Pan's Labyrinth Del Toro Quotes

We've searched our database for all the quotes and captions related to Pan's Labyrinth Del Toro. Here they are! All 45 of them:

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In consiliis nostris fatum nostrum est, the words read. β€œIn our choices lie our fate.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Mortals don't understand life is not a book you close only after you read the last page. There is no last page in the Book of Life, for the last one is always the first page of another story.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Her mother said fairy tales didn't have anything to do with the world, but Ofelia knew better. They had taught her everything about it.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Libraries don't keep secrets; they reveal them.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Sometimes the objects we hold dear give away who we are even more than the people we love.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Only books talked about all the things adults didn't want you to ask about--Life. Death. Good and Evil. And what else truly mattered in life.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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The raindrops were tears too. The whole world was crying.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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When she finally wrapped her arms around the girl, the softness stirring in her heart frightened her. It was dangerous to be soft in this world.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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We feel immortal when we are young. Or maybe we just don’t care that much about death yet?
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Evil seldom takes shape immediately. It is often little more than a whisper at first. A glance. A betrayal. But then it grows and takes root, still invisible, unnoticed. Only fairy tales give evil a proper shape. The big bad wolves, the evil kings, the demons, and devilsΒ .Β .Β .
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Carmen Cardoso believed the most dangerous tale of all: the one of the prince who would save her.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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So much cruelty. She’d seen too much of it in this place. Sometimes she wondered whether it covered her heart like mold by now.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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The entry wound cried a single tear of blood. Such an insignificant wound, but Death was nesting in it.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Only her master knew her true name, for in the Magic Kingdom to know a name was to own the being that carried it.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Her mother said fairy tales didn’t have anything to do with the world, but Ofelia knew better. They had taught her everything about it.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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But all things lost can be found again, the trees whispered.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Sometimes even the healers are turned into butchers by the darkness of this world.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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It's always just a few who know where to look and how to listen, that is true. But for the best stories, a few are just enough.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Sometimes we need to see what we feel so we can know about it.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Ofelia's mother didn't know it, but she also believed in a fairy tale. Carmen Cardoso believed the most dangerous tale of all: the one of the prince who would save her.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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The only piece of home Ofelia had been able to take with her were some of her books. She closed her fingers firmly around the one on her lap, caressing the cover. When she opened the book, the white pages were so bright against the shadows that filled the forest and the words they offered granted shelter and comfort. The letters were like footprints in the snow, a wide white landscape untouched by pain, unharmed by memories too dark to keep, too sweet to let go of.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
β€œ
Evil seldom takes shape immediately. It is often little more than a whisper at first. A glance. A betrayal. But then it grows and takes root, still invisible, unnoticed. Only fairy tales give evil a proper shape.
”
”
Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Sometimes the objects we hold dear give away who we are even more than the people we love. The glass of the watch had cracked in the hand of Vidal’s father at the very moment he died, which his son took as proof that things could survive death if only one kept them clean and in perfect order.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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When she opened the book, the white pages were so bright against the shadows that filled the forest and the words they offered granted shelter and comfort. The letters were like footprints in the snow, a wide white landscape untouched by pain, unharmed by memories too dark to keep, too sweet to let go of.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Death is a lover to be feared and there was only one way to overcome that fear - by being her executioner.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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In our choices lie our fate
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Although we may wish for it, true magic is a scary thing.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Learning about adults’ secrets means learning to understand their worldβ€”and how to survive
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Or maybe the labyrinth had been built just for this purposeβ€”to have them all play their part in a story written once upon a time and long ago.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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What had brought him to this outpost of hell? Ferreira wondered while following Garces into the rain: fate or his own decisions?
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Her fairy tales were wrong to give evil the shape of a magnificent wild creature. Both Ernesto Vidal and the Pale Man were human beings who fed on hearts and souls because they had lost their own.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Yes. The metamorphosis had been successful. Actually, this body might prove to be a new favorite, although she’d taken many shapes in her immortal life. Change was in her nature. It was part of her magic and her favorite game.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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And it is said, that the princess Moanna returned to her father’s kingdom, and reigned there with justice and a kind heart for many centuries. That she was loved by her people and left behind small traces of her time on earth visible only to those who know where to look.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world. She dreamed of blue skies, soft breeze, and sunshine. One day, eluding her keepers, the Princess escaped. Once outside, the brightness blinded her and erased every trace of the past from her memory. She forgot who she was and where she came from. Her body suffered cold, sickness, and pain. Eventually, she died. However, her father, the King, always knew that the Princess' soul would return, perhaps in another body, in another place, at another time. And he would wait for her, until he drew his last breath, until the world stopped turning...
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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All the words of love would turn into weapons against the ones they were supposed to comfort.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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No, vanity - that was his weakness: the urge to constantly prove to himself and to others that nothing and no one could withstand him and that his heart didn't know either fear nor pity. Liar. He was afraid of everything. Especially himself.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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That's what the books said, and didn't their tales feel so much truer than what adults pretended this world to be about? Only books talked about all the things adults didn't want you to ask about - Life. Death. Good and Evil. And what else truly mattered in life.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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In Consiliis nostris fatum nostrum est, the words read. In our choices lie our fate.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Los mortales no entienden que la vida no es un libro que cierras solo cuando has leΓ­do la ΓΊltima pΓ‘gina. No existe tal cosa en el Libro de la Vida, ya que la ΓΊltima pΓ‘gina siempre es la misma de la historia siguiente.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Libraries don't keep secrets; they reveal them
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Pan's Labyrinth: The Labyrinth of the Faun, Guillermo del Toro
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That was the use of knives for women: to cut food for the men who killed with their knives… who killed those women's husbands, their sons, and their daughters.
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Guillermo del Toro (Guillermo del Toro's Pan's Labyrinth: Inside the Creation of a Modern Fairy Tale)
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He felt so tired and angry. Maybe his anger was mostly caused by his exhaustion and lack of hope. And don’t forget the fear, he told himself. Fear that the good causes never winβ€”that they can only hold up evil for a while.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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The forest offered so much to those who honored it.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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He. Nobody spoke his name. Vidal. It sounded like a stone thrown through a window
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)
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Mercedes stepped back to her brother’s side, the baby in her arms while Vidal stared at the watch’s shattered face, its hands counting away his last moments as meticulously, as it had counted away all the years since his father’s death.
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Guillermo del Toro (Pan's Labyrinth: The Labyrinth of the Faun)