Paddling Upstream Quotes

At the window he sits and looks out, musing on the river, a little brown hen duck paddling upstream among the windwaves close to the far bank. What he has understood lies behind him like a road in the woods. He is a wilderness looking out at the wild.

We were made to live slower than our fast-paced Western culture deems normal. But it means paddling upstream through strong currents.

The instant passed so fast, and when that happens, it goes for good and all you have is a slow lifetime to speculate on revisions. Except time flows one way and drags us with it no matter how hard we paddle upstream.

Oh r-really? Do t-tell?” I quirked an eyebrow back at him. “Well, usually it’s best to take your shoes and socks off before you step in the stream, better balance on an uneven surface. Also, you avoid that unpleasant squelchy feeling when you wear the shoes againlater.” He paused, smirking. “Also, if I was going to paddle barefoot “I was going to paddle barefoot upstream in Yorkshire, I’d wait until at least May before I tried it. But you go ahead, love. You’re clearly a Spartan lass.

Nancy and Helen said good-by and paddled off upstream. The Angus River, a tributary of the Muskoka, was banked on either side with dense shrubbery, willow trees, and wild flowers. “We’re almost to Benton,” Nancy said. “The old inn should be just beyond the next bend.

Michael Heseltine, a wild-haired visionary, Klaus Kinski to Margaret's Thatcher's Werner Herzog, pushed Docklands across the Thames to the East Greenwich Peninsula. The Millennium Dome concept was a remake of 'Fitzcarraldo', a film in which suborned natives (expendable extras) drag a paddle steamer over a hill in order to force a short cut to more exploitable territory. The point being to bring Enrico Caruso, one of the gods of opera, to an upstream trading post. An insane achievement mirrored in the rebranding of the Dome, after its long and expensive limbo, as the O2 Arena, a popular showcase for cryogenic rock acts:Norma Desmond divas and the resurrected Michael Jackson, whose virtual rebirth,post-mortem, gave the shabby tent the status of a riverside cathedral.

Oh r-really? Do t-tell?” I quirked an eyebrow back at him.

“Well, usually it’s best to take your shoes and socks off before you step in the stream, better balance on an uneven surface. Also, you avoid that unpleasant squelchy feeling when you wear the shoes again later.” He paused, smirking. “Also, if
I was going to paddle barefoot upstream in Yorkshire, I’d wait until at least May before I tried it. But you go ahead, love. You’re clearly a Spartan lass.

Her fingers still cold, she lifted the receiver. “Still reading Proust?” “But not making much progress,” Aomame replied. It was like an exchange of passwords. “You don’t like it?” “It’s not that. How should I put it—it’s a story about a different place, somewhere totally unlike here.” Tamaru was silent, waiting for her to go on. He was in no hurry. “By different place, I mean it’s like reading a detailed report from a small planet light-years away from this world I’m living in. I can picture all the scenes described and understand them. It’s described very vividly, minutely, even. But I can’t connect the scenes in that book with where I am now. We are physically too far apart. I’ll be reading it, and I find myself having to go back and reread the same passage over again.” Aomame searched for the next words. Tamaru waited as she did. “It’s not boring, though,” she said. “It’s so detailed and beautifully written, and I feel like I can grasp the structure of that lonely little planet. But I can’t seem to go forward. It’s like I’m in a boat, paddling upstream. I row for a while, but then when I take a rest and am thinking about something, I find myself back where I started. Maybe that way of reading suits me now, rather than the kind of reading where you forge ahead to find out what happens. I don’t know how to put it exactly, but there is a sense of time wavering irregularly when you try to forge ahead. If what is in front is behind, and what is behind is in front, it doesn’t really matter, does it. Either way is fine.

Question number four: I read somewhere that you were an actor before you became an author. CC: That sounded more like a judgement than a question. MG: It was. Usually people pick a career in medicine or business to fall back on. With your chosen professions, it's like you decided to sail upstream without a paddle or a canoe. CC: Well, performing and writing have always been the same thing to me. You get to be a storyteller in both fields, and at the end of the day, I suppose a storyteller is what I consider myself the most. MG: Well, la-di-da. I know what you mean, though. I was an actress myself back in the golden days of Hollywood - you know, before all this streaming trash. CC: Would I recognize your work? MG: Did you ever see the film Gone with the Wind? CC: Of course! MG: I supplied the wind. CC: [A beat of silence.} How much longer is this interview going to take?

In the morning mist, as I worked my way upstream, I watched three deer wade across the river ahead of me and quickly got out of my own head. The foliage was thick and green, in that moment before Texas summer becomes too hot to endure without immersing yourself in the water, and the air buzzed with insect and avian life. Canoeing, especially alone, has a meditative quality. I had to tune into the water, into the current, into the air. I felt and followed the flow of the elements around me, moving my body and the vessel that carried it through space, my form propelled by the paddle I stroked along the sides of the boat with learned grace, at the pace of the place, mostly silent. Not unlike the rudimentary meditation practices I had learned in high school from a visiting Zen priestess, I realize now, the activity had a way of emptying the mind of active thought. In zazen, the aim is no more mind than a dim mindfulness of the act of breathing. In a canoe, there’s a lot more going on, a way of moving through the natural environment that by its very essence leaves little room for distracted thought—an exorcism of the self that compels you to let the world around you into your consciousness. I literally had to feel my way using all my senses, opening my being up to everything it was interacting with. To do so without leaving the city, finding myself totally alone in a pocket of urban reality filled with bountifully diverse life, was absolutely transcendent.

Montreal November 1704 Temperature 34 degrees Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim. Tannhahorens took Mercy’s hand and led her to one of the pirogues, and the Sauk paddled close, hanging on to the edge of the dock so that Mercy could climb in. Mercy could not look at the Sauk. She had shamed Tannhahorens in front of them. Mercy climbed in and Tannhahorens stepped in after her, and the men paddled slowly upstream to Tannhahorens’s canoe. The other pirogue stayed at the wharf, where those Sauk continued to stand, their weapons shining. Eventually the French began to load the ship again. “Daughter,” said Tannhahorens, “the sailors are not good men.” She nodded. He bent until he could look directly into her eyes, something Indians did not care for as a rule. “Daughter.” She flushed scarlet. On her white cheeks, guilt would always be revealed. “The cross protects,” said Tannhahorens. “Or so the French fathers claim. Perhaps it does. But better protection is to stay out of danger.” Did Tannhahorens think she had gotten lost? Did he believe that she had ended up on the wharf by accident? That she was waving the cross around for protection? Or was he, in the way of Indians, allowing that to be the circumstance because it was easier? When he had thanked the Sauk sufficiently and they had agreed to tell Otter that Mercy had gone home with her father, Tannhahorens paddled back to Kahnawake. His long strong arms bent into the current. Her family had not trusted her after all. Tannhahorens must have been following her. Or, in the way of a real father, he had not trusted Montreal. Either way, she was defeated. There was no escape. If there is no escape, and if there is also no ransom, what is there for me? thought Mercy. I don’t want to be alone. A single star in a black and terrible night. How can I endure the name Alone Star? “Why do you call me Munnonock?” she asked. She wanted desperately to go home and end this ugly day. Home. It was still a word of warmth and comfort. Still a word of safety and love. The homes she had known misted and blended and she did not really know if it was Nistenha in the longhouse or Stepmama in Deerfield or her mother in heaven whose home she wanted. “You are brave, daughter,” said Tannhahorens without looking at her, without breaking his rhythm, “and can stand alone. You shine with courage, and so shone every night of your march. You are our hope for sons and daughters to come. On you much depends.

Leaving the Connecticut River March 8, 1704 Temperature 40 degrees They reached a river where the water was open, seething and churning over rocks. We’re going to cross that? thought Mercy. It’s too wide and deep. We’ll drown. Tannhahorens took off his tobacco necklace. He loved to smoke, as did all the warriors. Since they smoked only when they had time and felt safe, the prisoners also loved it when the men smoked; it meant everybody had time and was safe. Tannhahorens poured tobacco into his palm. He lifted it toward the sky, calling as the loon called, his voice shivering through the wilderness. Then he faced the river and held, it seemed to Mercy, a conversation with the river. Finally, over the sharp rocks and ripping current, Tannhahorens threw all his tobacco. Every Indian did the same. The captives stared. Eliza, who had not spoken once since her husband was struck down, said, “It’s an offering. They give their best to the river, and hope the river will give its best to them.” They walked upstream, fighting thickets and snarling brooks. When the Indians stopped to kick at a great melting drift, Mercy was too tired even to wonder. Snow covered a dugout canoe. Forty or fifty feet long, it had been made of one great pine, the center core burned out and chiseled clean. They would paddle the rest of the way. Mercy lay on fur on the bottom of the dugout, the sounds of water above her head, for she was lower than the surface of the river. Not having to carry her own body was joy. The loons called back for hours, wailing a long wandering cry, like a bell that would not stop ringing or a sob that would not stop weeping. Tannhahorens said to Mercy, “It is the speech of the north,” and Mercy understood. That wild terrifying beautiful cry was the sound of where she was going.

Oh r-really? Do t-tell?” I quirked an eyebrow back at him.
 
“Well, usually it’s best to take your shoes and socks off before you step in the stream, better balance on an uneven surface. Also, you avoid that unpleasant squelchy feeling when you wear the shoes again later.” He paused, smirking. “Also, if
I was going to paddle barefoot upstream in Yorkshire, I’d wait until at least May before I tried it. But you go ahead, love. You’re clearly a Spartan lass.

But as they say in Daellan, sometimes life is like a sewer flood: it stinks, but it only gets worse if you go against the current. And this party is headed upstream without a paddle.

sometimes life is like a sewer flood: it stinks, but it only gets worse if you go against the current. And this party is headed upstream without a paddle.

Being stuck in a cycle of complaints is like trying to paddle upstream in a rubber dinghy – it's tiring and won't get you far!

Everything in my mind was screaming at me to stop kissing him, but I couldn’t. It was like trying to paddle upstream against a wild current. I was drowning, sinking down into the waters of my emotions. Nothing made sense here except his lips molding against mine.