P.s. I Miss You Quotes

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Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me. I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic. The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it. It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't. I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me. Always, Your Peter P.S. Please give my love to Tink. She was always such a funny little bug.
Jodi Lynn Anderson (Tiger Lily)
You’ll go about your day, and you will miss him at first, but over time it will ease. It will lessen.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
You'll just do what you did before he was your boyfriend," Alicia says. "You'll go about your day, and you will miss him at first, but over time it will ease. It will lessen." She reaches out, touches her papery hand to my cheek. A smile plays at her lips. "All you need is time, and you, little one, have all the time in the world.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
« P.S. Vita Sackville-West to Virginia Woolf—1927: With me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. » Casey McQuiston. « Red, White & Royal Blue. » Apple Books.
Casey McQuiston (Red, White & Royal Blue)
Subject: This is a work environment and this is harassment Mr. Zaccadelli, I am writing to inform you that your proposition has been rejected. Due to both the fact that we are coworkers, as well as roommates, I would find it inappropriate to “visit the stacks” with you. I will reject all further offers at this time. If, in the future, I decide to entertain such an offer, I will inform you via correspondence. Respectfully (not) yours, Miss Taylor Caldwell P.S. Stop fucking emailing me.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
The truth is, Ari, I miss El Paso. When we first moved there, I hated it. But now I think about El Paso all the time. And I think of you. Always, Dante P.S.
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
I didn't think there was anything shocking in there, but I could have been wrong. I was imagining May reading it over and over again, finding hidden details about my life in the words. I wondered if she'd read this before she ate the pastries. P.S. May, don't these strawberry tarts just make you want to cry? There. That was the best I could do. Apparently, it wasn't good enough. A butler knocked on my door that evening with an envelope from my family and an update. "She didn't cry, miss. She said they were so good she could have-as you suggested-but she did not actually cry. His Majesty will come and get you from your room around five tomorrow. Please be ready.
Kiera Cass (The Selection (The Selection, #1))
Questo ti volevo dire. Ho rotto il nostro patto ma forse é stato meglio così. Ora basta però, non ti voglio rattristare. Mia madre mi ha detto che sei bellissima e io lo sapevo. Quando eravamo piccoli ero sicuro che saresti diventata miss Italia. P.s. Preparati, che quando passo da Bologna ti prendo e ti porto via.
Niccolò Ammaniti (I'll Steal You Away)
Iz, seriously, I’m fine. No more setups.” “Fine, no more setups. But be open or you might miss something right in front of you.
Kasie West (P.S. I Like You)
P.S. Vita Sackville-West to Virginia Woolf—1927: With me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal.
Casey McQuiston (Red, White & Royal Blue)
You'll just do what you did before he was your boyfriend. You'll go about your day, and you will miss him at first, but over time it will ease. It will lessen. All you need is time, and you, little one, have all the time in the world.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
P.S. Nothing personal, but I think this journal assignment is a waste of time. I know I have to do something to make up for all the work I'm missing at school, but I HATE busywork. And that's what this journal thing is. Half the teachers at school assign work they never read. When we get stupid assignments like that, I always write somewhere on my paper "blah blah blah" or "I bet you're not even reading this," are you? or "Give me a sign if you're reading this." They never are.
Kate Klise (Trial by Journal)
(Golden Globe acceptance speech in the style of Jane Austen's letters): "Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport. P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature." "With gratitude and apologies to Miss Austen, thank you.
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
Kiss me like you missed me,
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I came home to find three rocks on my desk and a card with a penguin on the front. Seeing it was from Greg, I did a little happy dance as I bounced into my room, reading his inscription. Dearest Fiona, I’m missing you dreadfully. It’s been an age, I don’t think you’ll recognize me when next we meet. I’ve put on ten stone and lost all my hair. And an eye. I hope you fancy a fat bald man with an eye patch. Come out with me on Friday. Finals will finally be over and it’ll be time to celebrate. I’ll pick you up at four. We’ll do a first date do-over, eat at Manganiello’s again, plus a new, improved surprise. Also, FYI: Gentoo penguins mate for life. Whereas Adélie penguins prostitute themselves for rocks. I’d like to be your Gentoo penguin. -Greg P.S. Unless you’re open to a rock arrangement. If so, please find my first down payment enclosed.
Penny Reid (Ninja at First Sight (Knitting in the City, #4.75))
Goodby Miss Kinnian and dr Strauss and evrybody ... P.S. please tel prof Nemur not to be such a grouch when pepul laff at him and he woud have more frends. Its easy to have frends if you let pepul laff at you. Im going to have lots of frends where I go. P.S. please if you get a chanse put some flowrs on Algernons grave in the bak yard
Daniel Keyes (Flowers for Algernon)
Now he was gone. She said a silent prayer. Sent it up to heaven. Sam, if you can hear me, I hope you’ve got nice food where you are. Some vegetables like these. They’re meant to be good for you. So eat them all up, like I’m doing. When I die I’ll come and see you, and we’ll be together again. But for now I’m going to think of you safe and happy and playing knights with a friend. Love from Ella. Your sister. P.S. I got a good long turn with Godzilla today after we got here. Godzilla is very happy. P.P.S. I forgot, you never met Godzilla. He is a puppy and is very cute. He belonged to a boy called Joel who got killed by monkeys. I think the monkeys were sick. Monkeys are usually nice. At least in stories. P.P.P.S. Maybe you’ll meet Joel where you are. Say hello. He is nice. P.P.P.P.S. Good night, Sam. The others call you Small Sam. To me you’re just Sam—my brother. I miss you. I wish I was with you.
Charlie Higson
P.S. Eleanor Roosevelt to Lorena Hickock—1933: I miss you greatly dear. The nicest time of the day is when I write to you. You have a stormier time than I do but I miss you as much, I think.… Please keep most of your heart in Washington as long as I’m here for most of mine is with you!
Casey McQuiston (Red, White & Royal Blue)
If you ever reed this Miss Kinnian dont be sorry for me. Im glad I got a second chanse in life like you said to be smart because I lerned alot of things that I never even new were in this werld and Im grateful I saw it all even for a littel bit. And Im glad I found out all about my family and me. It was like I never had a family til I remembird about them and saw them and now I know I had a family and I was a person just like evryone. I dont no why Im dumb agen or what I did rong. Mabye its because I dint try hard enuf or just some body put the evel eye on me. But if I try and practis very hard mabye Ill get a littel smarter and no what all the words are. I remembir a littel bit how nice I had a feeling with the blue book that I red with the toren cover. And when I close my eyes I think about the man who tored the book and he looks like me only he looks different and he talks different but I dont think its me because its like I see him from the window. Anyway thats why Im gone to keep trying to get smart so I can have that feeling agen. Its good to no things and be smart and I wish I new evrything in the hole world. I wish I could be smart agen rite now. If I could I would sit down and reed all the time. Anyway I bet Im the frist dumb persen in the world who found out some thing inportent for sience. I did somthing but I dont remembir what. So i gess its like I did it for all the dumb pepul like me in Warren and all over the world. Goodby Miss Kinnian and dr Strauss and evrybody... P.S. please tel prof Nemur not to be such a grouch when pepul laff at him and he would have more frends. Its easy to have frends if you let pepul laff at you. Im going to have lots of frends where I go. P.S. please if you get a chanse put some flowrs on Algernons grave in the bak yard.
Daniel Keyes (Flowers for Algernon)
Dear Mr. Raynod, Sam says evry time you kiss Miss Montbadin we have an outing. Pleas get well and kiss her soon. Yours truley, Daisy Fairfax and Milisent Fairfax P.S. I made a draring of a tyger, but it is not much good.
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
Dear Miss Tremor. You are smart and kind and pretty. I think you have really excellent stuff under your clothes and I would like to see it, please. Let's go on a date and get married and you can be my rodent queen in my castle in the sewer. Love always and forever, --Mouse. P.S. I am sorry my rats ate some of your candy.
Gail Simone (The Movement, Vol. 2: Fighting for the Future)
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
There was never a threat of things going too far when we were fake. But I see now how fast things can change without you even realizing it. It can go from a kiss to hands under my shirt in two seconds, and it’s so feverish, so frenzied. It’s like we’re on a high-speed train that’s going somewhere fast, and I like it, I do, but I also like a slow train where I can look out the window and appreciate the countryside, the buildings, the mountains. It’s like I don’t want to miss the little steps; I want it to last. And then the next second I want to grow up faster, more, now. To be as ready as everyone else is. How is everyone else so ready? I still find it very surprising, having a boy in my personal space. I still get nervous when he puts his arm around my waist or reaches for my hand. I don’t think I know how to date in the 2010s. I’m confused by it. I don’t want what Margot and Josh had, or Peter and Genevieve. I want something different. I guess you could call me a late bloomer, but that implies that we’re all on some predetermined blooming schedule, that there’s a right or a wrong way to be sixteen and in love with a boy. My body is a temple not just any boy gets to worship at. I won’t do any more than I want to do.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Peter still sits in front of me in chemistry. I didn't know you could miss someone even more acutely when they're a few feet away. Maybe it's because he doesn't look at me, not even once. I didn't fully comprehend what a big part of my life he'd become. He'd become so ... familiar to me. And now he's just gone. Not gone, still here, just not available to me, which might be even worse. For a minute there it was really good. It was really, really good. Wasn't it good? Maybe really, really good things aren't meant to last for too long; maye that's what makes them all the more sweet, the temporariness of them. Maybe I'm just trying to make myself feel better. It's working, barely. Barely is enough for now.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Peter still sits in front of me in chemistry. I didn't know you could miss someone even more acutely when they're only a few feet away. Maybe it's because he doesn't look at me, not even once. I didn't fully comprehend what a big part of my life he'd become. He'd become so ... familiar to me. And now he's just gone. Not gone, still here, just not available to me, which might be even worse. For a minute there it was really good. It was really, really good. Wasn't it good? Maybe really, really good things aren't meant to last for too long; maybe that's what makes them all the more sweet, the temporariness of them. Maybe I'm just trying to make myself feel better. It's working, barely. Barely is enough for now
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I’m surprised you even remember that day. You were so into Kavinsky, I don’t think you even noticed who else was there.” I push him in the shoulder. “I was not ‘so into Kavinsky’!” “Yes you were. You kept your eyes on that bottle the whole game, like this.” John picks up the bottle and lasers his eyes at it. “Waiting for your moment.” I’m bright red, I know I am. “Oh, be quiet.” Laughing, he says, “Like a hawk on its prey.” “Shut up!” Now I’m laughing too. “How do you even remember that?” “Because I was doing the same thing,” he says. “You were staring at Peter too?” I say it like a joke, to tease, because this is fun. For the first time in days I’m having fun. He looks right at me, navy-blue eyes sure and steady, and my breath catches in my chest. “No. I was looking at you.” There’s a humming in my ears, and it’s the sound of my heart beating in triple measure. In memory, everything seems to happen to music. One of my favorite lines from The Glass Menagerie. If I close my eyes I can almost hear it, that day in John Ambrose McClaren’s basement. Years from now, when I look back on this moment, what music will I hear then? His eyes hold mine, and I feel a flutter that starts in my throat and moves across my collarbone and chest. “I like you, Lara Jean. I liked you then and I like you even more now. I know you and Kavinsky just broke up, and you’re still sad, but I just want to make it unequivocally clear.” “Um…okay,” I whisper. His words--they come clearly; they don’t miss in either direction. Not even a trace of a stutter. Just--unequivocally clear.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Peter and I are warm and cozy in his car. Heat billows out the vents. I ask him, “Did you tell your mom about how we broke up?” “No. Because we never broke up,” he says, turning the heat down. “We didn’t?” He laughs. “No, because we were never really together, remember?” Are we together now? is what I’m wondering, but I don’t ask, because he puts his arm around me and tilts my head up to his, and I’m nervous again. “Don’t be nervous,” he says. I give him a quick kiss to prove I’m not. “Kiss me like you missed me,” he says, and his voice goes husky. “I did,” I say. “My letter told you I did.” “Yeah, but--” I kiss him before he can finish. Properly. Like I mean it. He kisses back like he means it too. Like it’s been four hundred years. And then I’m not thinking anymore and I’m just lost in the kissing.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Dear Peter, I miss you. It’s only been five days but I miss you like it’s been five years. Maybe because I don’t know if this is just it, if you and I will ever talk again. I mean I’m sure we’ll say hi in chem class, or in the hallways, but will it ever be like it was? That’s what makes me sad. I felt like I could say anything to you. I think you felt the same way. I hope you did. So I’m just going to say anything to you right now, while I’m still feeling brave. What happened between us in the hot tub scared me. I know it was just a day in the life of Peter for you, but for me it meant a lot more, and that’s what scared me. Not just what people were saying about it, and me, but that it happened at all. How easy it was, how much I liked it. I got scared and I took it out on you and for that I’m truly sorry. And at the recital party, I’m sorry I didn’t defend you to Josh. I should have. I know I owed you that much. I owed you that much and more. I still can’t believe you came, and that you brought those fruitcake cookies. You looked cute in your sweater, by the way. I’m not saying that to butter you up. I mean it. Sometimes I like you so much I can’t stand it. It fills up inside me, all the way to the brim, and I feel like I could overflow. I like you so much I don’t know what to do with it. My heart beats so fast when I know I’m going to see you again. And then, when you look at me the way you do, I feel like the luckiest girl in the world. Those things Josh said about you, they weren’t true. You haven’t brought me down. Just the opposite. You’ve brought me out. You gave me my first love story, Peter. Please just don’t let it be over yet. Love, Lara Jean
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Violet is missing, and it seems Vance is as well,” Damien says on a huff as he exits. “Why the bloody hell would he leave with her directly after a wolf attack?” I ask as I start toward the door, finishing off my drink. “Without a word?” “I’m not sure he left with her, so much as chased after her, since it looks like he found her note first,” Damien says as he jogs down the stairs. I have the paper snatched out of his hand before he realizes it’s missing, and I flip it over, reading it. DO NOT FOLLOW ME. THIS VACATION SUCKS TOO HARD TO STAY. I’M GOING HOME TO RELAX. Sincerely, the SINGLE gypsy girl who can think for herself P.S. I’LL KEY YOUR FUCKING CARS if you come looking for me before I’m ready to deal with you again. “Little rude to leave so soon, considering how hard I worked to find out where the hell you’d all gone,” I point out before walking out the door. I’m gone before they can further delay me. “She put it in shouty caps!” Damien calls to my back, though I have no idea what the hell that’s supposed to mean.
Kristy Cunning (Gypsy Origins (All The Pretty Monsters #3))
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn’t that I only loved some of you. But I wondered if you could ever love more than some of me. I knew I’d miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn’t happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn’t seem broken at all. I know young people look at me and think my youth seems so far away. But it’s all around me, and you’re all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic. The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn’t yours and mine? It does to me. And I’m sorry for it, and for a lot, and I also wouldn’t change it. It is so quiet here. Even with all the trains and the streets and the people. It’s nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won’t. I like to think that one day after I die, at least one small particle of me—of all the particles that will spread everywhere—will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing’s final, and that everyone gets to be together even when it looks like they don’t, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I’ll see you sometime again, even if it’s not with any kind of eyes I know of or understand. I wouldn’t be surprised if that is the way things go after all—that all things end happy. Even for you and Tik Tok. And for you and me. Always, Your Peter P.S. Please give my love to Tink. She was always such a funny little bug.
Jodi Lynn Anderson (Tiger Lily)
Miss Prudence Mercer Stony Cross Hampshire, England 7 November 1854 Dear Prudence, Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise. We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman. We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed. Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent. May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade? It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency. Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad. I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before. Ever yours, Christopher P.S. Sketch of Albert included As Beatrix read, she was alternately concerned, moved, and charmed out of her stockings. “Let me reply to him and sign your name,” she begged. “One more letter. Please, Pru. I’ll show it to you before I send it.” Prudence burst out laughing. “Honestly, this is the silliest things I’ve ever…Oh, very well, write to him again if it amuses you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Here’s the thing. My one piece of advice to you. You have to let yourself be fully present in every moment. Just be awake for it, do you know what I mean? Go all in and wring every last drop out of the experience.” “So do you not have any regrets, then? Because you always went all in?” I’m thinking of her divorce, how it was the talk of the neighborhood. “Oh God, no. I have regrets.” She laughs a husky laugh, the sexy kind that only smokers or people with colds get to have. “I don’t know why I’m sitting here trying to give you advice. I’m a single divorcée and I’m forty. Two. Forty-two. What do I know about anything? That’s a rhetorical question, by the way.” She lets out a sigh filled with longing. “I miss cigarettes so much.” “Kitty will check your breath,” I warn, and she laughs that husky laugh again. “I’m afraid to cross that girl.” “‘Though she be but little, she is fierce,’” I intone. “You’re wise to be afraid, Ms. Rothschild.” “Oh my God, Lara Jean, will you please just call me Trina? I mean, I know I’m old, but I’m not that old.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
! I’m majorly frustrated! I don’t know if I should quit the team, confront my teammates, or just keep quiet so I don’t make things worse. I really don’t want to give up my dream of making varsity! What would you do?? —Cheerless Cheerleader * * * * * * * * * * * * * * * Dear Cheerless Cheerleader, Hon . . . I think you’re kidding yourself if you think you made the cheerleading team based on your awesome moves. My reliable source on the team told me your tryout routine was HOR-REN-DOUS. She said she couldn’t tell if you were trying to dance or going into convulsions! Your backflips were BACKFLOPS, your cartwheels were FLAT TIRES, and your dismount was totally DISGUSTING! Get the picture? You were chosen for one reason, and one reason alone—you look like a sturdy ogre who can carry a lot of weight! It’s been a long tradition for cheerleading captains to hand-pick strong, ugly girls for the bottom of the pyramid. Didn’t you know that?? Quit taking everything so personally! Just accept that the bottom is where you belong, sweetie! You should hold your green, Shrek-looking head high that someone actually wants you for something. Bet that doesn’t happen often! Yay you! Sincerely, Miss Know-It-All P.S. My source wants you to stop dancing. She says you’re giving the squad NIGHT TERRORS! * * * * * * * * * * * * * *
Rachel Renée Russell (Tales from a Not-So-Happily Ever After! (Dork Diaries, #8))
Cambridge, Oct. 28. 1811. "Dear Madam, "I am about to write to you on a silly subject, and yet I cannot well do otherwise. You may remember a cornelian, which some years ago I consigned to Miss ——, indeed gave to her, and now I am going to make the most selfish and rude of requests. The person who gave it to me, when I was very young, is dead, and though a long time has elapsed since we met, as it was the only memorial I possessed of that person (in whom I was very much interested), it has acquired a value by this event I could have wished it never to have borne in my eyes. If, therefore, Miss —— should have preserved it, I must, under these circumstances, beg her to excuse my requesting it to be transmitted to me at No. 8. St. James's Street, London, and I will replace it by something she may remember me by equally well. As she was always so kind as to feel interested in the fate of him that formed the subject of our conversation, you may tell her that the giver of that cornelian died in May last of a consumption, at the age of twenty-one, making the sixth, within four months, of friends and relatives that I have lost between May and the end of August. "Believe me, dear Madam, yours very sincerely, "Byron. "P.S. I go to London to-morrow.
Thomas Moore (Life of Lord Byron With His Letters and Journals, Volume 1)
It's like we're on a high-speed train that's going somewhere fast, and I like it, I do, but I also like a slow train where I can look out the window and appreciate the countryside, the buildings, the mountains. It's like I don't want to miss the little steps; I want it to last. And then the next second I want to grow up faster, more, now. To be as ready as everyone else is. How is everyone else so ready?
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Even my sleepless eyes dreams you, know how much I miss you.
P.S. Jagadeesh Kumar
Elliot Levy was on my porch. Elliot Levy was. On. My. Porch. “Elliot?” He stared at me for a long time. Unblinking, taking me in like he was trying to figure out who I was. Seeing as he had shown up at my home, it made no sense whatsoever. I stared back. His ebony hair was tousled like he’d been running his fingers through it all morning. His plush mouth molded into a frown, pulling the rest of his face down with it, a deep crevice forming between his brows. My chest panged. I’d missed him, but that didn’t seem right. How could I have missed this unyielding, deadly-serious man? My jumbled-up emotions were tricking me. It had been a rough day. Joey-Girl was perfection, but everything else was in shambles.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
I’ve just been to see Audrey,” Beatrix said breathlessly, entering the private upstairs parlor and closing the door. “Poor Mr. Phelan isn’t well, and--well, I’ll tell you about that in a minute, but--here’s a letter from Captain Phelan!” Prudence smiled and took the letter. “Thank you, Bea. Now, about the officers I met last night…there was a dark-haired lieutenant who asked me to dance, and he--” “Aren’t you going to open it?” Beatrix asked, watching in dismay as Prudence laid the letter on a side table. Prudence gave her a quizzical smile. “My, you’re impatient today. You want me to open it this very moment?” ”Yes.” Beatrix promptly sat in a chair upholstered with flower-printed fabric. “But I want to tell you about the lieutenant.” “I don’t give a monkey about the lieutenant, I want to hear about Captain Phelan.” Prudence gave a low chuckle. “I haven’t seen you this excited since you stole that fox that Lord Campdon imported from France last year.” “I didn’t steal him, I rescued him. Importing a fox for a hunt…I call that very unsporting.” Beatrix gestured to the letter. “Open it!” Prudence broke the seal, skimmed the letter, and shook her head in amused disbelief. “Now he’s writing about mules.” She rolled her eyes and gave Beatrix the letter. Miss Prudence Mercer Stony Cross Hampshire, England 7 November 1854 Dear Prudence, Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise. We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman. We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed. Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent. May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade? It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency. Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad. I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before. Ever yours, Christopher P.S. Sketch of Albert included
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Holly just felt as though she was missing a vital organ from her body.
Cecelia Ahern (P.S. I Love You)
1. Create intimacy: You’ll get more trust—and capture the attention of your prospects—by establishing a personal connection. Your emails should read as if one person has written it to another: one to one. This can be achieved by: using a personal, or plain-text template; using “you” instead of “we”, or “I”; telling stories; and making good use of personalization. For an even greater effect, you can add subtle personalization throughout your copy. For example: “…this is what we’ve heard from other people in [ Tampa ]”. 2. Make users feel special: On top of personalization, you can create exclusivity: “This offer is only for our most engaged users” “…it’s for early adopters” Or appeal to vanity: “Our most successful users want to feel this way…” 3. Demonstrate that you understand their reality: You can create obvious qualifications everyone wants to have assigned to themselves, for example “…people who care about maximizing their return on investment”; or “…savvy marketers”. Illustrate product benefits and value with clear examples that relate to the unique situation of your users. 4. Create urgency: As Zapier did, you can also get creative with deadlines. Use coupons with limited-time offers to accentuate the fear of missing out (FOMO)17: “Offer only available until June 4th…” “Only a few people get this plan…” 5. Use clear actions: Use a CTA that clearly establishes the next steps. Repeat it throughout the email, coming at it from different angles. Use the P.S. to attract the eye and to reinforce the action you want users to take (when appropriate). Keep your emails simple and your messaging scannable. It’s important for users to be able to get the email at a glance. Short and sweet often outperforms long and complex emails. You want a near-instant reaction from your readers. Your email has to build up to the desired action. Use copy to overcome objections, and accentuate the desire to buy or engage. A good email has to: capture attention through the subject line, personalization, or a story; build reader interest by demonstrating either the benefit or the problem; build desire to act by creating information gaps, time constraints, or the fear of missing out; and drive action through a well-timed CTA, telling users exactly what you want them to do. These are really just the four steps of the AIDA model18 (Attention, Interest, Desire, and Action) applied to email copywriting. Don’t get intimidated by copywriting. Emails that are too polished often don’t work as well. Get started crafting your own email offers. We’ll get started working on subject lines in the next chapter.
Étienne Garbugli (The SaaS Email Marketing Playbook: Convert Leads, Increase Customer Retention, and Close More Recurring Revenue With Email)
Details were important to me. If I missed one number, it could be catastrophic. That was why I didn’t miss numbers. I studied details. Yet, I’d missed a glaring one. Catherine was pregnant. Now that I’d been made aware of it by my smug friends, Weston and Luca, I questioned how I could have missed it. Seated across from me, her round stomach stretched her thin, black sweater to within an inch of its life. I didn’t like being surprised almost as much as I hated blue ink. She lifted her eyes from her tablet, catching me studying her. Her head cocked, and she rubbed her lips together. I glanced down at the swell of her belly, and she exhaled. “Are you ready to have this conversation?” I asked. “Not really.” Slowly, she lowered her tablet to the seat beside her. “An email would probably be more efficient.” “We seem to be in the car for the long haul. I’d prefer to make use of our time.” I tapped the window, drawing her attention to the bumper-to-bumper traffic. “Were you planning on giving birth at your desk?” Her mouth twitched. “That would have been quite an announcement. No, that was never in the cards.” “Are you coming back after your leave?” She jolted like I’d shocked her. “Of course I am. I have to work.” “How will you do this job with a small baby at home?” Her hands stacked in her lap. “Are you allowed to ask me that?” “Probably not, but it’s a genuine concern. Will your husband be able to take over childcare while you’re traveling with me?” She let out a lilting laugh. “Oh, I don’t have a husband.” I would have been surprised if she’d said she did since her background check hadn’t turned up a marriage. But a lot could change in a little time, so anything was possible. “Your boyfriend?” “Same answer.” For the second time, I was taken aback. The background check had revealed Catherine owned a house in Denver and lived with her partner. Whether they were still together was none of my business, and I was certain she’d tell me exactly that if I asked. “Do you have a plan?” I pressed. “You don’t have to worry about my plans, Elliot.” “I do if it affects your work. Is this”—I outlined the shape of her stomach in the air in front of me—“going to slow you down?” “Again, are you allowed to ask me that?
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
P.S. That night in the emergency room, do you recall if I threw up something I needed? Some small but trivial thing that belonged inside? I distinctly feel as though I'm missing something. But then, I always have.
Carrie Fisher (Postcards from the Edge)
Dear Miss Know-It-All, I worked really hard to make the eighth-grade cheerleading team this year, but the other cheerleaders treat me like I don’t belong. I never get to do much cheering or dancing like they do. The only time the team captain needs me is when we do the human pyramid, and she always puts me at the bottom! I have to hold the most people on my back, which is totally excruciating, and if I lose my balance, the whole pyramid collapses and everyone bullies me about it! I’m tired of those girls walking all over me. Literally! I don’t know what I did to deserve this kind of treatment, but it’s pretty obvious they all hate my guts. ! I’m majorly frustrated! I don’t know if I should quit the team, confront my teammates, or just keep quiet so I don’t make things worse. I really don’t want to give up my dream of making varsity! What would you do?? —Cheerless Cheerleader * * * * * * * * * * * * * * * Dear Cheerless Cheerleader, Hon . . . I think you’re kidding yourself if you think you made the cheerleading team based on your awesome moves. My reliable source on the team told me your tryout routine was HOR-REN-DOUS. She said she couldn’t tell if you were trying to dance or going into convulsions! Your backflips were BACKFLOPS, your cartwheels were FLAT TIRES, and your dismount was totally DISGUSTING! Get the picture? You were chosen for one reason, and one reason alone—you look like a sturdy ogre who can carry a lot of weight! It’s been a long tradition for cheerleading captains to hand-pick strong, ugly girls for the bottom of the pyramid. Didn’t you know that?? Quit taking everything so personally! Just accept that the bottom is where you belong, sweetie! You should hold your green, Shrek-looking head high that someone actually wants you for something. Bet that doesn’t happen often! Yay you! Sincerely, Miss Know-It-All P.S. My source wants you to stop dancing. She says you’re giving the squad NIGHT TERRORS!
Rachel Renée Russell (Dork Diaries: Drama Queen)
If Pleasant Carter was jealous of his dashing younger brother with his automobile and his pockets full of crisp dollar bills, he never expressed it. But what he saw happening all around him made it harder and harder for him to see himself as a lifelong dirt farmer. A.P.’s wandering gene was always getting the better of him.
Mark Zwonitzer (Will You Miss Me When I'm Gone? The Carter Family and Their Legacy in American Music)
Finally, and most notably, the ever-present tremble gave A.P.’s voice a slight quaver, so that when he spoke, it was like a ripple on a pond, and when he sang, it was faster, like the shimmering rush of a mountain creek over mossy rocks below.
Mark Zwonitzer (Will You Miss Me When I'm Gone? The Carter Family and Their Legacy in American Music)
If I had the power to travel time, I would have once again lived my life with my brother
P.S. Jagadeesh Kumar