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Now he comes to the explanation of the Pale Criminal; hitherto he speaks simply of the criminal. The paleness comes from the fact that the man was made pale by an idea; he begins to think over what he has done, and he gives it a name. You remember we came across this idea before; it was represented as a particular mistake to give a name to your virtues. Of course, unavoidably you will do so; you don't live your virtues simply as the recognition of an indescribable something about yourself which has value, but say it is this or that, and so you give it a name and make it exclusive and cause trouble-quarrels, conflicts between duties and between virtues. While if you have not given it a name, you will have retained the value. So you cause a conflict by giving names, but one cannot see how to do otherwise.
The criminal has to give it a name, then. He adopts an idea about his deed and says he has done so and so, and then cannot stand it because he sees himself with ten thousand pairs of eyes. For a name is a collective thing, a word in everybody's mouth. He has heard that word from ten thousand other mouths already; when he says to himself that he has committed a murder, he sees it in printed letters in the newspaper, and what he has done is just that awful thing which is called murder. While if he did not give it a name, it would have remained his individual deed, his individual experience, which is not expressed by the collective noun murder. Such a criminal usually says: "I just beat him over the head, or "I put a knife into him," or "I wanted to tell him something and I put a bullet into him, and afterwards they said he was dead." You see, it was an individual series of events which were not named. Even the premeditated murder is very often accounted for in such a way: "I simply had to give that fellow something to make him quiet because I wanted to get at such and such a thing; naturally I had to shove him aside. And then it turned out that he was dead." That is the way such people use a revolver-as a means to change something. It is a sort of aftereffect or a concomitant circumstance that a corpse was left. How awkward! That it is murder only dawns upon them a long time afterwards when they are told. Then they realize it and get pale, but as long as somebody simply has been removed, well, it was awkward that he was found afterwards with a fractured skull, but that does not make one pale: it is simply regrettable.
Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 469-470). Princeton University Press.
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C.G. Jung (Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939 C.G. Jung)