Pallet Quotes

We've searched our database for all the quotes and captions related to Pallet. Here they are! All 100 of them:

It is better for you to be free of fear lying upon a pallet, than to have a golden couch and a rich table and be full of trouble.
Epicurus
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor. "What do you want?" I demanded. "A moment of peace and quiet," he snapped, rubbing his temples. I paused. "From what?" He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess." I sat up farther on my pallet of the hay. I'd never seen him so candid. "That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot." So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?" The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - " "You can leave if you're just going to insult me." "But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
At the end of the warehouse was a dais constructed from pallets of books: stack of vampire novels, walls of James Patterson thrillers, and a throne from about a thousand copies of something called The Five Habits of Highly Aggressive Women.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
He knew that on the day of his death he would see her face and he could hope to carry that beauty into the darkness with him, the last pagan on earth, singing softly upon his pallet in an unknown tongue.
Cormac McCarthy (The Passenger (The Passenger #1))
When he came back, he fed the fire, rolled out his pallet, turned off the light and laid down. After several minutes of quiet darkness, she heard his voice. "Sorry if I scared you. I don't roar that often." -Ian to Marcie
Robyn Carr (A Virgin River Christmas (Virgin River, #4))
From a limited pallet of molecular components including cellulose, chitosan, and pectin; the very same materials found in trees, crustaceans and apple skins - natural systems embody an extensive array of functional materials that outperform human engineered ones through their resilience, sustainability and adaptability.
Neri Oxman
Sheets, towels and blankets surrounded Travis. He had fashioned a soft pallet to sleep on while I expelled the fifteen shots of tequila I’d consumed the night before. Travis had held my hair out of the toilet, and sat with me all night.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
They began work at 5:30 and quit at 7 at night. Children six years old going home to lie on a straw pallet until time to resume work the next morning! I have seen the hair torn out of their heads by the machinery, their scalps torn off, and yet not a single tear was shed, while the poodle dogs were loved and caressed and carried to the seashore.
Mary Harris Jones
Up, lad: thews that lie and cumber Sunlit pallets never thrive; Morns abed and daylight slumber Were not meant for man alive.
A.E. Housman
I drove on, and between the north and southbound lanes a construction crew worked under daylight-bright industrial lamps. I saw them through a gauzy fog of dust and strong light...they wore blood-red vests and hardhats and massive goggles, and as the road sank I saw that the workers were bone thin, with skeletal jaws and long teeth. They labored on platforms over gaping holes in the earth, and among the men, piled atop rickety pallets, lolled babies, piles of them, in ashy cerements. I could not tell whether the crew was excavating or burying them.
Matthew M. Bartlett (Gateways to Abomination)
He has told us that He is the hungry one. He is the naked one. He is the thirsty one. He is the one without a home. He is the one who is suffering. These are our treasures, she said, looking at the rows of pallets in the caravanserai. They are Jesus.
Mother Teresa
When I was a boy I first learned how much better water tastes when it has set a while in a cedar bucket. Warmish-cool, with a faint taste like the hot July wind in cedar trees smells. It has to set at least six hours, and be drunk from a gourd. Water should never be drunk from metal. And at night it is better still. I used to lie on the pallet in the hall, waiting until I could hear them all asleep, so I could get up and go back to the bucket. It would be black, the shelf black, the still surface of the water a round orifice in nothingness, where before I stirred it awake with the dipper I could see maybe a star or two in the bucket, and maybe in the dipper a star or two before I drank,
William Faulkner (As I Lay Dying)
Fridrik sat many a night by a smoking lamp, translating into Danish descriptions of the latest methods of keeping us poor humans alive, while on pallets around him lay the corpses, beyond any aid, despite the encouraging news of advances in electrical cures.
Sjón (The Blue Fox)
He lay down on his pallet and drew the fawn down beside him. He often lay so with it in the shed, or under the live oaks in the heat of the day. He lay with his head against its side. its ribs lifted and fell with its breathing. It rested its chin on his hand. It had a few short hairs there that prickled him. He had been cudgeling his wits for an excuse to bring the fawn inside at night to sleep with him, and now he had one that could not be disputed. He would smuggle it in and out as long as possible, in the name of peace.
Marjorie Kinnan Rawlings (The Yearling)
Don’t even try to count all the colors of spring. God’s pallet keeps generating new hues.
Toni Sorenson
lay there on my pallet, hoping it would improve soon and wondering, in a distant, unreproachful sort of way, if I was any kind of man at all, and decided that I probably wasn’t.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
Before that summer, I had many times heard long-winded Baptist preachers take ten minutes to pray over card tables of potato salad and fried chicken at church picnics, but the way those sweating, red-faced men sat around on stacked pallets of lumber gulping oysters taught me most of what I knew about simple gladness.
Mary Karr (The Liars' Club)
He grasped my hand. “Let’s take this off.” He gently drew the ring from my finger, like a reverse engagement. A nullification. But I let him. He set it beside the pallet. “Be with me,” he said, his accent thickening. “Stay with me.” He nipped my bottom lip, as exciting and sexy as he’d ever been. “Let’s stop regretting and start living.” With a breathless nod, I allowed myself to fall under his spell. I gave myself up to it, to him.
Kresley Cole (The Dark Calling (The Arcana Chronicles, #5))
In class I had been taught about neurotransmitters and their effect on brain chemistry; I understood that disease is not a choice. This knowledge might have made me sympathetic to my father, but it didn’t. I felt only anger. We were the ones who’d paid for it, I thought. Mother. Luke. Shawn. We had been bruised and gashed and concussed, had our legs set on fire and our heads cut open. We had lived in a state of alert, a kind of constant terror, our brains flooding with cortisol because we knew that any of those things might happen at any moment. Because Dad always put faith before safety. Because he believed himself right, and he kept on believing himself right—after the first car crash, after the second, after the bin, the fire, the pallet. And it was us who paid.
Tara Westover (Educated)
The passageway smelled of smoke: burning wood, a torch, acrid. His head ached. Blood was wet and sticky upon his arm and on his fingers, and the orange glow of torchlight played from behind his back and over the corridor walls, leaping like a bonfire. There was a strange familiarity to it: the narrow walls in around him. And when he came to a wooden door set in the wall, he put his hand upon it and pushed it open. There was a room, and a pallet inside it; a small torch burned low in a socket upon the wall. A man lay upon the cot, his face bruised and battered, his hands curled against his chest bloody: and Laurence knew him; knew him and knew himself. He remembered another door opening, in Bristol, three years before, and a voice asking him to come outside his prison, in a Britain under siege. “Tenzing,” Laurence said, and, as Tharkay opened feverish eyes, went to help him stand.
Naomi Novik (Blood of Tyrants (Temeraire, #8))
She gave life a meaning. She was art, dressed like a painters pallet, bright and unaware of how goddam beautiful she could be turned into; with the right touch, her smile was the brush and her story was the canvas.
Nikki Rowe
He’d taken up a pallet between Toadvine and another Kentuckian, a veteran of the war. This man had returned to claim some darkeyed love he’d left behind two years before when Doniphan’s command pulled east for Saltillo and the officers had had to drive back hundreds of young girls dressed as boys that took the road behind the army.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
And everyone loved sunsets. The light lost its sanity as it fell over the hills and into the Pacific--it went red and deeper red, orange, and even green. The skies seemed to melt, like lava eating black rock into great bite marks of burning. Sometimes all the town stopped and stared west. Shopkeepers came from their rooms to stand in the street. Families brought out their invalids on pallets and in wheelbarrows to wave their bent wrists at the madness consuming their sky. Swirls of gulls and pelicans like God's own confetti snowed across those sky riots.
Luis Alberto Urrea (The House of Broken Angels)
Everyday we are all presented with the same primary colors(red, yellow, blue), some mix their colors to get secondary and tertiary colors to paint their life's portrait beautifully, others sit and complain that they don't have enough colors. It's not the number of colors on your pallet that does the magic, it's what you do with what you have. Go ahead and paint anyway. It's your life's portrait.
Bernard Kelvin Clive
At night it is better still. I used to lie on the pallet in the hall waiting until I could hear them all asleep, so I could get up and go back to the bucket. It would be black, the shelf black, the still surface of the water a round orifice in nothingness, where before I stirred it awake with the dipper I could see maybe a star or two in the bucket, and maybe in the dipper a star or two before I drank. After that I was bigger, older.
William Faulkner (As I Lay Dying)
It didn't take long for her to help him remove his armor. She gestured to the pallet. "Lie down." "Not yet." He pulled her into his arms and held her against his chest. This is what he was fighting for. Not just for himself, but for all men to hold their women in their arms - and to raise families free from tyranny.
Amy Jarecki (Rise of a Legend (Guardian of Scotland #1))
All these women, Huila thought: Mothers of God. These skinny, these dirty and toothless, these pregnant and shoeless. These with an issue of blood, and these with unsuckled breasts and children cold in the grave. These old forgotten ones too weak to work. These fat ones who milked all day. These twisted ones tied to their pallets, these barren ones, these married ones, these abandoned ones, these whores, these hungry ones, these thieves, these drunks, these mestizas, these lovers of other women, these Indians, and these littlest ones who faced unknowable tomorrows. Mothers of God. If it was a sin to think so, she would face God and ask Him why. “The
Luis Alberto Urrea (The Hummingbird's Daughter)
His anxiety about the safety of his son, his conjectures concerning the issue of his mission to the Duke of Burgundy, and a thousand other thoughts which recalled past events, or speculated on those which were to come, rushed upon his mind like the waves of a perturbed sea, and prevented all tendency to repose. He had been in bed about an hour, and sleep had not yet approached his couch, when he felt that the pallet on which he lay was sinking below him, and that he was in the act of descending along with it he knew not whither.
Walter Scott (Anne of Geierstein)
The continual mismanagement is what keeps us from enjoying the full pallet of emotions that truly enrich us. .
Ruben Papian
I used intentionally compromised words because I knew no one would suspect a false bottom to the archaic pallets of shadings I applied.
André Aciman (Call Me by Your Name)
The blow, Iota goes down, the bucket rolls, Iota crawls for his pallet, Cla turns to look for the bucket.
Stephen King (Fairy Tale)
I love belief it can move the pallet on a Ouija board or put a man into space. The problem that we have is the wrong beliefs we can't erase.
Stanley Victor Paskavich
We all have the same pallet of emotional paints. It is how we pigment them on the canvas of life that dictates our artistry.
Ged Thompson Liverpool Poet
And, like you told you, the skeletons just stacked them onto a wooden pallet, tied some rope around it, and the dragon lifted everything into the air and flew away.
Dr. Block (Firestorm (Tales of the Glitch Guardians #3))
Somehow the words in her head have freed themselves from the architecture of teeth and tongue pallet
Cass Green (In a Cottage in a Wood)
Together, they will see to the girl, lift down the pallet, give her the medicine. They will take this matter in hand.
Maggie O'Farrell (Hamnet)
Several pallets had been pulled to the middle of the open space and stacked two high with a large blanket over them. The implication stunned her – it was so unexpected, so unlike what she believed about him – her mind only registered denial. She heard Ash bolt the door and remove his leather jacket, felt his hands on her shoulders as he turned her around to face him. He stroked her cheek with one hand while the other reached for his belt. “My sweet, innocent Sage,” he whispered, and still her thoughts could gain no traction. There was the snap of a release from his belt, and though she continued to meet his eyes, she saw a sheathed dagger in the hand he raised between them. “Tonight I must teach you how to kill a man.
Erin Beaty (The Traitor's Kiss (The Traitor's Circle, #1))
On the day of his death he would see her face and he could hope to carry that beauty into the darkness with him, the last pagan on earth, singing softly on his pallet in an unknown tongue.
Cormac McCarthy (The Passenger (The Passenger #1))
IV REVEILLE Wake: the silver dusk returning Up the beach of darkness brims, And the ship of sunrise burning Strands upon the eastern rims. Wake: the vaulted shadow shaatters, Trampled to the floor it spanned, And the tent of night in tatters Straws the sky-pavilioned land. Up, lad, up, 'tis late for lying: Hear the drums of morning play; Hark, the empty highways crying "Who'll beyond the hills away?" Towns and countries woo together, Forelands beacon, belfries call; Never lad that trod on leather Lived to feast his heart with all. Up, lad: thews that lie and cumber Sunlit pallets never thrive; Morns abed and daylight slumber Were not meant for man alive. Clay lies still, but blood's a rover; Breath's a ware that will not keep Up, lad: when the journey's over There'll be time enough to sleep.
A.E. Housman (A Shropshire Lad)
As Plutarch later wrote, “It is a most agreeable spectacle for a Roman soldier when he sees a general eating common bread in public, or sleeping on a simple pallet, or taking a hand in the construction of some trench or palisade. For they have not so much admiration for those leaders who share honor and riches with them as for those who take part in their toils and dangers.” Marius personified this type of leadership.
Mike Duncan (The Storm Before the Storm: The Beginning of the End of the Roman Republic)
Sabism is thematic pallet, philosophical colourism, chromatic signature and dual art, bi-chromatic scale, soft scale, poetics of attractiveness, mythologism, actual value, logism of color, active color, logical panel.
Lepota L. Cosmo
Look — here it comes, its bones are plastic, it builds itself from pallet slat & bottle top, rises from sift, is lashed & trussed with fishing line. It is drift: it has cuttlefish nails & sea-poppy horns, it breathes in rain & it breathes out rust.
Robert Macfarlane (Ness)
He was here. But in this world, how long could we possibly have together? "Jack, I love you. I can't ever lose you again." Adrenaline and fear morphed into heat. Desire. I turned my head to nuzzle one of his palms, kissing the callused skin. He sucked in a breath, and his big body tensed against mine. Combustion ignited. When I faced him, his attention dropped to my lips, so I wetted them. His eyes met mine, his smoldering expression asking, Do you want this? Mine answered: Try to deny me. He bent down; I'd already gone to my toes. When our lips met, logic evaporated like a water drop on a sizzling skillet. I tasted cold and salt on his lips. Almost lost him. I deepened the kiss, tugging on his neck as he yanked off his heavy coat. The tension that have been building between us erupted. I drank in his raw passion, unable to get enough. Between kisses, he tore off his soaked shirt as I snatched at his belt. His strong chest heaved breaths. Tumbling to the pallet. More kissing. Tongues twirling. My God, he's a sinful kisser.
Kresley Cole (The Dark Calling (The Arcana Chronicles, #5))
I think I have a lot going for me as far as dating. I have a high IQ, I'm 6'3", and on May 23rd I'll be Forklift Certified. That's right, I'll soon be qualified to transport stacked pallets, and I know that's the first thing women look for in a potential partner.
Jarod Kintz (Eggs, they’re not just for breakfast)
My primary duty was to lift the floor tile onto a shipping pallet and prepare that pallet for departure. It wasn’t easy, but it paid thirteen dollars an hour and I needed the money, so I took the job and collected as many overtime shifts and extra hours as I could.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
No matter how I prayed, no fairy godmother appeared. No elf or leprechaun or world-weary wizard materialised to provide the secret weapon against my foe. I remained alone in a mouse-infested cell, empty but for a pallet and the nightdress into which I now had to struggle.
Catherine Gilbert Murdock (Princess Ben)
In his delirium he ransacked the linens of his pallet for arms but there were none. The judge smiled. The fool was no longer there but another man and this other man he could never see in his entirety but he seemed an artisan and a worker in metal. The judge enshadowed him where he crouched at his trade but he was a coldforger who worked with hammer and die, perhaps under some indictment and an exile from men’s fires, hammering out like his own conjectural destiny all through the night of his becoming some coinage for a dawn that would not be. It is this false moneyer with his gravers and burins who seeks favor with the judge and he is at contriving from cold slag brute in the crucible a face that will pass, an image that will render this residual specie current in the markets where men barter. Of this is the judge judge and the night does not end.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
I began to feel my misery in pallet on floor, listening to music, my misery, that's why I want to sing. The room closed down on me, I expected the presence of the Creator, I saw my gray painted walls and ceiling, they contained my room, they contained me as the sky contained my garden,
Allen Ginsberg (Howl and Other Poems)
To the worst of them, she had been just another piece of Mr. Alexander’s choice livestock, and her pallet, in an alcove off the laundry room, had afforded her no lock or door bar. Since then, she and Jarret had managed to live in the precarious intimacy that is the only kind possible when one partner still ardently loves another. When Jarret sat by his hearth under the oil painting of Lexington, gazing at her lovely face in the firelight, he tried to forget that. As he tried to forget that it wasn’t a legal marriage and that, for all his authority at Woodburn, he was still enslaved.
Geraldine Brooks (Horse)
and a heart that throbs most queerly. I’m queer for other queers, queer for their shapes and colors and sizes, queer for their tastes. I’m queer for the ruthless sea. I’m queer for all the little queer creatures in the tide pools. I’m queer for the light when it breaks the horizon and queer for it when it sinks behind the trees. I’m plain queer for these people and queer for this world. I’m downright queer in love with this wreck of a world, queer in love with love itself—love’s always queer, always arriving in our hearts from queer nowheres, queering everything—and there we are; wide awake all night, queer as queer can be; queer orphans, queer widows, queer boys, and queer girls; sorrel girls queer for ivory boys, daffodil boys queer for lilac girls; carmine girls queer for sable girls, cinnamon boys so very queer for boys of bluest milk. Wicked shepherds! Burn me at the stake and hang me from a tree. Clap me in the stocks; send me down the mine; set me in the burning fields. But I am queer. And I say, Here is water, bread, a dull penny. Here’re my old shirt, my plane and hammer, a roof I’ll help you raise above your head. Here is my queer old body, in a barn, behind a hedge, beneath a shadow, on a bare pallet—
Paul Harding (This Other Eden)
But creativity, she doesn’t fit in a box. She’s a wild, fluid, uncontrollable energy that spreads out sensuously from a curious, wide open mind in large expanses of aimless time on dreamy liminal train journeys or in subtle moments between waking and sleep. She can’t be pushed, or coughed up, or beaten into submission by a brutal and unmerciful regime. She needs light, and breath, and space and then, maybe, if the mood takes her, she’ll unfurl her wings and let her colors run into the atmosphere. And this energy, this wild, fun, unpredictable magic that I’d played with so happily as a child, that had flowed through me like it was my very life force up until this point; I didn’t understand it anymore. Creativity was this swirling wild mysterious language, but now I lived in a colorless angular world that promised me a certainty I valued above all else. And where before, I was just scribbling, writing, moving for the mere joy of it, now I tried to commodify my creativity. I tried to squeeze it out and make it do something worthwhile, be special, be important, be good. I could no longer see the point of art if it wasn’t good. But that’s the tricky thing about art, it’s never strictly good or bad, it’s just expression, or excretion. It couldn’t be measure by scales or charts, or contained in small manageable segments in the day. It was always, by its very nature, so imperfect. And the imperfections drove me mad. The anxiety and frustration with my creative endeavors turned into an actual fear of blank pages and pallets of paint. There was too much potential and too much room to fail so day by day, I chose perfection over creativity. I chose no more creativity, and no more mistakes. There are things that eating disorders takes from you that are more important, much greater and more profound a loss, and much much more difficult to recover and restore completely than body fat. And that reckless urge to create, just for the pure, senseless joy of it, would become the one I missed the most.
Evanna Lynch (The Opposite of Butterfly Hunting: The Tragedy and The Glory of Growing Up (A Memoir))
Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut. 'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.' The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could. Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.' 'A light burden.' 'I wish you to find Augusta.' 'You have my promise.' 'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.' 'We shall talk of this later, when you are better. We shall find her together.' 'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.' Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will. 'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?' 'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.' Caroline did not speak again. Torrens stayed at her side. She died later that morning. Torrens buried her in the shelter of a hedgerow at the far edge of the field. The farmer offered to help, but Torrens refused and dug the grave himself. Later, in the farmhouse, he slept heavily for the first time since his escape. Mercifully, he did not dream. Next day, he gave the farmer his clothing in trade for peasant garb. He hitched up the cart and drove back to the road. He could have pressed on, lost himself beyond search in the provinces. He was free. Except for his promise. He turned the cart toward Marianstat.
Lloyd Alexander (The Beggar Queen (Westmark, #3))
Then he sat very still with his hands on his knees, his shaggy head against the bricks, restored to patience and a look of tried inviolate sanctity, the faded blue eyes looking out down the row of cages, a forest of sweating iron dowels, forms of men standing or huddled upon their pallets, and the old man felt the circle of years closing, the final increment of the curve returning him again to the inchoate, the prismatic flux of sound and color wherein he had drifted once before and now beyond the world of men.
Cormac McCarthy (The Orchard Keeper)
Boaz Asleep Boaz, overcome with weariness, by torchlight made his pallet on the threshing floor where all day he had worked, and now he slept among the bushels of threshed wheat. The old man owned wheatfields and barley, and though he was rich, he was still fair-minded. No filth soured the sweetness of his well. No hot iron of torture whitened in his forge. His beard was silver as a brook in April. He bound sheaves without the strain of hate or envy. He saw gleaners pass, and said, Let handfuls of the fat ears fall to them. The man's mind, clear of untoward feeling, clothed itself in candor. He wore clean robes. His heaped granaries spilled over always toward the poor, no less than public fountains. Boaz did well by his workers and by kinsmen. He was generous, and moderate. Women held him worthier than younger men, for youth is handsome, but to him in his old age came greatness. An old man, nearing his first source, may find the timelessness beyond times of trouble. And though fire burned in young men's eyes, to Ruth the eyes of Boaz shone clear light
Victor Hugo
IN THE DAWN there is a man progressing over the plain by means of holes which he is making in the ground. He uses an implement with two handles and he chucks it into the hole and he enkindles the stone in the hole with his steel hole by hole striking the fire out of the rock which God has put there. On the plain behind him are the wanderers in search of bones and those who do not search and they move haltingly in the light like mechanisms whose movements are monitored with escapement and pallet so that they appear restrained by a prudence or reflectiveness which has no inner reality and they cross in their progress one by one that track of holes that runs to the rim of the visible ground and which seems less the pursuit of some continuance than the verification of a principle, a validation of sequence and causality as if each round and perfect hole owed its existence to the one before it there on that prairie upon which are the bones and the gatherers of bones and those who do not gather. He strikes fire in the hole and draws out his steel. Then they all move on again.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
From the Bullens’ cottage came Father and Alf. They were carrying Granny on her old straw pallet. Hannah followed with the rest of the family. Showers of sparks were blowing on to the roof and against the side wall that was weather-boarded. Mother was clutching her case of stuffed birds and the family Bible. Granny was singing. Hannah said: ‘Yer’d best take ‘er up near the church and put ‘er somewheres out of the wind. Ermie and Doris, you go with Gran and stay close to ‘er, see? Don’t come down ‘ere again. Now mind what I says, you two stays by yer Gran; and Mother, you’d better go along with ‘em.
Radclyffe Hall (Radclyffe Hall: The Complete Novels)
There was silence then, and I did not care about the damp pallet or how sweaty I was. His eyes were unwavering, green flecked with gold. A surety rose in me, lodged in my throat. I will never leave him. It will be this, always, for as long as he will let me. If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth. As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong. "Patroclus," he said. He was always better with words than I.
Madeline Miller (The Song of Achilles)
Very well, then. If it is yours, perhaps you should like to inhabit it? With me, of course.” He winked suggestively. “We can always engage in some royal encounters in the palatial comfort of yon lousy pallet . . . It grows lonely, don’t you think?” “Shut up!” she snarled. “I don’t have to stand here and listen to your sly innuendos!” “Sly? Forgive me. I thought I was being quite direct. Allow me to steer a more . . . decided course.” He rose to his feet, towering over her, and, with a mocking sweep of his arm around the dark cell, the stone floor, the filthy mat said, “Perhaps you will join me for a bout of lusty coupling upon the forgiving comfort of—
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
Optimal Tower is a skyscraper unlike its predecessors, rising skyward as an artistic endeavor, spirited and soulful, with a steel and glass manifestation reminiscent of Claude Monet's water lilies, and instantly dismissive of the gray, steel and mortar structures of the past. The architects and builders have pilfered Monet's color pallet and painted this vertical stretch of the Cavanaugh skyline with the delicate greens and blues and grays and yellows of Giverny. Somehow, in the structure, the sensibility of an impressionist painting emerges as the muted colors are faded in splotches and sunlit in others, with gradual transitions as subtle as the delicate brush strokes of the master himself. Steel beams crisscross haphazardly throughout the towering facade, which only reinforces its intrinsic impressionistic essence by emulating the natural randomness of the lily pond. Atop the structure, a simple fifty foot spire seems to rein in the freeform work beneath it as it merges the natural splendor into one straight pinnacle skyward. This one hundred and fifteen story building reaches twenty-five stories above its surroundings, creating a gloriously artful and peaked skyline not unlike the Alps in France that will be instantly recognizable the world over and cause onlookers to gasp and utter, "C'est Magnifique.
Michael Bowe (Skyscraper of a Man)
Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect
David Foster Wallace (The Pale King)
She hooked a small stool over with her foot, climbed up on it, and began to count the bottles of floor-wax on the top shelf, touching each one lightly with the tips of her right thumb and forefinger as she went. She had to reach, and when she did, her dress pulled up and he could see beyond the brown tops of her stockings to the waffled white flesh of her upper thighs and he turned his eyes away, suddenly and aimlessly recalling what had happened to Noah’s third son when he looked at his father as the old man lay drunk and naked on his pallet. Poor guy had ended up being a hewer of wood and fetcher of water ever after. Him and all his descendants. And that’s why we have race riots today, son. Praise God.
Stephen King (The Stand)
It's just that when a woman is kidnapped and forced into agreeing to marriage, she hopes for a bit more... excitement. Than this." He rolled slowly- maddeningly- to face her, the air between them thickened, and Penelope was instantly aware of their position, scant inches apart, on a warm pallet in a small room in an empty house, beneath the same blanket- which happened to be his greatcoat. And she realized that perhaps she should not have implied that the evening was unexciting. Because she was not at all certain that she was prepared for it to become any more exciting. "I didn't mean-" She rushed to correct herself. "Oh, I think you did an excellent job of meaning." The words were low and dark, and suddenly she was not so very sure that she wasn't afraid after all. "I am not stimulating enough for you?" "Not you..." she was quick to reply. "The whole..." She waved one hand, lifting the greatcoat as she thought better of finishing. "Never mind." His gaze was on her, intent and unmoving and, while he had not moved, it seemed as though he had grown larger, more looming. As though he had sucked a great deal of air from the room. "How can I make this night more satisfying for you, my lady?" The soft question sent a thrum of feeling through her... the way the word- satisfying- rolled languid from his tongue set her heart racing and her stomach turning. It seemed the night was becoming very exciting very quickly. And everything was moving much too quickly for Penelope's tastes. "No need," she said, at an alarmingly high pitch. "It's fine." "Fine?" The word rolled lazily from his tongue. "Quite thrilling." She nodded, bringing one hand to her mouth to feign a yawn. "So thrilling, in fact, that I find myself unbearably exhausted." She made to turn her back to him. "I shall bid you good night." "I don't think so," he said, the soft words as loud as a gunshot in the tiny space between them.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
Two days later, I started my job. My job involved typing friendly letters full of happy lies to dying children. I wasn't allowed to touch my computer keyboard. I had to press the keys with a pair of Q-tips held by tweezers -- one pair of tweezers in each hand. I’m sorry -- that was a metaphor. My job involved using one of those photo booths to take strips of four photographs of myself. The idea was to take one picture good enough to put on a driver’s license, and to be completely satisfied with it, knowing I had infinite retries and all the time in the world, and that I was getting paid for it. I’d take the photos and show them to the boss, and he would help me think of reasons the photos weren't good enough. I’d fill out detailed reports between retakes. We weren't permitted to recycle the outtakes, so I had to scan them, put them on eBay, arrange a sale, and then ship them out to the buyer via FedEx. FedEx came once every three days, at either ten minutes till noon or five minutes after six. I’m sorry -- that was a metaphor, too. My job involved blowing ping-pong balls across long, narrow tables using three-foot-long bendy straws. At the far end of the table was a little wastebasket. My job was to get the ping-pong ball into that wastebasket, using only the bendy straw and my lungs. Touching the straw to the ping-pong ball was grounds for a talking-to. If the ping-pong ball fell off the side of the table, or if it missed the wastebasket, I had to get on my computer and send a formal request to commit suicide to Buddha himself. I would then wait patiently for his reply, which was invariably typed while very stoned, and incredibly forgiving. Every Friday, an hour before Quitting Time, I'd put on a radiation suit. I'd lift the wastebaskets full of ping-pong balls, one at a time, and deposit them into drawstring garbage bags. I'd tie the bags up, stack them all on a pallet, take them down to the incinerator in the basement, and watch them all burn. Then I'd fill out, by hand, a one-page form re: how the flames made me feel. "Sad" was an acceptable response; "Very Sad" was not.
Tim Rogers
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night. “Because my cave’s better than their cave.” “You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.” “I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance. When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.” He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?” “Mine has bats.” She breathed, “If I stick with you, I’ll have nothing but the best.” “Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side. Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts. She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.” “Or I could help you.” “I’ve had a bit of practice bathing myself and think I can stumble my way through this.” “But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.” “You give me privacy or I go without.” “Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Chris.” Michael had another bag, and he added it to the stack. “Less talk. More work.” A spark of irritation lit Chris’s features, but he turned toward the garage. “Come on. Talk to me while I load. He’s just pissed because he’s already late.” Becca followed him into the cool cavern of the garage. He picked up a bag from the stack and heaved it onto his shoulder. This felt awkward. “Can I help you? Or—” “Go ahead.” He flashed a smile. “Bring one out.” She bent and slid her hands under the slick edges of the sack. It felt like a bag of sand, and it was marked 35KG. She could never remember if kilograms were more than pounds or the other way around, but she crouched and heaved and attempted to lift the sack of limestone. Christ. It’s more. Kilograms are more. The bag had to weigh at least eighty pounds. She couldn’t even get it off the pallet. “Excuse me.” One of the twins, his voice threaded with humor. She stepped back, already sensing sweat on her back, just from that moment of effort. She felt like an idiot. Especially when he hooked his hands under two bags and lifted them against his chest. “Showoff,” she said. He shook the hair off his forehead. “Maybe you could go in the kitchen and bake us some cookies or something.” “Shut up.” He gave her a wicked grin over his shoulder. “Just saying.
Brigid Kemmerer (Storm (Elemental, #1))
In that sleep and in sleeps to follow the judge did visit. Who would come other? A great shambling mutant, silent and serene. Whatever his antecedents he was something wholly other than their sum, nor was there system by which to divide him back into his origins for he would not go. Whoever would seek out his history through what unraveling of loins and ledgerbooks must stand at last darkened and dumb at the shore of a void without terminus or origin and whatever science he might bring to bear upon the dusty primal matter blowing down out of the millennia will discover no trace of any ultimate atavistic egg by which to reckon his commencing. In the white and empty room he stood in his bespoken suit with his hat in his hand and he peered down with his small and lashless pig’s eyes wherein this child just sixteen years on earth could read whole bodies of decisions not accountable to the courts of men and he saw his own name which nowhere else could he have ciphered out at all logged into the records as a thing already accomplished, a traveler known in jurisdictions existing only in the claims of certain pensioners or on old dated maps. In his delirium he ransacked the linens of his pallet for arms but there were none. The judge smiled. The fool was no longer there but another man and this other man he could never see in his entirety but he seemed an artisan and a worker in metal. The judge enshadowed him where he crouched at his trade but he was a coldforger who worked with hammer and die, perhaps under some indictment and an exile from men’s fires, hammering out like his own conjectural destiny all through the night of his becoming some coinage for a dawn that would not be. It is this false moneyer with his gravers and burins who seeks favor with the judge and he is at contriving from cold slag brute in the crucible a face that will pass, an image that will render this residual specie current in the markets where men barter. Of this is the judge judge and the night does not end.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
I recount as this journey begins where I rest to gather the tale from this same old house resting on the hill, leaving me a view of a carnival once seen from just across the tracks. My pallet is dry now. The colors I see no more. The rain has washed away many of the signs that once stood for a prosper home and family. My grave is waiting. The dreams once filled my head with images of world unison, hope and companionship for all. The saga spoken through my canvas drew darker as the years went on to the bitter cold nights. All that comes to me now are glimpses of faces that graced my soul.
Kris Courtney (Norma Jean's Sun: True Story)
Is it easier to say, `Your sins are forgiven,' or to say, `Take up your pallet and walk'?" Ouch. Few of us have the power to heal broken legs, but we all have the power to forgive our neighbor. Yet how often do we do so?
Guy Consolmagno (God's Mechanics: How Scientists and Engineers Make Sense of Religion)
facing the black square of the crawl, I had a sudden sensation that I was in a dream and that I’d dreamed the dream many times before. I saw myself entering the square—entering that cold, wet, dark place with the awful smell of sewage and human waste, the dry, hard ground crumbling, sinking beneath my feet, the straw pallet mouldering in the darkness.
Herbert Lieberman (Crawlspace)
that to live without forgiveness was a kind of death with breathing and movement. However, Yoseb did not have enough energy to rise from his pallet, let alone search for his dear nephew, a boy who was like his own flesh.
Min Jin Lee (Pachinko)
O sleep! O gentle sleep! Nature’s soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down ‘And steep my senses in forgetfulness? Why rather, sleep, liest thou in smoky cribs, ‘Upon uneasy pallets stretching thee, And hush’d with buzzing night-flies to thy slumber, Than in the perfum’d chambers of the great, Under the canopies of costly state, And lull’d with sound of sweetest melody?
Craig Zerf (The Forever Man: Books 1-6)
least the truck would be empty on the ride there and he and his two partners could relax a little and not flinch at every bump in the road. The second pallet found its home and he watched the handler close and lock the cage behind it. He counted six packages total, which matched the other stack at the opposite end of the building. Still too close together for his liking but security trumped separation he was told. Again, he was just a deliveryman. The handler waved a clipboard in his direction. He nodded in return, policed up his rifle and climbed into the back of the truck. He tapped on the cab, the engine started, and he watched the warehouse door fade away. Soon they were past the guards
Randall Wood (Pestilence (Jack Randall, #2))
Writing is an engagement with the text and with the author’s enigmatic thoughts. Our words strung together eventually cause us to change, giving light to the new language and colorful pallet of our soul.
Kilroy J. Oldster (Dead Toad Scrolls)
Stop Taste the rain drops Savor its dew Let it moisten and caress your parched pallets Be thankful God rested Simply From calling His designs into being So can you
Maisie Aletha Smikle
The snake writhed and hissed as Hunter lifted it from the pallet. For a moment he held it aloft. Then he looked at Loretta. After what seemed an eternity, he pulled his knife, beheaded the rattler, and tossed it into the brush. Loretta knelt in the dirt, clutching her throat. Snake. The word bounced off the walls of her mind, shrill, echoing and reechoing. She had screamed… Disbelief swamped her. Surely her ears had deceived her. She couldn’t have screamed, she just couldn’t, not after seven years of silence. And never to save a Comanche. Sheathing his knife, Hunter walked toward her hesitantly. Loretta stared at him--at his long hair, his fringed moccasins, his buckskin pants, his medallion, the gods on his wristband. A Comanche.
Catherine Anderson (Comanche Moon (Comanche, #1))
Grasping her chin, Hunter dug his fingertips and thumb into her cheeks. When at last her jaws parted, he held the canteen over her yawning mouth and began trickling water down her. To his surprise, she went perfectly still. By breathing carefully through her nose, she was able to let him fill her mouth without swallowing. The excess water sluiced out onto her cheeks and ran into her hair. Hunter couldn’t plug the canteen and lay it down, not without turning her loose. And if he turned her loose, she’d spit out the water. “Warrior!” he yelled. Several fires away, Warrior shot up from his bed. After looking around in befuddlement, he spied Hunter and broke into a run. Within seconds he was standing by the pallet, his sleepy brown eyes riveted on the yellow-hair. “Tah-mah, what are you trying to do, drown her?” “Yes. Squeeze her nose.” “What?” “Do it!” Warrior knelt at her head. “Hunter, are you--” “Do I have to call Swift Antelope?” Warrior pinched the girl’s nose. “If she dies, it is your doing.” “She isn’t going to die. I’m trying to make her drink.” Hunter watched the girl’s face turn red from lack of air. After a few seconds the muscles in her throat became distended. Then, at last, she swallowed part of the water and began to choke. “Turn loose. Warrior, turn loose!” Warrior, who always seemed to be one thought behind everyone else, finally released her nose and sat back on his heels. The girl gasped and sucked water the wrong way. Grimly, Hunter watched while she fought to get her breath. When at last she stopped coughing, he said, “You will drink?” Her eyes glittered up at him, so filled with hatred that a chill ran up his spine. Hunter grasped her chin again. “Her nose, Warrior. And this time, turn loose when she starts to swallow or we will drown her.” “You will drown her. I’m just helping.
Catherine Anderson (Comanche Moon (Comanche, #1))
Very well,” Nathaniel conceded, forcing himself back to the moment. He sat back against the headboard, arms folded. “I shall follow orders, but please do find me a more suitable companion. I’d much rather have a fair face to look upon for the coming hours, not your unpleasant one.” Thomas’s smile burst wide and a chuckle bobbed through the room. “And you resemble Adonis? I doubt you could find a single woman in all of Sandwich willing to sit beside you with your manner so sour and your face a pallet of blues and purples.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
The little boy touched his dust-streaked hand to Loretta’s hair and made a breathless “ooh” sound. He smelled like any little boy who had been hard at play, a bit sweaty yet somehow sweet, with the definite odor of dog and horse clinging to him. Blackbird concentrated on Loretta’s blue eyes, staring into them with unflinching intensity. The younger girl ran reverent fingertips over the flounces on Loretta’s bloomers, saying, “Tosi wannup,” over and over again. Loretta couldn’t help but smile. She was as strange to them as they were to her. She longed to gather them close and never let go. Friendly faces and human warmth. Their giggles made her long for home. With a throat that responded none too well to the messages from her brain, Loretta murmured, “Hello.” The sound of her own voice seemed unreal--an echo from the past. “Hi, hites.” Blackbird linked her chubby forefingers in an unmistakable sign of friendship. “Hah-ich-ka sooe ein conic?” Loretta had no idea what the child had asked until Blackbird steepled her fingers. “Oh--my house?” Loretta cupped a hand over her brow as if she were squinting into the distance. “Very far away.” Blackbird’s eyes sparkled with delight, and she burst into a long chain of gibberish, chortling and waving her hands. Loretta watched her, fascinated by the glow of happiness in her eyes, the innocence in her small face. She had always imagined Comanches, young and old, with blood dripping from their fingers. A deep voice came from behind her. “She asks how long you will eat and keep warm with us.” Startled, Loretta glanced over her shoulder to find Hunter reclining on a pallet of furs. Because he lay so low to the floor, she hadn’t seen him the first time she’d looked. Propping himself up on one elbow, he listened to his niece chatter for a moment. His eyes caught the light coming through the lodge door, glistening, fathomless. “You will tell her, ‘Pihet tabbe.’” Trust didn’t come easily to Loretta. “What does that mean?” A smile teased the corners of his mouth. “Pihet, three. Tabbe, the sun. Three suns. It was our bargain.” Relieved that she hadn’t dreamed his promise to take her home, Loretta repeated “pihet tabbe” to Blackbird. The little girl looked crestfallen and took Loretta’s hand. “Ka,” she cried. “Ein mea mon-ach.” “Ka, no. You are going a long way,” Hunter translated, pushing to his feet as he spoke. “I think she likes you.” He came to the bed and, with an indulgent smile, shooed the children away as Aunt Rachel shooed chickens. “Poke Wy-ar-pee-cha, Pony Girl,” he said as he scooped the unintimidated toddler off the furs and set her on the floor. His hand lingered a moment on her hair, a loving gesture that struck Loretta as totally out of character for a Comanche warrior. The fragile child, his rugged strength. The two formed a fascinating contrast. “She is from my sister who is dead.” Nodding toward the boy, he added, “Wakare-ee, Turtle, from Warrior.” Loretta didn’t want the children to leave her alone with their uncle. She gazed after them as they ran out the lodge door.
Catherine Anderson (Comanche Moon (Comanche, #1))
After Hunter lowered her onto her fur pallet, which she was swiftly coming to regard as her prison, she clutched the buffalo robe around her and rolled onto her side. Make no grief behind you. She felt like an animal caught in a snare--awaiting the trapper and certain death. The sun burned through her closed eyelids, red and hot. Loretta heard Hunter walk a short distance away, heard him murmur something. His stallion nickered in response. She lifted her lashes and watched the Comanche go through the contents of a parfleche. He withdrew her ruffled drawers, the buckskin shirt he had worn to the farm yesterday morning, and a drawstring pouch. As he walked back to her, he pressed her bloomers to his nose and sniffed. He met her gaze as he drew the lavender-scented cloth away from his face. For the first time, he smiled a genuine smile. It warmed his expression so briefly that she might have believed she imagined it but for the twinkle that remained in his dark eyes as he knelt beside her.
Catherine Anderson (Comanche Moon (Comanche, #1))
After a few minutes, Mrs. Byrne puts down her fork and says, “Dorothy, it’s time to discuss the rules of the house. As you already know, you are to use the privy in the back. Once a week, on Sunday evenings, I will draw a bath for you in the tub in the washroom off the kitchen. Sunday is also washday, which you’ll be expected to help with. Bedtime is at nine P.M., with lights out. There’s a pallet for you in the hall closet. You’ll bring it out in the evenings and roll it up neatly in the morning, before the girls arrive at eight thirty.” “I’ll be sleeping—in the hallway?” I ask with surprise. “Mercy, you don’t expect to sleep on the second floor with us, do you?” she says with a laugh. “Heaven forbid.
Christina Baker Kline (Orphan Train)
Your heart holds great love for her.” “Yes. Those terrible men-- She’s just a little girl. They’ve already had her for eight days. I can think of nothing else. Even in my sleep I dream about what could be happening to her, hear her calling for me. I try to find her, and I can’t.” He grasped her chin, his touch deceptively gentle, as it had always been. “This night, you will sleep without dreams. I have said I will find her. Suvate, it is finished.” With that, he left the lodge. A few minutes later he returned. After donning a pair of buckskin pants, which he pulled on while still wearing his breechcloth, he gathered his weapons, making several trips outside to his horse. When he had collected everything he needed, he sat on a fur pallet, propped a small shaving mirror on his knees, and painted his face, outlining his eyes with black graphite and striping his chin thrice with crimson. Loretta sat on the edge of the bed watching him. When he finished he glanced over at her. She was seeing Hunter the killer for the first time. On the one hand, he looked so fierce that he terrified her; on the other, she felt strangely reassured. Such a brutal, grimly determined man would be able to find and rescue Amy when another might fail. “What does the paint say?” she asked. “That this Comanche rides for war.” “War?” she whispered. “Santos will know by the paint that I come in anger.” “Will there be a fight? Amy might get hurt.” “Your Aye-mee will suffer no harm.” He rose and put away his paints, cleaning his hands on a swatch of cloth. Turning to face her, he said, “My brother, Warrior, and my good friend Swift Antelope will remain beside you. Their strong arms are yours.” He motioned for her to stand. “I take you to Warrior now. You will sleep in his lodge circle. No harm, eh?
Catherine Anderson (Comanche Moon (Comanche, #1))
A loud clunk resounded behind her. She glanced over her shoulder, expecting to see her husband. Instead she looked straight into Red Buffalo’s black eyes. For an instant her heart stopped beating. She stared at him. He stared back. His arms were laden with firewood. One piece lay at his feet. Very slowly he hunkered down and began unloading the rest. At last Loretta found her voice. “Get out of here!” “I bring you wood,” he replied softly in English. Even Loretta knew warriors didn’t demean themselves by gathering firewood; it was woman’s work. Red Buffalo was humbling himself, making her a peace offering. She didn’t care. “I don’t want your filthy wood. Take it and leave.” He continued his task as if she hadn’t spoken. Rage bubbled up Loretta’s throat. She leaped to her feet and strode toward him. “I said get out of here! Take your damned wood with you!” Just as she reached him, Red Buffalo finished emptying his arms and rose. He was a good head shorter than Hunter, but he dwarfed Loretta. She fell back, startled, wondering if he could smell her fear. Lifting her chin, she cut him dead with her eyes. He inclined his head in a polite nod and turned to walk away. “I said take your wood with you!” she called after him. “I don’t want it!” Picking up a log, she chucked it at him. It landed on end and bounced, hitting Red Buffalo’s calf. He stopped and turned, his face expressionless as he watched her throw the remainder of the firewood in his direction. Saying nothing, he began to pick up the firewood. To Loretta’s dismay, he returned to her firepit and began unloading the logs there in a neat pile. From the corner of her eye, she could see neighbors gathering to find out what all the commotion was about. Heat scalded her cheeks. She couldn’t believe Red Buffalo was humiliating himself like this. “Don’t,” she said raggedly. “Go away, Red Buffalo! Go away!” He tipped his head back. Tears glistened on his scarred cheeks. “Hunter has cut me from his heart.” “Good! You’re an animal!” Red Buffalo winced as if she had struck him. “He has forbidden me to enter his lodge until you take my hand in friendship.” “Never!” Appalled, Loretta retreated a step. “Never, do you hear me?” Red Buffalo slowly rose, brushing his palms clean on his breeches. “He is my brother--my only brother.” “You expect me to feel sorry for you? How dare you come near me? How dare--” Her voice broke, and she spun away, running inside the lodge. Heedless of Amy, who was sitting up on her pallet, Loretta threw herself onto the bed. Knotting her fists, she stifled her sobs against the fur. Hatred coursed through her, hot, ugly, and venomous, making her shake. Take his hand in friendship? Never, not as long as she lived.
Catherine Anderson (Comanche Moon (Comanche, #1))
Another uplifting development was Amy’s recovery from her ordeal. Loretta could scarcely believe how quickly the child was regaining her former gaiety, and she soon realized Swift Antelope was the cause. The young warrior clearly adored Amy and spent hours roaming the river with her, forging a friendship that set Amy’s cheeks aglow. Hunter, quite the opposite of Loretta, found this same period of time a trial. While Swift Antelope made steady progress with Amy, he couldn’t see himself making any headway with Loretta. She still went to great lengths to avoid sleeping beside him, choosing instead to share Amy’s far less comfortable pallet. To complicate matters further there was Bright Star’s campaign to make Hunter take notice of her. It seemed to Hunter that every time he turned around, Bright Star hovered nearby, fluttering her lashes and blushing, making such an obvious play for Hunter’s affections that he knew it couldn’t escape his wife’s notice for long. Hunter didn’t want to shame Bright Star by scorning her. At the same time, he didn’t want Loretta to believe he was encouraging the girl. He already had enough problems. While he mulled the situation over, trying to think of a kind way to discourage Bright Star, the young maiden intensified her campaign, and, as Hunter had feared, Loretta at last realized what was going on. When she did, Hunter took the brunt. “Who is that girl?” Loretta demanded one evening. “What girl?” Hunter felt heat rising up his neck and avoided meeting his wife’s flashing blue gaze. “That girl, the one who seems to have something in her eye.” Hunter obliged Loretta by giving Bright Star a bored glance. “She is sister to my woman who is dead.” He bent back over the arrowhead he was sharpening. “She is called Bright Star.” “She doesn’t look very bright. Is that a tic, or does she always blink that way?” Hunter smothered a snort of laughter. “She makes eyes, yes?” “At you?” He straightened and lifted a dark brow. “You think she makes eyes for you?
Catherine Anderson (Comanche Moon (Comanche, #1))
People say life isn't black or white, but more a kind of gray. But isn't that boring? I can only see life as a pallet full of colour.
Elena
When he finished his portion, he retrieved the other buffalo fur from where he had kicked it earlier and stretched out on his back beside her. Snapping his fingers, he pointed to the space next to him. Loretta curled up on her side, as close to the edge of the pallet as she could. She jumped when she felt his hand in her hair. When she realized that he had wrapped a length of it around his wrist, helpless rage welled within her. Miserable, Loretta hugged herself to ward off the cold, too proud and too frightened to seek warmth with him under the fur. He sighed and yawned, draping a corner of the robe over her. Accidentally? Or on purpose? She couldn’t be sure. Heat radiated from his body and immediately began to warm her back. Loretta fought against the desire to inch closer and hugged herself more tightly. It really wasn’t that cold tonight. it just felt that way because of her sunburn. Oh, but she was chilled. So chilled she felt sick--hot on the inside, shaking on the outside. When she closed her eyes, her head whirled. If only he would throw more wood on the fire. Seconds slipped by, mounting into minutes, and still Loretta huddled in a shivering ball. The Comanche lay motionless beside her. Warmth seeped from his body, beckoning to her. She cocked an ear, trying to tell by his breathing if he was awake. She’d be crazy to move closer unless he was asleep. If he was, he’d never know, would he? And she could warm herself, stop shivering. He had to be asleep. Nobody could lie that still otherwise. She wriggled her bottom over just a little way, then held her breath. He didn’t move. For a long while she lay there listening, waiting. Nothing. She moved in another inch. He remained perfectly still. Loretta relaxed a little, taking care not to lean so close she touched him. In a few minutes she would grow warm and ease away, and he would be none the wiser. With no warning, he rolled onto his side. He threw a heavy arm across her waist, splaying his broad hand on her midriff just below her breasts. With an ease that alarmed her, he pulled her snugly against him, scraping her sunburned thigh on the fur. His well-padded chest felt as warm as a fire against her back. He bent his knees so his thighs cradled hers. For several seconds Loretta held herself rigid, not sure what to expect next, imagining the worst. He nuzzled her hair, his breath warm on her scalp. Was he asleep? She stared at the fire, her nerve endings leaping every time he inhaled and exhaled, every time his fingers flexed. Slowly the heat from his body chased the chill from hers. Loretta’s eyelids grew heavy. The wind whispering in the treetops seemed peaceful now, not frightening. The shifting shadows that had terrified her for hours became just that, shifting shadows. A branch cracked somewhere in the darkness. A large animal of some kind, she guessed. It didn’t matter. Wolf, bear, coyote, or cougar, Hunter the terrible was beside her. Nothing would dare challenge him.
Catherine Anderson (Comanche Moon (Comanche, #1))
Mea, go. Until your loyalty to me is greater than your hatred.” “I have stepped between you and enemy rifles!” “And now you make war on my woman. Do not test me again, cousin.” The muscles across Red Buffalo’s back knotted and twitched. He stood there a moment, quivering with rage, then spun and spat in Loretta’s direction, his black eyes livid with hatred. “Your woman,” he sneered. “She sickens my gut. You forget your wife who died for a yellow-hair?” With that, he stormed out. A brittle silence settled over the lodge. A tremor shook Loretta as the aftershock set in. The snake had been planted? She stared at Hunter; he stared at the doorway. When at last he looked at her, his eyes churned darkly with emotion. He returned to his pallet and sat down, legs crossed at the ankles in front of him. With a sigh, he reclaimed his flint and bone punch, bending over the flat rock he used as a base for his work. “You will sleep. I will watch.” The stony mask of anger that hooded his face did a poor job of concealing his pain. He loved his cousin, yet he had defended her against him. Loretta lay down, but sleep was beyond her. Seconds dragged by, mounting into minutes, and still the silence rang out, broken only by the report of bone against flint. Loretta swallowed. “Hunter?” His indigo gaze met hers. “Thank you. For--defending me.” Almost imperfectibly, he inclined his head. “Sleep, Blue Eyes. It is well.” “I--I’m sorry for causing a rift--a big fight--between you. I truly am sorry.” Afraid he might not understand, she placed a hand on her chest. “My heart is on the ground.” His mouth thinned, and he glanced outside. “Let your heart be glad again. The hatred came upon him long ago.” Something deep within Loretta knotted, twisted. She hugged her middle and tried desperately not to think, to deny the reality she could not accept, that Hunter, the legendary killer, was a man who thought, and felt, and loved--just like any other. He even mourned a dead wife. He was also a man true to his word. He had promised to defend her, and he had.
Catherine Anderson (Comanche Moon (Comanche, #1))
Bear fat for the burn. You will lie on your face.” Their gazes locked, laughter still shimmering in his. Seconds dragged by, measured by the wild thumping of her heart. He wanted to rub her down? Oh, God, what was she going to do? She clutched the fur more tightly. Hunter shrugged as if her defiance bothered him not at all and tossed down the pouch. “You are sure enough not smart, Blue Eyes. You will lie on your face,” he said softly. “Don’t fight the big fight. If my strong arm fails me, I will call my friends. And in the end, you will lie on your face.” Loretta imagined sixty warriors swooping down on her. As if he needed more of an advantage. Hatred and helpless rage made her tremble. Hunter watched her, his expression unreadable as he waited. She wanted to fly at him, scratching and biting. Instead she loosened her hold on the buffalo robe and rolled onto her stomach. As she pressed her face into the stench-ridden buffalo fur, tears streamed down her cheeks, pooling and tickling in the crevices at each side of her nose. She clamped her arms to her sides and lay rigid, expecting him to jerk back the robe. Shame swept over her in hot, rolling waves as she imagined all those horrible men looking at her. She felt the fur shift and braced herself. His greased palm touched her back and slid downward with such agonizing slowness that her skin shriveled and her buttocks quivered. So focused was she on his touch, on the shame of it, that several seconds passed before she realized he had slipped his arm beneath the fur, that no one, not even he, could see her. Relief, if she felt any at all, was short-lived, for he laved every inch of her back with grease and then tried to nudge her arms aside to get at the burned skin along her ribs. She resisted him, but in the end his strength won out. When his fingertips grazed the swell of her left breast, her lungs ceased working and her body snapped taut. He hesitated, then resumed the rubbing, diving his fingertips between her and the fur to graze her nipple. She wasn’t burned there, and she knew he pressed the issue only to drive home his point. She belonged to him, and he would touch her whenever and wherever he pleased. A sob caught in her throat. Once again she felt his hand pause. His gaze burned into the back of her head, tangible in its intensity. At last he withdrew his arm from under the fur and sat back. Loretta twisted her neck to look up at his dark face, not bothering to wipe away her tears, too defeated to care if he saw them. He set the leather pouch on the pallet beside her. For an instant she thought she glimpsed pity in his eyes. “You rub the rest, eh? And put yourself into the clothes.” With that, he rose, presented his broad back to her, and walked away to crouch by the only remaining fire. Loretta clutched the fur to her breasts and sat up, not quite able to believe he had left her alone to dress.
Catherine Anderson (Comanche Moon (Comanche, #1))
Aedion shifted on his pallet of moldy hay and bit back his bark of agony at the pain exploding along his ribs. Worse—worse by the day. His diluted Fae blood was the only thing that had kept him alive this long, trying desperately to heal him, but soon even the immortal grace in his veins would bow to the infection. It would be such a relief—such a blessed relief to know he couldn’t be used against her, and that he would soon see those he had secretly harbored in his shredded heart all these years. So he bore down on every spike of fever, every roiling fit of nausea and pain. Soon—soon Death would come to greet him. Aedion just hoped Death arrived before Aelin did.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
After Hunter lowered her onto her fur pallet, which she was swiftly coming to regard as her prison, she clutched the buffalo robe around her and rolled onto her side. Make no grief behind you. She felt like an animal caught in a snare--awaiting the trapper and certain death. The sun burned through her closed eyelids, red and hot. Loretta heard Hunter walk a short distance away, heard him murmur something. His stallion nickered in response. She lifted her lashes and watched the Comanche go through the contents of a parfleche. He withdrew her ruffled drawers, the buckskin shirt he had worn to the farm yesterday morning, and a drawstring pouch. As he walked back to her, he pressed her bloomers to his nose and sniffed. He met her gaze as he drew the lavender-scented cloth away from his face. For the first time, he smiled a genuine smile. It warmed his expression so briefly that she might have believed she imagined it but for the twinkle that remained in his dark eyes as he knelt beside her. He dropped the clothing onto the fur and held up the pouch. “Bear fat for the burn. You will lie on your face.” Their gazes locked, laughter still shimmering in his. Seconds dragged by, measured by the wild thumping of her heart. He wanted to rub her down? Oh, God, what was she going to do? She clutched the fur more tightly. Hunter shrugged as if her defiance bothered him not at all and tossed down the pouch. “You are sure enough not smart, Blue Eyes. You will lie on your face,” he said softly. “Don’t fight the big fight. If my strong arm fails me, I will call my friends. And in the end, you will lie on your face.” Loretta imagined sixty warriors swooping down on her. As if he needed more of an advantage. Hatred and helpless rage made her tremble. Hunter watched her, his expression unreadable as he waited. She wanted to fly at him, scratching and biting. Instead she loosened her hold on the buffalo robe and rolled onto her stomach. As she pressed her face into the stench-ridden buffalo fur, tears streamed down her cheeks, pooling and tickling in the crevices at each side of her nose. She clamped her arms to her sides and lay rigid, expecting him to jerk back the robe. Shame swept over her in hot, rolling waves as she imagined all those horrible men looking at her. She felt the fur shift and braced herself. His greased palm touched her back and slid downward with such agonizing slowness that her skin shriveled and her buttocks quivered. So focused was she on his touch, on the shame of it, that several seconds passed before she realized he had slipped his arm beneath the fur, that no one, not even he, could see her.
Catherine Anderson (Comanche Moon (Comanche, #1))
Loretta awoke shortly after dawn, alone in a cocoon of fur. She had only the haziest memory of Hunter carrying her to bed after making love to her last night. She sat up, clutching the buffalo robe to her naked breasts. Her clothing lay neatly folded on the foot of the bed, the rawhide wrappings for her braids resting on top. Her blond hair fascinated Hunter, and he had never yet made love to her without first unfastening her braids. A sad smile touched her mouth. Hunter, the typical slovenly Indian, picking up after his tosi wife. She had been so wrong about so many things. She hugged her knees and rested her chin on them, gazing sightlessly into the shadows, listening to the village sounds. A woman was calling her dog. Somewhere a child was crying. The smell of roasting meat drifted on the breeze. Familiar sounds, familiar smells, the voices of friends. When had the village begun to seem like home? Loretta closed her eyes, searching desperately within herself for her own identity and memories, but white society was no longer a reality to her. Hunter had become the axis of her world, Hunter and his people. Amy lay sleeping on her pallet a short distance away. Loretta listened to her even breathing. Amy, Aunt Rachel, home. Could she return there now and pick up the threads of her old life? The answer wasn’t long in coming. Life without Hunter would be no life at all.
Catherine Anderson (Comanche Moon (Comanche, #1))
Yeah, not anymore. From now on, this place is called Pallet Town.
Blaise Corvin (Hostile Takeover (Delvers LLC #5))
Red wine and Hennessy She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore. A familiar place, she know she's been here before Reminiscent of the evening On his shirt that she tore ............ Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot. Hard liquor and fine wine ............. Red Wine and Hennessy A wicked twist on some champagne tips French nails, manicures over grapes Whoever said wine and liquor don't mix? Last night I had six Bottle caps, corks, bedazzled juice Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face ............. room temperature, her body temperature ... personality of two, she's mellow and chill... aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug, Residue of red lipstick- Merlot stained lips match the kiss on his neck ............ Chasing fantasy through the Red Sea While chasing that with a white BC How much will she pour- how much will she drink How much more before her ship sinks ........... A full body lush, blackberry crush Medium sized Bordeaux Intense velvety plum I asked her where she's from She said she's international She's longer thinking rational .......... Sips in sync with blinking eyes She sips too much to realize Every time you pour into me, my bottle gets more empty- Glass falling to the floor She staggers to the door Glass shatters her feet She stumbles to her seat She's still asking for more But she falls to the floor Red lipstick in the mud She covers up the blood ............ She lays in her wine She forgot about the time Clock on the wall Footsteps in the hall Pounding in her head She rushes to the bed ......... She lays motionless ... but her head is racing Her heart is pacing Her lungs are gasping - air, she needs air Rolls to her side, brings her self to sit up She gags and gags until She throws it all up- ........... Wakes up the next morning Dazed and confused She's laying in a bed That she's not used to She moves slowly, where did everyone go? She checks the time- it's a quarter pass 4 sounds on the other side of the door Are Muffled by the sound of a knock at the door ........... Looks around for her little red dress Notices a blotch - a red stain on her breast Lipstick smeared an accessory to her mess She reached for her clothes and saw a note on the desk. .......... Dearly beloved, I want to see you again I'd love to have to back I think we make a great blend I tried to wake you Because I had to go And Oh by the way, my name is merlot "Little Black Bird
Niedria Dionne Kenny (Love, Lust and Regrets: While the lights were off)
Don’t bother,” Marvin said as he shoved his arms into a parka, fastening over his armor vest. “Our pallet is only twenty meters away.” He patted the Heckler carbine as he put the shoulder sling over his head. “And my friend here will look after me. You can see me most of the way from the windshield anyway.” “You sure?” “It’s fine.
Peter F. Hamilton (Great North Road)
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My favoured method is: 1. Create a cage with chicken wire or netting and a single wooden structure as the base (a pallet works just fine). 2. Cover the pallet with wire mesh or similar to avoid materials falling through. 3. Make an upright hoop of the mesh that will sit on the pallet and secure the ends with cable ties. 4. Fill the cage up with leaves. Make sure they are moist. If they are really dry, water them and check every few months, repeating the process if you find any dry spots. Remember that leaf mould takes a bit longer to decompose than most other organic substances as it’s primarily decomposed by fungal activity. To speed up the process you could add something nitrogen-rich like grass clippings or coffee grounds and it will help to get leaf mould quicker.
Alessandro Vitale (Rebel Gardening: A Beginner's Handbook to Creating an Organic Urban Garden)
This is what it had come to. The people who had nursed him from the beginning of his life, whose energies he had harnessed for his own use up until this moment, were now called upon to care for him as he faced his last days on earth—sitting up with him at night, sleeping on pallets around his bed to be ready to hear when he called out in need, in fear, or out of simple loneliness. These African Americans, whom he had sentimentalized as having the best hearts of any people in the world, had given their lives to him—followed him about, cleaned up after him, no doubt worried about him, for his sake and their own—slept with him, and borne him children. He had held them as chattel, trying, in the case of the Hemingses, to soften a reality that could never be made soft. While he claimed to know and respect the quality of their hearts, he could never truly see them as human beings separate from him and his own needs, desires, and fears. In the end, all he really knew of their hearts was what they were willing to show him, and they carried enough knowledge in their heads to know his limitations and the perils of giving too much of themselves in the context of their society.
Annette Gordon-Reed (The Hemingses of Monticello)
One night I was lying in bed and cuddling my eighteen-month-old. She was asleep in my arms with her angelic face resting in the crook of my elbow. We were lying next to my husband, a man whom I love deeply and who loves me. On the floor on a little pallet was my three-year-old, a spitfire little sprite who brightens my world. I realized that I only ever wanted to be skinny because I wanted to be loved and happy. But I already have that. Skinny hasn’t seemed very important to me since then.
K.C. Davis (How to Keep House While Drowning)
Approximately three thousand people work for the Bureau of Engraving. It takes 490 notes to make a pound, and it would require 14.5 million notes to make a stack one mile high. Coin and paper account for only about 8 percent of all the dollars in the world. The rest are merely numbers in a ledger or tiny electronic blips on a computer chip. At the end of the process, the workers bundle the bills into packages of 100, which they then stack into bricks of 4,000. These bricks are loaded onto a pallet for transport to the basement from where they will be sent to the various Federal Reserve offices around the nation for distribution to banks and the public. Along the way, the curious visitors pepper the guides with questions: Q. Why are so many employees listening to music on headphones? A. To block the loud sound of the printing, cutting, and stacking machines. Q. Why are some of them eating? A. They are on break. Q. Why are all of the checkers so fat? A. Because they sit all day and watch money go by with little chance for exercise.
Jack Weatherford (The History of Money)
Hi there,” the man said. “How can I help you kids?” “Someone set a fire in the meadow behind my barn last night,” Josh said. “We think whoever set it used pallets from this store.” Ruth Rose showed Mr. Robb the chunk of burned wood. Mr. Robb examined the letters ET CO. “Yep, looks the same,” he said. “A lot of our merchandise comes stacked on these things.” “Did you give any pallets to a tall man a couple of days ago?” Dink asked. Mr. Robb smiled. “People who want pallets usually just take them,” he said. “Come on, I’ll show you.
Ron Roy (The Quicksand Question (A to Z Mysteries, #17))