“
Hysteria is impossible without an audience. Panicking by yourself is the same as laughing alone in an empty room. You feel really silly.
”
”
Chuck Palahniuk (Invisible Monsters)
“
No. No!” he says.
“I . . .” He looks wildly around the room. For inspiration? For divine intervention? I don’t know.
“You can’t go. Ana, I love you!”
“I love you, too, Christian, it’s just—”
“No . . . no!” he says in desperation and puts both hands on his head. “Christian . . .”
“No,” he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn’t move. What?
“Christian, what are you doing?”
He continues to stare down, not looking at me.
“Christian! What are you doing?”
My voice is high-pitched. He doesn’t move.
“Christian, look at me!” I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze—he’s almost serene . . . expectant.
Holy Fuck . . . Christian. The submissive.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
He leaned forward to inspect her closer. "Is that all hair?"
... Sudden, overwhelming panic clawed up Cress's throat. With a squeak, she ducked out of view of the camera and scrambled beneath the desk. Her back struck the wall with a thud that rattled her teeth. She crouched there, skin burning hot and pulse thundering as she took in the room before her— the room that he was now seeing too, with the rumpled bedcovers and the mustached man on all the screens telling her to grab her imaginary partner and swing them around.
"Wha—where'd she go?" Thorne's voice came to her through the screen.
"Honestly, Thorne." A girl. Linh Cinder? "Do you ever think before you speak?"
"What? What did I say?"
"'Is that all hair?'"
"Did you see it? It was like a cross between a magpie nest and ball of yarn after it's been mauled by a cheetah."
A beat. Then, "A cheetah?"
"It was the first big cat that came to mind.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Some days I forget that my skin is not a panic room.
”
”
Rudy Francisco (Helium)
“
You see these dictators on their pedestals, surrounded by the bayonets of their soldiers and the truncheons of their police ... yet in their hearts there is unspoken fear. They are afraid of words and thoughts: words spoken abroad, thoughts stirring at home -- all the more powerful because forbidden -- terrify them. A little mouse of thought appears in the room, and even the mightiest potentates are thrown into panic.
”
”
Winston S. Churchill (Blood, Sweat and Tears)
“
The four lesser apocalyptical horsemen of Panic, Bewilderment, Ignorance, and Shouting took control of the room,
”
”
Terry Pratchett (Monstrous Regiment (Discworld, #31))
“
Look, he isn’t even concerned.”
I poured the tea. “He’s concerned, Mother. He just doesn’t panic, because he’s in charge and if he panics, everybody else will panic.”
“I can jog around the room pretending to scream if you would like,” Jim offered.
”
”
Ilona Andrews (Magic Dreams (World of Kate Daniels, #4.5; Dali Harimau, #1))
“
Fire's tears were real now, and there was no helping them, for there was no time. Everything was moving too fast. She crossed the room to him, put her arms around him, clung to him, turning her face to the side, learning all at once that it was awkward to show a person all of one's love when one's nose was broken.
His arms came around her tightly, his breath short and hard against her hair. He held on to the silk of her hair and she pressed herself against him until her panic calmed to something desperate, but bearable.
Yes, she thought to him, understanding now what he'd been about to ask. If you die in the war, I'll keep Hanna in my heart. I promise I won't leave her.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
...the first time he snarled, I had a bit of a panic attack.”
“She screamed and threw him at me.”
Dez scowled at Mace. “I did not throw my son at you. I just handed him over and walked quickly from the room so I could scream into a pillow in our bedroom.”
“I found her under the bed with the dogs.
”
”
Shelly Laurenston (The Beast in Him (Pride, #2))
“
I start to walk out of the room, but I hear him start to panic and his breathing gets labored. He reaches out to me.
“Don’t go. Please.”
I sit next to him on the bed, wondering if he’s afraid of being abandoned. He slings his arm around my thigh and rests his forehead against my knee. “I have to protect you,” he says softly.
“From who?”
“El Diablo.”
“El Diablo? Who’s that?” I ask.
“It’s complicated.”
What does that mean? “Try to rest,” I tell him.
“I can’t. My entire body hurts.”
“I know.” I gently rub the arm that’s slung around me until his breathing slows.
“I wish I could help you,” I whisper.
“You are,” he murmurs against my knee. “Just don’t leave me, okay? Everyone leaves me.
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
You're my life, Elle. When we have our children, they'll be included in that circle and I'm not a man to lose everything. I want you as safe as possible."
"So you don't think three protection dogs, a room filled with weapons, a panic room and house that eats people isn't just a little overkill?
”
”
Christine Feehan (Hidden Currents (Drake Sisters, #7))
“
Dearest Fear: Creativity and I are about to go on a road trip together. I understand you’ll be joining us, because you always do. I acknowledge that you believe you have an important job to do in my life, and that you take your job seriously. Apparently your job is to induce complete panic whenever I’m about to do anything interesting—and, may I say, you are superb at your job. So by all means, keep doing your job, if you feel you must. But I will also be doing my job on this road trip, which is to work hard and stay focused. And Creativity will be doing its job, which is to remain stimulating and inspiring. There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
I forgot my watch.
Minutes or hours later, when the panic subsides, that is what I most regret. Not coming here in the first place - that seemed like an obvious choice - but my bare wrist, which makes it impossible for me to know how long I have been sitting in this room. My back aches, which is some indication, but it is not definite enough.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are.
A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening.
Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily.
You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth.
You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later.
Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage.
Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything.
I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it.
You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it.
Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today?
We shall see.
”
”
Ryan O'Connell
“
Alice?”
She spun toward the door, her skirts whirling softly. “Yes?” she forced out.
“Do you know what I am holding in my hand?”
“No.”
“Care to guess?”
“A pitchfork?” she asked in a stilted attempt at levity, hoping to invoke his earlier, playful mood.
“No, my dear,” he answered drily. “A key to your room.”
“What?”she breathed, aghast.
“I should hate to have to use it.”
“You have a key to this room?”
“Mm-hmm.”
She took a step toward the door, panic rising up in her throat. “You’re bluffing!”
“Do you wish me to prove it?
”
”
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
“
But I don't need an apology. Not anymore. I have my whole life ahead of me - there isn't room in it for anger about things I don't have the power to change. I've mourned the loss of the mother I imagined could exist. I accept the one I have will never be the one I need.
And that's okay - because I will be the person I need. I will be the one I can depend on, the one who has the power to make my life better or worse.
I'll still panic when I'm in a crowd. I'll still question whether people mean something different from what they say. And I'll probably always feel my heart thump when I think someone is criticizing me.
But I can live with that.
I accept myself.
”
”
Akemi Dawn Bowman (Starfish)
“
It was hard to stay angry when I felt so sad. I would rather have felt angry, but instead, all I could do was sob. Even though people had been coming over all day, the house seemed so lonely that I couldn't stand it.
The room grew somewhat dimmer. I didn't move as it grew dimmer still. Then, with a start, I hurried outside and ran to the alley in back of our house. Through a break between the buildings, I saw that the sun hung low over the horizon. I watched it until it started to hide between two trees in the distance. Then I climbed on a car and watched until only half of the sun was visible, and then a quarter, and then I felt a huge sickening panic inside of me and ran as hard as I could to a ladder I saw down the alley. I rushed up the ladder and climbed on the roof of somebody's garage. I saw the sun again, a quarter of it, and then a slice, and then it disappeared, the last time ever that the sun would set on a day my sister had lived.
”
”
Cynthia Kadohata (Kira-Kira)
“
[...] Pacing
from room to room and in each window
a different version of a framed woman
unable to rest, set against a sky
full of beating wings and abandoned
directions. Her five chambered heart
filling with the panic of birds, asking: What?
What if not this?
”
”
Olena Kalytiak Davis (And Her Soul Out Of Nothing)
“
There was a gun in the cutlery drawer; there would definitely be at least one in the panic room.
”
”
Tate James (Kate (Madison Kate, #4))
“
Some minds, once cracked open, are lost forever, their prisons immune to breakthrough. But if there's a chance, that's how you bring your darlin' back to you from the inside the panic room in her head. With things she loved.
”
”
Tillie Cole (Sick Fux)
“
Vast civilizations lay within the mosaic of dirt: hymenopteran labyrinths, rodential panic rooms, life-giving airways sculpted by the traffic of worms, hopeful spiders’ hunting cabins, crash pads for nomadic beetles, trees shyly locking toes with one another. It was here that you’d find the resourcefulness of rot, the wholeness of fungi.
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
The anticipation of loss is much more frightening than the actual loss as anticipation leaves room for the imagination to create that which, in all likelihood, will never transpire.
”
”
Craig D. Lounsbrough
“
It came down to that flexibility of a person’s mind. An ability to withstand horrors and snap back, like a fresh elastic band. A flinty mind shattered. In this way, he was glad not to be an adult. A grown-up’s mind—even one belonging to a decent man like Scoutmaster Tim—lacked that elasticity. The world had been robbed of all its mysteries, and with those mysteries went the horror. Adults didn’t believe in old wives’ tales. You didn’t see adults stepping over sidewalk cracks out of the fear that they might somehow, some way, break their mothers’ backs. They didn’t wish on stars: not with the squinty-eyed fierceness of kids, anyway. You’ll never find an adult who believes that saying “Bloody Mary” three times in front of a mirror in a dark room will summon a dark, blood-hungry entity. Adults were scared of different things: their jobs, their mortgages, whether they hung out with the “right people,” whether they would die unloved. These were pallid compared to the fears of a child—leering clowns under the bed and slimy monsters capering beyond the basement’s light and faceless sucking horrors from beyond the stars. There’s no 12-step or self-help group for dealing with those fears. Or maybe there is: you just grow up. And when you do, you surrender the nimbleness of mind required to believe in such things—but also to cope with them. And so when adults find themselves in a situation where that nimbleness is needed . . . well, they can’t summon it. So they fall to pieces: go insane, panic, suffer heart attacks and aneurysms brought on by fright. Why? They simply don’t believe it could be happening. That’s what’s different about kids: they believe everything can happen, and fully expect it to.
”
”
Nick Cutter (The Troop)
“
Know that...there's plenty of food and of course popcorn on the dining-room table. Just...help yourself. If that runs out just let me know. Don't panic. And there's coffee, both caff and decaf, and soft drinks and juice in the kitchen, and plenty of ice in the freezer so...let me know if you have any questions with that.' And lastly, since I have you all here in one place, I have something to share with you. Along the garden ways just now...I too heard the flowers speak. They told me that our family garden has all but turned to sand. I want you to know I've watered and nurtured this square of earth for nearly twenty years, and waited on my knees each spring for these gentle bulbs to rise, reborn. But want does not bring such breath to life. Only love does. The plain, old-fashioned kind. In our family garden my husband is of the genus Narcissus , which includes daffodils and jonquils and a host of other ornamental flowers. There is, in such a genus of man, a pervasive and well-known pattern of grandiosity and egocentrism that feeds off this very kind of evening, this type of glitzy generosity. People of this ilk are very exciting to be around. I have never met anyone with as many friends as my husband. He made two last night at Carvel. I'm not kidding. Where are you two? Hi. Hi, again. Welcome. My husband is a good man, isn't he? He is. But in keeping with his genus, he is also absurdly preoccupied with his own importance, and in staying loyal to this, he can be boastful and unkind and condescending and has an insatiable hunger to be seen as infallible. Underlying all of the constant campaigning needed to uphold this position is a profound vulnerability that lies at the very core of his psyche. Such is the narcissist who must mask his fears of inadequacy by ensuring that he is perceived to be a unique and brilliant stone. In his offspring he finds the grave limits he cannot admit in himself. And he will stop at nothing to make certain that his child continually tries to correct these flaws. In actuality, the child may be exceedingly intelligent, but has so fully developed feelings of ineptitude that he is incapable of believing in his own possibilities. The child's innate sense of self is in great jeopardy when this level of false labeling is accepted. In the end the narcissist must compensate for this core vulnerability he carries and as a result an overestimation of his own importance arises. So it feeds itself, cyclically. And, when in the course of life they realize that their views are not shared or thier expectations are not met, the most common reaction is to become enraged. The rage covers the fear associated with the vulnerable self, but it is nearly impossible for others to see this, and as a result, the very recognition they so crave is most often out of reach. It's been eighteen years that I've lived in service to this mindset. And it's been devastating for me to realize that my efforts to rise to these standards and demands and preposterous requests for perfection have ultimately done nothing but disappoint my husband. Put a person like this with four developing children and you're gonna need more than love poems and ice sculpture to stay afloat. Trust me. So. So, we're done here.
”
”
Joshua Braff (The Unthinkable Thoughts of Jacob Green)
“
Look, Anna,” she says in a panic, “I’ve raised you close to center. Don’t let anyone pull you to the outer edges.”
She rushes to our front-room window. “Your
grandfather is here. No matter what he says, don’t let him draw you into his imaginary world.
”
”
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
“
I even have a welcoming speech prepared for fear, which I deliver right before embarking upon any new project or big adventure. It goes something like this: “Dearest Fear: Creativity and I are about to go on a road trip together. I understand you’ll be joining us, because you always do. I acknowledge that you believe you have an important job to do in my life, and that you take your job seriously. Apparently your job is to induce complete panic whenever I’m about to do anything interesting—and, may I say, you are superb at your job. So by all means, keep doing your job, if you feel you must. But I will also be doing my job on this road trip, which is to work hard and stay focused. And Creativity will be doing its job, which is to remain stimulating and inspiring. There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only ones who will be making any decisions along the way. I recognize and respect that you are part of this family, and so I will never exclude you from our activities, but still—your suggestions will never be followed. You’re allowed to have a seat, and you’re allowed to have a voice, but you are not allowed to have a vote. You’re not allowed to touch the road maps; you’re not allowed to suggest detours; you’re not allowed to fiddle with the temperature. Dude, you’re not even allowed to touch the radio. But above all else, my dear old familiar friend, you are absolutely forbidden to drive.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
Haven't you felt it? The loss of autonomy. The sense of being virtualized. The devices you use, the ones you carry everywhere, room to room, minute to minute, inescapably. Do you ever feel unfleshed?
All the coded impulses you depend on to guide you. All the sensors in the room are watching you, listening to you, tracking your habits, measuring your capabilities. All the linked data designed to incorporate you into the megadata. Is there something that makes you uneasy? Do you think about the technovirus, all systems down, global implosion? Or is it more personal? Do you feel steeped in some horrific digital panic that's everywhere and nowhere?
”
”
Don DeLillo (Zero K)
“
that's why you guys assumed that bringing me to a change room and turning the lights off was all that would be needed to push me into a panic attack.
”
”
Avery Song (The Tracker Hive Academy: Year One (Jade Storm Tracker #1))
“
A disability that is not apparent in the person’s appearance is no less intrusive, no less painful, no less disturbing than one that can be spotted across the room. And, yet, many people fail to respect the tremendous impact that the invisible disability has on the human enduring it.
”
”
Sahar Abdulaziz (But You LOOK Just Fine: Unmasking Depression, Anxiety, Post-Traumatic Stress Disorder, Obsessive-Compulsive Disorder, Panic Disorder and Seasonal Affective Disorder)
“
What's the deal with putting animal feet on tubs? It's like insisting that all pianos should have tails, or dinner tables should have scrotal sacs. One of the things we like about tubs is their immobility, their general disinclination to bolt out of the room, scramble down the stairs, and make for the woods in a blind feral panic.
”
”
James Lileks (Interior Desecrations: Hideous Homes from the Horrible '70s)
“
Staring in confusion around her, fear, panic, and finally, recognition seeped into her dazed mind. Early morning rays highlighted the water stains shining through the slap-dash coat of whitewash on the ceiling and the banged up suitcases, open on the floor. An empty room – an empty life. A remnant of a foster-care childhood. She was home.
”
”
Dale Mayer (Tuesday's Child (Psychic Visions, #1))
“
In the interim, in the void between the moment he opens the door and the moment he begins to reconquer the emptiness, his mind flails in a wordless panic. It is as if he were being forced to watch his own disappearance, as if, by crossing the threshold of his room, he were entering another dimension, taking up residence inside a black hole.
”
”
Paul Auster (The Invention of Solitude)
“
She opens my bottom desk drawer and gasps. It’s full of trash: crumpled papers, food wrappers, used tissues, a blackened banana peel. I’d filled it in a panic a few weeks ago right before room inspections and forgotten to clean it out.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
Mom frowned, and I wanted to give her a thumbs-up to let her know I was okay. All I could manage was raising my bound hands in her general direction, clocking Cal on the chin as I did so. "Sorry."
"No problem. Must be weird for you, having your mom here."
"Weird for me, weird for her, probably weird for you since you had to give up your swinging bachelor pad."
"Mrs. Casnoff let me install my heart-shaped Jacuzzi in my new dorm room."
"Cal," I said with mock astonishment, "did you just make a joke?"
"Maybe," he replied. We'd reached the end of the pier. I looked down at the water and tried not to shudder.
"I'll be pretending, of course, but do you have any advice on how I'm supposed to not drown?" I asked Cal.
"Don't breathe in water."
"Oh,thanks,that's super helpful."
Cal shifted me in his arms, and I tensed. Just before he tossed me into the pond, he leaned in and whispered, "Good luck."
And then I hit the water.
I can't say what my first thought was as I sunk below the surface, because it was mostly a string of four-letter words. The water was way too cold for a pond in Georgia in May, and I could feel the chill sinking all the way into my bones. Plus my chest started burning almost immediately, and I sunk all the way to the bottom, landing in the slimy mud.
Okay,Sophie,I thought. Don't panic.
Then I glanced over to my right, and through the murky water, made out a skull grinning back at me.
I panicked.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
No one had ever told her this basic fact: not everyone got to be loved. It was like those stupid bell curves they'd had to study in math class. There was the big, swollen, happy middle, a whale lump full of blissful couples and families eating around a big dining room table and laughing. And then, at the tapered ends, there were the abnormal people, the weirdos and freaks, and zeros like her.
”
”
Lauren Oliver (Panic (Panic, #1))
“
The virus is causing something akin to panic throughout corporate America, which has become used to the typos, misspellings, missing words and mangled syntax so acceptable in cyberspace. The CEO of LoseItAll.com, an Internet startup, said the virus had rendered him helpless. “Each time I tried to send one particular e-mail this morning, I got back this error message: ‘Your dependent clause preceding your independent clause must be set off by commas, but one must not precede the conjunction.’ I threw my laptop across the room.” . . . If Strunkenwhite makes e-mailing impossible, it could mean the end to a communication revolution once hailed as a significant timesaver. A study of 1,254 office workers in Leonia, N.J., found that e-mail increased employees’ productivity by 1.8 hours a day because they took less time to formulate their thoughts. (The same study also found that they lost 2.2 hours of productivity because they were e-mailing so many jokes to their spouses, parents and stockbrokers.) . . . “This is one of the most complex and invasive examples of computer code we have ever encountered. We just can’t imagine what kind of devious mind would want to tamper with e-mails to create this burden on communications,” said an FBI agent who insisted on speaking via the telephone out of concern that trying to e-mail his comments could leave him tied up for hours.
”
”
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
“
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
We are working! She was fine. You could see her. What the fuck is wrong with you? This is our job, asshole. You can't go doing shit like that when we have a packed house!"
Krit shoved him again. "Don't tell me what the fuck to do."
I had to stop them. This was about me. I wasn't sure why Krit had come offstage, but I knew it was about me. I had to fix this. I didn't want Krit fighting his best friend.
"Stop fucking shoving me, you pansy-ass motherfucker!" Green roared, and lunged for Krit.
I moved fast, putting up two hands and jumping in front of Krit to stop him. The force of impact when Green didn't stop hit me directly in the chest. It was as if someone had put a vacuum in my lungs and sucked all of the oxygen from the room. Nothing was getting in, and panic gripped me when I realized I couldn't breathe.
"Fuck!" Krit yelled, and his arms were around me. He was doing something to my chest as he begged me to breathe. I was trying to breathe. It wouldn't work.
"Baby, please breathe," he was pleading, and I wanted nothing more than to do that, but I couldn't. It hurt, and the terror that I was about to die settled over me.
"She got the air knocked out of her. She's gonna be okay," Matty said in a calmer voice.
And then the vacuum left, and the air I had been fighting for filled my chest as I gasped loudly and bent over. Krit was holding me against him as me muttered sweet things over and over while he rocked me back and forth.
"Take him out of here," Matty said.
I couldn't look up to see who he was talking to, but I grabbed Krit's arms to hold onto him in case they were talking about him.
"Not me, baby. I'm not leaving you," he said as his hand began running down my hair as if he were petting me. "Not going anywhere."
"When Krit is sure she's okay, he is going to beat the motherfucking hell out of you. Go with Legend and let him calm down first.
”
”
Abbi Glines (Bad for You (Sea Breeze, #7))
“
There's a characteristically brilliant Peanuts strip which opens with Linus sitting on the living-room floor, anxiously clutching his mouth. Lucy enters and asks what's wrong. "I'm aware of my tongue," he explains. "It's an awful feeling! Every now and then I become aware that I have a tongue inside my mouth, and then it starts to feel lumped up... I cant's help it... I can't put it out of my mind... I keep thinking about where my tongue would be if I weren't thinking about it, and then I can feel it sort of pressing against my teeth."
Loudly declaring this the dumbest thing she's ever heard, Lucy scowls away. But a few steps down the corridor, she stops dead in her tracks. She clutches her own mouth. Suddenly she's aware of her tongue too. She runs back and chases him round the room, shouting, "You blockhead!" with her gigantic booming gob.
Occasionally, late at night, while I'm trying to sleep and failing, I experience someting similar - except instead of being aware of my tongue, I'm aware of my entire body, the entire world, and the whole of reality itself. It's like waking from a dream, or a light going on, or a giant "YOU ARE HERE" sign appearing in the sky. The mere fact that I'm actually real and actually breathing suddenly hits me in the head with a thwack. It leaves me giddy. It causes a brief surge of clammy, bubbling anxiety, like the opening stages of a panic attack. The moment soon passes, but while it lasts it's strangely terrifying.
”
”
Charlie Brooker (The Hell of It All)
“
Kaz strode past Anika and Pim on the way out of the Slat. "I'll be back in an hour," he said, "and I better not still see you podges wasting your time here."
"Hardly anyone at the club," said Pim. "Tourists are too scared if the plague."
"Go to the rooming houses where all the frightened pigeons are waiting out the panic. Show them you're in the pink of health. Make sure they know you just had a fine time playing Three Man Bramble at the Crow Club. If that doesn't work, get your asses to the harbors and drum up some pigeons from the workers on the boats."
"I just came off a shift," protested Pim.
Kaz settled his hat on his head and ran a thumb over the brim. "Didn't ask.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
They don't sleep here." My brow furrows. "How do you know?" "I just know," he says. "I can tell by looking at it." Before I can ask him any more, the curtain in the living room moves. The door yanks open, my mother appearing, eyes wide. She looks frantic. "Karissa," she shouts, her voice high-pitched, full of panic. "Oh God. Get away from him, sweetie." I blink a few times, caught off guard, as Naz slips his arms around me, pulling me flush against him. One arm encircles my waist as his other settles along my chest,
”
”
J.M. Darhower (Monster in His Eyes (Monster in His Eyes, #1))
“
Adams has done a bit of everything, from radio to television to designing computer games. Not all of them worked out.
“These are life’s little learning experiences,” he said. “You know what a learning experience is? A learning experience is one of those things that says, ‘You know that thing you just did? Don’t do that.’
“At the end of all this being-determined-to-be-a-jack-of-all-trades, I think I’m better off just sitting down and putting a hundred thousand words in a cunning order.”
Adams writes “slowly and painfully.”
“People assume you sit in a room, looking pensive and writing great thoughts,” he said. “But you mostly sit in a room looking panic-stricken and hoping they haven’t put a guard on the door yet.
”
”
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
“
Roark reached for the 'link again, cursed himself for a fool, then turned away from it.
He wasn’t going to keep calling her, her friends, her haunts, hoping for a scrap.
Bugger that.
She’d be home when she came home. Or she wouldn’t.
Christ Jesus, where was she?
Why the hell was she putting him through this? He’d done nothing to earn it. God knew he’d done plenty along the way to earn her wrath, but not this time. Not this way.
Still, that look on her face that morning had etched itself in his head, on his heart, into his guts. He couldn’t burn it out.
He’d seen that look once or twice before, but not on his account.
He’d seen it when they’d gone to that fucking room in Dallas where she’d once suffered beyond reason. He’d seen it when she tore out of a nightmare.
Didn’t she know he’d cut off his own hand before he’d put that look on her face?
She bloody well should know it. Should know him.
This was her own doing, and she’d best get her stubborn ass home right quick so they could have this out as they were supposed to have things out. She could kick something. Punch something. Punch him if that would put an end to it. A good rage, that’s what was needed here, he told himself, then they’d be done with this nonsense once and for all.
Where the fucking hell was she?
He considered his own rage righteous, deserved—and struggled not to acknowledge it hid a sick panic that she didn’t mean to come back to him.
She’d damn well come back, he thought furiously. If she thought she could do otherwise, he had a bulletin for her. He’d hunt her down, by Christ, he would, and he’d drag her back where she belonged.
Goddamn it all, he needed her back where she belonged.
He paced the parlor like a cat in a cage, praying as he rarely prayed, for the remote in his pocket to beep, signaling the gates had opened. And she was coming home.
”
”
J.D. Robb (Innocent in Death (In Death, #24))
“
Oh, yeah. He's dead, a voice inside her head confirmed.
"No way!" Brianna backed away from him, looking around the room in panic.
Yeah, you're right. That lack of pulse probably means something else.
”
”
Natasha Larry (The Day The World Went Orange (Darwin's Children, #2.5))
“
I sit in my room like Miss Havisham, about whom I have been reading this week. Better the Dickens you know than the Dickens you don't know - on the whole I enjoyed it. But I should like to say something about this 'irrepressible vitality', this 'throwing a fresh handful of characters on the fire when it burns low', in fact the whole Dickens method - it strikes me as being less ebullient, creative, vital, than hectic, nervy, panic-stricken. If he were a person I should say 'You don't have to entertain me, you know. I'm quite happy just sitting here.' This jerking of your attention, with queer names, queer characters, aggressive rhythms, piling on adjectives - seems to me to betray basic insecurity in his relation with the reader. How serenely Trollope, for instance, compares. I say in all seriousness that, say what you like about Dickens as an entertainer, he cannot be considered as a real writer at all; not a real novelist. His is the garish gaslit melodramatic barn (writing that phrase makes me wonder if I'm right!) where the yokels gape: outside is the calm measureless world, where the characters of Eliot, Trollope, Austen, Hardy (most of them) and Lawrence (some of them) have their being.
”
”
Philip Larkin (Philip Larkin: Letters to Monica)
“
He was clearly not the murderer whom Hawksmoor was seeking, but it was generally the innocent who confessed: in the course of many enquiries, Hawksmoor had come across those who accused themselves of crimes which they had not committed and who demanded to be taken away before they could do more harm. He was acquainted with such people and recognised them at once - although they were noticeable, perhaps, only for a slight twitch in the eye or the awkward gait with which they moved through the world. And they inhabited small rooms to which Hawksmoor would sometimes be called: rooms with a bed and a chair but nothing besides, rooms where they shut the door and began talking out loud, rooms where they sat all evening and waited for the night, rooms where they experienced blind panic and then rage as they stared at their lives. And sometimes when he saw such people Hawksmoor thought, this is what I will become, I will be like them because I deserve to be like them, and only the smallest accident separates me from them now.
”
”
Peter Ackroyd (Hawksmoor)
“
A hotel is like a prison, he thought. The rooms are cells holding secrets and passions. Then something happens, the smallest thing, and the doors fly open. The explosion goes off. Panic. And fragments of truth.
”
”
E. Howard Hunt (House Dick)
“
Goldie?" Jack asked. "What is it?"
"Jack, my water just broke," Goldilocks said. "I'm going into labor!"
All the characters glanced at one another in panic. This was such an anticipated moment, but no one was prepared for it. They were characters from children's stories - none of them knew how to deliver a baby!
"Quick! We need scissors, boiling water, and recycled paper!" Red shouted. "Or is that for papier-mâché?"
Trollbella covered her eyes. "Keep it inside while I'm in the room!" she said. "I don't want to see a baby come out of you.!"
"CALL THE MIDWIFE AND WET NURSE!" Robin Hood yelled. "BUT DON'T TELL THEM I SENT YOU!
”
”
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
“
Geoff stared into Eric's vacant eyes and thought seriously about going into a mad panic: the sort of panic where you pull your hair out, eat some of it, then run around the room with your pants on your head screaming like a girl.
”
”
Peter D. Ward
“
I fumbled with the cables while Dad stood over me, shouting. I kept dropping them. My mind pulsed with panic, which overpowered every thought, so that I could not even remember how to connect red to red, white to white.
Then it was gone. I looked up at my father, at his purple face, at the vein pulsing in his neck. I still hadn't managed to attach the cables. I stood, and once on my feet, didn't care whether the cables were attached. I walked out of the room.
”
”
Tara Westover (Educated)
“
You see these dictators on their pedestals, surrounded by the bayonets of their soldiers and the truncheons of their police. On all sides they are guarded by masses of armed men, cannons, aeroplanes, fortifications, and the like - they boast and vaunt themselves before the world, yet in their hearts there is unspoken fear. They are afraid of words and thoughts; words spoken abroad, thoughts stirring at home - all the more powerful because forbidden - terrify them. A little mouse of thought appears in the room, and even the mightiest potentates are thrown into panic. They make frantic efforts to bar our thoughts and words; they are afraid of the workings of the human mind. Cannons, airplanes, they can manufacture in large quantities; but how are they to quell the natural promptings of human nature, which after all these centuries of trial and progress has inherited a whole armoury of potent and indestructible knowledge?
”
”
Winston S. Churchill
“
After that, Lily was recuperating and then
dealing with significant financial hardships. The
birth was described to me by Lily and also by
her obstetrician, who I spoke to myself yesterday.
The doctor, in his own words, remembers what
he describes as that ‘hideous day’ like it was yesterday.
The labour, intense and excruciating, lasted
for days. In the end, in extreme distress at
the length of the labour, the baby nearly died.
Lily did die. She was flatline for two minutes and
thirty-eight –”
Alistair didn’t get the opportunity to finish his
grand statement because Nate surged out of his
chair so fast, it flew on its wheels and shot across
the room, slamming into the wall.
“Mr. McAllister…” Alistair said warningly
but Nate was coming swiftly around the table,
coming at her.
At this sight, Lily, too, jumped out of her chair
in a panic, her numbness not that complete, and
backed away in self-defence as Nate came at her,
came at her with purposeful, long strides. She
backed up jerkily, one hand behind her, one hand
in front, retreating until she hit the wall. Before
she knew what he was about, his hard chest came
up against her hand, pushing it back and his body
pressed against hers.
Terrified and confused at this sudden change,
she looked to the right and to the left, anywhere
for escape, anywhere but at Nate.
And to her shock, his hands caught her face,
resting one on either side, gently trying to force
her to look into his impossibly dark eyes.
“I didn’t know,” he whispered and the absolute
ache dripping from his first words said to her
since she found out he was alive cut through her
thin shield of numbness like a razor.
She attempted to pull her face free but his
hands tightened.
“Lily, I didn’t know,” he repeated, and she
caught his eyes and they were glittering dark with
something that she couldn’t read, something
hideously painful and she had to get away from
it. Was desperate to get away from it. She needed
to flee.
She tried to look over his shoulder but he was
too tall, too close. Things were happening in the
room, there was urgent talk, maybe even a tussle.
But all she could see was Nate.
”
”
Kristen Ashley (Three Wishes)
“
They will ask her about the alcohol and marijuana. They won’t ask about the bottomless terror that will never leave her. About this room with its record-player and posters, from which she will never really escape again. One blouse-button somewhere on the floor, and a sense of panic that will be with her forever. She sobs noiselessly beneath his body, and screams silently behind his hand. * * * For the perpetrator, rape lasts just a matter of minutes. For the victim, it never stops.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
Louise was wandering around in front of the books, reading the titles and looking at the beautiful leather covers, when she heard her father come into the house. In a panic, she picked three books at random without so much as looking at them and ran out of the study. When she got back to her room, she looked at the stolen treasures, worried at the idea that her father would discover the theft. When she opened them and read them, her pleasure was even greater as, for her, this seemed to be a kind of victory over her father, who couldn’t see what she was doing. She managed to read one of them but the two others were really too difficult. Yet the pleasure she felt at escaping from her life by reading was something that from then on she could never do without.
”
”
Gabrielle Dubois (Mistress Mine (Louise Saint-Quentin, #1))
“
Many people believe that eliminating the apparent causes of fear will eliminate it, but fear, like beauty, is part of the world. The fear of fear results in the growth of terror as well as a loss of the beauty and wonder of the world. By fearing fear, we create the room for terror and panic to grow. People become blinded by fear, driven by anxieties, and increasingly ruled by phobias and obsessions. When we fail to recognize how fear works in the world, we become ruled by it. The point is not to become paralyzed with foreboding or be caught in the panic that can grip the collective and cause people to run blindly in the wrong direction. The point is to willingly go where most fear to go, to follow where the fear might lead and face the ways that the world roars at us.
”
”
Michael Meade (Why the World Doesn't End: Tales of Renewal in Times of Loss)
“
Athena: "What makes you human? What’s different about you
from every other creature out there?”
“We can think?” a boy wearing a loose button up shirt and khakis called
from the front row.
“We have emotions?” a girl asked, pushing her glasses up the bridge of
her nose with her pinkie.
“We’re self-aware? Like, we think about thinking and time and stuff?”
Gods, when had college kids become so uncertain? All their replies ended
with an upward lilt like they were asking a question instead of supplying
an answer.
After a couple of students gave faltering answers, I [Hades] called from the back
of the room, voice strong and certain, “They can lie.”
Athena jerked her head toward me, panic flashing in her eyes as she
scanned the rows of students. When her gaze locked on mine, the color
drained from her face. “Class dismissed.
”
”
Kaitlin Bevis (The Iron Queen (Daughters of Zeus, #3))
“
But even as he reached out to cup he face he heard an angry buzzing, and a huge black bee dive-bombed him from out of nowhere. With an oath, Thomas jumped back, swatting ineffectually at the persistent insect. As his left foot came down he turned his ankle and nearly fell.
Alexandria’s hand covered her mouth in horror. Aidan, stop it right now!
I cannot imagine what you are accusing me of, Aidan returned innocently from the living room. But I have not done anything. He smiled and moved slowly toward her. Yet.
“Marie!” In a panic, Alexandria called out as loudly as she could.
Aidan laughed as the housekeeper hurried in. Little coward, run while you can.
Though they were half a room apart and Marie was squarely between them, Alexandria felt the brush of his fingers on her skin, her face, her throat. They trailed lower, feather-light, to touch the aching swell of her breast before the sensation was gone.
“What is it, Alexandria?” Marie asked, her hands on her hips, glaring at Aidan.
He held up a placating hand, laughing. “I am innocent. I was a perfect gentleman to her visitor.”
“He spilled Thomas’s coffee, made him sneeze, smeared whipped cream over him, and chased him with a bee,” Alexandria accused.
While Marie struggled to keep a straight face, Alexandria delivered a final outrage. “And he was going to wither my flowers.”
“Aidan!” Marie reprimanded sharply, but there was laughter in her eyes.
”
”
Christine Feehan (Dark Gold (Dark, #3))
“
I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
My body was moving before I even knew what I was doing.
From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true.
After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay.
I still didn’t stop.
Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest.
“Daemon?” I whispered, voice thick.
His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better.
Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath.
His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back.
I stared at him, something deep in my chest cracking. “Daemon?”
He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk.
“So . . . awkward,” murmured the redhead, smirking.
I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché.
“I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?”
One shoulder rose in a negligent shrug. “I don’t think anything.”
My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word.
The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened.
“And you?" the man asked. When no one answered, he tried again. “Katy?”
I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word.
The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?”
I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators.
Completely.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
I turned around to examine the rest of my temporary prison, and saw an enormous golden eye staring at me, less than ten feet away from where I stood.
I did what any sensible witch would do in my circumstance. I screamed like a scared little girl.
The eye blinked. Once, twice, and then shifted as the dragon turned its head toward me, regarding me with both golden eyes. “I could have eaten you, you know.”
I nodded numbly and stammered, “Thank you for not doing that.” I knew dragons existed in Faerie, though I’d never seen one before. Dragons are reclusive as a rule and tend to guard their privacy ferociously, so only the overly brave or overly stupid seek them out on purpose. The creature was huge, taking up a good portion of the room with its bulk. Black scales covered its body, and leathery wings were folded against its back. Smoke puffed out of its nostrils for a moment, and my stomach leapt in panic.
“I only eat virgins though.”
I stared at the dragon in disbelief, feeling the inexplicable urge to defend my past sexual history. My mouth worked as I struggled to find an appropriate response, and I thought I saw a glint of humor in its golden gaze.
”
”
Robyn Bachar (Blood, Smoke and Mirrors (Bad Witch #1))
“
Overflowing heavens of squandered stars
flame brilliantly above your troubles. Instead
of into your pillows, weep up toward them.
There, at the already weeping, at the ending visage,
slowly thinning out, ravishing
worldspace begins. Who will interrupt,
once you've forced your way there,
the current? No one. You may panic,
and fight the overwhelming course of stars
that streams towards you. Breathe.
Breathe the darkness of the earth and again
look up! Again. Lightly and facelessly
depths lean toward you from above. The serene
countenance dissolved in night makes room for yours.
Paris, April 1913
”
”
Rainer Maria Rilke (Uncollected Poems)
“
But she doesn’t love him.”
Mrs. Plumtree cast him a searching glance. “How do you know?”
Because she spent the afternoon in my arms, letting me kiss and caress her, eagerly responding to my desire for her. Even hinting that she might feel the same. Until she tossed me from the room in a panic when she realized what I’ve known all along-that mere mortals like us can never cross the divide.
Still, that didn’t mean he had to stand by and watch her suffer in a marriage to the wrong man. “Because Lady Celia told me.”
He cursed himself even as he said the words. It was a betrayal-he’d promised to keep their conversations private-but he refused to watch her marry a man she clearly didn’t love. That would be as bad as marrying a man like him and losing her fortune.
“She’s trying to gain a husband so precipitously only because you’re forcing her to,” he went on. “If you’d just give her a chance-“
“She has had plenty of chances already.”
“Give her another.” Remembering Celia’s insecurity over being thought a tomboy, he added, “This little experiment is sure to have increased her confidence with men. If you allow her more time, I’m sure she could find a gentleman she could love, who would love her in turn.”
“Like you?” Mrs. Plumtree asked.
He gave a caustic laugh. “Your granddaughter isn’t fool enough to fall in love with a man of my rank. So you’re wasting your bribes and threats on me, madam.”
“And what about you? How do you feel about her?”
He’d had enough of this. “I suspect that whatever I say, you’ll believe what you wish.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
EVERY WEDNESDAY, I teach an introductory fiction workshop at Harvard University, and on the first day of class I pass out a bullet-pointed list of things the students should try hard to avoid. Don’t start a story with an alarm clock going off. Don’t end a story with the whole shebang having been a suicide note. Don’t use flashy dialogue tags like intoned or queried or, God forbid, ejaculated. Twelve unbearably gifted students are sitting around the table, and they appreciate having such perimeters established. With each variable the list isolates, their imaginations soar higher. They smile and nod. The mood in the room is congenial, almost festive with learning. I feel like a very effective teacher; I can practically hear my course-evaluation scores hitting the roof. Then, when the students reach the last point on the list, the mood shifts. Some of them squint at the words as if their vision has gone blurry; others ask their neighbors for clarification. The neighbor will shake her head, looking pale and dejected, as if the last point confirms that she should have opted for that aseptic-surgery class where you operate on a fetal pig. The last point is: Don’t Write What You Know.
The idea panics them for two reasons. First, like all writers, the students have been encouraged, explicitly or implicitly, for as long as they can remember, to write what they know, so the prospect of abandoning that approach now is disorienting. Second, they know an awful lot. In recent workshops, my students have included Iraq War veterans, professional athletes, a minister, a circus clown, a woman with a pet miniature elephant, and gobs of certified geniuses. They are endlessly interesting people, their lives brimming with uniquely compelling experiences, and too often they believe those experiences are what equip them to be writers. Encouraging them not to write what they know sounds as wrongheaded as a football coach telling a quarterback with a bazooka of a right arm to ride the bench. For them, the advice is confusing and heartbreaking, maybe even insulting. For me, it’s the difference between fiction that matters only to those who know the author and fiction that, well, matters.
”
”
Bret Anthony Johnston
“
Dear Jessa, I’ve started this letter so many times and I’ve never been able to finish it. So here goes again . . . I’m sorry. I’m sorry that Riley is dead. I’m sorry for ignoring your emails and for not being there for you. I’m sorry I’ve hurt you. There isn’t a day that goes by that I don’t wish it had been me that died and not Riley. If I could go back in time and change everything I would. I’m sorry I left without a word. There’s no excuse for my behaviour but please know that it had nothing to do with you. I was a mess. I haven’t been able to talk to anyone for months. And I felt too guilty and didn’t know how to tell you the truth about what happened. I couldn’t bear the thought of you knowing. I got all your emails but I didn’t read them until last week. I couldn’t face it and I guess that makes me the biggest coward you’ll ever meet. I’m sorry. I’m sorry I never replied. You needed me and I wasn’t there for you. I don’t even know how to ask your forgiveness because I don’t deserve it. I’m just glad you’re doing better. I’m better too. I’ve started seeing a therapist – twice a week – you’d like her. She reminds me of Didi. I never thought I’d be the kind of guy who needed therapy, but they made it a condition of me keeping my job. She’s helped me a lot with getting the panic attacks under control. Working in a room the size of a janitor’s closet helps too – there aren’t too many surprises, only the occasional rogue paperclip. I asked for the posting. I have to thank your dad ironically. The demotion worked out. Kind of funny that I totally get where your father was coming from all those years. Looks like I’ll be spending the remainder of my marine career behind a desk, but I’m OK with that. I don’t know what else to say, Jessa. My therapist says I should just write down whatever comes into my head. So here goes. Here’s what’s in my head . . . I miss you. I love you. Even though I long ago gave up the right to any sort of claim over you, I can’t stop loving you. I won’t ever stop. You’re in my blood. You’re the only thing that got me through this, Jessa. Because even during the bad times, the worst times, the times I’d wake up in a cold sweat, my heart thumping, the times I’d think the only way out was by killing myself and just having it all go away, I’d think of you and it would pull me back out of whatever dark place I’d fallen into. You’re my light, Jessa. My north star. You asked me once to come back to you and I told you I always would. I’m working on it. It might take me a little while, and I know I have no right to ask you to wait for me after everything I’ve done, but I’m going to anyway because the truth is I don’t know how to live without you. I’ve tried and I can’t do it. So please, I’m asking you to wait for me. I’m going to come back to you. I promise. And I’m going to make things right. I’ll do whatever it takes. I’ll never stop trying for the rest of my life to make things right between us. I love you. Always. Kit
”
”
Mila Gray (Come Back to Me (Come Back to Me, #1))
“
They had found out.
Before I could panic, I made myself stretch my fingers wide and take a calming breath. You already knew this was bound to happen. At least that’s what I told myself.
The more I thought about it, the more I should have been appreciative that the people at the chapel in Las Vegas hadn’t recognized him. Or that people on the street had been oblivious and hadn’t seen us going in and out of there. Or that the receptionist at the acupuncturist hadn’t snapped a picture on her phone and posted it online.
Because I might not understand all people, much less most of them, but I understood nosey folks. And nosey folks would do something like that without a second thought. Yet, I reminded myself that there was nothing to be embarrassed about.
It would be fine. So, one gossip site posted about us getting married. Whoop-de-do. There was probably a thousand sites just like it.
I briefly thought about Diana hearing about it, but I’d deal with that later. There was no use in getting scared now. She was the only one whose reaction I cared about. My mom and sisters’ opinions and feelings weren’t exactly registering at the top of my list now… or ever. I made myself shove them to the back of my thoughts. I was tired of being mad and upset; it affected my work. Plus, they’d made me sad and mad enough times in my life. I wasn’t going to let them ruin another day.
Picking my phone up again, I quickly texted Aiden back, swallowing my nausea at the same time.
Me: Who told you?
Not even two minutes passed before my phone dinged with a response.
Miranda: Trevor’s blowing up my phone.
Eww. Trevor.
Me: We knew it was going to happen eventually, right? Good luck with Trev. I’m glad he doesn’t have my number.
And I was even gladder there wasn’t a home phone; otherwise, I’m positive he would have been blowing it up too.
I managed to get back to looking at images on the screen for a few more minutes—a bit more distracted than usual—when the phone beeped again.
It was Aiden/Miranda. I should really change his contact name.
Miranda: Good luck? I’m not answering his calls.
What?
Me: That psycho will come visit if you don’t.
Was that me being selfish? Yes. Did I care? No.
Aiden: I know.
Uh.
Me: You’re always at practice…
Aiden: Have fun.
This asshole! I almost laughed, but before I could, he sent me another message.
Aiden: I’ll get back to him in a couple days. Don’t worry.
Snorting, I texted back.
Me: I’m not worried. If he drops by, I’ll set him up in your room.
Aiden: You genuinely scare me.
Me: You don’t know how many times you barely made it through the day alive, for the record.
He didn’t text me back after that
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
It was nothing I hadn’t thought of, plenty, and in far less taxing circumstances; the urge shook me grandly and unpredictably, a poisonous whisper that never wholly left me, that on some days lingered just on the threshold of my hearing but on others roared up uncontrollably into a sort of lurid visionary frenzy, why I wasn’t sure, sometimes even a bad movie or a gruesome dinner party could trigger it, short term boredom and long term pain, temporary panic and permanent desperation striking all at once and flaring up in such an ashen desolate light that I saw, really saw, looking back down the years and with all clear-headed and articulate despair, that the world and everything in it was intolerably and permanently fucked and nothing had ever been good or okay, unbearable claustrophobia of the soul, the windowless room, no way out, waves of shame and horror, leave me alone, my mother dead on a marble floor, stop it stop it, muttering aloud to myself in elevators, in cabs, leave me alone, I want to die, a cold, intelligent, self-immolating fury
”
”
Donna Tartt (The Goldfinch)
“
As I rock down the hall I am flung from my path- snatched and grabbed. Before I can even utter a word, a large palm is covering my mouth. In less than five seconds I am inside a pitch black room, pushed face first into a cold metal door, and I hear the lock snick into place. A heavy weight presses at my back. I didn’t even have time to panic. It was a well-timed attack.
My mind flashes to another time and place, another hand on my mouth. I breathe though the panic that tries to overcome me.
I allow my senses to put me at ease. He’s just softly breathing near my ear. His body is relaxed. The way he holds me feels more playful than threatening.
“Let me guess… the Boss,” I say to the heavy weight at my back. My tone is a mix of amused annoyance.
”
”
Erica Chilson (Restraint (Mistress & Master of Restraint, #1))
“
Seven and a half million years our race has waited for this Great and Hopefully Enlightening Day!” cried the cheerleader. “The Day of the Answer!” Hurrahs burst from the ecstatic crowd. “Never again,” cried the man, “never again will we wake up in the morning and think Who am I? What is my purpose in life? Does it really, cosmically speaking, matter if I don’t get up and go to work? For today we will finally learn once and for all the plain and simple answer to all these nagging little problems of Life, the Universe and Everything!” As the crowd erupted once again, Arthur found himself gliding through the air and down toward one of the large stately windows on the first floor of the building behind the dais from which the speaker was addressing the crowd. He experienced a moment’s panic as he sailed straight toward the window, which passed when a second or so later he found he had gone right through the solid glass without apparently touching it. No one in the room remarked on his peculiar arrival, which is hardly surprising as he wasn’t there. He began to realize that the whole experience was merely a recorded projection which knocked six-track seventy-millimeter into a cocked hat.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
Gra was always mildly irritated by any display of decorum, or good taste, if he felt it was a direct challenge to his deepest beliefs. When I mentioned once that Connie and I had guests coming to dinner that evening who were a bit formal and stuck-up, he carefully cut out some very small pieces of paper, wrote an obscenity on each one, and then hid them round our flat in all the rooms our guests were likely to visit. Connie found one of these just ten minutes before they were due to arrive: a moment of pure panic that set off a frenzied paperchase, as we raced around the apartment trying to find them all before the doorbell rang. We missed one, which he had placed on the basin in the visitors’ loo. It simply read, ‘Anus’. I’ve always wondered whether our guests speculated why we might have put it there.
”
”
John Cleese (So, Anyway...: The Autobiography)
“
When Peter got injured in Canada and Kira started work, Peter was left at home alone with Isak. One day the child had a stomach ache and wouldn't stop screaming. Panic-stricken, Peter tried everything. He rocked him and took him out in the stroller and tried all the home remedies he had ever heard of, but nothing worked. Until he put a record on. Perhaps it was something about the old record player - the crackle in the speakers, the voices filling the room - but Isak fell completely silent. Then he smiled. And then he fell asleep in Peter's arms. That's the last time Peter can remember really feeling like a good father. The last time he had been able to tell himself that he actually knew what he was doing. He's never told Kira that, has never told anyone. But now he buys records in secret because he keeps hoping that feeling my come back, if only for a moment
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
Even before her brain processes all that, she gasps. He says, “You are Dr. Mensah, aren’t you.” It’s not a question. He knows exactly who she is. She takes a step back and bumps into someone’s chest. Before she can panic, the words are in her feed: It’s me. It’s Murderbot — SecUnit — who was monitoring her feed or watching on a surreptitiously installed camera or had simply heard her gasp from down the corridor and through a room full of conversation.
”
”
Martha Wells (Home: Habitat, Range, Niche, Territory (The Murderbot Diaries, #4.5))
“
Don't misunderstand, but how dare you risk your life? What the devil did you think, to leap over like that? You could have stayed safe on this side and just helped me over." Even to her ears, her tone bordered on the hysterical.
Beneath her fingers, the white lawn started to redden.
She sucked in a shaky breath. "How could you risk your life-your life, you idiot!" She leaned harder on the pad, dragged in another breath.
He coughed weakly, shifted his head.
"Don't you dare die on me!"
His lips twisted, but his eyes remained closed. "But if I die"-his words were a whisper-"you won't have to marry, me or anyone else. Even the most censorious in the ton will consider my death to be the end of the matter. You'll be free."
"Free?" Then his earlier words registered. "If you die? I told you-don't you dare! I won't let you-I forbid you to. How can I marry you if you die? And how the hell will I live if you aren't alive, too?" As the words left her mouth, half hysterical, all emotion, she realized they were the literal truth. Her life wouldn't be worth living if he wasn't there to share it. "What will I do with my life if you die?"
He softly snorted, apparently unimpressed by-or was it not registering?-her panic. "Marry some other poor sod, like you were planning to."
The words cut. "You are the only poor sod I'm planning to marry." Her waspish response came on a rush of rising fear. She glanced around, but there was no one in sight. Help had yet to come running.
She looked back at him, readjusted the pressure on the slowly reddening pad. "I intend not only to marry you but to lead you by the nose for the rest of your days. It's the least I can do to repay you for this-for the shock to my nerves. I'll have you know I'd decided even before this little incident to reverse my decision and become your viscountess, and lead you such a merry dance through the ballrooms and drawing rooms that you'll be gray within two years."
He humphed softly, dismissively, but he was listening. Studying his face, she realized her nonsense was distracting him from the pain. She engaged her imagination and let her tongue run free. "I've decided I'll redecorate Baraclough in the French Imperial style-all that white and gilt and spindly legs, with all the chairs so delicate you won't dare sit down. And while we're on the subject of your-our-country home, I've had an idea about my carriage, the one you'll buy me as a wedding gift..."
She rambled on, paying scant attention to her words, simply let them and all the images she'd dreamed of come tumbling out, painting a vibrant, fanciful, yet in many ways-all the ways that counted-accurate word pictures of her hopes, her aspirations. Her vision of their life together.
When the well started to run dry, when her voice started to thicken with tears at the fear that they might no longer have a chance to enjoy all she'd described, she concluded with, "So you absolutely can't die now." Fear prodded; almost incensed, she blurted, "Not when I was about to back down and agree to return to London with you."
He moistened his lips. Whispered, "You were?"
"Yes! I was!" His fading voice tipped her toward panic. Her voice rose in reaction. "I can't believe you were so foolish as to risk your life like this! You didn't need to put yourself in danger to save me."
"Yes, I did." The words were firmer, bitten off through clenched teeth.
She caught his anger. Was anger good. Would temper hold him to the world?
A frown drew down his black brows. "You can't be so damned foolish as to think I wouldn't-after protecting you through all this, seeing you safely all this way, watching over you all this time, what else was I going to do?
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
She could be in a warehouse, someone’s home. She might not even be in Kerch anymore. It didn’t matter. She was Inej Ghafa, and she would not quiver like a rabbit in snare. Wherever I am, I just have to get out. She’d managed to nudge her blindfold down by scraping her face against the wall. The room was pitch-black, and all she could hear in the silence was her own rapid breathing as panic seized her again. She’d leashed it by controlling her breath, in through the nose, out through the mouth, letting her mind turn to prayer as her Saints gathered around her. She imagined them checking the ropes at her wrists, rubbing life into her hands. She did not tell herself she wasn’t afraid. Long ago, after a bad fall, her father had explained that only fools were fearless. We meet fear, he’d said. We greet the unexpected visitor and listen to what he has to tell us. When fear arrives, something is about to happen. Inej intended to make something happen.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Yeah, let’s get John here. That way we can stall for a while longer. We can keep on doing nothing for just a little while longer.”
Albert said, “Take it easy, Howard.”
“Take it easy?” Howard jumped to his feet. “Yeah? Where were you last night, Albert? Huh? Because I didn’t see you out there on the street listening to kids screaming, seeing kids running around hurt and scared and choking, and Edilio and Orc struggling, and Dekka hacking up her lungs and Jack crying and…
“You know who couldn’t even take it?” Howard raged. “You know who couldn’t even take what was happening? Orc. Orc, who’s not scared of anything. Orc, who everyone thinks is some kind of monster. He couldn’t take it. He couldn’t…but he did. And where were you, Albert? Counting your money? How about you, Astrid? Praying to Jesus?”
Astrid’s throat tightened. She couldn’t breathe. For a moment panic threatened to overwhelm her. She wanted to run from the room, run away and never look back.
Edilio got to his feet and put an arm around Howard. Howard allowed it, and then he did something Astrid never thought she would see. Howard buried his face in Edilio’s shoulder and cried, racking sobs.
“We’re falling apart,” Astrid whispered for herself alone.
But there was no easy escape. Everything Howard had said was true. She could see the truth reflected in Albert’s stunned expression. The two of them, the smart ones, the clever ones, the great defenders of truth and fairness and justice, had done nothing while others had worked themselves to exhaustion.
”
”
Michael Grant (Lies (Gone, #3))
“
Then came that July Sunday afternoon when our house suddenly emptied, and we were the only ones there, and fire tore through my guts—because “fire” was the first and easiest word that came to me later that same evening when I tried to make sense of it in my diary. I’d waited and waited in my room pinioned to my bed in a trancelike state of terror and anticipation. Not a fire of passion, not a ravaging fire, but something paralyzing, like the fire of cluster bombs that suck up the oxygen around them and leave you panting because you’ve been kicked in the gut and a vacuum has ripped up every living lung tissue and dried your mouth, and you hope nobody speaks, because you can’t talk, and you pray no one asks you to move, because your heart is clogged and beats so fast it would sooner spit out shards of glass than let anything else flow through its narrowed chambers. Fire like fear, like panic, like one more minute of this and I’ll die if he doesn’t knock at my door, but I’d sooner he never knock than knock now.
”
”
André Aciman (Call Me by Your Name)
“
I remember one group of family members had gone down to the restaurant in the Dorchester. The waiter had brought the menu and they said, ‘We’ll have it.’ It took a while for the penny to drop that they actually meant the whole lot, the a la carte, which is over a thousand pounds’ worth of food. So the waiters brought it, the family tried a little bit of all of it, then went back up to their room. Then they sent out one of their servants to bring back a sackful of hamburgers, which is what their real obsession was.
”
”
Neil Gaiman (Don't Panic: Douglas Adams & The Hitchhiker's Guide to the Galaxy)
“
I guess they’re having what you might call panic attacks. It’s an old place and smells a little musty. The hallways are sort of long and narrow. The exhibits are gory. The people are listening to some creepy, nasty stuff on their earphones. It apparently just overwhelms some of them, especially on a busy day when there might be some congestion in the rooms and hallways. You’ll have flippers, fainters and barfers every so often.’
‘It’s sounding more fun all the time.’ ‘Not as much fun as the heart attacks.’ ‘You get heart attacks?’
‘I don’t, they do. Not often, though.
”
”
Richard Laymon (The Midnight Tour (Beast House Series))
“
Suddenly something touches my shoulder. I spin around to find a dark shape standing right next to me. For a moment, I'm filled with a sense of panic, but then the figure steps even closer and I realize, with shock, that it's Nurse Winter. She's wearing nothing but a pair of white briefs, and she smiles as she puts her arms around my shoulders. I glance back over at her window, but there's no sign of her now. How the hell did she get over to my room so fast? I turn back to her as she pushes her bare breasts against my chest, presses her crotch against my erect penis, and starts to kiss me. It's
”
”
Amy Cross (Asylum (The Asylum Trilogy, #1))
“
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things."
"Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..."
She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am."
"I train your father's horses."
"So what? My mother groomed them."
"That's a different matter."
"Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right."
"Stop making me sound ridiculous."
"I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?"
He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back."
"Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well.
"You won't push me into a corner."
Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me."
The idea quite simply appalled him. "I never meant to hurt you."
"No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves."
"I'm not a snob, or a coward."
"Put your arms around me.Kiss me. Tell me."
"Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room."
Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?"
"I thought I'd get over it."
"Get over it?" Her brow arched up. "Like a head cold?"
"Maybe." He set her aside, paced away to stare out at the hills.
Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
I was working as a radio producer and Douglas was doing things like writing with Graham Chapman—an absolutely bizarre experience, as they used to get phenomenally drunk. Graham had a room in his house entirely devoted to gin: it was just gin bottles (he later went on the wagon) that lined the walls, and occasionally when I was working in BBC Radio I’d go up there at lunchtime. They’d have a few gins before lunch, then they’d go to the pub and do all the crosswords in every paper. Then they’d get roaring drunk, and usually Graham would take his willy out and put it on the bar… it was quite entertaining.
”
”
Neil Gaiman (Don't Panic: Douglas Adams & The Hitchhiker's Guide to the Galaxy)
“
He found Whitebread curled up in the chair like a cat, her hand touching Blake’s. She was sleeping, and Beckett had almost turned tail to leave her in peace when Blake’s eyes snapped open.
“The fuck!?” Beckett ran to Blake’s side as his brother’s face registered the room in panic.
Whitebread popped up and was almost nose-to-nose with Blake immediately. Beckett leaned around her and held his brother’s flailing arms.
Livia spoke in a soft, urgent voice. “Blake? They have you on a ventilator; this thing in your mouth needs to be removed by the doctor. Just calm down. Look, I’m here. I’m here. See? It’s okay. Just try to be calm.”
Whitebread stroked Blake’s cheek.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
It was nothing I hadn't thought of, plenty, and in far less taxing circumstances; the urge shook me grandly and unpredictably, a poisonous whisper that never wholly left me, that on some days lingered just on the threshold of my hearing but on others roared up uncontrollably into a sort of lurid visionary frenzy, why I wasn't sure, sometimes even a bad movie or a gruesome dinner party could trigger it, short term boredom and long term pain, temporary panic and permanent desperation striking all at once and flaring up in such an ashen desolate light that I saw, really saw, looking back down the years and with all clear-headed and articulate despair, that the world and everything in it was intolerably and permanently fucked and nothing had ever been good or okay, unbearable claustrophobia of the soul, the windowless room, no way out, waves of shame and horror, leave me alone, my mother dead on a marble floor, stop it stop it, muttering aloud to myself in elevators, in cabs, leave me alone, I want to die, a cold, intelligent, self-immolating fury that had-- more than once-- driven me upstairs in a resolute fog to swallow indiscriminate combos of whatever booze and pills I happened to have on hand: only tolerance and ineptitude that I'd botched it, unpleasantly surprised when I woke up though relieved for Hobie that he hadn't had to find me.
”
”
Donna Tartt (The Goldfinch)
“
Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile.
As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes.
His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen.
His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place.
Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things.
'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
”
”
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
“
Was it as scary for you as it is for me? Falling for Sawyer?”
“Not really, no.” She shakes her head. “I’m sure I had some of the same worries, everyone does. But I’m a leaper. You’re a thinker. We process things differently.”
“You didn’t have a panic attack and run away?” I ask sarcastically.
“No,” she muses. “Not even that time he refused to have sex with me.”
“That was your first date, Everly. And you did have sex,” I remind her. I know, because I heard about it for a week.
“Whew.” She blows out a breath. “It was a tough few hours though. How is Boyd’s POD by the way? Can we talk about that?” She leans forward on the couch, looking at me expectantly.
“Um, no. I don’t think so.”
She shrugs good-naturedly then changes the subject back to me. “Chloe, why didn’t you tell me you were struggling with your anxiety? You know I’m never too busy for you, no matter how many husbands or children I have.”
“You have one husband, babe,” Sawyer says, walking into the room at that moment.
“You’re still the one, baby.”
“We’ve been married for three months, Everly. I sure as hell better still be the one.”
“Sawyer,” she sighs. “I was trying to have a moment, okay? Work with me.”
“Next time, try waiting more than a day after downloading Shania Twain’s greatest hits to your iPod. You do realize the receipts come to my email, don’t you?”
“Um.” Everly looks away and scrunches her nose. “No?”
“You’ve been on quite the 90’s love ballads kick this week. Which is weird, because you’re not old enough to have owned the CD’s those songs were originally released on.” He looks at her with amused interest.
“What’s a CD?” She blinks at Sawyer dramatically.
“Cute. Keep it up.”
“Nineties music is all the rage with the millennials,” she tells him with a shrug. “I saw a blog post about it.”
“Don’t worry, sweets. We’ll beat the odds together.” He winks and she scowls. “You’re still the only one I dream of,” he calls as he walks into the kitchen and grabs a bottle of water.
“See! I don’t even care that you lifted that from a song. It still gave me all the feels!
”
”
Jana Aston (Trust (Cafe, #3))
“
He twirled her around a few more times before he said offhandedly, "Aren't you tired of fighting yet? I'm beginning to find it quite tedious m'self. I've even given you the benefit of the doubt-"
"Don't do me any favor."
He cocked his head to the side because she'd turned away to mumble that. "Are you challenging me to make you sweet and lovable again? I believe you are!"
Her eyes flew back to his, but she could't do anything more than sputter over the absurdity. His pale eyes were twinkling, holding back laughter no doubt. What the devil as he doing! Je couldn't be serious.Yet he rubbed his cheek against hers right there on the dance floor!
"What-"
She should never have turned in toward that unexpected caress. Was she destined to bump lips with him by accident? She drew back instantly while she had the presence of mine to do so. But he didn't.In fact, he moved closer, his mouth actually persuing hers until there was nothing accidental about it! She stumbled as her sensed whirled. That just encouraged him to hold her closer and kiss her more deeply. She was fast approaching the point of not caring!
Desperately, she tore her mouth away to gasp out, "You're going to cause a scandal!"
"I do believe it would be worth it," he said softly by her ear. "But it's only a minor infraction and quite overlooked, since everyone here knows we're married."
"No,they don't.I didn't have it announced."
He stopped abruptly. Several other couples even bumped into them. "Why not?"
She looked away from his frown, which make her feel distinctly uneasy. How to explain her earlier hesitancy without him seeing it for what it was, a full-blown panic? But he didn't wait for her answer.
Suddenly he was leading her off the dance floor. He began a social circuit around the room, missing no one who wasn't currently dancing. From group to group he stopped to introduce Rebecca as his wife,the Marchioness of Rochwood. He did it curtly,as if here completing a task assigned to him, which gave her the odd feeling he was punishing her.She was mortified. Most of those people thought he was joking! They knew him.They knew his reputation. And he wasn't behaving the least bit normally.
”
”
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
“
Something Rich and Strange
She takes a step and the water rises higher on her knees. Four more steps, she tells herself. Just four more and I'll turn back. She takes another step and the bottom is no longer there and she is being shoved downstream and she does not panic because she has passed the Red Cross courses. The water shallows and her face breaks the surface and she breathes deep. She tries to turn her body so she won' t hit her head on a rock and for the first time she's afraid and she's suddenly back underwater and hears the rush of water against her ears. She tries to hold her breath but her knee smashes against a boulder and she gasps in pain and water pours into her mouth. Then for a few moments the water pools and slows. She rises coughing up water, gasping air, her feet dragging the bottom like an anchor trying to snag waterlogged wood or rock jut and as the current quickens again she sees her family running along the shore and she knows they are shouting her name though she cannot hear them and as the current turns her she hears the falls and knows there is nothing that will keep from it as the current quickens and quickens and another rock smashes against her knee but she hardly feels it as she snatches another breath and she feels the river fall and she falls with it as water whitens around her and she falls deep into the whiteness and she rises her head scrapes against a rock ceiling and the water holds her there and she tells herself don't breathe but the need rises inside her beginning in the upper stomach then up through her chest and throat and as that need reaches her mouth her mouth and nose open and the lungs explode in pain and then the pain is gone as bright colors shatter around her like glass shards, and she remembers her sixth-grade science class, the gurgle of the aquarium at the back of the room, the smell of chalk dust that morning the teacher held a prism out the window so it might fill with color, and she has a final, beautiful thought - that she is now inside that prism and knows something even the teacher does not know, that the prism's colors are voices, voices that swirl around her head like a crown, and at that moment her arms and legs she did not even know were flailing cease and she becomes part of the river.
”
”
Ron Rash (Nothing Gold Can Stay: Stories)
“
In one slick move, he shoves his phone in his pocket and grabs me so we’re in front of the cabinet.
His hand slides around the back of my neck, and before I can panic, he kisses me hard.
Momentarily caught off guard, I just throw my arms around his neck and press my body against his.
His kiss deepens until our tongues are twisting together, and I’m reminded of just how great a kisser he is.
The lights flicker on, and Grayson pulls away from me with a grunt. I’m so flustered, it takes me a few seconds to collect myself enough to see a man wearing a suit and a hotel name badge eyeing us.
“Excuse me, Mr. Cole, I’m afraid this office is off-limits for guests,” he says.
I glance at Grayson and have to stop myself from laughing at the shade of my lipstick he’s now wearing.
Grayson doesn’t miss a beat; he just grabs my hand and tugs me across the room.
“I won’t mention this if you don’t,” he says as we pass by the hotel porter.
I try for a sheepish smile as we walk past him. “Sorry,” I mouth.
As we make it out to the hallway, a half-smothered giggle escapes before I can stop it. “You should probably go to the men’s room before you go back to the party.”
A smile creases his lipstick-smeared mouth before he swipes his hand over it. “Yeah. This isn’t really my shade.”
I
snort a laugh and try to laugh off the kiss. But as I head back to the party, I’m well aware that kiss has only stirred a desire for another one.
Not only that but as I pull my mirror out to check my own face, I realize something I didn’t in the heat of the moment.
There was nothing fake about that kiss.
”
”
Lexi Hart (Bad Boyfriend (Bad for Me, #1))
“
There in bed, happiness comes over me. Not like something that belongs to me, but like a wheel of fire rolling through the room and the world. For a moment I think I’ll manage to let it pass and be able to lie there, aware of what I have, and not wish for anything more. The next moment I want to hang on. I want it to continue. He has to lie beside me tomorrow, too. This is my chance. My only, my last chance. I swing my legs onto the floor. Now I’m panic-stricken. This is what I’ve been working to avoid for thirty-seven years. I’ve systematically practiced the only thing in the world that is worth learning. How to renounce. I’ve stopped hoping for anything. When experienced humility becomes an Olympic discipline, I’ll be on the national team. I’ve never had any patience for other people’s unhappy love affairs. I hate their weakness.
”
”
Peter Høeg (Smilla's Sense of Snow)
“
They'd managed to make it through the room without waking the maid, and all the way to the top of the stairs before the next problem had arisen in the form of the women returning from the ball and entering the foyer below. In a panic, Daniel and Richard had rushed back along the upper hall, and then ducked into this room to wait for the way to be clear.
"We'd best move while we have the chance," Richard said behind him. "Once they have Christiana in bed, the girls will no doubt seek their own rooms and this could be one of them."
Daniel nodded and eased the door open to check the hall. When a quick glance in both directions showed it to be empty, he pulled the door wide and stepped out of the way for Richard to lead with his burden. He then started to follow, but had barely taken a step when Richard suddenly whirled back toward him. Caught by surprise, Daniel was slow to react. Before he could, Richard cursed, and suddenly thrust George's body on him.
Pure instinct made Daniel grab at the blanket-encased corpse. He then found himself stumbling back under a push from Richard, a very stiff George caught to his chest in some sort of macabre dance as the door closed leaving him alone in the dark room. Regaining his footing, Daniel stood absolutely still in the lightless chamber, simply listening as he tried to figure out why Richard hadn't followed him into the room. He relaxed a little when he heard the other man's voice muffled through the door, saying, "Ladies.Might I convince you both to join me in my office for a drink before you retire?"
Daniel adjusted the hold he had on George, but it helped little. The man was stiff as a board and unbending. He may as well have been a life-sized statue.
”
”
Lynsay Sands (The Heiress (Madison Sisters, #2))
“
If reconciling your feminist values with your sexual preferences is something you’re struggling with, don’t panic. But try to believe what I’m about to tell you, because it’s true: It’s healthy to want and seek pleasure. It’s generous and kind to want to make your sexual partner(s) feel good. You should do stuff with someone because you want to, not because they expect or feel entitled to it, and the same should be true for them. Whatever you do during sexytimes is between you and your partner—not you, your partner, and feminism, and not you, your partner, and the Gender Roles Police Force. Everything doesn’t always have to be equal—unless you want it to be. The only things that matter are that everyone’s having fun, and everyone’s feeling respected by and respectful of their partners the whole time you’re doing whatever it is that you get up to. Because in the end, that’s all that sex is: Two people who want to have sex, alone in a room. No judgy voices allowed.
”
”
Krista Burton
“
Angling to look out of the window over the sink, Olivia tried to train her face into looking as unfazed by the conversation as possible. “And besides,” she said turning back around. “I—”
With a gasp, she found herself pinned between the counter and Wesley’s firm chest. He placed his arms on the counter to either side of her and let a moment of silence pass between them, highlighting her vulnerability as she waited to hear what this was all about.
His proximity was threatening. His body a force of nature that boxed her in so tightly that she felt instantly helpless.
“It’s just you and me here,” he said in a voice that was deep and menacing. “No one would ever know if I was to take you back into the bedroom, the living room, right here in fact. How could you possibly know how safe you were with a man you only just met?”
With his body still pressed to hers, Wesley exuded an animalistic hunger that Olivia was beginning to fear on a very real level.
“Please, I—” panic was coursing through her as if it were alive inside of her and she realized that if he meant her harm, she was helpless to stop him.
”
”
Shawn Maravel (Shifting Gears)
“
Your mother told you," he states flatly.
"Yeah," I snap. "She told me."
"She doesn't know everything. She doesn't know me...or how I feel. I would never force you to do anything against your will, and I would never, ever let anyone harm you."
His words enrage me. Lies, I'm convinced. My hand shoots out, ready to slap that earnest look off his face. The same earnest look he'd given me the first time he lid to my face.
He catches my hand, squeezes the wrist tight. "Jacinda-"
"I don't believe you. You gave me your word. Five weeks-"
"Five weeks was too long. I couldn't leave you for that long without checking on you."
"Because you're a liar," I assert.
His expression cracks. Emotion bleeds through. He knows I'm not talking about just the five weeks. With a shake of his head, he sounds almost sorry as he admits, "Maybe I didn't tell you everything, but it doesn't change anything I said. I will never hurt you. I want to try to protect you."
"Try," I repeat.
His jaw clenches. "I can. I can stop them."
After several moments, I twist my hand free. He lets me go. Rubbing my wrist, I glare at him. "I have a life here now." My fingers stretch, curl into talons at my sides, still hungry to fight him. "Make me go, and I'll never forgive you."
He inhales deeply, his broad chest lifting high. "Well. I can't have that."
"Then you'll go? Leave me alone?" Hope stirs.
He shakes his head. "I didn't say that."
"Of course not," I sneer. "What do you mean then?"
Panic washes over me at the thought of him staying here and learning about Will and his family. "There's no reason for you to stay."
His dark eyes glint. "There's you. I can give you more time. You can't seriously fit in here. You'll come around."
"I won't!"
His voice cracks like thunder on the air. "I won't leave you! Do you know how unbearable it's been without you? You're not like the rest of them." His hand swipes through air almost savagely. I stare at him, eyes wide and aching. "You're not some well-trained puppy content to go alone with what you're told. You have fire." He laughs brokenly. "I don't mean literally, although there is that. There's something in you, Jacinda. You're the only thing real for me there, the only thing remotely interesting." He stares at me starkly and I don't breathe. He looks ready to reach out and fold me into his arms.
I jump hastily back. Unbelievably, he looks hurt. Dropping his immense hands, he speaks again, evenly, calmly. "I'll give you more space. Time for you to realize that this"-he motions to the living room-"isn't for you. You need mists and mountains and sky. Flight. How can you stay here where you have none of that? How can you hope to survive? If you haven't figured that out yet, you will."
In my mind, I see Will. Think how he has become the mist, the sky, everything, to me. I do more than survive here. I love. But Cassian can never know that.
“What I have here beats what waits for me back home. The wing clipping you so conveniently failed to mention-"
"Is not going to happen, Jacinda." He steps closer. His head dips to look into my eyes. "You have my word. If you return with me, you won't be harmed. I'd die first."
His words flow through me like a chill wind. "But your father-"
"My father won't be our alpha forever. Someday, I'll lead. Everyone knows it. The pride will listen to me. I promise you'll be safe.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Many potential readers will skip the shopping cart or cash-out clerk because they have seen so many disasters reported in the news that they’ve acquired a panic mentality when they think of them. “Disasters scare me to death!” they cry. “I don’t want to read about them!”
But really, how can a picture hurt you?
Better that each serve as a Hallmark card that greets your fitful fevers with reason and uncurtains your valor. Then, so gospeled, you may see that defeating a disaster is as innocently easy as deciding to go out to dinner. Remove the dread that bars your doors of perception, and you will enjoy a banquet of treats that will make the difference between suffering and safety. You will enter a brave new world that will erase your panic, and release you from the grip of terror, and relieve you of the deadening effects of indifference —and you will find that switch of initiative that will energize your intelligence, empower your imagination, and rouse your sense of vigilance in ways that will tilt the odds of danger from being forever against you to being always in your favor. Indeed, just thinking about a disaster is one of the best things you can do —because it allows you to imagine how you would respond in a way that is free of pain and destruction.
Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time.
In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Witness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing.
Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.
”
”
Robert Brown Butler (Architecture Laid Bare!: In Shades of Green)
“
The studio was immense and gloomy, the sole light within it proceeding from a stove, around which the three were seated. Although they were bold, and of the age when men are most jovial, the conversation had taken, in spite of their efforts to the contrary, a reflection from the dull weather without, and their jokes and frivolity were soon exhausted.
In addition to the light which issued from the crannies in the stove, there was another emitted from a bowl of spirits, which was ceaselessly stirred by one of the young men, as he poured from an antique silver ladle some of the flaming spirit into the quaint old glasses from which the students drank. The blue flame of the spirit lighted up in a wild and fantastic manner the surrounding objects in the room, so that the heads of old prophets, of satyrs, or Madonnas, clothed in the same ghastly hue, seemed to move and to dance along the walls like a fantastic procession of the dead; and the vast room, which in the day time sparkled with the creations of genius, seemed now, in its alternate darkness and sulphuric light, to be peopled with its dreams.
Each time also that the silver spoon agitated the liquid, strange shadows traced themselves along the walls, hideous and of fantastic form. Unearthly tints spread also upon the hangings of the studio, from the old bearded prophet of Michael Angelo to those eccentric caricatures which the artist had scrawled upon his walls, and which resembled an army of demons that one sees in a dream, or such as Goya has painted; whilst the lull and rise of the tempest without but added to the fantastic and nervous feeling which pervaded those within.
Besides this, to add to the terror which was creeping over the three occupants of the room, each time that they looked at each other they appeared with faces of a blue tone, with eyes fixed and glittering like live embers, and with pale lips and sunken cheeks; but the most fearful object of all was that of a plaster mask taken from the face of an intimate friend but lately dead, which, hanging near the window, let the light from the spirit fall upon its face, turned three parts towards them, which gave it a strange, vivid, and mocking expression.
All people have felt the influence of large and dark rooms, such as Hoffmann has portrayed and Rembrandt has painted; and all the world has experienced those wild and unaccountable terrors - panics without a cause - which seize on one like a spontaneous fever, at the sight of objects to which a stray glimpse of the moon or a feeble ray from a lamp gives a mysterious form; nay, all, we should imagine, have at some period of their lives found themselves by the side of a friend, in a dark and dismal chamber, listening to some wild story, which so enchains them, that although the mere lighting of a candle could put an end to their terror, they would not do so; so much need has the human heart of emotions, whether they be true or false.
So it was upon the evening mentioned. The conversation of the three companions never took a direct line, but followed all the phases of their thoughts; sometimes it was light as the smoke which curled from their cigars, then for a moment fantastic as the flame of the burning spirit, and then again dark, lurid, and sombre as the smile which lit up the mask from their dead friend's face.
At last the conversation ceased altogether, and the respiration of the smokers was the only sound heard; and their cigars glowed in the dark, like Will-of-the-wisps brooding o'er a stagnant pool.
It was evident to them all, that the first who should break the silence, even if he spoke in jest, would cause in the hearts of the others a start and tremor, for each felt that he had almost unwittingly plunged into a ghastly reverie. ("The Dead Man's Story")
”
”
James Hain Friswell
“
PERCY JACKSON!" Poseidon announced. My name echoed around the chamber.
All talking died down. The room was silent except for the crackle of the hearth fire. Everyone's eyes
were on me—all the gods, the demigods, the Cyclopes, the spirits. I walked into the middle of the throne
room. Hestia smiled at me reassuringly. She was in the form of a girl now, and she seemed happy and
content to be sitting by her fire again. Her smile gave me courage to keep walking.
First I bowed to Zeus. Then I knelt at my father's feet.
"Rise, my son," Poseidon said.
I stood uneasily.
"A great hero must be rewarded," Poseidon said. "Is there anyone here who would deny that my son
is deserving?"
I waited for someone to pipe up. The gods never agreed on anything, and many of them still didn't
like me, but not a single one protested.
"The Council agrees," Zeus said. "Percy Jackson, you will have one gift from the gods."
I hesitated. "Any gift?"
Zeus nodded grimly. "I know what you will ask. The greatest gift of all. Yes, if you want it, it shall be
yours. The gods have not bestowed this gift on a mortal hero in many centuries, but, Perseus Jackson—if
you wish it—you shall be made a god. Immortal. Undying. You shall serve as your father's lieutenant for
all time."
I stared at him, stunned. "Um . . . a god?"
Zeus rolled his eyes. "A dimwitted god, apparently. But yes. With the consensus of the entire
Council, I can make you immortal. Then I will have to put up with you forever."
"Hmm," Ares mused. "That means I can smash him to a pulp as often as I want, and he'll just keep
coming back for more. I like this idea."
"I approve as well," Athena said, though she was looking at Annabeth.
I glanced back. Annabeth was trying not to meet my eyes. Her face was pale. I flashed back to two
years ago, when I'd thought she was going to take the pledge to Artemis and become a Hunter. I'd been on
the edge of a panic attack, thinking that I'd lose her. Now, she looked pretty much the same way.
I thought about the Three Fates, and the way I'd seen my life flash by. I could avoid all that. No
aging, no death, no body in the grave. I could be a teenager forever, in top condition, powerful, and
immortal, serving my father. I could have power and eternal life.
Who could refuse that?
Then I looked at Annabeth again. I thought about my friends from camp: Charles Beckendorf,
Michael Yew, Silena Beauregard, so many others who were now dead. I thought about Ethan Nakamura
and Luke.
And I knew what to do.
"No," I said.
The Council was silent. The gods frowned at each other like they must have misheard.
"No?" Zeus said. "You are . . . turning down our generous gift?"
There was a dangerous edge to his voice, like a thunderstorm about to erupt.
"I'm honored and everything," I said. "Don't get me wrong. It's just . . . I've got a lot of life left to live.
I'd hate to peak in my sophomore year."
The gods were glaring at me, but Annabeth had her hands over her mouth. Her eyes were shining.
And that kind of made up for it.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
When it begins it is like a light in a tunnel, a rush of steel and
steam across a torn up life. It is a low rumble, an earthquake in the
back of the mind. My spine is a track with cold black steel racing on
it, a trail of steam and dust following behind, ghost like. It feels
like my whole life is holding its breath.
By the time she leaves the room I am surprised that she can’t see the
train. It has jumped the track of my spine and landed in my mothers’
living room. A cold dark thing, black steel and redwood paneling. It
is the old type, from the western movies I loved as a kid.
He throws open the doors to the outside world, to the dark ocean. I
feel a breeze tugging at me, a slender finger of wind that catches at
my shirt. Pulling. Grabbing. I can feel the panic build in me, the
need to scream or cry rising in my throat.
And then I am out the door, running, tumbling down the steps falling
out into the darkened world, falling out into the lifeless ocean. Out
into the blackness. Out among the stars and shadows.
And underneath my skin, in the back of my head and down the back of my
spine I can feel the desperation and I can feel the noise. I can feel
the deep and ancient ache of loudness that litters across my bones.
It’s like an old lover, comfortable and well known, but unwelcome and
inappropriate with her stories of our frolicking.
And then she’s gone and the Conductor is closing the door. The
darkness swells around us, enveloping us in a cocoon, pressing flat
against the train like a storm. I wonder, what is this place?
Those had been heady days, full and intense. It’s funny. I remember
the problems, the confusions and the fears of life we all dealt with.
But, that all seems to fade. It all seems to be replaced by images of
the days when it was all just okay. We all had plans back then,
patterns in which we expected the world to fit, how it was to be
deciphered.
Eventually you just can’t carry yourself any longer, can’t keep your
eyelids open, and can’t focus on anything but the flickering light of
the stars. Hours pass, at first slowly like a river and then all in a
rush, a climax and I am home in the dorm, waking up to the ringing of
the telephone.
When she is gone the apartment is silent, empty, almost like a person
sleeping, waiting to wake up. When she is gone, and I am alone, I curl
up on the bed, wait for the house to eject me from its dying corpse.
Crazy thoughts cross through my head, like slants of light in an
attic.
The Boston 395 rocks a bit, a creaking noise spilling in from the
undercarriage. I have decided that whatever this place is, all these
noises, sensations - all the train-ness of this place - is a
fabrication. It lulls you into a sense of security, allows you to feel
as if it’s a familiar place. But whatever it is, it’s not a train, or
at least not just a train.
The air, heightened, tense against the glass. I can hear the squeak of
shoes on linoleum, I can hear the soft rattle of a dying man’s
breathing. Men in white uniforms, sharp pressed lines, run past,
rolling gurneys down florescent hallways.
”
”
Jason Derr (The Boston 395)
“
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes.
I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey.
My left leg was tiring. I shifted from foot to foot . . .
A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another.
A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight.
Homo Panthera onca. The killer who takes its prey in a single bound.
Hello, Jim.
The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk.
He could laugh if he wanted. He didn’t know what was at stake.
Jim turned his head and began washing his paw.
My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole.
The lingering musky scent of a cat hit me. So, not a bear after all.
Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself.
Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.”
Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped?
The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner.
The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed.
“Kitty, kitty?” asked a level male voice.
I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking.
“Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.”
“If there is a next time.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
What are you doing?” Leo demanded, wondering if she had lost her wits entirely. “He doesn’t need a lamp, Win.” Ignoring him, Win removed the glass fount and tossed it to the bed. She did the same with the brass wick burner, exposing the oil reservoir. Without hesitation, she poured the lamp oil over the front of the wardrobe. The pungent odor of highly flammable paraffin spread through the room. “Have you lost your mind?” Leo demanded, astonished not only by her actions, but also by her calm demeanor. “I have a matchbox, Julian,” she said. “Tell me what to give Mr. Rohan, or I’ll set the wardrobe on fire.” “You wouldn’t dare,” Harrow cried. “Win,” Leo said, “you’ll burn the entire damned house down, just after it’s been rebuilt. Give me the bloody matchbox.” She shook her head resolutely. “Are we starting a new springtime ritual?” Leo demanded. “The annual burning-of-the-manse? Come to your senses, Win.” Win turned from him and glared at the wardrobe door. “I was told, Julian, that you killed your first wife. Possibly by poison. And now knowing what you have done to my brother-in-law, I believe it. And if you don’t help us, I’m going to roast you like a piece of Welsh rarebit.” She opened the matchbox. Realizing she couldn’t possibly be serious, Leo decided to back her bluff. “I’m begging you, Win,” he said theatrically, “don’t do this. There’s no need to—Christ!” This last as Win struck a match and set the wardrobe on fire. It wasn’t a bluff, Leo thought dazedly. She actually intended to broil the bastard. At the first bright, curling blossom of flame, there was a terrified cry from inside the wardrobe. “All right! Let me out! Let me out! It’s tannic acid. Tannic acid. It’s in my medical case; let me out!” “Very well, Leo,” Win said, a bit breathless. “You may extinguish the fire.” In spite of the panic that raced through his veins, Leo couldn’t suppress a choked laugh. She spoke as if she’d asked him to snuff a candle, not put out a large flaming piece of furniture. Tearing off his coat, he rushed forward and beat wildly at the wardrobe door. “You’re a madwoman,” he told Win as he passed her. “He wouldn’t have told us otherwise,” Win said.
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
Oh, Gray, she said. Oh, gray, indeed. As in, oh Gray what the holy hell has come over you and what the devil do you intend to do about it?
He took the coward’s way out. He looked away.
“I thought you were painting a portrait. Of me.”
She turned her head, following his gaze to her easel. A vast seascape overflowed the small canvas. Towering thunderclouds and a violent, frothy sea. And slightly off center, a tiny ship cresting a massive wave.
“I am painting you.”
“What, am I on the little boat, then?” It was a relief to joke.
The relief was short-lived.
“No,” she said softly, turning back to look at him. “I’m on the little boat. You’re the storm. And the ocean. You’re…Gray, you’re everything.”
And that was when things went from “very bad” to “worse.”
“I can’t take credit for the composition. It’s inspired by a painting I once saw, in a gallery on Queen Anne Street. By a Mr. Turner.”
“Turner. Yes, I know his work. No relation, I suppose?”
“No.” She looked back at the canvas. “When I saw it that day, so brash and wild…I could feel the tempest churning in my blood. I just knew then and there, that I had something inside me-a passion too bold, too grand to keep squeezed inside a drawing room. First I tried to deny it, and then I tried to run from it…and then I met you, and I saw you have it, too. Don’t deny it, Gray. Don’t run from it and leave me alone.”
She sat up, still rubbing his cheek with her thumb. Grasping his other hand, she drew it to her naked breast. Oh, God. She was every bit as soft as he’d dreamed. Softer. And there went his hand now. Trembling.
“Touch me, Gray.” She leaned forward, until her lips paused a mere inch away from his. “Kiss me.”
Perhaps that dagger had missed his heart after all, because the damned thing was hammering away inside his chest. And oh, he could taste her sweet breath mingling with his. Her lips were so close, so inviting.
So dangerous.
Panic-that’s what had his knees trembling and his heart hammering and his lips spouting foolishness. It had to be panic. Because something told Gray that he could see her mostly naked, and watch her toes curl as she reached her climax, and even cup her dream-soft breast in his palm-but somehow, if he touched his lips to hers, he would be lost.
“Please,” she whispered. “Kiss me.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Are-are you leaving?”
She saw his shoulders stiffen at the sound of her voice, and when he turned and looked at her, she could almost feel the effort he was exerting to keep his rage under control. “You’re leaving,” he bit out.
In silent, helpless protest Elizabeth shook her head and started slowly across the carpet, dimly aware that this was worse, much worse than merely standing up in front of several hundred lords in the House.
“I wouldn’t do that, if I were you,” he warned softly.
“Do-do what?” Elizabeth said shakily.
“Get any nearer to me.”
She stopped cold, her mind registering the physical threat in his voice, refusing to believe it, her gaze searching his granite features.
“Ian,” she began, stretching her hand out in a gesture of mute appeal, then letting it fall to her side when her beseeching move got nothing from him but a blast of contempt from his eyes. “I realize,” she began again, her voice trembling with emotion while she tried to think how to begin to diffuse his wrath, “that you must despise me for what I’ve done.”
“You’re right.”
“But,” Elizabeth continued bravely, “I am prepared to do anything, anything to try to atone for it. No matter how it must seem to you now, I never stopped loving-“
His voice cracked like a whiplash. “Shut up!”
“No, you have to listen to me,” she said, speaking more quickly now, driven by panic and an awful sense of foreboding that nothing she could do or say would ever make him soften. “I never stopped loving you, even when I-“
“I’m warning you, Elizabeth,” he said in a murderous voice, “shut up and get out! Get out of my house and out of my life!”
“Is-is it Robert? I mean, do you not believe Robert was the man I was with?”
“I don’t give a damn who the son of a bitch was.”
Elizabeth began to quake in genuine terror, because he meant that-she could see that he did. “It was Robert, exactly as I said,” she continued haltingly. “I can prove it to you beyond any doubt, if you’ll let me.”
He laughed at that, a short, strangled laugh that was more deadly and final than his anger had been. “Elizabeth, I wouldn’t believe you if I’d seen you with him. Am I making myself clear? You are a consummate liar and a magnificent actress.”
“If you’re saying that be-because of the foolish things I said in the witness box, you s-surely must know why I did it.”
His contemptuous gaze raked her. “Of course I know why you did it! It was a means to an end-the same reason you’ve had for everything you do. You’d sleep with a snake if it gave you a means to an end.”
“Why are you saying this?” she cried.
“Because on the same day your investigator told you I was responsible for your brother’s disappearance, you stood beside me in a goddamned church and vowed to love me unto death! You were willing to marry a man you believed could be a murderer, to sleep with a murderer.”
“You don’t believe that! I can prove it somehow-I know I can, if you’ll just give me a chance-“
“No.”
“Ian-“
“I don’t want proof.”
“I love you,” she said brokenly.
“I don’t want your ‘love,’ and I don’t want you. Now-“ He glanced up when Dolton knocked on the door.
“Mr. Larimore is here, my lord.”
“Tell him I’ll be with him directly,” Ian announced, and Elizabeth gaped at him. “You-you’re going to have a business meeting now?”
“Not exactly, my love. I’ve sent for Larimore for a different reason this time.”
Nameless fright quaked down Elizabeth’s spine at his tone. “What-what other reason would you have for summoning a solicitor at a time like this?”
“I’m starting divorce proceedings, Elizabeth.”
“You’re what?” she breathed, and she felt the room whirl. “On what grounds-my stupidity?”
“Desertion,” he bit out.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
They'd followed him up and had seen him open the door of a room not far from the head of the stairs. He hadn't so much as glanced their way but had gone in and shut the door. She'd walked on with Martha, past that door, down the corridor and around a corner to their chamber.
Drawing in a tight-faintly excited-breath, she set out, quietly creeping back to the corner, her evening slippers allowing her to tiptoe along with barely a sound.
Nearing the corner, she paused and glanced back along the corridor. Still empty. Reassured, she started to turn, intending to peek around the corner-
A hard body swung around the corner and plowed into her.
She stumbled back. Hard hands grabbed her, holding her upright.
Her heart leapt to her throat. She looked up,saw only darkness.
She opened her mouth-
A palm slapped over her lips. A steely arm locked around her-locked her against a large, adamantine male body; she couldn't even squirm.
Her senses scrambled. Strength, male heat, muscled hardness engulfed her.
Then a virulent curse singed her ears.
And she realized who'd captured her.
Panic and sheer fright had tensed her every muscle; relief washed both away and she felt limp. The temptation to sag in his arms, to sink gratefully against him, was so nearly overwhelming that it shocked her into tensing again.
He lowered his head so he could look into her face. Through clenched teeth, he hissed, "What the hell are you doing?"
His tone very effectively dragged her wits to the fore. He hadn't removed his hand from her lips. She nipped it.
With a muted oath, he pulled the hand away.
She moistened her lips and angrily whispered back, "Coming to see you, of course. What are you doing here?"
"Coming to fetch you-of course."
"You ridiculous man." Her hands had come to rest on his chest. She snatched them back, waved them. "I'm hardly likely to come to grief over the space of a few yards!"
Even to her ears they sounded like squabbling children.
He didn't reply.
Through the dark, he looked at her.
She couldn't see his eyes, but his gaze was so intent, so intense that she could feel...
her heart started thudding, beating heavier, deeper.
Her senses expanded, alert in a wholly unfamiliar way.
he looked at her...looked at her.
Primitive instinct riffled the delicate hairs at her nape.
Abruptly he raised his head, straightened, stepped back. "Come on."
Grabbing her elbow, he bundled her unceremoniously around the corner and on up the corridor before him. Her temper-always close to the surface when he was near-started to simmer. If they hadn't needed to be quiet, she would have told him what she thought of such cavalier treatment.
Breckenridge halted her outside the door to his bedchamber; he would have preferred any other meeting place, but there was no safer place, and regardless of all and everything else, he needed to keep her safe. Reaching around her, he raised the latch and set the door swinging. "In here."
He'd left the lamp burning low. As he followed her in, then reached back and shut the door, he took in what she was wearing. He bit back another curse.
She glanced around, but there was nowhere to sit but on the bed. Quickly he strode past her, stripped off the coverlet, then autocratically pointed at the sheet. "Sit there."
With a narrow-eyed glare, she did, with the haughty grace of a reigning monarch.
Immediately she'd sat, he flicked out the coverlet and swathed her in it.
She cast him a faintly puzzled glance but obligingly held the enveloping drape close about her.
He said nothing; if she wanted to think he was concerned about her catching a chill, so be it. At least the coverlet was long enough to screen her distracting angles and calves.
Which really was ridiculous. Considering how many naked women he'd seen in his life, why the sight of her stockinged ankles and calves should so affect him was beyond his ability to explain.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))