accede to the new order, since it absolved them of all sense of responsibility
”
”
Tom Wolfe (Hooking Up (Ceramic Transactions Book 104))
“
FOXFIRE NEVER SAYS NEVER!
By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?"
Nobody's dead.
”
”
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
“
I meant what I said about sex.”
His hand slid all the way up her leg, pushing what little skirt was still covering her out of the way, holding it in a bunch at her belly button. Her nudity was fully exposed to his gaze and he looked his fill, breathing out hard.
“Who said anything about sex?”
He leaned in, his mouth dropping to the pale slice of skin between where his hand held her skirt and the thatch of hair between her legs. She wasn’t trimmed as was the fashion among the women he usually took to his bed but Troy was not a fussy guy and here, under the stars, his head filling with the musky scent of her arousal, au naturel seemed fitting.
The ragged pant of her breathing stuttered into the air as he lazily stroked his tongue down.
Down. Down. Down.
She roused. Shifted. Raised herself up on her elbows, her abs tightening, her thighs tensing. “I think you’ll find that still counts,” she said, obviously throwing one last-ditch effort into denying herself the pleasure she so clearly craved.
He chuckled low, his warm breath fanning her belly, satisfied to feel gooseflesh stippling the soft skin. “If you think this is sex, you need to read some more textbooks, doc.
”
”
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
“
he’s disastrously hot, wearing a goddamn corset vest. The satiny black vest has vertical ribs that taper his chest into his waist in the very definition of a perfect V. I want nothing more than to drop to my knees and weep, good lord how I have never seen a corset vest before—I mean, I’ve seen one, but I’ve never seen one, not on someone whose body looks physically sculpted to fill out this apex of human fashion. He’s got the only pop of color in the entire group, a scarlet silk button-up under the vest, the color such a deep red that there’s no question it’s meant to symbolize gore and darkness rather than Christmas’s cherry brightness. Tight black pants taper into calf-high combat boots and the tips of his black hair now brush his shoulders, half the strands pulled behind his head, showing—displaying—the blade-edge sharpness of his jaw and cheekbones and the array of piercings up the shell of his left ear. Wide, observant dark eyes rimmed with black liner go from the floor up to my dad and Iris, no emotion at all on his face, but that lack of emotion is reaction enough—I get the distinct feeling he’s pissed to be here. His hands hang at his sides, loosely clenched in fists, most of his fingers set with thick silver rings. “The royal house of Halloween,” an announcer bellows. “King Ichabod Hallow. Queen Carina Hallow. And their son Prince Hex Hallow.
”
”
Sara Raasch (The Nightmare Before Kissmas (Royals and Romance, #1))
“
Violet’s not getting out of our sight,” Arion adds.
There’s a moment of just staring…like everyone is trying to silently argue.
“No one naked in my car,” Mom states when I just stand in my spot, waiting on them to hurry through the push and pull.
You really can tell how thick the air is when too many alphas are in the room at one time, but weirdly it never feels this way when it’s just the four of them. Unless punches are thrown. Then it gets a little heavier than normal.
Arion pulls on his clothes, and threads whir in the air as I quickly fashion Emit a lopsided toga that lands on his body. Everyone’s gaze swings to him like it’s weird for him and normal for me to be in a toga.
Awesome.
Damien muffles a sound, Emit arches an eyebrow at me, and Arion remains rigid, staying close to me but never touching me.
All of us squeezing into a car together while most of them hate each other…should be fun.
The storm finally stops before we board the elevator, and it’s one of those super awkward elevator moments where no one is looking at anyone or saying anything, and everyone is trying to stay in-the-moment serious.
We stop on the floor just under us, after the longest thirty-five seconds ever.
The doors open, and two men glance around at Emit and I in our matching togas, even though his is the fitted sheet and riding up in some funny places.
He looks like a caveman who accidentally bleached and shrank his wardrobe.
I palm my face, embarrassed for him.
The next couple of floors are super awkward with the addition of the two new, notably uncomfortable men.
Worst seventy-nine seconds ever. Math doesn’t add up? Yeah. I’m upset about those extra nine seconds as well.
Poor Emit has to duck out of the unusually small elevator, and the bottom of his ass cheek plays peek-a-boo on one side.
Damien finally snorts, and even Mom struggles to keep a straight face. That really pisses her off.
“You’re seeing him on an off day,” I tell the two guys, who stare at my red boots for a second.
I feel the need to defend Emit a little, especially since I now know he overheard all that gibberish Tiara was saying…
I can’t remember all I said, and it’s worrying me now that my mind has gone off on this stupid tangent.
I trip over the hem of my toga, and Arion snags me before I hit the floor, righting me and showing his hands to my mother with a quick grin.
“Can’t just let her fall,” he says unapologetically.
“You’re going to have to learn to deal with that,” she bites out.
She has a very good point. I don’t trip very often, but things and people usually knock me around a good bit of my life.
The two guys look like they want to run, so I hurry to fix this.
“Really, it’s a long story, but I swear Emit—the tallest one in the fitted-sheet-toga—generally wears pants…er…I guess you guys call them trousers over here. Anyway, we had some plane problems,” I carry on, and then realize I have to account for the fact we’re both missing clothing. “Then there was a fire that miraculously only burned our clothes, because Emit put all my flames out by smothering me with his body,” I state like that’s exactly what happened.
Why do they look so scared? I’m not telling a scary lie.
At this point, I’ve just made it worse, and fortunately Damien takes mercy, clamping his hand over my mouth as he starts steering me toward the door before I can make it…whatever comes after worse but before the worst.
“Thank you,” sounds more like “Mmdi ooooo,” against his hand, but he gets the gist, as he grins.
Mom makes a frustrated sound.
“Another minute, and she’d be bragging about his penis size in quest to save his dignity. Did you really want to hear that?” Damien asks her, forcing me to groan against his hand.
”
”
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
“
Change Your Look With These Top Notch Fashion Tips
In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs.
If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often.
If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather.
In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style.
Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own.
Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too.
Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options.
The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.
”
”
David (Hum® Político (Humor Político, #1))
“
#1 of 2 Leah munched another chip as she watched a couple on-screen race madly away from men with guns who were intent on killing them. She and Seth sat shoulder to shoulder on the sofa, both slumped down until they were practically lying on their backs. Seth had pulled the matching ottoman up against the sofa, so it really did feel as if they were lying in bed together, watching a movie.
She slid him a covert glance.
He had donned black cargo pants and a black T-shirt after his shower but had left his big feet bare. He had also left his hair loose. It now spilled over the back of the sofa in a glossy curtain, the thick wavy tresses still drying.
He chuckled at something the male protagonist said.
Leah smiled. She loved seeing him laugh. She didn’t think he did so as often as he should.
Every once in a while, she noticed his gaze would slide to her legs. Her feet were propped on the ottoman close to his. The robe she had borrowed had parted just above her knees and fallen back, leaving most of her legs bare. And that pale flesh repeatedly drew Seth’s attention.
She held the bag of chips out to him.
Smiling, unaware that the faint golden light of desire illuminated his eyes, he poked his hand in and drew out a couple of chips.
She smiled back, then returned her attention to the screen.
The protagonists had at last made it to safety. They checked each other over for wounds, something both had miraculously escaped incurring in true Hollywood fashion. Then they fell into each other’s arms, finally giving in to the lust that had sparked between them ever since their first contentious meeting.
Leah sighed as she watched them peel each other’s clothes off with eager hands. It made her want to do the same with Seth. Her body even began to respond as her imagination kicked in. “I miss sex.” The words were out of her mouth before she could question the wisdom of speaking them.
“I do, too,” Seth confessed.
She glanced over at him and found his eyes glued to the screen.
More so since I met you.
Her eyes widened when his voice sounded in her head. “Really?”
“Yes.” The actors on-screen fell naked onto the bed and began to simulate sex, their moans and groans and cries of passion filling the room. “It’s natural to miss it,” he said matter-of-factly. “Nothing to feel guilty about.”
“No. I mean, you really miss it more since you met me?”
He froze. A look of dismay crossed his features as he cut her a glance. “I said that out loud?”
“No. I heard it in my head.”
Sh**.
She grinned. “I heard that, too.”
F**k.
”
”
Dianne Duvall (Death of Darkness (Immortal Guardians, #9))
“
Did you find something?” asked Mara. She wore sage-green hunting pants and a ridiculously frilly white lace top. Why she wore such an outfit, he had no idea. She had her own unique sense of fashion, to say the least. Not that he minded it at all. It was part of many reasons why he liked her. As she approached him, she lowered her big brown eyes in keen interest and studied at the tracks. She chewed a cinnamon stick and grinned.
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
Five minutes later she came back to the car wearing low fitted gray pants, high-heeled black boots, a white T-shirt, and a long black nylon coat that flapped behind her like a graceful set of wings. She had on eyeliner and her hair was pulled back into a severe ponytail. She looked like a rock star or a publicist for rock stars.
”
”
Jeanne Ray (Eat Cake)
“
Did you find something?”asked Mara. She wore sage-green hunting pants and a ridiculously frilly white lace top. Why she wore such an outfit, he had no idea. She had her own unique sense of fashion, to say the least. Not that he minded it at all. It was part of many reasons why he liked her. As she approached him, she lowered her big brown eyes in keen interest and studied at the tracks. She chewed a cinnamon stick and grinned.
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
Harem pants, one of the most costumey looks of the 1980s, sport a dropped crotch, which to me suggests you are wearing a diaper Do any of us think that’s a good look?
”
”
Tim Gunn (Tim Gunn's Fashion Bible)
“
All over America, you see women in yoga pants and men in sweatpants, even when they are not on their way to or from a yoga class or softball field. When I fly, I see so many sweat suits – even pajamas – on my fellow travelers that it’s as though the airplane were the sleeper car of a train bound for summer camp or a gym in the sky, not a public space for business people and vacationers.
”
”
Tim Gunn (Tim Gunn's Fashion Bible)
“
So what’s the rule of thumb? Some say you should always match your socks to your shoes. Others say you should always match your socks to your pants. The correct answer is pants. And so in the case of jeans and brown shoes, I would go with navy socks.
One note on sock-and-pant etiquette: if you’re wearing socks with dress pants, you should reveal no leg skin. It’s like a bare midriff: you don’t want to see it. It’s different if you’re wearing shoes without socks, which is fine in casual settings.
”
”
Tim Gunn (Tim Gunn's Fashion Bible)
“
I need to see more males wearing dresses, tights, stomach-outs, short pants, etc. Break the systematic masculinity …a piece by piece, boys. Not to fear, Africans have always lived like this.
”
”
Mitta Xinindlu
“
You remember the 'distinguished' poem that was quoted in the copy you lent to me?
"They ordered bacon
And eggs at seven.
At eight o'clock,
There was nobody down.
Only the coffeepot
Stood on the table."
"Yes, but what possible ..."
"Do you also remember what your 'distinguished' weekly said about it? 'The old-fashioned reader who would dismiss as insignificant this new and vital work (a striking example of the sharp-edged imagisme with which the more adventurous of our younger writers are experimenting today)'—you see, Basil, I have it by heart, words, tone, cadence and all—'forgets that every object, even the coffeepot on the table, has a perimeter which not only encloses that object, but also subtends a physical and metaphysical otherness that includes the whole of the rest of the universe. Such work, therefore, is more truly significant of ultimate reality than all the pantings after God of the Victorians.'
...
you were squashing a perfectly genuine love of simple and true things in a perfectly genuine little woman, and that the words you borrowed for the purpose were muddle-headed and insincere drivel.
...
They are not literary grounds. They are human grounds. Miss Bird, as I told you, is unlike your 'distinguished' anonymities in having a few quite genuine beliefs; and you used the cheap phrases of a pseudo-metaphysical charlatan, in a precious literary weekly, to snub her. I saw the hurt look on her face long after you had wiped your boots on her perfectly sincere love of certain perfectly true and simple things.
...
I don't go to church to hear a high-brow Anglican curate quoting a Scandinavian lunatic, any more than I go to my hair-dresser's to hear a Christy minstrel reciting the Apostles' Creed. I know that it's all very noble and distinguished and broad-minded and generally newspaperish. You might have been brought up in a seminary for young ladies of fashion.
...
He didn't know whether he was modern or antique. In either case, it appeared he was a fraud.
”
”
Alfred Noyes (The Sun Cure)
“
The object remaining a secret in the hands of the managers, the rest simply put a ring in their own noses, by which they may be led about at pleasure; and still panting after the secret, they are the better pleased the less they see of their way. A mystical object enables the leader to shift his ground as he pleases, and to accommodate himself to every current fashion or prejudice. This again gives him almost unlimited power; for he can make use of these prejudices to lead men by troops. He finds them already associated by their prejudices, and waiting for a leader to concentrate their strength and set them in motion.
”
”
Milton William Cooper (Behold a Pale Horse)
“
ONCE, IN A HOUSE ON EGYPT STREET, there lived a rabbit who was made almost entirely of china. He had china arms and china legs, china paws and a china head, a china torso and a china nose. His arms and legs were jointed and joined by wire so that his china elbows and china knees could be bent, giving him much freedom of movement. His ears were made of real rabbit fur, and beneath the fur, there were strong, bendable wires, which allowed the ears to be arranged into poses that reflected the rabbit’s mood — jaunty, tired, full of ennui. His tail, too, was made of real rabbit fur and was fluffy and soft and well shaped. The rabbit’s name was Edward Tulane, and he was tall. He measured almost three feet from the tip of his ears to the tip of his feet; his eyes were painted a penetrating and intelligent blue. In all, Edward Tulane felt himself to be an exceptional specimen. Only his whiskers gave him pause. They were long and elegant (as they should be), but they were of uncertain origin. Edward felt quite strongly that they were not the whiskers of a rabbit. Whom the whiskers had belonged to initially — what unsavory animal — was a question that Edward could not bear to consider for too long. And so he did not. He preferred, as a rule, not to think unpleasant thoughts. Edward’s mistress was a ten-year-old, dark-haired girl named Abilene Tulane, who thought almost as highly of Edward as Edward thought of himself. Each morning after she dressed herself for school, Abilene dressed Edward. The china rabbit was in possession of an extraordinary wardrobe composed of handmade silk suits, custom shoes fashioned from the finest leather and designed specifically for his rabbit feet, and a wide array of hats equipped with holes so that they could easily fit over Edward’s large and expressive ears. Each pair of well-cut pants had a small pocket for Edward’s gold pocket watch. Abilene wound this watch for him each morning.
”
”
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
“
Yoga pants often answer questions I didn't ask.
”
”
Tim Heaton
“
Matching Doll Pajamas by Leveret, Inc
Does your girl love holding on to her favorite doll at night? Now surprise her with this Together ForeverMatching Girl And Doll Pajama Set. Your girl will enjoy the shared fashion between herself and her best friend. This girl and doll pajama set comes with a full-size outfit for your little one and an 18" set for the doll. Shop the best assortment of matching pajamas and sleepwear sets for girls and their dolls New collections for every season! Sets include a matching doll outfit Great fashion and great fun! Leveret Matching Girl & Doll 2 Piece Pajamas 100% Cotton. These pajama style pants and shirt are made from a comfortable cotton with hearts of red and pink all over it. Girls' Pajamas and Nightgowns with Matching 18 Inch Doll Sleepwear, Sizes 4-16: Leveret.com. Matching Girl & Doll Nightgown Set makes playtime and bedtime even more special. It comes with a printed nightgown for her and one for her 18" doll in the same design. The ruffle trim and lively colors will make this set a favorite. Find great deals on leveret for matching doll pajamas. They are trimmed with white satin and floral embroidery, button in the front and have matching little white satin slippers topped with purple pom-poms.
”
”
NOT A BOOK
“
Doll Pajama
Matching cotton pajama sets for girls and dolls by Leveret, Inc Buy Leveret Matching Doll & Girl 2 Piece Pajama Set Top & Pants 100% Cotton (2 Toddler-10 Years) and other Pajama Sets at leveret. Matching Pajama Set for Girls and Dolls. Doll pajamas are designed to match your little girl's pajamas. Fits 18" Doll. Your little girl and her favorite doll can have fabulous slumber parties with this cute pajama set. Your girl will enjoy the shared fashion between herself and her best friend. Make every bedtime a special time with a Matching Girl and Doll Pajama Set. She'll love getting ready for bed and dressing her doll to match. Her PJs consist of a cap-sleeve top and full-length pants with an elastic waistband. Her doll gets a nightshirt with the same design as her top.
”
”
NOT A BOOK
“
Fuck, Luce. You’re so damn wet already.”
“If you don’t get inside me right now,” I panted, “I will flip you over and take what I need.
”
”
Siena Trap (Feuding with the Fashion Princess (The Remington Royals #3))
“
Ellen followed his progress, thinking of all those young men who believed it was fashionable to wear their pants hanging half off their butts and loose enough to fit an entire basketball team. They should see the way a real man wore jeans.
”
”
Marsha Canham (The Mark of the Rose)
“
The woman was attractive, in her mid-thirties, wearing grey, pleated flannel pants, conservative flats, and an ivory Laura Ashley blouse. Her posture was straight – chin raised ever so slightly – not arrogant, just strong. The woman's hair was light brown and fashioned in Washington's most popular style – the "anchor-woman" – a lush feathering, curled under at the shoulders... long enough to be sexy, but short enough to remind you she was
probably smarter than you.
”
”
Dan Brown (Deception Point)
“
It was one of those days when you wondered whether pants mattered. Usually, they did. Clothes maketh the man, as they say. Nudists had very little sway on society.
”
”
Kyle St Germain (Dysfunction)
“
The idea of “crossdressing” is so fucked up, man, like what do actual women wear? Not big frilly dresses. T-shirts and jeans, yoga pants, fast fashion bullshit. So what’s crossdressing? That’s what I already wear. It’s just an attitude. I like the frilly lacy stuff as much as the next guy but I’m not trying to support the petticoat-industrial complex. It’s in the soul, man.
”
”
Jackie Ess (Darryl)
“
The woman was attractive, in her mid-thirties, wearing gray, pleated flannel pants, conservative flats, and an ivory Laura Ashley blouse. Her posture was straight – chin raised ever so slightly – not arrogant, just strong. The
woman's hair was light brown and fashioned in Washington's most popular style – the "anchor-woman" – a lush feathering, curled under at the shoulders... long enough to be sexy, but short enough to remind you she was
probably smarter than you.
”
”
Dan Brown (Deception Point)
“
The woman was attractive, in her mid-thirties, wearing gray, pleated flannel pants, conservative flats, and an ivory Laura Ashley blouse. Her posture was straight – chin raised ever so slightly – not arrogant, just strong. The woman's hair was light brown and fashioned in Washington's most popular style – the "anchor-woman" – a lush feathering, curled under at the shoulders... long enough to be sexy, but short enough to remind you she was
probably smarter than you.
”
”
Dan Brown (Deception Point)
“
Standing in my sports bra and pants, I couldn’t help but giggle at my five-foot-tall reflection. I looked like the prototype of what Mattel would cast as scientist Barbie. It was no wonder no one took me seriously. Skipper had been the cool doll anyway. Barbie only cared about her hair and fashion, not that I’d ever really played with dolls when I was a kid.
”
”
Jeneane O'Riley (How Does It Feel? (Infatuated Fae, #1))
“
Frank’s Vancouver Winter Olympics shirt was inside out. Percy wore pajama pants and a bronze breastplate, which was an interesting fashion statement. Hazel’s hair was all blown to one side, as though she’d walked through a cyclone; and Leo had accidentally set himself on fire. His T-shirt was in charred tatters. His arms were smoking.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
If I died in a freak accident while hurrying through Shibuya's notorious "scramble" intersection, where thousands of pedestrians crossed from all directions at once when the WALK light shifted to green, I hoped whoever performed my funeral service would know I died satisfied. Shibuya felt like being in the center of the vertical world, with tall buildings flashing advertisements, neon lights, and level after level of stores and restaurants visible through glass windows. So many people, so hurried, so much to look at and experience. Fashionista women wearing skinny pants with stiletto pumps riding bikes down crowded sidewalks. Harajuku girls with pink hair and crazy outfits. Loud izakaya bars where men's conversations and laughter spilled onto the street, and women walking by wearing kimonos with white socks tucked into flip-flops. Young people strutting around dressed in kosupure ("cosplay," Nik translated) outfits from their favorite anime, like it was Halloween every day here.
TOO MUCH FUN.
I didn't want to die, but if I did, I would tell the souls I met in the afterlife: Don't feel bad about my premature end. I saw it all in my short time down in the upworld of Tokyo.
”
”
Rachel Cohn (My Almost Flawless Tokyo Dream Life)
“
And since January I have been wearing four or five new pairs of pants a day, all of which will eventually take pride of place, when suitably soiled, in vending machines on the streets of Tokyo's most fashionable districts.
My wife, of course, finds this turn of events ridiculous, but she will be laughing on the other side of her stupid face when the flyblown briefs she currently uses as dishcloths become priceless collector's items.
”
”
Stewart Lee (March of the Lemmings: Brexit in Print and Performance 2016–2019)
“
you find something?” asked Mara. She wore sage-green hunting pants and a ridiculously frilly white lace top. Why she wore such an outfit, he had no idea. She had her own unique sense of fashion, to say the least. Not that he minded it at all. It was part of many reasons why he liked her. As she approached him,
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
It is sad comedy the way sane people clad in rough fad fit only for the insane. The unkempt hair, torn clothes, sagging pants, topless tops, ladder high heels, solar panel sunshades, slits longer than clothes, etc. Madness is everywhere!
”
”
Vincent Okay Nwachukwu (Weighty 'n' Worthy African Proverbs - Volume 1)
“
saddlebags. “And please tell Kiri she should put her shoes on. Lucas will have a fit if she serves like that.” “Mummy, why do I have to put on shoes? Kiri isn’t wearing any.” George met Gwyneira and her daughter in the corridor outside his room just as he was about to go down to dinner. He had done his best as far as evening wear went. Though slightly wrinkled, his light brown suit was handsomely tailored and much more becoming than the comfortable leather pants and waxed jacket he had acquired in Australia. Gwyneira and the captivating little red-haired girl who was squabbling so loudly were likewise elegantly attired. Though not in the latest fashion. Gwyneira was wearing a turquoise evening gown of such breathtaking refinement that, even in the best London salons, it would have created a stir—especially with a woman as beautiful as Gwyneira modeling it. The little girl wore a pale green shift that was almost entirely concealed by her abundant red-gold locks. When Fleur’s hair hung down loose, it frizzed a bit, like that of a gold tinsel angel. Her delicate green shoes matched the adorable little dress, but the little one obviously preferred to carry them in her hands than wear them on her feet. “They pinch!” she complained. “Fleur, they don’t pinch,” her mother declared. “We just bought them four weeks ago, and they were on the verge of being too big then. Not even you grow that fast. And even if they do pinch, a lady bears a small degree of pain without complaining.” “Like the Indians? Ruben says that in America they take stakes and hurt themselves for fun to see who’s the bravest. His daddy told him. But Ruben thinks that’s dumb, and so do I.” “That’s her opinion on the subject of being ‘ladylike,’” Gwyneira remarked, looking to George for help. “Come, Fleurette. This is a gentleman. He’s from England, like Ruben’s mummy and me. If you behave properly, maybe he’ll greet you by kissing your hand and call you ‘my lady.’ But only if you wear shoes.” “Mr. McKenzie always calls me ‘my lady’ even if I walk around barefoot.” “He must not come from England, then,” George said, playing along. “And he certainly hasn’t been introduced to the queen.” This honor had been conferred on the Greenwoods the year before, and George’s mother would probably chatter on about it for the rest of her
”
”
Sarah Lark (In the Land of the Long White Cloud (In the Land of the Long White Cloud Saga, #1))
“
As one female journalist wrote it up: One of the greatest fashion worries that every woman experiences is the fear that their vagina isn’t plump enough. Isn’t visible enough to the public gaze. You might have a nice bum and boobs…and brain, but if you don’t have a bulging labia, what’s the point? But good news my flat-lipped sisters. If you’ve ever worried that your vagina just isn’t prominent enough through your shorts or yoga pants then worry no more. Indeed, for in 2017 the ‘push-up bra for your labia’ had been discovered.
”
”
Douglas Murray (The Madness of Crowds: Gender, Race and Identity)
“
I was greenly jealous of my peers’ moms with their bleach-blonde hair,
tanning-bed arms, toothpick waists, and closets full of brand-new clothes:
blouses and skirts and pants and designer jeans that some of the mothers let
their daughters borrow. I didn’t know whether Mom’s lack of interest in all
things fashionable came from being an immigrant from Scotland—where
the media-saturated and commodity-rich beauty industry didn’t take over
until the end of the twentieth century—or because she was a reader, a
writer, and a teacher: mind over matter. All I knew was that, while she would
buy me any book I asked for or take me to any play I might want to see, she
couldn’t explain how to contour eye shadow or tell me whether my sweater
complemented my complexion. She didn’t diet, she didn’t read women’s
magazines, and she refused to buy me the enormous gold earrings or the
pair of spiky red shoes I coveted, stilettos sharp enough to skewer fi sh. And
even though her disinterest meant I didn’t have to participate in a daily
beauty competition—one with a trophy mom sacrifi cing her body on the
altar of loveliness—I also didn’t have a beauty mentor that I could trust.
So I was left to try to copy the popular girls at school, tv and movie
icons, or the breathtaking stars in magazines. Even the curling iron was
a purchase I had to negotiate on my own.
”
”
Jennifer Cognard-Black (From Curlers to Chainsaws: Women and Their Machines)
“
Little kids’ taste in clothing is baffling. I’m not a big believer in fashion, but I know that if you ask a three-year-old boy to pick something out to wear to the park, the outfit will definitely clash and most likely not include pants.
”
”
Jim Gaffigan (Dad Is Fat)
“
Except for camping out at a beach cottage, dungarees have no place in wife-dressing. Pants must be perfectly styled to flatter the female figure. Dungarees, by definition and price, cannot be exquisitely tailored. Leave them to youngsters.
”
”
Anne Fogarty (Wife Dressing: The Fine Art of Being a Well-Dressed Wife)
“
When they finished dressing, Jimena wore racy red hot pants, a silky blouse with a star-burst pattern, and crazy ankle boots with thin chains draped around her ankles.
"Too cool." Serena admired Jimena's outfit, then she twirled to show off her own shoulder-baring top that exposed her midriff. She had pasted a crystal in her belly button. Kendra's bell-bottoms had been too long, but when she stepped into a pair of gold 70's platform shoes the length became just right.
Catty wore a backless halter top and a pair of lacy bell-bottoms. She held up some stencils. "Kendra is going to start selling these at the shop. Anyone want to try one?" She had two dragons in one hand and a lacy snowflake pattern in the other.
Jimena and Serena started to examine them, when Vanessa walked into the room. She was wearing a pinstripe shirt unbuttoned over a black leather bra top. Kendra's mini-skirt was too big and the waist fell around Vanessa's hips. Her skin looked golden bronze and she had applied one of the snowflake stencils on her stomach.
"Wow," Serena said.
"Talk about going for the jugular," Jimena teased.
"You like it?" she asked and took off the shirt. "It's too hot to wear.
”
”
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
“
Daddy!” she called out. Nerissa laughed as her niece approached and stood up straight. “Good morning to you, too,” I chuckled. “Yeah, yeah, that,” Marella panted. “I just had a vision, but I have no idea what it means. It’s the first time something like that’s happened to me.” “Tell us about it, child,” Nerissa ordered quickly. “I just saw fire,” Marella said as her brow furrowed. “A lot of it. It burned along the ocean water, which shouldn’t be possible, but somehow it did. It was like the water was its fuel. And then I saw you.” “Uh, was I on fire?” I clarified. If I was about to be lit on fire somehow, I definitely needed to know. “No.” My kid shook her head vigorously. “But I felt this urge. I can’t explain it, but all of a sudden, I just knew I needed to tell you it’s time to leave. You need to travel, because that’s how you’ll find the fire.” “And I’m supposed to find the fire that burns on water?” I asked with a raised eyebrow. “Because that’s not what most people want to seek out in life.” “Daddy, I’m serious.” Marella rolled her eyes in a fashion that was so spot on American teenager, I had to cover my mouth with my hand to hold back the laughter.
”
”
Logan Jacobs (Monster Girl Islands 5 (Monster Girl Islands, #5))
“
Men. Being comfortable was almost universal for their wardrobes. Jeans and tee, and you’re both fashionable for multiple locations and comfortable. However, being comfortable had a mountain of meanings to most women. Should I wear a sundress, or will we be doing a lot of bending over? Are we being active? Can I wear my yoga pants? Inside? Outside? Are we having dinner?
”
”
Grace McGinty (Break My Bones (Penalty Box Players))
“
I blinked and realized that there was a young woman waiting behind the counter. She was tiny and dressed in orange capri pants and a purple T-shirt with a scorpion printed on the front. I couldn’t tell if she was mixed race or Portuguese or something like that, but she had a straight nose and hair and light brown skin. And black eyes, and a disturbingly unwavering gaze. “What’ll it be?” she said in an old-fashioned cockney accent. I introduced myself as Detective Constable Peter Grant—because I’m allowed to do that now. “Yeah, you’re the Starling, ain’t you?” she said, and managed to work an improbable glottal stop into the word “starling.” I figured, if we were going to play it that way . . . “That’s me,” I said. “So who are you, then, when you’re at home?” “Where do you think you’re standing?” she said. “From a topographical point of view?” The answer was, well, in the shallow valley carved by the second most important river in London. “So, you’re the Walbrook?” “You can call me Lulu,” she said. “I know your mum. And a couple of your sisters.” A hush fell all around me and there was a sound like wind chimes—the bottles along the back of the bar tinkling into each other. “If you want to stay on my good side,” said Lulu, “you might not want to be name-dropping in this pub—especially not those names.
”
”
Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))