Palace Visit Quotes

At first she was overjoyed that he would be with her, but then she recalled that human people could not live under the water, and he could only visit her father's palace as a dead man.

Visit me once each year, for it's wrong to abandon people forever.

Percy stared at his jelly donut. He had a rocky history with Nico di Angelo. The guy had once tricked him into visiting Hades's palace, and Percy had ended up in a cell. But most of the time, Nico sided with the good guys. He certainly didn't deserve slow suffocation in a bronze jar, and Percy couldn't stand seeing Hazel in pain. "We'll rescue him," he promised her. "We have to. The prophecy says he holds the key to endless death.

The poor man's son, whom heaven has in its anger visited with ambition, goes beyong admiration of palaces to envy. He labours all his life to outdo his competitors, only to find the end that the rich are no happier than the poor in the things that really matter.

We have great cities to visit: New York and Washington, Paris and London; and further east, and older than any of these, the legendary city of Samarkand, whose crumbling palaces and mosques still welcome travelers on the Silk road. Weary of cities? Then we’ll take to the wilds. To the islands of Hawaii and the mountains of Japan, to forests where Civil War dead still lie, and stretches of sea no mariner ever crossed. They all have their poetry: the glittering cities and the ruined, the watery wastes and the dusty; I want to show you them all. I want to show you everything.

Should misfortune visit the Court, that can only be the result of its continued abuses. If the palace is attacked, that can only be the result of misgovernment. I can hardly be held responsible for the outcome.

You can feel when your mind’s building a palace for a memory. A place it lives, glowing and dancing in marble halls. A place you can visit when you need to feel less of the world’s gravity.

The palace was beautiful and cold. Each room was different, displaying one rich color after another. Wide pillars and reliefs decorated each room, quartz giving way to marble, marble giving way to onyx, malachite, and granite. While the memory of Mount Olympus from her one childhood visit was hazy, she most clearly remembered the stark white walls and absence of color. The Palace of Hades was its opposite and spoke to its master's dominion over everything that lay within the earth.

Sarusawa Pond is a very special place, because the Emperor paid it a formal visit when he heard how one of the Palace Maidens had drowned herself there. 1 Thinking of Hitomaro’s marvellous words ‘her hair tangled as in sleep’, there is really nothing I can add.

On top of the Tree of Life - in the Hall of the Palace - someone had found somebody for whom he had been searching for a long, long time. And the tears of joy which were shed became the fruit of the Tree of Life, the grapes whose juice if distilled by the flute of the blue god.

It had surprised and impressed Tessia to learn that Everran and Avaria owned two wagons, one for their own everyday use and one kept for visits to the Royal Palace. Since the journey to the palace consisted of half the length of two streets, it seemed frivolous to own a vehicle especially for it.

I feel like the Wurzels visiting Buckingham Palace!

Where –’ ‘Daddy’s palace,’ Tyson said. Under different circumstances, I would’ve been excited. I’d never visited Poseidon’s realm, and I’d been dreaming about it for years. But my head hurt.

A king often saw a white pigeon visiting his garden. It would fly away whenever he tried to approach it. He won its trust after great efforts and brought it to his palace. Soon after everything started going wrong in his life. He never doubted the pigeon for this. In fact he would cry before it and say, "You are the only good thing remaining in my life." How could he doubt someone whose trust he had won with great efforts?

Once the Captain had told him about going to Venice and visiting a beautiful little palace at high tide; and being astounded to find when he got there that the marble floors were under water...Ryuji almost spoke the words aloud: small beautiful flooded palace.

When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")

Sit down," she ordered Peabody. "I prefer to stand." "And I prefer to give you a good boot in the ass, but I'm restraining myself." Eve reached up, fisted her hands in her own hair and yanked until the pain cleared most of the rage. "Okay, stand. You couldn't sit with that stick up your butt, anyway. One you shove up it every time Subject Monroe, Charles, is mentioned. You want to be filled in, you want to be briefed? Fine. Here it is." She had to take another deep breath to insure her tone was professional. "On the evening of March twenty-six, at or about nineteen-thirty, I, accompanied by Roarke, had occasion to visit Areena Mansfield's penthouse suite at The Palace Hotel, this city. Upon entering said premises, investigation officer found subject Mansfield in the company of one Charles Monroe, licensed companion. It was ascertained and confirmed that LC Monroe was there in a professional capacity and had no links to the deceased or the current investigation. His presence, and the salient details pertaining to it, were noted in the report of the interview and marked Level Five in a stupid, ill-conceived attempt by the investigating officer to spare her fat-headed aide any unnecessary embarrassment." Eve stomped back to her desk, snatched up her coffee, gulped some down. "Record that," she snapped. Peabody's lip trembled. She sat. She sniffled. "Oh, no." In genuine panic, Eve stabbed out a finger. "No, you don't. No crying. We're on duty. There is no crying on duty.

On one side there are cowardly prime ministers, presidents, queens, kings who lock themselves in their castles, palaces and rooms! On the other hand, there are honourable statesmen who visit hospitals after taking necessary personal precautions! Honourable politician is the person who is at the front of the front in times of great crisis like corona pandemic!

The great Sea God,Poseidon, could not be more pleased with himself.Although he had lost to the young Goddess, he had really won.In theory,his manhood now belonged to Aphrodite,but whenever he visited her cave,he was made to feel even more of a king than in his own palace.All the lovely Goddesses of Olympus came to pay homage to his phallus & would, afterwards, help him to empty his sperm sacs.

Pierre pushed forward as fast as he could, and the farther he left Moscow behind and the deeper he plunged into that sea of troops the more was he overcome by restless agitation and a new and joyful feeling he had not experienced before. It was a feeling akin to what he had felt at the Sloboda Palace during the Emperor’s visit—a sense of the necessity of undertaking something and sacrificing something. He

At the age of twenty-nine Gautama slipped away from his palace in the middle of the night, leaving behind his family and possessions. He travelled as a homeless vagabond throughout northern India, searching for a way out of suffering. He visited ashrams and sat at the feet of gurus but nothing liberated him entirely – some dissatisfaction always remained. He did not despair. He resolved to investigate suffering on his own until he found a method for complete liberation. He spent six years meditating on the essence, causes and cures for human anguish. In the end he came to the realisation that suffering is not caused by ill fortune, by social injustice, or by divine whims. Rather, suffering is caused by the behaviour patterns of one’s own mind. Gautama’s insight was that no matter what the mind experiences, it usually reacts with craving, and craving always involves dissatisfaction. When the mind experiences something distasteful it craves to be rid of the irritation. When the mind experiences something pleasant, it craves that the pleasure will remain and will intensify. Therefore, the mind is always dissatisfied and restless. This is very clear when we experience unpleasant things, such as pain. As long as the pain continues, we are dissatisfied and do all we can to avoid it. Yet even when we experience pleasant things we are never content. We either fear that the pleasure might disappear, or we hope that it will intensify. People dream for years about finding love but are rarely satisfied when they find it. Some become anxious that their partner will leave; others feel that they have settled cheaply, and could have found someone better. And we all know people who manage to do both.

We must all create a world of fiction in which we alone can live. Our world never matches the one inhabited by those with whom we are most intimate. A writer, especially one of genius, creates a world we can all visit, like paupers touring a palace, wondering, as we explore its splendors, at the remarkable differences with our own more ramshackle abode, while struck by the persistence of human nature and emotion that makes us feel that we, too, could live in such a mansion. Proust always invites us in. After making a particularly revealing remark about an aspect of a character’s personality or behavior that the reader could have thought unique, he deftly switches to a pronoun, one or we, and embraces us all…he wrote a book that places the reader at its heart, a book that perhaps more than any other, is about each of us and our many reflections in the mirror.

Once the region’s apex predator, the Asiatic lion almost went extinct during the British empire’s colonization of India, when no viceroy could visit a maharaja’s palace without a hunt in the local forest. Even today, the Asiatic lion still ranks among the rarest of the large feline predators, rarer even than its neighbor to the north, the snow leopard, which is so scarce that a glimpse of one padding down a jagged Himalayan crag is said to consummate a spiritual pilgrimage.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

The strange and beautiful truth about the adjacent possible is that its boundaries grow as you explore them. Each new combination opens up the possibility of other new combinations. Think of it as a house that magically expands with each door you open. You begin in a room with four doors, each leading to a new room that you haven’t visited yet. Once you open one of those doors and stroll into that room, three new doors appear, each leading to a brand-new room that you couldn’t have reached from your original starting point. Keep opening new doors and eventually you’ll have built a palace.

Only last Sunday, when poor wretches were gay—within the walls playing with children among the clipped trees and the statues in the Palace Garden; walking, a score abreast, in the Elysian Fields, made more Elysian by performing dogs and wooden horses; between whiles filtering (a few) through the gloomy Cathedral of Our Lady to say a word or two at the base of a pillar within flare of a rusty little gridiron-full of gusty little tapers; without the walls encompassing Paris with dancing, love-making, wine-drinking, tobacco-smoking, tomb-visiting, billiard card and domino playing, quack-doctoring, and much murderous refuse, animate and inanimate—only last Sunday, my Lady, in the desolation of Boredom and the clutch of Giant Despair, almost hated her own maid for being in spirits. She cannot, therefore, go too fast from Paris. Weariness of soul lies before her, as it lies behind—her Ariel has put a girdle of it round the whole earth, and it cannot be unclasped—but the imperfect remedy is always to fly from the last place where it has been experienced. Fling Paris back into the distance, then, exchanging it for endless avenues and cross-avenues of wintry trees! And, when next beheld, let it be some leagues away, with the Gate of the Star a white speck glittering in the sun, and the city a mere mound in a plain—two dark square towers rising out of it, and light and shadow descending on it aslant, like the angels in Jacob's dream!

The Tomb of Lanes Marcus, the Lanes whom you loved is not here in this tomb where you visit and weep for hours. The Lanes whom you loved is nearer, Marcus, when you close yourself in your room and gaze on his portrait; that image preserved all that was worthy in him; that image preserved all that you loved. Do you remember, Marcus, when you brought from the proconsul’s palace the famous painter from Cyrene, and as soon as he laid eyes on your friend, he tried to persuade you with his artist’s cunning that he should draw him, without question, as Hyacinth (that way the portrait would garner more fame)? But your Lanes didn’t put his beauty on loan like that; firmly opposing the man, he demanded to be portrayed not as Hyacinth, nor as anyone else, but as Lanes, son of Rhametichus, an Alexandrian.

PART III THE TRIUMPH OF ODYSSEUS CHAPTER XXIX. Athena Advises Telemachos XXX. Telemachos Astonishes the Wooers XXXI. Penelope's Web XXXII. The Journey of Telemachos XXXIII. Telemachos in Pylos XXXIV. Telemachos in Sparta XXXV. Menelaos Relates His Adventures XXXVI. The Conspiracy of the Suitors XXXVII. Telemachos Returns to Ithaca XXXVIII. Telemachos and the Swineherd XXXIX. Telemachos Recognizes Odysseus XL. Telemachos Returns to the Palace XLI. Odysseus is Recognized by His Dog XLII. Odysseus Comes, a Beggar, to His Own House XLIII. Conversation of Odysseus and Penelope XLIV. Eurycleia Recognizes Odysseus XLV. Penelope's Dream XLVI. Athena Encourages Odysseus XLVII. The Last Banquet of the Suitors XLVIII. Odysseus Bends the Bow XLIX. Death of the Suitors L. Eurycleia Announces the Return of Odysseus to Penelope LI. Odysseus Visits His Father Vocabulary and Notes

The central figure of Buddhism is not a god but a human being, Siddhartha Gautama. According to Buddhist tradition, Gautama was heir to a small Himalayan kingdom, sometime around 500 BC. The young prince was deeply affected by the suffering evident all around him. He saw that men and women, children and old people, all suffer not just from occasional calamities such as war and plague, but also from anxiety, frustration and discontent, all of which seem to be an inseparable part of the human condition. People pursue wealth and power, acquire knowledge and possessions, beget sons and daughters, and build houses and palaces. Yet no matter what they achieve, they are never content. Those who live in poverty dream of riches. Those who have a million want two million. Those who have two million want 10 million. Even the rich and famous are rarely satisfied. They too are haunted by ceaseless cares and worries, until sickness, old age and death put a bitter end to them. Everything that one has accumulated vanishes like smoke. Life is a pointless rat race. But how to escape it? At the age of twenty-nine Gautama slipped away from his palace in the middle of the night, leaving behind his family and possessions. He travelled as a homeless vagabond throughout northern India, searching for a way out of suffering. He visited ashrams and sat at the feet of gurus but nothing liberated him entirely – some dissatisfaction always remained. He did not despair. He resolved to investigate suffering on his own until he found a method for complete liberation. He spent six years meditating on the essence, causes and cures for human anguish. In the end he came to the realisation that suffering is not caused by ill fortune, by social injustice, or by divine whims. Rather, suffering is caused by the behaviour patterns of one’s own mind. Gautama’s insight was that no matter what the mind experiences, it usually reacts with craving, and craving always involves dissatisfaction. When the mind experiences something distasteful it craves to be rid of the irritation. When the mind experiences something pleasant, it craves that the pleasure will remain and will intensify. Therefore, the mind is always dissatisfied and restless. This is very clear when we experience unpleasant things, such as pain. As long as the pain continues, we are dissatisfied and do all we can to avoid it. Yet even when we experience pleasant things we are never content. We either fear that the pleasure might disappear, or we hope that it will intensify. People dream for years about finding love but are rarely satisfied when they find it. Some become anxious that their partner will leave; others feel that they have settled cheaply, and could have found someone better. And we all know people who manage to do both.

Those diversions sparked her life with momentary excitement. Without them, Charis felt she would be driven mad by the unrelenting sameness of life in the palace. Now and again she imagined that she would like to run away, to disguise herself and travel the tumbled hills, to see life among the simple herdsmen and their families; or perhaps she would take a boat and sail the coasts, visiting tiny, sun-baked fishing villages and learning the rhythm of the sea. Unfortunately, making good either of those plans would mean taking action, and the only thing more palpable than the boredom she endured was the inertia that enclosed her like a massive fist. The weighty impossibility of changing her life in any but the most insignificant detail insured that she would not try. She sighed again and returned to the corridor, pausing to pick a sunshade from a nearby bush, idly plucking the delicate yellow petals and dropping them one by one, like days, fluttering from her hand.

They saw the governor himself erect and formal within his silkmullioned sulky clatter forth from the double doors of the palace courtyard and they saw one day a pack of viciouslooking humans mounted on unshod indian ponies riding half drunk through the streets, bearded, barbarous, clad in the skins of animals stitched up with thews and armed with weapons of every description, revolvers of enormous weight and bowieknives the size of claymores and short twobarreled rifles with bores you could stick your thumbs in and the trappings of their horses fashioned out of human skin and their bridles woven up from human hair and decorated with human teeth and the riders wearing scapulars or necklaces of dried and blackened human ears and the horses rawlooking and wild in the eye and their teeth bared like feral dogs and riding also in the company a number of half-naked savages reeling in the saddle, dangerous, filthy, brutal, the whole like a visitation from some heathen land where they and others like them fed on human flesh.

My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.

Meeting the Prince of Wales Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.”’ The next minute he leapt on me practically and I thought this was very strange, too, and I wasn’t quite sure how to cope with all this. Anyway we talked about lots of things and anyway that was it. Frigid wasn’t the word. Big F when it comes to that. He said: ‘You must come to London with me tomorrow. I’ve got to work at Buckingham Palace, you must come to work with me.’ I thought this was too much. I said: ‘No, I can’t.’ I thought ‘How will I explain my presence at Buckingham Palace when I’m supposed to be staying with Philip?’ Then he asked me to Cowes on Britannia and he had lots of older friends there and I was fairly intimidated but they were all over me like a bad rash. I felt very strange about the whole thing, obviously somebody was talking. I came in and out, in and out, then I went to stay with my sister Jane at Balmoral where Robert [Fellowes, Jane’s husband] was assistant private secretary [to the Queen]. I was terrified--shitting bricks. I was frightened because I had never stayed at Balmoral and I wanted to get it right. The anticipation was worse than actually being there. I was all right once I got in through the front door. I had a normal single bed! I have always done my own packing and unpacking--I was always appalled that Prince Charles takes 22 pieces of hand luggage with him. That’s before the other stuff. I have four or five. I felt rather embarrassed. I stayed back at the castle because of the press interest. It was considered a good idea. Mr and Mrs Parker-Bowles were there at all my visits. I was the youngest there by a long way. Charles used to ring me up and say: ‘Would you like to come for a walk, come for a barbecue?’ so I said: ‘Yes, please.’ I thought this was all wonderful.

Even after the funeral, the trips to Kensington Palace, and the consolation of friends, I still couldn’t accept Diana’s death. Then, Mr. Jeffrey Ling, the British consul general in New York, invited me to speak at the memorial service for Diana in Central Park the weekend after the funeral. I was grateful for the chance to speak about Diana in my own words and at my own pace. Pat and I rewrote my three-minute speech over and over. I practiced it several times the night before. On Sunday afternoon I visited backstage with Mr. Ling and Mayor Giuliani before the service began. The mayor was engaging and down to earth. Mr. Ling was gracious and reassuring, a true gentleman. We watched the North Meadow fill up with more than ten thousand people and were grateful to see such a big turnout on a hot, sunny day. As I sat on the stage, I grew more nervous by the minute. I delivered my heartfelt speech, trembling with emotion as I spoke about “the Diana we knew.” As I looked out at the crowded meadow, I pondered the incredible path I’d traveled, all because I’d needed a part-time nanny in London seventeen years ago. I’d enjoyed a remarkable friendship, attended the most famous ceremonies of my lifetime, dined and danced in palaces, visited with royalty--extraordinary experiences for me and my family. Now, tragically, it was all ending here, as I spoke from my heart in memory and praise of my friend Diana.

During a recent lunch with a close friend who is also the mother of two young children, Diana told of an incident which underlines not only the current state of her relationship with her husband but also the protective nature of her son William. She told her friend that the week that Buckingham Palace decided to announce the separation of the Duke and Duchess of York was understandably a trying time for her. She had lost an amicable companion and was acutely aware that the public spotlight would once again fall on her marriage. Yet her husband seemed unmoved by the furore surrounding the separation. He had spent a week touring various stately homes, gathering material for a book he is writing on gardening. When he returned to Kensington Palace he failed to see why his wife should feel strained and rather depressed. He airily dismissed the departure of the Duchess of York and launched, as usual, into a disapproving appraisal of Diana’s public works, especially her visit to see Mother Teresa in Rome. Even their staff, by now used to these altercations, were dismayed by this attitude and felt some sympathy when Diana told her husband that unless he changed his attitude towards her and the job she is doing she would have to reconsider her position. In tears, she went upstairs for a bath. While she was regaining her composure, Prince William pushed a handful of paper tissues underneath the bathroom door. “I hate to see you sad,” he said.

Dubrovnik, Croatia Dubrovnik’s old architecture, all wrapped within its ancient stone walls, have made this city a World Heritage Site. It’s an old sea port that sits above the Adriatic Sea. Its background, from medieval times was trade between the east and Europe and the city rivalled Venice for its reach and connections. Today, however, the principle economy is based on tourism. The old town is a warren of narrow, cobbled streets, sometimes steep, but pedestrianised which makes it easy to walk. However, be careful – signs do not always point to where they say they are going – many of them are old and the hotels, restaurants, bus stations have moved. The City Walls might look familiar to fans of Game of Thrones – many scenes were filmed here and there are Game of Thrones tours to visit the film’s settings. The area suffered a devastating earthquake in the 17th century, therefore much of the original architecture did not survive. The Sponza Palace, near the Bell Tower, is one of the few Gothic buildings left in the city. The Stradun is the main street in the Old Town – restaurants, shops and bars all pour out onto here. It’s lively, especially towards the end of the day. Don’t forget that the city’s location on the coast means that it also has beautiful beaches. Lapad Beach is two miles outside of town, and has a chilled atmosphere. Banje Beach is closer to the old town. It has an entrance fee and is livelier. One of the reasons Dubrovnok appeals to solo travellers is because it has a low crime rate. In addition, its cobbled streets and artistic shops all make browsing easy.

Not long ago I was in Istanbul, Turkey. While there I toured the Topkapi Palace—the former royal palace of the Ottoman sultans and center of the Ottoman Empire. Among the many artifacts collected throughout the centuries and on display was an item I found quite remarkable—the sword of the prophet Muhammad. There, under protective glass and illuminated by high-tech lighting, was the fourteen-hundred-year-old sword of the founder of Islam. As I looked at the sword with its curved handle and jeweled scabbard, I thought how significant it is that no one will ever visit a museum and be shown a weapon that belonged to Jesus. Jesus brings freedom to the world in a way different from Pharaoh, Alexander, Caesar, Muhammad, Napoleon, and Patton. Jesus sets us free not by killing enemies but by being killed by enemies and forgiving them … by whom I mean us. Forgiveness and cosuffering love is the truth that sets us free—free from the false freedom inflicted by swords ancient and modern. Muhammad could fight a war in the name of freedom to liberate his followers from Meccan oppression, but Jesus had a radically different understanding of freedom. And lest this sound like crass Christian triumphalism, my real question is this: Do we Christians secretly wish that Jesus were more like Muhammad? It’s not an idle question. The moment the church took to the Crusades in order to fight Muslims, it had already surrendered its vision of Jesus to the model of Muhammad. Muhammad may have thought freedom could be found at the end of a sword, but Jesus never did. So are Christians who most enthusiastically support US-led wars against Muslim nations actually trying to turn Jesus into some version of Muhammad? It’s a serious question.

Once upon a time there was a beautiful princess who was admired by all, but no one dared to ask for her hand in marriage. In despair, the king consulted the god Apollo. He told him that Psyche should be dressed in mourning and left alone on top of a mountain. Before daybreak, a serpent would come to meet and marry her. The king obeyed, and all night the princess waited for her husband to appear, deathly afraid and freezing cold. Finally, she slept. When she awoke, she found herself crowned a queen in a beautiful palace. Every night her husband came to her and they made love, but he had imposed one condition: Psyche could have all she desired, but she had to trust him completely and could never see his face.” How awful, I think, but I don’t dare interrupt him. “The young woman lived happily for a long time. She had comfort, affection, joy, and she was in love with the man who visited her every night. However, occasionally she was afraid that she was married to a hideous serpent. Early one morning, while her husband slept, she lit a lantern and saw Eros, a man of incredible beauty, lying by her side. The light woke him, and seeing that the woman he loved was unable to fulfill his one request, Eros vanished. Desperate to get her lover back, Psyche submitted to a series of tasks given to her by Aphrodite, Eros’s mother. Needless to say, her mother-in-law was incredibly jealous of Psyche’s beauty and she did everything she could to thwart the couple’s reconciliation. In one of the tasks, Psyche opened a box that makes her fall into a deep sleep.” I grow anxious to find out how the story will end. “Eros was also in love and regretted not having been more lenient toward his wife. He managed to enter the castle and wake her with the tip of his arrow. ‘You nearly died because of your curiosity,’ he told her. ‘You sought security in knowledge and destroyed our relationship.’ But in love, nothing is destroyed forever. Imbued with this conviction, they go to Zeus, the god of gods, and beg that their union never be undone. Zeus passionately pleaded the cause of the lovers with strong arguments and threats until he gained Aphrodite’s support. From that day on, Psyche (our unconscious, but logical, side) and Eros (love) were together forever.” I pour another glass of wine. I rest my head on his shoulder. “Those who cannot accept this, and who always try to find an explanation for magical and mysterious human relationships, will miss the best part of life.

During [Erté]’s childhood St. Petersburg was an elegant centre of theatrical and artistic life. At the same time, under its cultivated sophistication, ominous rumbles could be distinguished. The reign of the tough Alexander III ended in 1894 and his more gentle successor Nicholas was to be the last of the Tsars … St. Petersburg was a very French city. The Franco-Russian Pact of 1892 consolidated military and cultural ties, and later brought Russia into the First World war. Two activities that deeply influenced [Erté], fashion and art, were particularly dominated by France. The brilliant couturier Paul Poiret, for whom Erté was later to work in Paris, visited the city to display his creations. Modern art from abroad, principally French, was beginning to be show in Russia in the early years of the century … In St. Petersburg there were three Imperial theatres―the Maryinsky, devoted to opera and ballet, the Alexandrinsky, with its lovely classical façade, performing Russian and foreign classical drama, and the Michaelovsky with a French repertoire and company … It is not surprising that an artistic youth in St. Petersburg in the first decade of this century should have seen his future in the theatre. The theatre, especially opera and ballet, attracted the leading young painters of the day, including Mikhail Vrubel, possibly the greatest Russian painter of the pre-modernistic period. The father of modern theatrical design in Russia was Alexandre Benois, an offspring of the brilliant foreign colony in the imperial capital. Before 1890 he formed a club of fellow-pupils who were called ‘The Nevsky Pickwickians’. They were joined by the young Jew, Leon Rosenberg, who later took the name of one of his grandparents, Bakst. Another member introduced his cousin to the group―Serge Diaghilev. From these origins emerged the Mir Iskustva (World of Art) society, the forerunner of the whole modern movement in Russia. Soon after its foundation in 1899 both Benois and Bakst produced their first work in the theatre, The infiltration of the members of Mir Iskustva into the Imperial theatre was due to the patronage of its director Prince Volkonsky who appointed Diaghilev as an assistant. But under Volkonsky’s successor Diagilev lost his job and was barred from further state employment. He then devoted his energies and genius to editing the Mir Iskustva magazine and to a series of exhibitions which introduced Russia to work of foreign artists … These culminated in the remarkable exhibition of Russian portraiture held at the Taurida Palace in 1905, and the Russian section at the salon d'Autumne in Paris the following year. This was the most comprehensive Russian exhibition ever held, from early icons to the young Larionov and Gontcharova. Diagilev’s ban from Russian theatrical life also led to a series of concerts in Paris in 1907, at which he introduced contemporary Russian composers, the production Boris Godunov the following year with Chaliapin and costumes and décor by Benois and Golovin, and then in 1909, on May 19, the first season of the ballet Russes at the Châtelet Theatre.

Today I had a lively discussion with a merchant in Fez with a view to finding out what the Moors think of European civilization.... He was a fine man, about forty years old, with an honest and serious face, who had made business visits to the most important cities in Western Europe and had lived for a long time in Tangier, where he learnt Spanish.... I asked him therefore what kind of impression the large cities of Europe had made on him.... He looked hard at me and answered coldly: “Large streets, fine shops, beautiful palaces, good workshops, everything clean.” He gave the impression that with these words, he had mentioned everything in our countries that was worthy of praise. “Have you not found anything else in Europe that is beautiful and good?” I asked. He looked at me questioningly. “Is it possible,” I went on, “that an intelligent man like you, who has visited several countries so marvelously superior to your own can speak about them without astonishment, or at least without the emotion of a country boy who has seen the pasha’s palace? What can you possibly admire in the world? What sort of people are you? Who can possibly understand you?” “Perdone Usted”, he answered coldly, “it is for me to say that I cannot understand you. I have told you all the things which I consider to be better in Europe. What more can I say? Have I to say something that I do not believe to be true? I repeat that your streets are larger than ours, your shops finer, that you have workshops such as we do not have, and also rich palaces. That is all. I can only add one more thing: that you know more than we do, because you have many books, and read more.” I became impatient. “Do not lose patience, Caballero,” he said, “let us speak together calmly. Is not a man’s first duty honesty? Is it not honesty more than anything else that makes a man worthy of respect, and one country superior to another? Very well, then. As far as honesty is concerned, your countries are certainly not better than ours. That much I can say right away.” “Gently, gently!” I said, “Tell me first what you mean by honesty!” “Honesty in business, Caballero. The Moors, for example, sometimes cheat the Europeans in trade, but you Europeans cheat the Moors much more often.” “There must be a few cases,” I replied, in order to say something. “Casos raros?” he exclaimed angrily. “It happens every day! Proof: I go to Marseilles. I buy cotton. I choose a particular thread, give the exact reference number and brand-name, as well as the amount required. I ask for it to be sent, I pay, and I return home. Back in Morocco, I receive the cotton. I open the consignment, and take a look. I find the same number, the same brand-name, and a thread that is of one third the thickness! This is anything but good, and I lose thousands of francs! I rush to the consulate, but in vain. Another case: A merchant from Fez places an order in Europe for blue cloth, so many pieces, of such and such a length and breadth. He pays for it when the bargain is made. In due course he receives the cloth, opens the package, and checks the measurements. The first pieces are all right, those underneath are shorter, and those lowest down are half a meter too short! The cloth cannot be used for cloaks, and the merchant is ruined. . . . And so on and so on!

He [my cousin] was by profession manger of a museum in the days when a museum meant a great deal to the general public. I had some idea of what a city museum was: staid, stuffy, and wearisome, visited by everybody that was anybody and all the nobodies as well. But this museum was a novelty, a 'floating palace of curiosities' on the Ohio and Mississippi rivers.

WHEN on the Magpies' Bridge I see The Hoar-frost King has cast His sparkling mantle, well I know The night is nearly past, Daylight approaches fast. The author of this verse was Governor of the Province of Koshu, and Viceroy of the more or less uncivilized northern and eastern parts of Japan; he died A.D. 785. There was a bridge or passageway in the Imperial Palace at Kyoto called the Magpies' Bridge, but there is also an allusion here to the old legend about the Weaver and Herdsman. It is said, that the Weaver (the star Vega) was a maiden, who dwelt on one side of the River of the Milky Way, and who was employed in making clothes for the Gods. But one day the Sun took pity upon her, and gave her in marriage to the Herdboy (the star Aquila), who lived on the other side of the river. But as the result of this was that the supply of clothes fell short, she was only permitted to visit her husband once a year, viz. on the seventh night of the seventh month; and on this night, it is said, the magpies in a dense flock form a bridge for her across the river. The hoar frost forms just before day breaks. The illustration shows the Herdboy crossing on the Bridge of Magpies to his bride. A Hundred Verses from Old Japan (The Hyakunin-isshu), tr. by William N. Porter, [1909],

We have another aunt," Kyler rubbed her forehead. "Why couldn't we see it?" "I get the idea that not many can," Cleo sighed. Kyler had come to visit Grey House when Cleo sent mindspeech. "I healed her headache and still didn't know I was putting my hands on a relative." "Lissa's really upset, according to Flavio. She barely talks to Gavin, and threw Norian out of the palace. Flavio says she used power and sent all of Norian's stuff to Ildevar's palace on Wyyld." "What would you do? He almost let an attempted murderer go." "He would have, but Ildevar told him to put Hawer in jail." "At least Ildevar remembers the law. Norian doesn't seem to.

At the same time, the Establishment and their media allies were in full cry. Lord McGregor, the Chairman of the Press Complaints Commission, issued a statement condemning the hysteria that the book immediately generated as ‘An odious exhibition of journalists dabbling their fingers in the stuff of other people’s souls.’ In fact, this criticism was never made of the book itself; indeed, Lord McGregor has since told me that the issue was the ‘most difficult’ of his tenure. The Archbishop of Canterbury worried publicly about the effects of the publicity on Princes William and Harry; Lord St John of Fewsley condemned the book’s publication, while a pot-pourri of MPs were keen to see me locked away in the Tower; it was, too, a torrid time for Diana’s supporters. As loyalists rallied to the flag, ignoring the message while deriding the messenger, the public gradually began to accept the book’s veracity through statements by Diana’s friends, further confirmed when she visited her old friend Carolyn Bartholomew, who had spoken about the Princess’s bulimia. Unfortunately, that casual call upon an old and trusted friend had bitter consequences for Diana. Senior courtiers, including the Queen’s private secretary, Sir Robert Fellowes, pointed accusing fingers at Diana when they saw the front-page coverage of the visit. Aggrieved and hurt, the Princess flew by helicopter to Merseyside for a visit to a hospice, her first official engagement since Diana, Her True Story hit the headlines. It proved to be an emotional meeting between Diana and her public for, touched by the show of affection from waiting wellwishers, she burst into tears, overcome by the distressing echoes of her morning meeting with Palace officials, and by the underlying strain of the decision she and Prince Charles had taken. As she later told a friend: ‘An old lady in the crowd stroked my face and that triggered something inside me. I simply couldn’t stop myself crying.’ The public tears did not surprise her close friends, who knew only too well the private anguish of her lonely position, the strain she had borne for 18 months. As one remarked: ‘She is a brilliant actress who has disguised her private sorrow.

The Princess was anxious that her sons should also see something of the real world beyond boarding schools and palaces. As she said in a speech on Aids: ‘I am only too aware of the temptation of avoiding harsh reality; not just for myself but for my own children too. Am I doing them a favour if I hide suffering and unpleasantness from them until the last possible minute? The last minutes which I choose for them may be too late. I can only face them with a choice based on what I know. The rest is up to them.’ She felt this was especially important for William, the future King. As she once said: ‘Through learning what I do, and his father to a certain extent, he has got an insight into what’s coming his way. He’s not hidden upstairs with the governess.’ Over the years she has taken both boys on visits to hostels for the homeless and to see seriously ill people in hospital. When she took William on a secret visit to the Passage day centre for the homeless in Central London, accompanied by Cardinal Basil Hume, her pride was evident as she introduced him to what many would consider the flotsam and jetsam of society. ‘He loves it and that really rattles people,’ she proudly told friends. The Catholic Primate of All England was equally effusive. ‘What an extraordinary child,’ he told her. ‘He has such dignity at such a young age.’ This upbringing helped William cope when a group of mentally handicapped children joined fellow school pupils for a Christmas party. Diana watched with delight as the future King gallantly helped these deprived youngsters join in the fun. ‘I was so thrilled and proud. A lot of adults couldn’t handle it,’ she told friends. Again during one Ascot week, a time of Champagne, smoked salmon and fashionable frivolity for High society, the Princess took her boys to the Refuge night shelter for down-and-outs. William played chess while Harry joined in a card school. Two hours later the boys were on their way back to Kensington Palace, a little older and a little wiser. ‘They have a knowledge,’ she once said. ‘They may never use it, but the seed is there, and I hope it will grow because knowledge is power. I want them to have an understanding of people’s emotions, people’s insecurities, people’s distress and people’s hopes and dreams.’ Her quiet endeavors gradually won back many of the doubters who had come to see her as a threat to the monarchy, or as a talentless and embittered woman seeking to make trouble, especially by upstaging or embarrassing her husband and his family. The sight of the woman who was still then technically the future Queen, unadorned and virtually unaccompanied, mixing with society’s poorest and most distressed or most threatened, confounded many of her critics.

Line 10: The fact that the inhabitants of the Netherworld are said to be clad in feather garments is perhaps due to the belief that after death, a person's soul turned into a spirit or a ghost, whose nature was wind-like, as well as bird-like. The Mesopotamians believed in the body (*pagru*) and the soul. the latter being referred to by two words: GIDIM = *et.emmu*, meaning "spirit of the dead," "ghost;" and AN.ZAG.GAR(.RA)/LIL2 = *zaqi_qu*/*ziqi_qu*, meaning "soul," "ghost," "phantom." Living beings (humans and animals) also had ZI (*napis\/tu*) "life, vigor, breath," which was associated with the throat or neck. As breath and coming from one's throat, ZI was understood as moving air, i.e., wind-like. ZI (*napis\/tu*) was the animating life force, which could be shortened or prolonged. For instance...Inanna grants "long life (zi-su\-ud-g~a/l) under him (=the king) in the palace. At one's death, when the soul/spirit released itself from the body, both *et.emmu* and *zaqi_qu*/*ziqi_qu* descended to the Netherworld, but when the body ceased to exist, so did the *et.emmu*, leaving only the *zaqi_gu*. Those souls that were denied access to the Netherworld for whatever reason, such as improper buriel or violent or premature death, roamed as harmful ghosts. Those souls who had attained peace were occasionally allowed to visit their families, to offer help or give instructions to their still living relatives. As it was only the *et.emmu* that was able to have influence on the affairs of the living relatives, special care was taken to preserve the remains of the familial dead. According to CAD [The Assyrian Dictionary of the University of Chicago] the Sumerian equivalent of *zaqi_qu*/*ziqi_qu* was li/l, which referred to a "phantom," "ghost," "haunting spirit" as in lu/-li/l-la/ [or] *lilu^* or in ki-sikil-li/l - la/ {or] *lili_tu*. the usual translation for the word li/l, however, is "wind," and li/l is equated with the word *s\/a_ru* (wind) in lexical lists. As the lexical lists equate wind (*s\/a_ru* and ghost (*zaqi_qu*) their association with each other cannot be unfounded. Moreover, *zaqi_qu* derives from the same root as the verb *za^qu*, "to blow," and the noun *zi_qu*, "breeze." According to J. Scurlock, *zaqi_qu* is a sexless, wind-like emanation, probably a bird-like phantom, able to fly through small apertures, and as such, became associated with dreaming, as it was able to leave the sleeping body. The wind-like appearance of the soul is also attested in the Gilgamesh Epic XII 83-84, where Enkidu is able to ascend from the Netherworld through a hole in the ground: "[Gilgamesh] opened a hole in the Netherworld, the *utukku* (ghost) of Enkidu came forthfrom the underworld as a *zaqi_qu." The soul's bird-like appearance is referred to in Tablet VII 183-184, where Enkidu visits the Netherworld in a dream. Prior to his descent, he is changed into a dove, and his hands are changed into wings. - State Archives of Assyria Cuneiform Texts Volume VI: The Neo-Assyrian Myth of Istar's Descent and Resurrection {In this quote I haven't been able to copy some words exactly. I've put Assyrian words( normally in italics) between *asterisks*. The names of signs in Sumerian cuneiform (wedge-shaped writing) are normally in CAPITALS with a number slightly below the line after it if there's more than one reading for that sign. Assyriologists use marks above or below individual letters to aid pronunciation- I've put whatever I can do similar after the letter. E.g. *et.emmu" normally has the dot under the "t" to indicate a sibilant or buzzy sound, so it sounds something like "etzzemmoo." *zaqi_qu* normally has the line (macron) over the "i" to indicate a long vowel, so it sounds like "zaqeeqoo." *napis\/tu* normally has a small "v" over the s to make a sh sound, ="napishtu".}

The men in her life were clean-cut, well-bred, reliable, unpretentious and good company. “Diana is an Uptown girl who has never gone in for downtown men,” observes Rory Scott. If they wore a uniform or had been cast aside by Sarah so much the better. She felt rather sorry for Sarah’s rejects and often tried, unsuccessfully, to be asked out by them. So she did washing for William van Straubenzee, one of Sarah’s old boyfriends, and ironed the shirts of Rory Scott, who had then starred in a television documentary about Trooping the Colour, and Diana regularly stayed for weekends at his parents’ farm near Petworth, West Sussex. She continued caring for his wardrobe during her royal romance, on one occasion delivering a pile of freshly laundered shirts to the back entrance of St. James’s Palace, where Rory was on duty, in order to avoid the press. James Boughey was another military man who took her out to restaurants and the theatre and Diana visited Simon Berry and Adam Russell at their rented house on the Blenheim estate when they were undergraduates at Oxford. There were lots of boyfriends but none became lovers. The sense of destiny which Diana had felt from an early age shaped, albeit unconsciously, her relationships with the opposite sex. She says: “I knew I had to keep myself tidy for what lay ahead.” As Carolyn observes: “I’m not a terrible spiritual person but I do believe that she was meant to do what she is doing and she certainly believes that. She was surrounded by this golden aura which stopped men going any further, whether they would have liked to or not, it never happened. She was protected somehow by a perfect light.” It is a quality noted by her old boyfriends. Rory Scott says roguishly: “She was very sexually attractive and the relationship was not a platonic one as far as I was concerned but it remained that way. She was always a little aloof, you always felt that there was a lot you would never know about her.” In the summer of 1979 another boyfriend, Adam Russell, completed his language degree at Oxford and decided to spend a year travelling. He left unspoken the fact that he hoped the friendship between himself and Diana could be renewed and developed upon his return. When he arrived home a year later it was too late. A friend told him: “You’ve only got one rival, the Prince of Wales.

Carolyn Bartholomew who visited her at Kensington Palace three days after William was born recalls: “She was thrilled with both herself and the baby. There was a contentment about her.” The mood was infectious. For a time Charles surprised his friends by his enthusiasm for the nursery routine. “I was hoping to do some digging,” he told Harold Haywood, secretary of the Prince’s Trust one Friday evening. “But the ground’s so hard that I can’t get the spade in. So I expect I’ll be nappy changing instead.” As William grew, stories filtered out about the Prince joining his son in the bath, of William flushing his shoes down the lavatory or of Charles cutting short engagements to be with his family.

When Diana was unable to visit, she telephoned the apartment to check on her friend’s condition. On her 30th birthday she wore a gold bracelet which Adrian had given to her as a sign of their affection and solidarity. Nevertheless, Diana’s quiet and longstanding commitment to be with Adrian when he died almost foundered. In August his condition worsened and doctors advised that he should be transferred to a private room at St Mary’s Hospital, Paddington where he could be treated more effectively. However Diana had to go on a holiday cruise in the Mediterranean with her family on board a yacht owned by the Greek millionaire John Latsis. Provisional plans were made to fly her from the boat by helicopter to a private plane so that she could be with her friend at the end. Before she left, Diana visited Adrian in his home. “I’ll hang on for you,” he told her. With those words emblazoned on her heart, she flew to Italy, ticking off the hours until she could return. As soon as she disembarked from the royal flight jet she drove straight to St Mary’s Hospital. Angela recalls: “Suddenly there was a knock on the door. It was Diana. I flung my arms around her and took her into the room to see Adrian. She was still dressed in a T-shirt and sporting a sun tan. It was wonderful for Adrian to see her like that.” She eventually went home to Kensington Palace but returned the following day with all kinds of goodies. Her chef Mervyn Wycherley had packed a large picnic hamper for Angela while Prince William walked into the room almost dwarfed by his present of a large jasmine plant from the Highgrove greenhouses. Diana’s decision to bring William was carefully calculated. By then Adrian was off all medication and very much at peace with himself. “Diana would not have brought her son if Adrian’s appearance had been upsetting,” says Angela. On his way home, William asked his mother: “If Adrian starts to die when I’m at school will you tell me so that I can be there.

The speeches she is making with almost weekly regularity are a further satisfying feature of her royal life. Some she writes herself, others by a small coterie of advisers, including her private secretary Patrick Jephson, now a firm ally in the royal camp as she personally appointed him last November. It is a flexible informal group who discuss with the Princess the points she wants to make, research the statistics and then construct the speech. The contrast between her real interests and the role assigned for her by her palace “minders” was amply demonstrated in March this year where on the same day she was guest of honour at the Ideal Home Exhibition and in the evening made a passionate and revelatory speech about AIDS. There was an interesting symbolism to these engagements, separated only by a matter of hours but by a generation in personal philosophy. Her exhibition visit was organized by the palace bureaucracy. They arranged everything from photo opportunities to guests lists while the subsequent media coverage concentrated on an off-the-cuff remark the Princess made about how she couldn’t comment on her plans for National Bed Week because this was “a family show”. It was light, bright and trite, the usual offering which is served up by the palace to the media day in day out. The Princess performed her role impeccably, chatting to the various organizers and smiling for the cameras. However her performance was just that, a role which the palace, the media and public have come to expect. A glimpse of the real Diana was on show later that evening when in the company of Professor Michael Adler and Margaret Jay, both AIDS experts, she spoke to an audience of media executives at a dinner held at Claridges. Her speech clearly came from the heart and her own experience. Afterwards she answered several rather long-winded questions from the floor, the first occasion in her royal life where she had subjected herself to this particular ordeal. This episode passed without a murmur in the media even though it represented a significant milestone in her life. It illustrates the considerable difficulties she faces in shifting perceptions of her job as a Princess, both inside and outside the palace walls.

Over the last few years the counselling, the friendships and the holistic therapies she has embraced have enabled her to win back her personality, a character which has been smothered by her husband, the royal system, and the public’s expectations towards their fairy-tale princess. The woman behind the mask is not a flighty, skittish young thing nor a vision of saintly perfection. She is, however, a much quieter, introverted and private person than many would like to believe. As Carolyn Bartholomew says: “She has never liked the media although they’ve been friends to her. Actually she has always been shy of them.” As she has matured over the last three years the physical changes in her have been noticeable. When she asked Sam McKnight to cut her hair in a shorter sportier style it was a public statement of the way she felt she had altered. Her voice, too, is a barometer of the way she has matured. When she speaks of the “dark ages”, her tone is flat and soft, almost fading to nothing, as though dredging thoughts from a dim recess of her heart which she only visits with trepidation. When she is feeling “centered”. And in charge of herself her voice is lively, colourful and brimming with wry amusement. When Oonagh Toffolo first visited Diana at Kensington Palace in September 1989 she observed that the Princess was timid and would never look her straight in the eye. She says: “Over the last two years she has got in touch with her own nature and has found a new confidence and sense of liberation which she had never known before.” Her observation is borne out by others. As one friend who first met Diana in 1989 recalls: “My initial impression was of a very shy and retiring person. She bowed her head low and hardly looked at me when she spoke. Diana emanated such sadness and vulnerability that I just wanted to give her a hug. She has matured enormously since that time. She now has a purpose in life and is no longer the lost soul of that first meeting.

When Prince Charles arrived home from a recent private visit to France she found his presence so oppressive that she literally ran out of Kensington Palace. Diana phoned a friend who was grieving over the death of a loved one. She could sense that her chum was crying and said: “Right I’m coming over now.” As her friend recalls: “She came instantly for me but when she arrived she was visibly unsettled. Diana told me: “I’m here for you but I’m also here for me. My husband appeared and I just had to fly out and escape.’ She was all of a dither.” As far as is practicable they lead separate lives, joining forces only to maintain a façade of unity. These reunions merely give the public a glimpse into their isolated existences. At last year’s soccer Cup Final at Wembley they sat next to each other but never exchanged a word or glance during the ninety-minute game. More recently Prince Charles missed his wife’s cheek and ended up kissing her neck at the end of a polo match during their tour of India. Even their notepaper which used to have a distinctive intertwined “C and D” has been discarded in favour of individual letterheadings. When she is at Kensington palace he will be at Highgrove or Birkhall on the Balmoral estate. At Highgrove she has the large four-poster in the master bedroom; he sleeps in a brass bed which he borrowed from his son, Prince William, because he found its extra width more comfortable after he broke his right arm during a polo match. Even these distant sleeping arrangements have led to marital discord. When Prince William asked for his bed back, his father refused. “Sometimes I don’t know who the baby is in this family,” commented Diana caustically. The days when she affectionately called him “Hubcap” are long gone. As James Gilbey notes: “Their lives are spent in total isolation. It’s not as though they ring each other and have sweet chats each evening and say: ‘Darling what have you been doing?’ It simply doesn’t happen.

It was her concern and commitment to a friend which last year involved her in perhaps the most emotional period of her life. For five months she secretly helped to care for Adrian Ward-Jackson who had discovered that he was suffering from AIDS. It was a time of laughter, joy and much sorrow as Adrian, a prominent figure in the world of art, ballet and opera, gradually succumbed to his illness. A man of great charisma and energy, Adrian initially found it difficult to come to terms with his fate when in the mid-1980s he was diagnosed as HIV positive. His word as deputy chairman of the Aids Crisis Trust, where he first met the Princess, had made him fully aware of the reality of the disease. Finally he broke the news in 1987 to his great friend Angela Serota, a dancer with the Royal Ballet until a leg injury cut short her career and now prominent in promoting dance and ballet. For much of the time, Angela, a woman of serenity and calm practicality, nursed Adrian, always with the support of her two teenage daughters. He was well enough to receive a CBE at Buckingham Palace in March 1991 for his work in the arts--he was a governor of the Royal Ballet, chairman of the Contemporary Arts Society and a director of the Theatre Museum Association--and it was at a celebratory lunch held at the Tate Gallery that Angela first met the Princess. In April 1991 Adrian’s condition deteriorated and he was confined to his Mayfair apartment where Angela was in almost constant attendance. It was from that time that Diana made regular visits, once even brining her children Princes Willian and Harry. From that time Angela and the Princess began to forge a supportive bond as they cared for their friend. Angela recalls: “I thought she was utterly beautiful in a very profound way. She has an inner spirit which shines forth though there was also a sense of pervasive unhappiness about her. I remember loving the way she never wanted me to be formal.” When Diana brought the boys to see her friends, a reflection of her firmly held belief that her role as mother is to bring them up in a way that equips them for every aspect of life and death, Angela saw in William a boy much older and more sensitive than his years. She recalls: “He had a mature view of illness, a perspective which showed awareness of love and commitment.” At first Angela kept in the background, leaving Diana alone in Adrian’s room where they chatted about mutual friends and other aspects of life. Often she brought Angela, whom she calls “Dame A”, a gift of flowers or similar token. She recalls: “Adrian loved to hear about her day-to-day work and he loved too the social side of life. She made him laugh but there was always the perfect degree of understanding, care and solicitude. This is the point about her, she is not just a decorative figurehead who floats around on a cloud of perfume.” The mood in Mount Street was invariably joyous, that sense of happiness that understands about pain. As Angela says: “I don’t see death as sad or depressing. It was a great journey he was going on. The Princess was very much in tune with that spirit. She also loved coming for herself, it was an intense experience. At the same time Adrian was revitalized by the healing quality of her presence.” Angela read from a number of works by St. Francis of Assisi, Kahil Gibran and the Bible as well as giving Adrian frequent aromatherapy treatments. A high spot was a telephone call from Mother Teresa of Calcutta who also sent a medallion via Indian friends. At his funeral they passed Diana a letter from Mother Teresa saying how much she was looking forward to meeting her when she visited India. Unfortunately Mother Teresa was ill at that time so the Princess made a special journey to Rome where she was recuperating. Nonetheless that affectionate note meant a great deal to the Princess.

By Thursday the news had leaked out and a group of photographers waited for her outside the hospital. “People thought Diana only came in at the end,” says Angela. “Of course it wasn’t like that at all, we shared it all.” In the early hours of Thursday, August 23 the end came. When Adrian died, Angela went next door to telephone Diana. Before she could speak Diana said: “I’m on my way.” Shortly after she arrived they said the Lord’s Prayer together and then Diana left her friends to be alone for one last time. “I don’t know of anybody else who would have thought of me first,” says Angela. Then the protective side of Diana took over. She made up a bed for her friend, tucked her in and kissed her goodnight. While she was asleep Diana knew that it would be best if Angela joined her family on holiday in France. She packed her suitcase for her and telephoned her husband in Montpellier to tell him that Angela was flying out as soon as she awoke. Then Diana walked upstairs to see the baby ward, the same unit where her own sons were born. She felt that it was important to see life as well as death, to try and balance her profound sense of loss with a feeling of rebirth. In those few months Diana had learned much about herself, reflecting the new start she had made in life. It was all the more satisfying because for once she had not bowed to the royal family’s pressure. She knew that she had left Balmoral without first seeking permission from the Queen and in the last days there was insistence that she return promptly. The family felt that a token visit would have sufficed and seemed uneasy about her display of loyalty and devotion which clearly went far beyond the traditional call of duty. Her husband had never known much regard for her interests and he was less than sympathetic to the amount of time she spent caring for her friend. They failed to appreciate that she had made a commitment to Adrian Ward-Jackson, a commitment she was determined to keep. It mattered not whether he was dying of AIDS, cancer or some other disease, she had given her word to be with him at the end. She was not about to breach his trust. At that critical time she felt that her loyalty to her friends mattered as much as her duty towards the royal family. As she recalled to Angela: “You both need me. It’s a strange feeling being wanted for myself. Why me?” While the Princess was Angela’s guardian angel at Adrian’s funeral, holding her hand throughout the service, it was at his memorial service where she needed her friend’s shoulder to cry on. It didn’t happen. They tried hard to sit together for the service but Buckingham Palace courtiers would not allow it. As the service at St Paul’s Church in Knightsbridge was a formal occasion, the royal family had to sit in pews on the right, the family and friends of the deceased on the left. In grief, as with so much in Diana’s life, the heavy hand of royal protocol prevented the Princess from fulfilling this very private moment in the way she would have wished. During the service Diana’s grief was apparent as she mourned the man whose road to death had given her such faith in herself. The Princess no longer felt that she had to disguise her true feelings from the world. She could be herself rather than hide behind a mask. Those months nurturing Adrian had reordered her priorities in life. As she wrote to Angela shortly afterwards: “I reached a depth inside which I never imagined was possible. My outlook on life has changed its course and become more positive and balanced.

In the meantime, Pat was enjoying his first solo conversation with Diana. Previously, he’d seen her only twice at our flat in London in 1980 and again at the prewedding ball in 1981. Pat had been waiting on the palace driveway by our car. Diana’s butler had come out and asked, “Are you Mr. Robertson?” Then he graciously said, “Please come inside.” Pat expected to be shown into the entrance hall to wait more comfortably. He was pleasantly surprised to be led upstairs into Diana’s elegant drawing room. There, Diana’s butler gave him coffee and the newspaper to read while Diana and I finished our tete-a-tete. Pat was caught unawares when Diana breezed in to see him. Pat is six feet three inches tall, but he was struck by Diana’s height and by her natural good looks and vitality. He stood up, saying “Gosh, I don’t know what to call you.” Diana, unassuming and direct as always, replied, “Diana’s just fine.” They sat down together and had a short visit. Pat recalls that they talked about children, hers and ours, and our travel plans for Wales and Scotland. He couldn’t get over how unaffected and natural she was. He was thrilled finally to visit with the wonderful Diana I’d been talking about for years. Pat asked if we’d taken any photographs yet. Diana said, “Yes, but would you like to take another one outside in the garden?” I had finished my coffee and the children had returned from their tour, so we all walked downstairs and out onto the front courtyard and lawn. With my camera, Pat took a picture of Diana standing with the children and me. Then Diana asked one of her staff, who was standing nearby, to use my camera so that Pat could be in a photograph. Then with hugs and good wishes all around, we returned to our car and drove slowly from Kensington Palace. I hated to leave Diana, not knowing when, or even if, we’d see her again.

We have been dreaming of robots since Homer. In Book 18 of the Iliad , Achilles’ mother, the nymph Thetis, wants to order a new suit of armor for her son, and so she pays a visit to the Olympian atelier of the blacksmith-god Hephaestus, whom she finds hard at work on a series of automata: . . . He was crafting twenty tripods to stand along the walls of his well-built manse, affixing golden wheels to the bottom of each one so they might wheel down on their own [automatoi] to the gods’ assembly and then return to his house anon: an amazing sight to see. These are not the only animate household objects to appear in the Homeric epics. In Book 5 of the Iliad we hear that the gates of Olympus swivel on their hinges of their own accord, automatai , to let gods in their chariots in or out, thus anticipating by nearly thirty centuries the automatic garage door. In Book 7 of the Odyssey , Odysseus finds himself the guest of a fabulously wealthy king whose palace includes such conveniences as gold and silver watchdogs, ever alert, never aging. To this class of lifelike but intellectually inert household helpers we might ascribe other automata in the classical tradition. In the Argonautica of Apollonius of Rhodes, a third-century-BC epic about Jason and the Argonauts, a bronze giant called Talos runs three times around the island of Crete each day, protecting Zeus’s beloved Europa: a primitive home alarm system.

We never came to Oxford Street as kids,’ Bryant continued. ‘My brother and I used to head to Holborn with our mother to visit the Father Christmas at Gamages department store. I loved that place. You would get into a rocket ship or a paddle steamer and step off in Santa’s grotto. That building was a palace of childhood magic. I still can’t believe they pulled it down.

When the Spaniard Pero Tafur visited, he found even the emperor’s palace “in such a state that both it and the city show well the evils which the people have suffered and still endure … the city is sparsely populated … the inhabitants are not well clad, but sad and poor, showing the hardship of their lot,” before adding with true Christian charity, “which is, however, not as bad as they deserve, for they are a vicious people, steeped in sin.

One of the things on the top of my to-do list since my arrival in Paris has been to visit the Palais Galliera, the city’s very own museum dedicated to fashion. I’ve seen pictures of it, but nothing has prepared me for the jaw-dropping beauty of the place. It’s a gem of a palace, a perfect wedding-cake building conjuring Italian style with its white stone columns and balustrades. I enter through the ornately carved gatehouse leading off a leafy street in one of Paris’s most elegant districts, and feel as if I’ve stepped out of the city and into a rural idyll. Trees fringe the neatly manicured parkland and, just beyond their autumnal branches, the Eiffel Tower points towards the blue of the sky. Statues dot the grounds, and the verdigris figure of a girl, the centrepiece of a fountain in front of the palace, is surrounded by ribbon-like beds of flowers, carefully planted in a mosaic of yellow and gold.

moving over to a new building on the Embankment.” Sebastian nodded, sipped his drink. “I didn’t know that.” Reggie went on, “Centuries ago, the street called Scotland Yard housed a palace where the Scottish kings stayed when they visited London.

In 1851 Ada Lovelace and Charles Babbage met up for the last time when they, along with six million other people, visited the Great Exhibition together. Housed in a fantastic purpose-built glass pavilion in Hyde Park called the Crystal Palace, it was designed to showcase the achievements of British industry and all the stuff we’d nicked from overseas. Babbage, who never let an occasion get in the way of a grievance, was less impressed because not one of his amazing engines was on display.

Being a writer, then, is as much about observation as it is imagination. I try to let new experiences inspire me. I’ve been lucky enough in this field that I am able to travel frequently. When I visit a new country, I try to let the culture, people, and experiences there shape themselves into a story. Once when I visited Taiwan, I was fortunate enough to visit the National Palace Museum, with my editor Sherry Wang and translator Lucie Tuan along to play tour guides. A person can’t take in thousands of years of Chinese history in a matter of a few hours, but we did our best. Fortunately, I had some grounding in Asian history and lore already. (I lived for two years in Korea as an LDS missionary, and I then minored in Korean during my university days.)

Ode to Bees Multitude of bees! in and out of the crimson, the blue, the yellow, of the softest softness in the world; you tumble headlong into a corolla to conduct your business, and emerge wearing a golden suit and quantities of yellow boots. The waist, perfect, the abdomen striped with dark bars, the tiny, ever-busy head, the wings, newly made of water; you enter every sweet-scented window, open silken doors, penetrate the bridal chamber of the most fragrant love, discover a drop of diamond dew, and from every house you visit you remove honey, mysterious, rich and heavy honey, thick aroma, liquid, guttering light, until you return to your communal palace and on its gothic parapets deposit the product of flower and flight, the seraphic and secret nuptial sun! Multitude of bees! Sacred elevation of unity, seething schoolhouse. Buzzing, noisy workers process the nectar, swiftly exchanging drops of ambrosia; it is summer siesta in the green solitudes of Osorno. High above, the sun casts its spears into the snow, volcanoes glisten, land stretches endless as the sea, space is blue, but something trembles, it is the fiery, heart of summer, the honeyed heart multiplied, the buzzing bee, the crackling honeycomb of flight and gold! Bees, purest laborers, ogival workers fine, flashing proletariat, perfect, daring militia that in combat attack with suicidal sting; buzz, buzz above the earth's endowments, family of gold, multitude of the wind, shake the fire from the flowers, thirst from the stamens, the sharp, aromatic thread that stitches together the days, and propagate honey, passing over humid continents, the most distant islands of the western sky. Yes: let the wax erect green statues, let honey spill in infinite tongues, let the ocean be a beehive, the earth tower and tunic of flowers, and the world a waterfall, a comet's tail, a never-ending wealth of honeycombs! Pablo Neruda, Odes to Common Things. (Bulfinch; Illustrated edition, May 1, 1994)

Like in the time of Esther, God has a Jewish girl hidden in the palace! She was born a Jew, then adopted and grafted into the commonwealth of Israel. She lived in every foreign land, hid her Jewish identity, took a Gentile name, and followed the celebrations of the nations where she lived. She grew in beauty and majesty, and she’s married to the King. Do you know her name? That’s right—the Church is her name. And now that the plot to destroy all the Jews has been revealed…her uncle, Mordecai (Messianic Jews), is begging her (the Church) to go before the King and intercede for the lives of her relatives. But will she do it? Will she fast and pray? Will she cry out as a watchman on the walls? Or will she remain silent, hoping the curse will somehow disappear, saying, “I am not of those people any longer; they rejected their King and I am married to Him; they brought these troubles on their own heads; why should I stick my neck out for them? If they are God’s chosen people, then He will certainly take care of them!” Listen to the words of Mordecai when Hadassah, Esther, was concerned for her own safety above the salvation of her people. Do not think that because you are in the king’s house you alone of all the Jews will escape. For if you remain silent at this time, relief and deliverance for the Jews will arise from another place, but you and your father’s family will perish. And who knows but that you have come to royal position for such a time as this? (Esther 4:12-14) Yes, that’s right, Church! You are God’s hidden plan for the salvation of Israel and the blessing of all the peoples on Earth! Will you fast and pray? Will you go before the King and cry out for your people? Or will you continue to give comfort and aid to Haman, embrace replacement theology (discussed in chapter 8), support BDS, and refuse shelter and supply to the Jews? For if you remain silent at this time, relief and deliverance for the Jews will arise from another place, but you will have missed the day of your visitation—even the very purpose for which you were brought to the Kingdom. The adversary, the usurper, is seeking to destroy the whole house of Israel again because… a King is coming!

I never hated you, Matt,” Maude objected gently. “When we said goodbye in New York, part of my heart remained locked with yours. And when you came to visit your aunt, I knew you were the missing piece. And the night we spent at the Palace

I was having my dinner in Glendon Lodge, in the grounds of the City Hospital, and the receptionist came out and she said, ‘Dean, there’s a phone call for you.’ I said, ‘Who is it?’ She said, ‘It’s Diane.’ And I’ve got a sister Diane. And I said, ‘Oh, tell her I’m having me dinner, to call back later.’ She went away, she came back and she said, ‘Oh, she can’t call back.’ So I went in – finished, stopped my dinner – went and spoke on the phone and then I said, ‘Oh, hello my duck’ – I’d had a tracheotomy so I could talk then. And she said, ‘Do you know who you’re talking to?’ I said, ‘Yeah, Diane.’ And she said, ‘No, you’re talking to Princess Diana from Kensington Palace.’ Unbelievable. And then she said, ‘Are you OK, is the family OK?’ And before she went she said, ‘Is there anything you need?’ I said, ‘Yeah, there is. When you visited me I was unconscious, but now I’m conscious can you come and visit me?’ And she said, ‘Yeah, I’ll come and visit you but I don’t want no reporters or nothing, just a casual visit.

The French, I knew, were well ahead in this area, constructing gigantic palaces in the centre of cities which offer every luxury to travellers prepared to pay well to avoid any real contact with the place they were visiting.

The conquering troops plundered the wealthy capital, and found the booty so abundant “that every private man in the allied army became rich in gold, jewels, effects, tents, arms, horses and slaves.”71 For five months the plunder continued: the victors slaughtered the helpless inhabitants in indiscriminate butchery, emptied the stores and shops, smashed the temples and palaces, and labored at great pains to destroy all the statuary and painting in the city; then they went through the streets with flaming torches, and set fire to all that would burn. When at last they retired, Vijayanagar was as completely ruined as if an earthquake had visited it and had left not a stone upon a stone. It was a destruction ferocious and absolute, typifying that terrible Moslem conquest of India which had begun a thousand years before, and was now complete.

I wonder if eventually they will just stop visiting

Once in power, Zayed was an energized man. One of his first acts in office was to throw open the palace strongbox, giving away all the money that his brother had stockpiled. Zayed made an incredible announcement: Anyone in the seven Trucial States who needed cash for any reason should come see him. People streamed in from every corner of every sheikhdom, traveling to Abu Dhabi by camel, by car, by dhow, and on foot. They lined up outside the leader’s palace, waiting for their turn to ask, and receive. Zayed kept up the handouts until he emptied the coffers. 13 The big giveaway sounds like a crazy idea, especially coming as it did before the UAE emerged as an in de pen dent nation, so that most of the recipients were, essentially, foreigners. But Zayed’s gifts weren’t mislaid. Local Arabs considered such over-the-top generosity as the behavior of their kind of leader. The upstarts in Dubai couldn’t match the gesture, nor could the has-beens in Sharjah. Zayed’s giveaway went a long way toward welding disparate sheikhdoms into a nation—and toward positioning Zayed as the paternal über-sheikh who should rule. Sheikh Zayed didn’t disappoint. Each year for the rest of his reign, he made a splashy tour around the emirates, visiting even the dust bowl towns of Ajman and Umm Al-Quwain. People yelled, “The president is coming! The president is coming!” and lined up to greet the great sheikh. He would ask what they needed. “Anything you want, tell me,” Zayed would say. His subjects asked for houses, overseas medical treatment, or the release of a jailed brother. Some handed requests scribbled onto sheets of paper, lest the great sheikh forget. Zayed’s handlers from the diwan, his royal court, compiled names, phone numbers, and requests. Over the next few weeks, the diwan would send officials knocking at each door with cash, whether 10,000 dirhams or 100,000 dirhams. 14 It was a fantastic nation-building tool. Not just the handouts of cash, but the in-person availability of the national ruler, who would respond like a kind father to personal needs. How could anyone speak against the union if it put cash in your hand? “We used to think he was too generous, that

Yogyakarta, Indonesia (Java Island) Known as Jogja to locals and a small but steady flow of backpackers that fill up the budget accommodation in alleyways close to the town's main train station. The town itself has always had a reputation for attracting arts dealers from across Asia and is home to many impressive galleries and several significant palaces and monuments that show off different aspects of Islamic and Javanese culture and history. It is also very close to two of Indonesia's most important and impressive religious sites. Firstly the magnificent Borobodur, the worlds largest Buddhist monument outshines even Angkor Wat in terms of its size and grandeur. At sunrise especially it is a truly awe-inspiring sight. The other one is the Hindu temples at Prambanan which are equally important and it is easy to visit both Borobodur and Pramabanan on the same day although prepare for some fairly hefty entry fees of around US$20 at each site.

You really told them you wanted to marry me?” I asked. The smile had taken over his whole face now. “I told you before: I fell under your spell before you even knew you had magic, before you saved a kingdom, back when there was no chance you would be allowed to marry me. Nothing’s really changed since then, except that now any children we have might be wizards themselves, and I’ll be hopelessly outnumbered. “So, yes, I want to marry you. Someday. If you’ll have me,” he said modestly. “Of course I will, you idiot,” I said with a shriek, and threw myself into his arms. Some things, though, never change, regardless of how many countries you save. I tripped at the last moment, and we both went down in a laughing heap. It didn’t stop me from kissing him for so long that we both were gasping by the time it ended. “So what should I call you now?” he said when we had our breath back. “Savior of Thorvaldor? Soon-to-Be-Master Wizard? Chief Councillor of Wise Words? My own love?” “Sinda,” I said, without the slightest twinge of old memories, or something lost, or regret. “Just Sinda. Though I like that last one almost as much.” Kiernan reached out and tucked a strand of escaping hair behind my ear. “I think I like Sinda best myself,” he said. We hauled ourselves up and, still laughing, brushed grass and sticks from our clothes. Then, arms around each other, we began the walk back to Philantha’s house to tell her that her scribe had just gotten a new job and become engaged in the same afternoon. I looked back up the hill once, toward the palace, and then turned away. I would go there tomorrow, but right now, it didn’t matter. Today I only had to walk with Kiernan, to visit Philantha, to finally be just myself. For once, for the first time, it was enough.

Its emperor and empress lived in a palace that floated upon a bank of clouds, from where they governed over the Celestials and mortals, and watched over the sun, moon, and stars. In all our time here, they had never deigned to visit our remote home, so why now?

problem I’m seeking to rectify through these visits. My father kept me in the palace most of my life and stopped visiting the islands when I was young. It is through no fault of my own that no one knows me.

Sorry, I didn’t recognize you.” “That…that’s all right! I was pretty young when you last visited the Luminous Palace. I didn’t expect you to remember.” “Mmm, I’m sure. No one ever expects anything of me at all until it’s everything at once.

younger brother, Proteus, would take over the kingdom, and the two of them hated each other. In desperation, Acrisius took a trip to the Oracle of Delphi to get his fortune read. Now, going to the Oracle is usually what we call a bad idea. You had to take a long trip to the city of Delphi and visit this dark cave at the edge of town, where a veiled lady sat on a three-legged stool, inhaling volcanic vapour all day and seeing visions. You would leave an expensive offering with the priests at the door. Then you could ask the Oracle one question. Most likely, she’d answer you with some rambling riddle. Then you’d leave confused, terrified and poorer. But, like I said, Acrisius was desperate. He asked, ‘O Oracle, what’s the deal with me not having any sons? Who’s supposed to take the throne and carry on the family name?’ This time, the Oracle did not speak in riddles. ‘That’s easy,’ she said in a raspy voice. ‘You will never have sons. One day your daughter Danaë will have a son. That boy will kill you and become the next king of Argos. Thank you for your offering. Have a nice day.’ Stunned and angry, Acrisius returned home. When he got to the palace, his daughter came to see him. ‘Father, what’s wrong? What did the Oracle say?’ He stared at Danaë – his beautiful girl with her long dark hair and lovely brown eyes. Many men had asked to marry her. Now all Acrisius could think about was the prophecy. He could never allow Danaë to marry. She could never have a son. She wasn’t his daughter any more. She was his death sentence.

that he was about to black out and he was glad: at that moment there was nothing he wanted more than oblivion. CHAPTER 36 Even though he was following the news closely on the radio, Dinu had trouble understanding exactly what was under way in northern Malaya. The bulletins mentioned a major engagement in the region of Jitra but the reports were inconclusive and confusing. In the meantime, there were other indications of the way the war was going, all of them ominous. One of these was an official newspaper announcement listing the closing of certain post offices in the north. Another was the increasing volume of southbound traffic: a stream of evacuees was pouring down the north–south highway in the direction of Singapore. One day, on a visit to Sungei Pattani, Dinu had a glimpse of this exodus. The evacuees seemed to consist mainly of the families of planters and mining engineers. Their cars and trucks were filled with household objects—furniture, trunks, suitcases. He came across a truck that was loaded with a refrigerator, a dog and an upright piano. He spoke to the man who was driving the truck: he was a Dutchman, the manager of a rubber plantation near Jitra. His family was sitting crowded in the truck’s cab: his wife, a newborn baby and two girls. The Dutchman said he’d managed to get out just ahead of the Japanese. His advice to Dinu was to leave as soon as possible—not to make the mistake of waiting until the last minute. That night, at Morningside, Dinu told Alison exactly what the Dutchman had said. They looked at each other in silence: they had been over the subject several times before. They knew they had very few choices. If they went by road, one of them would have to stay behind—the estate’s truck was in no shape to make the long journey to Singapore and the Daytona would not be able to carry more than two passengers over the

We had gone but a few steps when we could hear the sounds of a great uproar— and a group of the servants cut across our path. We saw that they were holding a Sa‘idi man, an Upper Egyptian, by his collar, giving him a sound beating with their fists. They dragged him roughly up to the Pasha, and one of them said, “Your Excellency, we caught this thief stealing Beamish’s food.” I knew Beamish quite well—he was the Pasha’s beloved dog, the most precious creature of God to his heart after his wife and children. He lived a spoiled and honored life in the Pasha’s palace—attended by the staff and servants, and visited by a veterinarian once every month. Each day he was presented with meat, bones, milk, and broth—this wasn’t the first time that the Sa‘idis had pounced on Beamish’s lunch. The thief was an unmixed Upper Egyptian, marked by the looks of the ancients themselves. It was clear from his dress that he was wretchedly poor. The Pasha fixed him with a vicious stare, interrogating him gruffly, “Whatever induced you to violate the sanctity of my home?” The man replied in fervent entreaty, panting from his efforts to fight off the servants, “I was starving, Your Excellency, when I saw the cooked meat scattered on the grass. My resistance failed me—I haven’t tasted meat since the Feast of the Sacrifice!” Turning to me, the Pasha exclaimed, “Do you see the difference between your unfortunates and ours? Your poor are propelled by hunger into stealing baguettes, while ours will settle for nothing less than cooked meat.

If you've been hoping to catch a concert by Cristian Castro and Natalia Jimnez, now is your chance! Check out the information below to find out when and where they're performing next. Besides, you can also find information about Cantautoraespaola and its cost. Here is the schedule of upcoming concerts, along with the cost of tickets. The next concert date for Cristian Castro and Natalia Jimnez is Apr 30, 2022. Concerts If you've always wanted to see a concert by a Latino singer, then the next Cristian Castro and Natalia Jimnez concert is just around the corner. This concert is happening at the United Palace Theater in New York, NY, on Sat, Apr 30, 2022 at 8:00 PM, you can buy tickets at Boletosexpress.com by clicking here. There are currently 572 tickets available for this event. It will be a very fun night for fans of Latin music. Tour dates Cristian Castro and Natalia Jimnez will be performing three concerts in the United States. The concert series will begin on April 29th and will run through May 1st, tickets for April 29th can be purchased here. For the concert of 1st May buy events tickets from boletosexpress.com. The concerts will include many of the artist's most popular songs. The artists' artistic entrepreneur, Felix Cabrera, announced the tour earlier this month. He stated that the public has responded positively to the news. You can purchase tickets to the show by visiting the official website of the concert series.

Indian Railways is the fourth largest rail network in the world These are the top 5 most luxurious trains which have the best beautiful views from the window of your seat and serve the best hospitality. These trains pass through beautiful places. Surely your experience will be at the next level. Maharajas' Express : It runs between October and April, covering around 12 destinations most of which lie in Rajasthan. Palace on Wheels: The train starts its journey from New Delhi and covers Jaipur, Sawai Madhopur, Chittorgarh, Udaipur, Jaisalmer, Jodhpur, Bharatpur, and Agra, before returning to Delhi. If you plan on experiencing this royal journey, make sure you have Rs. 3,63,300 to spend! The Golden Chariot : you can take a ride along the Southern State of Karnataka and explore while living like a VIP on wheels. You start from Bengaluru and then go on to visit famous tourist attractions like Hampi, Goa and Mysore to name a few. The Golden Chariot also boasts of a spa, a gym and restaurants too. The Deccan Odyssey: The Deccan Odyssey can give you tours across destinations in Maharashtra, Rajasthan and Gujarat. It starts from Mumbai, covers 10 popular tourist locations including Ratnagiri, Sindhudurg, Goa, Aurangabad, Ajanta-Ellora Nasik, Pune, returning to Mumbai. Maha Parinirvan Express / Buddha Circuit Train: The Buddha Express travels through parts of Madhya Pradesh and Bihar, where Buddism originated over 2,500 years ago. This isn’t as opulent as the other luxury Indian trains and instead drops passengers off at hotels at famous tourist destinations such as Bodhgaya, Rajgir and Nalanda.

The Buddha told his disciples the following fable: “Once upon a time, a clever king invited several people blind from birth to visit the palace. He brought out an elephant and asked them to touch it and then describe what the elephant was like. The blind man who rubbed its legs said that the elephant was like the pillars of a house. The man who stroked its tail said the elephant was like a feather duster. The person who touched its ears said it was like a winnowing basket, and the man who touched its stomach said it was like a round barrel. The person who rubbed its head said the elephant was like a large earthenware jar, and the person who touched its tusk said the elephant was like a stick. When they sat down to discuss what the elephant was like, no one could agree with anyone else, and a very heated argument arose. “Bhikkhus, what you see and hear comprises only a small part of reality. If you take it to be the whole of reality, you will end up having a distorted picture. A person on the path must keep a humble, open heart, acknowledging that his understanding is incomplete. We should devote constant effort to study more deeply in order to make progress on the path. A follower of the Way must remain open-minded, understanding that attachment to present views as if they were absolute truth will only prevent us from realizing the truth. Humility and open-mindedness are the two conditions necessary for making progress on the path.

Excuse me,” a little voice piped up. “I thinking maybe you in the wrong palace maybe? We already has a queen. Queen Ruby, she super-nice.” “Ruby is not your queen,” Scarlet snarled. “She is an imposter! I am your queen!” “What’s a nimposser?” asked another voice. “It’s furry and sleeps upside down and has a really chewy tail,” said another. “Melty-Face, ma’am, you’s wrong, Ruby’s not furry at all. An’ I bet her tail’s not chewy either but I hasn’t checked.” “She’s a very nice queen,” offered yet another dragonet, “and she visits all the time and knows all our names and says sorry when she bumps into someone and brings us snacks and we like her lots.” “Maybe you could be queen of someone else?” a small orange dragonet suggested. “ ’Cause we already gots a good one but I hears that there’s some NightWings maybe lookin’ for a new queen? And maybe because they spooky, too, maybe they like your spooky face?” “Oo, yes,” a few others agreed. “She’d be super-good spooky! They could change their name to SpookyWings or NightmareFaces!” “STOP TALKING THIS INSTANT,” Queen Scarlet bellowed. Peril was finding it close to impossible to keep a straight face. She wished there had been a chorus of impertinent dragonets around for every conversation she’d ever had with the queen. Perched on the windowsill, Chameleon wasn’t even trying to hide how his shoulders were shaking with laughter. “Sheesh,” one of the little voices muttered as they subsided. “Jus’ makin’ some helpful suggestibles, no need to be crankmonstery

It was partially down to Elton and David. At the end of our recent visit they’d introduced us to a barrister, an acquaintance of theirs, a lovely fellow who knew more about the phone-hacking scandal than anyone I’d ever met. He’d shared with me his expertise, plus loads of open-court evidence, and when I told him I wished there was something I could do with it, when I complained that we’d been blocked at every turn by the Palace, he offered a breathtakingly elegant work-around. Why not hire your own lawyer? I stammered: You mean…are you telling me we could just…? What a thought. It had never occurred to me. I’d been so conditioned to do as I was told.

From ‘Kokor Hekkus the Killing Machine’, Chapter IV of The Demon Princes, by Caril Carphen (Elucidarian Press, New Wexford, Aloysius, Vega): If Malagate the Woe can be characterized by the single word ‘grim’ and Howard Alan Treesong by ‘incomprehensible’, then Lens Larque, Viole Falushe and Kokor Hekkus all lay claim to the word ‘fantastic’. Which one exceeds the other two in ‘fantasy’? It is an amusing if profitless speculation. Consider Viole Falushe’s Palace of Love, Lens Larque’s monument, the vast and incredible outrages Kokor Hekkus has visited upon humanity: such extravagances are impossible to comprehend, let alone compare. It is fair to say, however, that Kokor Hekkus has captured the popular imagination with his grotesque and eerie humor. Let us listen to what he has to say in an abstract from the famous telephoned address, The Theory and Practice of Terror, to the students of Cervantes University: “… To produce the maximum effect, one must identify and intensify those basic dreads already existing within the subject. It is a mistake to regard the fear of death as the most extreme fear. I find a dozen other types to be more poignant, such as: The fear of inability to protect a cherished dependent. The fear of disesteem. The fear of noisome contact. The fear of being made afraid. “My goal is to produce a ‘nightmare’ quality of fright, and to maintain it over an appreciable duration. A nightmare is the result of the under-mind exploring its most sensitive areas, and so serves as an index for the operator. Once an apparently sensitive area is located the operator to the best of his ingenuity employs means to emphasize, to dramatize this fear, then augment it by orders of magnitude. If the subject fears heights, the operator takes him to the base of a tall cliff, attaches him to a slender, obviously fragile or frayed cord and slowly raises him up the face of the cliff, not too far and not too close to the face. Scale must be emphasized, together with the tantalizing but infeasible possibility of clinging to the vertical surface. The lifting mechanism should be arranged to falter and jerk. To intensify claustrophobic dread the subject is conveyed into a pit or excavation, inserted head-foremost into a narrow and constricted tunnel which slants downward, and occasionally changes direction by sharp and cramping angles. Whereupon the pit or excavation is filled and subject must proceed ahead, for the most part in a downward direction.

So there it was; peace in Europe had been saved. The three visiting delegations went home in rain, and when the British arrived there was a rainbow in the sky over Buckingham Palace, and crowds singing and shouting a tumultuous welcome. They told Chamberlain that he was a jolly good fellow, which must certainly have surprised his friends. In return he told the crowd that it was “peace with honor” and “peace in our time.

seeing pictures of pretty clothes in Jackie magazine that she’d never be able to buy. She’d hated seeing adverts for summer holidays on the telly, in far off places they’d never be able to visit. She hated seeing the Queen giving her ruddy speech from her golden palace, the likes of which she’d never know. What made them so much better? Soon enough, she’d realised that all those people she envied weren’t better, they were just smarter. They’d educated themselves and taken whatever chances came their way, to get ahead in life. The problem was, she didn’t even have GCEs. That’s when she’d enrolled in night school, and Simon had tagged along too. She’d always been the one to push him on, she thought, with a sad little sigh. “Looks like she’s going to pull through,” Mike said, interrupting her reverie. Everything about her husband was an irritant, and had been since they were children knocking about in the playground. Michael Emerson had been a poser all his life; a flirt, a braggart, a man other men tolerated but did not necessarily like. Living with him had been a penance, and she’d paid it for long enough. “I want a divorce,” she said, very clearly. She heard his shocked intake of breath, and he shifted in the driver’s seat to look at her. “What?” he blustered. “What are you talking about?” “Oh, come on, Mike. You know there’s nothing between us. There hasn’t been for a long time.” Ever. He sat in absolute silence for long, tense seconds as she stared out of the windscreen and watched a light drizzle coat the glass. “You haven’t thought this through,” he said, but didn’t bother to argue with the sentiment. His girlfriend had been asking for him to get a divorce for months, now, but he’d never actually planned to go through with it. Their lives were too entwined. Too dependent. “You need me,” he said, simply. “It’ll look bad for your next campaign.” Sally laughed. “I need you?” she said bitterly, but stopped herself from launching into a tirade, not wanting to go too far. “Listen, Mike. This can work for both of us,” she said, in a placatory tone. “We can sell up and share the proceeds. We can still work together as business partners.” “Oh, aye,” he said. “What about your new partner? What would he have to say about that?” Sally said nothing. “Well, he needs me too. You both do,” Mike said, arrogantly, and turned the

spirits, sent forth to minister for them who shall be heirs of salvation?" Hebrews 1:14 Angels are the unseen attendants of the saints of God; they bear us up in their hands, lest we dash our foot against a stone. Loyalty to their Lord leads them to take a deep interest in the children of his love; they rejoice over the return of the prodigal to his father's house below, and they welcome the advent of the believer to the King's palace above. In olden times the sons of God were favoured with their visible appearance, and at this day, although unseen by us, heaven is still opened, and the angels of God ascend and descend upon the Son of man, that they may visit the heirs of salvation. Seraphim still fly with live coals from off the altar to touch the lips of men greatly beloved. If our eyes could be opened, we should see horses of fire and chariots of fire about the servants of the Lord; for we have come to an innumerable company of angels, who are all watchers and protectors of the seed-royal. Spenser's line is no poetic fiction, where he sings-- "How oft do they with golden pinions cleave The flitting skies, like flying pursuivant Against foul fiends to aid us militant!" To what dignity are the chosen elevated when the brilliant courtiers of heaven become their willing servitors! Into what communion are we raised since we have intercourse with spotless celestials! How well are we defended since all the twenty- thousand chariots of God are armed for our deliverance! To whom do we owe all this? Let the Lord Jesus Christ be forever endeared to us, for through him we are made to sit in heavenly places far above principalities and powers.

I visited Mandalay several times, but much preferred Rangoon. Mandalay, which our First Battalion helped to capture on November 28th, 1885, is a place of many Pagodas and outside the town is a large Burmese fort with the carved palace of King Theebaw inside it. After knocking around the palaces of the Mogul Emperors, I found this carved wooden palace rather commonplace.

The smelting droid lowered the branding irons again on the upside-down power droid’s feet, and again the power droid screeched. R2-D2, who’d visited many inhospitable places in his long lifetime, decided that Jabba’s palace was the absolute worst.

The other queens indeed fled from Briallyn weeks ago, as Eris said. She alone sits in the throne room of their shared palace. And what Eris revealed about Beron was true, too: the High Lord visited Briallyn on the continent, pledging his forces to her cause.” A muscle ticked in Azriel’s jaw. “But Briallyn’s gathering of armies, the alliance with Beron, is only the auxiliary force to what she has planned.” He shook his head, shadows slithering over his wings. “Briallyn wishes to find the Cauldron again. In order to retrieve her youth.” “She’ll never attain the Cauldron,” Amren said, waving a hand gleaming with rings. “No one but us, Miryam, and Drakon know where it’s hidden. Even if Briallyn did uncover its location, there are enough wards and spells on it that no one could ever break through.” “Briallyn knows this,” Azriel said gravely. Nesta’s stomach churned. Azriel nodded to Cassian. “What Vassa suspected is true. The death-lord Koschei has been whispering in Briallyn’s ear. He remains trapped at his lake, but his words carry on the wind to her. He is ancient, his depth of knowledge fathomless. He pointed Briallyn toward the Dread Trove—not for her sake, but for his own ends. He wishes to use it to free himself from his lake. And Briallyn is not the puppet we believed her to be—she and Koschei are allies.” He added to Cassian, “You need to ask Eris whether Beron knows about this. And the Trove.” Cassian nodded into the ensuing silence. Nesta found herself asking, “What’s the Dread Trove?” Amren’s eyes glowed with a remnant of her power. “The Cauldron Made many objects of power, long ago, forging weapons of unrivaled might. Most were lost to history and war, and when I went into the Prison, only three remained. At the time, some claimed there were four, or that the fourth had been Unmade, but today’s legends only tell of three.

noises of the Summer Palace waking up. Dragon wings fluttered overhead. Bubbles burbled up from underwater caves where most of the SeaWings were sleeping. Pots clattered on the kitchen level of the pavilion, reminding her of how hungry she was. “Uh-oh,” Anemone whispered, glancing down. “I think she’s waking up. We’d better go back in.” Tsunami hesitated. Should she go visit her friends now? But what would her mother think if she woke up and found Tsunami gone? “All right,” she said, “but I have one more question. What happened to Orca?” If Anemone could tell her, she could put off going to ask Starflight about it.

When Ovid strolled up to Apollo’s temple on the Palatine, or haunted the shady colonnades raised on the site of Vedius’s palace, or visited the arches of Pompey’s theatre, it was not to admire the architecture. He was scoping out girls.

Mumbai – City of Dreams The Mumbai city is famous for its iconic landmarks such as the Gateway of India, the Taj Mahal Palace Hotel. If you are looking to travel to India you must visit these places.

Now, about your timetable. It may spread out a little more than you thought. They want me to visit the palace and see it for myself. We’re to go in the Emir’s yacht, leaving tonight.

Darren McGrady Darren McGrady was personal chef to Princess Diana until her tragic accident. He is now a private chef in Dallas, Texas, and a board member of the Pink Ribbons Crusade: A Date with Diana. His cookbook, titled Eating Royally: Recipes and Remembrances from a Palace Kitchen, will be released in August 2007 by Rutledge Hill Press. His website is located at theroyalchef. When she did entertain, always for lunch, the Princess made sure to keep the guest list small so that she could speak with everyone around the table. She believed in direct conversation and an informal atmosphere. But she didn’t wait for the world to come to her. I remember once she popped into the kitchen to ask for an early lunch. “I have to go and meet a little girl today that has AIDS, Darren,” she said. “Your Royal Highness”--I called her that until the day she died--“what do you say to a little girl with AIDS?” “Well, there is not a lot I can do or say,” she replied, “but if just by sitting with her and chatting with her, perhaps making her laugh at my bad jokes, I can take her mind off her pain for just that short time, then my visit will have been worth it.” Those words stuck with me and had an impact. After the Princess’s death, I moved to America as a personal chef and got heavily involved in charity work-and she was right.

Darren McGrady Darren McGrady was personal chef to Princess Diana until her tragic accident. He is now a private chef in Dallas, Texas, and a board member of the Pink Ribbons Crusade: A Date with Diana. His cookbook, titled Eating Royally: Recipes and Remembrances from a Palace Kitchen, will be released in August 2007 by Rutledge Hill Press. His website is located at theroyalchef. I knew Princess Diana for fifteen years, but it was those last four years after I became a part of her everyday life that I really got to know her. For me, one of the benefits of being a Buckingham Palace chef was the chance to speak to “Lady Di.” I had seen her in the newspapers; who hadn’t? She was beautiful. The whole world was in love with her and fascinated by this “breath of fresh air” member of the Royal Family. The first time I met her, I just stood and stared. As she chatted away with the pastry chef in the Balmoral kitchen, I thought she was even more beautiful in real life than her pictures in the daily news. Over the years, I’ve read account after account of how the Princess could light up a room, how people would become mesmerized by her natural beauty, her charm, and her poise. I couldn’t agree more. In time, I became a friendly face to the Princess and was someone she would seek out when she headed to the kitchens. At the beginning, she would pop in “just for a glass of orange juice.” Slowly, her visits became more frequent and lasted longer. We would talk about the theater, hunting, or television; she loved Phantom of the Opera and played the CD in her car. After she and Prince Charles separated, I became her private chef at Kensington Palace, and our relationship deepened as her trust in me grew. It was one of the Princess’s key traits; if she trusted you, then you were privy to everything on her mind. If she had been watching Brookside--a UK television soap opera--then we chatted about that. If the Duchess of York had just called her with some gossip about “the family,” she wanted to share that, too. “You’ll never believe what Fergie has just told me,” she would announce, bursting into the kitchen with excitement. She loved to tell jokes, even crude ones, and would laugh at the shock on my face--not so much because of the joke, but because it was the Princess telling it. Her laughter was infectious.

I moved along ancient streets, enchanted by names that sounded like songs: Rua da Agonia, Avenida dos Amores, Travessa de Chico Diabo. Our visit to Salvador took place during a period when the local government, or someone acting in its name, was trying to renew the old city, and was closing down the thousands of brothels. But the project was only at midpoint. At the feet of those deserted and leprous churches embarrassed by their own evil-smelling alleys, fifteen-year-old black prostitutes still swarmed, ancient women selling African sweets crouched along the sidewalks with their steaming pots, and hordes of pimps danced amid trickles of sewage to the sound of transistor radios in nearby bars. The ancient palaces of the Portuguese settlers, surmounted by coats of arms now illegible, had become houses of ill-repute.

In the town of Taos, New Mexico, everyone who lives there (or even just visits) can hear an annoying hum which sounds much like a diesel engine running in the distance. However, despite multiple attempts, no sound recording or monitoring device can pick up the sound, and therefore it is impossible to tell where it is coming from. Could it be (as one actual explanation proposes) that the sound is transmitted directly into people’s brains, rather than being a physical noise? To this day, no-one knows for sure. Perhaps the strangest example of an object ‘out of its time’ appeared in Romania when in 1974 a group of workers discovered three objects buried ten metres deep in a sand trench. Two of the items were found to prehistoric elephant bones, dating back two million years. The third object was an aluminium wedge. Considering that the metal was not created until 1825, experts were - and remain to this day - astounded. Of course, many claim ‘hoax’, but if one doesn’t jump to that conclusion right away, the implications are extraordinary. In 1908 an Italian Archaeologist named Luigi Pernier discovered a fired clay disc in the ruins of the Minoan palace-site of Phaistos. Dating to the 2nd millennium BC, it is around 15 cm in diameter with each side covered by a spiral of symbols, comprising of 45 unique signs which appear to have been made by pressing hieroglyphic seals into the clay when it was soft. To date, the Phaistos Disc has eluded any attempt to translate it, as it has been generally concluded there is not enough context available to decipher the script.

Is that the Crystal Palace? Oh, it must be. It’s so beautiful—much more so than the engravings I’ve seen.” The building, which covered an area of more than nine acres, housed an international show of art and science called the Great Exhibition. Win had read about it in the French newspapers, which had aptly termed the exhibition one of the great wonders of the world. “How long since it was completed?” she asked, her step quickening as they headed toward the glittering building. “Not quite a month.” “Have you been inside? Have you seen the exhibits?” “I’ve visited once,” Merripen said, smiling at her eagerness. “And I saw a few of the exhibits, but not all. It would take three days or more to look at everything.” “Which part did you go to?” “The machinery court, mostly.” “I do wish I could see even a small part of it,” she said wistfully, watching the throngs of visitors exiting and entering the remarkable building. “Won’t you take me?” “You wouldn’t have time to see anything. It’s already afternoon. I’ll bring you tomorrow.” “Now. Please.” She tugged impatiently on his arm. “Oh, Kev, don’t say no.” As Merripen looked down at her, he was so handsome that she felt a pleasant little ache at the pit of her stomach. “How could I say no to you?” he asked softly.

Edinburgh For those who like walking, Edinburgh reigns supreme. The Royal Mile runs through the centre of the tourist area connecting Edinburgh Castle with Holyrood Palace. It’s a little over a mile and, in addition to passing old Edinburgh historic sites, it is lined with independent shops, cafes and pubs along the way. For this is Edinburgh’s Old Town, all cobbled streets beneath the lofty castle. The New Town is less than ten minutes walk away and it’s far from new. Instead New Town is Georgian, built by the wealthy residents in the 18th century. Its wide streets and perfect proportions create a visual joy for walking. It’s tough to name Edinburgh’s main sites, but here goes: the castle, continuously occupied for more than 1000 years; Holyrood Palace, the Queen’s official residence in Scotland; Mary King’s Close, a preserved 18th century tenement on the Royal Mile and; the Grassmarket, a network of cobbled lanes with independent shops and cafes. I could go on. Edinburgh is particularly busy during the festival that takes place from August to early September. It began as a military tattoo, developed into a fairly high brow arts festival and has expanded to host off‐stage events from the clever to the bizarre. Edinburgh also hosts a massive Hogmanay, or New Year, celebration with music and dancing in the streets all through the night and often into the next day. The city is at its busiest during the August festival and again at New Year. Public transport by bus and tram is available from the airport to the city centre. Downside: It is an expensive place to visit at peak periods and it can be tough to find a place to stay. Your first visit should be at quieter times. To read: Edinburgh is a literary city and so many novels have