Pagan Spring Quotes

She’s a manner of speaking. Even the flowers don’t come back, or the green leaves. There are new flowers, new green leaves. There are other beautiful days. Nothing comes back, nothing repeats itself, because everything is real.

If I knew I was going to die tomorrow, And Spring came the day after tomorrow, I would die peacefully, because it came the day after tomorrow. If that’s its time, when else should it come? I like it that everything is real and everything is right; And I like that it would be like this even if I didn’t like it. And so, if I die now, I die peacefully Because everything is real and everything is right.

‎A careful reading of the Old and New Testaments shows that idolatry is nothing like the crude picture that springs to mind of a sculpture in some distant country. The idea is highly sophisticated, drawing together the complexities of motivation in individual psychology, the social environment, and also the unseen world. Idols are not just on pagan altars, but in well-educated human hearts and minds

Aeneas' mother is a star?" "No; a goddess." I said cautiously, "Venus is the power that we invoke in spring, in the garden, when things begin growing. And we call the evening star Venus." He thought it over. Perhaps having grown up in the country, among pagans like me, helped him understand my bewilderment. "So do we, he said. "But Venus also became more...With the help of the Greeks. They call her Aphrodite...There was a great poet who praised her in Latin. Delight of men and gods, he called her, dear nurturer. Under the sliding star signs she fills the ship-laden sea and the fruitful earth with her being; through her the generations are conceived and rise up to see the sun; from her the storm clouds flee; to her the earth, the skillful maker, offers flowers. The wide levels of the sea smile at her, and all the quiet sky shines and streams with light..." It was the Venus I had prayed to, it was my prayer, though I had no such words. They filled my eyes with tears and my heart with inexpressible joy.

The festival of the spring equinox speaks of freshness and youth, of excitement and endless possibilities. Nature begins to quicken and early flowers open to the warmth of the strengthening sun, bringing the colours of lemon and yellow into our lives on the wings of a March wind.

The word ‘equinox’ simply means ‘of equal length’ and refers to the twelve hours of daylight and twelve hours of darkness at this point in the year. It was originally thought to stem from two Latin words aequus meaning equal and nox meaning night. The word ‘Vernal’, as this equinox is often called, is derived from the Latin word vernus meaning ‘of spring’.

We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.

That love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you children of reflection. It works only evil in you. As soon as you wish to be natural, you become common. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only exorcise and curse me, or slay yourselves in bacchantic madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in penitential robes and expects flowers to grow from his withered staff, while under my feet roses, violets, and myrtles spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not disinter us.

I would have so loved to learn about the Vikings.” Lillian snorted. “Since when have you been interested in warlike pagans with silly-looking headgear?” Daisy looked up from her book again. “Are we talking about Grandmother again?

Cleansing and clearing are two words which suit the essence of Imbolc, as this is February, the Roman month of purification. This can be a cleansing of the self, in undertaking a good ‘detox’, or a clearing and cleansing of the home, in keeping with the tradition of spring-cleaning.

The blue of winter, the brown of spring, the red of summer, and the fall of green. I seek the place of treasures past. I seek the truth of sand and glass. I call to the wind of seasons past. I bring with me the best of summer. I am the one with whom you bask. Deliver me and complete your task.

Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" -- "Pagan that you are! what does that signify?" "I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ... I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.

Fresh water springs are a living embodiment of the fountain of youth.

Let’s be simple and calm, Like brooks and trees, And God will love us by making Beautiful things like the trees and brooks for us, And give us greenness in his spring, And a river for us to go to when we end...

I am the trees and the flowers you step on. Iam the earth you walk on, the water you drink, the animals you kill. I am the mountains and the never-ending sea. I am here and everywhere else, now and forever. I am Everything.

Nothing ever begins. There is no first moment; no single word or place from which this or any other story springs. The threads can always be traced back to some earlier tale, and to the tales that preceded that; though as the narrator’s voice recedes, the connections will seem to grow more tenuous, for each age will want the tale told as if it were of its own making. Thus the pagan will be sanctified, the tragic become laughable; great lovers will stoop to sentiment, and demons dwindle to clockwork toys. Nothing is fixed. In and out the shuttle goes fact and fiction, mind and matter, woven into patterns that may have only this in common: that hidden amongst them is a filigree which will with time become a world.

I nodded, appreciating the wisdom of her words.‘Yellow is the colour of early spring,’ she said, ‘just look at your garden!’ She gestured towards the borders, which were full of primulas, crocuses and daffodils. ‘The most cheerful of colours,’ she continued, ‘almost reflective in its nature and it is of course the colour of the mind.’ ‘That’s why we surround ourselves with it!’ laughed Phyllis, ‘in the hope that its properties will rub off.’‘Nonsense dear,’ said Mrs Darley dismissively, ‘Yellow light simply encourages us to think more positively. It lifts our spirits and raises our self-esteem in time for summer.’I immediately made a mental note to surround myself with the colour of the season and, like Phyllis, hoped that some of its properties would rub off on me.

... he slipped in and out of himself, testing which disguise to use. He knew it had to be his most clever. The Sisters were too astute for his usual chicanery. He flapped his wings, then soared. The shape of an eagle, useful for fast travel across worlds, but only temporary. Not convincing enough to hide his true identity. ... He pushed out of the eagle skin and leaped away from the horde of birds, springing into the sky. Into nothingness. Instead of transforming into another creature, he hovered in between. Dangling on the mouth of wind. He rumbled with pleasure, at his own cleverness, born out of accident and indecision: he had become pure air. Without effort, he whooshed past the threshold into the cave, into the bark of the Great Tree, winding cleverly under and over and through a maze of roots and rough stone, past every trick and trap the Sisters had set. He delighted at the speed at which he travelled, catching himself just in time, before his enthusiasm revealed the disguise. Slowing impulse to a mere draft, sucking into himself, he reached the very heart of the Norns’ lair. The Great Hall of Time.

It's quite simple and natural if you think it out. The old pagan Britons were in the habit of having fairs when they assembled at their holy centres for the big sun festivals. The fairs went on just the same, whether they were pagan or Christian, and the missionary centres grew up where the crowds came together. When the king was converted, they just changed the Sun for the Son. The common people never knew the difference. They went for the fun of the fair and took part in the ceremonies to bring good luck and make the fields fertile. How were they to know the difference between Good Friday and the spring ploughing festival? There was a human sacrifice on both occasions.

Nearly all human cultures plant gardens, and the garden itself has ancient religious connections. For a long time, I've been interested in pre-Christian European beliefs, and the pagan devotions to sacred groves of trees and sacred springs. My German translator gave me a fascinating book on the archaeology of Old Europe, and in it I discovered ancient artifacts that showed that the Old European cultures once revered snakes, just as we Pueblo Indian people still do. So I decided to take all these elements - orchids, gladiolus, ancient gardens, Victorian gardens, Native American gardens, Old European figures of Snake-bird Goddesses - and write a novel about two young sisters at the turn of the century.

That night, after we'd had our tea, Kevin and I went bird-watching. Not the usual sort, plodding round the fields with great binoculars round your neck (though I did take my work binoculars). No, we go up in the big trees in the wood, where the birds live. Right to the tops we go, where the branches sway and swing like a comfy bed, and you can look along the green billows of the tree-tops. In spring, we take the eggs out of the nests, handling them gentle, like, and putting them back afterwards of course. An' getting away quickly, so the hen-bird can come back and sit on them again. That's a wonder of life to me; to hold a speckled egg in the palm of your hand, and think what a marvellous thing it's going to become, a bird that flies and feeds and takes its chance with the cats, and breeds its own young and dies back into the dust in the end. Why does anyone need those crazy Christian dreams of Heaven, wi' angels playin' their harps on fleecy clouds, when they can have a wood at sunset, when you can look down from a low branch and see young rabbits playing, or even young foxes tumbling over and over and squeaking when they nip each other with their sharp little teeth?

Yet the extravagant enthusiasm for profit persisted among businessmen. In the spring of 1969 Senator Long [spoke out against] a partisan of the oil industry...[and] that further taxation of oil profits would be disastrous. Such taxes... would remove "all business inventive and lead to Thursday to Tuesday weekends, wife swapping and drinking." Without the lure of profit, work would thus become meaningless. Americans would become pagan again and evils would prevail much like those that had inflamed Captain Endicott three centuries earlier

This, one suspects, may have been the reason which moved John to assimilate the newborn man-child to the figure of the avenger, thereby blurring his mythological character as the lovely and lovable divine youth whom we know so well in the figures of Tammuz, Adonis, and Balder. The enchanting springlike beauty of this divine youth is one of those pagan values which we miss so sorely in Christianity, and particularly in the sombre world of the apocalypse—the indescribable morning glory of a day in spring, which after the deathly stillness of winter causes the earth to put forth and blossom, gladdens the heart of man and makes him believe in a kind and loving God.

In contrast to the historical-religious approach of the Reconstructionists are the modern Druids, practitioners of Druidry. Historically it is possible to trace the roots of this movement to the 18th century English revival, which had more in common with Freemasonry than with any ancient Celtic religion. The approach today has been influenced by the environmentalism of the 60’s and is altogether more wild and pagan than the Romantic gentry of England intended. Druidry is an ever shifting thing; to some a religion, to some a philosophy, to some a spiritual path. Although it includes historical inspirations from the ancient Celts, it is more focused on the present and exhibits more freedom in its innovations.

The spring equinox celebration included a dawn trip to the nearby Rillaton Barrow, a Bronze Age burial mound high up on the Cheesewring Moor, with its entrance facing directly east. ‘A great archaeological find, dear,’ Mrs Darley informed me, rather breathlessly, as we climbed up to the entrance. ‘A skeleton, dagger and gold cup were all found here. However, the gold cup ended up in the royal bathroom for some considerable time until the death of George V and now stands in the British Museum, although you can see a copy of it in Truro if you wish. Come,’ she said, patting the top of the lintel, ‘we’ll sit here a while and wait for the sun.’ The sun duly arrived in all its spring glory over the eastern horizon, bringing a golden glow to the swathes of mist, which hung in the fields between Dartmoor and Bodmin.

Britain was a wounded land, cloven in two, British and Roman, pagan and Christian, Stone and Grail, north and south, old and new. It was born in blood and grief and greed, divided eternally against itself, its different natures so mixed it could never extricate itself from itself. No miracle would erase that wound either. But Britain didn’t need a miracle, or a perfect knight, or even God. It would heal all on its own, slowly, the hard way. It would always be a scarred land, a complicated land, but complicated was not the same as broken. It would never be pure or perfect, but it might still one day be whole. How do you live in a waste land? Is there really any such thing? You look for the buried seeds and deep springs. You watch the animals, the lizards and the foxes, and see how they do it. You wait. And when the land was whole, perhaps the king would be whole too. Perhaps he always was.

Again burst out that chant McKay had heard as he had floated through the mists upon the lake. Now, as then, despite his opened ears, he could distinguish no words, but clearly he understood its mingled themes - the joy of Spring's awakening, rebirth, with the green life streaming singing up through every bough, swelling the buds, burgeoning with tender leaves the branches; the dance of the trees in the scented winds of Spring; the drums of the jubilant rain on leafy hoods; passion of Summer sun pouring its golden flood down upon the trees; the moon passing with stately step and slow and green hands stretching up to her and drawing from her breast milk of silver fire; riot of wild gay winds with their mad pipings and strummings; - soft interlacing of boughs, the kiss of amorous leaves - all these and more, much more that McKay could not understand for it dealt with hidden, secret things for which man has no images. ("The Women Of The Woods")

The quarrel between the poet and the thinker could surely be composed if the thinker took the words of the poet not literally but symbolically, which is how the tongue of the poet desires to be understood. Can Schiller have misunderstood himself? It would almost seem so, otherwise he could not argue thus against himself. The poet speaks of a spring of unsullied beauty which flows beneath every age and generation, and is constantly welling up in every human heart. It is not the man of Greek antiquity whom the poet has in mind, but the old pagan in ourselves, that bit of eternally unspoiled nature and pristine beauty which lies unconscious but living within us, whose reflected splendour transfigures the shapes of the past, and for whose sake we fall into the error of thinking that those heroes actually possessed the beauty we seek. It is the archaic man in ourselves, who, rejected by our collectively oriented consciousness, appears to us as hideous and unacceptable, but who is nevertheless the bearer of that beauty we vainly seek elsewhere. This is the man the poet Schiller means, but the thinker mistakes him for his Greek prototype. What the thinker cannot deduce logically from his evidential material, what he labours for in vain, the poet in symbolic language reveals as the promised land.

THE RETURN OF THE GODS Like a white bird upon the wind, the sail of the boat of Manannan mac Lir (Pronounced Mananarn mak Leer), the Son of the Sea, flew across the sparkling waves filled with the breeze that blew Westward to the Islands of the Blessed. The Sun Goddess above him smiled down with warmth upon her friend. The fish in the ocean danced for him beneath the turquoise water; the porpoises leapt above the waves to greet him. Upon the wind was a smell of sweetness, the smell of apple blossom in the Spring of the morning of the world. And in the prow of the boat sat Lugh (Pronounced Loo) the long-armed; strumming on his harp, he sang the Song of Creation. And as they drew closer to the green hills of Ireland, the holy land of Ireland, the Shee came out of their earth-barrow homes and danced for joy beneath the Sun. For hidden in a crane-skin sack at the bottom of the boat was the Holy Cup of Blessedness. Long had been her journeying through lands strange and far. And all who drank of that Cup, dreamed the dreams of holy truth, and drank of the Wine of everlasting life. And deep within the woods, in a green-clad clearing, where the purple anemone and the white campion bloomed, where primroses still lingered on the shadowed Northern side, a great stag lifted up his antlered head and sniffed the morning. His antlers seven-forked spoke of mighty battles fought and won, red was his coat, the colour of fire, and he trotted out of his greenwood home, hearing on the wind the song of Lugh. And in her deep barrow home, the green clad Goddess of Erin, remembered the tongue that she had forgotten. She remembered the secrets of the weaving of spells, She remembered the tides of woman and the ebb and flow of wave and Moon. She remembered the people who had turned to other Gods and coming out of her barrow of sleep, her sweet voice echoed the verses of Lugh and the chorus of Manannan. And the great stag of the morning came across the fields to her and where had stood the Goddess now stood a white hind. And the love of the God was returned by the Goddess and the larks of Anghus mac Og hovering above the field echoed with ecstasy the Song of Creation. And in the villages and towns the people came out of their houses, hearing the sweet singing and seeking its source. And children danced in the streets with delight. And they went down to the shore, the Eastern shore, where rises the Sun of the Morning, and awaited the coming of Manannan and Lugh, the mast of their boat shining gold in the Sun. The sea had spoken, the Eastern dawn had given up her secret, the Gods were returning, the Old Ones awakening, joy was returning unto the sleeping land.  

The home religion celebrates three spring sabbats, one in early February, one in late March, and one on the first of May. Though Imbolc celebrates the first stirrings of the seeds underground, aboveground is still locked in deep winter. By Ostara, the longer days and milder weather cheers us, but the festival isn’t widely observed among pagans, especially since the Christians renamed it Easter and made it perhaps their most important holiday. Beltane, though! By May Day, spring is in full bloom.

Names of places are often the key to discovering unused but special places. For example, when I moved into my present home, I noticed that there was a Harrow Hill and a Redbeards Wood marked on a large-scale map of the area. ‘Harrow’ usually derives from the Saxon hearg or altar, and ‘Redbeard’ is a nickname for the God Thor. Sometimes a well or spring will be dedicated to a Christian saint, but many of these reflect a Christianisation of earlier local deities. Thus the Goddess Ellen of the Land often appears in place names as St Helen, and Bride or Brid (of the Brideswell) becomes St Bridget. Several

Dr. John G. Jackson quotes Kenneth R.H. Mackenzie as follows: “From the woolly texture of the hair, I am inclined to assign to the Budda of India, the Fuhi of China, the Sommanoacom of the Siamese, the Xaha of the Japanese, and the Quetzalcoatl of the Mexicans, and the same, and indeed an African, or rather ‘Nubian’ origin.” Most of these black gods were regarded as crucified saviours who died to save mankind by being nailed to a cross, or tied to a tree with arms outstretched as if on a cross, or slain violently in some other manner. Of these crucified saviors, the most prominent were Osiris and Horus of Egypt, Krishna of India, Mithra of Persia, Quetzalcoatl of Mexico, Adonis of Babylonia and Attis of Phrygia. Nearly all of these slain savior-gods have the following stories related about them: They are born of a virgin, on or near December 25th (Christmas); their births are heralded by a star; they are born either in a cave or stable; they are slain, commonly by crucifixion; they descend into hell, and rise from the dead at the beginning of Spring (Easter), and finally ascend into heaven. The parallels between the legendary lives of these pagan messiahs and the life of Jesus Christ as recorded in the BIBLE are so similar that progressive Bible scholars now admit that stories of these heathen have been woven into the life-story of Jesus.

Next to water, the forest is the great lair or refuge of land spirits. It is a haunted place, an outlying space full of violence; a site of exclusion; a refuge of outcasts and exiles as well as pagan beliefs; a place of marvels and perils; a savage, marginal, dreadful space; as well as a focal point of peasant memory. It is in the forest where we most often find those fountains and springs that were discussed in the previous chapter. The fairy Ninienne or Vivian loved to linger at the edge of the fountain of Briosques Forest, and Melusine and her sisters near the one in the forest of Coulombiers. Here roams the mythic wild boar, li blans pors, hunted by King Arthur’s knights; here is where the Mesnie Hellquin travels as do the hosts of Diana and Herodiades.

From the insistence in 1940 that government cannot discern what is or is not a religious cause, we came in the spring of 2020 to an insistence that the government must forcibly shut down churches that fail to comply with sweeping public health rules about “virtual” services. What begins with a claim that the state must be neutral toward religion ends with an imperative that the state persecute religion in the name of neutrality.

By that decade, such interpretations were being made at a feverish pace, so that, in a single presidential address to the Folk-Lore Society in 1937, it could be suggested that pancake tossing on Shrove Tuesday had been a magical rite to make crops grow, team sports on that day had begun as ritual struggles representing the forces of winter dark and spring light, and Mother’s Day was a remnant of the worship of the prehistoric Corn Mother. 12 By now, some theorists were intervening in seasonal local customs and attempting to ‘correct’ them if aspects of the current performance did not fit the particular interpretation which the experts concerned were making of them as survivals of prehistoric religion. 13

In Antiquity every tree, every spring, every stream, every hill had its own genius loci, its guardian spirit. These spirits were accessible to men, but were very unlike men; centaurs, fauns, and mermaids show their ambivalence. Before one cut a tree, mined a mountain, or dammed a brook, it was important to placate the spirit in charge of that particular situation, and to keep it placated. By destroying pagan animism, Christianity made it possible to exploit nature in a mood of indifference to the feelings of natural objects.

After Nero, the sources are silent until the short reign of Julian the Apostate (361–363 CE). He put it to the college to find out whether the auspices were in favor of a campaign against Persia. The answer was negative, but Julian was already on his way. While Julian invaded Persia in the spring of 363 and was killed, the temple of Apollo on the Palatine burned down. The Sibylline Books were saved, only to be destroyed a generation later by Stilicho, the Christian general in charge of the West. The omen of 363 CE had come to pass, and even Julian’s attempted pagan reforms could not prevent Christianity’s triumph. Prudentius, known as the Christian Vergil, noted that the Sibylline Books would no longer prophesy.33 The pagan Sibyl fell silent as the Judeo-Christian one began to speak. Like her pagan sister, she spoke Greek.

The spring celebration of the Germanic goddess Eostre merged over time with the celebration of Christ’s death and resurrection to become the Christian festival Easter. Christians adopted the Celtic festival of Samhain at the end of October, sometimes known as the Feast of the Dead, by moving All Saints’ (Hallows’) Day from May to November, making All Hallows’ Eve a time to remember the dead. The midwinter pagan festival of Yuletide became Christmas.

The sabbats mark the Wheel of the Year, the turning of the seasons. For Wiccans and Pagans of some other traditions, these are the spine of the Craft, and some fall on dates that are closely aligned with those of major Christian holidays: Yule, the winter festival from which we get the Twelve Days of Christmas; Ostara, the spring equinox and the source of Easter’s fertility symbols (the rabbit, the egg); Samhain,3 the time of communion with the dead, dressed up in mainstream culture as Halloween.

There are a few things I love about the first week of February. There is Candlemas, or Saint Brigid’s Day, on the 2nd. Candlemas is the first cross-quarter day of the new year, midway between the Winter Solstice and Spring Equinox. I love Candlemas because before it was a Christian observance, it was a Pagan Holyday, the day to celebrate Brigid, the prominent female deity from the Tuatha De Danaan, the pre-Christian Gods of the Celts of Ireland. So pervasive was her worship, that the Christians couldn’t stop the Irish from honoring her, so they adopted her into their own mythology as St. Brigid. February 2nd is close to the end of winter, and Brigid, among other qualities, is the Goddess of the hearth. Celebrants light fires and candles to ward off the dregs of winter and await the coming spring. I have celebrated Candlemas over the years by organizing a candle dance event, where people would gather to learn a few simple folk dances done with candles in our hands. It is at once solemn, graceful, and joyful, as we hold onto the light and step towards spring. Another thing I love about the first week of February is the Superbowl. Yes, that’s right. People are complex, you see. We are creatures of both spirit and banality. We celebrate with ancient dance, and also gladiatorial contest.

path to the old springs, which utterly delighted Karpenko. “How Slavic!” he cried. And then: “How pagan.” The evenings Dimitri especially enjoyed. For sometimes, while the others laughed and talked in the library, he would quietly sit at the piano and try out his own tentative compositions. It was on these occasions that he discovered a new and extraordinary feature

This close, it was still the song of spring, but that song was revealed to be what the pagans had always known it to be—the blind urge to seize, to mate, to spill blood and seed heedlessly into the earth, wallow in crushed flowers, writhe in the juices of grass and mud.