Panorama View Quotes

If we want to add human interaction to the panorama of our lifescape, the sustainability and the expectancy description of our emotions are momentous. Cracks in relations can be "restored," whereas breakups have to be "repaired." For 'repairs,' we need proper tools, respectively, concrete commitments, and endurance. For 'restoration,' we need exceptional talent and subtle adroitness to realize a perfect replica of the original emotional canvas. ("Life with sea view")

There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.

The panorama-city is a 'theoretical' (that is, visual) simulacrum, in short a picture, whose condition of possibility is an oblivion and a misunderstanding of practices.

the fact that she and I are now incorporated into this unique subject, the subject of love that views the panorama of the world through the prism of our difference

She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea.

Societies and communities change—dictionaries are rewritten; people and ideas die off. The point is for us to develop so much that when we outgrow the awareness of the community, we willfully reach back to pull others forward with our knowledge.

The “confusion” that straight and gay colonizers claim bisexuals experience is because there are no influential cultural templates for bisexuals/ fluid/pansexual people to cling to, nor is their experience politically validated.

You live an insular existence, going from your soundproofed cars to your air-conditioned, insulated houses. People would not say God is dead if they only looked up at the spectacular panorama of the night sky, or had an unobstructed view of the sunset.

After seeing the various fantastic sights, a visitor to Panorama Island would have had to gasp in amazement at this unsurpassable view. He would have had the impression that the entire island was a rose floating on the vast ocean and that the giant scarlet flower of an opium dream was conversing on an equal footing with the sun in the sky, just the two of them. What kind of strange beauty had that incomparable simplicity and grandeur created? Some travelers might have recalled the world of myth that their distant ancestors had seen. . . . How can the author describe the madness and debauchery, the pleasures of revelry and drunkenness, the numberless games of life and death that were played day and night on that magnificent stage? You readers might find something that resembled it, in part, in your most fantastic, bloodiest, and most beautiful nightmares.

For those of you too young to remember the fun of a good old county fair, take it from me, it’s a great way to spend a hot summer day. Perusing the fruits of our county’s gifted citizens’ labors; getting sticky on unnaturally-hued cotton candy; reveling in the panorama of colored lights on the midway. Viewing the stars from atop a Ferris wheel can’t be described to someone who hasn’t been there in person.

That supposed to be a comment about what? My legs? My butt? Let’s say that I know it’s a view. You could call it a panorama. Probably too much of one.” “Oh, no.” He was still smiling, but the smile had changed some. “That’s not too much. That’s a Southern boy’s hello-baby. That’s biscuits and gravy you got going on there. That’s a long, slow good time, sweet tea in the porch swing and your sweetheart in a pretty little dress, shoving off with her bare foot and giving you that come-on-boy smile. That’s bourbon and Coke and Friday night, is what that is.

For 3,000 years the most sought-after rooms were on the first floor—or the second floor if you’re an American. The piano nobile, the grand first floor, was for animals or the shop. One flight up was the master bedroom and reception rooms, and the further up you went, the lower your status. Scullery maids roosted like swallows in the eaves. But the lift brought us to the penthouse to live with the angels, the glass walls, the silent buffet of the wind, the hiss of climate control. And beneath the great, blinking panorama of the city, wall evaporated into air. No art or bookshelf could compete with the view of omnipotence, the sense of living on Parnassus, a double-glazed Valhalla. And a view suddenly had a value—real estate agents could sell something they didn’t own.

[Harry] started talking about the many moves he'd made over the years and all the traveling, which his marriage had not survived. He said the irony was that, as his work had become focused on trying to settle people, migrants and refugees and the displaced, his own life had become more peripatetic, so that by the time he finally came back to Dublin nowhere felt like home, or maybe everywhere did, just a little. He wanted to believe that he'd gained more than he'd lost in that transaction, that in becoming less exclusive in his attachments, he'd come to feel a deeper kind of affection for the world. He said there was always a rupture when you left a place, until you realized it had to do with the person you had somehow decided to be. Until you saw that you carried all these rifts and partings with you, like you carried scars, and that instead of feeling like things torn from you, they were part of you. I like this idea. I like Harry. He calms me. He has a way of expanding the view. Panning out, and out, into a panorama. It's not that the view is all good -- Harry is essentially a pessimist. It's just that there's a sense of perspective. I think he has lost a lot and survived, though I don't know exactly what I am referring to. Apart from the limitations on his mobility, Harry's losses seem not greater than most. He has, in many ways, a rather nice life. But I get the sense he's made peace with himself, and that it took some doing, and that he's emerged from that battle wistful, bemused, a little elsewhere. He watches the world as though it were a faraway thing and he a minor god made melancholy by us humans, by the fact that we never, ever seem to learn. Over dinner, he said that if we don't know where we belong, we can feel homesick for almost anywhere we've been.

An unexpected sight opens in front of my eyes, a sight I cannot ignore. Instead of the calm waters in front of the fortress, the rear side offers a view of a different sea—the sea of small, dark streets and alleys—like an intricate puzzle. The breathtaking scenery visible from the other side had been replaced by the panorama of poverty–stricken streets, crumbling house walls, and dilapidated facades that struggle to hide the building materials beneath them. It reminds me of the ghettos in Barcelona, the ghettos I came to know far too well. I take a deep breath and look for a sign of life—a life not affected by its surroundings. Nothing. Down, between the rows of dirty dwellings stretches a clothesline. Heavy with the freshly washed laundry it droops down, droplets of water trickling onto the soiled pavement from its burden. Around the corner, a group of filthy children plays with a semi–deflated soccer ball—it makes a funny sound as it bounces off the wall—plunk, plunk. A man sitting on a staircase puts out a cigarette; he coughs, spits phlegm on the sidewalk, and lights a new one. A mucky dog wanders to a house, lifts his leg, and pisses on it. His urine flows down the wall and onto the street, forming a puddle on the pavement. The children run about, stepping in the piss, unconcerned. An old woman watches from the window, her large breasts hanging over the windowsill for the world to see. Une vie ordinaire, a mundane life...life in its purest. These streets bring me back to all the places I had escaped when I sneaked onto the ferry. The same feeling of conformity within despair, conformity with their destiny, prearranged long before these people were born. Nothing ever changes, nothing ever disturbs the gloomy corners of the underworld. Tucked away from the bright lights, tucked away from the shiny pavers on the promenade, hidden from the eyes of the tourists, the misery thrives. I cannot help but think of myself—only a few weeks ago my life was not much different from the view in front of my eyes. Yet, there is a certain peace soaring from these streets, a peace embedded in each cobblestone, in each rotten wall. The peace of men, unconcerned with the rest of the world, disturbed neither by global issues, nor by the stock market prices. A peace so ancient that it can only be found in the few corners of the world that remain unchanged for centuries. This is one of the places. I miss the intricacy of the street, I miss the feeling of excitement and danger melted together into one exceptional, nonconforming emotion. There is the real—the street; and then there is all the other—the removed. I am now on the other side of reality, unable to reach out with my hand and touch the pure life. I miss the street.

With a cry of ‘Land Ahoy!’, Lieutenant Wood confirmed that not only had Erebus and Terror become the first sailing ships to break through the ice-pack, but they were now the first ships to come face-to-face with irrefutable proof that an Antarctic continent existed. Surprisingly, Ross’s first reaction was less than ecstatic. All he could see was that this ‘coastline’ had effectively blocked the way to his most coveted goal, the South Magnetic Pole. Nevertheless he was, like everyone else, humbled and overawed by what he saw as they drew closer to land. ‘We had a most enchanting view of . . . two magnificent ranges of mountains . . . The glaciers that filled their intervening valleys, and which descended from near the mountain summits, projected in many places several miles into the sea . . .The sky was a clear azure blue, with the most brilliant sunshine . . . all that could be desired for giving effect to such a magnificent panorama.’ For Joseph Hooker, it was simply ‘one of the most gorgeous sights I have ever witnessed’. And there was another cause for celebration. Measurements showed that Erebus and Terror had reached latitude 71°14'S, passing Captain Cook’s furthest south. ‘We have now but Weddell’s track to get beyond,’ wrote Captain Ross, referring to the whaling captain’s 74°15'S, a record that had stood since 1823.

Rachel’s response was gentle. As far as a continuation of consciousness beyond death, she was willing to dwell in mystery, and invoked the words of Swedish oceanographer Otto Pettersson, who, at the end of his long life, told his son that he would be sustained “by an infinite curiosity as to what was to follow.” But there was one thing about which Carson did have some certainty, and that was in her sense of what she called “material immortality,” where our bodies are first broken down by decay, then resurrected physically in new cellular arrangements. She summoned the words she had penned in an early piece, “Undersea,” published in 1937 by the Atlantic Monthly. Individual elements are lost to view, only to reappear again and again in different incarnations in a kind of material immortality.… Against this cosmic background the life span of a particular plant or animal appears not as a drama complete in itself, but only as a brief interlude in a panorama of endless change. She

Age brings diminishments, but more than a few come with benefits. I’ve lost the capacity for multitasking, but I’ve rediscovered the joy of doing one thing at a time. My thinking has slowed a bit, but experience has made it deeper and richer. I’m done with big and complex projects, but more aware of the loveliness of simple things: a talk with a friend, a walk in the woods, sunsets and sunrises, a night of good sleep. I have fears, of course, always have and always will. But as time lengthens like a shadow behind me, and the time ahead dwindles, my overriding feeling is gratitude for the gift of life. Above all, I like being old because the view from the brink is striking, a full panorama of my life—and a bracing breeze awakens me to new ways of understanding my own past, present, and future. As one of Kurt Vonnegut’s characters says in Player Piano, “out on the edge you can see all kinds of things you can’t see from the center.

Other than stand and stare, there is nothing left to do-OM. We might wonder why our guidebook never said anything about it and want to check-it's GONE. We might want to look at ourselves who walked on the path and arrived now-GONE. We look around and cannot even see the slightest indication of how we got here-GONE BEYOND. But we know for sure now that there is no further path to be searched for or to be avoided either-COMPLETELY GONE BEYOND. Without anybody looking anywhere, the view is astounding and the panorama enjoys itself- BODHI SVAHA.

The estate looked vast and prosperous- on the surface, at least. Bella Vista was stunningly lovely, the orchards well tended and clearly productive. If there was a place in the world that was closer to heaven, she wasn't aware of it. Bella Vista- Beautiful View. A panorama view of the orchards, herb and flower fields radiated outward from the patio. The scents of ripe apples, lavender and roses rode the breeze, mingling with the mind-melting aroma of Isabel's fresh-baked croissants.

The whole city stretched around him in a vibrant panorama. It was one of those views that reminded him Los Angeles was a lot more than traffic, concrete, and graffiti.

I took off my shoes, as well, and followed her into the room. I’d left the lights on low so their reflection against the floor-to-ceiling window glass wouldn’t obscure the view of the harbor and the lights of Hong Kong beyond it, but still she paused to log the room details before appreciating the panorama outside. I couldn’t help smiling at that, although it wasn’t unexpected. A civilian would never have paused before taking in that spectacular scenery.

La DolceVita. The movie opens with a panorama of Rome’s magnificent skyline, the grand dome of St. Peter’s in the center. A helicopter carrying a large object appears in the distance. The camera zooms in; the object is a statue of Christ being hauled away from a downtown square. The camera then focuses on a group of young sunbathers who, distracted from their pleasure by the whirring blades, laugh mockingly. Why shouldn’t Jesus take the bus like everyone else? The helicopter flies on to discard its outdated cargo on a trash pile, and the youngsters return to their sun worship.

Ma stood for a long moment and took in the panorama. Her gaze moving from left to right, she viewed the perimeter of the ice-covered plain. Three sides of the lake were bordered in marshland. The dusky skeletons of long dead pine trees angled helter-skelter at the verge of the marshes. Beyond, scrub forests of oak and maple in saturnine nakedness stood on the rolling terrain. A dark overcast added to the grimness of the tableau. Ma looked over the expanse of ice toward the old resort.

Indeed, I want to argue that no single image has been more detrimental to our understanding of Hegel—or our ability to accept him—than the self-congratulatory idea that his philosophy is the spiral staircase upward to the Absolute, not only because there is no Absolute, but because there is no "upward" either, and no staircase. Whatever else their disagreements, the one view of Hegel's philosophy that seems wholly taken for granted by almost all the commentators is the idea that the dialectic is going somewhere; but to move is not necessarily to move in any particular direction, and increasingly to comprehend the complexity and expanse of the world is not always an improvement or progress. One of the more obnoxious features of philosophers, from Plato and Aristotle to such modern stoics as Spinoza and Schopenhauer, is their unabashed tendency to declare their own profession, thinking, as indubitably the "highest" human activity, and "thinking about thinking" (or, as many of these thinkers think, "thought thinking itself") as the very purpose of the cosmos itself. But once one steps outside of philosophy (and indeed, sometimes inside of it, too), there is no justification whatsoever for this self- congratulatory view. To think with increasing clarity and comprehension is an undeniable desideratum of thought, and increasingly to appreciate both the unity and differences of what we call "humanity" may be an important goal in a world which is quickly shrinking, getting more crowded and more violent. But none of this justifies the arrogant pretentiousness of some philosophers, that philosophy alone is the answer to the world's problems, and that thinking itself is what makes us uniquely "human." Hegel may have believed these things, but the Phenomenology presents us with a very different image; the dialectic is more of a panorama of human experience than a form of cognitive ascension. It has its definite movements, even improvements, but it is the journey, not the final destination, that gives us our appreciation of humanity, its unity and differences. And if, as in Goethe's Faust, there is a sudden but unanticipated divine act of salvation at the very end of the drama, this is more poetic license than the conceptual climax of all that has gone before it.

The maintenance was worth every penny. When Woolworth built his tower he would have been content if it had only paid for itself in advertising, but the observatory fooled him. Visitors paying 50 cents apiece to view the metropolitan panorama from the top contributed over $125,000 a year for seventeen years. The Woolworth Building attracted over five hundred visitors a day, the Statue of Liberty attracted more than a thousand, but the Empire State observatories outshone them all. The Empire State Building quickly became the sight-seeing goal of New York’s millions of visitors. It was to New York what the Eiffel Tower was to Paris.

Is it really safe to invest in stocks? To answer that question, we would really first need to ask ourselves: what is safe after all? More so, what is safe in business? The answer would be “NOTHING”. Here it is – the stark reality: all businesses have their risks and as far as risks are concerned, the stock market is just another kind of business; that is it! All deep-rooted and unbeaten stock market will advise you on the affirmative. Yet the faint possibility remains that you, at the same time, will without doubt happen upon other stock market players who have done pathetically in the stock market. These traders, when their opinion is sought, will not leave a stone unturned in advising you to steer clear of the stock market. Mystified whose advice you should take? Fine, both are correct in their own points of view. To cross the threshold into well-paid stock market share trading in the marketplace of any place in the human race, it is to a great extent compulsory that you are geared up with the inclusive fluency of the sod above and beyond in receipt of rationalized with the up to date market shifts so that you prefer no less than probable stocks. In essence then can day businesses bear out valuable? If you are in a job in a different place and are unable to have a look at the trade area under conversation well again, it is advisable that you should not make your mind up on daylight trading. You will in point of fact happen upon other forms of trade which do not necessitate your day and night inspection. You in all probability will chew over those as well. Affecting the traders It would also be a reasonable word of warning to say publicly that the stock market affects different types of traders differently. There are cases in point of a lot of investors who have become cleaned out. Putting on next to nothing information and gambling into the share market perceiving others producing immense wealth possibly will provide evidence of being hazardous for you. You could wind up bringing up the rear to your richly deserved wealth and habitual failures will very soon plead your case before you to make your way out from the stock market panorama. Stage-managing and putting on unconditional awareness previous to putting money in will certainly twirl the bazaar in your prop up. Outline your objectives You will of course call for to outline your objectives and endeavor to come across the varied working expenditure alternatives in the stock market. At the beginning decide on fragile investments with the intention that even though you put on or incur fatalities, you will in next to no time gain knowledge of the ins and outs of the deal. Just the once you are contented, you can settle on volume funds. You in all probability will decide on each and every one of the three dealing preferences, specifically day business, short-term trading and enduring investment. At one fell swoop given your institution of resource of profits is exclusively the stock market; you will be able to broaden the horizons of your venture ambitions to a larger extent, for instance conjecture in mutual funds, money futures, product futures, and supplementary endeavor goods. You can accordingly keep up equilibrium of your ventures and disappointments if a few will by a hair's breadth inconvenience you. Seeking singular venture alternatives will additionally comply to you eloquent which one goes well with you the most excellent and you can in that case put in funds in capacity in the unwritten prospect. Make the best use of stock market It often comes to our notice that the stock market if used fine provides us with an exceptionally excellent occasion to put together loads of wealth and in addition utilize the stock market as our principal foundation of revenue. There are also the risks yet the faint possibility remains that risks are everywhere, in every trade.

The Ozarks are mountains in the Deep South sense of the word, not pyramidal peaks or potential ski slopes or alpine crags, but irregular elevations, a succession of low, deep green ridges, a sea of long, lumpy hills to the horizon in a dramatic panorama. That there is an identifiable and sundown-framed horizon in their midst gives the Ozarks their uniqueness: mountains that allow a great, gaudy, and effulgent sunset. No single Ozarkian topographical feature is apparent, but the whole of it – the broad shifting vista of elongated hills – appears like flattened and thickly forested mesas. And the view is especially moving because it seems unpeopled, the isolated communities hidden in hollows and behind the slopes, some of which are bunchy with old-growth trees, still remote and beautiful.

The serviced apartment was advertised as a luxury penthouse, but the reality was very different; it looked like the set of a bad eighties TV show. White leather couches and lime-green linoleum tiles may have been fashionable thirty years ago, but now they were about as stylish as disco. For five hundred US a week, the place was a dump, but Bishop didn’t care. The apartment had the one redeeming feature the team needed: From the full-length balcony it offered a 270-degree panorama of downtown Kiev and perfect views of the Dostiger residence. Discreetly positioned

Maybe there will be a day where anyone who suggests they are gay or straight will be labeled archaic and extreme, or at least evoke a hearty laugh from the terms’ irrelevance to the quest for fulfillment and inner peace.

What message is implied by a masculine man’s sexual power to want women and men? Is the fear that he cannot be easily tamed, punished or rewarded?

Your bisexuality is cute, but the world I advocate for has limits that I adhere to — being bisexual, fluid, pan, sapio, no label, whatever the f*ck you are, challenges our systems, and the choices I have made personally.

We will NEVER permit healthy visibility of your circumstances. Polyamory will never trend, and projections show monogamy increasing as the cost of living goes up.

What if we taught kids that safe sex includes STD-free bodies—yes, but also the careful selection of partners as to not absorb, carry, and accumulate the spiritual debris of an unhealed person, which is more disruptive in the long term than an unwanted pregnancy.

The condition of our soul and the fitness of our mind can reveal cancer or vitality in our body.

Let’s sail these uncharted waters for sixty years and leave the BS for the philosophers.

a Bohemian artist named Wenceslas Hollar sometime in the late 1630s or early 1640s. Called the Long View, it is a lovely drawing—“ perhaps the most beautiful and harmonious of all London panoramas,” in Peter Ackroyd’s estimation—but a slightly strange one in that it depicts a view from a position slightly above and behind the tower of Southwark Cathedral (then known as the Church of Saint Saviour and Saint Mary Overie), as if Hollar had been looking down on the cathedral from another building—a building that did not in fact exist. So it is a view—entirely accurate as far as can be made out—that no human had ever seen. More to the point, it showed the second Globe, not the first, which had burned down in 1613, three years before Shakespeare died. The second Globe was a fine theater, and we are lucky to have Hollar’s drawing of it, for it was pulled down soon afterward, but it was patently not the place where Julius Caesar, Macbeth, and a dozen or so other Shakespeare plays were (probably to almost certainly) first performed.

Jenni parked her bike at a rusted rack near the public beach entrance. She walked down the wooden planks that spanned the dunes, out onto the beach. It was still early, in the day and in the season. The beach was mostly empty. A few stray umbrellas and chairs staked spots for later in the day. A mile down, the flat beachscape became a hotel panorama painted in shades of pink and coral and turquoise blue, a tiki wonderland of ocean-view balconies. The crest of carnival rides gleamed silver-black against the summer sky. The air smelled salty, with a hint of funnel cake. The flat ocean tapered toward low tide, an expanse of golden ripples that went on for nearly ever. Anything could be out there.

Just between Melrose and Bemersyde is a lovely panorama, taking in an oxbow of the Tweed and a fine aspect of the Eildon Hills, which has become known as 'Scott's View', supposedly because the horses stopped there during the funeral cortege. As we have seen, after his death, Scott is over-written onto the places he described. Scott-land is a palimpsest of Scotland and Scott's works.

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