Palmer Quotes

We've searched our database for all the quotes and captions related to Palmer. Here they are! All 100 of them:

β€œ
If I profane with my unworthiest hand This holy shrine, the gentle fine is this: My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. Juliet: Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss. Romeo: Have not saints lips, and holy palmers too? Juliet: Ay, pilgrim, lips that they must use in prayer. Romeo: O, then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair. Juliet: Saints do not move, though grant for prayers' sake. Romeo: Then move not, while my prayer's effect I take. Thus from my lips, by yours, my sin is purged. Juliet: Then have my lips the sin that they have took. Romeo: Sin from thy lips? O trespass sweetly urged! Give me my sin again. Juliet: You kiss by the book.
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William Shakespeare (Romeo and Juliet)
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No, Miss Palmer. What is bizarre is that I currently have a vagina.
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Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
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I’d have been dead a long time ago if not for my friends, one of whom had just jumped off the cliff after me. I’d have been a lot more appreciative if he hadn’t pushed me first." ~Cassandra Palmer
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
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Before I can tell my life what I want to do with it, I must listen to my life telling me who I am.
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Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
β€œ
I wasn't entirely sure, but a polite John Pritkin might be a sign of the apocalypse.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
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Managers tend to pick a strategy that is the least likely to fail, rather then to pick a strategy that is most efficient," Said Palmer. " The pain of looking bad is worse than the gain of making the best move.
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Michael Lewis (Moneyball)
β€œ
Good teaching cannot be reduced to technique; good teaching comes from the identity and integrity of the teacher.
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Parker J. Palmer (The Courage to Teach: Exploring the Inner Landscape of a Teacher's Life)
β€œ
Let every man shovel out his own snow, and the whole city will be passable," said Gamache. Seeing Beauvoir's puzzled expression he added, "Emerson." "Lake and Palmer?" "Ralph and Waldo.
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Louise Penny (A Fatal Grace (Chief Inspector Armand Gamache, #2))
β€œ
Asking for help with shame says: You have the power over me. Asking with condescension says: I have the power over you. But asking for help with gratitude says: We have the power to help each other.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
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I was alive, they were not. Go Me. (Touch the Dark)
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Karen Chance (Touch the Dark (Cassandra Palmer, #1))
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We’re going jogging.” β€œI don’t run for recreation. I run when someone’s after me with a weapon.” β€œThat can be arranged,
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
β€œ
He smiled at that, and then his gaze shifted to a spot over my shoulder and it faded. 'These doubts wouldn’t have anything to do with the company you’re keeping of late, would they?' I didn’t get a chance to answer before the shop door was thrown open and a furious war mage stomped in. Pritkin spotted me and his eyes narrowed. 'You shaved my legs?!' Mircea looked at me and folded his arms across his chest. I looked from one unhappy face to the other and suddenly remembered that I had somewhere else to be.
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Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
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How the hell do you think I feel?" I don't want to end up inside a woman!" He paused. "Well, at least not that way
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Karen Chance (Touch the Dark (Cassandra Palmer, #1))
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He had the look of an atheist who’d just had a visit from God: stunned, disbelieving and faintly ill.
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Karen Chance (Claimed by Shadow (Cassandra Palmer, #2))
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Think you can maybe not die for five minutes?" "I'll try,"I told him seriously. "You know, if anyone else said that, it would be funny.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β€œ
All I want is a best friend whom I can't wait to kiss again.
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Robin Palmer (Cindy Ella)
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There are in life a few moments so beautiful,that even words are a sort of profanity.
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Diana Palmer
β€œ
My sometimes friend, sometimes enemy, all the time pain in the ass.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β€œ
And I just couldn't take it anymore. I closed the distance between us, slammed him back against the chair and kissed him, holding his head still with both my hands buried in that stupid, stupid hair. I half expected more resistance, because Pritkin had never met an argument he didn't like. So it was a shock when he ran his hands down my sides, cupped my hips and slid us both to the floor. "I'm going straight to hell for this," he muttered. "At least you'll know a lot of people," I said breathlessly.
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Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
β€œ
Pritkin kissed like he did everything else, straightforward, accepting no prisoners and with an intensity that left me breathless. It was hot and hard and desperate, like he was starving for it, and I opened my mouth and took it, because, God.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
β€œ
Women won't have total equality until men can get pregnant.
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Diana Palmer
β€œ
Great. I'd been dumped in Hell's waiting room.
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Karen Chance (Touch the Dark (Cassandra Palmer, #1))
β€œ
Our deepest calling is to grow into our own authentic self-hood, whether or not it conforms to some image of who we ought to be. As we do so, we will not only find the joy that every human being seeks--we will also find our path of authentic service in the world.
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Parker J. Palmer
β€œ
You know, dulceata, there are times when I truly believe you are the most frightening person I know. Thank you?
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β€œ
No they called it the Codex Merlini because it was written by a guy named Ralph.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
β€œ
Self-care is never a selfish act - it is simply good stewardship of the only gift I have, the gift I was put on earth to offer others. Anytime we can listen to true self and give the care it requires, we do it not only for ourselves, but for the many others whose lives we touch.
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Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
β€œ
Where. Is. He?" Alphonse repeated, although it sounded more like "Don't make me eat your face.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
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You know what’s really cool? Wake up every morning, decide what you feel like doing, and do it.
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Amanda Palmer
β€œ
Life as it should be: all friends, all art, all music, all love, all the time.
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Amanda Palmer
β€œ
The highest form of love is the love that allows for intimacy without the annihilation of difference.
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Parker J. Palmer (The Courage to Teach: Exploring the Inner Landscape of a Teacher's Life)
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Coincidence is God's way of being anonymous.
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Laura Pedersen (Best Bet (Hallie Palmer, #4))
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Violence is what happens when we don't know what else to do with our suffering.
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Parker J. Palmer
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Then you must be willing to fight," Mircea responded. "Life is not a gift, Raphael; it's a challenge. Rise to it!
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Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
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When you’re an artist, nobody ever tells you or hits you with the magic wand of legitimacy. You have to hit your own head with your own handmade wand. And you feel stupid doing it.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
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Let me get this straight. First you decide I'm a demon because of a power I didn't ask for and don't even understand. Then when that falls through you label me a fallen sybil and a ho. Am I missing something or do you just not like me
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Karen Chance (Touch the Dark (Cassandra Palmer, #1))
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Not really hungry." "She’ll eat." Pritkin said curtly. "I said β€”" "If you starve to death it would damage my professional reputation." "I eat plenty." "The same does not apply should I strangle you in understandable irritation, however." "I’ll have a sandwich," I told Nick. "No meat.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
β€œ
There's really no honor in proving that you can carry the entire load on your own shoulders. And...it's lonely
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
β€œ
By choosing integrity, I become more whole, but wholeness does not mean perfection. It means becoming more real by acknowledging the whole of who I am.
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Parker J. Palmer (The Courage to Teach: Exploring the Inner Landscape of a Teacher's Life)
β€œ
The most temptation I'd experienced had been with Tomas, the Senate's spy who had been feeding off me without permission, and Mircea, who was probably plotting some nefarious scheme. I have no taste in men.
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Karen Chance (Touch the Dark (Cassandra Palmer, #1))
β€œ
I couldn’t see Pritkin’s face very well, just a pale blur against the shadows, but he didn’t sound happy. Some people thought he had only one mode... pissed off. In reality, he had plenty of them. Over the past few weeks, I’d learned to tell the difference between real pissed off, impatient pissed off and scared pissed off. I suspected that this was the last kind. If so, that made two of us.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
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It's okay. You aren't my type. What's your type? Someone who gets into less trouble.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
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It takes a certain amount of courage, he thought, to face yourself and say with candor, I'm rotten. I've done evil and I will again. It was no accident; it emanated from the true, authentic me.
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Philip K. Dick (The Three Stigmata of Palmer Eldritch)
β€œ
In both the art and the business worlds, the difference between the amateurs and the professionals is simple: The professionals know they’re winging it. The amateurs pretend they’re not.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
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It's about time! It's supposed to be a ritual, not a marathon.
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Karen Chance (Claimed by Shadow (Cassandra Palmer, #2))
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A legend is merely a history man decided to bugger.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β€œ
I want to learn how to hold the paradoxical poles of my identity together, to embrace the profoundly opposite truths that my sense of self is deeply dependent on others dancing with me and that I still have a sense of self when no one wants to dance.
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Parker J. Palmer (The Courage to Teach: Exploring the Inner Landscape of a Teacher's Life)
β€œ
Each time a door closes, the rest of the world opens up.
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Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
β€œ
Just take the fucking donuts.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
β€œ
And when you’re afraid of someone’s judgment, you can’t connect with them. You’re too preoccupied with the task of impressing them.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
β€œ
You know, I've lived a long time," he told me, massaging my calf more firmly now. "And I met a lot of people. But I ain't never met a woman made me want to beat her to death as often as you.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β€œ
Pritkin and Mircea mixed like oil and water, only not so well.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β€œ
I stared at him, unable to believe this was happening. That he could just disappear, along with everything rich and strange he’d brought into my life. Vanished, like magic.
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Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
β€œ
The Fraud Police are the imaginary, terrifying force of 'real' grown-ups who you believe - at some subconscious level - are going to come knocking on your door in the middle of the night, saying: We've been watching you, and we have evidence that you have NO IDEA WHAT YOU'RE DOING. You stand accused of the crime of completely winging it, you are guilty of making shit up as you go along, you do not actually deserve your job, we are taking everything away and we are TELLING EVERYBODY.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
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Humility is the only lens though which great things can be seen--and once we have seen them, humility is the only posture possible.
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Parker J. Palmer
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There’s no β€œcorrect path” to becoming a real artist. You might think you’ll gain legitimacy by going to art school, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
β€œ
When good Americans die, they go to Paris,' the ghost said, after taking a drag on a small cigarette. But you’re not dead. I suppose the question must be, are you good?
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
β€œ
Kiss me....Cassie....Like you mean it.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
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War mages ordered, threatened and bitched. They didn't deal.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β€œ
Eat the pain. Send it back into the void as love.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
β€œ
Before you tell your life what you intend to do with it, listen for what it intends to do with you. Before you tell your life what truths and values you have decided to live up to, let your life tell you what truths you embody, what values you represent.
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Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
β€œ
There’s a difference between wanting to be looked at and wanting to be seen. When you are looked at, your eyes can be closed. You suck energy, you steal the spotlight. When you are seen, your eyes must be open, and you are seeing and recognizing your witness. You accept energy and you generate energy. You create light. One is exhibitionism, the other is connection. Not everybody wants to be looked at. Everybody wants to be seen.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
β€œ
The winters will drive you crazy until you learn to get out into them.
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Parker J. Palmer
β€œ
You could say I'm on the troubleshooting squad." "Troubleshooting?" He put a hand on the back of his waistband. "I see trouble and I shoot it.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
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Relationships are so much like the United States - they only really thrive when faced with an external threat.
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Laura Pedersen (Best Bet (Hallie Palmer, #4))
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Sometimes we have to hit bottom before we figure out how to really enjoy life.
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Michael Palmer (Miracle Cure)
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Pritkin gave me a little shake and I eyed him without favor. The only other occasions when I had been dragged back in time, the trip had been triggered by proximity to a person whose past was being threatened. I have to tell you,” I said frankly, β€œif someone is trying to mess with your conception or something, I’m not feeling a pressing need to intervene.
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Karen Chance (Claimed by Shadow (Cassandra Palmer, #2))
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Relational trust is built on movements of the human heart such as empathy, commitment, compassion, patience, and the capacity to forgive.
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Parker J. Palmer (The Courage to Teach: Exploring the Inner Landscape of a Teacher's Life)
β€œ
I felt betrayed and absolutely livid, but my body wasn’t smart enough to know it. It had liked the feel of his hands, wanted more of it, wanted it now. It was almost like there were two of me, one who heartily approved of the mage and one who would have dearly loved to see him dead.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
β€œ
I narrowed my eyes at it. Ming-de’s little gift, I assumed. β€œYou look better in color,” I snapped. He sent me a sultry look over his shoulder. β€œReally? Most women think I look better in nothing at all.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
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If I'd had enough breath, I would have screamed, both at the sensation and at the sheer pettiness of the bastard who wouldn't allow me even a tiny chance of escape.
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Karen Chance (Touch the Dark (Cassandra Palmer, #1))
β€œ
As I teach, I project the condition of my soul onto my students, my subject, and our way of being together.
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Parker J. Palmer (The Courage to Teach: Exploring the Inner Landscape of a Teacher's Life)
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This is how a creative human works. Collecting, connecting, sharing.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
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You love me?" He just looked at me for a moment. And then he reared back his head and laughed, a rich, mellow sound, unreserved and unashamed. " No, not at all. I regularly battle gods for women I dislike!
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
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From what I've seen, it isn't so much the act of asking that paralyzes us--it's what lies beneath: the fear of being vulnerable, the fear of rejection, the fear of looking needy or weak. The fear of being seen as a burdensome member of the community instead of a productive one. It points, fundamentally, to our separation from one another.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
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I looked up to find a slim blond figure standing in the doorway to the kitchen. For a frozen second, I looked at him and he looked at me, and then I screamed and threw my coffee, which hit him square in the groin.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β€œ
Wholeness does not mean perfection; it means embracing brokenness as an integral part of life
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Parker J. Palmer (A Hidden Wholeness: The Journey Toward an Undivided Life : Welcoming the soul and weaving community in a wounded world)
β€œ
I dodged behind Mac for cover and refused to take the bait. I glanced at my nonexistent watch. 'Oops, look at the time. Guess I have to be going now. Let's not do this again sometime, okay?' Before I could move, Pritkin was there, jamming the medallion into the skin of my upper arm.'Ow!'He looked at me expectantly. I glared at him. 'That hurt!' What do you see?' A big red mark,
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Karen Chance (Claimed by Shadow (Cassandra Palmer, #2))
β€œ
Like a wild animal, the soul is tough, resilient, resourceful, savvy, and self-sufficient: it knows how to survive in hard places. I learned about these qualities during my bouts with depression. In that deadly darkness, the faculties I had always depended on collapsed. My intellect was useless; my emotions were dead; my will was impotent; my ego was shattered. But from time to time, deep in the thickets of my inner wilderness, I could sense the presence of something that knew how to stay alive even when the rest of me wanted to die. That something was my tough and tenacious soul.
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Parker J. Palmer (A Hidden Wholeness: The Journey Toward an Undivided Life : Welcoming the soul and weaving community in a wounded world)
β€œ
If we want to grow as teachers -- we must do something alien to academic culture: we must talk to each other about our inner lives -- risky stuff in a profession that fears the personal and seeks safety in the technical, the distant, the abstract.
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Parker J. Palmer (The Courage to Teach: Exploring the Inner Landscape of a Teacher's Life)
β€œ
A farmer is sitting on his porch in a chair, hanging out. A friend walks up to the porch to say hello, and hears an awful yelping, squealing sound coming from inside the house. "What's that terrifyin' sound?" asks the friend. "It's my dog," said the farmer. "He's sittin' on a nail." "Why doesn't he just sit up and get off it?" asks the friend. The farmer deliberates on this and replies: "Doesn't hurt enough yet.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
β€œ
Once upon a time, when I was a child reading fairy tales, I'd ached to have my own adventures. Not that I'd wanted to be some dippy heroine languishing in a tower, awaiting rescue. No, I'd wanted to be the knight, charging into battle against overwhelming odds, or the plucky country lass who gets taken on as an apprentice to a great wizard. As I got older, I'd found out the hard way that adventures are rarely anything like the books say. Half the time you are scared out of your mind, and the rest you're bored and your feet hurt. I was beginning to believe that maybe I wasn't the adventurous type.
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Karen Chance (Touch the Dark (Cassandra Palmer, #1))
β€œ
Trash can!” Pritkin cursed and grabbed one, just about the time everything I’d eaten that night paid a repeat visit. Whiskey, pizza, milk shake, beer-and a lone, half-dissolved gummy bear, which was a surprise, since I couldn’t actually recall having eaten any. Fun times.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β€œ
I want to live and work alone. If we get married, do I have to live with you? No, he said. Will you marry me? Do I have to act like a wife? I don’t really want to be a wife. No, you don’t need to be a wife, he said. Will you marry me? If we get married, will we be able to sleep with other people? Yep, he said. Will you marry me? Can I maintain total control of my life? I need total control of my life. Yes, darling. I’m not trying to control you. At all. Will you marry me? I probably don’t want kids. That’s fine. I already have three. They’re great. Will you marry me? If I marry you and it doesn’t work, can we just get divorced? Sure, he said brightly.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
β€œ
I mean, after all, you have to consider we're only made out of dust. That's admittedly not much to go on and we shouldn't forget that. But even considering, I mean it's sort of a bad beginning, we're not doing too bad. So I personally have faith that even in this lousy situation we're faced with we can make it. You get me?
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Philip K. Dick (The Three Stigmata of Palmer Eldritch)
β€œ
The deeper our faith, the more doubt we must endure; the deeper our hope, the more prone we are to despair; the deeper our love, the more pain its loss will bring: these are a few of the paradoxes we must hold as human beings. If we refuse to hold them in the hopes of living without doubt, despair, and pain, we also find ourselves living without faith, hope, and love.
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Parker J. Palmer
β€œ
I drank some too-hot coffee and scowled at him, annoyed although I couldn't remember why. The light from the lounge was leaking in, highlighting his spiky blond hair. I decided that must be it. "You really hate my hair, don't you?" he asked, a smile flickering over his lips so fast I might have imagined it. "Yeah" "Why?" I reached out to touch it, and was surprised as always to find it mostly soft. Just a little stiff in places from whatever product he used on it. It felt weird, imagining Pritkin having anything in his hair but sweat. But he must have; nobody's did that all on its own. "It's like...angry hair," I said, trying to pat it down and failing miserably. He caught my wrist. "Most people would say that suits me." "I'm not most people." "I know.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β€œ
I’m beginning to sense a theme,” Mircea said, tossing his suit coat over a buckskin-covered chair. A moose head with huge, outspread antlers loomed over it, its bright glass eyes looking oddly lifelike in the low light. Mircea took in the room, his expression slightly repulsed yet fascinated. β€œI believe there is only one thing to say at this point.” What’s that?” Yee haw,” he said gravely, and took me down like a rodeo calf.
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Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
β€œ
Pritkin muttered something that sounded fairly vicious. β€œMy clothes are warded! Even if I wished to accede to your demand, it would not work on them.” β€œThen strip.” β€œI beg your pardon?” He sounded almost polite suddenly, as if he believed he couldn’t possibly have heard right.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
β€œ
Mircea must have heard us come in, but he continued what he was doing. He stood with his back to us, the candlelight on his bare skin causing his muscles to fall into sharp relief. He’d washed the river gunk out of his hair and now he threw it back, the water droplets shimmering in the light. The scene looked for all the world like a really good romance novel cover.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
β€œ
He shook me, and despite it being one-handed, it made my teeth rattle. β€œIf anything like that ever happens again. You. Leave. Me. Behind. Do you understand?” I would have argued, but I was feeling a little shocky for some reason. β€œI’m not good at abandoning people,” I finally said. A front-desk person scurried over, first-aid kit in hand, but Pritkin snarled at the poor guy and he quickly backed up a step. β€œThen get good at it!” He stomped off, limping, one shoulder hanging at an odd angle. β€œYou’re welcome,” I murmured.
”
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
β€œ
My new 9mm didn’t fit my hand as well as my old one, but it was rapidly becoming a familiar weight. At first I’d decided it was okay to wear as long as I shot only at supernatural bad guys who were already shooting at me. Lately, I’d had to broaden that definition to anytime my life was in danger. I was currently leaning toward a slightly more comprehensive rule somewhere between proactive self-defense and the-bastards-had-it-coming, which, if I survived long enough, I intended to blame on my deranged partner rubbing off on me.
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Karen Chance (Embrace the Night (Cassandra Palmer, #3))
β€œ
I've been noble since they took you to the hospital," he said through his teeth. "I'm tired of it. I don't eat, I don't sleep, I can't even work. I remember your voice moaning in my ear like the cry of the damned while I was having you," he bit off, bending to her mouth. "You couldn't get enough of me. You couldn't get close enough to me. Your face when I fulfilled you....I ache every time I think about it.
”
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Diana Palmer (Lawless (Long, Tall Texans #22))
β€œ
Whan that Aprill with his shoures soote The droghte of March hath perced to the roote, And bathed every veyne in switch licour Of which vertu engendred is the flour; Whan Zephirus eek with his sweete breeth Inspired hath in every holt and heeth The tendre croppes, and the yonge sonne Hath in the Ram his half cours yronne, And smale foweles maken melodye, That slepen al the nyght with open ye (So Priketh hem Nature in hir corages), Thanne longen folk to goon on pilgrimages, And palmeres for to seken straunge strondes, To ferne halwes, kowthe in sondry londes; And specially from every shires ende Of Engelond to Caunterbury they wende, The hooly blisful martir for to seke, That hem hath holpen whan that they were seeke
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Geoffrey Chaucer (The Canterbury Tales)
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I looked up to see the sailing ship above me, the prow dipped low and Mircea hanging off the end of the wooden figurehead. His fist was knotted in my waistband, which explained why I couldn’t breathe. Considering the alternative, I really didn’t mind so much. Even so, I was surprised his reflexes had been good enough to catch me. He looked kind of shocked himself. For a second, the reserved demeanor cracked open on something wild and fierce and compelling. Then he dragged me up, put a hand on either side of my face and kissed me full on the lips. From somewhere above, I heard Pritkin swear.
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Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
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Butβ€”let me tell you my cat joke. It's very short and simple. A hostess is giving a dinner party and she's got a lovely five-pound T-bone steak sitting on the sideboard in the kitchen waiting to be cooked while she chats with the guests in the living roomβ€”has a few drinks and whatnot. But then she excuses herself to go into the kitchen to cook the steakβ€”and it's gone. And there's the family cat, in the corner, sedately washing it's face." "The cat got the steak," Barney said. "Did it? The guests are called in; they argue about it. The steak is gone, all five pounds of it; there sits the cat, looking well-fed and cheerful. "Weigh the cat," someone says. They've had a few drinks; it looks like a good idea. So they go into the bathroom and weigh the cat on the scales. It reads exactly five pounds. They all perceive this reading and a guest says, "okay, that's it. There's the steak." They're satisfied that they know what happened, now; they've got empirical proof. Then a qualm comes to one of them and he says, puzzled, "But where's the cat?
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Philip K. Dick (The Three Stigmata of Palmer Eldritch)
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The perception that vulnerability is weakness is the most widely accepted myth about vulnerability and the most dangerous. When we spend our lives pushing away and protecting ourselves from feeling vulnerable or from being perceived as too emotional, we feel contempt when others are less capable or willing to mask feelings, suck it up, and soldier on. We’ve come to the point where, rather than respecting and appreciating the courage and daring behind vulnerability, we let our fear and discomfort become judgment and criticism.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
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And even then, it's not like you did all that much," I said, talking over him, because it was the only way to get a word in edgeways with Pritkin sometimes. He had filched the bottle back to take a drink, but at that he lowered it and looked at me, his eyes very green next to the amber liquor. "What?" "I just meant, it wasn't all that and a bag of chips. You know?" He blinked at me. "No offense," I added, because he was looking kind of poleaxed. Like maybe he hadn't had a whole lot of complaints before. Which was, frankly, pretty damn understandable. But I feigned indifference. "I mean, it couldn't have been that bad if -" "Bad?" "Well, not bad bad." He just looked at me. "I mean, I came and everything, so that has to count for some -" I cut off because I was suddenly enveloped in a strong pair of arms, and my head was crushed to a hard chest. A chest that appeared to be vibrating. It took me a few moments to get it, and even then I wasn't so sure, because Pritkin's face was buried in my hair. But I kind of thought - as impossible as it seemed - that he might be ... laughing?
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
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WHO’S GOT A TAMPON? I JUST GOT MY PERIOD, I will announce loudly to nobody in particular in a women’s bathroom in a San Francisco restaurant, or to a co-ed dressing room of a music festival in Prague, or to the unsuspecting gatherers in a kitchen at a party in Sydney, Munich, or Cincinnati. Invariably, across the world, I have seen and heard the rustling of female hands through backpacks and purses, until the triumphant moment when a stranger fishes one out with a kind smile. No money is ever exchanged. The unspoken universal understanding is: Today, it is my turn to take the tampon. Tomorrow, it shall be yours. There is a constant, karmic tampon circle. It also exists, I’ve found, with Kleenex, cigarettes, and ballpoint pens.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
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I'm not worried about me," I whispered viciously. And as sono as I said it, I knew it was the truth. Apparently, the surefire antidiote for your own fear is concern for someone else. Pritkin looked surprised, the way he always did at the idea that anyone might actually care about him. It made me want to hit him. Of course, right then I wanted to do that anyway. "Nothing is going to happen," he repeated. "But even if it did, you don't need me. You don't need -" "That isn't true!" "Yes, it is." He looked at me and his lips quirked. "You can't fire a gun worth a damn. You hit like a girl. Your knowledge of magic is rudimentary at best. And you act like I'm torturing you if I make you run more than a mile." I blinked at him. "But I've known mages who aren't as resilient, who aren't as brave, who aren't -" he looked away for a moment. And then he looked back at me, green eyes burning. "You're the strongest person I know. And you will be fine.
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Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
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Eventually, I developed my own image of teh "befriending" impulse behind my depression. Imagine that from early in my life, a friendly figure, standing a block away, was trying to get my attention by shouting my name, wanting to teach me some hard but healing truths about myself. But I-- fearful of what I might hear or arrogantly trying to live wihtout help or simply too busy with my ideas and ego and ethics to bother-- ignored teh shouts and walked away. So this figure, still with friendly intent, came closer and shouted more loudly, but AI kept walking. Ever closer it came, close enough to tap me on the shoulder, but I walked on. Frustrated by my unresponsiveness, the figure threw stones at my back, then struck me with a stick, still wanting simply to get my attention. But despite teh pain, I kept walking away. Over teh years, teh befriending intent of this figure never disapppeared but became obscured by the frustration cuased by my refusal to turn around. Since shouts and taps, stones and sticks had failed to do the trick, there was only one thing left: drop the nuclear bomb called depression on me, not with the intent to kill but as a last-ditch effort to get me to turn and ask the simple question, "What do you want?" When I was finally able to make the turn-- and start to absorb and act on the self-knowledge that then became available to me-- I began to get well. The figure calling to me all those years was, I believe, what Thomas Merton calls "true self." This is not the ego self that wants to inflate us (or deflate us, another from of self-distortion), not the intellectual self that wants to hover above the mess of life in clear but ungrounded ideas, not the ethical self that wants to live by some abstract moral code. It is the self-planted in us by the God who made us in God's own image-- the self that wants nothing more, or less, than for us to be who we were created to be. True self is true friend. One ignores or rejects such friendship only at one's peril.
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Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)