Pain Still Remains Quotes

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Sure, we'd faced some things as children that a lot of kids don't. Sure, Justin had qualified for his Junior de Sade Badge in his teaching methods for dealing with pain. We still hadn't learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you're just going to get hurt again. But each time, you learn something. Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There's the little empty pain of leaving something behind - gradutaing, taking the next step forward, walking out of something familiar and safe into the unknown. There's the big, whirling pain of life upending all of your plans and expecations. There's the sharp little pains of failure, and the more obscure aches of successes that didn't give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life they grow and learn. There's the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens. And if you're very, very lucky, there are a very few blazing hot little pains you feel when you realized that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last - and yet will remain with you for life. Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don't feel it. Pain is a part of life. Sometimes it's a big part, and sometimes it isn't, but either way, it's a part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you're alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.
Jim Butcher
There was a girl, and her uncle sold her. Put like that it seems so simple. No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique. Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children? We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain. Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives. A life that is, like any other, unlike any other. And the simple truth is this: There was a girl, and her uncle sold her.
Neil Gaiman (American Gods (American Gods, #1))
You have a great heart, but will only find it to be so through great pain. This is the wisdom of love, and its doubtful gift. . . . I have endured much suffering and still remain unbitter and unclosed.
Alison Croggon (The Naming (The Books of Pellinor, #1))
There is a fable in the forest Whispered by the branches, as they blow. A tale about the truth of leaving Things that no longer help you grow. For on the surface it looks simple, Like you only need lace your boots, But there is nothing quite as painful As untangling your roots. And proof is found in tree stumps Of the price some pay to flee, That they would cut their lives in half To cut the time before they're free. Yet from the little left behind Life has been known to grow again, For unless you take your roots A part of you will still remain.
Erin Hanson
When we speak of man, we have a conception of humanity as a whole, and before applying scientific methods to the investigation of his movement we must accept this as a physical fact. But can anyone doubt to-day that all the millions of individuals and all the innumerable types and characters constitute an entity, a unit? Though free to think and act, we are held together, like the stars in the firmament, with ties inseparable. These ties cannot be seen, but we can feel them. I cut myself in the finger, and it pains me: this finger is a part of me. I see a friend hurt, and it hurts me, too: my friend and I are one. And now I see stricken down an enemy, a lump of matter which, of all the lumps of matter in the universe, I care least for, and it still grieves me. Does this not prove that each of us is only part of a whole? For ages this idea has been proclaimed in the consummately wise teachings of religion, probably not alone as a means of insuring peace and harmony among men, but as a deeply founded truth. The Buddhist expresses it in one way, the Christian in another, but both say the same: We are all one. Metaphysical proofs are, however, not the only ones which we are able to bring forth in support of this idea. Science, too, recognizes this connectedness of separate individuals, though not quite in the same sense as it admits that the suns, planets, and moons of a constellation are one body, and there can be no doubt that it will be experimentally confirmed in times to come, when our means and methods for investigating psychical and other states and phenomena shall have been brought to great perfection. Still more: this one human being lives on and on. The individual is ephemeral, races and nations come and pass away, but man remains. Therein lies the profound difference between the individual and the whole.
Nikola Tesla
This was a land of lost souls. Human beings who had weathered great storms in life, had suffered unspeakable loss, had been put to painful tests of existence, and still remained standing—but just barely.
Clare Vanderpool (Navigating Early)
No matter how huge your loss, as long as you remain engaged with your life, the best days of your life may still be ahead of you. Don't misunderstand me: the pain of your loss will remain with you for the rest of your life. But great joy will be there right beside it. Deep sorrow and deep joy can exist within you, side by side. At every moment. And it's not confusing. And it's not a conflict.
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
this world is larger than your heart still larger than your pain— but know this: everything ends so let what remains of us all be love.
Julio Alexi Genao
Dear Goat, How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever? I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked. I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire. I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds: "I'm in love." "Typically stupid choice." "I am, though, I'm racked by love as if love were pain." "Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it." "There's only one face, it's all I see, awake or asleep." I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, As ever, Ram
Cathleen Schine (The Love Letter)
Remember also that it is not knowledge but the yearning for knowledge that makes for a complete, accomplished man. Such a man does not stand still but perseveres in the face of adversity, nor does he remain untouched by the pain cause by absence. On the contrary, he recognizes himself in each cry, uttered or repressed, in the smallest rift, in the most pressing need.
Elie Wiesel (The Judges)
I said nothing. Like a child playing find-and-catch, it was my sincere hope that if I closed my eyes and remained perfectly still, the pain wouldn´t be able to find me.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Everything is possible, and yet nothing is. All is permitted, and yet again, nothing. No matter which way we go, it is no better than any other. It is all the same whether you achieve something or not, have faith or not, just as it is all the same whether you cry or remain silent. There is an explanation for everything, and yet there is none. Everything is both real and unreal, normal and absurd, splendid and insipid. There is nothing worth more than anything else, nor any idea better than any other. Why grow sad from one’s sadness and delight in one’s joy? What does it matter whether our tears come from pleasure or pain? Love your unhappiness and hate your happiness, mix everything up, scramble it all! Be a snowflake dancing in the air, a flower floating downstream! Have courage when you don’t need to, and be a coward when you must be brave! Who knows? You may still be a winner! And if you lose, does it really matter? Is there anything to win in this world? All gain is a loss, and all loss is a gain. Why always expect a definite stance, clear ideas, meaningful words? I feel as if I should spout fire in response to all the questions which were ever put, or not put, to me.
Emil M. Cioran (On the Heights of Despair)
She was quite pretty too in those days; indeed, perhaps she still was. But for some reason none of her boyfriends remained boyfriends for long. She had a very decided personality and fairly soon took to telling them what they should do with their lives and studies and work. She began to mother them or perhaps brother them (since she was something of a tomboy) - and this sooner or later took the edge off their romantic excitement. They even began to find her vivacity over-powering, and sooner or later edged away from her - with guilt on their side and pain on hers. This was a great pity, for Kalpana Gaur was a lively, affectionate, and intelligent woman, and deserved some recompense for the help and happiness she gave others
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
The cawing of a big, black crow awoke me early the next morning, but I remained still, pretending to be asleep. I didn’t want to see Ibrahim in the light of day, and I didn’t want to make more small talk. I felt hunger pains through the remnants of champagne and cognac from the night before. I wondered why I hadn’t eaten more, feeling silly about having been so insecure about my culinary etiquette. Numb and void of emotion, I remained in a state of suspended animation reliving the events of our night of passion. The night before, I pictured silhouettes of angels dancing upon the ceiling in the moonlight, not disconnected bodies lying beneath the covers at a loss for words.
Samantha Hart (Blind Pony: As True A Story As I Can Tell)
Everything passes away—suffering, pain, blood, hunger, pestilence. The sword will pass away too, but the stars will still remain when the shadows of our presence and our deeds have vanished from the earth. There is no man who does not know that. Why, then, will we not turn our eyes toward the stars? Why?
Andrew Solomon (The Noonday Demon)
You see my state, and still increase my pain I see your face, the need for union regain. For my welfare, you have no care, I complain Why do you heal me not from the sickness I disdain? You bring me down and leave me on the earthly plane; Return me to my home, by your side let me remain. Only when I’m dust, your mercy can entertain; Your flowing spirit stirs up dust of the slain. Heartbroken of your love, from breathing I abstain My life you destroy, yet my breathing you sustain. In the dark night of the soul, I was growing insane, Drinking from the cups that your features contain. Suddenly in my arms, you appeared, clear, plain; With my lips on your lips, my life and soul gain and drain. Be joyful with Hafiz, with love enemies detain, With such potent love, impotent foes self-restrain. مرا می‌بینی و هر دم زیادت می‌کـنی دردم تو را می‌بینـم و میلـم زیادت می‌شود هر دم بـه سامانم نمی‌پرسی نمی‌دانم چه سر داری بـه درمانـم نـمی‌کوشی نمی‌دانی مگر دردم نه راه است این که بگذاری مرا بر خاک و بگریزی گذاری آر و بازم پرس تا خاک رهـت گردم ندارم دستت از دامن بجز در خاک و آن دم هـم کـه بر خاکـم روان گردی به گرد دامنـت گردم فرورفـت از غم عشقت دمم دم می‌دهی تا کی دمار از مـن برآوردی نـمی‌گویی برآوردم شـبی دل را به تاریکی ز زلفت باز می‌جستـم رخـت می‌دیدم و جامی هـلالی باز می‌خوردم کـشیدم در برت ناگاه و شد در تاب گیسویت نـهادم بر لـبـت لـب را و جان و دل فدا کردم تو خوش می‌باش با حافظ برو گو خصم جان می‌ده چو گرمی از تو می‌بینم چه باک از خصم دم سردم
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I am always willing to run some hazard of being tedious, in order to be sure that I am perspicuous; and, after taking the utmost pains that I can to be perspicuous, some obscurity may still appear to remain upon a subject, in its own nature extremely abstracted.
Adam Smith (An Inquiry into the Nature and Causes of the Wealth of Nations)
Across the sky I will come for you If you ask me to Demystify Your uncommon dreams Stranger things have come true Fear no more the midnight Fear no more the sea Close your eyes, regret nothing You're safe with me Look into the shadows Step into the mist Search your land but doubt never I still exist Ask yourself: is this all there is Take no answer but the one you find I have put my faith in aberrations of your kind But even if you're in my mind. Should we hear the silence Should we hear the noise I don't need this blind acceptance I have made my choice Light lives in the darkness Beauty lives in pain In destruction we may lose ourselves But still I will remain Across the sky Across the sky See beyond the moment Think beyond the day Hear the word Hear the word
Emilie Autumn
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!). Yet you haven’t any friends. The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities. Nevertheless, some free time remains. What’s to be done? How do you use your time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less. Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering. And yet you haven’t always wanted to die. You have had a life. There have been moments when you were having a life. Of course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela. More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world! You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
Michel Houellebecq (Whatever)
Do you know what I am going to tell you, he said with his wry mouth, a pint of plain is your only man. Notwithstanding this eulogy, I soon found that the mass of plain porter bears an unsatisfactory relation to its toxic content and I subsequently became addicted to brown stout in bottle, a drink which still remains the one that I prefer the most despite the painful and blinding fits of vomiting which a plurality of bottles has often induced in me.
Flann O'Brien (Swim-two-birds (Romans, Essais, Poesie, Documents) (French Edition))
She abandoned me. This was devastating. And the paradox was that the moment she abandoned me, she began to be with me at all times, constantly abandoning me wherever I would go, whatever I would do and with whomever I was. And the pain was unbearable. Hence, I decided to abandon everyone and everything, remaining with nothing, doing nothing and being absolutely alone. Well, the paradox is that she is still there!
Franco Santoro
Generals trump Majors," Ursan said. "True, but do princes trump generals?" "I attacked him." "Ryne's not the type to hold a grudge." Ursan considered. "Isn't he a king? Both his parents died" "Technically, yes. But he hasn't assumed the title." "Neither has Prince Kerrick," Ursan said. " Don't you find that odd?" "Not with Kerrick. He loved his father very much. I think it's still too painful for him to assume the title. Plus he hasn't been home in years." Ursan remained quiet until we reached his tent. "Prince Kerrick's a forest mage. Which means his eyes change colour with the seasons. Right?" "Yes." He stared at me for a moment. "Lucky guy." Ursan ducked into his tent.
Maria V. Snyder (Scent of Magic (Healer, #2))
Perhaps the body has its own memory system, like the invisible meridian lines those Chinese acupuncturists always talk about. Perhaps the body is unforgiving, perhaps every cell, every muscle and fragment of bone remembers each and every assault and attack. Maybe the pain of memory is encoded into our bone marrow and each remembered grievance swims in our bloodstream like a hard, black pebble. After all, the body, like God, moves in mysterious ways. From the time she was in her teens, Sera has been fascinated by this paradox - how a body that we occupy, that we have worn like a coat from the moment of our birth - from before birth, even - is still a stranger to us. After all, almost everything we do in our lives is for the well-being of the body: we bathe daily, polish our teeth, groom our hair and fingernails; we work miserable jobs in order to feed and clothe it; we go to great lengths to protect it from pain and violence and harm. And yet the body remains a mystery, a book that we have never read. Sera plays with this irony, toys with it as if it were a puzzle: How, despite our lifelong preoccupation with our bodies, we have never met face-to-face with our kidneys, how we wouldn't recognize our own liver in a row of livers, how we have never seen our own heart or brain. We know more about the depths of the ocean, are more acquainted with the far corners of outer space than with our own organs and muscles and bones. So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties. But if this is true, surely the body also remembers each kindness, each kiss, each act of compassion? Surely this is our salvation, our only hope - that joy and love are also woven into the fabric of the body, into each sinewy muscle, into the core of each pulsating cell?
Thrity Umrigar (The Space Between Us)
Give thanks for sorrow that teaches you pity; for pain that teaches you courage - and give exceeding thanks for the mystery which remains a mystery still - the veil that hides you from the infinite, which makes it possible for you to believe in what you cannot see.
Robert Nathan
I sit alone in a dead world. The wind blows hot and dry, and the dust gathers like particles of memory waiting to be swept away. I pray for forgetfulness, yet my memory remains strong, as does the outstretched arm of the oppressive air. It seems as if the wind has been there since the beginning of the nightmare. Sometimes loud and harsh, a thousand sharp needles scratching at my reddened skin. Sometimes a whisper, a curious sigh in the black of night, of words more frightening than pain. I know now the wind has been speaking to me. Only I couldn't understand because I was too scared. I am scared now as I write these words. Still, there is nothing else to do.
Christopher Pike (Whisper of Death)
A warm flow of pain was gradually replacing the ice and wood of the anaesthetic in his thawing, still half-dead, abominably martyred mouth. After that, during a few days he was in mourning for an intimate part of himself. It surprised him to realize how fond he had been of his teeth. His tongue, a fat sleek seal, used to flop and slide so happily among the familiar rocks, checking the contours of a battered but still secure kingdom, plunging from cave to cove, climbing this jag, nuzzling that notch, finding a shred of sweet seaweed in the same old cleft; but now not a landmark remained, and all there existed was a great dark wound, a terra incognita of gums which dread and disgust forbade one to investigate. And when the plates were thrust in, it was like a poor fossil skull being fitted with the grinning jaws of a perfect stranger.
Vladimir Nabokov (Pnin)
Still is the night, it quiets the streets down, In that window my love would appear; She's long since gone away from this town, But this house where she lived still remains here. A man stands here too, staring up into space, And wrings his hands with the strength of his pain: It chills me, when I behold his pale face For the moon shows me my own features again! You spirit double, you specter with my face Why do you mock my love-pain so That tortured me here, here in this place So many nights, so long ago?
Heinrich Heine
You will never stop seeing yourself. You can do nothing, you cannot escape yourself, you cannot escape your own gaze, you never will be able to: even if you were to fall into a sleep so deep that no shock, no shout, no burning pain could rouse you, there would still be this eye, your eye, that will never close, that will never sleep. You see yourself, you see yourself seeing yourself, you watch yourself watching yourself. Even if you were to wake up, your vision would remain the same, immutable. Even if you managed to grow thousands, billions of extra eyelids, there would still be this eye, behind, which would see you. You are not asleep but sleep will never come again. You are not awake and you will never wake up. You are not dead and even death could never set you free." -from "A Man Asleep
Georges Perec (Things: A Story of the Sixties / A Man Asleep)
The relations one has with a woman one loves (and that can apply also to love for a youth) can remain platonic for other reasons than the chastity of the woman or the unsensual nature of the love she inspires. The reason may be that the lover is too impatient and by the very excess of his love is unable to await the moment when he will obtain his desires by sufficient pretence of indifference. Continually, he returns to the charge, he never ceases writing to her whom he loves, he is always trying to see her, she refuses herself, he becomes desperate. From that time she knows, if she grants him her company, her friendship, that these benefits will seem so considerable to one who believed he was going to be deprived of them, that she need grant nothing more and that she can take advantage of the moment when he can no longer bear being unable to see her and when, at all costs, he must put an end to the struggle by accepting a truce which will impose upon him a platonic relationship as its preliminary condition. Moreover, during all the time that preceded this truce, the lover, in a constant state of anxiety, ceaselessly hoping for a letter, a glance, has long ceased thinking of the physical desire which at first tormented him but which has been exhausted by waiting and has been replaced by another order of longings more painful still if left unsatisfied. The pleasure formerly anticipated from caresses will later be accorded but transmuted into friendly words and promises of intercourse which brings delicious moments after the strain of uncertainty or after a look impregnated with such coldness that it seemed to remove the loved one beyond hope of his ever seeing her again. Women divine all this and know they can afford the luxury of never yielding to those who, from the first, have betrayed their inextinguishable desire. A woman is enchanted if, without giving anything, she can receive more than she generally gets when she does give herself.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
Being strong means allowing yourself to cry over the things you can't change; laugh when things are funny; smile when you're happy. It means understanding where your breaking point is, and yet, going further and still remaining whole. Strong people push themselves to the limits of pain and joy. They fall to their knees in agony, then they lift up their faces to find the beautiful morning rays shining down on them, and they rise to their feet. Being strong means never giving up, no matter how crushed you are, and finding happiness in the smallest parts of life.
D. Nichole King (Love Always, Kate (Love Always, #1))
It's not painful anymore. My heart doesn't bled just like before. I am now free from this cold chain, but a hint of sadness in me still remains.
Verliza Gajeles
Somehow the moon still remained, shining its wary life on the world, filled with pain and dread and unspoken secrets.
Bianca Viola (Dreaming of Hiraeth)
Indeed. Loneliness is extremely hard. Whether you're alive or dead, the wasting away, the pain is exactly the same. But even so I still have the strong, vivid memories of having loved someone with all my heart. A feeling that seeped into the palms of my hands and still remains. Whether you have that warmth or not makes all the difference in the way your soul remains after death.
Haruki Murakami (The City and Its Uncertain Walls)
My brother remains silent, probably because he doesn’t understand what the fuck I’m talking about, but he’s still there for me, listening and offering a part of himself he never gives anyone.
Rina Kent (God of Pain (Legacy of Gods #2))
Jules rested the violin and bow on the case and sat down next to Jason. He hesitated for a moment, watching the older man with uncomfortable intensity, then reached for Jason and brushed a single tear from his cheek. For Jason, the touch was electric, and his physical response unexpected. “Bach always touches my soul,” Jules half whispered. His fingers still rested against Jason’s cheek. “He must have known great love, and great pain, to write something so powerful.” Jason realized that his own pain must be showing on his face, because Jules, too, looked sad. "I’ve never been religious,” Jules said, his eyes never leaving Jason’s, “but I played this piece in a tiny church once. It was like God was there with me, speaking through me.” When Jason remained silent, Jules leaned forward and kissed him lightly on the lips. At a loss to explain the intense emotional and sexual response of his own body and equally unable to stop himself, Jason reached for Jules and returned the kiss. The younger man’s lips tasted of wine and musk, and Jason realized that he was hungry for more.
Shira Anthony (Blue Notes (Blue Notes, #1))
Death will come, grief will rain down again and again, and the only way to survive it and remain an alive, passionate being is to pay the price of pain every time, or you will become as barbarous and icy as the Fae. It’s always going to hurt. But as long as you’re still capable of suffering you’re still capable of joy. Better the depths of hell and heights of heaven than the horror of feeling nothing.
Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
I currently take Lortab, which is a combination of acetaminophen and hydrocodone. I’d rather not take this medication, or any medication for that matter, but it is the only one that controls my pain adequately enough to allow me to function on a daily basis... I take the smallest dose possible to enable me to remain as clear-headed as possible to do what I need to do each day... Even with the minimal opioids I take, I still have pain all the time, 24 hours a day; without opioids, life would be torture.
Alison Moore
To be like the rock that the waves keep crashing over. It stands unmoved and the raging of the sea falls still around it. 49a. —It’s unfortunate that this has happened. No. It’s fortunate that this has happened and I’ve remained unharmed by it—not shattered by the present or frightened of the future. It could have happened to anyone. But not everyone could have remained unharmed by it. Why treat the one as a misfortune rather than the other as fortunate? Can you really call something a misfortune that doesn’t violate human nature? Or do you think something that’s not against nature’s will can violate it? But you know what its will is. Does what’s happened keep you from acting with justice, generosity, self-control, sanity, prudence, honesty, humility, straightforwardness, and all the other qualities that allow a person’s nature to fulfill itself? So remember this principle when something threatens to cause you pain: the thing itself was no misfortune at all; to endure it and prevail is great good fortune.
Marcus Aurelius (Meditations)
A famous poem of Sa‘dī states: The children of Adam are members of a single body, For from the moment of creation they were made of one substance. When fate causes pain in any member, The other members cannot remain still. O thou who hath no sorrow in seeing the sorrow of others, Thou art not worthy of being called a human being.
Seyyed Hossein Nasr (The Garden of Truth: Knowledge, Love, and Action)
What I'd saved: lost. Worse: I lost it. Can't even tell myself that I sort of lost it that lost I keep it still. I lost the saved. I've lost. I'm lost. This is pain, one dies of or kills. Kill it and one kills oneself. Splashes of bloody skin all over my notebooks. I haven't forgotten a dream, as it is written happens in the realm of dreams. One forgets a dream, then one forgets one has forgotten, nothing dies of this. I've lost The Dream. I cannot tell a soul. I will not enter alive into the beyond. I search for an explanation. To the labyrinth I descend with the chapeau. Maleficent remains but remains, therefore blessed. If I could ask my friend. No one else. He and only he knows the extraordinary value of what is lost, greater by far that the value of what one keeps. Suddenly I'm only this torch consuming itself. What to do? I had the papers, I took them from myself, I threw them in the Trash, I threw out my own being, I had the memory of the future at the window I broke me, I tore up the secret into a thousand pieces, I tweezed the sublime out of me, I had god I squashed him with a hat, this is not the first time I take myself to the labyrinth but this is the first time I go down into the labyrinth. I went right by the very trash bin of my being, how can you do away with your own eyes, I did it, who knows how
Hélène Cixous
You have an idea what the new country looks like. Still, you are very much at home, although not truly at peace, in the old country. You know the ways of the old country, it’s joys and pains, its happy and sad moments. You have spent most of your days there. Even though you know that you have not found there what your heart most desires, you remain quite attached to it. It has become part of your very bones. Now you have come to realize that you must leave it and enter the new country, where your Beloved dwells. You know that what helped and guided you in the old country no longer works, but what else do you have to go by? You are being asked to trust that you will find what you need in the new country. That requires the death of what has become precious to you: influence, success, yes, even affection and praise. Trust is so hard, since you have nothing to fall back on. Still, trust is what is essential. The new country is where you are called to go, and the only way to go there is naked and vulnerable. It seems that you keep crossing and recrossing the border. For a while you experience a real joy in the new country. But then you feel afraid and start longing again for all you left behind, so you go back to the old country. To your dismay, you discover that the old country has lost its charm. Risk a few more steps into the new country, trusting that each time you enter it, you will feel more comfortable and be able to stay longer.
Henri J.M. Nouwen (The Inner Voice of Love: A Journey Through Anguish to Freedom)
What we hadn’t known about, back then, was pain. Sure, we’d faced some things as children that a lot of kids don’t. Sure, Justin had qualified for his Junior de Sade Badge in his teaching methods for dealing with pain. We still hadn’t learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you’re just going to get hurt again. But each time, you learn something. Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There’s the little empty pain of leaving something behind—graduating, taking the next step forward, walking out of something familiar and safe into the unknown. There’s the big, whirling pain of life upending all of your plans and expectations. There’s the sharp little pains of failure, and the more obscure aches of successes that didn’t give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life as they grow and learn. There’s the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens. And if you’re very, very lucky, there are a very few blazing hot little pains you feel when you realize that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last—and yet will remain with you for life. Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don’t feel it. Pain is a part of life. Sometimes it’s a big part, and sometimes it isn’t, but either way, it’s part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you’re alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.
Jim Butcher (White Night (The Dresden Files, #9))
I am realizing people hurt in different ways. No pain looks the same. They don’t laugh at the same jokes. They stop tending to the garden. Leave all the lights off. Pick at their fingernails. I try not to focus on what their hurt looks like so much anymore, but what still remains the same; their perfume, their favorite colors and hiding places, and what it means to feel better. Getting out of bed. A good, warm lunch at the diner. Curling their hair or doing the dishes. Regardless of what sadness looks like, wearing their body like old clothes, I watch the way they come back to themselves, every time. Granting what time they need for themselves. Undressing the loneliness. Filling the absence. How gorgeous it is to watch someone be well.
Schuyler Peck
I keeled over sideways. The world turned fluffy, bleached of all color. Nothing hurt anymore. I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders. “He’s almost gone,” Diana said. Then I was gone. My mind slipped into a pool of cold, slimy darkness. “Oh, no, you don’t.” My sister’s voice woke me rudely. I’d been so comfortable, so nonexistent. Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her. As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades. “H-how long was I out?” I croaked. “Roughly three seconds,” she said. “Now, get up, drama queen.” She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth. I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion. She blinked, clearly unsure what to do with this information. “You really have changed.” “I missed you!” “Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.” “It worked, then!” I grinned at Hazel and Meg. “It worked!” “Yeah,” Meg said wearily. “Hi, Artemis.” “Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.” Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.” I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect. Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.” “Little brother?” She smirked.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
I now know thee, thou clear spirit, and I now know that thy right worship is defiance. To neither love nor reverence wilt thou be kind; and e'en for hate thou canst but kill; and all are killed. No fearless fool now fronts thee. I own thy speechless, placeless power; but to the last gasp of my earthquake life will dispute its unconditional, unintegral mastery in me. In the midst of the personified impersonal, a personality stands here. Though but a point at best; whencesoe'er I came; wheresoe'er I go; yet while I earthly live, the queenly personality lives in me, and feels her royal rights. But war is pain, and hate is woe. Come in thy lowest form of love, and I will kneel and kiss thee; but at thy highest, come as mere supernal power; and though thou launchest navies of full-freighted worlds, there's that in here that still remains indifferent. Oh, thou clear spirit, of thy fire thou madest me, and like a true child of fire, I breathe it back to thee.
Herman Melville (Moby-Dick or, The Whale)
A feeling struck me one fine day that people call ‘love’, Before that my life was empty, all I had was loneliness and sorrow… I loved the way it felt being with him, for I felt up above, Now everything was complete and nothing remained hollow… That person who cupid made me fall for, was a God descended from heavens, I loved him with all I had, a true heart and a pure soul… I thought I achieved the meaning of life, never did I felt so glad, But when he left me amidst a chaos, I had no one with me to console… I cried, it hurt, I wept and screamed, everyone called me ‘mad’, And still I wonder if in my life, that actually was his role… But a string still binds me to my past of untold vow, Some unsaid promises that linger between us even now, Although I don’t know where he went after that fateful day… I still try to convince myself every day, I know how, Each moment has been tough, each day a new challenge… Each hour passed as if it was my heart that always allowed, One more day to live without him, one more day to cherish… One more day to spend without the love of my life somehow, But he doesn’t know that one day, the girl herself would perish… Who loved him and lived each day of her life in his wait, For the man who never returned, for the man who wasn’t in her fate…
Mehek Bassi (Chained: Can you escape fate?)
Jason hesitated. “Does it ever stop hurting?” “When you lose someone?” Jace considered this for a moment. “No. Not entirely. There will always be times when you think of him, and it’ll always hurt that it didn’t work out… but it won’t remain the constant pain you feel now. You might go weeks, maybe even months without thinking of him. Then, on the long sleepless nights when you do, you’ll feel a little pang of regret that still stings. That’s all.
Jay Bell (Something Like Spring (Something Like, #4))
I plod sadly through the hours, preparing meals I don’t want, rinsing the dishes and putting them in the dishwasher, collecting the mail and paying the bills. Bao’s psychic presence still remains strong, as does my certainty that he is coming back to me. But as strange as it may sound, it doesn’t matter. Nothing matters. I am surrounded by pain, suffocated by pain, breathless with pain. I can’t imagine how it once felt, not to be in this constant, unrelenting pain.
Gail Graham
The present, we assume, is eternally before us, one of the few things in life from which we cannot be parted. It overwhelms us in the painful first moments of entry into the world, when it is still too new to be managed or negotiated, remains by our side during childhood and adolescence, in those years before the weight of memory and expectation, and so it is sad and a little unsettling to see that we become, as we grow older, much less capable of touching, grazing, or even glimpsing it, that the closest we seem to get to the present are those brief moments we stop to consider the spaces our bodies are occupying, the intimate warmth of the sheets in which we wake, the scratched surface of the window on a train taking us somewhere else, as if the only way we can hold time still is by trying physically to prevent the objects around us from moving.
Anuk Arudpragasam (A Passage North)
In my own shire, if I was sad Homely comforters I had: The earth, because my heart was sore, Sorrowed for the son she bore; And standing hills, long to remain, Shared their short-lived comrade's pain. And bound for the same bourn as I, On every road I wandered by, Trod beside me, close and dear, The beautiful and death-struck year: Whether in the woodland brown I heard the beechnut rustle down, And saw the purple crocus pale Flower about the autumn dale; Or littering far the fields of May Lady-smocks a-bleaching lay, And like a skylit water stood The bluebells in the azured wood. Yonder, lightening other loads, The season range the country roads, But here in London streets I ken No such helpmates, only men; And these are not in plight to bear, If they would, another's care. They have enough as 'tis: I see In many an eye that measures me The mortal sickness of a mind Too unhappy to be kind. Undone with misery, all they can Is to hate their fellow man; And till they drop they needs must still Look at you and wish you ill.
A.E. Housman (A Shropshire Lad)
The Fallen ∞ Now that it’s over, My worlds forever changed. Without you, I feel empty, All this pain, still remains.
S.L. Ross
Be still, my soul! the Lord is on your side; Bear patiently the cross of grief or pain; Leave to your God to order and provide; In ev'ry change He faithful will remain.
Kathrina von Schlegel
Better. I think. That is, some hurts have lessened, but the ones that remain are still sharp enough that I don’t know if I’m better or just becoming more adept at ignoring pain.
Robin Hobb (Fool's Quest (The Fitz and the Fool, #2))
When the time is right, I'll knock on your door and ask for my place again. When the time is right, I'll stand in the silence next to you to soothe the pain. When the time is right, I won't have to hold myself restrained. When the time is right, you'll still find me waiting for you in the lane. Sleep now, M. Until the time is right, my feelings for you will remain.
inksteady (Mistakes We Can't Laugh About (Losers Series #2))
The Don Juan of knowledge: he has yet to be discovered by any philosopher or poet. He is lacking in love for the things he comes to know, but he has intellect, titillation, and pleasure in the hunt and intrigues involved in coming to know--all the way up to the highest and most distant planets of knowledge--until finally nothing remains for him to hunt down other than what is absolutely painful in knowledge, like the drunkard who ends up drinking absinthe and acqua fortis. Thus he ends up lusting for hell--it is the last knowledge that seduces him. Perhaps, like everything he has come to know, it will disillusion him as well! And then he would have to stand still for all of eternity, nailed on the spot to disillusionment, and himself having become the stone guest longing for an evening meal of knowledge that he never again will receive!--For the entire world of things no longer has a single morsel to offer this hungry man.
Friedrich Nietzsche
And when we talk about race today, with all the pain packed into that conversation, the Holy Spirit remains in the room, This doesn't mean the conversations aren't painful, aren't personal, aren't charged with emotion. But it does mean we can survive. We can survive honest discussions about slavery, about convict leasing, about stolen land, deportation, discrimination, and exclusion. We can identify the harmful politics of gerrymandering, voter suppression, criminal justice laws, and policies that disproportionately affect people of color negatively. And we can expose the actions of white flight, the real impact of all-white leadership, the racial disparity in wages, and opportunities for advancement. We can lament and mourn. We can be livid and enraged. We can be honest. We can tell the truth. We can trust that the Holy Spirit is here. We must. For only by being truthful about how we got here can we begin to imagine another way.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
And if I must follow you to the abyss, follow you I shall! You are not the passer-by, but the one who remains. The notion of eternity is linked to my love for you. No, you are not the passer-by nor the strange pilot guiding the adventurer through the labyrinth of desire. You have opened to me the country of passion itself. I lose myself in your thoughts more surely than in a desert. And even as I write these lines, I have still not confronted my image of you with your "reality". You are not the passer-by but the eternal lover, whether you wish it or not. Painful joy of the passion aroused by meeting you. I suffer, but my suffering is dear to me, and if I hold my self in any esteem, it is because I have encountered you in my blind rush towards the shifting horizons.
Robert Desnos (Liberty or Love!)
Let it all go to waste… For what I long for, I’m bound to resign! Bittersweet is, like the taste of wine, This Love’s captivating taste. Let my heart be tormented by wonder It will never manage to attain. On my window symphony of rain, Open seas resound in strikes of thunder. Let my soul be lost, ‘til Sun is set, And be found reborn within its death, I surrender the very last breath, Confessing my sins with no regret. Let it all go to waste, indeed. For with or without it, the sentence is pain. Therefore, in my stillness, silenced will remain, Everlasting dream and consuming need.
Aleksandra Ninković
Struggling, despairing, Klein fought with his demon. All the new understanding and sense of redemption this fateful time had yielded had surged, in the course of this past day, to such a wave of thought and clarity that he had felt he would remain forever on the crest even while he was beginning to drop down. Now he was in the trough again, still fighting, still secretly hoping, but gravely injured. For one brief, glowing day he had succeeded in practicing the simple art known to every blade of grass. For one scant day he had loved himself, felt himself to be unified and whole, not split into hostile parts; he had loved himself and the world and God in himself, and everywhere he went he had met nothing but love, approval, and joy. If a robber had attacked him yesterday, or a policeman had arrested him, that too would have been approval, harmony, the smile of fate. And now, in the midst of happiness, he had reversed course and was cutting himself down again. He sat in judgment on himself while his deepest self knew that all judgment was wrong and foolish. The world, which for the span of one day had been crystal clear and wholly filled with divinity, once more presented a harsh and painful face; every object had its own meaning and every meaning contradicted every other." "He already knew that the choking feeling of dread would pass only if he stopped condemning and admonishing himself, if he stopped poking around in the old wounds. He knew that all pain, all stupidity, all evil became its opposite if he could recognize God in it, if he pursued it to its deepest roots, which extended far beyond weal and woe and good and evil. He knew that. But there was nothing to do about it; the evil spirit was in him, God was a word again, lovely but remote. He hated and despised himself, and this hatred came over him, when the time was ripe, as involuntary and inexorably as love and trustfulness at other times. And this was how it always must be. Again and again and again he would experience the grace and blessing, and again and again the accursed contrary.
Hermann Hesse (Klingsors letzter Sommer)
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
The only one of the early investigators who carried the exploration of hysteria to its logical conclusion was Breuer's patient Anna O. After Breuer abandoned her, she apparently remained ill for several years. And then she recovered. The mute hysteric who had invented the "talking cure" found her voice and her sanity, in the women's liberation movement. Under a pseudonym, Paul Berthold, she translated into German the classic treatise by Mary Wollstonecraft, A Vindication of the Rights of Women, and authored a play, Women's Rights. Under her own name, Bertha Papenheim became a prominent feminist social worker, intellectual, and organizer. In the course of a long and fruitful career she directed an orphanage for girls, founded a feminist organization for Jewish women and traveled throughout Europe and the Middle East to campaign against the sexual exploitation of women and children. Her dedication, energy and commitment were legendary. In the words of a colleague, 'A volcano lived in this woman... Her fight against the abuse of women and children was almost a physically felt pain for her.' At her death, the philosopher Martin Buber commemorated her: 'I not only admired her but loved her, and will love her until the day I die. There are people of spirit and there are people of passion, both less common than one might think. Rarer still are the people of spirit and passion. But rarest of all is a passionate spirit. Bertha Pappenheim was a woman with just such a spirit.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
To Hope Oh, Hope! thou soother sweet of human woes! How shall I lure thee to my haunts forlorn! For me wilt thou renew the wither’d rose, And clear my painful path of pointed thorn? Ah come, sweet nymph! in smiles and softness drest, Like the young hours that lead the tender year, Enchantress! come, and charm my cares to rest:— Alas! the flatterer flies, and will not hear! A prey to fear, anxiety, and pain, Must I a sad existence still deplore? Lo!—the flowers fade, but all the thorns remain, 'For me the vernal garland blooms no more.' Come then, 'pale Misery’s love!' be thou my cure, And I will bless thee, who, tho’ slow, art sure.
Charlotte Turner Smith (The Poems of Charlotte Smith (Women Writers in English 1350-1850))
How much did she remember? I wondered, afire with humiliation yet unable to tear my eyes from her. It wasn’t the kind of thing you could ask but still I wanted to know. Did she have nightmares too? Crowd fears? Sweats and panics? Did she ever have the sense of observing herself from afar, as I often did, as if the explosion had knocked my body and my soul into two separate entities that remained about six feet apart from one another? Her gust of laughter had a self-propelling recklessness I knew all too well from wild nights with Boris, an edge of giddiness and hysteria that I associated (in myself, anyway) with having narrowly missed death. There had been nights in the desert where I was so sick with laughter, convulsed and doubled over with aching stomach for hours on end, I would happily have thrown myself in front of a car to make it stop.
Donna Tartt (The Goldfinch)
And if sorrow clouds your soul, don't fight it; allow the tears to flow. We are not meant to be invincible, we bruise easily, and the heart is soft; prone to bleed at the slightest touch. It is in those moments of sadness that we must be brave enough to allow Christ in, to let him be present in our pain; our sorrow is seen by Christ. One day He will wipe away every tear, He will hold us tight, but for now we must pray through the pain. Just know that Christ shares our pain, He understands the sorrow that is within you, for He was a man of many sorrows. He wept alone, He was tormented and forsaken. Believe me, a man who has been forsaken such as Christ will never forsake you. Jesus is the only person who knows all that you have been through, He is the only one who knows the deepest, darkest spots of your soul, and still---He remains. Jesus has the scars to prove that He is trustworthy, He has the only heart that bled for you; and He will never stop loving you.
T.B. LaBerge
The core of your inner self is like a pomegranate. When it emains untouched, life remains superficial and unsatisfactory. To open it and deseed it, there has to be one sharp cut, one devastating experience in life. After that you must remain still. You should not run for bandage. You should not try to fill the cut with addictive things. Then the right hands will find you and delicately open you and deseed you. Magical things will come out of you that you never thought were inside you.
Shunya
Everything hurts. He can barely lie still. He feels caught. He wants to run, but where? He feels certain he will always remain like this - trapped within his own body, his own mind. The emotional pain is so strong, it becomes physical. He feels it knotting and twisting inside him, ready to crush him, suffocate him. He is losing his grip, he is losing his mind. He thought he had it all back under control, but suddenly nothing makes sense any more. Does anyone else know what it's like to be stuck somewhere between dead and alive? I't s a half-world of incoherent pain where emotions you put on ice start slowly thawing again. A place where everything hurts, where your mind is no longer strong enough to force your feelings back into hibernation.
Tabitha Suzuma (Hurt)
To be like the rock that the waves keep crashing over. It stands unmoved and the raging of the sea falls still around it. It's unfortunate that this has happened. No. It's fortunate that this has happened and I've remained unharmed by it - not shattered by the present or frightened of the future. It could have happened to anyone. But not everyone could have remained unharmed by it. Why treat the one as a misfortune rather than the other as fortunate? Can you really call something a misfortune that doesn't violate human nature? Or do you think something that's not against nature's will can violate it? But you know what its will is. Does what's happened keep you from acting with justice, generosity, self-control, sanity, prudence, honesty, humility, straightforwardness, and all the other qualities that allow a person's nature to fulfil itself? So remember this principle when something threatens to cause you pain: the thing itself was no misfortune at all; to endure it and prevail is great good fortune.
Marcus Aurelius (Meditations)
I slip Anny's letter back into my despatch case: she has done what she could; I cannot reach the woman who took it in her hands, folded and put it in the envelope. Is it possible even to think of someone in the past? As long as we loved each other, we never allowed the meanest of our instants, the smallest grief, to be detached and forgotten, left behind. Sounds, smells, nuances of light, even the thoughts we never told each other; we carried them all away and they remained alive: even now they have the power to give us joy and pain. Not a memory: an implacable, torrid love, without shadow, without escape, without shelter. Three years rolled into one. That is why we parted: we did not have enough strength to bear this burden. And then, when Anny left me, all of a sudden, all at once, the three years crumbled into the past. I didn't even surfer, I felt emptied out. Then time began to flow again and the emptiness grew larger. Then, in Saigon when I decided to go back to France, all that was still left—strange faces, places, quays on the banks of long rivers—all was wiped out. Now my past is nothing more than an enormous vacuum. My present: this waitress in the black blouse dreaming near the counter, this man. It seems as though I have learned all I know of life in books.
Jean-Paul Sartre (Nausea)
What I felt at that moment wasn’t sorrow for the 9/11 victims, but mortification. Tiny Ecuador gave precious pottery as a token of its heritage. My nation, the hemisphere’s richest, offered only this: Share our fear and feel our pain. In a venue designed to promote global amity and understanding, the United States chose to emphasize how divided and troubled the world remained. It was a minor thing, really, a display in a little-visited Dominican museum. But still, the exhibit rankled: my own small wall of shame.
Tony Horwitz (A Voyage Long and Strange: Rediscovering the New World)
I am always willing to run some hazard of being tedious, in order to be sure that I am perspicuous; and, after taking the utmost pains that I can be perspicuous, some obscurity may still appear to remain upon a subject, in its own nature extremely abstracted.
Adam Smith (An Inquiry into the Nature and Causes of the Wealth of Nations)
Turn my back to the door, Feels so much better now No need to try, anymore Nothing left to lose As the voice that's in the air saying, 'Don't look back to nowhere' There's a force that's always there And I'll never be, quite the same as I was before these, Part of you, still remains Oh, its out of focus Your just somewhere that I've been And I won't go back again And I'll never be like I was, the day I met you To naive? Yes, I was Boy that's why I let you in Wear your memory like a stain Can't erase or numb the pain, Here to stay with me forever I'm breathing in, breathing out Ain't that what it's all about? Living life, crazing loud Like I have the right to No more words, in my mouth, Nothing left to figure out, But I don't think I'll ever break through, The ghost of you.
EJR
The scars of my anorexia, perfectly hand-drawn in red, immaculately colouring one-fourth of my left arm. It had hurt like hell, but it still wasn’t as painful as the last two years of my life. The mental, excruciating pain within the depths of my brain had managed to surpass the aching pain of the pointed edge of the object I’d used on my arm. I’d thought that overshadowing the pain I already felt with a much harsher form and intensity would make the emotional pain disappear. I was wrong. The latter pain always remains stronger; that is something I realized.
Insha Juneja (Imperfect Mortals : A Collection of Short Stories)
Wine after three glasses solves nothing and the pain of recent discovery remains. Still, I'm feeling a friendly touch of disassociation. I'm already some useful steps removed and see myself revealed some fifteen feet below me, like a fallen climber spreadeagled and supine on a rock. I can begin to comprehend my situation, I can think as well as feel. An unassuming New World white can do this much. So. My mother has preferred my father's brother, cheated her husband, ruined her son. My uncle has stolen his brother's wife, deceived his nephew's father, grossly insulted his sister-in-law's son. My father by nature is defenceless, as I am by circumstance. My uncle - a quarter of my genome, of my father's half, but no more like my father than I to Virgil or Montaigne. What despicable part of myself is Claude and how will I know? I could be my own brother and deceive myself as he deceived his. When I'm born and allowed at last to be alone, there's a quarter I'll want to take a kitchen knife to. But the one who holds the knife will also be my uncle, quartering in my genome. Then we'll see how the knife won't move. And this perception too is somewhat his. And this.
Ian McEwan (Nutshell)
The silence stretched out, heartbeat after heartbeat – taut, excruciating. And then, finally, came the first sound: a slow, deliberate clapping. Startled, Maddy opened her eyes to see Harvir leaning back in his desk, his dark gaze steady on her as his hands came together, unhurried, almost leisurely, announcing his approval. A second later, from across the room, Kara joined in, followed by August, and Paul and Jeremy and Theresa. Ms. Mousumi got to her feet with a broad smile on her face, then Rhonda began to applaud, and Nikki. Not everyone followed suit – Ken continued to sit stonefaced, as did Julie and her retinue. David, too, remained motionless, staring at his desktop. Elliot gazed out the classroom windows; Sheng played with a pen. Still, the heartbeat clapping continued on, and Maddy realized she would never forget the gift of it. If it didn’t include everyone, it was enough. She had her soul back.
Beth Goobie (The Pain Eater)
We had better want the consequences of what we believe or disbelieve, because the consequences will come! . . . But how can a society set priorities if there are no basic standards? Are we to make our calculations using only the arithmetic of appetite? . . . The basic strands which have bound us together socially have begun to fray, and some of them have snapped. Even more pressure is then placed upon the remaining strands. The fact that the giving way is gradual will not prevent it from becoming total. . . . Given the tremendous asset that the family is, we must do all we can within constitutional constraints to protect it from predatory things like homosexuality and pornography. . . . Our whole republic rests upon the notion of “obedience to the unenforceable,” upon a tremendous emphasis on inner controls through self-discipline. . . . Different beliefs do make for different behaviors; what we think does affect our actions; concepts do have consequences. . . . Once society loses its capacity to declare that some things are wrong per se, then it finds itself forever building temporary defenses, revising rationales, drawing new lines—but forever falling back and losing its nerve. A society which permits anything will eventually lose everything! Take away a consciousness of eternity and see how differently time is spent. Take away an acknowledgement of divine design in the structure of life and then watch the mindless scurrying to redesign human systems to make life pain-free and pleasure-filled. Take away regard for the divinity in one’s neighbor, and watch the drop in our regard for his property. Take away basic moral standards and observe how quickly tolerance changes into permissiveness. Take away the sacred sense of belonging to a family or community, and observe how quickly citizens cease to care for big cities. Those of us who are business-oriented are quick to look for the bottom line in our endeavors. In the case of a value-free society, the bottom line is clear—the costs are prohibitive! A value-free society eventually imprisons its inhabitants. It also ends up doing indirectly what most of its inhabitants would never have agreed to do directly—at least initially. Can we turn such trends around? There is still a wealth of wisdom in the people of this good land, even though such wisdom is often mute and in search of leadership. People can often feel in their bones the wrongness of things, long before pollsters pick up such attitudes or before such attitudes are expressed in the ballot box. But it will take leadership and articulate assertion of basic values in all places and in personal behavior to back up such assertions. Even then, time and the tides are against us, so that courage will be a key ingredient. It will take the same kind of spunk the Spartans displayed at Thermopylae when they tenaciously held a small mountain pass against overwhelming numbers of Persians. The Persians could not dislodge the Spartans and sent emissaries forward to threaten what would happen if the Spartans did not surrender. The Spartans were told that if they did not give up, the Persians had so many archers in their army that they would darken the skies with their arrows. The Spartans said simply: “So much the better, we will fight in the shade!
Neal A. Maxwell
have always been fascinated by relationships. I grew up in Britain, where my dad ran a pub, and I spent a lot of time watching people meeting, talking, drinking, brawling, dancing, flirting. But the focal point of my young life was my parents’ marriage. I watched helplessly as they destroyed their marriage and themselves. Still, I knew they loved each other deeply. In my father’s last days, he wept raw tears for my mother although they had been separated for more than twenty years. My response to my parents’ pain was to vow never to get married. Romantic love was, I decided, an illusion and a trap. I was better off on my own, free and unfettered. But then, of course, I fell in love and married. Love pulled me in even as I pushed it away. What was this mysterious and powerful emotion that defeated my parents, complicated my own life, and seemed to be the central source of joy and suffering for so many of us? Was there a way through the maze to enduring love? I followed my fascination with love and connection into counseling and psychology. As part of my training, I studied this drama as described by poets and scientists. I taught disturbed children who had been denied love. I counseled adults who struggled with the loss of love. I worked with families where family members loved each other, but could not come together and could not live apart. Love remained a mystery. Then, in the final phase of getting my doctorate in counseling psychology at the University of British Columbia in Vancouver, I started to work with couples. I was instantly mesmerized by the intensity of their struggles and the way they often spoke of their relationships in terms of life and death.
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
All at once he found his mind drawing a parallel between that destiny and his own existence; all at once questions of life arose before his vision, like owls in an ancient ruin flushed from sleep by a stray ray of sunlight. Somehow he felt pained and grieved at his arrested development, at the check which had taken place in his moral growth, at the weight which appeared to be pressing upon his every faculty. Also gnawing at his heart there was a sense of envy that others should be living a life so full and free, while all the time the narrow, pitiful little pathway of his own existence was being blocked by a great boulder. And in his hesitating soul there arose a torturing consciousness that many sides of his nature had never yet been stirred, that others had never even been touched, and that not one of them had attained complete formation. Yet with this there went an aching suspicion that, buried in his being, as in a tomb, there still remained a moribund element of sweetness and light, and that it was an element which, though hidden in his personality, as a nugget lies lurking in the bowels of the earth, might once have become minted into sterling coin. But the treasure was now overlaid with rubbish--was now thickly littered over with dust. 'Twas as though some one had stolen from him, and besmirched, the store of gifts with which life and the world had dowered him; so that always he would be prevented from entering life's field and sailing across it with the aid of intellect and of will. Yes, at the very start a secret enemy had laid a heavy hand upon him and diverted him from the road of human destiny. And now he seemed to be powerless to leave the swamps and wilds in favour of that road. All around him was a forest, and ever the recesses of his soul were growing dimmer and darker, and the path more and more tangled, while the consciousness of his condition kept awaking within him less and less frequently--to arouse only for a fleeting moment his slumbering faculties. Brain and volition alike had become paralysed, and, to all appearances, irrevocably--the events of his life had become whittled down to microscopical proportions. Yet even with them he was powerless to cope--he was powerless to pass from one of them to another. Consequently they bandied him to and fro like the waves of the ocean. Never was he able to oppose to any event elasticity of will; never was he able to conceive, as the result of any event, a reasoned-out impulse. Yet to confess this, even to himself, always cost him a bitter pang: his fruitless regrets for lost opportunities, coupled with burning reproaches of conscience, always pricked him like needles, and led him to strive to put away such reproaches and to discover a scapegoat.
Ivan Goncharov (Oblomov)
Even in death, some souls leave an intangible mark on the world. It is impossible not to feel them there, feel their presence just beyond the veil that separates the living from those already risen into the arms of the Lifegiver. Though I pray the loved ones I’ve lost have long since returned to the world in Laor’s infinite circle of rebirth, I cannot help but feel that some part of each of them remains yet with me, suspended between this old life I was a part of and the new one they must now enjoy. It is painful to feel that presence and the constant reminder it bears to mind, and yet it is simultaneously wondrously consoling to know that they are—even in some small way—still there to watch over and guide me…” —
Bryce O'Connor (Winter's King (The Wings of War, #3))
Brushing through my hair was usually bad enough after a shower. Letting it dry without brushing it was a terrible mistake. It was full of painful tangles, and I hadn’t made much progress when the door at the end of the veranda opened and Ren walked out. I squeaked in alarm and hid behind my hair. Perfect, Kells. He was still barefoot, but had on khaki pants and a sky-blue button-down shirt that matched his eyes. The effect was magnetic, and here I was in flannel pajamas with giant tumbleweed hair. He sat across from me and said, “Good evening, Kells. Did you sleep well?” “Uh, yes. Did you?” He grinned a dazzling white smile and nodded his head slightly. “Are you having trouble?” he asked and watched my detangling progress with an amused expression. “Nope. I’ve got it all under control.” I wanted to divert his attention away from my hair, so I said, “How’s your back and your, um, arm, I guess it would be?” He smiled. “They’re completely fine. Thank you for asking.” “Ren, why aren’t you wearing white? That’s all I’ve ever seen you wear. Is it because your white shirt was torn?” He responded, “No, I just wanted to wear something different. Actually, when I change to a tiger and back, my white clothes reappear. If I changed to a tiger now and then switch back to a man again, my current clothes would be replaced with my old white ones.” “Would they still be torn and bloody?” “No. When I reappear, they’re clean and whole again.” “Hah. Lucky for you. It would be pretty awkward if you ended up naked every time you changed.” I bit my tongue as soon as the words came out and blushed a brilliant shade of red. Nice, Kells. Way to go. I covered up my verbal blunder by tugging my hair in front of my face and yanking through the tangles. He grinned. “Yes. Lucky for me.” I tugged the brush through my hair and winced. “That brings up another question.” Ren rose and took the brush out of my hand. “What…what are you doing?” I stammered. “Relax. You’re too edgy.” He had no idea. Moving behind me, Ren picked up a section of my hair and started gently brushing through it. I was nervous at first, but his hands in my hair were so warm and soothing that I soon relaxed in the chair, closed my eyes, and leaned my head back. After a minute of brushing, he pulled a lock away from my neck, leaned down by my ear, and whispered, “What was it you wanted to ask me?” I jumped. “Umm…what?” I mumbled disconcertingly. “You wanted to ask me a question.” “Oh, right. It was, uh-that feels nice.” Did I say that out loud? Ren laughed softly. “That’s not a question.” Apparently, I did. “Was it something about me changing into a tiger?” “Oh, yes. I remember now. You can change back a forth several times per day, right? Is there a limit?” “No. There’s no limit as long as I don’t remain human for more than a total of twenty-four minutes in a twenty-four hour day.” He moved to another section of hair. “Do you have any more questions, sundari?
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Nay even in the life, of the same individual there is succession and not absolute unity: a man is called the same, and yet in the short interval which elapses between youth and age, and in which every animal is said to have life and identity, he is undergoing a perpetual process of loss and reparation—hair, flesh, bones, blood, and the whole body are always changing. Which is true not only of the body, but also of the soul, whose habits, tempers, opinions, desires, pleasures, pains, fears, never remain the same in any one of us, but are always coming and going; and equally true of knowledge, and what is still more surprising to us mortals, not only do the sciences in general spring up and decay, so that in respect of them we are never the same; but each of them individually experiences a like change.
Diotima
As long as this “brokenness” of existence continues, there is no way out of the inner contradictions that it imposes upon us. If a man has a broken leg and continues to try to walk on it, he cannot help suffering. If desire itself is a kind of fracture, every movement of desire inevitably results in pain. But even the desire to end the pain of desire is a movement, and therefore causes pain. The desire to remain immobile is a movement. The desire to escape is a movement. The desire for Nirvana is a movement. The desire for extinction is a movement. Yet there is no way for us to be still by “imposing stillness” on the desires. In a word, desire cannot stop itself from desiring, and it must continue to move and hence to cause pain even when it seeks liberation from itself and desires its own extinction.
Thomas Merton (Zen and the Birds of Appetite (New Directions))
In 1994, Friedman wrote a memo marked “Very Confidential” to Raymond, Mortimer, and Richard Sackler. The market for cancer pain was significant, Friedman pointed out: four million prescriptions a year. In fact, there were three-quarters of a million prescriptions just for MS Contin. “We believe that the FDA will restrict our initial launch of OxyContin to the Cancer pain market,” Friedman wrote. But what if, over time, the drug extended beyond that? There was a much greater market for other types of pain: back pain, neck pain, arthritis, fibromyalgia. According to the wrestler turned pain doctor John Bonica, one in three Americans was suffering from untreated chronic pain. If that was even somewhat true, it represented an enormous untapped market. What if you could figure out a way to market this new drug, OxyContin, to all those patients? The plan would have to remain secret for the time being, but in his memo to the Sacklers, Friedman confirmed that the intention was “to expand the use of OxyContin beyond Cancer patients to chronic non-malignant pain.” This was a hugely audacious scheme. In the 1940s, Arthur Sackler had watched the introduction of Thorazine. It was a “major” tranquilizer that worked wonders on patients who were psychotic. But the way the Sackler family made its first great fortune was with Arthur’s involvement in marketing the “minor” tranquilizers Librium and Valium. Thorazine was perceived as a heavy-duty solution for a heavy-duty problem, but the market for the drug was naturally limited to people suffering from severe enough conditions to warrant a major tranquilizer. The beauty of the minor tranquilizers was that they were for everyone. The reason those drugs were such a success was that they were pills that you could pop to relieve an extraordinary range of common psychological and emotional ailments. Now Arthur’s brothers and his nephew Richard would make the same pivot with a painkiller: they had enjoyed great success with MS Contin, but it was perceived as a heavy-duty drug for cancer. And cancer was a limited market. If you could figure out a way to market OxyContin not just for cancer but for any sort of pain, the profits would be astronomical. It was “imperative,” Friedman told the Sacklers, “that we establish a literature” to support this kind of positioning. They would suggest OxyContin for “the broadest range of use.” Still, they faced one significant hurdle. Oxycodone is roughly twice as potent as morphine, and as a consequence OxyContin would be a much stronger drug than MS Contin. American doctors still tended to take great care in administering strong opioids because of long-established concerns about the addictiveness of these drugs. For years, proponents of MS Contin had argued that in an end-of-life situation, when someone is in a mortal fight with cancer, it was a bit silly to worry about the patient’s getting hooked on morphine. But if Purdue wanted to market a powerful opioid like OxyContin for less acute, more persistent types of pain, one challenge would be the perception, among physicians, that opioids could be very addictive. If OxyContin was going to achieve its full commercial potential, the Sacklers and Purdue would have to undo that perception.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty, winner of the Baillie Gifford Prize for Non-Fiction)
JANUARY 30 Fortunately [psycho]analysis is not the only way to resolve inner conflicts. Life itself still remains a very effective therapist. —Karen Horney The passage of time, coupled with an openness to the messages gleaned from our conversations with others, can provide answers we need for the way out of painful situations. Life is ebb and flow, peaks and valleys, struggles and sweet times. What we fail to realize, all too often, is that the struggles make possible the times that are sweet. Our conflicts are our special lessons in life. We can learn to flow with them, move through them, trust their value to us as growing, changing women. How good it feels to have found security with one another and that power greater than ourselves who can, when we are willing, show us the path to resolution. Life will never be free of conflict—nor should it be. Our lessons move us to higher planes of awareness. We can experience the joy hidden within the conflict. We can help one another remember that the sweetness of a moment is tied to the pain of a former, forgotten moment. All events, all experiences, are connected. The path I travel, alone and with others, is bringing me brighter days. I will trust my path. It’s right for me.
Karen Casey (Each Day a New Beginning: Daily Meditations for Women (Hazelden Meditations))
Many people live with diseases and even great pain while remaining joyfully connected to their purpose. Others are disease-free and still wake up not wanting to be alive. Health doesn’t require us to live in a problem-free body, just as happiness doesn’t require us to experience a problem-free life. Health and happiness are about being so connected to our own life force that we feel we fit into the world around us.
Gladys McGarey (The Well-Lived Life: A 102-Year-Old Doctor's Six Secrets to Health and Happiness at Every Age)
I still suffer hate and pain in my heart every time I see the word "Duke" on a TV screen, and that rotten Thing happened nine years ago when that Swine Christian Laettner hit that impossible last-second shot against Kentucky. I still have a Memory Block about it -- but as I recall it was in the East Regional final that is still known as "the Best basketball game ever played." Geez, it Was and remains the Worst Shock I've experienced in my Life.
Hunter S. Thompson (Hey Rube: Blood Sport, the Bush Doctrine, and the Downward Spiral of Dumbness: Modern History from the ESPN.com Sports Desk)
But what is this state? It is like a morning of spring, varied in its life and beauty, yet one and entire. All the conflicts and contradictions of life are reconciled; knowledge, love and action harmonized; pleasure and pain become one in beauty, enjoyment and renunciation equal in goodness; the breach between the finite and the infinite fills with love and overflows; every moment carries its message of the eternal; the formless appears to us in the form of the flower, of the fruit; the boundless takes us up in his arms as a father and walks by our side as a friend. While yet we have not attained the internal harmony, and the wholeness of our being, our life remains a life of habits. The world still appears to us as a machine, to be mastered where it is useful, to be guarded against where it is dangerous, and never to be known in its full fellowship with us, alike in its physical nature and in its spiritual life and beauty.
Rabindranath Tagore (Sadhana)
So what is the answer? How can you stand your ground when you are weak and sensitive to pain, when people you love are still alive, when you are unprepared? What do you need to make you stronger than the Interrogator and the whole trap? From the moment you go to prison you must put your cozy past firmly behind you. At the very threshold, you must say to yourself: "My life is over, a little early to be sure, but there's nothing to be done about it. I shall never return to freedom. I am condemned to die—now or a little later. But later on, in truth, it will be even harder, and so the sooner the better. I no longer have any property whatsoever. For me those I love have died, and for them I have died. From today on, my body is useless and alien to me. Only my spirit and my conscience remain precious and important to me." Confronted by such a prisoner, the Interrogation will tremble. Only the man who has renounced everything can win that victory.
Aleksandr Solzhenitsyn (The Gulag Archipelago)
The mercy of God is infinite too, and the man who has felt the grinding pain of inward guilt knows that this is more than academic. "Where sin abounded, grace did much more abound." Abounding sin is the terror of the world, but abounding grace is the hope of mankind. however sin may abound it still has its limits, for it is the product of finite minds and hearts; but God's much more" introduces us to infinitude. Against our deep creature-sickness stands God's infinite ability to cure. The Christian witness through the centuries has been that "God so loved the world . . ."; it remains for us to see that love in the light of God's infinitude. His love is measureless. It is more: it is boundless. It has no bounds because it is not a thing but a facet of the essential nature of God. His love is something He is, and because He is infinite that love can enfold the whole created world in itself and have room for ten thousand times ten thousand worlds beside.
A.W. Tozer (The Knowledge of the Holy)
Everything on earth is in a state of constant flux. Nothing keeps the same, fixed shape, and our affections, which are attached to external things, like them necessarily pass away and change. Always beyond or behind us, they remind us of the past which is no longer or anticipate the future which is often not to be: there is nothing solid in them for the heart to become attached to. Thus the pleasures that we enjoy in this world is almost always transitory; I suspect it is impossible to find any lasting happiness at all. Hardly is there a single moment even in our keenest pleasures when our heart can truly say to us: 'if only this moment would last for ever', and how is it possible to give the name happiness to a fleeting state which still leaves our heart anxious and empty, and which makes us regret something beforehand or long for something afterwards? But if there is a state where the soul can find a position solid enough to allow it to remain there entirely and gather together its whole being, without needing to recall the past or encroach upon the future, where time is nothing to it, where the present lasts for ever, albeit imperceptibly and giving no sign of its passing, with no other feeling of deprivation or enjoyment, pleasure or pain, desire or fear than simply that of our existence, a feeling that completely fills our soul; as long as this state lasts, the person who is in it can call himself happy, not with an imperfect, poor, and relative happiness, such as one finds in the pleasures of life, but with a sufficient, perfect, and full happiness, which leaves in the soul no void needing to be filled. The feeling of existence stripped of all other affections is in itself a precious feeling of contentment and peace which alone would be enough to make this existence prized and cherished by anyone who could banish all the sensual and earthly impressions which constantly distract us from it and upset the joy of it in this world.
Jean-Jacques Rousseau (Reveries of the Solitary Walker)
What now?' Gregor wondered, looking around in the dark. He soon discovered that he could no longer move at all. He was not surprised at this, instead it struck him as not normal that he had actually been able to move around at all on such thin little legs. Otherwise he felt relatively comfortable. Although his whole body hurt, it seemed to him that the pain was gradually getting less severe and would finally go away entirely. Now he could hardly feel the rotten apple in his back and the inflammation around the wound, which was completely covered with a layer of soft dust. He recalled his family with tenderness and love. His conviction that he had to go was if anything even firmer than his sister's. He remained in this state of vacant and peaceful reflection until the clock in the bell tower struck three a.m. He still survived to see the light breaking everywhere outside the window. Then his head drooped involuntarily to the floor and from his nostrils flowed his last weak breath.
Franz Kafka (The Essential Kafka: The Castle; The Trial; Metamorphosis and Other Stories)
WHEN I DESCRIBED THE TUMOR IN MY ESOPHAGUS as a “blind, emotionless alien,” I suppose that even I couldn’t help awarding it some of the qualities of a living thing. This at least I know to be a mistake: an instance of the pathetic fallacy (angry cloud, proud mountain, presumptuous little Beaujolais) by which we ascribe animate qualities to inanimate phenomena. To exist, a cancer needs a living organism, but it cannot ever become a living organism. Its whole malice—there I go again—lies in the fact that the “best” it can do is to die with its host. Either that or its host will find the measures with which to extirpate and outlive it. But, as I knew before I became ill, there are some people for whom this explanation is unsatisfying. To them, a rodent carcinoma really is a dedicated, conscious agent—a slow–acting suicide–murderer—on a consecrated mission from heaven. You haven’t lived, if I can put it like this, until you have read contributions such as this on the websites of the faithful: Who else feels Christopher Hitchens getting terminal throat cancer [sic] was God’s revenge for him using his voice to blaspheme him? Atheists like to ignore FACTS. They like to act like everything is a “coincidence.” Really? It’s just a “coincidence” [that] out of any part of his body, Christopher Hitchens got cancer in the one part of his body he used for blasphemy? Yeah, keep believing that, Atheists. He’s going to writhe in agony and pain and wither away to nothing and then die a horrible agonizing death, and THEN comes the real fun, when he’s sent to HELLFIRE forever to be tortured and set afire. There are numerous passages in holy scripture and religious tradition that for centuries made this kind of gloating into a mainstream belief. Long before it concerned me particularly I had understood the obvious objections. First, which mere primate is so damn sure that he can know the mind of god? Second, would this anonymous author want his views to be read by my unoffending children, who are also being given a hard time in their way, and by the same god? Third, why not a thunderbolt for yours truly, or something similarly awe–inspiring? The vengeful deity has a sadly depleted arsenal if all he can think of is exactly the cancer that my age and former “lifestyle” would suggest that I got. Fourth, why cancer at all? Almost all men get cancer of the prostate if they live long enough: It’s an undignified thing but quite evenly distributed among saints and sinners, believers and unbelievers. If you maintain that god awards the appropriate cancers, you must also account for the numbers of infants who contract leukemia. Devout persons have died young and in pain. Betrand Russell and Voltaire, by contrast, remained spry until the end, as many psychopathic criminals and tyrants have also done. These visitations, then, seem awfully random. My so far uncancerous throat, let me rush to assure my Christian correspondent above, is not at all the only organ with which I have blasphemed. And even if my voice goes before I do, I shall continue to write polemics against religious delusions, at least until it’s hello darkness my old friend. In which case, why not cancer of the brain? As a terrified, half–aware imbecile, I might even scream for a priest at the close of business, though I hereby state while I am still lucid that the entity thus humiliating itself would not in fact be “me.” (Bear this in mind, in case of any later rumors or fabrications.)
Christopher Hitchens (Mortality)
Quote from Father Tim during a sermon given after the former priest was found after a suicide attempt. "      'Father Talbot has charged me to tell you that he is deeply repentant for not serving you as God appointed him to do, and as you hoped and needed him to do.         'He wished very much to bring you this message himself, but he could not.  He bids you goodbye with a love he confesses he never felt toward you...until this day.  He asks--and I quote him--that you might find it in your hearts to forgive him his manifold sins against God and this parish.'         He felt the tears on his face before he knew he was weeping, and realized instinctively that he would have no control over the display.  He could not effectively carry on, no even turn his face away or flee the pulpit.  He was in the grip of a wild grief that paralyzed everything but itself.          He wept face forward, then, into the gale of those aghast at what was happening, wept for the wounds of any clergy gone out into a darkness of self-loathing and beguilement; for the loss and sorrow of those who could not believe, or who had once believed but lost all sense of shield and buckler and any notion of God's radical tenderness, for the ceaseless besettings of the flesh, for the worthless idols of his own and of others; for those sidetracked, stumped, frozen, flung away, for those both false and true, the just and the unjust, the quick and the dead.           He wept for himself, for the pain of the long years and the exquisite satisfactions of the faith, for the holiness of the mundane, for the thrashing exhaustions and the endless dyings and resurrectings that malign the soul incarnate.           It had come to this, a thing he had subtly feared for more than forty years--that he would weep before the many--and he saw that his wife would not try to talk him down from this precipice, she would trust him to come down himself without falling or leaping.         And people wept with him, most of them.  Some turned away, and a few got up and left in a hurry, fearful of the swift and astounding movement of the Holy Spirit among them, and he, too, was afraid--of crying aloud in a kind of ancient howl and humiliating himself still further.  But the cry burned out somewhere inside and he swallowed down what remained and the organ began to play, softly, piously.  He wished it to be loud and gregarious, at the top of its lungs--Bach or Beethoven, and not the saccharine pipe that summoned the vagabond sins of thought, word, and deed to the altar, though come to think of it, the rail was the very place to be right now, at once, as he, they, all were desperate for the salve of the cup, the Bread of Heaven.             And then it was over.  He reached into the pocket of his alb and wondered again how so many manage to make in this world without carrying a handkerchief.  And he drew it out and wiped his eyes and blew his nose as he might at home, and said, 'Amen.'                 And the people said, 'Amen.
Jan Karon
Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size. Without that power probably the earth would still be swamp and jungle. The glories of all our wars would he unknown. We should still be scratching the outlines of deer on the remains of mutton bones and bartering flints for sheep skins or whatever simple ornament took our unsophisticated taste. Supermen and Fingers of Destiny would never have existed. The Czar and the Kaiser would never have worn crowns or lost them. Whatever may be their use in civilized societies, mirrors are essential to all violent and heroic action. That is why Napoleon and Mussolini both insist so emphatically upon the inferiority of women, for if they were not inferior, they would cease to enlarge. That serves to explain in part the necessity that women so often are to men. And it serves to explain how restless they are under her criticism; how impossible it is for her to say to them this book is bad, this picture is feeble, or whatever it may be, without giving far more pain and rousing far more anger than a man would do who gave the same criticism. For if she begins to tell the truth, the figure in the looking-glass shrinks; his fitness for life is diminished. How is he to go on giving judgement, civilizing natives, making laws, writing books, dressing up and speechifying at banquets, unless he can see himself at breakfast and at dinner at least twice the size he really is?
Virginia Woolf
Gasping, I try to drag air into my lungs. But I can’t breathe. A massive weight is crushing my chest and I can’t fucking breathe. Tears stream down my cheeks. I can’t move. I can’t think. Pain slashes through the torn remains of my bleeding heart. And all around me, the world keeps on going. The sun keeps on shining. The birds keep on singing. Rage and pain and utter devastation crash through my broken soul. Why is the sun still shining? Why are the birds still singing? How can the world possibly keep on going after this?
Marion Blackwood (Court of Lies and Deceit (Flame and Thorns, #3))
Rudel Correze is far from the first to seek to aid me in my passage to Rian. But I find myself still among the living, and I have discovered that I value this world for itself, not merely as a matter for someone's song. I love it for its heady wines and its battles, for the beauty of its women and their generosity and their pride, for the companionship of brave men and clever ones, the promise of spring in the depths of winter and the even surer promise that Rian and Corannos are waiting for us, whatever we may do. And I find now, your highness, long past the fires of my heart's youth and yours, that there is one thing I love more, even more than the music that remains my release from pain.' 'Love, de Talair? This is a word I did not expect to hear from you. I was told you foreswore it more than twenty years ago. The whole world was speaking of that. This much I am certain I remember. My information, so far distant in our cold north, seems to have been wrong in yet another matter. What is the one thing, then, my lord duke? What is it you still love?' 'Arbonne.
Guy Gavriel Kay (A Song for Arbonne)
God does not will evil or sin. Many things happen that God does not will. But he still permits them, in his wisdom, and they remain a stumbling block or scandal to our minds. God asks us to do all we can to eliminate evil. But despite our efforts, there is always a whole set of circumstances which we can do nothing about, which are not necessarily willed by God but nevertheless are permitted by him, and which God invites us to consent to trustingly and peacefully, even if they make us suffer and cause us problems. We are not being asked to consent to evil, but to consent to the mysterious wisdom of God who permits evil. Our consent is not a compromise with evil but the expression of our trust that God is stronger than evil. This is a form of obedience that is painful but very fruitful. It means that after we have done everything in our power, we are invited, faced with what is still imposed on our will by events, to practice an attitude of abandonment and filial trust toward our heavenly Father, in the faith that “for those who love God, everything works together for good.”12
Jacques Philippe (In the School of the Holy Spirit)
Although his honor demanded he immediately leave Juliana, he couldn’t, for the queen visited. He couldn’t seek an annulment, for the king demanded he retain Juliana’s lands. He would remain her husband, and even if he moved his official residence to Barton-hale and she stayed at Lofts, he would still have to meet with her at Christmastide and Easter, at harvest accounting and at Midsummer…what pleasure he would find in the touch of her hand! What agony he would endure while away from her. So it was a painful reprieve, but a reprieve nonetheless.
Christina Dodd (Castles In The Air (Medieval, #2))
Oh! thou clear spirit of clear fire, whom on these seas I as Persian once did worship, till in the sacramental act so burned by thee, that to this hour I bear the scar; I now know thee, thou clear spirit, and I now know that thy right worship is defiance. To neither love nor reverence wilt thou be kind; and e’en for hate thou canst but kill; and all are killed. No fearless fool now fronts thee. I own thy speechless, placeless power; but to the last gasp of my earthquake life will dispute its unconditional, unintegral mastery in me. In the midst of the personified impersonal, a personality stands here. Though but a point at best; whencesoe’er I came; wheresoe’er I go; yet while I earthly live, the queenly personality lives in me, and feels her royal rights. But war is pain, and hate is woe. Come in thy lowest form of love, and I will kneel and kiss thee; but at thy highest, come as mere supernal power; and though thou launchest navies of full-freighted worlds, there’s that in here that still remains indifferent. Oh, thou clear spirit, of thy fire thou madest me, and like a true child of fire, I breathe it back to thee.
Herman Melville (Moby-Dick or, The Whale)
From that first meeting he had loved this woman, but passionately as his feelings surged over him, following him even to his dreams, the crucial factor that would shake him to the core was still lacking - his conscious realization that what, denying his true feelings, he still called admiration, respect and devotion was in fact love - a burning, unbounded, absolute and passionate love. Some kind of servile instinct in him forcibly suppressed that realization; she was too distant, too far away, too high above him, a radiant woman surrounded by a circle of stars, armoured by her wealth and by all that he had ever known of women before. It would have seemed blasphemous to think of her as a sexual being, subject to the same laws of the blood as the few other women who had come his way during his youth spent in servitude [...]. No, this was different. She shone down from another sphere, beyond desire, pure and inviolable, and even in his most passionate dreams he did not venture so far as to undress her. In boyish confusion, he loved the fragrance of her presence, appreciating all her movements as if they were music, glad of her confidence in him and always fearing to show her any of the overwhelming emotion that stirred within him, an emotion still without a name, but long since fully formed and glowing in its place of concealment. But love truly becomes love only when, no longer an embryo developing painfully in the darkness of the body, it ventures to confess itself with lips and breath. However hard it tries to remain a chrysalis, a time comes when the intricate tissue of the cocoon tears, and out it falls, dropping from the heights to the farthest depths, falling with redoubled force into the startled heart.
Stefan Zweig (Journey into the Past)
We enjoy the poetics but also know we can’t always live off our feelings. We’ve long intuited that a long-distance marathon like ours must be run on more than romance. We delight in each other enough that when we don’t, we still push each other to push through the pain barrier. To try to make it to the next level. Ali calls this “the work of love,” and maybe some days that’s shorthand for me being hard work. But she’s right: love is work. Good work. We may let the scaffolds fall, but we have built our wall. Ali gets fidgety when I get too serious. As I am now. Struggling to express how every day that we give to each other adds both weight and … weightlessness. Gravity and grace. Am I more desperate for our marriage to make it than Ali, who is never as desperate as her husband? I have the most to learn from this relationship, and one of the profoundest lessons it has taught me is in raising children. I’d had that blood-brother compact with my childhood friend Guggi to never grow up, but as Ali and I had kids, I slowly understood that you can’t have a child and remain a child. I really don’t like goodbyes, but sometimes you have to say goodbye.
Bono (Surrender: 40 Songs, One Story)
You are now nothing more than an eye. A huge staring eye which sees everything, which sees your limp body just as it sees you, looked at and looking, as if it had turned round completely in its socket and was contemplating you in silence, you, the inside of you, the dark, empty, slime-green, frightened, impotent interior of you. It looks at you and it nails you to the spot. You will never stop seeing yourself. You can do nothing, you cannot escape yourself, you cannot escape your own gaze, you never will be able to: even if you were to fall into a sleep so deep that no shock, no shout, no burning pain could rouse you, there would still be this eye, your eye, that will never close, that will never sleep. You see yourself, you see yourself seeing yourself, you watch yourself watching yourself. Even if you were to wake up, your vision would remain the same, immutable. Even if you managed to grow thousands, billions of extra eyelids, there would still be this eye, behind, which would see you. You are not asleep but sleep will never come again. You are not awake and you will never wake up. You are not dead and even death could never set you free.
Georges Perec (Un homme qui dort)
She said herself as lust, I admitted her with open arms, She told that it might give me harm. I will give you pain, It was a cost enough to gain, She said you will get tame, I don’t have any shame. I am a puzzle and I got dazzle, A fire burnt in me which got worse, You can leave me anytime was her last warning, Let the sin remain in me till the end of times. Giving up maybe is not in the desire of human, Let it burn if it runs the world, It burned me and is still burning others. It is not my fault was my justification, I can give up lust anytime, But If I held someone's hand, leaving it is not my deed.
Mahiraj Jadeja (A Lover's Will)
a rose for empathy can my own beauty reflect off glass again the pain subsides like matted walls like hospital halls like gas and pills and sass never can I dance in balls or prance through malls my pelvic gird’ survives tacked back intact i sigh relieved my paralysis stops there died before my eyes the drunk in fact who crashed and thrashed and mashed in flee of cops by grace i stay a higher vertebrate in this ordered peck of vine and line still mine my skin and brain remain not celibate those organs large and whole and sexed and fine the drunk fared worse in life in death in time my paraplegia dared curse his crime not mine
Miles Garrett
No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other’s tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes—forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There’s not a chance you’d mistake one for another, after a minute’s close inspection), but still unique. Without individuals we see only numbers: a thousand dead, a hundred thousand dead, “casualties may rise to a million.” With individual stories, the statistics become people—but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child’s swollen, swollen belly, and the flies that crawl at the corners of his eyes, his skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted, distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies’ own myriad squirming children? We draw our lines around these moments of pain, and remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.
Neil Gaiman (American Gods)
Sam knew that after her mother died, the last worries and pains would fall away. Sam would see her mother as not merely her mother, but as a full, perfect human. Sam would apprehend the whole of her mother's life, her girlhood through her old age, the whole of her body, her mind, her heart. Her existence on earth would be clear and perfect. Sam was from her, a part of her, and Sam would feel, in a profound way, that she remained a version of her, a derivative. This soothed Sam, to feel her mother's traces in every molecule, her light in every aspect. Her mother would die, but Sam would still be here. She didn't quite believe it yet, but she knew it just the same.
Dana Spiotta (Wayward)
The remaining chain swung down, he wrenched the door out and he was free. The last thing he heard behind him was the oncoming stomp of running feet. Now began flight, that excruciating accompaniment to both the sleep-dream and the drug-dream as well. Down endless flights of stairs that seemed to have increased decimally since he had come up them so many days before. Four, fourteen, forty - there seemed no end to them, no bottom. Round and round he went, hand slapping at the worn guard-rail only at the turns to keep from bulleting head-on into the wall each time. The clamor had come out onto a landing high above him now, endless miles above him; a thin voice came shouting down the stair-well, "There he is! See him down there?" raising the hue and cry to the rest of the pack. Footsteps started cannonading down after him, like avenging thunder from on high. They only added wings to his effortless, almost cascading waterlike flight. Like a drunk, he was incapable of hurting himself. At one turning he went off his feet and rippled down the whole succeeding flight of stair-ribs like a wriggling snake. Then he got up again and plunged ahead, without consciousness of pain or smart. The whole staircase-structure seemed to hitch crazily from side to side with the velocity of his descent, but it was really he that was hitching. But behind him the oncoming thunder kept gaining. Then suddenly, after they'd kept on for hours, the stairs suddenly ended, he'd reached bottom at last. He tore out through a square of blackness at the end of the entrance-hall, and the kindly night received him, took him to itself - along with countless other things that stalk and kill and are dangerous if crossed. He had no knowledge of where he was; if he'd ever had, he'd lost it long ago. The drums of pursuit were still beating a rolling tattoo inside the tenement. He chose a direction at random, fled down the deserted street, the wand of light from a wan street-lamp flicking him in passing, so fast did he scurry by beneath it.
Cornell Woolrich (Marihuana)
God now again intervenes with his consolation, since it would be impossible to live in that state of abandonment. He returns to encourage the soul with the touch of his gentleness. The soul accepts that touch with gratitude. But it has become so timid through the blows it has received that it dare not ask anything more. Deep down the soul has understood that it must let itself be carried, that it must abandon itself to its Savior, that alone it can do nothing, that God can do everything. And if it remains still and motionless, as though bound in the faithfulness of God, it will quickly realize that things have changed, and that its progress, though still painful, is in the right direction.
Carlo Carretto (Letters from the Desert)
When Devlin returned to the Police Camp early the next morning Anna Wetherell was still unconscious; her head had lolled sideways, and her mouth was slightly agape. There was a bluish-purple bruise upon her temple, and her cheekbone was painfully swollen: had she fallen, or had she been struck? Devlin had no time to investigate, however, or to press the gaoler for more information on the circumstances of the girl’s arrest: it transpired that a man had died during the night, and Devlin was requested to accompany the physician to the Arahura Valley to assist in the collection of the dead man’s remains—and perhaps also to say a prayer or two over his body. The dead man’s name, Shepard informed him, was Crosbie Wells.
Eleanor Catton (The Luminaries)
March 22, 2014 I have found the truth in the lies I told myself. I thought I could run from this woman, but she continues to chase me. In my mind, my heart, she’s always there. An entire bottle of whiskey can’t drown out her voice. I wake up each morning hoping it will finally be the day that I get over her. But then night falls and memories of her begin to torture me until sleep is no longer an option. Each night I fall into this abyss of nothingness, feeling only the emptiness of not having her beside me. I have found the truth in the lies I told myself. I slept with another woman, all the while wishing it was her and I still went through with it. What a fool I was. I still long to feel the satisfaction I was supposed to have felt that night. I still long to feel the freedom I’d hoped to gain from seeking refuge in the arms of another woman. But I’ll never be free of her. It will take an eternity to break out of these shackles. For one month, ONE month I couldn’t keep my dick in my pants and yet for two years I haven’t even so much as looked at another woman. I’ve remained completely faithful to a memory. Devoted to her smile. Committed to her ever-changing green eyes. I have read through the past entries in this journal and I noticed that I have never used her name. As if inking it would somehow solidify the feelings I think I’ve always felt. I have found the truth in the lies I told myself. I do love her. Love is this painful.
Jacqueline Francis
We still hadn’t learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you’re just going to get hurt again. But each time, you learn something. Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There’s the little empty pain of leaving something behind—graduating, taking the next step forward, walking out of something familiar and safe into the unknown. There’s the big, whirling pain of life upending all of your plans and expectations. There’s the sharp little pains of failure, and the more obscure aches of successes that didn’t give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life as they grow and learn. There’s the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens. And if you’re very, very lucky, there are a very few blazing hot little pains you feel when you realize that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last—and yet will remain with you for life. Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don’t feel it.
Jim Butcher (The Dresden Files Books 7-12)
Close friendships, Gandhi says, are dangerous, because “friends react on one another” and through loyalty to a friend one can be led into wrong-doing. This is unquestionably true. Moreover, if one is to love God, or to love humanity as a whole, one cannot give one's preference to any individual person. This again is true, and it marks the point at which the humanistic and the religious attitude cease to be reconcilable. To an ordinary human being, love means nothing if it does not mean loving some people more than others. The autobiography leaves it uncertain whether Gandhi behaved in an inconsiderate way to his wife and children, but at any rate it makes clear that on three occasions he was willing to let his wife or a child die rather than administer the animal food prescribed by the doctor. It is true that the threatened death never actually occurred, and also that Gandhi — with, one gathers, a good deal of moral pressure in the opposite direction — always gave the patient the choice of staying alive at the price of committing a sin: still, if the decision had been solely his own, he would have forbidden the animal food, whatever the risks might be. There must, he says, be some limit to what we will do in order to remain alive, and the limit is well on this side of chicken broth. This attitude is perhaps a noble one, but, in the sense which — I think — most people would give to the word, it is inhuman. The essence of being human is that one does not seek perfection, that one is sometimes willing to commit sins for the sake of loyalty, that one does not push asceticism to the point where it makes friendly intercourse impossible, and that one is prepared in the end to be defeated and broken up by life, which is the inevitable price of fastening one's love upon other human individuals. No doubt alcohol, tobacco, and so forth, are things that a saint must avoid, but sainthood is also a thing that human beings must avoid. There is an obvious retort to this, but one should be wary about making it. In this yogi-ridden age, it is too readily assumed that “non-attachment” is not only better than a full acceptance of earthly life, but that the ordinary man only rejects it because it is too difficult: in other words, that the average human being is a failed saint. It is doubtful whether this is true. Many people genuinely do not wish to be saints, and it is probable that some who achieve or aspire to sainthood have never felt much temptation to be human beings. If one could follow it to its psychological roots, one would, I believe, find that the main motive for “non-attachment” is a desire to escape from the pain of living, and above all from love, which, sexual or non-sexual, is hard work. But it is not necessary here to argue whether the other-worldly or the humanistic ideal is “higher”. The point is that they are incompatible. One must choose between God and Man, and all “radicals” and “progressives”, from the mildest Liberal to the most extreme Anarchist, have in effect chosen Man.
George Orwell
FRIDAY, APRIL 2, 1943 Dearest Kitty, Oh my, another item has been added to my list of sins. Last night I was lying in bed, waiting for Father to tuck me in and say my prayers with me, when Mother came into the room, sat on my bed and asked very gently, “Anne, Daddy isn’t ready. How about if I listen to your prayers tonight?” “No, Momsy,” I replied. Mother got up, stood beside my bed for a moment and then slowly walked toward the door. Suddenly she turned, her face contorted with pain, and said, “I don’t want to be angry with you. I can’t make you love me!” A few tears slid down her cheeks as she went out the door. I lay still, thinking how mean it was of me to reject her so cruelly, but I also knew that I was incapable of answering her any other way. I can’t be a hypocrite and pray with her when I don’t feel like it. It just doesn’t work that way. I felt sorry for Mother—very, very sorry—because for the first time in my life I noticed she wasn’t indifferent to my coldness. I saw the sorrow in her face when she talked about not being able to make me love her. It’s hard to tell the truth, and yet the truth is that she’s the one who’s rejected me. She’s the one whose tactless comments and cruel jokes about matters I don’t think are funny have made me insensitive to any sign of love on her part. Just as my heart sinks every time I hear her harsh words, that’s how her heart sank when she realized there was no more love between us. She cried half the night and didn’t get any sleep. Father has avoided looking at me, and if his eyes do happen to cross mine, I can read his unspoken words: “How can you be so unkind? How dare you make your mother so sad!” Everyone expects me to apologize, but this is not something I can apologize for, because I told the truth, and sooner or later Mother was bound to find out anyway. I seem to be indifferent to Mother’s tears and Father’s glances, and I am, because both of them are now feeling what I’ve always felt. I can only feel sorry for Mother, who will have to figure out what her attitude should be all by herself. For my part, I will continue to remain silent and aloof, and I don’t intend to shrink from the truth, because the longer it’s postponed, the harder it will be for them to accept it when they do hear it! Yours, Anne
Anne Frank (The Diary of a Young Girl)
Childhood can be painful, adolescence confusing, but for most people, behind it all there is the expectation that after one grows up, things will get better. During the years of early adulthood the future still looks promising, the hope remains that one’s goals will be realized. But inevitably the bathroom mirror shows the first white hairs, and confirms the fact that those extra pounds are not about to leave; inevitably eyesight begins to fail and mysterious pains begin to shoot through the body. Like waiters in a restaurant starting to place breakfast settings on the surrounding tables while one is still having dinner, these intimations of mortality plainly communicate the message: Your time is up, it’s time to move on. When this happens, few people are ready.
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
A trauma is a place where it becomes impossible to remain connected in and to the present moment. Trauma is a part of the human condition! Healing is also a part of the human condition, and we have the capacity to transform difficult experiences into a wellspring of personal and spiritual power. Trauma occurs when there is a rupture in our boundary system and our capacity to metabolize an experience is compromised. Every single human being on earth has trauma. It's an interruption of our ability to stay in the present moment, anything that lags or is not harmonized on the layers of body/mind/spirit/soul/psyche. Rachael Maddox has called it an" embodied interpersonal violation hangover." Ale Duarte called it "an open loop." Lately, many people have been telling me their stories and then telling me how they are "lucky," that "it's not that bad" compared to other people's situations. All of those statements happen in the mind, and they are largely attempts to keep ourselves from feeling the depth of our pain or sorrow. We may have white privilege, we may have class privilege, we may have had homebirth privilege—the animals of our bodies don't actually understand mental and philosophical constructs like privilege. What those constructs contribute to on an individual healing level is a lot of confusion, shame and guilt, that in spite of everything we "have," we may have still experienced helplessness, hurt, anger, or outrage or collapse, or whatever it is that our system felt. We actually cannot control those responses.
Kimberly Ann Johnson
Althea leaned back in her chair and crossed her arms stubbornly. ‘I can’t help it. That’s what I want.’ When Amber said nothing, Althea asked, almost angrily, ‘Don’t try to tell me that that is what love is, giving it all up for someone else!’ ‘But for some people, it is,’ Amber pointed out inexorably. She bound another bead into the necklace, then held it up to look at it critically. ‘Others are like two horses in harness, pulling together towards a goal.’ ‘I suppose that wouldn’t be so bad,’ Althea conceded. Her knitted brows said she did not entirely believe it. ‘Why can’t people love one another and still remain free?’ she demanded suddenly. Amber paused to rub her eyes, then tug thoughtfully at her earring. ‘One can love that way,’ she conceded regretfully. ‘But the price on that kind of love may be the highest of all.’ She strung her words together as carefully as she strung her beads. ‘To love another person like that, you have to admit that his life is as important as yours. Harder still, you have to admit to yourself that perhaps he has needs you cannot fill, and that you have tasks that will take you far away from him. It costs loneliness and longing and doubt and –’ ‘Why must love cost anything? Why does need have to be mixed up with love? Why can’t people be like butterflies, coming together in bright sunshine and parting while the day is still bright?’ ‘Because they are people, not butterflies. To pretend that people can come together, love, and then part with no pain or consequences is more false a role than pretending to be a proper Trader’s daughter.
Robin Hobb (The Mad Ship (Liveship Traders, #2))
Gritting my teeth as if it requires actual physical strength, I push the memory of him dying in my arms down, deep down. It almost seems to fight me, to want to surge into the forefront of my mind, and I sigh. Long ago I came to the realization that painful memories are persistent. The agony of them stays with you much longer, sharper, and clearer than sweet memories, that soften and assume a hazy, rosy glow in your mind, almost as if they have been airbrushed. Remembrance of pain is different; there is no muting of colors, no blurring of edges. No, its colors remain stark and bold, a palette of vibrant primary reds, blues, and yellows; its edges stay defined and razor sharp. Years later it can still cut you as deeply, make you bleed as profusely, as the day it was formed. FROM AN UNTITLED WORK IN PROGRRESS
Lily Velden
The Old Man’s voice sinks to a minor. It puts on mourning, it drips unction. A sudden tremor passes over the black flock of masters. Their faces show self-control, solemnity. —“But especially we would remember those fallen sons of our foundation who hastened joyfully to the defence of their homeland and who have remained upon the field of honour. Twenty-one comrades are with us no more;—twenty-one warriors have met the glorious death of arms; twenty-one heroes have found rest from the clamour of battle under foreign soil and sleep the long sleep beneath the green grasses——” There is a sudden, booming laughter. The principal stops short in pained perplexity. The laughter comes from Willy, standing there, big and gaunt, like an immense wardrobe. His face is red as a turkey’s, he is so furious. “Green grasses! —Green grasses!” he stutters. “Long sleep? In the mud of shell holes they are lying, knocked rotten, ripped in pieces, gone down into the bog—Green grasses! This is not a singing lesson!” His arms are whirling like a windmill in a gale. “Hero’s death! And what sort of a thing do you suppose that was, I wonder? Would you like to know how young Hoyer died? All day long he lay out in the wire screaming, and his guts hanging out of his belly like macaroni. Then a bit of shell took off his fingers and a couple of hours later another chunk off his leg, and still he lived; and with his other hand he would keep trying to pack back his intestines, and when night fell at last he was done. And when it was dark we went out to get him and he was full of holes as a nutmeg grater. —Now you go and tell his mother how he died,—if you have so much courage.
Erich Maria Remarque (The Road Back)
What remained was sorrow, the immense sorrow, the sorrow of having survived. The sorrow of war. But for Hoa and countless other loved comrades, nameless ordinary soldiers, those who sacrificed for others and for their Vietnam, raising the name of Vietnam high and proud, creating a spiritual beauty in the horrors of conflict, the war would have been another brutal, sadistic exercise. Kien himself would have been dead long ago if it had not been for the sacrifice of others; he might even have killed himself to escape the psychological burden of killing others. He had not done that, choosing instead to live the life of an antlike soldier, carrying the burden of every underling. After 1975, all that had quieted. The wind of war had stopped. The branches of conflict had stopped rustling. As we had won, Kien thought, then that meant justice had won; that had been some consolation. Or had it? Think carefully; look at your own existence. Look carefully now at the peace we have, painful, bitter, and sad. And look at who won the war. To win, martyrs had sacrificed their lives in order that others might survive. Not a new phenomenon, true. But for those still living to know that the kindest, most worthy people have all fallen away, or even been tortured, humiliated before being killed, or buried and wiped away by the machinery of war, then this beautiful landscape of calm and peace is an appalling paradox. Justice may have won, but cruelty, death, and inhuman violence have also won. Just look and think: it is the truth. Losses can be made good, damage can be repaired, and wounds will heal in time. But the psychological scars of the war will remain forever.
Bảo Ninh (The Sorrow of War)
The dream is the (disguised) fulfillment of a (suppressed, repressed) wish. Now there still remain as a particular species of dreams with painful content, dreams of anxiety, the inclusion of which under dreams of wishing will find least acceptance with the uninitiated. But I can settle the problem of anxiety dreams in very short order; for what they may reveal is not a new aspect of the dream problem; it is a question in their case of understanding neurotic anxiety in general. Neurotic fear has its origin in the sexual life, and corresponds to a libido which has been turned away from its object and has not succeeded in being applied. From this formula, which has since proved its validity more and more clearly, we may deduce the conclusion that the content of anxiety dreams is of a sexual nature, the libido belonging to which content has been transformed into fear.
Sigmund Freud (Dream Psychology: Psychoanalysis for Beginners)
During the years of early adulthood the future still looks promising, the hope remains that one’s goals will be realized. But inevitably the bathroom mirror shows the first white hairs, and confirms the fact that those extra pounds are not about to leave; inevitably eyesight begins to fail and mysterious pains begin to shoot through the body. Like waiters in a restaurant starting to place breakfast settings on the surrounding tables while one is still having dinner, these intimations of mortality plainly communicate the message: Your time is up, it’s time to move on. When this happens, few people are ready. “Wait a minute, this can’t be happening to me. I haven’t even begun to live. Where’s all that money I was supposed to have made? Where are all the good times I was going to have?” A feeling of having been led on, of being cheated, is an understandable consequence of this realization.
Mihály Csíkszentmihályi (Flow: The Classic Work On How To Achieve Happiness: The Psychology of Happiness)
So Seals throws down his napkin and pushes back his chair and rises and demands to know who did it. Christ. We’re going to get to the bottom of this, he says. And then he began to point out possible culprits and to demand that they own up. It was you, wasnt it? Jesus. I tried to hiss him down. By now several large and unruly-looking chaps had gotten to their feet. The manager arrived just in the nick and we got Seals seated but he continued to mutter and they rose all over again. Do you know what I find particularly galling, he told them. It’s having to share the women with you lot. To listen to you fuckwits holding forth and to see some lissome young thing leaning forward breathlessly with that barely contained frisson with which we are all familiar the better to inhale without stint an absolute plaguebreath of bilge and bullshit as if it were the word of the prophets. It’s painful but still I suppose one has to extend a certain latitude to the little dears. They’ve so little time in which to parlay that pussy into something of substance. But it nettles. That you knucklewalkers should even be allowed to contemplate the sacred grotto as you drool and grunt and wank. Let alone actually reproduce. Well the hell with it. A pox upon you. You’re a pack of mudheaded bigots who loathe excellence on principle and though one might cordially wish you all in hell still you wont go. You and your nauseating get. Granted, if everyone I wished in hell were actually there they’d have to send to Newcastle for supplementary fuel. I’ve made ten thousand concessions to your ratfuck culture and you’ve yet to make the first to mine. It only remains for you to hold your cups to my gaping throat and toast one another’s health with my heart’s blood. Ah well, Squire, I tell you everything and you
Cormac McCarthy (The Passenger (The Passenger #1))
have never come across a coherent notion of bad or good, right or wrong, desirable or undesirable that did not depend upon some change in the experience of conscious creatures. It is not always easy to nail down what we mean by “good” and “bad”—and their definitions may remain perpetually open to revision—but such judgments seem to require, in every instance, that some difference register at the level of experience. Why would it be wrong to murder a billion human beings? Because so much pain and suffering would result. Why would it be wrong to painlessly kill every man, woman, and child in their sleep? Because of all the possibilities for future happiness that would be foreclosed. If you think such actions are wrong primarily because they would anger God or would lead to your punishment after death, you are still worried about perturbations of consciousness—albeit ones that stand a good chance of being wholly imaginary.
Sam Harris (Waking Up: A Guide to Spirituality Without Religion)
III. They seek for themselves private retiring places, as country villages, the sea-shore, mountains; yea thou thyself art wont to long much after such places. But all this thou must know proceeds from simplicity in the highest degree. At what time soever thou wilt, it is in thy power to retire into thyself, and to be at rest, and free from all businesses. A man cannot any whither retire better than to his own soul; he especially who is beforehand provided of such things within, which whensoever he doth withdraw himself to look in, may presently afford unto him perfect ease and tranquillity. By tranquillity I understand a decent orderly disposition and carriage, free from all confusion and tumultuousness. Afford then thyself this retiring continually, and thereby refresh and renew thyself. Let these precepts be brief and fundamental, which as soon as thou dost call them to mind, may suffice thee to purge thy soul throughly, and to send thee away well pleased with those things whatsoever they be, which now again after this short withdrawing of thy soul into herself thou dost return unto. For what is it that thou art offended at? Can it be at the wickedness of men, when thou dost call to mind this conclusion, that all reasonable creatures are made one for another? and that it is part of justice to bear with them? and that it is against their wills that they offend? and how many already, who once likewise prosecuted their enmities, suspected, hated, and fiercely contended, are now long ago stretched out, and reduced unto ashes? It is time for thee to make an end. As for those things which among the common chances of the world happen unto thee as thy particular lot and portion, canst thou be displeased with any of them, when thou dost call that our ordinary dilemma to mind, either a providence, or Democritus his atoms; and with it, whatsoever we brought to prove that the whole world is as it were one city? And as for thy body, what canst thou fear, if thou dost consider that thy mind and understanding, when once it hath recollected itself, and knows its own power, hath in this life and breath (whether it run smoothly and gently, or whether harshly and rudely), no interest at all, but is altogether indifferent: and whatsoever else thou hast heard and assented unto concerning either pain or pleasure? But the care of thine honour and reputation will perchance distract thee? How can that be, if thou dost look back, and consider both how quickly all things that are, are forgotten, and what an immense chaos of eternity was before, and will follow after all things: and the vanity of praise, and the inconstancy and variableness of human judgments and opinions, and the narrowness of the place, wherein it is limited and circumscribed? For the whole earth is but as one point; and of it, this inhabited part of it, is but a very little part; and of this part, how many in number, and what manner of men are they, that will commend thee? What remains then, but that thou often put in practice this kind of retiring of thyself, to this little part of thyself; and above all things, keep thyself from distraction, and intend not anything vehemently, but be free and consider all things, as a man whose proper object is Virtue, as a man whose true nature is to be kind and sociable, as a citizen, as a mortal creature. Among other things, which to consider, and look into thou must use to withdraw thyself, let those two be among the most obvious and at hand. One, that the things or objects themselves reach not unto the soul, but stand without still and quiet, and that it is from the opinion only which is within, that all the tumult and all the trouble doth proceed. The next, that all these things, which now thou seest, shall within a very little while be changed, and be no more: and ever call to mind, how many changes and alterations in the world thou thyself hast already been an eyewitness of in thy time. This world is mere change, and this life, opinion.
Marcus Aurelius (Meditations)
Hunt opened his mouth, his last bit of bravado before the shitshow began, but in the shadows behind Pollux, beyond the fireplace, something dark moved. Something darker than shadow. Not Ruhn’s shadows. The prince didn’t seem to be able to access those when constrained by the gorsian shackles. Only the prince’s mind-speaking abilities remained. This shadow was different—darker, older. Watching them. Watching Hunt. Hallucinations: Bad, because it meant he had some infection that even his immortal body couldn’t fight off. Good, because it meant he might quietly slip away into death’s embrace. Bad, because it meant the Asteri might turn their attention fully to Bryce. Good, because the pain would be gone. Bad, because he still held out some stupid, fool’s hope deep in his heart of seeing her again. Good, because Bryce wouldn’t come looking for him if he was dead. Across the room, the thing in the shadows moved. Just slightly. Like it had crooked a finger at him. Death. That was the thing in the shadows. And now it beckoned.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
To sit indoors was silly. I postponed the search for Savchenko and Ludmila till the next day and went wandering about Paris. The men wore bowlers, the women huge hats with feathers. On the café terraces lovers kissed unconcernedly - I stopped looking away. Students walked along the boulevard St. Michel. They walked in the middle of the street, holding up traffic, but no one dispersed them. At first I thought it was a demonstration - but no, they were simply enjoying themselves. Roasted chestnuts were being sold. Rain began to fall. The grass in the Luxembourg gardens was a tender green. In December! I was very hot in my lined coat. (I had left my boots and fur cap at the hotel.) There were bright posters everywhere. All the time I felt as though I were at the theatre. I have lived in Paris off and on for many years. Various events, snatches of conversation have become confused in my memory. But I remember well my first day there: the city electrified my. The most astonishing thing is that is has remained unchanged; Moscow is unrecognizable, but Paris is still as it was. When I come to Paris now, I feel inexpressibly sad - the city is the same, it is I who have changed. It is painful for me to walk along the familiar streets - they are the streets of my youth. Of course, the fiacres, the omnibuses, the steam-car disappeared long ago; you rarely see a café with red velvet or leather settees; only a few pissoirs are left - the rest have gone into hiding underground. But these, after all, are minor details. People still live out in the streets, lovers kiss wherever they please, no one takes any notice of anyone. The old houses haven't changed - what's another half a century to them; at their age it makes no difference. Say what you will, the world has changed, and so the Parisians, too, must be thinking of many things of which they had no inkling in the old days: the atom bomb, mass-production methods, Communism. But with their new thoughts they still remain Parisians, and I am sure that if an eighteen-year-old Soviet lad comes to Paris today he will raise his hands in astonishment, as I did in 1908: "A theatre!
Ilya Ehrenburg (Ilya Ehrenburg: Selections from People, Years, Life)
The man raised the violin under his chin, placed the bow across the strings, and closed his eyes. For a moment his lips moved, silently, as if in prayer. Then, with sure, steady movements, he began to play. The song was like nothing Abbey had heard anywhere else. The notes were clear, sweet and perfect, with a purity of tone that not one violin in ten thousand could produce. But the song was more than that. The song was pain, and loss, and sorrow, an anthem of unrelenting grief for which no words could be sufficient. In its strains Abbey heard the cry of the mother clutching her lifeless child; of the young woman whose husband never returned from war; of the father watching his son die of cancer; of the old man weeping at his wife's grave. It was the wordless cry of every man, woman and child who had ever shaken a fist at the uncaring universe, every stricken heart that had demanded an answer to the question, “Why?”, and was left unsatisfied. When the song finally, mercifully ended, not a dry eye remained in the darkened hall. The shades had moved in among the mortals, unseen by all but Abbey herself, and crowded close to the stage, heedless of all but the thing that called to them. Many of the mortals in the audience were sobbing openly. Those newcomers who still retained any sense of their surroundings were staring up at the man, their eyes wide with awe and a silent plea for understanding. The man gave it to them. “I am not the master of this instrument,” he said. “The lady is her own mistress. I am only the channel through which she speaks. What you have heard tonight — what you will continue to hear — is not a performance, but a séance. In my … unworthy hands … she will tell you her story: Sorrow, pain, loss, truth, and beauty. This is not the work of one man; it is the story of all men, of all people everywhere, throughout her long history. Which means, of course, that it is also your story, and mine.” He held up the violin once more. In the uncertain play of light and shadow, faces seemed to appear and vanish in the blood-red surface of the wood. “Her name is Threnody,” he said. “And she has come to make you free.
Chris Lester (Whispers in the Wood (Metamor City, #6))
How bad,' he asked, his voice hoarse. 'How bad was your injury,' Rhys said mildly, 'or how badly did we have our asses kicked?' Cassian blinked again. Slowly. As if whatever sedative he'd been given still held sway. 'To answer the second question,' Rhys went on, Mor and Azriel backing away a step or two as something sharpened in my mate's voice, 'we managed. Keir took heavy hits, but... we won. Barely. To answer the first...' Rhys bared his teeth. 'Don't you ever pull that kind of shit again.' The glaze wore off Cassian's eyes as he heard the challenge, the anger, and tried to sit up. He hissed, scowling down at the red, angry slice down his chest. 'Your guts were hanging out, you stupid prick,' Rhys snapped. 'Az held them in for you.' Indeed, the Shadowsinger's hands were caked in blood- Cassian's blood. And his face... cold with- anger. 'I'm a soldier,' Cassian said flatly. 'It's part of the job.' 'I gave you an order to wait,' Rhys growled. 'You ignored it.' I glanced to Mor, to Azriel- a silent question of whether we should remain. They were too busy watching Rhys and Cassian to notice. 'The line was breaking,' Cassian retorted. 'Your order was bullshit.' Rhys braced his hands on either side of Cassian's legs and snarled in his face, 'I am your High Lord. You don't get to disregard orders you don't like.' Cassian sat up this time, swearing at the pain lingering in his body. 'Don't you pull rank because you're pissed off-' 'You and your damned theatrics on the battlefield nearly got you killed.' And even as Rhys spat the words- that was panic, again, in his eyes. His voice. 'I'm not pissed. I'm furious.' 'So you're allowed to be mad about our choices to protect you- and we're not allowed to be furious with you for your self-sacrificing bullshit?' Rhys just stared at him. Cassian stared right back. 'You could have died,' was all Rhys said, his voice raw. 'So could you.' Another beat of silence- and in its wake, the anger shifted. Rhys said quietly, 'Even after Hybern... I can't stomach it.' Seeing him hurt. Any of us hurt. And the way Rhys spoke, the way Cassian leaned forward, wincing again, and gripped Rhys's shoulder.... I strode out of the tent. Left them to talk. Azriel and Mor followed behind me.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
—and I say you still haven't answered my question, Father Bleu." "Haven't I, dear lady? I thought I stated that death is merely the beginning of—" "No, no, no!" Her voice was as high as a harpy's. "Don't go all gooey and metaphysical. I mean to ask, what is death the act, the situation, the moment?" She watched him foxily. The priest in turn struggled to remain polite. "Madame, I'm not positive I follow." "Let me say it another way. Most people are afraid of dying, yes?" "I disagree. Not those who find mystical union with the body of Christ in—" "Oh, come off it!" Madame Kagle shrilled. "People are frightened of it, Father Bleu. Frightened and screaming their fear silently every hour of every day they live. Now I put it to you. Of what are they afraid? Are they afraid of the end of consciousness? The ultimate blackout, so to speak? Or are they afraid of another aspect of death? The one which they can't begin to foresee or understand?" "What aspect is that, Madame Kagle?" "The pain." She glared. "The pain, Father. Possibly sudden. Possibly horrible. Waiting, always waiting somewhere ahead, at an unguessable junction of time and place. Like that bootboy tonight. How it must have hurt. One blinding instant when his head hit, eh? I suggest, Father Bleu, that is what we're afraid of, that is the wholly unknowable part of dying—the screaming, hurting how, of which the when is only a lesser part. The how is the part we never know. Unless we experience it." She slurped champagne in the silence. She eyed him defiantly. "Well, Father? What have you got to say?" Discreetly Father Bleu coughed into his closed fist. "Theologically, Madame, I find the attempt to separate the mystical act of dying into neat little compartments rather a matter of hairsplitting. And furthermore—" "If that's how you feel," she interrupted, "you're just not thinking it out." "My good woman!" said Father Bleu gently. "Pay attention to me!" Madame Wanda Kagle glared furiously. "I say you pay attention! Because you have never stopped to think about it, have you? If death resembles going to sleep, why, that's an idea your mind can get hold of, isn't it? You may be afraid of it, yes. Afraid of the end of everything. But at least you can get hold of some notion of something of what it's like. Sleep. But can you get hold of anything of what it must feel like to experience the most agonizing of deaths? Your head popping open like that bootboy's tonight, say? A thousand worms of pain inside every part of you for a second long as eternity? Can you grasp that? No, you can't, Father Bleu. And that's what death is at it's worst—the unknown, the possibly harrowing pain ahead." She clamped her lips together smugly. She held out her champagne glass for a refill. A woman in furs clapped a hand over her fashionably green lips and rushed from the group. Though puzzled, Joy was still all eyes and ears. "Even your blessed St. Paul bears me out, Father." The priest glanced up, startled. "What?" "The first letter to the Corinthians, if I remember. The grave has a victory, all right. But it's death that has the sting." In the pause the furnace door behind her eyes opened wide, and hell shone out. "I know what I'm talking about, Father. I've been there." Slowly she closed her fingers, crushing the champagne glass in her hand. Weeping, blood drooling from her palm down her frail veined arms, she had to be carried out. The party broke up at once.
John Jakes (Orbit 3)
When she was gone, Belliard turned to his brother warriors. Tiny, nearly imperceptible tremors were shaking his body. He touched his cheek, still feeling the warmth, the very subtle yet incredibly strong power that had moved from her fingertips to him. He had so much death on his soul that all but the strongest women among the Fey had avoided touching him centuries ago, unable to bear the pain of his sorrow, the ruthlessly self-enforced emotionlessness, and the dark burden of the lives he’d taken to protect the Fey. Even the shei’dalins only touched him when they needed to heal wounds he gained in battle. Yet this child, this incredible child whose soul called a tairen’s, had reached out to touch him and sent a flood of healing warmth and love so strong that it burned straight through the block of black ice that encased what remained of his gentle Fey emotions. He looked at Kieran, Kiel, Rowan, and Adrial. They could not feel what he felt, but they could hear his thoughts, and as Fey warriors they would understand. «My heart weeps again,» he told them, nodding when their faces mirrored his astonishment. «She is more powerful than any of us suspected. »
C.L. Wilson (Lord of the Fading Lands (Tairen Soul, #1))
Why [...] must we still be human and long for further fate? [...] because to be here means so very much. Because this fleeting sphere appears to need us [...], us… the most fleeting of all. Once and once only for each thing – then no more. For us as well. Once. Then no more… ever. But to have been as one, though but the once, with this world, never can be undone. So we persevere, attempting to resolve it and contain it in our grasp [...] We cannot take our insight with us into the other realm, no matter how painfully gathered. Nor anything which happened. Not one thing; neither suffering nor the heaviness of our lot. Not the hard earned lore of love, nor that which is beyond speaking. What can these things matter, later, underneath the stars? Better these things remain unsaid. When the rambler returns from the mountain to the vale, he carries no esoteric clump of soil, but some hard won word, pure and simple: a blossom of gentian, yellow and blue. Could it not be that we are here to say: house, bridge, cistern, gate, pitcher, flowering tree, window-or at most: monolith… skyscraper? But to say them in a way they, themselves, never knew themselves to be? [...]
Rainer Maria Rilke (Duino Elegies)
Good morning, I’m Anne Ryan,” she said, producing the driver’s license. The receptionist stood up, nodding. She was wearing latex gloves. And before the woman formerly known as Myfanwy Thomas could say a word, the receptionist wound up and punched her in the face. She flew backward, the pain in her eyes flaring, and shrieked like a train whistle. Through the stars floating in her vision, she could see three men entering the room and shutting the doors behind them. They surrounded her, and one of the men leaned over her with a hypodermic needle in one hand. Filled with a sudden rage, she swung her leg up and kicked him hard between the legs. Squealing, he doubled over, and she lashed out with a fist, catching him hard on the chin. He staggered back onto one of the other men, and she swung herself up, teeth bared, panic rising as she realized that she had no idea how to fight. Still, certain things were obvious. She shoved the man she’d kicked hard, sending him and his friend against the wall. The remaining man and the woman stood back, seeming almost hesitant to touch her. She noticed that the men were also wearing latex gloves. The woman flicked a questioning look to the standing man.
Daniel O'Malley (The Rook (The Checquy Files, #1))
Craving Is Always Craving To avoid suffering we cultivate detachment. Being forewarned that attachment sooner or later entails sorrow, we want to become detached. Attachment is gratifying, but perceiving the pain in it, we want to be gratified in another manner, through detachment. Detachment is the same as attachment as long as it yields gratification. So what we are really seeking is gratification; we crave to be satisfied by whatever means. We are dependent or attached because it gives us pleasure, security, power, a sense of well-being, though in it there is sorrow and fear. We seek detachment also for pleasure, in order not to be hurt, not to be inwardly wounded. Our search is for pleasure, gratification. Without condemning or justifying we must try to understand this process, for unless we understand it there is no way out of our confusion and contradiction. Can craving ever be satisfied, or is it a bottomless pit? Whether we crave for the low or for the high, craving is always craving, a burning fire, and what can be consumed by it soon becomes ashes; but craving for gratification still remains, ever burning, ever consuming, and there is no end to it. Attachment and detachment are equally binding, and both must be transcended.
J. Krishnamurti (The Book of Life: Daily Meditations with Krishnamurti)
There is always a choice between truly healing and staying stuck in pain. When you truly heal, you are open to possibilities. You allow God to use you. Your focus remains on God and your relationship with him. You feel strong enough to achieve your goals. You are genuinely in a happier place. Healing enables you to attract like-minded people. You think and talk about doing better and being better. You are uplifting to others, and most important, you love yourself ten times more. You work on your shortcomings and expect improvement. You bring forth better opportunities and summon love to enter your life. Your spirit becomes more attractive, and your presence is welcomed. When you don’t truly heal, you stay stuck in pain. You become too guarded, and by that I mean that you are not approachable or open-minded to God’s way of bringing what is divine and right for you. You focus on the negative things that could happen and function out of fear. You make excuses about why good things cannot happen for you. You make assumptions about people and situations. When you are still angry inside, and pushing people away from you, you are not really healing. You are envious of other people’s happiness, and you expect disappointment instead of success.
Tatiana Jerome (Love Lost, Love Found: A Woman's Guide to Letting Go of the Past and Finding New Love)
The sorrow I feel has not disappeared, but it has been integrated into my life as a painful part of a healthy whole. Initially, my loss was so overwhelming to me that it was the dominant emotion—sometimes the only emotion—I had. I felt like I was staring at the stump of a huge tree that had just been cut down in my backyard. That stump, which sat all alone, kept reminding me of the beloved tree that I had lost. I could think of nothing but that tree. Every time I looked out the window, all I could see was that stump. Eventually, however, I decided to do something about it. I landscaped my backyard, reclaiming it once again as my own. I decided to keep the stump there, since it was both too big and too precious to remove. Instead of getting rid of it, I worked around it. I planted shrubs, trees, flowers, and grass. I laid out a brick pathway and built two benches. Then I watched everything grow. Now, three years later, the stump remains, still reminding me of the beloved tree I lost. But the stump is surrounded by a beautiful garden of blooming flowers and growing trees and lush grass. Likewise, the sorrow I feel remains, but I have tried to create a landscape around the loss so that what was once ugly is now an integral part of a larger, lovely whole.
Jerry Sittser (A Grace Disguised: How the Soul Grows through Loss)
Why does the mind habitually deny or resist the Now? Because it cannot function and remain in control without time, which is past and future, so it perceives the timeless Now as threatening. Time and mind are in fact inseparable. Imagine the Earth devoid of human life, inhabited only by plants and animals. Would it still have a past and a future? Could we still speak of time in any meaningful way? The question “What time is it?” or “What’s the date today?” — if anybody were there to ask it — would be quite meaningless. The oak tree or the eagle would be bemused by such a question. “What time?” they would ask. “Well, of course, it’s now. The time is now. What else is there?” Yes, we need the mind as well as time to function in this world, but there comes a point where they take over our lives, and this is where dysfunction, pain, and sorrow set in. The mind, to ensure that it remains in control, seeks continuously to cover up the present moment with past and future, and so, as the vitality and infinite creative potential of Being, which is inseparable from the Now, becomes covered up by time, your true nature becomes obscured by the mind. An increasingly heavy burden of time has been accumulating in the human mind. All individuals are suffering under this burden, but they also keep adding to it every moment whenever they ignore or deny that precious moment or reduce it to a means of getting to some future moment, which only exists in the mind, never in actuality. The accumulation of time in the collective and individual human mind also holds a vast amount of residual pain from the past. If you no longer want to create pain for yourself and others, if you no longer want to add to the residue of past pain that still lives on in you, then don’t create any more time, or at least no more than is necessary to deal with the practical aspects of your life. How to stop creating time? Realize deeply that the present moment is all you ever have. Make the Now the primary focus of your life. Whereas before you dwelt in time and paid brief visits to the Now, have your dwelling place in the Now and pay brief visits to past and future when required to deal with the practical aspects of your life situation. Always say “yes” to the present moment. What could be more futile, more insane, than to create inner resistance to something that already is? What could be more insane than to oppose life itself, which is now and always now? Surrender to what is. Say “yes” to life — and see how life suddenly starts working for you rather than against you.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
I well believe, dear Mother, that it is somewhat painful for you that I have travelled so far away from you and was not even able to bid you farewell. Indeed, do not think as though I had no filial love for you or else I would not have accepted this call or at least would have asked for your advice. I could not possibly refuse the call, otherwise I would have been disobedient to the heavenly Father who has sufficiently assured me of His will. Time did not permit me to bid you farewell in person. I had to hurry with my dear colleague to my congregation that was already underway. . . . My congregation, to which the wonderful God has led me, is indeed still small but consists mainly of such people who already have suffered much for Christ's sake and therefore have their Christianity not in the mouth but in the heart and demonstrate it in deed. For that reason I not only have love for these upright people with my heart and with joy want to live and die with them in America, but they also love me more than I am worthy and would share their heart with me if they could. . . . [I]f the wind remains good, we will arrive with God's help in 5 or 6 weeks to the place and location for which we rather earnestly yearn because it is said to be a good, fruitful, and blessed land.
Johann Martin Boltzius (The Letters of Johann Martin Boltzius, Lutheran Pastor in Ebenezer, Georgia: German Pietism in Colonial America, Book 1 and Book 2)
With a determination to achieve the highest aim For the benefit of all sentient beings, Which surpasses even the wish-fulfilling gem, May I hold them dear at all times. Whenever I interact with someone, May I view myself as the lowest amongst all, And, from the very depths of my heart, Respectfully hold others as superior. In all my deeds may I probe into my mind, And as soon as mental and emotional afflictions arise – As they endanger myself and others – May I strongly confront them and avert them. When I see beings of unpleasant character Oppressed by strong negativity and suffering, May I hold them dear – for they are rare to find – As if I have discovered a jewel treasure! When others, out of jealously Treat me wrongly with abuse, slander, and scorn, May I take upon myself the defeat And offer to others the victory. When someone whom I have helped, Or in whom I have placed great hopes, Mistreats me in extremely hurtful ways, May I regard him still as my precious teacher. In brief, may I offer benefit and joy To all my mothers, both directly and indirectly, May I quietly take upon myself All hurts and pains of my mothers. May all this remain undefiled By the stains of the eight mundane concerns; And may I, recognizing all things as illusion, Devoid of clinging, be released from bondage.
Dalai Lama XIV (The Dalai Lama’s Book of Transformation)
XVIII TO HIS LADY                Beloved beauty who inspires             love from afar, your face concealed             except when your celestial image             stirs my heart in sleep, or in the fields         5  where light and nature’s laughter             shine more lovely;             was it maybe you who blessed             the innocent age called golden,             and do you now, blithe spirit,       10  soar among men? Or does the miser, fate,             who hides you from us save you for the future?                No hope of seeing you alive             remains for me now,             except when, naked and alone,       15  my soul will go down a new street             to an unfamiliar home. Already, at the dawning             of my dark, uncertain day,             I imagined you a fellow traveler             on this parched ground. But no thing on earth       20  compares with you; and if someone             who had a face like yours resembled you             in word and deed, still she would be less lovely.                In spite of all the suffering             that fate assigned to human life,       25  if there was anyone on earth             who truly loved you as my thought portrays you,             this life for him would be a joy.             And I see clearly how your love             would still inspire me to seek praise and virtue,       30  the way I used to in my early years.             Though heaven gave no comfort for our suffering,             still mortal life with you would be             like what in heaven becomes divinity.                In the valleys, where you hear       35  the weary farmer singing             and I sit and mourn             my youth’s illusions leaving me;             and on the hills where I turn back             and lament my lost desires,       40  my life’s lost hope, I think of you             and start to shake. In this sad age             and sickly atmosphere, I try             to keep your noble look in mind;             without the real thing, I enjoy the image.       45     Whether you are the one and only             eternal idea that eternal wisdom             disdains to see arrayed in sensible form,             to know the pains of mournful life             in transitory dress;       50  or if in the supernal spheres another earth             from among unnumbered worlds receives you,             and a near star lovelier than the Sun             warms you and you breathe benigner ether,             from here, where years are both ill-starred and brief,       55  accept this hymn from your unnoticed lover.
Giacomo Leopardi (Canti: Poems / A Bilingual Edition (Italian Edition))
Wait… wait!” he shouted. “Just tell me what you want to know!” The brute seized Reid’s head in his large hands and gripped it tightly, forcing him still. The interrogator chose a tool—a thin-bladed scalpel. “Please don’t… please don’t…” Reid’s breath came in short gasps. He was nearly hyperventilating. “Shh,” said the interrogator calmly. “You will want to remain still. I would not want to cut off your ear. At least, not by accident.” Reid screamed as the blade sliced into the skin behind his ear, but the brute held him still. Every muscle in his limbs went taut. A strange sound reached his ears—a soft melody. The interrogator was singing a tune in Arabic as he cut into Reid’s head. He dropped the bloody scalpel into the tray as Reid hissed shallow breaths through his teeth. Then the interrogator reached for a pair of needle-nose pliers. “I’m afraid that was just the beginning,” he whispered in Reid’s ear. “This next part will actually hurt.” The pliers gripped something in Reid’s head—was it his bone?—and the interrogator tugged. Reid screamed in agony as white-hot pain shot through his brain, pulsing out into nerve endings. His arms trembled. His feet slapped against the floor. The pain crescendoed until Reid thought he couldn’t possibly take any more. Blood pounded in his ears, and his own screams sounded as if they were far away. Then the procedure lamp dimmed, and the edges of his vision darkened as he slipped into unconsciousness.
Jack Mars (Agent Zero (Agent Zero, #1))
In Praise of Darkness" Old age (the name that others give it) can be the time of our greatest bliss. The animal has died or almost died. The man and his spirit remain. I live among vague, luminous shapes that are not darkness yet. Buenos Aires, whose edges disintegrated into the endless plain, has gone back to being the Recoleta, the Retiro, the nondescript streets of the Once, and the rickety old houses we still call the South. In my life there were always too many things. Democritus of Abdera plucked out his eyes in order to think: Time has been my Democritus. This penumbra is slow and does not pain me; it flows down a gentle slope, resembling eternity. My friends have no faces, women are what they were so many years ago, these corners could be other corners, there are no letters on the pages of books. All this should frighten me, but it is a sweetness, a return. Of the generations of texts on earth I will have read only a few– the ones that I keep reading in my memory, reading and transforming. From South, East, West, and North the paths converge that have led me to my secret center. Those paths were echoes and footsteps, women, men, death-throes, resurrections, days and nights, dreams and half-wakeful dreams, every inmost moment of yesterday and all the yesterdays of the world, the Dane's staunch sword and the Persian's moon, the acts of the dead, shared love, and words, Emerson and snow, so many things. Now I can forget them. I reach my center, my algebra and my key, my mirror. Soon I will know who I am.
Jorge Luis Borges (In Praise of Darkness)
maternal love, the most successful object of the religious imagination of romantic art. For the most part real and human, it is yet entirely spiritual, without the interest and exigency of desire, not sensuous and yet present: absolutely satisfied and blissful spiritual depth. It is a love without craving, but it is not friendship; for be friendship never so rich in emotion, it yet demands a content, something essential, as a mutual end and aim. Whereas, without any reciprocity of aim and interests, maternal love has an immediate support in the natural bond of connection. But in this instance the mother’s love is not at all restricted to the natural side. In the child which she conceived and then bore in travail, Mary has the complete knowledge and feeling of herself; and the same child, blood of her blood, stands all the same high above her, and nevertheless this higher being belongs to her and is the object in which she forgets and maintains herself. The natural depth of feeling in the mother’s love is altogether spiritualized; it has the Divine as its proper content, but this spirituality remains lowly and unaware, marvellously penetrated by natural oneness and human feeling. It is the blissful maternal love, the love of the one mother alone who was the first recipient of this joy. Of course this love too is not without grief, but the grief is only the sorrow of loss, lamentation for her suffering, dying, and dead son, and does not, as we shall see at a later stage,[9] result from injustice and torment from without, or from the infinite battle against sins, or from the agony and pain brought about by the self. Such deep feeling is here spiritual beauty, the Ideal, human identification of man with God, with the spirit and with truth: a pure forgetfulness and complete self-surrender which still in this forgetfulness is from the beginning one with that into which it is merged and now with blissful satisfaction has a sense of this oneness. In such a beautiful way maternal love, the picture as it were of the Spirit, enters romantic art in place of the Spirit itself because only in the form of feeling is the Spirit made prehensible by art, and the feeling of the unity between the individual and God is present in the most original, real, and living way only in the Madonna’s maternal love. This love must enter art necessarily if, in the portrayal of this sphere, the Ideal, the affirmative satisfied reconciliation is not to be lacking. There was therefore a time when the maternal love of the blessed Virgin belonged in general to the highest and holiest [part of religion] and was worshipped and represented as this supreme fact. But when the Spirit brings itself into consciousness of itself in its own element, separated from the whole natural grounding which feeling supplies, then too it is only the spiritual mediation, free from such a grounding, that can be regarded as the free route to the truth; and so, after all, in Protestantism, in contrast to mariolatry in art and in faith, the Holy Spirit and the inner mediation of the Spirit has become the higher truth.
Georg Wilhelm Friedrich Hegel
Tub full, she stood back to regard the mound of ice. Already the heat of her home fought to melt it. A rap came again at the entrance, more like an impatient pounding, and she cursed. The clock showed her only a few minutes away from her torture. I need whoever it is to go away. She ran to the door and slid open the peek-a-boo slot. Familiar turquoise eyes peered back. “Little witch, little witch, let me come in,” he chanted in a gruff voice. A smile curled her lips. “Not by the wart on my chinny chin chin,” she replied. “And before you try huffing and puffing, Nefertiti herself spelled this door. So forget blowing it down.” “So open it then. I’ve got a lead I think on escapee number three.” A glance at the clock showed one minute left. “Um, I’m kind of in the middle of something. Can you come back in like half an hour?” “Why not just let me in and I’ll wait while you do your thing? I promise not to watch, unless you like an audience.” “I can’t. Please. Just go away. I promise I’ll let you in when you come back.” His eyes narrowed. “Open this door, Ysabel.” “No. Now go away. I’ll talk to you in half an hour.” She slammed the slot shut and only allowed herself a moment to lean against the door which shuddered as he hit it with a fist. She didn’t have time to deal with his frustration. The tickle in her toes started and she ran to the bathroom, dropping her robe as she moved. The fire erupted, and standing on the lava tile in her bathroom, she concentrated on breathing against the spiraling pain and flames. I mustn’t scream. Remy might still be there, listening. Why that mattered, she couldn’t have said, but it did help her focus for a short moment. But the punishment would not allow her respite. Flames licked up her frame, demolishing her thin underpants and she couldn’t help but scream as the agony tore through her body. Make it stop. Make it stop. Wishing, praying, pleading didn’t stop the torture. As the inferno consumed her, her ears roared with the snap of the fire and a glance in her mirror horrified her, for there she stood – a living pyre of fire. She closed her eyes against the brilliant heat, but that just seemed to amplify the pain. Her knees buckled, but she didn’t fall. Something clasped her and she moaned as she sensed more than saw Remy’s arms wrap around her waist. It had to be him. Who else was crazy enough to break down her door and interrupt? Forcing open her eyes, eyes that wanted to water but couldn’t as the heat dried up all moisture, she saw the flames, not picky about their choice her own nightmare, she knew enough to try and push him away with hands that glowed inferno bright. He wouldn’t budge, and he didn’t scream – just held her as the curse ran its course. Without being told, once the flames disappeared, he placed her in the ice bath, the shocking cold a welcome relief. Gasping from the pain, she couldn’t speak but remained aware of how he stroked her hair back from her face and how his arm rested around her shoulders, cradling her. “Oh, my poor little witch,” he murmured. “No wonder you’ve been hiding.” Teeth chattering as the cold penetrated her feverish limbs, she tried to reply. “Wh-what c-c-can I say? I’m h-h-hot.” -Remy & Ysabel
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
Come over early tomorrow morning,” Marlboro Man asked over the phone one night. “We’re gathering cattle, and I want you to meet my mom and dad.” “Oh, okay,” I agreed, wondering to myself why we couldn’t just remain in our own isolated, romantic world. And the truth was, I wasn’t ready to meet his parents yet. I still hadn’t successfully divorced myself from California J’s dear, dear folks. They’d been so wonderful to me during my years of dating their son and had become the California version of my parents, my home away from home. I hated that our relationship couldn’t continue despite, oh, the minor detail of my breaking up with their son. And already? Another set of parents? I wasn’t ready. “What time do you want me there?” I asked. I’d do anything for Marlboro Man. “Can you be here around five?” he asked. “In the evening…right?” I responded, hopeful. He chuckled. Oh, no. This was going to turn out badly for me. “Um…no,” he said. “That would be five A.M.” I sighed. To arrive at his ranch at 5:00 A.M. would mean my rising by 4:00 A.M.--before 4:00 A.M. if I wanted to shower and make myself presentable. This meant it would still be dark outside, which was completely offensive and unacceptable. There’s no way. I’d have to tell him no. “Okay--no problem!” I responded. I clutched my stomach in pain. Chuckling again, he teased, “I can come pick you up if you need me to. Then you can sleep all the way back to the ranch.” “Are you kidding?” I replied. “I’m usually up by four anyway. That’s when I usually do my running, as you well know.” “Uh…huh,” he said. “Gotcha.” Another chuckle. Lifeblood to my soul.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I want to make love with you right here, Lorens.” Various thoughts flashed through his mind: they were on a public footpath, someone might come by, some other person crazy enough to visit this place in the middle of winter. But anyone crazy enough to do so would also be able to understand that certain forces, once set in motion, cannot be interrupted. He slipped his hands under her sweater and stroked her breasts. Brida surrendered herself entirely. The forces of the world were penetrating her five senses and these were becoming transformed into an overwhelming energy. They lay down on the ground among the rock, the precipice, and the sea, between the life of the seagulls flying up above and the death of the stones beneath. And they began, fearlessly, to make love, because God protects the innocent. They no longer felt the cold. Their blood was flowing so fast in their veins that she tore off some of her clothes and so did he. There was no more pain; knees and back were pressed into the stony ground, but that became part of their pleasure, completing it. Brida knew that she was close to orgasm, but it was still a very remote feeling, because she was entirely connected to the world: her body and Lorens’s body mingled with the sea and the stones, with life and death. She remained in that state for as long as possible, while some part of her was vaguely conscious that she was doing things she had never done before. What she was feeling, though, was the bringing together once more of herself and the meaning of life; it was a return to the garden of Eden; it was the moment when Eve was reabsorbed into Adam’s body and the two halves became Creation.
Paulo Coelho (Brida)
Beauty Void lay the world, in nothingness concealed, Without a trace of light or life revealed, Save one existence which second knew- Unknown the pleasant words of We and You. Then Beauty shone, from stranger glances free, Seen of herself, with naught beside to see, With garments pure of stain, the fairest flower Of virgin loveliness in bridal bower. No combing hand had smoothed a flowing tress, No mirror shown her eyes their loveliness No surma dust those cloudless orbs had known, To the bright rose her cheek no bulbul flown. No heightening hand had decked the rose with green, No patch or spot upon that cheek was seen. No zephyr from her brow had fliched a hair, No eye in thought had seen the splendour there. Her witching snares in solitude she laid, And love's sweet game without a partner played. But when bright Beauty reigns and knows her power She springs indignant from her curtained bower. She scorns seclusion and eludes the guard, And from the window looks if doors be barred. See how the tulip on the mountain grown Soon as the breath of genial Spring has blown, Bursts from the rock, impatient to display Her nascent beauty to the eye of day. When sudden to thy soul reflection brings The precious meaning of mysterious things, Thou canst not drive the thought from out thy brain; Speak, hear thou must, for silence is such pain. So beauty ne'er will quit the urgent claim Whose motive first from heavenly beauty came When from her blessed bower she fondly strayed, And to the world and man her charms displayed. In every mirror then her face was shown, Her praise in every place was heard and known. Touched by her light, the hearts of angels burned, And, like the circling spheres, their heads were turned, While saintly bands, whom purest at the sight of her, And those who bathe them in the ocean sky Cries out enraptured, "Laud to God on high!" Rays of her splendour lit the rose's breast And stirred the bulbul's heart with sweet unrest. From her bright glow its cheek the flambeau fired, And myriad moths around the flame expired. Her glory lent the very sun the ray Which wakes the lotus on the flood to-day. Her loveliness made Laila's face look fair To Majnún, fettered by her every hair. She opened Shírín's sugared lips, and stole From Parvíz' breast and brave Farhád's the soul. Through her his head the Moon of Canaan raised, And fond Zulaikha perished as she gazed. Yes, though she shrinks from earthly lovers' call, Eternal Beauty is the queen of all; In every curtained bower the screen she holds, About each captured heart her bonds enfolds. Through her sweet love the heart its life retains, The soul through love of her its object gains. The heart which maidens' gentle witcheries stir Is, though unconscious, fired with love of her. Refrain from idle speech; mistake no more: She brings her chains and we, her slaves, adore. Fair and approved of Love, thou still must own That gift of beauty comes from her alone. Thou art concealed: she meets all lifted eyes; Thou art the mirror which she beautifies. She is that mirror, if we closely view The truth- the treasure and the treasury too. But thou and I- our serious work is naught; We waste our days unmoved by earnest thought. Cease, or my task will never end, for her Sweet beauties lack a meet interpreter. Then let us still the slaves of love remain For without love we live in vain, in vain. Jámí, "Yúsuf and Zulaikha". trans. Ralph T. H. Griffith. Ballantyne Press 1882. London. p.19-22
Nūr ad-Dīn 'Abd ar-Rahmān Jāmī
The seventh day, and no wind—the burning sun Blister’d and scorch’d, and, stagnant on the sea, They lay like carcasses; and hope was none, Save in the breeze that came not; savagely They glared upon each other—all was done, Water, and wine, and food,—and you might see The longings of the cannibal arise (Although they spoke not) in their wolfish eyes. At length one whisper’d his companion, who Whisper’d another, and thus it went round, And then into a hoarser murmur grew, An ominous, and wild, and desperate sound; And when his comrade’s thought each sufferer knew, ’Twas but his own, suppress’d till now, he found: And out they spoke of lots for flesh and blood, And who should die to be his fellow’s food. But ere they came to this, they that day shared Some leathern caps, and what remain’d of shoes; And then they look’d around them and despair’d, And none to be the sacrifice would choose; At length the lots were torn up, and prepared, But of materials that much shock the Muse— Having no paper, for the want of better, They took by force from Juan Julia’s letter. The lots were made, and mark’d, and mix’d, and handed, In silent horror, and their distribution Lull’d even the savage hunger which demanded, Like the Promethean vulture, this pollution; None in particular had sought or plann’d it, ’Twas nature gnaw’d them to this resolution, By which none were permitted to be neuter— And the lot fell on Juan’s luckless tutor. He but requested to be bled to death: The surgeon had his instruments, and bled Pedrillo, and so gently ebb’d his breath, You hardly could perceive when he was dead. He died as born, a Catholic in faith, Like most in the belief in which they’re bred, And first a little crucifix he kiss’d, And then held out his jugular and wrist. The surgeon, as there was no other fee, Had his first choice of morsels for his pains; But being thirstiest at the moment, he Preferr’d a draught from the fast-flowing veins: Part was divided, part thrown in the sea, And such things as the entrails and the brains Regaled two sharks, who follow’d o’er the billow The sailors ate the rest of poor Pedrillo. The sailors ate him, all save three or four, Who were not quite so fond of animal food; To these was added Juan, who, before Refusing his own spaniel, hardly could Feel now his appetite increased much more; ’Twas not to be expected that he should, Even in extremity of their disaster, Dine with them on his pastor and his master. ’Twas better that he did not; for, in fact, The consequence was awful in the extreme; For they, who were most ravenous in the act, Went raging mad—Lord! how they did blaspheme! And foam and roll, with strange convulsions rack’d, Drinking salt water like a mountain-stream, Tearing, and grinning, howling, screeching, swearing, And, with hyaena-laughter, died despairing. Their numbers were much thinn’d by this infliction, And all the rest were thin enough, Heaven knows; And some of them had lost their recollection, Happier than they who still perceived their woes; But others ponder’d on a new dissection, As if not warn’d sufficiently by those Who had already perish’d, suffering madly, For having used their appetites so sadly. And if Pedrillo’s fate should shocking be, Remember Ugolino condescends To eat the head of his arch-enemy The moment after he politely ends His tale: if foes be food in hell, at sea ’Tis surely fair to dine upon our friends, When shipwreck’s short allowance grows too scanty, Without being much more horrible than Dante.
Lord Byron (Don Juan)
They won’t do it, Ian,” Jordan Townsende said the night after Ian was released on his own recognizance. Pacing back and forth across Ian’s drawing room, he said again, “They will not do it.” “They’ll do it,” Ian said dispassionately. The words were devoid of concern; not even his eyes showed interest. Days ago Ian had passed the point of caring about the investigation. Elizabeth was gone; there had been no ransom note, nothing whatever-no reason in the world to continue believing that she’d been taken against her will. Since Ian knew damned well he hadn’t killed her or had her abducted, the only remaining conclusion was that Elizabeth had left him for someone else. The authorities were still vacillating about the other man she’d allegedly met in the arbor because the gardener’s eyesight had been proven to be extremely poor, and even he admitted that it “might have been tree limbs moving around her in the dim light, instead of a man’s arms.” Ian, however, did not doubt it. The existence of a lover was the only thing that made sense; he had even suspected it the night before she disappeared. She hadn’t wanted him in her bed; if anything but a lover had been worrying her that night, she’d have sought the protection of his arms, even if she didn’t confide in him. But he had been the last thing she’d wanted. No, he hadn’t actually suspected it-that would have been more pain than he could have endured then. Now, however, he not only suspected it, he knew it, and the pain was beyond anything he’d ever imagined existed. “I tell you they won’t bring you to trial,” Jordan repeated. “Do you honestly think they will?” he demanded, looking first to Duncan and then to the Duke of Stanhope, who were seated in the drawing room. In answer, both men raised dazed, pain-filled eyes to Jordan’s, shook their heads in an effort to seem decisive, then looked back down at their hands. Under English law Ian was entitled to a trial before his peers; since he was a British lord, that meant he could only be tried in the House of Lords, and Jordan was clinging to that as if it were Ian’s lifeline. “You aren’t the first man among us to have a spoiled wife turn missish on him and vanish for a while in hopes of bringing him to heel,” Jordan continued, desperately trying to make it seem as if Elizabeth were merely sulking somewhere-no doubt unaware that her husband’s reputation had been demolished and that his very life was going to be in jeopardy. “They aren’t going to convene the whole damn House of Lords just to try a beleaguered husband whose wife has taken a start,” he continued fiercely. “Hell, half the lords in the House can’t control their wives. Why should you be any different?” Alexandra looked up at him, her eyes filled with misery and disbelief. Like Ian, she knew Elizabeth wasn’t indulging in a fit of the sullens. Unlike Ian, however, she could not and would not believe her friend had taken a lover and run away. Ian’s butler appeared in the doorway, a sealed message in his hand, which he handed to Jordan. “Who knows?” Jordan tried to joke as he opened it. “Maybe this is from Elizabeth-a note asking me to intercede with you before she dares present herself to you.” His smile faded abruptly. “What is it?” Alex cried, seeing his haggard expression. Jordan crumpled the summons in his hand and turned to Ian with angry regret. “They’re convening the House of Lords.” “It’s good to know,” Ian said with cold indifference as he pushed out of his chair and started for his study, “that I’ll have one friend and one relative there.
Judith McNaught (Almost Heaven (Sequels, #3))
What we have so often preached at home about the essence of the enemy coalition has now been confirmed: it is a devilish pact between democratic capitalism and Jewish Bolshevism. All nations whose statesmen have signed this pact will sooner or later become the victims of the demonic spirits they have summoned. Let there be no doubt that National Socialist Germany will wage this fight for as long as it takes for this historic turn of events to come about here, too, and this will happen still this year. No power on earth will make us weak at heart. They have destroyed so many of our beautiful, magnificent, and sacred things that there remains only one mission in our lives: to create a state that will rebuild what they have destroyed. Therefore, it is our duty to preserve the freedom of the German nation for the future and not allow German manpower to be abducted to Siberia, but to deploy it for the rebuilding and dedicate it to the service of our own Volk. They have taught us so many horrible things that there is no more horror for us. What the homeland must endure is dreadful, what the front must accomplish is superhuman. Yet when, in the face of such pain, a whole nation proves itself as reliable as the German Volk, then Providence cannot and will not deny its right to live in the end. As always in history, it will reward its steadfastness with the prize of earthly existence. Since so many of our possessions have been destroyed, this can only reinforce us in our fanatical determination to see our enemies a thousand times over as what they truly are: destroyers of an eternal civilization and annihilators of mankind! And out of this hatred will grow a sacred will: to oppose these annihilators of our existence with all the strength God has given us and defeat them in the end. Adolf Hitler - proclamation to the German Folk Fuhrer Headquarters, February 24, 1945
Adolf Hitler
Her hands slipped down to his chest, the firm surface covered with a light fleece of coarse golden hair. With his body still joined to hers, St. Vincent held still beneath her inquisitive fingers. She touched his lean sides, exploring the hard vaulting of his ribs and the satiny plane of his back. His blue eyes widened, and then he dropped his head to the pillow beside hers, growling as his body worked inside hers with a deep thrust, as he was helplessly shaken with new tremors of rapture. His mouth fastened on hers with a primal greed. She opened her legs wider, pulled at his back to urge more of his weight on her, trying in spite of the pain to tug him deeper, harder. Braced on his elbows to keep from crushing her, he rested his head on her chest, his breath hot and light as it fanned over her nipple. The bristle of his cheek stung her skin a little, the sensation causing the tips of her breasts to contract. His sex was still buried inside her, though it had softened. He was silent but awake, his eyelashes a silky tickle against her skin. Evie remained quiet as well, her arms encircling his head, her fingers playing in his beautiful hair. She felt the weight of his head shift, the wet heat of his mouth seeking her nipple. His lips fastened over it, and his tongue slowly traced the outer edge of the gathered aureole, around and around until he felt her stirring restlessly beneath him. Keeping the tender bud inside his mouth, he licked steadily, sweetly, while desire ignited her breasts and her stomach and loins, and the soreness dissolved in a fresh wave of need. Intently he moved to the other breast, nibbling, stroking, seeming to feed on her pleasure. He levered upward enough to allow his hand to slide between them, and his cunning fingers slid into the wet nest of hair, finding the tingling feminine crest and teasing skillfully. She felt herself sliding into another climax, her body clamping voluptuously on the hot flesh that was insinuated deep inside her.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
It wasn't only my friends who suffered from female rivalry. I remember when I was just sixteen years old, during spring vacation, being whisked off to an early lunch by my best friend's brother, only to discover, to my astonishment and hurt, that she was expecting some college boys to drop by and didn't want me there to compete with her. When I started college at Sarah Lawrence, I soon noticed that while some of my classmates were indeed true friends, others seemed to resent that I had a boyfriend. It didn't help that Sarah Lawrence, a former girls' school, included very few straight men among its student body--an early lesson in how competing for items in short supply often brings out the worst in women. In graduate school, the stakes got higher, and the competition got stiffer, a trend that continued when I went on to vie for a limited number of academic jobs. I always had friends and colleagues with whom I could have trusted my life--but I also found women who seemed to view not only me but all other female academics as their rivals. This sense of rivalry became more painful when I divorced my first husband. Many of my friends I depended on for comfort and support suddenly began to view me as a threat. Some took me out to lunch to get the dirt, then dropped me soon after. I think they found it disturbing that I left my unhappy marriage while they were still committed to theirs. For other women, the threat seemed more immediate--twice I was told in no uncertain terms that I had better stay away from someone's husband, despite my protests that I would no more go after a friend's husband than I would stay friends with a woman who went after mine. Thankfully, I also had some true friends who remained loyal and supportive during one of the most difficult times of my life. To this day I trust them implicitly, with the kind of faith you reserve for people who have proved themselves under fire. But I've also never forgotten the shock and disappointment of discovering how quickly those other friendships turned to rivalries.
Susan Shapiro Barash (Tripping the Prom Queen: The Truth About Women and Rivalry)
If we want to sum up the value of the priestly existence in the shortest slogan, we could at once put it like this: the priest is the person who alters the direction of ressentiment. For every suffering person instinctively seeks a cause for his suffering, or, more precisely, an agent, or, even more precisely, a guilty agent sensitive to suffering — in short, he seeks some living person on whom he can, on some pretext or other, unload his feelings, either in fact or in effigy: for the discharge of feelings is the most important way a suffering man seeks relief — that is, some anaesthetic — it’s his involuntarily desired narcotic against any kind of torment. In my view, only here can we find the true physiological cause of ressentiment, revenge, and things related to them, in a longing for some anaesthetic against pain through one’s emotions. People usually look for this cause, most incorrectly, in my opinion, in the defensive striking back, a merely reactive protective measure, a “reflex movement” in the event of some sudden damage and threat, of the sort a decapitated frog still makes in order to get rid of corrosive acid. But the difference is fundamental: in one case, people want to prevent suffering further damage; in the other case, people want to deaden a tormenting, secret pain which is becoming unendurable by means of a more violent emotion of some kind and, for the moment at least, to drive it from their consciousness — for that they need some emotion, as unruly an emotion as possible, and, in order to stimulate that, they need the best pretext available. “Someone or other must be guilty of the fact that I am ill” — this sort of conclusion is characteristic of all sick people, all the more so if the real cause of their sense that they are sick, the physiological cause, remains hidden (—it can lie, for example, in an illness of the nervus sympathicus [sympathetic nerve], or in an excessive secretion of gall, or in a lack of potassium sulphate and phosphate in the blood, or in some pressure in the lower abdomen, which blocks the circulation, or in a degeneration of the ovaries, and so on).
Friedrich Nietzsche (On the Genealogy of Morals)
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.
Carl Safina (Beyond Words: What Animals Think and Feel)
I’m sorry, I should have realized you’d be hungry. If you let me give you intravenous fluids, it would help.” The moment she put the glass down, she retreated to her computer desk. He ignored her comment. Why do you not feed? The question was asked casually, curiously. His black eyes were thoughtful as he studied her. From her position of safety across the room, Shea watched him. The weight of his gaze alone broke her concentration, took her breath away. She was feeling far too possessive of this patient. She had no right to tangle her life around his. It was frightening that she was reacting so uncharacteristically to him. She had always felt aloof, remote, detached from people and things around her. Her analytical mind simply computed facts. But right now, she could think only of him, his pain and suffering, the way his eyes watched her, half-closed, sexy. Shea nearly jumped out of her skin. Where had that thought come from? Knowing she wouldn’t want to think he was reading her mind at that precise moment, Jacques did the gentlemanly thing and pretended merely a casual interest. It was nice to know she found him sexy. Smugly he lay back with his eyes closed, long lashes dark against his washed-out complexion. Despite the fact that his eyes were closed, Shea felt as though he witnessed every move she made. “You rest while I shower and change my clothes.” Her hands went to her hair in a futile effort to tidy the wild thickness of it. His eyes remained closed, his breathing relaxed. I can feel your hunger, your need for blood nearly as great as my own. Why would you attempt to hide this from me? With sudden insight he let out his breath. Or is it that you are hiding from your own needs? That is it--you do not realize it is your hunger, your need. The gentleness in his flooded her body with unexpected heat. Furious that he could be right, she stalked into the bathroom, shrugged off her robe, and allowed the warm shower to cascade over her head. His laughter was low and taunting. You think to escape me, little red hair? I live in you as you live in me. Shea gasped, whirled around, grabbed frantically for a towel. It took a moment to realize he was still in the other room.
Christine Feehan (Dark Desire (Dark, #2))
When you lived in the human world, you had legends of the dread beasts and faeries who would slaughter you if they ever breached the wall, didn’t you? Things that slithered through open windows to drink the blood of children? Things that were so wicked, so cruel there was no hope against their evil?” The hair on her neck rose. “Yes.” Those stories had always unnerved and petrified her. “They were based on truth. Based on ancient, near-primordial beings who existed here before the High Fae split into courts, before the High Lords. Some call them the First Gods. They were beings with almost no physical form, but a keen, vicious intelligence. Humans and Fae alike were their prey. Most were hunted and driven into hiding or imprisonment ages ago. But some remained, lurking in forgotten corners of the land.” He swallowed another mouthful. “When I was nearing three hundred years old, one of them appeared again, crawling out of the roots of a mountain. Before he went into the Prison and confinement weakened him, Lanthys could turn into wind and rip the air from your lungs, or turn into rain and drown you on dry land; he could peel your skin from your body with a few movements. He never revealed his true form, but when I faced him, he chose to appear as swirling mist. He fathered a race of faeries that still plague us, who thrived under Amarantha’s reign—the Bogge. But the Bogge are lesser, mere shadows compared to Lanthys. If there is such a thing as evil incarnate, it is him. He has no mercy, no sense of right or wrong. There is him, and there is everyone else, and we are all his prey. His methods of killing are creative and slow. He feasts on fear and pain as much as the flesh itself.” Her blood chilled. “How did you trap such a thing?” Cassian tapped a spot on his neck where a scar slashed beneath his ear. “I quickly learned I could never beat him in combat or magic. Still have the scar here to prove it.” Cassian smiled faintly. “So I used his arrogance against him. Flattered and taunted him into trapping himself in a mirror bound with ash wood. I bet him the mirror would contain him—and Lanthys bet wrong. He got out of the mirror, of course, but by that time, I’d dumped his miserable self into the Prison.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
We don't die willingly. The more invested we are in the worlds projected by patterns, the stronger the denial, anger, and bargaining, and the despair of depression. Insight practice is inherently frustrating because you are looking to see where, at first, you are unable to see--beyond the world of the patterns. Another way to look at insight practice is to see that the process has three stages: shock, disorganization, and reorganization. The first stage starts when you see beyond illusion. You experience a shock. You react by denying that you saw what you saw, saying, in effect, "That makes no sense. I'll just forget about that." Unfortunately, or fortunately, your experience of seeing is not so easily denied. It is too vivid, too real, to ignore. Now you become angry because the illusion in which you have lived has been shattered. You know you can't go back, but you don't want to go forward. You are still attached to the world of patterns. You feel anxious, and the anxiety gradually matures into grief. You now know that you have to go forward. You experience the pain of separating from what you understood, just as the lama in the example experienced pain at the loss of his worldview. You then enter a period of disorganization. You withdraw, become apathetic, lose your energy for life, become restless, and routinely reject new possibilities or directions. You surrender to the changes taking place but do nothing to move forward. A major risk at this stage is that you remain in a state of disorganization. You hold on to an aspect of the old world. parents who have lost a child in an accident or to violence, for example, have great difficulty in letting go. They may keep the child's bedroom just as it was. Their views and expectations of life have been shattered, and, understandably, they cling to a few of the shards. They may stay in the stage of disorganization for a long time. The third stage of insight is reorganization. You experience a shift, and you let the old world go, even the shards. You accept the world that you see with your new eyes. What was previously seen as being absolute and real is now seen differently. The old structures, beliefs, and behaviors no longer hold, and you enter a new life.
Ken McLeod (Wake Up To Your Life: Discovering the Buddhist Path of Attention – Essential Methods for Equanimity, Compassion, and Joy)
The thought is immediately accompanied by a dull ache below her shoulder. It is a phantom pain, she knows, a psychosomatic ache, but still she feels the hurt. After all, it has been many years since the blow that made her arm swell and ache for days. On the other hand, who knows? Perhaps the body has its own memory system, like the invisible meridian lines those Chinese acupuncturists always talk about. Perhaps the body is unforgiving, perhaps every cell, every muscle and fragment of bone remembers each and every assault and attack. Maybe the pain of memory is encoded into our bone marrow and each remembered grievance swims in our bloodstream like a hard, black pebble. After all, the body, like God, moves in mysterious ways. From the time she was in her teens, Sera has been fascinated by this paradox—how a body that we occupy, that we have worn like a coat from the moment of our birth—from before birth, even—is still a stranger to us. After all, almost everything we do in our lives is for the well-being of the body: we bathe daily, polish our teeth, groom our hair and fingernails; we work miserable jobs in order to feed and clothe it; we go to great lengths to protect it from pain and violence and harm. And yet the body remains a mystery, a book that we have never read. Sera plays with this irony, toys with it as if it were a puzzle: How, despite our lifelong preoccupation with our bodies, we have never met face-to-face with our kidneys, how we wouldn’t recognize our own liver in a row of livers, how we have never seen our own heart or brain. We know more about the depths of the ocean, are more acquainted with the far corners of outer space than with our own organs and muscles and bones. So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long-ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties. But if this is true, surely the body also remembers each kindness, each kiss, each act of compassion? Surely this is our salvation, our only hope—that joy and love are also woven into the fabric of the body, into each sinewy muscle, into the core of each pulsating cell?
Thrity Umrigar (The Space Between Us)
Zubaydah was transferred in 2006 to the Guantánamo Bay detention camp. The videotapes of his interrogations, along with recordings of the torture of other detainees, were ordered destroyed by the head of the CIA’s clandestine service, Jose Rodriguez, despite standing orders from the White House Counsel’s Office to preserve them. According to his attorney, Zubaydah, who remains in Guantánamo today, has “permanent brain damage,” has suffered hundreds of seizures, and “cannot picture his mother’s face or recall his father’s name.” Some might read this and say to themselves, “Who gives a damn what happened to a terrorist after what they did on September 11?” But it’s not about them. It never was. What makes us exceptional? Our wealth? Our natural resources? Our military power? Our big, bountiful country? No, our founding ideals and our fidelity to them at home and in our conduct in the world make us exceptional. They are the source of our wealth and power. Living under the rule of law. Facing threats with confidence that our values make us stronger than our enemies. Acting as an example to other nations of how free people defend their liberty without sacrificing the moral conviction upon which it is based, respect for the dignity possessed by all God’s children, even our enemies. This is what made us the great nation we are. My fellow POWs and I could work up very intense hatred for the people who tortured us. We cussed them, made up degrading names for them, swore we would get back at them someday. That kind of resistance, angry and pugnacious, can only carry you so far when your enemy holds most of the cards and hasn’t any scruples about beating the resistance out of you however long it takes. Eventually, you won’t cuss them. You won’t refuse to bow. You won’t swear revenge. Still, they can’t make you surrender what they really want from you, your assent to their supremacy. No, you don’t have to give them that, not in your heart. And your last resistance, the one that sticks, the one that makes the victim superior to the torturer, is the belief that were the positions reversed you wouldn’t treat them as they have treated you. The ultimate victim of torture is the torturer, the one who inflicts pain and suffering at the cost of their humanity.
John McCain (The Restless Wave: Good Times, Just Causes, Great Fights, and Other Appreciations)
Wormtail was speaking. His voice shook; he seemed frightened beyond his wits. He raised his wand, closed his eyes, and spoke to the night. “Bone of the father, unknowingly given, you will renew your son!” The surface of the grave at Harry’s feet cracked. Horrified, Harry watched as a fine trickle of dust rose into the air at Wormtail’s command and fell softly into the cauldron. The diamond surface of the water broke and hissed; it sent sparks in all directions and turned a vivid, poisonous-looking blue. And now Wormtail was whimpering. He pulled a long, thin, shining silver dagger from inside his cloak. His voice broke into petrified sobs. “Flesh — of the servant — w-willingly given — you will — revive — your master.” He stretched his right hand out in front of him — the hand with the missing finger. He gripped the dagger very tightly in his left hand and swung it upward. Harry realized what Wormtail was about to do a second before it happened — he closed his eyes as tightly as he could, but he could not block the scream that pierced the night, that went through Harry as though he had been stabbed with the dagger too. He heard something fall to the ground, heard Wormtail’s anguished panting, then a sickening splash, as something was dropped into the cauldron. Harry couldn’t stand to look . . . but the potion had turned a burning red; the light of it shone through Harry’s closed eyelids. . . . Wormtail was gasping and moaning with agony. Not until Harry felt Wormtail’s anguished breath on his face did he realize that Wormtail was right in front of him. “B-blood of the enemy . . . forcibly taken . . . you will . . . resurrect your foe.” Harry could do nothing to prevent it, he was tied too tightly. . . . Squinting down, struggling hopelessly at the ropes binding him, he saw the shining silver dagger shaking in Wormtail’s remaining hand. He felt its point penetrate the crook of his right arm and blood seeping down the sleeve of his torn robes. Wormtail, still panting with pain, fumbled in his pocket for a glass vial and held it to Harry’s cut, so that a dribble of blood fell into it. He staggered back to the cauldron with Harry’s blood. He poured it inside. The liquid within turned, instantly, a blinding white. Wormtail, his job done, dropped to his knees beside the cauldron, then slumped sideways and lay on the ground, cradling the bleeding stump of his arm, gasping and sobbing.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I cast my gangly body into the shadow of the stable and watched them, curious to see my uncle with a triumphant smile on his mouth. He called for Jedha, the Master-at-Arms, and they spoke in low, swift voices before turning in to the house. I stayed in the shadows and trailed them through the hall into the mahogany library, the wooden doors left slightly ajar. I can’t remember what they said to one another—how my uncle had gotten the Providence Card away from the highwaymen—only that they were consumed with excitement. I waited for them to leave, my uncle fool enough not to lock the Card away, and I stole into the heart of the room. Writ on the top of the Card were two words: The Nightmare. My mouth opened, my childish eyes round. I knew enough of The Old Book of Alders to know this particular Providence Card was one of only two of its kind, its magic formidable, fearsome. Use it, and one had the power to speak into the minds of others. Use it too long, and the Card would reveal one’s darkest fears. But it wasn’t the Card’s reputation that ensnared me—it was the monster. I stood over the desk, unable to tear my eyes away from the ghastly creature depicted on the Card’s face. Its fur was coarse, traveling across its limbs and down its hunched spine to the top of its bristled tail. Its fingers were eerily long, hairless and gray, tipped by great, vicious claws. Its face was neither man nor beast, but something in between. I leaned closer to the Card, drawn by the creature’s snarl, its teeth jagged beneath a curled lip. Its eyes captured me. Yellow, bright as a torch, slit by long, catlike pupils. The creature stared up at me, unmoving, unblinking, and though it was made of ink and paper, I could not shake the feeling it was watching me as intently as I was watching it. Trying to grasp what happened next was like mending a shattered mirror. Even if I could realign the pieces, cracks in my memory still remained. All I’m certain of was the feel of the burgundy velvet—the unbelievable softness along the ridges of the Nightmare Card as my finger slipped across it. I remember the smell of salt and the white-hot pain that followed. I must have fallen or fainted, because it was dark outside when I awoke on the library floor. The hair on the back of my neck bristled, and when I sat up, I was somehow aware I was no longer alone in the library. That’s when I first heard it, the sound of those long, vicious claws tapping together. Click. Click. Click. I jumped to my feet, searching the library for an intruder. But I was alone. It wasn’t until it happened again—click, click, click—that I realized the library was empty. The intruder was in my mind.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
The temple was in a field of graves suddenly a pitiful-looking skeleton appeared and said: A melancholy autumn wind Blows through the world; the pampas grass waves As we drift to the moor, Drift to the sea. What can be done With the mind of a man That should be clear But though he is dressed up in a monk's robe, Just lets life pass him by? Such deep musings Made me uneasy, I could not sleep. Towards dawn I dozed off... I found myself surrounded by a group of skeletons, acting as they had when they were still alive. One skeleton came over to me and said: Memories Flee and Are no more. All are empty dreams Devoid of meaning. Violate the reality of things And babble about 'God' and 'the Buddha' And you will never find the true Way. Still breathing, You feel animated, So a corpse in a field Seems to be something Apart from you. If chunks of rock Can serve as a memento To the dead A better headstone Would be a simple tea-mortar. Humans are indeed frightful things. A single moon Bright and clear In an unclouded sky; Yet we still stumble In the world's darkness. This world Is but A fleeting dream So why be alarmed At its evanescence? The vagaries of life, Though painful, Teach us Not to cling To this floating world. Why do people Lavish decoration On this set of bones, Destined to disappear Without a trace? The original body Must return to Its original place. Do not search For what cannot be found. No one really knows The nature of birth Nor the true dwelling place. We return to the source And turn to dust. Many paths lead from The foot of the mountain, But at the peak We all gaze at the Single bright moon. If at the end of our journey There is no final Resting place, Then we need not fear Losing our Way. No beginning. No end. Our mind Is born and dies; The emptiness of emptiness! Relax, And the mind Runs wild; Control the world And you can cast it aside. Rain, hail, snow, and ice: All are different But when they fall They become to same water As the valley stream. The ways of proclaiming The Mind all vary, But the same heavenly truth Can be seen In each and every one. Cover your path With fallen pine needles So no one will be able To locate your True dwelling place. How vain, The endless funderals at the Cremation grounds of Mount Toribe! Don't the mourner realize That they will be next? 'Life is fleeeting!' We think at the sight Of smoke drifting from Mount Toribe, But when will we realize That we are in the same boat? All is in vain! This morning, A healthy friend; This evening, A wisp of cremation smoke. What a pity! Evening smoke from Mount Toribe Blown violently To and fro By the wind. When burned We become ashes, and earth when buried. Is it only our sins That remain behind? All the sins Committed In the Three Worlds Will fade away Together with me.
Ikkyu
We are not your enemies, Feyre,' Lucien pleaded. 'Things got bad, Ianthe got out of hand, but it doesn't mean you give up-' 'You gave up,' I breathed. I felt even Rhys go still. 'You gave up on me,' I said a bit more loudly. 'You were my friend. And you picked him- picked obeying him, even when you saw what his orders and his rules did to me. Even when you saw me wasting away day by day.' 'You have no idea how volatile those first few months were,' Lucien snapped. 'We needed to present a unified, obedient front, and I was supposed to be the example to which all others in our court were held.' 'You saw what was happening to me. But you were too afraid of him to truly do anything about it.' It was fear. Lucien had pushed Tamlin, but to a point. He'd always yielded at the end. 'I begged you,' I said, the words sharp and breathless. 'I begged you so many times to help me, to get me out of the house, even for an hour. And you left me alone, or shoved me into a room with Ianthe, or told me to stick it out.' Lucien said too quietly, 'And I suppose the Night Court is so much better?' I remembered- remembered what I was supposed to know, to have experienced. What Lucien and the others could never know, not even if it meant forfeiting my own life. And I would. To keep Velaris safe, to keep Mor and Amren and Cassian and Azriel and... Rhys safe. I said to Lucien, low and quiet and as vicious as the talons that formed at the tips of my fingers, as vicious as the wondrous weight between my shoulder blades, 'When you spend so long trapped in darkness, Lucien, you find that the darkness begins to stare back.' A pulse of surprise, of wicked delight against my mental shields, at the dark membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolt of cold through me. Sensitive- so sensitive, those Illyrian wings. Lucien backed up a step. 'What did you do to yourself?' I gave him a little smile. 'The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord's pet.' Lucien started shaking his head. 'Feyre-' 'Tell Tamlin,' I said, choking on his name, on the thought of what he'd done to Rhys, to his family, 'if he sends anyone else into these lands, I will hunt each and every one of you down. And I will demonstrate exactly what the darkness taught me. There was something like genuine pain on his face. I didn't care. I just watched him, unyielding and cold and dark. The creature I might one day have become if I had stayed at the Spring Court, if I had remained broken for decades, for centuries... until I learned to quietly direct those shards of pain outward, learned to savour the pain of others. Lucien nodded to his sentinels. Bron and Hart, wide-eyed and shaking, vanished with the other two. Lucien lingered for a moment, nothing but air and rain between us. He said softly to Rhysand, 'You're dead. You, and your entire cursed court.' Then he was gone.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The philosophers who in their treatises of ethics assigned supreme value to justice and applied the yardstick of justice to ali social institutions were not guilty of such deceit. They did not support selfish group concerns by declaring them alone just, fair, and good, and smear ali dissenters by depicting them as the apologists of unfair causes. They were Platonists who believed that a perennial idea of absolute justice exists and that it is the duty of man to organize ali human institutions in conformity with this ideal. Cognition of justice is imparted to man by an inner voice, i.e., by intuition. The champions of this doctrine did not ask what the consequences of realizing the schemes they called just would be. They silently assumed either that these consequences will be beneficiai or that mankind is bound to put up even with very painful consequences of justice. Still less did these teachers of morality pay attention to the fact that people can and really do disagree with regard to the interpretation of the inner voice and that no method of peacefully settling such disagreements can be found. Ali these ethical doctrines have failed to comprehend that there is, outside of social bonds and preceding, temporally or logically, the existence of society, nothing to which the epithet "just" can be given. A hypothetical isolated individual must under the pressure of biological competition look upon ali other people as deadly foes. His only concern is to preserve his own life and health; he does not need to heed the consequences which his own survival has for other men; he has no use for justice. His only solicitudes are hygiene and defense. But in social cooperation with other men the individual is forced to abstain from conduct incompatible with life in society. Only then does the distinction between what is just and what is unjust emerge. It invariably refers to interhuman social relations. What is beneficiai to the individual without affecting his fellows, such as the observance of certain rules in the use of some drugs, remains hygiene. The ultimate yardstick of justice is conduciveness to the preservation of social cooperation. Conduct suited to preserve social cooperation is just, conduct detrimental to the preservation of society is unjust. There cannot be any question of organizing society according to the postulates of an arbitrary preconceived idea of justice. The problem is to organize society for the best possible realization of those ends which men want to attain by social cooperation. Social utility is the only standard of justice. It is the sole guide of legislation. Thus there are no irreconcilable conflicts between selfíshness and altruism, between economics and ethics, between the concerns of the individual and those of society. Utilitarian philosophy and its finest product, economics, reduced these apparent antagonisms to the opposition of shortrun and longrun interests. Society could not have come into existence or been preserved without a harmony of the rightly understood interests of ali its members.
Ludwig von Mises (Theory and History: An Interpretation of Social and Economic Evolution)
Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him. And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed. The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer. The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples. It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core. Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout. His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…
S.R. Crawford (Bloodstained Betrayal)
When We Want God to Breathe New Life into Our Marriage Do not remember the former things, nor consider the things of old. Behold, I will do a new thing, now it shall spring forth; shall you not know it? I will even make a road in the wilderness and rivers in the desert. ISAIAH 43:18-19 WE ALL HAVE TIMES when we know we need new life in our marriage. We feel the strain, the tension, the sameness, or possibly even the subtle decay in it. When there is so much water under the bridge over what seems like a river of hurt, apathy, or preoccupation, we know we cannot survive the slowly and steadily rising flood without the Lord doing a new thing in both of us. The good news is that God says He will do that. He is the God of new beginnings, after all. But it won’t happen if we don’t make a choice to let go of the past. We have been made new if we have received Jesus. “If anyone is in Christ, he is a new creation; old things have passed away; behold, all things have become new” (2 Corinthians 5:17). But in a marriage, it is way too easy to hang on to the old disappointments, misunderstandings, disagreements, and abuses. It becomes a wilderness of hurtful memories we cling to because we don’t want to be hurt, disappointed, misunderstood, disregarded, fought with, or abused again. Hanging on to old patterns of thought and negative memories keeps them fresh in your mind. And you don’t let your husband forget them, either. You remain mired in them because you don’t feel the situation has been resolved—and it still hurts. Only God can give you and your husband a new beginning from all that has gone on in the past. Only He can make a road in the wilderness of miscommunication and misread intentions, and make a cleansing and restoring river to flow in the dry areas of your relationship. Everyone needs new life in their marriage at certain times. And only the God of renewal can accomplish that. My Prayer to God LORD, I ask that You would do a fresh work of Your Spirit in our marriage. Make all things new in each of us individually and also together. Dissolve the pain of the past where it is still rising up in us to stifle our communication and ultimately our hope and joy. Wherever we have felt trapped in a wilderness of our own making, carve a way out of it for us and show us the path to follow. If there are rigid and dry areas between us that don’t allow for new growth, give us a fresh flow of Your Spirit to bring new vitality into our relationship. Help us to stop rehearsing old hurtful conversations that have no place in any life committed to the God of new beginnings. Sweep away all the old rubble of selfishness, stubbornness, blindness, and the inability to see beyond the moment or a particular situation. Only You can take away our painful memories so that we don’t keep reliving the same problems, hurts, or injustices. Only You can resurrect love, excitement, and hope where they have died. Help us to forgive fully and allow each other to completely forget. Help us to focus on Your greatness in us, instead of each other’s faults. Holy Spirit, breathe new life into each of us and into our marriage today.
Stormie Omartian (The Power of a Praying Wife Devotional)
You are so stupid.” Astonishment broke through his pain. Could I still undo what I had done? “I lied!' I spat my whisper at him. “I knew you read my journal. I knew you read my dreams. I wrote there what I thought would hurt you most! I lied to hurt you. For letting him be dead while you lived. For being loved by him more than he loved me!” I took a breath. “He loved you more than he ever loved any of the rest of us!” “What?” His mouth hung open after that word, his eyes wide. He made a stupid face of astonishment. As if he hadn’t always known he was loved the best. That he was Beloved. “Stupid again! Asking stupid questions. Go with him. Go now. It’s you he wants, not me. Go!” When had my voice risen to a shout? I did not know, I did not care. Let it be a spectacle, let all the camp be roused and folk stare at me. For that was what was happening. Dutiful had come to his feet, a sword in hand, looking around for an enemy. They were all half-awake, roused by my shouts. Hap was staring with his mouth hanging open. Nettle’s hands clutched her face in horror at the truth I had shouted. And my father lifted a hand. His face was so ravaged, it was like looking at death itself. Except for the smooth, silvered part of it. By creeping degrees, his human hand lifted. He turned it over, showing a bloody palm. His cracked lips moved. Beloved. He could not say the word, but I knew it. So did his Fool. He rose, the blanket that had draped his shoulders falling to the earth. He pulled the glove from his hand and let it fall. He walked uncertainly, like a puppet with his strings pulled by an apprentice puppeteer. He reached my father. So tenderly, he set his hand into my father’s. Then he leaned down until he lay upon the wolf, his face turned to my father’s face. He put his arm across my father’s bony back. He drew him close and set his silver fingers to the wolf. For a moment all was still. Then I saw Beloved’s fingers stir the soft fur of the wolf’s back. The firelit bodies of my father and Beloved softened and merged. I felt something I could not describe. Like the whoosh of air when a door opens, and then closes again, but it was in the Skill-current, and so strong that I saw Nettle flinch at it, too. Briefer than an instant, I saw light striate out from them. A nexus, a node on the path of fate. Then it was finished. Something finally complete, as it should have been. Their colors dimmed and the wolf’s eyes gleamed. It was slow and it was sudden, that they were gone and only the wolf remained. The snarl faded. The wolf’s ears pricked and swiveled. His broad head turned slowly. He lifted his muzzle and snuffed the night air. Such eyes he had! They were a darkness full of the brilliance of life. For one brief instant, light caught in them and glowed green. We were all motionless, as if a huge predator faced us. Then, like a wet dog, the wolf shook himself and tiny fragments of stone flew in all directions, as if he had rolled in them. His slow look roved over us, pausing at each in turn. His gaze lingered on me the last. His eyes were both hard and amused. Those we’re astonishing lies, cub. And the very last one the most inspired of all. You have your father’s talent for it. He have one final shake of his coat. I go to the hunt!
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
On the contrary the depth and profound feeling of the spirit presupposes that the soul has worked its way through its feelings and powers and the whole of its inner life, i.e. that it has overcome much, suffered grief, endured anguish and pain of soul, and yet in this disunion has preserved its integrity and withdrawn out of it into itself. In the myth of Hercules the Greeks have presented us with a hero who after many labours was placed amongst the gods and enjoyed blissful peace there. But what Hercules achieved was only something outside him, the bliss given him as a reward was only peaceful repose. The ancient prophecy that he would put an end to the reign of Zeus, he did not fulfill, supreme hero of the Greeks though he was. The end of that rule only began when man conquered not dragons outside him or Lernaean hydras, but the dragons and hydras of his own heart, the inner obstinacy and inflexibility of his own self. Only in this way does natural serenity become that higher serenity of the spirit which completely traverses the negative moment of disunion and by this labour has won infinite satisfaction. The, feeling of cheerfulness and happiness must be transfigured and purified into bliss. For good fortune and happiness still involve an accidental and natural correspondence between the individual and his external circumstances; but in bliss the good fortune still attendant on a man’s existence as he is in nature falls away and the whole thing is transferred into the inner life of the spirit. Bliss is an acquired satisfaction and justified only on that account; it is a serenity in victory, the soul’s feeling when it has expunged from itself everything sensuous and finite and therefore has cast aside the care that always lies in wait for us. The soul is blissful when, after experiencing conflict and agony, it has triumphed over its sufferings. (α) If we now ask what can be strictly ideal in this subject-matter, the answer is: the reconciliation of the individual heart with God who in his appearance as man has traversed this way of sorrows. The substance of spiritual depth of feeling is religion alone, the peace of the individual who has a sense of himself but who finds true satisfaction only when, self-collected, his mundane heart is broken so that he is raised above his mere natural existence and its finitude, and in this elevation has won a universal depth of feeling, a spiritual depth and oneness in and with God. The soul wills itself, but it wills itself in something other than what it is in its individuality and therefore it gives itself up in face of God in order to find and enjoy itself in him. This is characteristic of love, spiritual depth in its truth, that religious love without desire which gives to the human spirit reconciliation, peace, and bliss. It is not the pleasure and joy of actual love as we know it in ordinary life, but a love without passion, indeed without physical inclination but with only an inclination of soul. Looked at physically, this is a love which is death, a death to the world, so that there hovers there as something past the actual relationship of one person to another; as a real mundane bond and connection this relationship has not come essentially to its perfection; for, on the contrary, it bears in itself the deficiency of time and the finite, and therefore it leads on to that elevation into a beyond which remains a consciousness and enjoyment of love devoid of longing and desire.
Georg Wilhelm Friedrich Hegel
To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
George Eliot (Middlemarch)
By thinking that other people are inferior to oneself. By feeling that one has some innate superiority it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney - for there is no end to the pathetic devices of the human imagination over other people. Hence the enormous importance to a patriarch who has to conquer, who has to rule, of feeling that great numbers of people, half the human race indeed, are by nature inferior to himself. It must indeed be one of the chief sources of his power. But let me turn the light of this observation on to real life, I thought. Does it help to explain some of those psychological puzzles that one notes in the margin of daily life? Does it explain my astonishment the other day when Z, most humane, most modest of men, taking up some book by Rebecca West and reading a passage in it, exclaimed, 'The arrant feminist! She says that men are snobs!' The exclamation, to me so surprising for why was Miss West an arrant feminist for making a possibly true if uncomplimentary statement about the other sex? - was not merely the cry of wounded vanity; it was a protest against some infringement of his power to believe in himself. Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size. Without that power probably the earth would still be swamp and jungle. The glories of all our wars would be unknown. We should still be scratching the outlines of deer on the remains of mutton bones and bartering flints for sheep skins or whatever simple ornament took our unsophisticated taste. Supermen and Fingers of Destiny would never have existed. The Tsar and the Kaiser would never have worn crowns or lost them. Whatever may be their use in civilized societies, mirrors are essential to all violent and heroic action. That is why Napoleon and Mussolini both insist so emphatically upon the inferiority of women, for if they were not inferior, they would cease to enlarge. That serves to explain in part the necessity that women so often are to men. And it serves to explain how restless they are under her criticism; how impossible it is for her to say to them this book is bad, this picture is feeble, or whatever it may be, without giving far more pain and musing far more anger than a man would do who gave the same criticism. For if she begins to tell the truth, the figure in the looking-glass shrinks; his fitness for life is diminished. How is he to go on giving judgement, civilizing natives, making laws, writing books, dressing up and speechifying at banquets, unless he can see himself at breakfast and at dinner at least twice the size he really is? So I reflected, crumbling my bread and stirring my coffee and now and again looking at the people in the street. The looking-glass vision is of supreme importance because it charges the vitality; it stimulates the nervous system. Take it away and man may die, like the drug fiend deprived of his cocaine. Under the spell of that illusion, I thought, looking out of the window, half the people on the pavement are striding to work. They put on their hats and coats in the morning under its agreeable rays. They start the day confident, braced, believing themselves desired at Miss Smith's tea party; they say to themselves as they go into the room, I am the superior of half the people here, and it is thus that they speak with that self-confidence, that self-assurance, which have had such profound consequences in public life and lead to such curious notes in the margin of the private mind.
Virginia Woolf (A Room of One’s Own)
You are my friend, Prairie Flower. If I tell you what is in my heart, will you promise never to tell?" Prairie Flower laid a hand on Jesse's shoulder, pulling it away quickly when her friend flinched in pain. "I will not betray my friend." Taking a deep breath, Jesse lifted her head. "When Rides the Wing comes near to me, my heart sings.But I do not believe that he cares for me.I am clumsy in all of the things a Lakota woman must know.I cannot speak his language without many childish mistakes. And..." Jesse reached up to lay her hand on her short hair, "I am nothing to look at.I am not..." Prairie Flower grew angry. "I have told you he cares for you.Can you not see it?" Jesse shook her head. Prairie Flower spoke the unspeakable. "Then,if you cannot see that he cares for you in what he does,you must see it in what he has not done. You have been in his tepee. Dancing Waters has been gone many moons." "Stop!" Jesse demanded. "Stop it! I..just don't say any more!" She leaped up and ran out of the tepee-and into Rides the Wind, who was returning from the river where he had gone to draw water. Jesse knocked the water skins from both of his hands. Water spilled out and she fumbled an apology then bent stiffly to pick up the skins, wincing with the effort. "I will do it, Walks the Fire." His voice was tender as he bent and took the skins from her. Jesse protested, "It is the wife's job." She blushed, realizing that she had used a wrong word-the word for wife, instead of the word for woman. Rides the Wind interrupted before she could correct herself. "Walks the Fire is not the wife of Rides the Wind." Jesse blushed and remained quiet. A hand reached for hers and Rides the Wind said, "Come, sit." He helped her sit down just outside the door of the tepee. The village women took note as he went inside and brought out a buffalo robe. Sitting by Jesse,he placed the robe on the ground and began to talk. "I will tell you how it is with the Lakota. When a man wishes to take a wife..." he described Lakota courtship. As he talked, Jesse realiced that all that Prairie Flower had said seemed to be true.He had,indeed, done nearly everything involved in the courtship ritual. Still, she told herself, there is a perfectly good explanation for everything he has done. Rides the Wind continued describing the wedding feast. Jesse continued to reason with herself as he spoke. Then she realized the voice had stopped and he had repeated a question. "How is it among the whites?How does a man gain a wife?" Embarrassed,Jesse described the sparsest of courtships, the simplest wedding.Rides the Wind listened attentively. When she had finished, he said, "There is one thing the Lakota brave who wishes a wife does that I have not described." Pulling Jesse to her feet, he continued, "One evening, as he walks with his woman..." He reached out to pick up the buffalo robe.He was aware that the village women were watching carefully. "He spreads out his arms..." Rides the Wind spread his arms,opening the buffalo robe to its full length, "and wraps it about his woman," Rides the Wind turned toward Jesse and reached around her, "so that they are both inside the buffalo robe." He looked down at Jesse, trying to read her expression.When he saw nothing in the gray eyes, he abruptly dropped his arms. "But it is hot today and your wounds have not healed.I have said enough.You see how it is with the Lakota." When Jesse still said nothing, he continued, "You spoke of a celebration with a min-is-ter.It is a word I do not know.What is this min-is-ter?" "A man who belives in the Bible and teaches his people about God from the Bible." "What if there is no minister and a man and a woman wish to be married?" Jesse grew more uncomfortable. "I suppose they would wait until a minister came.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before. He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met. I was entirely lost to the deepest and most carnal desire I'd ever felt. His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed. With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me. Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer. He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth. We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that. I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again. He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.” “We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal. I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave. “Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow. “No.” He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.” I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.” What happens at the bottom of the pool, stays at the bottom of the pool. “Come on then, Blue.” He held out his hand. I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.” (DARCY)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
What I have been doing lately from my WIP "In Hiding" is available on my website. *Strong language warning* Wayne sat in the hygienic emergency room trying to ignore the bitch of a headache that began radiating at the back of his skull. His worn jeans, a blood-stained t-shirt, and his makeshift bandage sat on a nearby chair. The hysteria created by his appearance in the small hospital ward had died down. A local cop greeted him as soon as he was escorted to the examination room. The conversation was brief, once he revealed he was a bail enforcer the topic changed from investigation to shooting the bull. The experienced officer shook his hand before leaving then joked he hoped this would be their only encounter. The ER doc was a woman about his age. Already the years of long hours, rotating shifts and the rarity of a personal life showed on her face. Her eyelids were pink-rimmed, her complexion sallow; all were earmarks of the effect of long-term exhaustion. Wayne knew it all too well as he rubbed his knuckle against his own grainy eyes. Despite this, she attended to him with an upbeat demeanor and even slid in some ribbing at his expense. He was defenseless, once the adrenaline dropped off Wayne felt drained. He accepted her volleys without a response. All he mustered was a smile and occasional nod as she stitched him up. Across the room, his cell toned, after the brief display of the number a woman’s image filled the screen. Under his breath, he mumbled, “Shit.” He intends for his exclamation to remain ignored, having caught it the doctor glanced his direction with a smile. Without invitation, she retrieved his phone handing it to him without comment. Wayne noted the raised eyebrow she failed to hide. The phone toned again as he glanced at the flat image on the device. The woman’s likeness was smiling brightly, her blue eyes dancing. Just looking at her eased the pain in his head. He swiped the screen and connected the call as the doctor finished taping his injury. Using his free uninjured arm, he held the phone away from him slightly, utilizing the speaker option. “Hey Baby.” “What the hell, Wayne!” Her voice filled the small area, in his peripheral vision he saw the doc smirk. Turning his head, he addressed the caller. “Babe, I was getting ready to call.” The excuse sounded lame, even to him. “Why the hell do I have to hear about this secondhand?” Wayne placed the phone to his chest, loudly he exclaimed; “F***!” The ER doc touched his arm, “I will give you privacy.” Wayne gave her a grateful nod. With a snatch, she grabbed the corner of the thin curtain suspended from the ceiling and pulled it close. Alone again, he refocused on the call. The woman on the other end had continued in her tirade without him. When he rejoined the call mid-rant, she was issuing him a heartfelt ass-chewing. “...bullshit Wayne that I have to hear about this from my cousin. We’ve talked about this!” “Honey...” She interrupts him before he can explain himself. “So what the hell happened?” Wisely he waited for silence to indicate it was his turn to speak. “Lou, Honey first I am sorry. You know I never meant to upset you. I am alright; it is just a flesh wound.” As he speaks, a sharp pain radiates across his side. Gritting his teeth, Wayne vows to continue without having the radiating pain affect his voice. “I didn’t want you to worry Honey; you know calling Cooper first is just business.” Silence. The woman miles away grits her teeth as she angrily brushes away her tears. Seated at the simple dining table, she takes a napkin from the center and dabs at her eyes. Mentally she reminds herself of her promise that she was done crying over this man. She takes an unsteady breath as she returns her attention to the call. “Lou, you still there?” There is something in his voice, the tender desperation he allows only her to see. Furrowing her brow she closes her eyes, an errant tear coursed down her cheek.
Caroline Walken
Kevin awoke, not with the slow realization that came from regaining consciousness, nor with the startled gasp of a man having a nightmare, nor even the groan that was stereotypical of anime characters when they wake up—no, when Kevin woke up, it was to the feeling of a hand being shoved down his throat. His eyes snapped wide open. However, he still couldn’t see anything. His eyes perceived nothing beyond the amalgam of blurred colors, mixing and matching and morphing and changing, a sickening compendium that his mind couldn’t comprehend. Images flashed past his vision. A walk on the beach. Red hair. A swell. A raging torrent, an infinite tide of water rising into the sky, cresting against the heavens. He tried to cough, to hack, to something, but it was no use. The hand remained shoved firmly down his throat. And then it was gone. Kevin gagged, and then coughed out what must have been several gallons of water. Each cough wracked his body with pain. Each breath caused his ribs to creak. Even the slightest movement hurt. Something appeared in front of him. It was a blurry green object. What… the… heck? “I’m glad to see that you’re awake,” the shape said. Kevin blinked. “Tell me, how many fingers am I holding up?” “Fingers…” Was what he meant to say. “Fssshrrsss…” Was what he said. “Hmm, it seems your eyesight is a bit unfocused. Here, let me fix that for you.” Kevin would have asked what this object—person? — meant, but he never got the chance—because something smacked him in the head. Hard. “Ouch!” Kevin covered his face with his hands. Gods that hurt! What the hell was he just hit with? A mallet? “What the heck was that for, you crazy coot?!” “Ho? Can you see me now? How many fingers am I holding up?” Kevin was about to answer, but words fled when he realized who—no, what stood before him. Scaly green skin covered a small, squat body, clothed in a plain brown robe. This… thing stood with a stoop. It had a hunch of some kind, and Kevin was certain that the robe was covering something big attached to its back. A really long neck protruded from the robes, which was attached to a reptilian and very bald head. It was holding up three fingers. Mainly because it only had three fingers. “Holy crap, it’s a Ninja Turtle!” The “Ninja Turtle” twitched. “I am not a Ninja Turtle!” It shouted. “Don’t confuse those sea turtle rejects with me!” “Holy crap, it talks!” More twitching. “Of course I talk, you idiot!
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
Tell me—or anyone else—something thatis personal to you, Coach had said. Seiji couldn’t talk to just anyone, but Nicholas had said they were friends. “I was… Jesse’s mirror,” said Seiji slowly. “I reflected his—glow, his glories and his victories. I used to think it was an honor. We were similar, I told myself, in all the ways that really mattered.” Jesse was left-handed like Nicholas, so facing him sometimes felt like looking into a mirror. Like seeing yourself through the glass, a better, golden self in a different world. A self who fenced just as well but didn’t have to work as hard for it. A Seiji who did everything in life with the same skill as he fenced. “You’re not a mirror,” said Nicholas. “You’re real.” “It’s a metaphor, Nicholas.” Nicholas shrugged. “You’re still not a mirror. Mirrors break. You never do.” Seiji thought of his moment of defeat against Jesse. The moment that Aiden had seen, and taunted Seiji with, making Seiji lose again. Seiji had trained his whole life to be strong, but somehow, he was still weak. Jesse had taken his sword, and Seiji hadn’t been able to stop him. The bitterness of that defeat sent Seiji to Kings Row. Always keep moving toward your target, his dad’s voice said, but somehow Seiji had ended up getting his target wrong. He’d moved toward loss and pain he still didn’t entirely understand. “I lost,” confessed Seiji. “Badly.” “Doesn’t make you a loser,” said Nicholas, having another lapse where he didn’t understand what words—let alone metaphors—meant. “You didn’t burst into tears and give up fencing. And you didn’t follow Jesse to Exton like a little lamb, the way he was expecting. You came to Kings Row, and you came to fence. You came to fight.” This view of the matter was so shocking that Seiji said something he’d thought he would never say to Nicholas Cox. “I suppose…,” said Seiji, “… you’re right.” Nicholas’s gaze remained fixed on the floor. “Being rivals shouldn’t be about being someone’s mirror. Both of you get to be real. Neither of you has to break.” “Sometimes you’re insightful, Nicholas,” said Seiji. Nicholas looked pleased before Seiji added: “I think it’s mainly by accident.” At that point, Nicholas rolled his eyes and stepped into his side of the room, yanking the curtain closed between them.
Sarah Rees Brennan (Striking Distance (Fence, #1))
I want to imagine with what new features despotism could be produced in the world: I see an innumerable crowd of like and equal men who revolve on themselves without repose, procuring the small and vulgar pleasures with which they fill their souls. Each of them, withdrawn and apart, is like a stranger to the destiny of all the others: his children and his particular friends form the whole human species for him; as for dwelling with his fellow citizens, he is beside them, but he does not see them; he touches them and does not feel them; he exists only in himself and for himself alone, and if a family still remains for him, one can at least say that he no longer has a native country. Above these an immense tutelary power is elevated, which alone takes charge of assuring their enjoyments and watching over their fate. It is absolute, detailed, regular, far-seeing, and mild. It would resemble paternal power if, like that, it had for its object to prepare men for manhood; but on the contrary, it seeks only to keep them fixed irrevocably in childhood; it likes citizens to enjoy themselves provided that they think only of enjoying themselves. It willingly works for their happiness; but it wants to be the unique agent and sole arbiter of that; it provides for their security, foresees and secures their needs, facilitates their pleasures, conducts their principal affairs, directs their industry, regulates their estates, divides their inheritances; can it not take away from them entirely the trouble of thinking and the pain of living? So it is that every day it renders the employment of free will less useful and more rare; it confines the action of the will in a smaller space and little by little steals the very use of free will from each citizen. Equality has prepared men for all these things: it has disposed them to tolerate them and often even to regard them as a benefit.
Alexis de Tocqueville (Democracy in America)
As they left behind a world of servility and inferiority, consumers adopted beautifying as an essential aspect of becoming modern African-American women. Still, the ideal they favored remained a painfully restrictive one.
Kathy Peiss (Hope in a Jar: The Making of America's Beauty Culture)
fought back. A lot of it is not in the textbooks, but a lot of people fought back, and they were killed. You never hear about them anymore.’” Then, again, she said, “I lived it.” A silence settled between us, and I kept thinking about her refrain. I lived it. I lived it. I lived it. It echoed throughout the room and became the gravity around us. It crept into my ears and made a home in there. I watched the realization wash over her like a tide had risen around her body. There was so much I had not known about my grandmother’s life until this moment. So many painful experiences that she still carried deep in the marrow of her bones. I thought of how easily these memories might have slipped away with her, had we not sat down—these stories might have remained grains of sand at the bottom of an hourglass. I thought about all of the ways the world today is at once so different, and not so different at all. The exhibits at the museum were not abstractions for my grandparents; they were affirmations that what they had experienced was not of their imagination, and harrowing reminders that the scars of that era had not been self-inflicted. When my grandmother said, “I lived it,” what I heard was This museum is a mirror. When my grandmother said, “I lived it,” what I heard was My memories are an exhibit of their own. When my grandmother said, “I lived it,” what I heard was Always remember what this country did to us. When my grandmother said, “I lived it,” what I heard was Don’t let them tell you we didn’t fight back. When my grandmother said, “I lived it,” what I heard was I did not die. I have somehow made it here when so many did not. I escaped the jaws of
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
My right hand was locked so tightly in a fist, it was starting to shake. My gaze was riveted to two people on the dancefloor, and it was taking every ounce of willpower I had to remain standing there in favour of destroying the man touching Darcy Vega. Seth Capella’s hands were roaming all over her as they danced like there was no one else here but them. They were staring at each other, exchanging flirtatious smiles and their mouths were getting all too close all too many times. Through the thump of the music and clamour of voices, it was difficult to focus on the words that passed between them, but I managed to catch a couple of sentences. “Fuck being enemies, I wanna be your friend tonight,” Seth purred in her ear, his fingers twisting into the blue ends of her hair and making me spit a snarl. Darcy laughed, clearly drunk as her fingers slid down his arm while his other hand dropped onto her ass, drawing her even closer and squeezing hard. No. “What kind of friends act like this?” she laughed again and he nuzzled the side of her head, a carnal look entering his eyes that made my canines sharpen. All rational thought was exiting my mind until I was nothing but an animal about to attack. I knew in that second I was going to do it. I was going to shoot over there, tear Seth Capella off of her and make him bleed for touching her like that. She was my gir- Source. “The best of friends,” he answered with a wolfish grin and I took a step forward, but suddenly Darius was there with a scowl the size of a Dragon’s tail, blocking my line of sight. “Well?” he demanded irritably like I’d just punched him in the cock. “Well what?” I sniped back and he frowned. “Oh right, yeah. We need to go hunting.” I gritted my teeth, crushing them to dust in my mouth as I forced my feet to move towards the exit, refusing to let myself look back. Darius walked stiffly at my side, seeming as pissed off as I did to be leaving and judging by how hard he’d been grinding himself against Tory Vega, I had to wonder if she was the reason. I glanced at my friend and caught him looking back. “What?” he snapped and I looked away again. “Nothing,” I grunted. “I’m just in the mood to kill something.” “Same. Let’s find the fucking Nymph and make it suffer.” His eyes turned to reptilian slits and a group of guys in our way scarpered aside as they saw us coming. I uncurled my still clenched right hand, my knuckles white as I flexed them and brought magic to my fingertips. Is she gonna go home with him? Is she gonna fuck him? She can’t. He’s a fucking Heir. The worst fucking Heir. The urge to go back was rising in me and I had to force my legs to keep moving away from that nightclub. There was a Nymph out here somewhere, that was my priority. Not whether or not Darcy Vega chose to fuck an Heir. My heart thumped a painful tune in my chest, continuing its plea with me to go back. To stop her from making the most stupid decision of her life. She was too good for that Wolf asshole. Too sweet. He didn’t deserve to get his hands on her flesh. I pictured her pinned beneath him and stopped dead in the street. (Orion POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
one can be busy and not distracted. One can be busy and prayerful, peaceful and focused at the same time. While being distracted may well have something to do with our outer world, it has much more to do with our inner world. It occurs when our compulsions remain unguarded. Our frustrations unresolved. The hunger for more unabated. The conflicts irreconcilable. The hurts unforgiven. Our pain unhealed. The need to settle our inner conflict is often far more pressing than resolving our supposed lack of time. And if we can, by the grace of God, still the raging ‘demons’ within, a life of intimacy with God becomes a vibrant and exciting possibility, even in the midst of demanding routines.
The Northumbria Community (Celtic Daily Prayer: A Daily Prayerbook of Meditation and Spirituality)
Blessed be any wind that blows us into the port of our Saviour's love! Happy wounds, which make us seek the beloved Physician. Ye tempted ones, come to your tempted Saviour, for he can be touched with a feeling of your infirmities, and will succour every tried and tempted one. Morning, October 4 "At evening time it shall be light." Zechariah 14:7 Oftentimes we look forward with forebodings to the time of old age, forgetful that at eventide it shall be light. To many saints, old age is the choicest season in their lives. A balmier air fans the mariner's cheek as he nears the shore of immortality, fewer waves ruffle his sea, quiet reigns, deep, still and solemn. From the altar of age the flashes of the fire of youth are gone, but the more real flame of earnest feeling remains. The pilgrims have reached the land Beulah, that happy country, whose days are as the days of heaven upon earth. Angels visit it, celestial gales blow over it, flowers of paradise grow in it, and the air is filled with seraphic music. Some dwell here for years, and others come to it but a few hours before their departure, but it is an Eden on earth. We may well long for the time when we shall recline in its shady groves and be satisfied with hope until the time of fruition comes. The setting sun seems larger than when aloft in the sky, and a splendour of glory tinges all the clouds which surround his going down. Pain breaks not the calm of the sweet twilight of age, for strength made perfect in weakness bears up with patience under it all. Ripe fruits of choice experience are gathered as the rare repast of life's evening, and the soul prepares itself for rest. The Lord's people shall also enjoy light in the hour of death. Unbelief laments; the shadows fall, the night is coming, existence is ending. Ah no, crieth faith, the night is far spent, the true day is at hand. Light is come, the light of immortality, the light of a Father's countenance. Gather up thy feet in the bed, see the waiting bands of spirits! Angels waft thee away. Farewell, beloved one, thou art gone, thou wavest thine hand. Ah, now it is light. The pearly gates are open, the golden streets shine in the jasper light. We cover our eyes, but thou beholdest the unseen; adieu, brother, thou hast light at even-tide, such as we have
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
They were based on truth. Based on ancient, near-primordial beings who existed here before the High Fae split into courts, before the High Lords. Some call them the First Gods. They were beings with almost no physical form, but a keen, vicious intelligence. Humans and Fae alike were their prey. Most were hunted and driven into hiding or imprisonment ages ago. But some remained, lurking in forgotten corners of the land.” He swallowed another mouthful. “When I was nearing three hundred years old, one of them appeared again, crawling out of the roots of a mountain. Before he went into the Prison and confinement weakened him, Lanthys could turn into wind and rip the air from your lungs, or turn into rain and drown you on dry land; he could peel your skin from your body with a few movements. He never revealed his true form, but when I faced him, he chose to appear as swirling mist. He fathered a race of faeries that still plague us, who thrived under Amarantha’s reign—the Bogge. But the Bogge are lesser, mere shadows compared to Lanthys. If there is such a thing as evil incarnate, it is him. He has no mercy, no sense of right or wrong. There is him, and there is everyone else, and we are all his prey. His methods of killing are creative and slow. He feasts on fear and pain as much as the flesh itself.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Be still, my soul; the Lord is on thy side; bear patiently the cross of grief or pain. Leave to thy God to order and provide; in every change He faithful will remain.
Kathrina von Schlegel
The sea and the albatross - continued For hanging this guilt around my neck would then weigh heavily on my boat, And then nothing, not even Gods of the sea can keep it afloat, So, I moved the boat closer to the still struggling master of the skies, And I could hear its agonising and painful cries, The boat was taking too long and the bird lay there where it did not belong, So I dived into the sea, and after a swim that lasted very long, I held the albatross in my hand and it finally clung to my shoulder, As I swam towards my boat splashing the water around with my arms in ways bolder, Finally I placed the albatross in the boat and as it dried its wings, It flew away by flapping them like the most beautiful swings, Then in its retreating flight it gave me a parting look, That only can be understood by the mariner and the master of the sky, because when it comes to life we read the same book, As it flew away a colossal wave swept me and my boat and we both sank into the sea, And now nothing was left, neither my boat nor me, Only the cross remains, that still floats in this area of the sea, And the albatross, whenever it is bearing its flight of freedom swoops down to kiss the cross and think of me, Maybe that is what it is or maybe that is what I want to believe in, Because at the bottom of the sea my soul does sometimes believe that even in death few mariners always win, It is then the albatross reveals to me the secret of its long flight, And to the soul of valour and the spirit of justice it brings that ultimate moment of delight, Now I may lie in the bottom of the sea with everything else right above and over me, But who can imagine, except the albatross and mariners few, that what an enormous world lies under me!
Javid Ahmad Tak (They Loved in 2075!)
We still hadn’t learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you’re just going to get hurt again. But each time, you learn something. Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There’s the little empty pain of leaving something behind – graduating, taking the next step forward, walking out of something familiar and safe into the unknown. There’s the big, whirling pain of life upending all of your plans and expectations. There’s the sharp little pains of failure, and the more obscure aches of successes that didn’t give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life as they grow and learn. There’s the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens. And if you’re very, very lucky, there are a very few blazing hot little pains you feel when you realize that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last – and yet will remain with you for life. Everyone is down on pain, because they forget something important about it: Pain is for the living.
Jim Butcher (White Night (The Dresden Files, #9))
Sometimes, when we lose something major in life, we squeeze too hard on what remains. Afraid we will lose that last part of ourselves with which we are still familiar, we end up strangling the very thing we wish to preserve. I smothered my ex in all the wrong ways. I was weak and needy. I was uncertain and lacked confidence. I’d lost my focus, and for lack of a better term, I was scared. I knew and wanted no other life than working the sea. What I found to be mundane everyday life on shore was painful to me at best.
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
Keep the tarp rolled back and wait for night. What was that song? If I die before I wake, feed Jake, he’s been a good dog … Maybe better. But then he would have had to be the one to die of heartbreak. Better like this. Like the darkness pouring back into the canyon covering the stream covering us in a black shroud. Still. No resolution ever. None. Nothing decided, nothing finished. The Dipper wheels back into place. Just one turn. One turn of the wheel and we are different, never the same. Not ever. Not even those stars. Even they, they decay, collapse, coalesce, break apart. Close my eyes. It’s what’s inside. What’s inside moving, swimming in the pain like a blind fish forever swimming. Is what lives what remains. Renews, renews the love and the pain. The love is the creek bed and the pain fills it. Fills it every day with tears.
Peter Heller (The Dog Stars)
Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.' 'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.' 'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.' 'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.' 'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!' 'No!' I scream. 'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.' 'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.' 'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!' 'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
One way or another, I’m determined to see Hap apprenticed well. But once I do—” “Once you do, you’ll be free to take up your own life again. I’ve a feeling it will call you back to Buckkeep.” “You’ve a ‘a feeling’?” I asked him dryly. “Is this a Fool’s feeling, or a White Prophet’s feeling?” “A time or three, it did seem as if what you predicted came true. Though your predictions were always so nebulous, it seemed to me that you could make them mean anything.” He swallowed. “It was not my prophecies that were nebulous, but your understanding of them. When I arrived, I warned you that I had come back into your life because I must, not because I wanted to. Not that I didn’t want to see you again. I mean only that if I could spare you somehow from all we must do, I would.” “And what is it, exactly, that we must do?” “Exactly?” he queried with a raised eyebrow. “Exactly. And precisely,” I challenged him. “Oh, very well then. Exactly and precisely what we must do. We must save the world, you and I. Again.” He leaned back, tipping his chair onto its back legs. His pale brows shot toward his hairline as he widened his eyes at me. I lowered my brow into my hands. But he was grinning like a maniac and I could not contain my own smile. “Again? I don’t recall that we did it the first time.” “Of course we did. You’re alive aren’t you? And there is an heir to the Farseer throne. Hence, we changed the course of all time. In the rutted path of fate, you were a rock, my dear Fitz. And you have shifted the grinding wheel out of its rut and into a new track. Now, of course, we must see that it remains there. That may be the most difficult part of all.” “And what, exactly and precisely, must we do to ensure that?” I knew his words were bait for mockery, but as ever, I could not resist the question. “It’s quite simple.” He ate a bite of eggs, enjoying my suspense. “Very simple, really.” He pushed the eggs around on his plate, scooped up a bite, then set his spoon down. He looked up at me, and his smile faded. When he spoke, his voice was solemn. “I must see that you survive. Again. And you must see that the Farseer heir inherits the throne.” “And the thought of my survival makes you sad?” I demanded in perplexity. “Oh, no. Never that. The thought of what you must go through to survive fills me with foreboding.” I pushed my plate away, my appetite fled. “I still don’t understand you,” I replied irritably. “Yes you do,” he contradicted me implacably. “I suppose you say you don’t because it is easier that way, for both of us. But this time, my friend, I will lay it cold before you. Think back in the last time we were together. Were there not times when death would have been easier and less painful than life?” His words were shards of ice in my belly, but I am nothing if not stubborn. “Well. And when is that ever not true?” I demanded of him. There have been very few times in my life when I had been able to shock the Fool into silence. That was one of them. He stared at me, his strange eyes getting wider and wider. Then, a grin broke over his face. He stood so suddenly he nearly overturned his chair, and then lunged at me to seize me in a wild hug. He drew a deep breath as if something that had constricted him had suddenly sprung free. “Of course that is true,” he whispered by my ear. And then, in a shout that near deafened me, “Of course it is!” Before I could shrug free of his strangling embrace, he sprang apart from me. He cut a caper that made motley of his ordinary clothes, and then sprang lightly to my tabletop. He flung his arms wide as if he once more performed for all of King Shrewd’s court rather than an audience of one. “Death is always less painful and easier than life! You speak true. And yet we do not, day to day, choose death. Because ultimately, death is not the opposite of life, but the opposite of choice. Death is what you get when there are no choices left to make. Am I right?
Robin Hobb (Fool's Errand (Tawny Man, #1))
The man that was acting the way he was—he was a different man than the one that loved me. We are all made up of the sum of our parts, of our experiences, from whatever life throws our way. That includes the good and the bad, the joys and the sorrow. If we erase the sorrow from our lives, we erase part of the process, the part that makes us human. Even for vampires, being human is still a worthwhile goal. And if we erase the sorrow, we might erase the love as well, because love and grief go hand-in-hand. It doesn’t make you feel any better, it doesn’t make it hurt any less, but the fact remains that you only hurt because you loved that person so much. Valtu erased me because that erased the pain but it also removed his love for me. That love is what made him who he is.
Karina Halle (Black Rose (The Dracula Duet, #2))
Gain. Pain. Remain. While you grow and develop, you GAIN what you have learned When you allow yourself to feel hurt, you start to feel PAIN And while you try to get on with the next day, it still REMAINS
Zane Morton-Carr
There's Someone walking on the sea with pierced Hands reached out to me. I'm in a boat coming apart. A troubled mind, a wounded heart. The scars are deep, the pain remains, and it still storms, and it still rains. There's Someone standing on the sea outside my boat, right next to me. His Eyes like light lit in my soul. His Hands like love making me whole. I take a step out of the boat, and with my Lord remain afloat.
Calvin W. Allison (The Sunset of Science and the Risen Son of Truth)
He maintained a full grip on the knife handle, curling his thumb around the handle instead of leaving it up and exposed to potential injury. It was also more difficult for an attacker to take the knife away. Not that Liam was worried about that with these jokers. Baseball Cap was the closest thug. He was taking a break from the beating and had stepped back to light a cigarette. His head was bowed, both his hands up and cupped around the cigarette at his mouth. His baseball bat leaned against the opened door of the truck. Out of reach. Liam took several swift and silent strides. He approached Baseball Cap from behind, grabbed his head, and drove the knife upwards from the top of his spine into his brain. Baseball Cap dropped like a stone, instantly dead. The cigarette dangled from his dead lips. Liam stepped back and let him fall. It took a second for the two remaining hostiles to react. Liam didn’t waste that second. The man in the hunting cap whirled, a startled look on his face. He started to raise his baseball bat, but Liam was already on him. He smashed into the man’s chest and drove him back into the side of the Chevy. Hunter let out a pained oomph. The third hostile would be reacting now, too, ready to charge Liam at any second. He needed to move fast. Hunter pummeled at his ribs. Liam took the blows. Hunter tried to push him off, shove him away so he could get some leverage and get a good punch in, use the baseball bat. Liam didn’t let him. Using his left arm to deflect any potential blows, he used his right hand to slash the knife across the side of the hostile’s throat, severing his carotid artery. He stepped back fast but the arterial spray still got him. Hunter slid down the side of the truck, flailing, gasping. He’d be dead in a few minutes.
Kyla Stone (Edge of Darkness (Edge of Collapse, #3))
Our only chance at dismantling racial injustice is being more curious about its origins than we are worried about our comfort. It’s not a comfortable conversation for any of us. It is risky and messy. It is haunting work to recall the sins of our past. But is this not the work we have been called to anyway? Is this not the work of the Holy Spirit to illuminate truth and inspire transformation? It’s haunting. But it’s also holy. And when we talk about race today, with all the pain packed into that conversation, the Holy Spirit remains in the room. This doesn’t mean the conversations aren’t painful, aren’t personal, aren’t charged with emotion. But it does mean we can survive. We can survive honest discussions about slavery, about convict leasing, about stolen land, deportation, discrimination, and exclusion. We can identify the harmful politics of gerrymandering, voter suppression, criminal justice laws, and policies that disproportionately affect people of color negatively. And we can expose the actions of white institutions—the history of segregation and white flight, the real impact of all-white leadership, the racial disparity in wages, and opportunities for advancement. We can lament and mourn. We can be livid and enraged. We can be honest. We can tell the truth. We can trust that the Holy Spirit is here. We must. For only by being truthful about how we got here can we begin to imagine another way.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
At first I felt something like an oppressed anxiety when I was near the little sick girl, which later changed into pious and reverential awe in face of this dumb and strangely moving suffering. Whenever I saw her, an obscure sensation would arise in me that she must surely die. And then I grew afraid to look her in the face. Whenever I roamed the forests during the day, feeling so joyful in this solitude and peace, when I stretched out wearily on the moss and gazed for hours together into the bright, shimmering sky, into whose very depths one could see, when a strange and profound sense of joy thrilled me, I would suddenly think of the sick Maria - then I would get up and roam aimlessly about, overwhelmed by inexplicable thoughts and feel a dull pressure in my head and my heart which brought me to the verge of tears. At times when I walked in the evening along the dusty main street which was filled with the scent of the blossoming lime and watched whispering couples as they stood in the shadows of the trees; when I saw two people pressed close together as though they were one being, sauntering slowly beside the fountain as it quietly played in the moolight, and a feverish thrill of presentiment coursed through me as I thought of poor sick Maria; then I was seized by a quiet yearning for something inexplicable and all at once I saw myself strolling arm in arm with her in the shade of the fragrant lime trees. And a strange radiance shone from Maria's great dark eyes, and the moon made her slender little face appear still paler and more transparent. Then I fled upstairs into my attic, leaned against the window, looked up into the deep dark heavens where the stars appeared to have gone out and for hours abandoned myself to formless and confusing dreams until overcome by sleep. And yet - and yet I did not exchange so much as ten words with poor sick Maria. She never spoke. I would only sit at her side for hours gazing into her sick, suffering face, feeling ever and again that she must die. In the garden I lay in the grass and breathed in the fragrance of a thousand flowers; my eye was intoxicated by the gleaming colours of blossoms flooded with sunlight, and I listened too for the silence in the air above, interrupted only by the mating call of a bird. I sensed the ferment of the fruitful, torrid earth, that mysterious sound of ever-creative life. I could then darkly feel the greatness and beauty of life. Then it semed to me as if life belonged to me. But then my eye lit upon the bay-window of the house. I could see the sick Maria sitting there - silent and motionless and with closed eyes. And all my thinking was again drawn to the suffering of this being and remained there - became a painful but shyly conceded yearning which struck me as puzzling and confusing. And I left the garden timidly, silently, as though I had no right to linger in this temple.
Georg Trakl (Poems and Prose)
Celestina, please. She can reign over Seolia.’ There was anguish in his words as they tumbled out of his mouth. Celestina shook her head, stepping away from Leonidas. ‘She is the key, Leonidas. Don’t you see?’ Celestina spoke through her sobs. ‘We can control all four kingdoms with her. Rudolf has a nephew. They can marry. He’s a prince.’ Me. Celestina was talking about me. She wanted us to marry and incite a war over the kingdoms. ‘She’s my heir, Celestina. Not Rudolf’s. You have another daughter.’ Leonidas tried to reason with her, but I felt her anger brewing, and she raised her palm toward Leonidas. Something black began to trickle from her fingers, and then pain. I felt so much pain from Raven as her mother crumpled with her still cradled. Leonidas reached for Raven, trying to shush her tears. Mira remained still under the bed, covering her mouth in silent sobs. She had witnessed her mother murdered by Leonidas and saw him steal Raven away.
Whitney Dean (A Kingdom of Flame and Fury (The Four Kingdoms, #1))
My wedding gown was already cut away all around the wound. Not to mention torn and bloodstained everywhere else. Still, it pains me to watch Greta cut through the remaining fabric with her large, sharp shears.
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
Why do you still have to work? Why continue to torture yourself?" And then Renoir answered, "The pain passes, but the pleasure, the creation of beauty, remains.
Earl Nightingale (How to Completely Change Your Life in 30 Seconds)
I still felt something, whenever I looked at Ishqa—something with a razored edge. Ishqa said, quietly, “But there are still pieces of her hatred for me in you.” Her. It. Reshaye. Aefe. I didn’t answer. “It was my greatest mistake,” he said. “I can say this a million times over, and it would not be enough. Perhaps the loss of my son is punishment for what I did then.” A single crack in his calm expression revealed a hint of pain. Such a human, recognizable thing. He spoke as if his son was dead. He wasn’t—though he had been close to it, in Nura’s captivity. He had been rescued by the Fey king’s forces and remained loyal to King Caduan. Ishqa rarely spoke of it. Only now did I glimpse what he must be feeling, knowing that his son probably thought he was a traitor. To him, his son was just as unreachable as Max was in Ilyzath.
Carissa Broadbent (Mother of Death & Dawn (The War of Lost Hearts, #3))
My friend.. Today I missed you. I wanted to tell you what's going on with me, And hear what's going on with you, but something destroyed my phone And I lost my loved ones' phone numbers... I wonder.. Did something destroy your phone too? Is that why you lost my phone number as well? My friend.. Today I made a kite with some of the kids here. I attached a message to it, hoping it would reach you. And as soon as it flew freely in our sky, I let go of the thread and watched it flew farther and farther.. hoping it wouldn't lose its way.. Perhaps it's still remembers our city that has became unfamiliar! My friend.. It seems that my kite is lost just like the pigeons and the phone numbers are lost, and the way is lost, only a few dreams remain, or even less than a few... My friend.. I still watch the sky, and watch the children's kites, perhaps one of them carries a message from you to me... letters in wartime
Sara Ahmed
Postscript 2: My cancer friend passed away in April 2020. My alcoholic friend is probably going to die from the disease in due course. While my prayers seemed to temporarily help both situations, there remains this struggle with how, why and if prayer works. If prayers are not answered the way we wish, does it mean God doesn’t hear or care? Does it mean nothing changed? Does it mean we failed? Does it even mean anything? This subject has been thoroughly examined by many others and still cannot be fully answered. I happen to believe prayers help, even if things don’t go my way. We still die, we still fail, we still have suffering, pain and evil in this world. Yet, I choose to keep praying anyway. Now faith is the assurance of things hoped for, the conviction of things not seen. Hebrews 11:1. October 6, 2019 Salt packets.
Susan I. Spieth (I Was a Stranger: Reflections From First-Time Visits to 50 Churches)
pull the knife I gifted her from the strap on her thigh and flick the blade open with my wrist, she eyes it wearily as I line the blade up with her inner thigh. “Everything I’m made of demands you, Briony,” I explain, our chaotic breaths aligning as she swallows down her fears, eyeing my every move. “I am yours, and you are forever mine. Until the end of this life, then whatever life we live after that.” I remain lodged deep within her, our eyes focused on one another as if no one else in this universe exists. Fisting the blade, I cut through her perfect flesh. Her eyes wince slightly but don’t dare come off of mine. She trusts me in a way she shouldn’t trust anyone. With everything. Her jaw tightens as a light whimper of pain leaves her throat, and she lifts her chin more to meet mine. This is the sexiest I’ve ever seen her. Determined yet still questioning. Resilient yet slightly fearful. Emitting submission to me completely, yet knowing she’s entirely unstoppable in her own right. My cock swells to a rock inside her, twitching within her tight grip as I carve the upside down cross into her flesh, an arrow pointing towards myself at the tip. Her eyes finally peer down at the branding that’s now dripping blood down the soft flesh of her inner thigh. The wildest, most ferocious gaze emits from her blown pupils, passion straight from the soul. I turn the blade on myself, and she grips the handle, carving the same symbol into the flesh of my lower abdomen, oblivious to the pain as endorphins flood my mind.
Jescie Hall (That Sik Luv)