Panther Eyes Quotes

We've searched our database for all the quotes and captions related to Panther Eyes. Here they are! All 74 of them:

But I welcome the darkness where the two eyes of that soft panther glow. The darkness is my cultural broth. The enchanted darkness. I go on speaking to you, risking disconnection: I’m subterraneously unattainable because of what I know.
Clarice Lispector (The Stream of Life)
Justice That Justice is a blind goddess Is a thing to which we black are wise: Her bandage hides two festering sores That once perhaps were eyes.
Langston Hughes (The Panther and the Lash)
What a luxury a cat is, the moments of shocking and startling pleasure in a day, the feel of the beast, the soft sleekness under your palm, the warmth when you wake on a cold night, the grace and charm even in a quite ordinary workaday puss. Cat walks across your room, and in that lonely stalk you see leopard or even panther, or it turns its head to acknowledge you and the yellow blaze of those eyes tells you what an exotic visitor you have here, in this household friend, the cat who purrs as you stroke, or rub his chin, or scratch his head.
Doris Lessing (The Old Age of El Magnifico)
Dear Angel Juan, You used to guard my sleep like a panther biting back my pain with the edge of your teeth. You carried me into the dark dream jungle, loping past the hungry vines, crossing the shiny fish-scale river. We left my tears behind in a chiming silver pool. We left my sorrow in the muddy hollows. When I woke up you were next to me, damp and matted, your eyes hazy, trying to remember the way I clung to you, how far down we went. Was the journey too far, Angel Juan? Did we go too far?
Francesca Lia Block (Missing Angel Juan (Weetzie Bat, #4))
I have been skating on the dark side of the moon. The stars glance down at me like cold, gleaming panther eyes. Even though there is no oxygen I can still breathe.
Vytautas Pliura (Tenderness in Hell: Collected Poems by Vytautas Pliura)
Of course there always will be darkness but I realize now something inhabits it. Historical or not. Sometimes it seems like a cat, the panther with its moon mad gait or a tiger with stripes of ash and eyes as wild as winter oceans. Sometimes it's the curve of a wrist or what's left of romance, still hiding in the drawer of some long lost nightstand or carefully drawn in the margins of an old discarded calendar. Sometimes it's even just a vapor trail speeding west, prophetic, over clouds aglow with dangerous light. Of course these are only images, my images, and in the end they're born out of something much more akin to a Voice, which though invisible to the eye and frequently unheard by even the ear still continues, day and night, year after year, to sweep through us all.
Mark Z. Danielewski (House of Leaves)
His gaze is from the passing of bars so exhausted, that it doesn't hold a thing anymore. For him, it's as if there were thousands of bars and behind the thousands of bars no world. The sure stride of lithe, powerful steps, that around the smallest of circles turns, is like a dance of pure energy about a center, in which a great will stands numbed. Only occasionally, without a sound, do the covers of the eyes slide open—. An image rushes in, goes through the tensed silence of the frame— only to vanish, forever, in the heart. - The Panther
Rainer Maria Rilke
Their train speeds through the cities and crosses rivers until it reaches Paris. They leave the station, their arms around each other, and walk to the Jardin des Plantes where the panther paces the length of his cage. The young teacher nods as Hannelore Beier reaches into the cage, and strokes the animal's magnificent neck. The panther arches his back. A curtain lifts from his pupils as the pastor's sister slides aside the bolt that has kept him in captivity. His eyes like sudden, green flames, he recognizes a world beyond the bars of his cage.
Ursula Hegi (Floating in My Mother's Palm)
Bagheera to see if the Panther was angry too, and Bagheera's eyes were as hard as jade stones. "Thou hast been with the Monkey People--the gray apes--the people without a law--the eaters of everything. That is great shame." "When Baloo hurt my head," said Mowgli (he was still on his back), "I went away, and the gray
Rudyard Kipling (The Jungle Book)
He was gazing down at me, and his eyes were endless, deep pools of pleading and fire and barely restrained something or other, and they were magnetic, like black holes, but full of flames, and yet gray, and yet full of colors and see-through and dancing with little flecks of glitter, and I couldn’t look away, and what pretty eyelashes he had, as long and dark as a woman’s, as a kitten’s, as a panther’s, and the smell, oh, the smell, like crushed heather and berries and springtime in the morning and bodies rolling over and over in the grass and everything covered with dew like cobwebs making mandalas of raindrops, and I couldn’t stand it, couldn’t hold back for one more second...
Delilah S. Dawson (Wicked as They Come (Blud, #1))
Aoife horny?” he asked, and I saw the concern in his eyes. Concern. For my woman’s horniness. My life was starting to belong in one of the Pink Panther movies.
Serena Akeroyd (Filthy (The Five Points' Mob Collection, #1))
His tired gaze - from passing endless bars - has turned into a vacant stare which nothing holds. to him there seem to be a thousand bars, and out beyond these bars exists no world. his supple gait, the smoothness of strong strides that gently turn in ever smaller circles perform a dance of strength, centered deep within a will, stunned, but untamed, indomitable. but sometimes the curtains of his eyelids part, the pupils of his eyes dilate as images of past encounters enter while through his limbs a tension strains in silence only to cease to be, to die within his heart. [the panther]
Rainer Maria Rilke (Letters to a Young Poet)
Brynne was changing, too. Her eyes looked ocean-tinted. In a matter of seconds, she blurred through a dozen menacing shapes—a growling panther, an azure bear, a sharp-clawed wolverine, and even a massive saltwater crocodile. Crocodile-Brynne snapped, and a cold wind blew around them. “Uh, what’s going on with you guys?” asked Aiden. “Is it puberty?” whispered Rudy nervously. Aiden swatted him.
Roshani Chokshi (Aru Shah and the City of Gold (Pandava, #4))
A panther poised in the cypress tree about to jump is a panther poised in a cypress tree about to jump. The panther is a poem of fire green eyes and a heart charged by four winds of four directions. The panther hears everything in the dark: the unspoken tears of a few hundred human years, storms that will break what has broken his world, a bluebird swaying on a branch a few miles away. He hears the death song of his approaching prey: I will always love you, sunrise. I belong to the black cat with fire green eyes. There, in the cypress tree near the morning star.
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
ah it will never end, there will be no help, no mercy, no living thing, it will all go on, uselessly, through fabrication and old habits, it will continue, a headless body of life, walking old walks, doing old tricks, dreaming old dreams, it will be as alone as a mountain, and despite billions of beings there will not be one real being, there will be everlasting waste and only the animals will be real, they will have the pureness of eye and the grace, they will be the last, the simple, pure, the ember, what it meant truly, the wolf will have the heart and the panther the lungs and the eagle, the eyes, and the last war will be one man sitting in a chair, laughing at it all.
Charles Bukowski (Bone Palace Ballet)
shielding their eyes against the light. These men
Wolfgang Faust (The Last Panther - Slaughter of the Reich - The Halbe Kessel 1945 (Wolfgang Faust's Panzer Books))
once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping. I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me. I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right? These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one. Soon, she began to listen to it. Lara, it said, sit here, where the sun may kiss you. And she did. Lara, it said, lie here, where the moon can make love to you all night long. and she did. Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream. Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon. For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara. When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion. While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon. Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true. So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.
Alice Walker
Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.
Robert Frost
A girl in my high school once told me I had pretty eyes. I was puffed up over that until I was like thirty. You wouldn’t believe how stupid guys get over compliments on our looks, I was vain as. But my eyes weren’t anything special—light brown, not even hazel, yellow on a sunny day. The morning after the lights went out they lighted to dark amber, then they went the colour of new lager, and on the third day they were gold. P—said I looked like a Māori TV Pink Panther. C— said I looked like Edward Cullen from that old Twilight movie, if Edward Cullen had the body of a history teacher. A— said I looked cool. He was the only one.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
He stopped, though, after we gave him crabs.” “You infected your father with a disease?” “Not those kinds of crabs.” He rolled his eyes. “We filled his expensive BMW with real ones. Turns out they’re rough on leather.
Eve Langlais (Panther's Claim (Bitten Point #2))
Scarcely had they closed their eyes than the terrifying cry of a panther rang out from the jungle behind them. Closer and closer it came until they could hear the great beast directly beneath them. For an hour or more they heard it sniffing and clawing at the trees which supported their platform, but at last it roamed away across the beach, where Clayton could see it clearly in the brilliant moonlight—a great, handsome beast, the largest he had ever seen.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
And then there is the black cat. Who has no other name than the Black Cat and who turned up almost a month ago. We did not realize he was going to be living here at first: he looked too well fed to be a stray, too old and jaunty to have been abandoned. He looked like a small panther, and he moved like a patch of night. One day, in the summer, he was lurking about our ramshackle porch: eight or nine years old, at a guess, male, greenish-yellow of eye, very friendly, quite unperturbable. I assumed he belonged to a neighboring farmer or household. I went away for a few weeks, to finish writing a book, and when I came home he was still on our porch, living in an old cat ben one of the children had found for him. He was, however, almost unrecognizable. Patches of fur had gone, and there were deep scratches on his gray skin. The tip of one ear was chewed away. There was a gash beneath one eye, s lice gone from one lip. He looked tired and thin.
Neil Gaiman (M Is for Magic)
Justus tried to make an objective assessment of Miguel. What was the big deal with him, anyway? So he was easy on the eyes. Actually that was an understatement; he was for female eyes, a virtual feast. He was a perfect physical specimen, and very sensual. He seemed to positively ooze sex and eroticism with his every move, look, and touch. Justus turned her head toward him to steal a glance at his profile, but he caught her looking at him. His eyes were so arresting, they were a dark, fierce green, like beautiful shining emeralds. She also noticed flecks of gold laced through them, reminiscent of cat’s eyes. Not any ordinary house cat, these were the eyes of a wild predator. He was a panther; with his black hair and green eyes and the way he moved, so gracefully, yet with definite strength and agility. She sighed to herself, so much for her objectivity.
Amanda Bretz (Finding Justus)
Julius Tallow gave Nathaniel an unctuous smile. “That’s the kind of servant you need, Mandrake,” he said. “No glibness, no chatter. Obeys without question. I’d get rid of this smooth-tongued serpent, if I were you.” The panther swished its tail. “Hey, we’ve all got problems, chum. I’m overly talkative. You look like a field of buttercups in a suit.
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
It was the Gypsy, the boy with the eyes of a hungry panther. He had removed his coat and waistcoat... and his necktie as well... so that his upper half was covered only in a thin white shirt that had been tucked loosely into the waist of his close-fitting trousers. The sight of him elicited the same reaction Daisy had felt upstairs- a swift sting in her chest followed by the rapid pumping of her heart. Paralyzed by the realization that she was alone in the room with him, Daisy watched with unblinking eyes as he approached her slowly. She had never seen any living being who had been fashioned with such dark exotic beauty... his skin the color of raw clover honey, the light hazel of his eyes framed with heavy black lashes, his thick obsidian hair tumbled over his forehead.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Sergeant Pepper was dead. G.I. Joe lived on. George Bush was president, movies stars were dying from AIDS, kids were smoking crack in the ghettos and the suburbs, Muslims were blowing airliners from the skies, rap music ruled, and nobody cared much about the Movement anymore. It was a dry and dusty thing, like the air in the graves of Hendrix, Joplin, and God. She was letting her thoughts take her into treacherous territory, and the thoughts threatened her smiley face. She stopped thinking about the dead heroes, the burning breed who made the bombs full of roofing nails and planted them in corporate boardrooms and National Guard Armories. She stopped thinking before the awful sadness crushed her. The sixties were dead. The survivors limped on, growing suits and neckties and potbellies, going bald and telling their children not to listen to that satanic heavy metal. The clock of the Age of Aquarius had turned, hippies and yippies had become preppies and yuppies. The Chicago Seven were old men. The Black Panthers had turned gray. The Grateful Dead were on MTV, and the Airplane had become a Top-40 Starship. Mary Terror closed her eyes, and thought she heard the noise of wind whistling through the ruins.
Robert McCammon (Mine)
At the end of the world there lies a mountain so high it makes you dizzy even to think about it. It is as black as soot, as smooth as silk, terribly steep, and where there should be a bottom, there are only clouds. But high up on the peak stands the Hobgoblin's House, and it looks like this." And Snufkin drew a house in the sand. "Hasn't it got any windows?" asked Sniff. "No," said Snufkin, "and it hasn't got a door either, because the Hobgoblin always goes home by air riding on a black panther. He goes out every night and collects rubies in his hat." "What did you say?" asked Sniff, with his eyes popping out of his head. "Rubies! Where does he get them from?" "The Hobgoblin can change himself into anything he likes," Snufkin answered, "and then he can crawl under the ground and even down onto the sea bed where buried treasure lies.
Tove Jansson (Finn Family Moomintroll (The Moomins, #3))
Belît sprang before the blacks, beating down their spears. She turned toward Conan, her bosom heaving, her eyes flashing. Fierce fingers of wonder caught at his heart. She was slender, yet formed like a goddess: at once lithe and voluptuous. Her only garment was a broad silken girdle. Her white ivory limbs and the ivory globes of her breasts drove a beat of fierce passion through the Cimmerian's pulse, even in the panting fury of battle. Her rich black hair, black as a Stygian night, fell in rippling burnished clusters down her supple back. Her dark eyes burned on the Cimmerian. She was untamed as a desert wind, supple and dangerous as a she-panther. She came close to him, heedless of his great blade, dripping with blood of her warriors. Her supple thigh brushed against it, so close she came to the tall warrior. Her red lips parted as she stared up into his somber menacing eyes.
Robert E. Howard (Queen of the Black Coast)
What about you, Snipes?" Dunbar asked. "You think there to be mountain lions up here or is it just folks' imaginings?" Snipes pondered the question a few moments before speaking. They's many a man of science would claim there aint because you got no irredeemable evidence like panther scat or fur or tooth or tail. In other words, some part of the animal in questions. Or better yet having the actual critter itself, the whole think kit and caboodle head to tail, which all your men of science argue is the best proof of all a thing exists, whether it be a panther, or a bird, or even a dinosaur." To put it another way, if you was to stub your toe and tell the man of science what happened he'd not believe a word of it less he could see how it'd stoved up or was bleeding. But your philosophers and theologians and such say there’s things in the world that’s every bit as real even though you can’t see them.” Like what?” Dunbar asked. Well,” Snipes said. “They’s love, that’s one. And courage. You can’t see neither of them, but they’re real. And air, of course. That’s one of your most important examples. You wouldn’t be alive a minute if there wasn’t air, but nobody’s ever seen a single speck of it.” … “All I’m saying is there is a lot more to this old world than meets the eye.” … “And darkness. You can’t see it no more than you can see air, but when its all around you sure enough know it.” (Serena, 65-66)
Ron Rash
You have to stop letting me do this,” he bit off, half-angrily. “If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!” He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver. “That’s…new,” she said with a strained attempt at humor. “It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm. It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther. “What Colby gets is none of your business! You get out of my apartment!” she raged at him. She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do. “Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!” “That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.” She stared at him curiously, still shaken. “I don’t understand.” “You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.” He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.” He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.” “Can you?” he said softly. He searched her eyes. “In a weak moment…” “I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.” His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.” “You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
Diana Palmer (Paper Rose (Hutton & Co. #2))
When you’re young – but even now – how do you understand this?’ he said when he first spoke of it, walking the night streets. ‘You can’t understand it. It makes no sense. You can allow yourself to be swallowed by your anger, but this will kill you. And yet how can you look at the panther, how can you look him in the eye, when he won’t stay still? When he’s nowhere and everywhere, belongs to no one and to everyone? So if you’re me, how you deal with this is that you say, I’ll look at how we talk about the panther. I’ll study the history of history, the ways that we tell the stories, and don’t tell other stories, and I’ll try to understand what it says about us, to tell one story rather than another, to tell it one way rather than another. I’ll ask the questions about what is ethical, about who decides what is ethical, I’ll ask whether it is possible, really, to have an ethics in the matter of history.
Claire Messud (The Woman Upstairs)
We ended the day and hobbled back inside, greeted by the scent of the stew Laadan had cooked up. I went upstairs to wash the day’s worth of grime off, and Aiden followed. Once inside the room, I tossed him a coy look over my shoulder. At least, I thought it was coy, but I probably looked like I had something in my eye. Aiden grinned nonetheless. “Are you following me?” I asked, kicking off my boots. He prowled forward, moving like one of those caged panthers we’d seen at the zoo. “I’m just being here for you, and I think you really need me right now.” “Ha. Ha.” Out of my shoes, Aiden towered over me, I felt like a hobbit standing in front of him. Aiden’s grin spread and a dimple in his left cheek appeared. He tucked a strand of my hair back, then his hands dropped and he tugged the shirt out of my cargos. “I think you called it ‘manning up’.” This wasn’t the kind of manning up I’d been talking about the night before, because even with my limited knowledge of such things, he excelled in that department. But I said nothing as I stared up at him. Lowering his head, his lips brushed over mine. I was sure I tasted of dirt and sour apple, courtesy of the Blow Pop I’d been nursing earlier, but he made this sound against my mouth, part growl and part something deeper. As the kiss deepened, like he could just devour the taste and feel, I melted against him. “I really like your idea of manning up,
Jennifer L. Armentrout (Apollyon (Covenant, #4))
I was in a copse of pine trees, and the pine was overpowering my scent. The pheromones of the big cat mingled with the pine and I spun around. I was smelling and looking for the flash of white, but I couldn’t see it. I grew angry and I pawed at the earth. The aroma of the soil cleansed my nose as I leaned down and sniffed deeply. I slowly closed and opened my eyes. As I looked ahead I saw something. There, further on, I had another glimpse of the large white cat. She was stopped and her hindquarters were in the air. I stared, trying to figure out what she was doing. Her forepaws and head were on the ground, but her hind was wiggling. She was next to a tree, marking it, so I slowly paced in a zigzag pattern as I walked close to her. I was being cautious because poachers had been known to employ shifters to entice real animals in the wild. She turned her head and growled at me. I took it as an invite to come closer. I ran up to her and started circling. She was an albino panther as I thought. I paced closer, breathing deep. I was in the middle of Ohio, outside of a lost cougar and a few bobcats there were no big cats here, at least not counting lycanthropes, and this creature didn’t smell like one of those. Her rump almost wagged in anticipation, and I felt my tiger body respond. I circled her, taking a swipe in her direction to see if she was going to respond negatively to me. The pink eyes followed me and she growled. I walked up to her, sniffed her face and neckline. I didn’t smell any other male on her, and I walked to her raised rump. Burying my nose in her groin I smelled deeper, and she shifted her body. I felt it before I could see it. She was shifting, changing from albino panther to human. I sat on my hindquarters as I watched. Her white fur seemed to melt from her, sliding upwards, starting with her back legs. The flesh and fur on her feet slid forward, leaving human feet and calves. It was fully fleshed, unlike some lycanthrope changes when they’re younger. The calves of her legs appeared, and slowly slid up. The panther flesh was sliding forward, slowly and methodically. Across her ass and groin, now lower back and stomach. The pheromones I smelled earlier were coming from her, the human form. I stood and started pacing behind her, and her panther head shook in a very human gesture. I stopped, fighting the desire to lean forward and lick her wetness with my large tongue. The flesh was sliding forward and as her teats turned into breasts, I growled in need. Next were her shoulders and arms, then her head and hands. As the transformation ended, there was a pile of fur and flesh lying in front of her. Her human form was beautiful; a full figured woman with long white hair, that was perfectly natural. She looked to be in her early forties, but didn’t have a line on her face that she didn’t want. In the corners of her eyes were small, but beautiful, crow’s feet, laugh lines surrounded her mouth. She laid out with her former form under her, laying on it, propped up by her elbows. She smiled with the confidence of someone who was used to being in charge. Her long hair flowed around her shoulders, framing her body. She reminded me of someone, but I couldn’t figure out who.
Todd Misura (Divergence: Erotica from a Different Angle)
FACT 4 – There is more to the creation of the Manson Family and their direction than has yet been exposed. There is more to the making of the movie Gimme Shelter than has been explained. This saga has interlocking links to all the beautiful people Robert Hall knew. The Manson Family and the Hell’s Angels were instruments to turn on enemy forces. They attacked and discredited politically active American youth who had dropped out of the establishment. The violence came down from neo-Nazis, adorned with Swastikas both in L.A. and in the Bay Area at Altamont. The blame was placed on persons not even associated with the violence. When it was all over, the Beatles and the Rolling Stones were the icing on this cake, famed musicians associated with a racist, neo-Nazi murder. By rearranging the facts, cutting here and there, distorting evidence, neighbors and family feared their own youth. Charles Manson made the cover of Life with those wide eyes, like Rasputin. Charles Watson didn’t make the cover. Why not? He participated in all the killings. Manson wasn’t inside the house. Manson played a guitar and made records. Watson didn’t. He was too busy taking care of matters at the lawyer’s office prior to the killings, or with officials of Young Republicans. Who were Watson’s sponsors in Texas, where he remained until his trial, separate from the Manson Family’s to psychologically distance him from the linking of Watson to the murders he actually committed. “Pigs” was scrawled in Sharon Tate’s house in blood. Was this to make blacks the suspects? Credit cards of the La Bianca family were dropped intentionally in the ghetto after the massacre. The purpose was to stir racial fears and hatred. Who wrote the article, “Did Hate Kill Tate?”—blaming Black Panthers for the murders? Lee Harvey Oswald was passed off as a Marxist. Another deception. A pair of glasses was left on the floor of Sharon Tate’s home the day of the murder. They were never identified. Who moved the bodies after the killers left, before the police arrived? The Spahn ranch wasn’t a hippie commune. It bordered the Krupp ranch, and has been incorporated into a German Bavarian beer garden. Howard Hughes knew George Spahn. He visited this ranch daily while filming The Outlaw. Howard Hughes bought the 516 acres of Krupp property in Nevada after he moved into that territory. What about Altamont? What distortions and untruths are displayed in that movie? Why did Mick Jagger insist, “the concert must go on?” There was a demand that filmmakers be allowed to catch this concert. It couldn’t have happened the same in any other state. The Hell’s Angels had a long working relationship with law enforcement, particularly in the Oakland area. They were considered heroes by the San Francisco Chronicle and other newspapers when they physically assaulted the dirty anti-war hippies protesting the shipment of arms to Vietnam. The laboratory for choice LSD, the kind sent to England for the Stones, came from the Bay Area and would be consumed readily by this crowd. Attendees of the concert said there was “a compulsiveness to the event.” It had to take place. Melvin Belli, Jack Ruby’s lawyer, made the legal arrangements. Ruby had complained that Belli prohibited him from telling the full story of Lee Harvey Oswald’s murder (another media event). There were many layers of cover-up, and many names have reappeared in subsequent scripts. Sen. Philip Hart, a member of the committee investigating illegal intelligence operations inside the US, confessed that his own children told him these things were happening. He had refused to believe them. On November 18, 1975, Sen. Hart realized matters were not only out of hand, but crimes of the past had to be exposed to prevent future outrages. How shall we ensure that it will never happen again? It will happen repeatedly unless we can bring ourselves to understand and accept that it did go on.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
armies could go through a lake of gas in the blink of an eye. Take the medium-sized German Panther tank, used from the middle of 1943 to the end of the war. The Panther carried a Maybach V-12 engine that got about a third of a mile per gallon on good roads, and even less than that
Stephan Talty (The Secret Agent: In Search of America's Greatest World War II Spy)
That night, though, Mom was getting things ready for a party at the restaurant, so I had to bum a ride with Jack and Julie. Jack said they didn’t need a chaperon, but it was just talk. He always helped me when it mattered. While we were waiting for Julie, I asked him about the one detail that was bothering me. “I’m supposed to meet her there,” I said. “Do I meet her inside the gym or outside?” “Do you have a date or not?” “More or less.” Jack grinned and shook his head. “Well, it’s not that simple,” I told him. “She can’t go out on dates, so she’s coming with her parents, and I’m supposed to meet her.” Jack broke out laughing. “You’re singing the freshman blues again, Eddie. Everything ends up half-baked.” “So where do I meet her on a half-baked date?” “Inside,” he said. “That way you won’t have to pay for her ticket.” “I don’t want to look like a cheapskate.” “Why hide the truth? Besides, her parents are bringing her, right? You don’t want to meet her father, do you?” “I don’t know.” “Look, he’ll just shake your hand and give you a dirty look. That’s what freshman girls’ fathers always do.” “Really?” “So save the hassle and the money. Wait inside.” I ended up waiting right inside the door. When Wendy and her father came in, she was careful to keep things looking casual. She pretended not to notice me at first, then said, “Oh, hi, Eddie,” and introduced me to her father as a boy in her algebra class. He shook my hand and gave me a dirty look. For a minute I thought the three of us would end up sitting together, but her father decided not to join us in the student rooting section. Wendy and I found an empty bench in the bleachers and were alone for twenty or thirty seconds before two of her friends came along, then three of mine. Then some friends of theirs. And finally Wayne Parks squeezed into a spot on the bench behind us. All through the game he kept leaning forward and making comments like “Where’s the ref keep his Seeing Eye dog during the game?” Even if Wendy and I hadn’t had an audience, we couldn’t have done much talking. During every time-out the Los Cedros Spirit Band, sitting three rows behind us, blasted us off the benches with fight songs. To top things off, Wendy’s father sat across the aisle and stared at us all night. And the Los Cedros Panthers blew a six-point lead in the final minute and lost the game at the buzzer. Before Wendy and I had our coats on, her father showed up beside us, mumbled, “Nice to meet you, Willy,” and led her away. The night could have been worse, I guess. I didn’t break an ankle or choke on my popcorn or rip my pants. But I had a hard time being thankful for those small favors.
P.J. Petersen (The Freshman Detective Blues)
If he was hoping we would all heave a sigh of relief at the petite size of the black bear, he was disappointed; a four-hundred-pound bear seemed plenty big enough to play jai alai with my head, and judging by the wide eyes of the boys all around me, I was not the only one who thought so. “Just remember, they may be small, but they can be very cranky if they have a cub? They run very fast, and they can climb trees. Oh! So can panthers—which are very rare, an endangered species. So we probably won’t see one, but if we do—remember this, guys: They are basically like lions, and … you know. We talk about how cool they are, and how we need to help protect panthers and their habitat—but they are still very dangerous animals. I mean, most of the animals out here. Let’s remember they are wild. So give them room; respect their habitat, because you are in their space, and it’s— Even raccoons, okay? I mean, they get into everything, and they look awful cute. They might even come right up to you. But they can have rabies, which you can get from them just from a little scratch, so stay away.” Once
Jeff Lindsay (Double Dexter (Dexter #6))
Well, I’m here to play the game, and I choose not to live and die by what the oddsmakers say. I choose not to put faith in percentages that were assembled by some anonymous researcher looking at a bunch of impersonal data points. Instead, I choose to put faith in me, in my body, mind, and spirit, in those parts of me that are already so practiced in the art of defying the odds. Coach Taylor always told his ragtag Dillon High School Panther football team on Friday Night Lights, “Clear eyes, full hearts, can’t lose!” I have clear eyes and a full heart.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
[Adso, experiencing a divine allegorical vision] I saw a voluptuous woman, naked and fleshless, gnawed by foul toads, sucked by serpents, coupled with a fat-bellied satyr whose gryphon legs were covered with wiry hairs, howling its own damnation from an obscene throat; and I saw a miser, stiff in the stiffness of death on his sumptuously columned bed, now helpless prey of a cohort of demons, one of whom tore from the dying man's mouth his soul in the form of an infant (alas, never to be again born to eternal life); and I saw a proud man with a devil clinging to his shoulders and thrusting his claws into the man's eyes, while two gluttons tore each other apart in a repulsive hand-to-hand struggle, and other creatures as well, goat head and lion fur, panther's jaws, all prisoners in a forest of flames whose searing breath I could almost feel.
Umberto Eco (The Name of the Rose)
I hate cardio anyway. Let’s go work on your dick.” When Panther’s eyes rounded, I put my hand over my lips. “Did I say your dick? I meant your strength. Easy mistake.” “Or you’re just easy in general.” “Something I’m pretty sure you won’t be complaining about as soon as you get your”—I lowered my eyes below the waistband of his shorts—“strength back.” “Quit it,” Panther muttered, but when I raised my eyes back to his, he licked at his lower lip. “Or?” “Or you and everyone else in this gym is going to see which part of my body needs zero help in the rehabilitation department.” I chuckled but let it go for now, because if I kept up with this line of conversation, Panther wouldn’t be the only one announcing what kind of workout he was interested in doing—and news flash, it had nothing to do with the equipment in this gym.
Brooke Blaine (Need for Speed (The Elite, #2))
Valraven Palindrake’s presence flowed out into the room, hanging about him like a dark miasma. Varencienne imagined that he drew energy from the candle flames, made them grow dim. She could not believe he had once touched her so intimately; it was a stranger sitting there, his inky hair cascading over his shoulders, his hawk eyes deep and shadowed. Handsome, yes, but not classically. There was a brutality to his face, and his eyes were cold like a predator’s. Hardly a surprise; how many had been his prey? Near him, at the head of the table, sat a woman, who could only be his twin-undoubtedly Pharinet. She was leaning towards him and laughing conspiratorially, her strong dark arms lying with panther’s ease on the tabletop. Here was a black-haired enchantress who could have stepped from Varencienne’s own fantasies; a charismatic creature who shared her brother’s aloof mien.
Storm Constantine (Sea Dragon Heir (The Chronicles of Magravandias, #1))
Furi’s eyes roamed over Syn’s muscular body, mapping each ridge and valley until his eyes landed on the thick, dripping cock jutting out proudly from a nest of dark pubic hair. Syn stroked himself a couple times, his head falling back as pleasure racked his body. Furi held out his arm, needing Syn’s contact right now. Syn crawled up the bed like a panther stalking his prey. His dark eyes were full of hunger and just beneath that desire was a whole lot of love. “Syn.
A.E. Via (Embracing His Syn)
Lottie left the room, her gown swishing and rustling as she moved. As she descended the grand staircase, she saw Nick waiting in the entrance hall, his body as tense as that of a panther about to strike. His broad-shouldered form was dressed to perfection in the formal scheme of a dark coat, silver waistcoat, and a charcoal silk necktie. With his dark brown hair neatly brushed and his face gleaming from a close shave, he was both virile and elegant. His head turned toward her, and suddenly his narrow-eyed impatience was replaced by an arrested expression. Lottie felt a rush of elation at the look in his eyes. She deliberately took her time about reaching him. “Do I look like a viscountess?” she asked. His lips quirked wryly. “No viscountess I’ve ever seen looks like you, Lottie.” She smiled. “Is that a compliment?” “Oh, yes. In fact…” Nick took her gloved hand and assisted her down the last step. He held her gaze compulsively, his fingers tightening around hers, and he answered her light question with a gravity that stunned her. “You are the most beautiful woman in the world,” he said huskily. “The world?” she repeated with a laugh. “When I say you’re beautiful,” he murmured, “I refuse to qualify the statement in any way. Except to add that the only way you could be more so is if you were naked.” She laughed at his audacity. “I am afraid that you will have to reconcile yourself to the fact that I’m going to remain fully clothed tonight.” “Until after the ball,” he countered. -Lottie & Nick
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
I brought her a dead glitter rabbit,” he said. “Does that count?” Flynn rolled his eyes. “Of course you did.” “Hey,” Xander said. “Don’t make fun. Her panther ate some. In pantherland, it means she thinks I’m fuckable.” He opened the stapler and squeezed it, shooting a staple across the desk.
Anastasia Wilde (Bad Blood Panther (Bad Blood Shifters, #4))
But Yippie was already a gleam in Abbie Hoffman’s eye; some hard SDS theoreticians were already smoking a joint now and then with the dopers, hoping to become closer to them and gradually lead them into the correct Marxist paths; and the potheads who were busted and spent some time in jail tended to come out with more willingness to listen to radical agitprop, especially if it had a strong anti-cop bias to it. The Black Panther Party’s polemical panchreston, “pig,” was even beginning to appear in some white vocabularies. And then, Eldridge Cleaver, who was a god in those days, announced that although heroin was rejected by the Panthers, they had no objection to marijuana.
Robert Anton Wilson (Sex, Drugs & Magick – A Journey Beyond Limits)
Attempt 1: (Thirty seconds after crossing the bridge.) Adrian: “This place really is kind of beautiful.  Like, look at this flower…” (Flower spits acid into his eyes.) Adrian: “Oh, gawd!  Oh, sweet, merciful gawd!  I think I’m blind!” (He promptly stumbled over a cliff before Dom could put him out of his misery.) (He screamed the entire way down.) Attempt 19: Dom: “You should stay behind me.” Adrian: “Why?  Last time, nothing was on this trail.  And did you see these glowing rocks—" (A panther pounced on him from a low-hanging branch.) Adrian: “Ahh!  Is that my intestine?  How am I even still alive?” (He somehow survived for a full minute.) (A very loud minute.) Attempt 37: (Adrian walked behind Dom, talking to himself) Adrian: “Okay, this time, I’m going to be careful.  I’m going to stay behind Dom.  I’m going to watch my surroundings.  I’m not going to sniff the flowers.  Or actually anything with bright colors.  Hell, if it’s interesting enough to take a picture of it – it can definitely kill you.  Ha!  That’s actually pretty good…  Hey Dom, I think I just invented the Photograph Rule—” (Adrian tripped over a root and bashed his head against a tree trunk.) (He then fell into a small pond where he was promptly drained dry by a swarm of leeches.) (They were bright pink.)
Travis Bagwell (Happy (Awaken Online, #5.5))
HE HAD BEEN trained in a hidden monastery by the ninjas of Xi’en. He had studied yoga and meditation under an Avrantic guru. His strength, stamina and ability to withstand pain were legendary. He was as silent as a shadow of a black cat in the night, as deadly as a cobra’s fang. He moved like a panther, taut and sinuous. He could climb up rock-faces with his bare hands and stay underwater for hours without breathing. His skill and luck at love and cards was legendary, and he had almost beaten the Civilian at chess once. He was wondering what to wear. When in doubt, Black is the answer, the dance teacher in Ektara had said. He dressed, swiftly. It had been a long time since he had worn the original costume. Black silk clothes, padded boots. The cloth around the face, with slits for his eyes. The fire-resistant Xi’en lava-worm black silk cape. Of course, disguises and camouflage were fun, and often necessary, but this was his favourite. He strapped on his Necessity Belt. He had been all around the world and seen many beautiful things, but this was the finest example of vaman craftsmanship he had ever seen. He opened a trunk under his bed and started thinking about his assignment. His fingers, trained by years of practice, began sliding things into the right pockets on his belt. Into the little sheaths went the darts, the crossbow bolts and the blackened throwing knives. With practiced ease his fingers found the little pouches, side by side, one after the other, for the wires, the brass knuckles, the vial of oil, the sachet of poisonous powder and the shuriken, the little blackened poisoned-tipped discs the ninjas used. On his back was the slim bag that contained a little black chalk, his stamp and his emergency scarab. If he was killed or captured, it would fly to the Civilian. The message inside said Killed or captured. Sorry. He slung a pouch over his shoulder. It contained his blowpipes, ropes, strangling cords and cloth-covered grappling hooks. Over his other shoulder went the light and specially constructed crossbow. The flat bag filled with what he called his ‘special effects’ went on his back. He felt a little naked. He strapped on little black daggers in sheaths to his left arm and outer thighs. He tapped his left foot thrice on the floor and felt the blade slide to the front of the boot. He tapped again and it slid back to the heel. (...) He slipped on his gloves. Finally, he picked up the sheath that contained his first love. It was the one love he’d always been faithful to, the long, curved, deadly and beautiful Artaxerxian dagger that glittered and shone even in the candlelight as he pulled it out and held it lovingly. It was the only weapon he had never blackened. The Silver Dagger. He attached it to the Necessity Belt. Now he was dressed to kill.
Samit Basu (The Simoqin Prophecies (GameWorld Trilogy, #1))
It was all chaos, confusion and dust, Head and eyes were flecked with blood, Rocks crash through with a roar, Among stupefying shrieks, The Mongol Kalmak proceed. Oshpur the shepherd lord Scouts with eagle eyes In search of the forty sons - Smoke obscures. Entering the fray, Smoke-maned Manas is a panther Loping toward his prey.
Manaschi
Chace glanced up from the glass of amber beer as his closest friend, Gunner, approached their usual table in the corner of the bar. Unlike Chace, who was a dragon shifter, Gunner was able to transform into a panther the size of a car. He had dark hair and almond-shaped, brown eyes, a muscular frame, a gait worthy of a cat and two pints in his hands. He sat and placed one glass down beside Chace’s untouched drink.
Lizzy Ford (Charred Heart (Heart of Fire, #1))
She points to two devices in the center of the dark space. The contraptions are silver and remind me of the suits knights wore in past centuries. The armor hangs suspended between two metal wires. “They are concentraction machines.” I slide my body into the machine. Dry gel hugs my feet, my legs, my torso and arms and neck, till only my head is free. The machine is built to resist my movements, yet it responds even to the tiniest stimuli. The idea of building muscle is to exercise it, which is nothing more than using the muscle intensely enough to create microscopic tears in the tissue fiber. This is the pain one feels in the days after an intense workout—torn tissue—not lactic acid. When the muscle repairs the tears, it builds on itself. This is the process the concentraction machine is built to facilitate. It is the devil’s own invention. Harmony slides the device’s faceplate over my eyes. My body is still in the gym, but I see myself moving across the rugged landscape of Mars. I’m running, pumping my legs against the concentraction machine’s resistance, which increases according to Harmony’s mood or the location of the simulation. Sometimes I venture to the jungles of Earth, where I race panthers through the underbrush, or I take to the pocked surface of Luna before it was populated. But always I return home to Mars to run across its red soil and jump over its violent ravines. Harmony sometimes accompanies me in the other machine so I have someone to race.
Pierce Brown (Red Rising (Red Rising Saga, #1))
one of the first acts of the Young Lords in Chicago was to join the Rainbow Coalition-uniting with our allies, our brothers and sisters, in the Black Panther Party, the Brown Berets, the Young Patriots, and Rising Up Angry. The Young Lords understood the importance of collaboration and of building a broad people's movement in order to transform society.
Iris Morales (Through the Eyes of Rebel Women: The Young Lords, 1969-1976)
Lily was eager to dance, her body moving involuntarily to the summoning of the music. She was a tawny cat stretching before the panther’s grace of Israel, who watched her with a smiling, feline eye.
Storm Constantine (Scenting Hallowed Blood (The Grigori Trilogy #2))
I heard Lucien first. 'Back off.' A low female laugh. Everything in me went still and cold at that sound. I'd heard it once before- in Rhysand's memory. Keep going. They were distracted, horrible as it was. Keep going, keep going, keep going. 'I thought you'd seek me out after the Rite,' Ianthe purred. They couldn't be more than thirty feet through the trees. Far enough away not to hear my presence, if I was quiet enough. 'I was obligated to perform the Rite,' Lucien snapped. 'That night wasn't the product of desire, believe me.' 'We had fun, you and I.' 'I'm a mated male now.' Every second was the ringing of my death knell. I'd primed everything to fall; I'd long since stopped feeling any guilt or doubt about my plan. Not with Alis now safely away. And yet- and yet- 'You don't act that way with Feyre.' A silk-wrapped threat. 'You're mistaken.' 'Am I?' Twigs and leaves crunched, as if she was circling him. 'You put your hands all over her.' I had done my job too well, provoked her jealousy too much with every instance I'd found ways to get Lucien to touch me in her presence, in Tamlin's presence. 'Do not touch me,' he growled. And then I was moving. I masked the sound of my footfalls, silent as a panther as I stalked to the little clearing where they stood. Where Lucien stood, back against a tree- twin bands of blue stone shackled around his wrists. I'd seen them before. On Rhys, to immobilise his power. Stone hewn from Hybern's rotted land, capable of nullifying magic. And in this case... holding Lucien against that tree as Ianthe surveyed him like a snake before a meal. She slid a hand over the broad panes of his chest, his stomach. And Lucien's eyes shot to me as I stepped between the trees, fear and humiliation reddening his golden skin. 'That's enough,' I said. Ianthe whipped her head to me. Her smile was innocent, simpering. But I saw her note the pack, Tamlin's bandolier. Dismiss them. 'We were in the middle of a game. Weren't we, Lucien?' He didn't answer. And the sight of those shackles on him, however she'd trapped him, the sight of her hand still on his stomach- 'We'll return to the camp when we're done,' she said, turning to him again. Her hand slid lower, not for his own pleasure, but simply to throw it in my face that she could-
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
In the summer of 1966, Seale was hired to run a youth work program at the North Oakland Neighborhood Anti-Poverty Center funded by the federal War on Poverty. Through his role as a social service provider, he came to understand even more clearly the economic and social needs of black youth. Beyond delivering services, Bobby brought his revolutionary nationalist theory to the job and used the opportunity to push up against the ideological bias in the government program. Rather than merely guiding young blacks into a government-prescribed path, he used his authority to help them stand up against oppressive authority, particularly against police brutality. One day Seale’s boss instructed him to take a group of young black men and women on a tour of the local police station. When the group arrived, the police officers pulled out notepads and pencils and started to interview the teenagers about the character of gangs in the neighborhood. Seale protested, instructing his group to remain silent and announcing that his program would not be used as a spy network to inform on people in the community. The officers claimed that they simply wanted to foster better relations with the community. In response, Seale turned the conversation around, creating an opportunity for the teenagers to describe their experiences with police brutality in the neighborhood. It was the first time the young people had had the opportunity to look white police officers in the eye and express their anger and frustration. One teenager berated the police for an incident in which several officers had thrown a woman down and beaten her in the head with billy clubs. “Say you!” said a sixteen-year-old girl, pointing at a policeman. “You don’t have to treat him like that,” Seale said to the girl. “I’ll treat him like I want to, because they done treated me so bad,” she replied. Bobby sat back as the girl grilled the officer about whether he had received proper psychiatric treatment. The officer turned red and started to shake. “The way you’re shaking now,” she said, “the way you’re shaking now and carrying on, you must be guilty of a whole lot! And I haven’t got no weapon or nothin.’”69 The poverty program provided a paycheck, some skills, and an opportunity to work with young people. But Newton and Seale were still searching for a way to galvanize the rage of the “brothers on the block.” They wanted to mobilize the ghetto the way that the Civil Rights Movement had mobilized blacks in the South. They dreamt of creating an unstoppable force that would transform the urban landscape forever. The problem was now clear to Huey and Bobby, but they did not yet have a solution. Huey and Bobby were not the only ones looking for answers.
Joshua Bloom (Black against Empire: The History and Politics of the Black Panther Party (The George Gund Foundation Imprint in African American Studies))
To their right, a strange fog glowed eerily, streamed through the rain and wound through the trees. It moved forward at knee level coming straight toward them now. Shea felt her heart in her throat. She touched Jacques’ back for reassurance. He stopped, seemingly relaxed, his muscles coiled and ready, like a panther awaiting its moment. She could feel it in him, his readiness, so still and confident. As the fog grew closer, only several yards away now, the moisture began to stack itself higher and higher, the droplets connecting and forming the shape of a man. Shea wanted to scream with fear, but she stayed very still, afraid of distracting Jacques. Byron’s form shimmered for a moment. She could actually see the tree behind the mist, and then he was solid, standing with the curious elegance of the Carpathian male. He lifted his eyes from the ground to meet Jacques’ icy-black gaze. “We have been friends for centuries, Jacques. I cannot remember a time in my life that we did not run together. It is strange and sad to me that you can look at me and not know me.” Shea, behind Jacques, stirred uncomfortably. Byron’s sorrow appeared more than he could bear. She wanted to reach out to him, make an attempt to ease his obvious suffering. Do not! The command was sharp in her mind, clear and in a tone that brooked no argument. Jacques remained motionless, as if carved from stone. Byron’s words did not appear to move him in any way. Byron shrugged, his face twisted with pain. “When we thought you were dead, we searched for your body. Months, years even. You were never out of our thoughts. You were my family, Jacques, my friend. It was hard to learn to be completely solitary. Gregori and Mikhail and even Aidan survived the centuries because, as alone as they had to be, they had a bond, an anchor to keep them strong through the bleak centuries. You were mine. Once you were gone, my struggle became immense.
Christine Feehan (Dark Desire (Dark, #2))
The master’s room was wide open. The master’s room was brilliantly lighted, and the master was there, very calm . . . and our people stopped dead . . . it was the master . . . I went in. “It’s you,” he said, very calm. It was I, even I, and I told him so, the good slave, the faithful slave, the slave of slaves, and suddenly his eyes were like two cockroaches, frightened in the rainy season . . . I struck, and the blood spurted; that is the only baptism that I remember today. —Aimé Césaire excerpted in Frantz Fanon, Wretched of the Earth, Black Panther Party booklist
Joshua Bloom (Black against Empire: The History and Politics of the Black Panther Party (The George Gund Foundation Imprint in African American Studies))
I give her another once-over, taking in her long, toned legs, her smooth stomach, thankfully visible due to her why-bother-wearing-me top. Her body is drop-dead gorgeous, but when you reach her eyes, they speak nothing of vixen, rather more like pure innocence. A total contradiction that has my mind reeling. “So, what are you supposed to be? A cat?” She glances at her outfit and sighs, taking another sip of her beer. She almost seems bored to be at the party. “I’m pretty sure I’m supposed to be a panther but my roommates fell short in the costume department.” “Yeah, really short,” I add, eyeing her barely-there skirt. “Please tell me you’re wearing something under that.” “Nope,” she answers, sipping her beer and then smacking her lips. “I like to feel the wind in my undercarriage when I’m walking.” I wince. “Undercarriage? Fuck, I don’t want you to call it that.” She laughs and shakes her head. “I’m not a lady of the night, Knox. Of course I have something under this skirt.” She lifts up the side, flashing tiny black boy shorts. “Honestly, I’m going to be a librarian. I need to be sensible.” Sensible? More like hot as fuck. I saw partial ass cheek. I grip my beer close to my mouth and take a deep breath. “A sensible librarian wouldn’t flash a horny college guy her underwear.” “Well, maybe I’m more of a modern-day librarian then.” She winks and starts to walk away. “Hey, where are you going?” She looks over her shoulder. “I have more people to flash. Don’t think you’re the only lucky one.” Damn, that doesn’t sit well with me. Not one fucking bit.
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
Knocking on their door, a panther's paw that rubbed until it became a pounding no one responded to. He tried the handle. They were there all right, fancy pretending like that, it wasn't as if he had disturbed them from sleeping. He coughed, and gasped, while walking rapidly up and down the landing. Should he go back into his room, shout from there, scream in fact, as though in the middle of a nightmare? He remained at the top of the stairs, cutoff from the rest of the house, the neighbourhood. Had they gone out, or were they dead— copulating too fast, too much? He moved down one stair head bowed considering the best way into the next event. The other doors had, during his stay, remained part of the walls, a slight murmur or hum of a radio escaped occasionally through a crack. But if he knocked, enquired the time, wouldn't the crack immediately be sealed, not even space for an eye, let alone his finger? He hovered on the front door step, two hundred yards from the Palais de Dance. Coloured tickets, spent out balloons, contraceptives divided pavement from road. Berg leaned slightly forward in order to see the pub clock. On his back he stared at the buildings that were giants advancing. Snatch the stars, pull out the moon for my navel, a button hole for my own personal identification. A shadow pushed itself across his face. He spread out his arms. I implore to be left where I am, as I have been given, I am satisfied, attuned to my world. He shut his eyes, and foetus-curled from the pavement. His lips, dry leaves, slowly parted. Have I ever been inside? Edith's tears, not coping, timid amongst robust mums. You discovered: dormitory pleasures, what is considered a pretty boy at the age of nine, to be taken advantage of.
Ann Quin (Berg)
His eyes were alert despite the hour and the green chew,
Nelson DeMille (The Panther (John Corey, #6))
The FBI nicknamed the program COINTELPRO, as a shorthand for "counterintelligence program." COINTELPRO originated in the 1950s, to prevent socialist movements from developing in the United States, and the program rose to new heights in the Black Power era. Even prior to Stokely Carmichael's first calls for Black Power in 1966, the FBI was organizing to undermine civil rights movement efforts. The Black organizations they labeled as "militant' included not only Stokely's SNCC but also the Rev. Dr. King's Southern Christian Leadership Conference, a group that never wavered in its dedication to nonviolent civil disobedience. Between 1963 and 1971, the FBI ran nearly three hundred separate COINTELPRO operations against Black nationalist groups, the majority of which targeted the Black Panther Party. The program's major goals were to: 1. Prevent the coalition of militant Black nationalist groups, as there would be strength in unity. 2. Prevent the rise of a "messiah" who could unify and electrify the movement, such as the Rev. Dr. King or Malcolm X. 3. Prevent violence, ideally by neutralizing movement leaders before they could become violent. 4. Prevent Black nationalist leaders from gaining respectability, ideally by discrediting them in the eyes of white people, Black people, and radicals of all races. 5. Prevent young people from joining the groups and increasing their membership base.
Kekla Magoon (Revolution in Our Time: The Black Panther Party's Promise to the People)
For others amongst us however, investing a little attention in looking dashing assists in conjuring the less definable aspects of personal style – how we move, the way we use our eyes and voices. We personally find that heeding this layer of being adds vitality and sauce to our lives. Presenting yourself with some panache can be an act of generosity too: most people get pleasure from physical spectacle, be it a scintillating colour combination, a spectacular beard, a walk with a panther-like grace, or an unchastened twinkle in the eyes.
Annie Raser-Rowland (The Art of Frugal Hedonism: A Guide to Spending Less While Enjoying Everything More)
Hear the owl, respect panther, stare with snake’s eye,
Pippa Pralen (Medicine Men Power Stories: Eyewitness Accounts)
Barack and I took Malia’s and Sasha’s hands and made our way across the still-dewy grass of the South Lawn. The animals were larger than I expected, languid and sinewy, their tails flicking as they monitored our approach. I’d never seen anything like it, four cats in a companionable line. The lion stirred slightly as we drew close. I saw the panther’s eyes tracking us, the tiger’s ears flattening just a little. Then, without warning, the cheetah shot out from the shade with blinding speed, rocketing right at us. I panicked, grabbing Sasha by the arm, sprinting with her back up the lawn toward the house, trusting that Barack and Malia were doing the same. Judging from the noise, I could tell that all the animals had leaped to their feet and were now coming after us. Lloyd stood in the doorway, looking unfazed. “I thought you said they were sedated!” I yelled. “Don’t worry, ma’am,” he called back. “We’ve got a contingency plan for exactly this scenario!” He stepped to one side as Secret Service agents swarmed past him through the door, carrying what looked to be guns loaded with tranquilizer darts. Just then, I felt Sasha slip out of my grasp. I turned back toward the lawn, horrified to see my family being chased by wild animals and the wild animals being chased by agents, who were firing their guns. “This is your plan?” I screamed. “Are you kidding me?” Just then, the cheetah let out a snarl and launched itself at Sasha, its claws extended, its body seeming to fly. An agent took a shot, missing the animal though scaring it enough that it veered off course and retreated back down the hill. I was relieved for a split second, but then I saw it—a white-and-orange tranquilizer dart lodged in Sasha’s right arm. I lurched upward in bed, heart hammering, my body soaked in sweat, only to find my husband curled in comfortable sleep beside me. I’d had a very bad dream.
Michelle Obama (Becoming)
Baru Cormorant,” mother Pinion said, smiling. In Baru’s eyes she was a coil of storm surf, a thunderbolt, as slow and powerful as sunlight. Her dark eyes and the teeth in her smile were the shapes that Baru imagined when she read about panthers.
Seth Dickinson (The Traitor (The Masquerade, #1))
Sara barely noticed Lily's large blond spouse. Her round blue eyes flew to the lean, sinister form that detached from the shadows. He bowed as the others had, the movement impeccably graceful for such a large man. There was no sign of recognition on his face. The air of toughness and vital masculinity was the same as she remembered. His skin looked as swarthy as a pirate's against the snowy linen of his cravat. The scar on his face had faded, so that his intense green eyes dominated every other feature. Closed in a small room with these gently-born men, he seemed like a panther keeping company with house cats.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Her name was Petra Cotes. She had arrived in Macondo in the middle of the war with a chance husband who lived off raffles, and when the man died she kept the business. She was a clean young mulatto woman with yellow almond shaped eyes that gave her face the ferocity of a panther, but she had a generous heart and a magnificent vocation for love.
Gabriel García Márquez (One Hundred Years of Solitude)
I was an owl in the darkness, looming over this black and white Dominican mouse with her little pink rodent hands working the old projector. I was a panther in short socks, teeth clenched and eyes fixed on my prey.
Michelle Y. Frost (Rebel)
I used to be a roller coaster girl" (for Ntozake Shange) I used to be a roller coaster girl 7 times in a row No vertigo in these skinny legs My lipstick bubblegum pink As my panther 10 speed. never kissed Nappy pigtails, no-brand gym shoes White lined yellow short-shorts Scratched up legs pedaling past borders of humus and baba ganoush Masjids and liquor stores City chicken, pepperoni bread and superman ice cream Cones. Yellow black blending with bits of Arabic Islam and Catholicism. My daddy was Jesus My mother was quiet Jayne Kennedy was worshipped by my brother Mark I don’t remember having my own bed before 12. Me and my sister Lisa shared. Sometimes all three Moore girls slept in the Queen. You grow up so close never close enough. I used to be a roller coaster girl Wild child full of flowers and ideas Useless crushes on polish boys in a school full of white girls. Future black swan singing Zeppelin, U2 and Rick Springfield Hoping to be Jessie’s Girl I could outrun my brothers and Everybody else to that reoccurring line I used to be a roller coaster girl Till you told me I was moving too fast Said my rush made your head spin My laughter hurt your ears A scream of happiness A whisper of freedom Pouring out my armpits Sweating up my neck You were always the scared one I kept my eyes open for the entire trip Right before the drop I would brace myself And let that force push my head back into That hard iron seat My arms nearly fell off a few times Still, I kept running back to the line When I was done Same way I kept running back to you I used to be a roller coaster girl I wasn’t scared of mountains or falling Hell, I looked forward to flying and dropping Off this earth and coming back to life every once in a while I found some peace in being out of control allowing my blood to race through my veins for 180 seconds I earned my sometime nicotine pull I buy my own damn drinks & the ocean Still calls my name when it feels my toes Near its shore. I still love roller coasters & you grew up to be Afraid of all girls who cld ride Fearlessly like me.
Jessica Care Moore
Jazz musician Miles Davis once said, “If somebody told me I had only one hour to live, I’d spend it choking a white man. I’d do it nice and slow.” bell hooks, a black professor of English at City College of New York who spells her name in lower case, once wrote, “I am writing this essay sitting beside an anonymous white male that I long to murder.” Demond Washington, a star athlete at Tallassee High School in Tallassee, Alabama, got in trouble for saying over the school intercom, “I hate white people and I’m going to kill them all!” Later he said he did not mean it. Someone who probably did mean it was Maurice Heath, who heads the Philadelphia chapter of the New Black Panther party. He once told a crowd, “I hate white people—all of them! . . . You want freedom? You’re gonna have to kill some crackers! You’re gonna have to kill some of their babies!” Another one who probably meant it is Dr. Kamau Kambon, black activist and former visiting professor of Africana Studies at North Carolina State University in Raleigh. In 2005, Prof. Kambon told a panel at Howard University Law School that “white people want to kill us,” and that “we have to exterminate white people off the face of the planet to solve this problem.” In 2005, James “Jimi” Izrael, a black editorial assistant for the Lexington, Kentucky, Herald- Leader, was on a radio program to talk about Prof. Kambon. Another guest mentioned other blacks who have written about the fantasy of killing whites, and Mr. Izrael began to laugh. “Listen,” he said, “I’m laughing because if I had a dollar for every time I heard a black person [talking about] killing somebody white I’d be a millionaire.” For some, killing whites is not fantasy. Although the press was quiet about this aspect of the story, the two snipers who terrorized the Washington, DC, area in 2002 had a racial motive. Lee Malvo testified that his confederate, John Muhammad, was driven by hatred of America because of its “slavery, hypocrisy and foreign policy.” His plan was to kill six whites every day for 30 days. For a 179-day period in 1973 and 1974, a group of Black Muslim “Death Angels” kept the city of San Francisco in a panic as they killed scores of randomly-chosen “blue-eyed devils.” Some 71 deaths were eventually attributed to them. Four of an estimated 14 Death Angels were convicted of first-degree murder. Most Americans have never heard of what became known as the Zebra Killings. A 2005 analysis of crime victim surveys found that 45 percent of the violent crimes blacks committed were against whites, 43 percent against blacks, and 10 percent against Hispanics. There was therefore slightly more black-on-white than black-on-black crime. When whites committed violence they chose black victims only 3 percent of the time. Violence by whites against blacks, such as the 1998 dragging death of James Byrd, is well reported, but racial murder by blacks is little publicized. For example, in Wilkinsburg, near Philadelphia, 39-year-old Ronald Taylor killed three men and wounded two others in a 2000 rampage, in which he targeted whites. At one point, he pushed a black woman out of his way, saying “Not you, sister. I’m not going to hurt any black people. I’m just out to kill all white people.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
He was undersized; though witily powerful and as lithe as a panther. His coat, which should have been wavily abundant, was as short and as thick as a chow’s. It was not unlike a chow’s in texture and growth. His bushy tail was three inches too short. His head was broad where it should have been chiseled into classic lines. His muzzle was not long enough for the rest of his head. The “‘stop’”’ above it was too prominent. His glowing dark eyes were round; not almondshaped or slanted as called for in the “Standard of the Breed.” In brief, he was not a true type of collie; though of royally pure lineage. He was a throwback;—a throwback almost to the ancestral wolves which form the trunk and roots of the collie family-tree. It was this queer outward resemblance to a young timber-wolf which gave him his name.
Albert Payson Terhune (Wolf)
Where Gabriel Miller is a lion, wild and golden, Christopher’s is a sleek panther with dark eyes and black hair.
Skye Warren (The Knight (Endgame, #2))
Gaël is sweet, but I know there’s another side to him that is demanding, maybe even a little cruel. I can see it in his eyes, the way his green irises can turn into glimmering emeralds that flash with mischief. He is sexy, with his tall, elegantly sculpted muscles that are well-defined, without being overly bulky. He’s lithe, and moves like a panther. And if that doesn’t turn me on.
Lola Malone (Crown of Disguise)
The eyes that seduce have no meaning, they end in the gaze, as the face with makeup ends in only pure appearance…. The scent of the panther is also a meaningless message—and behind the message the panther is invisible, as is the woman beneath her makeup.
Robert Greene (The Art of Seduction)
Nessa spins around and drops, then she crawls across the floor toward me, like a panther hunting its prey. I’m supposed to be the hunter. But I’m fixed in place, mesmerized by her green eyes looking up at me.
Sophie Lark (Stolen Heir (Brutal Birthright, #2))