Pacific Heights Quotes

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It seemed like a matter of minutes when we began rolling in the foothills before Oakland and suddenly reached a height and saw stretched out ahead of us the fabulous white city of San Francisco on her eleven mystic hills with the blue Pacific and its advancing wall of potato-patch fog beyond, and smoke and goldenness in the late afternoon of time.
Jack Kerouac (On the Road)
A veces las respuestas llegan cuando menos te las esperas, y a veces la mejor manera de disipar la oscuridad es simplemente ser paciente y esperar la luz.
Paul Harper (Pacific Heights)
Pacifism for the sake of pacifism is the height of arrogant selfishness when that belief prevents you from acting to save others from harm.
Michael A. Stackpole
Only in the campfire-stoked stories of Boy Scouts, bedtime tales baby-sitters employ to frighten bratty charges, or in the sweet delight of grandpas who never grew up, would the stories live on.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
Her death had obliterated that. It had obliterated me. It had cut me short at the very height of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we’d left off. She was my mother, but I was motherless. I was trapped by her but utterly alone. She would always be the empty bowl that no one could fill. I’d have to fill it myself again and again and again.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Every morning a great wall of fog descends upon the city of San Francisco. It begins far out at sea. It forms over the Farallons, covering the sea lions on their rocks, and then it sweeps onto Ocean Beach, filling the long green bowl of Golden Gate Park. The fog obscures the early morning joggers and the lone practitioners of tai chi. It mists up the windows of the Glass Pavilion. It creeps over the entire city, over the monuments and movie theaters, over the Panhandle dope dens and the flophouses in the Tenderloin. The fog covers the pastel Victorian mansions in Pacific Heights and shrouds the rainbow-colored houses in the Haight. It walks up and down the twisting streets of Chinatown; it boards the cable cars, making their clanging bells sound like buoys; it climbs to the top of Coit Tower until you can’t see it anymore; it moves in on the Mission, where the mariachi players are still asleep; and it bothers the tourists. The fog of San Francisco, that cold, identity-cleansing mist that rolls over the city every day, explains better than anything else why that city is what it is.
Jeffrey Eugenides (Middlesex)
As the campfire burned to an ashy bowl of red-hot embers, the boys would ramble on, piling up horror upon horror, like cordwood stacked under a blood-red-barked madrona tree.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
If it weren't for her, one way or another I'd be another bloated corpse staining the NeoPacific. So when I lie back and roll onto my side, I decide I'm not bunking back to back with the girl who kept me from sparing Durga or the girl who dragged me aboard the Minnow and threw me into a janitorial closet. She's not the girl who slammed me into a wall a minutes ago or the girl who called me a shoregirl like it was the height of an insult. I'm just going to sleep next to the girl who saved my life.
Emily Skrutskie (The Abyss Surrounds Us (The Abyss Surrounds Us, #1))
wished she’d done differently and then get older and understand that she had done the best she could and realize that what she had done was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very height of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we’d left off. She
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Stately and commanding, the house I found on Sacramento Street, in Lower Pacific Heights, was an architectural jewel; tour buses drove down the street several times a day and the guides pointed out our Victorian “painted lady” not just for its curb appeal but also for its lucky survival of the earthquake. Meticulously renovated, the house had a layout that I was sure would work perfectly: a three-room suite on the lower level with a bathroom and laundry room for my mother, living space on the next level, and, on the top floor, bedrooms for Zoë and me. The master bedroom was large enough to double as my office. Moreover, it seemed symbolic that we should find a three-story nineteenth-century Victorian, whose original intention was to house multiple generations. My mother couldn’t have been more pleased. She started calling our experiment “our year in Provence.” In the face of naysayers, I chose to embrace the reaction of a friend who was living in Beijing: “How Chinese of you!” she said upon hearing the news. When I told my mother, she was delighted. “What have the Chinese got on us?” she declared. And I agreed. The Chinese revere their elderly. If they could live happily with multiple generations under one roof, so could we.
Katie Hafner (Mother Daughter Me)
I'd read the section in my guidebook about the trail's history the winter before, but it wasn't until now—a couple of miles out of Burney Falls, as I walked in my flimsy sandals in the early evening heat—that the realization of what that story meant picked up force and hit me squarely in the chest: preposterous as it was, when Catherine Montgomery and Clinton Clarke and Warren Rogers and the hundreds of others who'd created the PCT had imagined the people who would walk that high trail that wound down the heights of our western mountains, they'd been imagining me. It didn't matter that everything from my cheap knockoff sandals to my high-tech-by-1995-standards boots and backpack would have been foreign to them, because what mattered was utterly timeless. It was the thing that compelled them to fight for the trail against all the odds, and it was the thing that drove me and every other long-distance hiker onward on the most miserable days. It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B. It had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way. That's what Montgomery knew, I supposed. And what Clarke knew and Rogers and what thousands of people who preceded and followed them knew. It was what I knew before I even really did, before I could have known how truly hard and glorious the PCT would be, how profoundly the trail would both shatter and shelter me.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Stanley Perlman. She hurried out of the building at One Market Plaza, stepped off the curb, and hailed a cab. It occurred to her, as it always did, that one of these days when she met with him, it would really be for the last time. He always said it was. She had begun to expect him to live forever, despite his protests, and in spite of the realities of time. Her law firm had handled his affairs for more than half a century. She had been his estate and tax attorney for the past three years. At thirty-eight, Sarah had been a partner of the firm for the past two years, and had inherited Stanley as a client when his previous attorney died. Stanley had outlived them all. He was ninety-eight years old. It was hard to believe sometimes. His mind was as sharp as it had ever been, he read voraciously, and he was well aware of every nuance and change in the current tax laws. He was a challenging and entertaining client. Stanley Perlman had been a genius in business all his life. The only thing that had changed over the years was that his body had betrayed him, but never once his mind. He was bedridden now, and had been for nearly seven years. Five nurses attended to him, three regularly in eight-hour shifts, two as relief. He was comfortable, most of the time, and hadn't left his house in years. Sarah had always liked and admired him, although others thought he was irascible and cantankerous. She thought he was a remarkable man. She gave the cabdriver Stanley's Scott Street address. They made their way through the downtown traffic in San Francisco's financial district, and headed west uptown, toward Pacific Heights, where he had lived in the same house for seventy-six years. The sun was shining brightly as they climbed Nob Hill up California Street, and she knew it might be otherwise when they got uptown. The fog often sat heavily on the residential
Danielle Steel (The House)
It was wrong. It was so relentlessly awful that my mother had been taken from me. I couldn’t even hate her properly. I didn’t get to grow up and pull away from her and bitch about her with my friends and confront her about the things I wished she’d done differently and then get older and understand that she had done the best she could and realize that what she had done was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very height of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we’d left off. She was my mother, but I was motherless. I was trapped by her but utterly alone. She would always be the empty bowl that no one could fill. I’d have to fill it myself again and again and again.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
The Highest Octaves of Light Sands, in wild winds of surging waves Over the desert dunes, sing with the tones Of tiny pebbles moving all together, a shifting Of dust grains humming and moaning Over the growing and diminishing dunes. His body in the mirror is the color Of sands. The song he sings in the voice Of light shining like waves of wind Passing over his body inside the glass. The mirror sings with the color of sand In the highest octaves of light. Have you ever listened to sands sing With gold light as they fall in threads Through the needle-eye opening At the center of a hour-glass globe? Why not arrange such globes in rows Before a window of sun, each globe A different width, a different height Of refined or rudimentary glass, clear Amber rose, a tinted blue of noon sky, And listen to the chorus? And then why not turn the globes Upside down and over again to hear Sands sing one more time? The desert dunes are singing, wind-risen Voices from a primeval earth, haunting, Pacific, pining and irate. we listen For the repeating message we remember. The songs are only tumbling pebble grains; Their words are only notes of swirling dust, Sings the eternal light, Emanuel.
Pattiann Rogers (Quickening Fields (Penguin Poets))
the woman he alternately loved and tolerated.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
And though he could woo and bed any woman he wanted, and had done so with the regularity of a tomcat, he underestimated the tenacity of a woman scorned.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
Lastly, Spurgeon reminds us that piety and devotion to Christ are not preferable alternatives to controversy, but rather that they should - when circumstances demand it - lead to the latter. He was careful to maintain that order. The minister who makes controversy his starting point will soon have a blighted ministry and spirituality will wither away. But controversy which is entered into out of love for God and reverence for His Name, will wrap a man's spirit in peace and joy even when he is fighting in the thickest of battle. The piety which Spurgeon admired was not that of a cloistered pacifism but the spirit of men like William Tyndale and Samuel Rutherford who, while contending for Christ, could rise heavenwards, jeopardizing 'their lives unto the death in the high places of the field'. At the height of his controversies Spurgeon preached some of the most fragrant of all his sermons.
Iain H. Murray
The more we study the catastrophes and endings that befell individual churches in particular eras, the better we appreciate the surprising new births that Christianity achieves in these very years, in odd and surprising contexts. Just as Turkish power was reaching its height in the traditional Christian lands of the Middle East and the Balkans, so the seafaring Christian powers were bringing their faith to the New World and the Pacific. And while the 1915–25 period in the Middle East marked the extinction or ruin of ancient Christian communities, this was exactly the era in which the religion began its epochal growth in black Africa, arguably the most important event in Christian history since the Reformation. But the history can be appreciated in its fullness only by acknowledging the defeats and disasters alongside the triumphs and expansions.
Philip Jenkins (The Lost History of Christianity: The Thousand-Year Golden Age of the Church in the Middle East, Africa, and Asia—and How It Died)
Claire and Dorothea are ill because they can afford to be ill.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
When my hunger grew to the point of distraction, I climbed onto buses and rode to the Marina, Fillmore Street, or Pacific Heights. I toured high-end delis, lingering at polished marble countertops and sampling an olive, a slice of Canadian bacon, or a sliver of Havarti. I asked the questions Elizabeth would have asked: which olive oils are unfiltered; exactly how "fresh" was the albacore, the salmon, the sole; how sweet were the season's first blood oranges?
Vanessa Diffenbaugh (The Language of Flowers)
And then I wailed. No tears came, just a series of loud brays that coursed through my body so hard I couldn’t stand up. I had to bend over, keening, while bracing my hands on my knees, my pack so heavy on top of me, my ski pole clanging out behind me in the dirt, the whole stupid life I’d had coming out my throat. It was wrong. It was so relentlessly awful that my mother had been taken from me. I couldn’t even hate her properly. I didn’t get to grow up and pull away from her and bitch about her with my friends and confront her about the things I wished she’d done differently and then get older and understand that she had done the best she could and realize that what she had done was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very height of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we’d left off. She was my mother, but I was motherless. I was trapped by her but utterly alone. She would always be the empty bowl that no one could fill. I’d have to fill it myself again and again and again.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
These riches never die. The great songs echo still, the colors of the paintings do not fade. They accompanied me as I trudged the lower heights of the Nanga Parbat in the Himalayas and comforted me as I stood lashed to the wheel while our small boat wallowed through the tail end of a Pacific typhoon. They have echoed in my mind when I needed consolation and been at hand when I required dedication to some old task or inspiration in a new. As I [sic] child I probed for the secrets of art; as a young man I tried to winnow the good from the bad; and as an adult I remain totally committed. Perhaps I have loved art too much and allowed myself to be made a prisoner of it, but from the manner in which I began my exploration it could have ended no other way. p114
James A. Michener (The World Is My Home: A Memoir)
After nightfall, when most of the American planes had been taken aboard, a new formation of planes arrived over the task force. First, the drone of their engines could be heard above the cloud cover; then they slipped into view, at about the height of the Lexington’s masts. “These planes were in very good formation,” recalled Lieutenant Commander Stroop. They had their navigation lights on, indicating that they intended to land. But many observers on both carriers and several of the screening vessels noted that something was awry. Captain Sherman of the Lexington counted nine planes, more than could be accounted for among the American planes that were still aloft. They were flying down the Yorktown’s port side, a counterclockwise approach, the reverse of the American landing routine. They were flashing their blinker lights, but none of the Americans could decipher the signal. Electrician’s mate Peter Newberg, stationed on the Yorktown’s flight deck, noticed that the aircraft exhausts were a strange shape and color, and Stroop noted that the running lights were a peculiar shade of red and blue. The TBS (short-range radio circuit) came alive with chatter. One of the nearby destroyers asked, “Have any of our planes got rounded wingtips?” Another voice said, “Damned if those are our planes.” When the first of the strangers made his final turn, he was too low, and the Yorktown’s landing signal officer frantically signaled him to throttle up. “In the last few seconds,” Newberg recalled, “when the pilot was about to plow into the stern under the flight deck, he poured the coal to his engine and pulled up and off to port. The signal light flicked briefly on red circles painted on his wings.” One of the screening destroyers opened fire, and red tracers reached up toward the leading plane. A voice on the Lexington radioed to all ships in the task force, ordering them to hold fire, but the captain of the destroyer replied, “I know Japanese planes when I see them.” Antiaircraft gunners on ships throughout the task force opened fire, and suddenly the night sky lit up as if it was the Fourth of July. But there were friendly planes in the air as well; one of the Yorktown fighter pilots complained: “What are you shooting at me for? What have I done now?” On the Yorktown, SBD pilot Harold Buell scrambled out to the port-side catwalk to see what was happening. “In the frenzy of the moment, with gunners firing at both friend and foe, some of us got caught up in the excitement and drew our .45 Colt automatics to join in, blasting away at the red meatballs as they flew past the ship—an offensive gesture about as effective as throwing rocks.” The intruders and the Americans all doused their lights and zoomed back into the cloud cover; none was shot down. It was not the last time in the war that confused Japanese pilots would attempt to land on an American carrier.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
Orphaned daughters of a well-to-do English officer in the Imperial Army Medical Service, Dorothea was born in Trichinopoli, India, Claire in London. And though schooled in Switzerland, England, and France and well traveled, the sisters, especially Claire, exhibited a childlike naïveté and innocence that sometimes left them a target of manipulation by those with dubious intentions.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
Claire and Dorothea were unwed and beyond the age of thirty,
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
Pacific Coast and Vancouver Island’s Empress, a stately hotel that held its surroundings like a grand, decorated cake above the seawater in which the island seemed to float.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
beloved governess, Margaret Conway.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
Being rich is the cause of all their problems,” a cousin of lesser means had told others in the family. “Claire and Dorothea are ill because they can afford to be ill.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
He could talk a ravenous dog off the back end of a meat wagon.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
What a convoluted kaleidoscopic twisted universe we live in. What glory, what heights and depths. I want to hike until I fall apart.
Carrot Quinn (Thru-Hiking Will Break Your Heart: An Adventure on the Pacific Crest Trail)
From Alan Thein Duening: Picture North America from space. Look at the upper left and start an imaginary line on the rugged coast of southern Alaska. Climb the ridges that encircle Prince William Sound. Cross the snowy teeth of the Chugach Mountains and descend through kettle-pond country to the feet of the towering Alaska Range. Rise again to the bitter heights and turning southeast along the crest, clip the corner of the Yukon Territory. Enter British Columbia and veer east through its folding north. Turn your line south when you reach the Continental Divide in the Rocky Mountains. Follow the divide down the thousand-mile spine of British Columbia, across Montana, along the buttressed ridges of the Idaho border and into Wyoming as far as Jackson Hole. There, leave the divide and turn westward toward the coast. Following the swells and benches that limit the Columbia Basin, dip southward into Utah and Nevada, then northward again around the high desert of central Oregon. When you approach the Cascade Mountains, veer southwest through the tangled topography of northern California to the crest of the Coast Range. Just north of San Francisco Bay, descend to the shores of the Pacific. The line you have drawn is an unfamiliar one. You won’t find it on maps. But it shows a geographical unit more real, in ecological sense, than any of the lines governments draw. You have drawn a biological region, a bioregion. Specifically, you have outlines the watersheds of rivers flowing into the Pacific Ocean through North America’s temperate rain forest zone with a fifteen-hundred-mile belt of rain forests along the coast. The unity of this diverse bioregion is the movement of its water; every ounce of moisture that the ocean throws into the sky and the sky hurls down on the land inside this region’s borders tumbles toward the rain forest coast. If it does not evaporate or get trapped in underground aquifers along the way, water will reach that dripping shoreline through one of several hundred swift, cold rivers. Most likely, it will travel through the Columbia or the Fraser rivers, home to the Earth’s greatest population of migrating salmon. This place, defined by water running to woodlands, has no perfect name. You can call it Rain Forest Province, the North Pacific Slope, or Cascadia… Natural units of place such as this have always mattered more to people than has humanity in general or the planet in its entirety. Indeed, history is unequivocal; people will sacrifice for villages, homelands, or nations, even giving their lives. But humans seem unwilling to sacrifice for their planet, despite the fact that it is now suffering proportionately greater losses from social decay and environmental destruction than most countries at war.
David Landis Barnhill (At Home on the Earth: Becoming Native to Our Place: A Multicultural Anthology)
By the height of World War II, 50,000 workers at Boeing facilities in Washington produced 16 B-17s a day and one, larger, B-29 Super Fortress every five days.24 By war's end in 1945, Northwesterners contributed 6,981 B-17s and 1,119 B-29s for the cause. The effect on the local economy can hardly be overstated, particularly in relation to the female and minority workforces.
David J Jepsen (Contested Boundaries: A New Pacific Northwest History)
The beds of rivers, remaining dry during a part of the year, are converted into torrents, whenever great rain falls on the heights. The sward and the moss disappearing with the brushwoods from the sides of the mountains, the waters falling in rain are no longer impeded in their course, and instead of slowly augmenting the level of the rivers by progressive filtrations, they furrow during heavy showers the sides of the hills, beat down the loosened soil and form these sudden inundations that devastate the country. Hence it results that the destruction of forests, the want of permanent springs and the existence of torrents are three phenomena closely connected together. Countries that are situated in opposite hemispheres, Lombardy bordered by the chain of the Alps and Lower Peru inclosed between the Pacific Ocean and the Cordillera of the Andes, exhibit striking proofs of the justness of this assertion.
Ramachandra Guha (Environmentalism: A Global History)
All of what the place had been was the great dream of a woman, a doctor named Linda Burfield Hazzard.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
was a magnificent structure for its time and place—a sanitarium of three stories, plus a basement. Dormer windows jutted over a porch that ran the full length; a dark, oak staircase in the grand foyer dominated the interior. There was even a kitchen, an office, and of course, the Treatment Room.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)
No one could possess a shred of doubt that Olalla’s most famous institution was the sanitarium up on the heights off Orchard Avenue.
Gregg Olsen (Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest)