Pallet Love Quotes

We've searched our database for all the quotes and captions related to Pallet Love. Here they are! All 26 of them:

They began work at 5:30 and quit at 7 at night. Children six years old going home to lie on a straw pallet until time to resume work the next morning! I have seen the hair torn out of their heads by the machinery, their scalps torn off, and yet not a single tear was shed, while the poodle dogs were loved and caressed and carried to the seashore.
Mary Harris Jones
He’d taken up a pallet between Toadvine and another Kentuckian, a veteran of the war. This man had returned to claim some darkeyed love he’d left behind two years before when Doniphan’s command pulled east for Saltillo and the officers had had to drive back hundreds of young girls dressed as boys that took the road behind the army.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
And everyone loved sunsets. The light lost its sanity as it fell over the hills and into the Pacific--it went red and deeper red, orange, and even green. The skies seemed to melt, like lava eating black rock into great bite marks of burning. Sometimes all the town stopped and stared west. Shopkeepers came from their rooms to stand in the street. Families brought out their invalids on pallets and in wheelbarrows to wave their bent wrists at the madness consuming their sky. Swirls of gulls and pelicans like God's own confetti snowed across those sky riots.
Luis Alberto Urrea (The House of Broken Angels)
I love belief it can move the pallet on a Ouija board or put a man into space. The problem that we have is the wrong beliefs we can't erase.
Stanley Victor Paskavich
On the day of his death he would see her face and he could hope to carry that beauty into the darkness with him, the last pagan on earth, singing softly on his pallet in an unknown tongue.
Cormac McCarthy (The Passenger (The Passenger #1))
He was here. But in this world, how long could we possibly have together? "Jack, I love you. I can't ever lose you again." Adrenaline and fear morphed into heat. Desire. I turned my head to nuzzle one of his palms, kissing the callused skin. He sucked in a breath, and his big body tensed against mine. Combustion ignited. When I faced him, his attention dropped to my lips, so I wetted them. His eyes met mine, his smoldering expression asking, Do you want this? Mine answered: Try to deny me. He bent down; I'd already gone to my toes. When our lips met, logic evaporated like a water drop on a sizzling skillet. I tasted cold and salt on his lips. Almost lost him. I deepened the kiss, tugging on his neck as he yanked off his heavy coat. The tension that have been building between us erupted. I drank in his raw passion, unable to get enough. Between kisses, he tore off his soaked shirt as I snatched at his belt. His strong chest heaved breaths. Tumbling to the pallet. More kissing. Tongues twirling. My God, he's a sinful kisser.
Kresley Cole (The Dark Calling (The Arcana Chronicles, #5))
To the worst of them, she had been just another piece of Mr. Alexander’s choice livestock, and her pallet, in an alcove off the laundry room, had afforded her no lock or door bar. Since then, she and Jarret had managed to live in the precarious intimacy that is the only kind possible when one partner still ardently loves another. When Jarret sat by his hearth under the oil painting of Lexington, gazing at her lovely face in the firelight, he tried to forget that. As he tried to forget that it wasn’t a legal marriage and that, for all his authority at Woodburn, he was still enslaved.
Geraldine Brooks (Horse)
and a heart that throbs most queerly. I’m queer for other queers, queer for their shapes and colors and sizes, queer for their tastes. I’m queer for the ruthless sea. I’m queer for all the little queer creatures in the tide pools. I’m queer for the light when it breaks the horizon and queer for it when it sinks behind the trees. I’m plain queer for these people and queer for this world. I’m downright queer in love with this wreck of a world, queer in love with love itself—love’s always queer, always arriving in our hearts from queer nowheres, queering everything—and there we are; wide awake all night, queer as queer can be; queer orphans, queer widows, queer boys, and queer girls; sorrel girls queer for ivory boys, daffodil boys queer for lilac girls; carmine girls queer for sable girls, cinnamon boys so very queer for boys of bluest milk. Wicked shepherds! Burn me at the stake and hang me from a tree. Clap me in the stocks; send me down the mine; set me in the burning fields. But I am queer. And I say, Here is water, bread, a dull penny. Here’re my old shirt, my plane and hammer, a roof I’ll help you raise above your head. Here is my queer old body, in a barn, behind a hedge, beneath a shadow, on a bare pallet—
Paul Harding (This Other Eden)
Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut. 'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.' The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could. Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.' 'A light burden.' 'I wish you to find Augusta.' 'You have my promise.' 'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.' 'We shall talk of this later, when you are better. We shall find her together.' 'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.' Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will. 'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?' 'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.' Caroline did not speak again. Torrens stayed at her side. She died later that morning. Torrens buried her in the shelter of a hedgerow at the far edge of the field. The farmer offered to help, but Torrens refused and dug the grave himself. Later, in the farmhouse, he slept heavily for the first time since his escape. Mercifully, he did not dream. Next day, he gave the farmer his clothing in trade for peasant garb. He hitched up the cart and drove back to the road. He could have pressed on, lost himself beyond search in the provinces. He was free. Except for his promise. He turned the cart toward Marianstat.
Lloyd Alexander (The Beggar Queen (Westmark, #3))
Very well,” Nathaniel conceded, forcing himself back to the moment. He sat back against the headboard, arms folded. “I shall follow orders, but please do find me a more suitable companion. I’d much rather have a fair face to look upon for the coming hours, not your unpleasant one.” Thomas’s smile burst wide and a chuckle bobbed through the room. “And you resemble Adonis? I doubt you could find a single woman in all of Sandwich willing to sit beside you with your manner so sour and your face a pallet of blues and purples.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
The little boy touched his dust-streaked hand to Loretta’s hair and made a breathless “ooh” sound. He smelled like any little boy who had been hard at play, a bit sweaty yet somehow sweet, with the definite odor of dog and horse clinging to him. Blackbird concentrated on Loretta’s blue eyes, staring into them with unflinching intensity. The younger girl ran reverent fingertips over the flounces on Loretta’s bloomers, saying, “Tosi wannup,” over and over again. Loretta couldn’t help but smile. She was as strange to them as they were to her. She longed to gather them close and never let go. Friendly faces and human warmth. Their giggles made her long for home. With a throat that responded none too well to the messages from her brain, Loretta murmured, “Hello.” The sound of her own voice seemed unreal--an echo from the past. “Hi, hites.” Blackbird linked her chubby forefingers in an unmistakable sign of friendship. “Hah-ich-ka sooe ein conic?” Loretta had no idea what the child had asked until Blackbird steepled her fingers. “Oh--my house?” Loretta cupped a hand over her brow as if she were squinting into the distance. “Very far away.” Blackbird’s eyes sparkled with delight, and she burst into a long chain of gibberish, chortling and waving her hands. Loretta watched her, fascinated by the glow of happiness in her eyes, the innocence in her small face. She had always imagined Comanches, young and old, with blood dripping from their fingers. A deep voice came from behind her. “She asks how long you will eat and keep warm with us.” Startled, Loretta glanced over her shoulder to find Hunter reclining on a pallet of furs. Because he lay so low to the floor, she hadn’t seen him the first time she’d looked. Propping himself up on one elbow, he listened to his niece chatter for a moment. His eyes caught the light coming through the lodge door, glistening, fathomless. “You will tell her, ‘Pihet tabbe.’” Trust didn’t come easily to Loretta. “What does that mean?” A smile teased the corners of his mouth. “Pihet, three. Tabbe, the sun. Three suns. It was our bargain.” Relieved that she hadn’t dreamed his promise to take her home, Loretta repeated “pihet tabbe” to Blackbird. The little girl looked crestfallen and took Loretta’s hand. “Ka,” she cried. “Ein mea mon-ach.” “Ka, no. You are going a long way,” Hunter translated, pushing to his feet as he spoke. “I think she likes you.” He came to the bed and, with an indulgent smile, shooed the children away as Aunt Rachel shooed chickens. “Poke Wy-ar-pee-cha, Pony Girl,” he said as he scooped the unintimidated toddler off the furs and set her on the floor. His hand lingered a moment on her hair, a loving gesture that struck Loretta as totally out of character for a Comanche warrior. The fragile child, his rugged strength. The two formed a fascinating contrast. “She is from my sister who is dead.” Nodding toward the boy, he added, “Wakare-ee, Turtle, from Warrior.” Loretta didn’t want the children to leave her alone with their uncle. She gazed after them as they ran out the lodge door.
Catherine Anderson (Comanche Moon (Comanche, #1))
Your heart holds great love for her.” “Yes. Those terrible men-- She’s just a little girl. They’ve already had her for eight days. I can think of nothing else. Even in my sleep I dream about what could be happening to her, hear her calling for me. I try to find her, and I can’t.” He grasped her chin, his touch deceptively gentle, as it had always been. “This night, you will sleep without dreams. I have said I will find her. Suvate, it is finished.” With that, he left the lodge. A few minutes later he returned. After donning a pair of buckskin pants, which he pulled on while still wearing his breechcloth, he gathered his weapons, making several trips outside to his horse. When he had collected everything he needed, he sat on a fur pallet, propped a small shaving mirror on his knees, and painted his face, outlining his eyes with black graphite and striping his chin thrice with crimson. Loretta sat on the edge of the bed watching him. When he finished he glanced over at her. She was seeing Hunter the killer for the first time. On the one hand, he looked so fierce that he terrified her; on the other, she felt strangely reassured. Such a brutal, grimly determined man would be able to find and rescue Amy when another might fail. “What does the paint say?” she asked. “That this Comanche rides for war.” “War?” she whispered. “Santos will know by the paint that I come in anger.” “Will there be a fight? Amy might get hurt.” “Your Aye-mee will suffer no harm.” He rose and put away his paints, cleaning his hands on a swatch of cloth. Turning to face her, he said, “My brother, Warrior, and my good friend Swift Antelope will remain beside you. Their strong arms are yours.” He motioned for her to stand. “I take you to Warrior now. You will sleep in his lodge circle. No harm, eh?
Catherine Anderson (Comanche Moon (Comanche, #1))
Mea, go. Until your loyalty to me is greater than your hatred.” “I have stepped between you and enemy rifles!” “And now you make war on my woman. Do not test me again, cousin.” The muscles across Red Buffalo’s back knotted and twitched. He stood there a moment, quivering with rage, then spun and spat in Loretta’s direction, his black eyes livid with hatred. “Your woman,” he sneered. “She sickens my gut. You forget your wife who died for a yellow-hair?” With that, he stormed out. A brittle silence settled over the lodge. A tremor shook Loretta as the aftershock set in. The snake had been planted? She stared at Hunter; he stared at the doorway. When at last he looked at her, his eyes churned darkly with emotion. He returned to his pallet and sat down, legs crossed at the ankles in front of him. With a sigh, he reclaimed his flint and bone punch, bending over the flat rock he used as a base for his work. “You will sleep. I will watch.” The stony mask of anger that hooded his face did a poor job of concealing his pain. He loved his cousin, yet he had defended her against him. Loretta lay down, but sleep was beyond her. Seconds dragged by, mounting into minutes, and still the silence rang out, broken only by the report of bone against flint. Loretta swallowed. “Hunter?” His indigo gaze met hers. “Thank you. For--defending me.” Almost imperfectibly, he inclined his head. “Sleep, Blue Eyes. It is well.” “I--I’m sorry for causing a rift--a big fight--between you. I truly am sorry.” Afraid he might not understand, she placed a hand on her chest. “My heart is on the ground.” His mouth thinned, and he glanced outside. “Let your heart be glad again. The hatred came upon him long ago.” Something deep within Loretta knotted, twisted. She hugged her middle and tried desperately not to think, to deny the reality she could not accept, that Hunter, the legendary killer, was a man who thought, and felt, and loved--just like any other. He even mourned a dead wife. He was also a man true to his word. He had promised to defend her, and he had.
Catherine Anderson (Comanche Moon (Comanche, #1))
Loretta awoke shortly after dawn, alone in a cocoon of fur. She had only the haziest memory of Hunter carrying her to bed after making love to her last night. She sat up, clutching the buffalo robe to her naked breasts. Her clothing lay neatly folded on the foot of the bed, the rawhide wrappings for her braids resting on top. Her blond hair fascinated Hunter, and he had never yet made love to her without first unfastening her braids. A sad smile touched her mouth. Hunter, the typical slovenly Indian, picking up after his tosi wife. She had been so wrong about so many things. She hugged her knees and rested her chin on them, gazing sightlessly into the shadows, listening to the village sounds. A woman was calling her dog. Somewhere a child was crying. The smell of roasting meat drifted on the breeze. Familiar sounds, familiar smells, the voices of friends. When had the village begun to seem like home? Loretta closed her eyes, searching desperately within herself for her own identity and memories, but white society was no longer a reality to her. Hunter had become the axis of her world, Hunter and his people. Amy lay sleeping on her pallet a short distance away. Loretta listened to her even breathing. Amy, Aunt Rachel, home. Could she return there now and pick up the threads of her old life? The answer wasn’t long in coming. Life without Hunter would be no life at all.
Catherine Anderson (Comanche Moon (Comanche, #1))
Red wine and Hennessy She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore. A familiar place, she know she's been here before Reminiscent of the evening On his shirt that she tore ............ Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot. Hard liquor and fine wine ............. Red Wine and Hennessy A wicked twist on some champagne tips French nails, manicures over grapes Whoever said wine and liquor don't mix? Last night I had six Bottle caps, corks, bedazzled juice Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face ............. room temperature, her body temperature ... personality of two, she's mellow and chill... aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug, Residue of red lipstick- Merlot stained lips match the kiss on his neck ............ Chasing fantasy through the Red Sea While chasing that with a white BC How much will she pour- how much will she drink How much more before her ship sinks ........... A full body lush, blackberry crush Medium sized Bordeaux Intense velvety plum I asked her where she's from She said she's international She's longer thinking rational .......... Sips in sync with blinking eyes She sips too much to realize Every time you pour into me, my bottle gets more empty- Glass falling to the floor She staggers to the door Glass shatters her feet She stumbles to her seat She's still asking for more But she falls to the floor Red lipstick in the mud She covers up the blood ............ She lays in her wine She forgot about the time Clock on the wall Footsteps in the hall Pounding in her head She rushes to the bed ......... She lays motionless ... but her head is racing Her heart is pacing Her lungs are gasping - air, she needs air Rolls to her side, brings her self to sit up She gags and gags until She throws it all up- ........... Wakes up the next morning Dazed and confused She's laying in a bed That she's not used to She moves slowly, where did everyone go? She checks the time- it's a quarter pass 4 sounds on the other side of the door Are Muffled by the sound of a knock at the door ........... Looks around for her little red dress Notices a blotch - a red stain on her breast Lipstick smeared an accessory to her mess She reached for her clothes and saw a note on the desk. .......... Dearly beloved, I want to see you again I'd love to have to back I think we make a great blend I tried to wake you Because I had to go And Oh by the way, my name is merlot "Little Black Bird
Niedria Dionne Kenny (Love, Lust and Regrets: While the lights were off)
One night I was lying in bed and cuddling my eighteen-month-old. She was asleep in my arms with her angelic face resting in the crook of my elbow. We were lying next to my husband, a man whom I love deeply and who loves me. On the floor on a little pallet was my three-year-old, a spitfire little sprite who brightens my world. I realized that I only ever wanted to be skinny because I wanted to be loved and happy. But I already have that. Skinny hasn’t seemed very important to me since then.
K.C. Davis (How to Keep House While Drowning)
I’m writing my sermon about how faith should affect our everyday lives. Sam was quick to reply. “It should compel us to live like Jesus and love everybody—especially the poor and helpless. He sought out blind men, tax collectors, and Roman soldiers, and gave them sight and invited them to dinner and healed their households. When people were hungry, he had compassion on them and multiplied the loaves and fishes. When he saw the crippled man, he told him to take up his pallet and walk. He freed people from their demons and gave the living water to the thirsty.” Throughout
Bill Higgs (Eden Hill)
She led them to their pallets, again encircled by other pallets. She sat down, sighing at her aching muscles, and caught his gaze. “You may, er, wrap your arms around me if that will make you feel I am safer.” He chuckled--a hoarse chuckle, rusty, but a chuckle nonetheless. She’d take it. “May I indeed?” He lay beside her and pulled her back against him, settling her head on his arm, bunching the other hide up to use as a pillow. “If I must.” His warm sigh tickled across her neck. “After all, I must ensure that pinkie does not wander.” Would Robert never let her forget that?
Angela Quarles (Must Love Chainmail (Must Love, #2))
When we lay awake after making love I could hear the sleepy birds settling in their nests in the thatch. We had a little pallet bed, a table and two stools, a fireplace where we warmed up our dinner from the palace, and nothing more. We wanted nothing more.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
She stared at Hunter; he stared at the doorway. When at last he looked at her, his eyes churned darkly with emotion. He returned to his pallet and sat down, legs crossed at the ankles in front of him. With a sigh, he reclaimed his flint and bone punch, bending over the flat rock he used as a base for his work. “You will sleep. I will watch.” The stony mask of anger that hooded his face did a poor job of concealing his pain. He loved his cousin, yet he had defended her against him. Loretta lay down, but sleep was beyond her. Seconds dragged by, mounting into minutes, and still the silence rang out, broken only by the report of bone against flint. Loretta swallowed. “Hunter?” His indigo gaze met hers. “Thank you. For--defending me.” Almost imperfectibly, he inclined his head. “Sleep, Blue Eyes. It is well.
Catherine Anderson (Comanche Moon (Comanche, #1))
The hate has gone from you to a faraway place you cannot find, as it was spoken in the prophecy. That’s why it is time for you to walk your own way. You must fight the last great fight for the People, yes? And you must fight it alone. I have to stay here. For our mother, my children. You’re our hope, our only hope.” “You call it hope? I call it running away.” “No! When we run, we find someplace familiar and safe. Winter will be upon us soon. You will face uncertainty and great danger when you go west.” Giving Hunter a small shake, Warrior cried, “You are our hope, Hunter! Why can’t you see that? When the last Comanche puts down his weapon, when the last chief says it is finished, we will know it is not finished. We will know that the People live on--far away from this place--that our songs are being sung, that our ways are being honored. I know you feel great fear, but fear has never stopped you. You mustn’t let it stop you now.” “I will go wherever the Great Ones lead me,” Hunter whispered. “You know I will. It’s just that I can’t see the path they want me to follow. There is no one to lead me.” “The path will be there. When you turn your face westward you will know, deep within, where to place your feet.” Warrior’s voice rang with certainty. “I would ask one thing of you, tah-mah. Ride beside me one last time into battle. It will be our final memory of each other, yes?” Once again Hunter remembered looking into that white man’s blue eyes. The battles shall stretch before him with no horizon. When would it ever end? But his brother had made this request of him. “I will ride with you,” Hunter whispered. “One last time.” Straightening his pallet, Warrior stretched out on his back, so close his arm brushed Hunter’s. After a long while he said, “You will tell your sons and daughters about me, yes?” Hunter wished he could weep, but the tears were dammed behind his lids, aching and burning. “Yes. And you will tell yours of me?” “I will tell them.” Warrior’s voice cracked. “Of you and your golden one and the song that led you west. Love her well, tah-mah. The days together are brief.” “Yes.” Hunter knew Warrior was thinking of Maiden of the Tall Grass. In a husky voice, he added, “Far too brief.
Catherine Anderson (Comanche Moon (Comanche, #1))
I will go wherever the Great Ones lead me,” Hunter whispered. “You know I will. It’s just that I can’t see the path they want me to follow. There is no one to lead me.” “The path will be there. When you turn your face westward you will know, deep within, where to place your feet.” Warrior’s voice rang with certainty. “I would ask one thing of you, tah-mah. Ride beside me one last time into battle. It will be our final memory of each other, yes?” Once again Hunter remembered looking into that white man’s blue eyes. The battles shall stretch before him with no horizon. When would it ever end? But his brother had made this request of him. “I will ride with you,” Hunter whispered. “One last time.” Straightening his pallet, Warrior stretched out on his back, so close his arm brushed Hunter’s. After a long while he said, “You will tell your sons and daughters about me, yes?” Hunter wished he could weep, but the tears were dammed behind his lids, aching and burning. “Yes. And you will tell yours of me?” “I will tell them.” Warrior’s voice cracked. “Of you and your golden one and the song that led you west. Love her well, tah-mah. The days together are brief.” “Yes.” Hunter knew Warrior was thinking of Maiden of the Tall Grass. In a husky voice, he added, “Far too brief.
Catherine Anderson (Comanche Moon (Comanche, #1))
Why didn’t you say something?” Flushing beet red, I replied, “Your inheritance was unexpected. I wanted to live there again, thought that it may have been . . . mine.” “And so it is!” he crowed. “Every brick, every weapon, every bloody blade of grass is as much yours as I am, darling, supposing you’ll give me a pallet in the stables and a crust from time to time. Are you quite mad?” “I don’t want you to live on a pallet.” My tears spilled, and he painted his fingertips over my jaw. “I want you to live in my bones.
Lyndsay Faye (Jane Steele)
Her gaze returned to my wings, and then her brow pursed. “You’re bleeding,” she said on a gulp and pointed over my left shoulder. When I looked, I could just see a trickle of blue from the cut the guard’s sword had made. Rising, I went to my satchel again and removed a vial of antiseptic that our healers in Gadlizel made. I poured some on a clean cloth and stretched out my left wing. I could barely reach the cut, but I could see that the guard’s blade hadn’t gone to the bone. Still, it was wide enough to cause infection. “Damn,” I muttered, reaching back to try and wipe the blue blood still streaming lightly from the wound. “Let me.” I actually startled, finding Murgha standing right next to me. Without a word, I handed her the cloth. “You’ll need to sit down. I can’t reach.” She was quite small, even for a light fae. I sat on the pallet and spread my wing. She stood eye level with the top of my wing. Then she dabbed at the cut, the sting of the medicine sharp, but I didn’t move a muscle. “This needs to be stitched,” she said softly. I looked up at her. “I don’t suppose you know how to stitch wounds.” She swallowed nervously. “I do, actually. I sew all my own clothes, and Papa has needed cuts treated in the past. My sister was always too squeamish to do it.
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
loved the rainy days, when shadows made their mysterious ways around corners and across alleys. And everyone loved sunsets. The light lost its sanity as it fell over the hills and into the Pacific—it went red and deeper red, orange, and even green. The skies seemed to melt, like lava eating black rock into great bite marks of burning. Sometimes all the town stopped and stared west. Shopkeepers came from their rooms to stand in the street. Families brought out their invalids on pallets and in wheelbarrows to wave their bent wrists at the madness consuming their sky. Swirls of gulls and pelicans like God’s own confetti snowed across those sky riots.
Luis Alberto Urrea (The House of Broken Angels)
She discovered a whole square devoted to seafood- squid and sea bass, shrimp, prawns, rock lobsters, octopus, sea cucumbers, and a pallet of unidentifiable slugs and snails, creatures with fluorescent fins and prehistoric shells, things Marguerite was sure Dusty Tyler had never seen in all his life. In Morocco, the women did the shopping, all of them in ivory or black burkhas. Most of them kept their faces covered as well; Candace called these women the "only eyes." They peered at Marguerite (who wore an Hermés scarf over her hair, a gift from one of her customers) and she shivered. Marguerite's favorite place of all was the spice market- dozens of tables covered with pyramids of saffron and turmeric, curry powder and cumin, fenugreek, mustard seed, cardamom, paprika, mace, nutmeg.
Elin Hilderbrand (The Love Season)